Clarity Cable - HomeCome Visit us in Room 4009 at THE Show 2013!We will be showing with King Sound Prince ll,KR Audio Kronzillas, ExaSound DAC, and iFi iPhono.
HomeCome Visit us in Room 4009 at THE Show 2013!We will be showing with King Sound Prince ll,KR Audio Kronzillas, ExaSound DAC, and iFi iPhono.
We are now making a DC umbilical for the upgraded power supply for the Exogal Comet DAC!
…I had already heard the improvement that this nano-coating technology gives in my system as well as another, but I again heard more sense of the recording environment, such as reverberations off the studio wall, decay of notes, and noises of the performers. The soundstage improved… the timbre of the instruments was right on.
﻿Essence of Music two-step CD cleaner and treatment is an essential product for preparing your CD and Blu-ray discs for upload and playback.
Ripping following Essence of Music application reveals and permanently captures visceral details, spatial cues, and ambient intimacies of a live event to your media server – delicacies always present, but obscured within your disc, prior to Essence of Music application.
Come see us with Resonessence in room 1104. We will be introducing our new 'Natural" series speaker cables and USB cable. We will also have our umbilical for the Exogal Comet DAC in room 1100.
Roger DuNaier of KingSound had plenty of reason to smile. His King III full-range electrostatic loudspeakers were sounding the best I've ever heard them. That means the music they produced sounded exceptionally smooth, warm, relaxed and inviting. How Roger managed this on the Mezzanine of the Doubletree, where rooms had a 10' air space above the ceiling that sucked the life of most active systems on the floor, is no mean feat.
Of course, you can bet that the associated components—Purity Audio Design Reference Series II linestage preamplifier, Bob Carver Black Beauty 305 monoblock amplifiers, Oppo 3D Blu-ray disc player, and Clarity cabling—Vortex power cords, Organic RCA interconnects, and Organic speaker cables—had something to do with it. Roger didn't know what one of the tracks he played me was—no one he's shared it with has been able to identify it—but I really liked the sound of the piano and warmth of the midrange. I left the room thinking that if other rooms sounded as good as this, it was going to be a very, very good show.
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