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The amorous aspect of the play also evoked a comment: “the English love-making on stage is to my mind like ‘toffy’—too sticky. In Japan it is more delicate, more like “wisky-and-soda” but “the love scene in the third act of this play is now perfect. ” While he admitted, “[i]t is not a Japanese play,” there was much in it reminiscent of Japanese theater. “Those who love Japan will go to Mr. 103 The critic for The Academy, in a review which appeared opposite Markino’s description of the production, summed up Darling wonderfully.
Those who love Japan will go to Mr. 103 The critic for The Academy, in a review which appeared opposite Markino’s description of the production, summed up Darling wonderfully. 27 edwardian london through japanese eyes 13 “Mr. Gilbert’s ‘The Mikado’ has made the path no easy one for the dramatist who would write a serious play of Japanese life,” read the notice, concluding that despite its Japanese “adornments, which are, in truth, gorgeous,” the play itself seemed less eastern and more like Shakespeare or Victorin Sardou, still remembered for La Tosca (1887).
79 The use of the word “Jap” by Britons and its gradual disappearance from genteel discourse points to a further instance of growing respect for Japan during the Edwardian period. From Robert Machray’s “gay little Jap” of 1902 (see ﬁg. 6) sauntering in Piccadilly Circus to Pugh’s 1912 depiction of “Japs” living among the other foreign multitudes in the East End, the word, while often tinged with xenophobic prejudice reﬂective of the discomﬁture which surrounded the entry of Asian and eastern European immigrants at this time (the 1905 Aliens Act was largely directed at Russian Jews),80 in truth periodicals and japanese art British art periodicals also took a lively interest in Japan and its culture.