Is this pdf a copyright infringment? The Pontifical Biblical Commision of the Vatican produces documents in several languages - but not in all of them. For instance, the document L'interprétation de la Bible dans l'Église (The Interpretation of the Bible in the Church), published in April 15, 1993, is in German, Italian, Portuguese, Swahili, and Ukrainian. I was looking for a copy in Spanish (as I do not know any of those languages), and found this pdf. It mentions no translator, nor does it acknowledge the copyright of the Vatican on the original document. But, does the electronic text in the Vatican website (in any language) has copyright? Well, as this was published in 1993, probably in a printed book, it must have a copyright. There is no mention to it however in the website. Now, assuming the document has a copyright, is the pdf version in Spanish infringing the copyright of the original document? Reasons why it should: it's a translation, which require official permission. it's the whole document, and so not under fair use Am I right? If so, would the only way to produce a legal pdf version of a full (copyrighted) document of the Vatican website require to ask permission for it?
According to Wikipedia, the organization that holds Vatican copyrights has the following policy: [N]ews organizations can quote from the pope's speeches, encyclicals and other writings without charge. They can also publish full texts free provided they cite Vatican copyright ... but if a text is published separately ... payment is due. You say that no Vatican copyright was cited, which is too bad - they'd have a good argument that they already had permission. it must have a copyright Correct. Published or unpublished, it has a copyright from the moment it was fixed. it's a translation, which require official permission. Translations are considered derivative works, which is a right protected under copyright. So you need permission, fair use, or some other law that allows you to use it. it's the whole document, and so not under fair use Well, not so fast. There are four factors included in fair use, and that's only one of them. The factors are: (1) the purpose and character of the use, including whether such use is of a commercial nature or is for nonprofit educational purposes; Is the website offering this work for religious purposes, or for profit? (2) the nature of the copyrighted work; I'm not really sure where religious works fall under this factor, honestly. (3) the amount and substantiality of the portion used in relation to the copyrighted work as a whole; The whole work is used, so this factor would be against fair use. (4) the effect of the use upon the potential market for or value of the copyrighted work. Is there a market for this work? Does the Vatican sell it, or use it to drive traffic, or anything? If so, this factor would be against fair use. If not, the translation probably does not affect the market for the work, and this factor would be in favor of fair use.
These files are not public domain Read it carefully, it only says “public domain musical compositions in a MIDI (Musical Instrument Digital Interface) file format.” The compositions are public domain, the MIDI files aren’t - they are a derivative work (a translation) covered by their own copyright. Specifically, “© Copyright 2001 University of Arizona. All rights reserved” right next to a big “Contact us” link. Literary and artistic works that are derived (legally) from existing works have independent copyright even if the original no longer does. Mozart, for example, did not write his compositions in MIDI format. Now, it may be the intention of the University of Arizona that you can use it but, if so, they have not made this clear. It’s possible that the authors (mistakenly) thought that because the originals were public domain, their derivatives would be too. The music school should have talked to someone from the law school. All of the purposes that they talk about on the “Purpose” page are equally applicable to widely licensed (e.g. everyone) or narrowly controlled (e.g. staff of the University). Overall, a prudent person would assume that these works are copyright of the University of Arizona and can’t be used without permission or a fair use exemption. Your proposed usage is not fair use. However, there is a big “Contact us” link on every page so you can always ask for permission.
Please Note: This was written before the title change of this question and may no longer be applicable According to the Harvard website: In Feist Publications, Inc. v. Rural Telephone Service Co. 499 US 340 (1991) the United States Supreme Court held that copyright does not extend to a mere compilation of facts. In this case, it was a telephone directory much the same as the one in ProCD v. Zeidenberg 86 F.3d 1447 (7th Cir. 1996). Furthermore, the Court also ruled that something more than simple "sweat of the brow" labor was required before copyright protection would ensue, with some modicum of authorial originality necessary. Accordingly, it was held in Feist that copyright did not extend to a telephone directory, no matter how laborious a task its compilation was. The decision in ProCD v. Zeidenberg 86 F. 3d 1447 (7th Cir. 1996) is highly significant, therefore, in that it permits copyright or quasi-copyright protection to be extended to non-copyrightable material through the use of contract. One would have to consider each meta tag independently. For example, the "description" tag could by copyrightable since it is written for more than just the 'facts', such as a subtle advert for the site that is more than an objective description. However the 'og:type' would not be copyrightable since it would just be considered a fact. Now, if you are using it on another website and sourcing it properly, you could probably use it under "Fair Use" Uses That Are Generally Fair Uses Subject to some general limitations discussed later in this article, the following types of uses are usually deemed fair uses: Criticism and comment -- for example, quoting or excerpting a work in a review or criticism for purposes of illustration or comment. News reporting -- for example, summarizing an address or article, with brief quotations, in a news report. Research and scholarship -- for example, quoting a short passage in a scholarly, scientific, or technical work for illustration or clarification of the author's observations. Nonprofit educational uses -- for example, photocopying of limited portions of written works by teachers for classroom use. Parody -- that is, a work that ridicules another, usually well-known, work by imitating it in a comic way. A copyright would exist on the image. One would have to know what license currently applies to the image to know for sure, however, the "Fair Use" to copyright would still apply. With Fair Use, the entity type that uses the image is important. There is much more leniency when a non-profit uses copyrighted information than when the information is used in commercial activity. (With, of course, more exceptions.)
