{'fraction_non_alphanumeric': 0.020618556701030927, 'fraction_numerical': 0.01499531396438613, 'mean_word_length': 4.933333333333334, 'pattern_counts': {'":': 0, '<': 0, '<?xml version=': 0, '>': 0, 'https://': 0, 'lorem ipsum': 0, 'www.': 0, 'xml': 0}, 'pii_count': 0, 'substrings_counts': 0, 'word_list_counts': {'cursed_substrings.json': 0, 'profanity_word_list.json': 0, 'sexual_word_list.json': 0, 'zh_pornsignals.json': 0}}
Colorblindness and Masculinity: "Lethal Weapon" and the Construction of a Postracial Reality

Hollywood buddy cop action films reached great popularity among American audiences of the 1980s. The genre offered something more than entertainment: it offered a vision of a country where race was no longer a meaningful concept – a vision of a post-racial society. In the wake of the biggest protests against racial injustice in decades, which in 2020 swept the United States and spread to parts of Europe, it is worth revisiting the genre which significantly contributed to the development of popular imagination about race. This article provides a closer look at a staple of the buddy cop genre, the 1987’s "Lethal Weapon". While ostensibly a progressive production, a deeper analysis shows the film to not only call upon traditionally racist portrayals of black people, but to justify a color blind approach to policing. Thus, the article shows how Hollywood worked to disavow the racialized reality of the 1980s. This disavowal is very much a current in society today.