Is it legal to download movies in Canada? For years Canada has been known as a pirates' safe haven, but copyright in Canada has been going under huge reform for the past few years, and it's been hard to keep up with all the changes. With the new updated copyright laws, is it legal to download movies from a site such as the Piratebay? What's the official policy?
Subject to a few exceptions, such as fair dealing, copyright holders have a right to dictate how their creations are performed, communicated to the public, and reproduced. It is technically an infringement, and illegal, to download without respecting the copyright owner's terms. The Copyright Act sets a limit of $5000 for non-commercial infringement cases: 38.1 (1) (b) in a sum of not less than $100 and not more than $5,000 that the court considers just, with respect to all infringements involved in the proceedings for all works or other subject-matter, if the infringements are for non-commercial purposes. Practically, due to the fairness and reasonableness of Canadian courts and legislation, few-to-no lawsuits are brought against personal, non-commercial infringers as they are not cost-effective for rights holders. A reasonable award of, say, $150 for downloading one movie, is hardly worth the time, expense or risk to prosecute, especially if the defendant has no obvious income or assets to cover an award of damages, legal costs, etc. Even when your ISP forwards a notice from a rights holder alleging infringement, as they are required to by law, the chances of actually being sued are (currently) slim. Further, if you only download and don't upload or "make available" you may be less likely to receive such notices or threats from some rights holders, depending on how they choose to identify IP addresses of apparent infringers. For example, many rights holders, or the enforcement companies they employ, try to download infringing files through BitTorrent and accuse all peers of infringement. To catch people who only download, the rights holder would have to actually offer and distribute their own copyrighted works, and they seem more reluctant to use this approach.
If you copy copyrighted material without permission or another exemption, you are at risk It doesn’t matter if you know the material is subject to copyright, it doesn’t matter if you think you have permission but don’t, it doesn’t even matter if you knowingly make the copy or if it is some background process you don’t know about. Copyright law is really simple: if you make an unlawful copy, you broke it. If this seems unduly harsh, remember you are dealing with a law with its roots in the 18th century that was internationalised at the beginning of the 20th century. Making copies then was a hard, deliberate process - you couldn’t “accidentally” or “inadvertently” make a copy of a literary or artistic work. Now you can - the world has changed, the law hasn’t.
Copyright law requires permission of the rights holder to e.g. post material. The terms of that permission could be very complicated, as seen in royalties contracts with publishers, but they can also be simple. If someone asks "can I post your video on my website" and you say "Sure, as long as you give me credit", then they can post the video on their site as long as that say something like "This video was made by Jake" or something like that. There is no exception to permission where permission is retroactively withdrawn just in case it turns out that one can make money off of the video. However: you gave That Guy permission, and that does not mean that the hundreds of Other Guys have permission. So you can pursue all of the Other Guys and demand that they take the video down, or require some payment to get your permission.
In Australia at least I am not sure that the usage you describe has ever been legal. The University of Melbourne Copyright Office sets out when you may copy a television program for personal use and fair dealing for research and study. In short for personal use, you may: use any format you like - if you can find a working VCR; go for it. Not lend or sell the material; it must be for your own private use. This means you must be there when it is displayed and it must be in a private place. For example, you can invite friends to your place or go to a friends place and watch it together. The thing you are copying must be legal - you must have bought the original, have a current pay TV subscription (at time of recording) or it must be a free-to-air broadcast.
The rule you are alluding to with respect to a television set is called the "first sale doctrine" which basically prohibits copyright and trademark owners from limiting the ability of a buyer of a good (like a CD or authorized logo T-Shirt) protected by copyright or trademark, from limiting further sales of that good (or the manner in which the good is used by its new owner) after a first retail sale of the good with copyright or trademark protections. This doctrine was derived from an old common law rule that invalidated "restraints on alienation" of property other than intellectual property on public policy grounds, and like the "restrain on alienation" rule for tangible property, the first sale doctrine that applies to intellectual property was also (at least originally) a court created common law rule. But Minecraft isn't, conceptually, a good. It is a continuing service provided over the Internet, and firms that provide continuing services on a licensed basis, as Minecraft does, can impose terms of service (a.k.a. an "end user license agreement" a.k.a. EULA) which must be complied with in order for users to be allowed to continue to utilize the service. So, its prohibition on exchanges of things of real world value for things of game value, except as the terms of service authorize, is permitted. A user of Minecraft is more analogous legally to someone skating at an ice rink than to someone who buys a CD or book. If you buy a ticket to skate at an ice rink, the people granting you the license to use the ice rink have the right to set rules governing how you utilize that service, and to terminate your license if you don't follow the rules (e.g. by skating in the wrong direction at the wrong time). Indeed, a ticket to an event is also known in legal parlance as a form of "license" just like a EULA, and licenses to use real property are the origin of the body of law that now governs the licensing of intangible intellectual property. A Minecraft license isn't something that you own (even if you have a license of unlimited duration), it is a qualified and limited right to use something that someone else owns, that you aren't allowed to purchase, but you are allowed to use on the owner's terms. How can they enforce servers to follow that rule if the server's are not using Mojang's proprietary software. The EULA or TOS obligation in the Minecraft business model is enforceable because Minecraft isn't in the business of selling proprietary software, even though it does do that. Minecraft is in the business of licensing access to data and online resources. The EULA regulates your access to the data on servers, and the computing power of those servers, not your ownership of an app which facilitates your use of the licensed services. And, while there are various contractual remedies for violating a EULA, the most basic one is a self-help remedy: to cut you off from your ability to use the service if you violate the owner's rules. Indeed, at least heuristically, the easiest way to distinguish an intellectual property good, which is subject to the first sale doctrine, from an intellectual property service, which can be licensed pursuant to a EULA, is whether, as a practical matter, the firm distributing the intellectual property has a practical ability to deny you service going forward without resort to the courts. If the owner of the intellectual property has no practical ability to do that, the intellectual property being distributed will probably be classified as a good and be subject to the first sale doctrine. But, if the owner of the intellectual property has the practical ability to cut you off from the intellectual property being distributed without resort to the courts, the intellectual property being distributed will probably be classified as a service, which is not subject to the first sale doctrine and may be licensed.
