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Mr K meets Modern Times: Intertextual closure in La Vis

Among the many functions that the doppelgänger-twist in La Vis fulfils, it also stages a convergence of the film’s two most self-conscious influences – Kafkaesque bureaucracy in The Trial (1925) and The Castle (1926); and Charlie Chaplin’s Modern Times (1936) – in which Mr K comes face-to-face with the Tramp.