Copyright exists from the moment of creation of the work Copyright notices and dates are neither required nor meaningful. They are a courtesy to others. They can also have typos.
The creator of the derivative work has copyright in the derivative work. The copyright would protect only the new elements of the derivative work. Wikipedia is a good place to start. In the case of a book with updated grammar, depending on the extent of the changes, it would probably be easier to copy the original directly than to eliminate the updates from a copy of the derivative work.
I presume the input is text: "my original text" is assumed to mean you wrote (created) the text. That means that you hold the copyright to the text, and only you can authorize a derivative work (such as a synthesized recording). Therefore, you hold the copyright to the recordings as well. The crucial consideration governing that right is that you "created" the work, meaning that there is a modicum of creativity. However, if you did not create the text and your only function is to host an automatic process where users can create a synthesized recording, then whoever created the text has the right to the text and derivative works (i.e. the synthesized output). Automated processes like (unassisted) OCR or wav-to-mp3 conversion would not count as being "original", nor would automatic text-to-speech, so you don't gain copyright just from making an automatic work-creating tool available. On the assumption that the conversion involves a component of Chrome, you can use the service per the terms of service, though you cannot "reproduce, duplicate, copy, sell, trade or resell the Services". This might limit the extent to which you could make this conversion available to others, depending on how, exactly, you could do such a thing (does it duplicate the service?). As they say, Google owns all legal right to the Services, but Google obtains no right from you for any content created through their service. There is no restriction in the TOS against using the service for commercial purposes. Even if there were, that would not assign copyright in the recording to anyone else, it would just mean they could sue you for violating the TOS.
But while some libraries allow unrestricted use of their Public Domain content, others do not and limit the use of their copies to Non-Commercial use. It is my understanding that NC only applies to the digital copy, not the work itself. Your understanding is correct. An ancient text, or one long out of copyright, does not get new protection by creating an image of the text. At most the image itself is protected, not the underlying text. In the US, and other jurisdictiosn that follow the rule of the 1999 Bridgeman Art Library v. Corel Corp case there is no copyright protection on the image because it has no original content. Some EU courts have indicated that they will be following the logic of bridgeman. To the best of my knowledge no EU decision grants copyright protection to an otherwise out-of-copyright work because of its presence in a digital library or collection. However, if a person gained access to a digital library or collection subject to a TOS agreement which includes &quot;no commercial use&quot; terms and then published a text from it commercially, that person might be subject to a breech of contract or similar suit by the library. Such a suit would need to include proof of damages.
First of all derivative works are not exactly "illegal". They are fully legal if the owner of the copyright in the original work has given permission. If no permission has been given, they may be copyright infringements. But they may fall under an exception to copyright. Under US law, the most common exception is "fair use". See this question and answer for more on fair use. But particularly relevant in this case is that a parody is usually a fair use, although as in every fair-use decision, there is pretty much no clear-cut, hard&amp;fast rule on what is and is not fair use. In the UK and much of the EU (or maybe all of it, I am not sure) there is a somewhat similar concept known as "fair dealing". It is also an exception to copyright. So it is possible that such works fall under fair use, fair dealing, or another exception to copyright, or that the rights-holder has given permission. Secondly, copyright infringement is a tort, not a crime, under most circumstances. It is enforced when, and only when, a copyright-holder chooses to take action, sending a take-down notice or copyright complaint, of filing suit for infringement. Some rights-holders choose as a matter of policy not to take such actions, thinking that such derivative works actually benefit them. That is their choice to make. Some rights-holders don't have the time or money to track down and take action against most infringements, and will only act if they think the derivative work will in some way cost them a lot of money or harm their reputation. Some rights-holders may just not have heard, yet, of specific possible infringing derivative works. As for Acta2, it has not yet been approved, the Wikipedia article linked in the questions says: In order for the text of the directive to become law in the EU, it must be approved by the European Council on 9 April 2019 The article also mentions significant continuing opposition. If it is approved, it is not clear, to me at least, how it will affect sites hosting such content, nor how it will interact with the copyright law of individual EU nations. If approved, it will no doubt take some time before enforcement is widespread. And of course it will only apply when EU law applies. If both site and author are outside the EU -- say if both are from the US -- it seems that it could not apply.