Unfortunately, the "but everyone does that" (BEDT) argument doesn't hold water as evidenced by prosecutions of looters. Would uploading this video be a copyright infringement? It would be hard to answer this part of the question without knowing where and from whom the clips had come from. If the clips came from a company like ESPN or a YouTuber that doesn't give you permission to be able to use their clips then yes this might be a copyright infringement. If you use video/clips that are labeled as creative commons then nt it wouldn't be an infringement. YouTube has a feature for this. Would my actions be fair use? First, we'll need to understand what fair-use is. Fair use is the ability to use copyright material under certain circumstances without permission. To best determine if using copyright-protected material in your work you should weigh it against the four factors of fair use. The purpose and character of the use, including whether such use is of a commercial nature or is for nonprofit educational purposes; The nature of the copyrighted work; The amount and substantiality of the portion used in relation to the copyrighted work as a whole; The effect of the use upon the potential market for or value of the copyrighted work. More information about fair-use here Youtube outlines their fair use guidelines here
This is known as "film novelization"(For example, the novelizations of the Star Wars movies are film novelizations, created under license), and is copyright infringement unless made under a license from the copyright holder. Specifically, you would be making a derivative work of the original, by changing the medium. One of the rights provided by copyright is the right to control the transference from one medium into another. This, in my (non-lawyer) opinion, is unlikely to be found as fair use. There are four test factors for determining fair use(source), decided on a case by case basis: Transformative Character of the Derivative Work: Unlikely to be found in your favor, as nothing is transformed ("I don't change anything, the name are the same, everything is the same, it's just a conversion to textual form"). Nature of the Original Work: A narrative entertainment film, thus unlikely to be found in your favor. Amount and Substantiality of the Portion Taken: You've taken all of it; not in your favor. Effect on the Potential Market: You are essentially providing a free version of what copyright holders can often charge for; negative effect on their potential market. Not in your favor.
In Canada, copyright means "the sole right to produce or reproduce the work or any substantial part thereof in any material form whatever, to perform the work or any substantial part thereof in public..." (Copyright Act §3(1)). This question asks whether the work or any substantial part of the work is reproduced when an individual torrent chunk (typically approximately 1/1500th of a file) is downloaded to volatile RAM and immediately discarded.1 If not, is a substantial part of the work reproduced if the downloader-and-discarder repeats the activity on more of the torrent's chunks (each being discarded before downloading another torrent chunk)? Substantiality As quoted above from the Copyright Act, when reproducing only a portion of a work, the statute only prohibits reproduction of a "substantial part" of the work. "[T]he Act does not protect every “particle” of an original work" (Cinar Corporation v. Robinson, 2013 SCC 73). Substantiality is not measured by quantity. "Whether a part is substantial must be decided by its quality rather than its quantity" (Ladbroke (Football), Ltd. v. William Hill (Football), Ltd., [1964]). Copyright Board's substantiality decisions Is a small chunk of a torrent a substantial part? The Copyright Board has looked to several signals in judging substantiality, one of which is whether "[the part] may be so closely identified to the work as to allow the reader to recognize the work" (License Application by Pointe-à-Callière, Montreal Museum of Archeology and History for the Reproduction of Quotations, Copyright Board of Canada [2004]). In some video codecs, possessing 1/1500th of the encoded file would not allow playback such that the result would be recognizable as a portion of the original. The Copyright Board has also held that in the case of XM satellite receivers, which hold "4 to 6 seconds of the Satellite Services' multiplex signal at all times in its random access memory (RAM)", that "the 4 to 6 second buffer fails to satisfy the substantiality requirement. It is not a substantial part of the protected work." (Collective Administration of Performing Rights and of Communication Rights (Re) [2009]). If downloading and discarding one torrent chunk is not reproduction of a substantial part, does downloading and discarding multiple (even all) chunks become a reproduction of a substantial part of the work? The Copyright Board has said, regarding the 4-6 second buffer in the XM satellite receiver (ibid.): "The rolling 4 to 6 seconds of a musical work is not an aggregate of an entire work. At no time does a subscriber possess a series of 4 to 6 second clips which when taken together would constitute a substantial part of the work. It matters not that over time the totality of all works transmitted are reproduced. We are dealing with a rolling buffer and at no time can we line up all of the fragmented copies amounting to one complete copy of a musical work." Discussion In my opinion, downloading a chunk of a torrent file to RAM and immediately discarding it is not reproduction of a work or a substantial part thereof. It is not copyright infringement. Repeating this activity for several torrent chunks of the same torrent file is likewise not copyright infringement. The above analysis is dependent on assumptions regarding the type of file (a media file, encoded using a format that doesn't produce recognizable sub-portions2, split into approximately 1500 chunks). Other types of files and torrents would not fall under this analysis and thus the hypothetical download-and-discard activity could still be infringement. Consider a 5 minute .wav file, split into a torrent having only 2 chunks. A 2.5 minute .wav chunk would be recognizable as a portion of the 5 minute original, and 2.5 minutes of a 5 minute work would be much more likely to be considered a substantial part. Notes 1. I know of no torrent client that behaves this way. It would have to be a custom-written torrent client designed specifically for this ostensibly useless task. 2. Although, I don't think the assumption of unrecognizable subportions is necessary, since the 4-6 second buffer in the XM Satellite receiver was recognizable.