Which jurisdiction applies to copyright violations on the internet? A person residing in country A takes a work by an artist in country B and puts it onto a website they own but which is hosted in country C which is intended for an audience of people in country D. The artist in country B did not give permission for this and wants to pursue legal actions. Which countries copyright laws apply to this case? Let's assume that A, B, C and D all signed and ratified the Berne Convention, but their implementations in local laws differ in ways which are relevant to this case.
Jurisdiction is generally a matter for courts to decide. For example, in Kernel Records Oy v. Mosley, 694 F. 3d 1294 (2012), the plaintiff, having had their work published in Sweden, had filed a claim there, and lost. They then took the claim to the United States. Copyright infringement is generally actionable per se - no damage needs to actually be proven or sustained. Typically, the rule is that the proper law will apply. This is the state that seems to have the closest and most real connection to the facts of the case. Now, where there is more than one jurisdiction in which a claim may be brought - as in your example - a plaintiff may research the relevant statutes to determine which jurisdiction is most likely to afford them the most favourable outcome. It's called forum shopping. It is likely that the proper law will be that of A or C. This depends on a number of factors: Whether the infringing party profited from the infringement. If the infringing party profited from the act, then you are likely to want to bring the matter in A, so that you can recover damages. Whether the infringing party has any presence in B. If the party has a presence in B, then a claim in B is likely to be more cost-effective. Again, depending on the laws of the country, it may not be possible for the artist to bring a claim against the infringing party if they have no local presence. Some countries have laws that explicitly allow extraterritorial service. Whether the hosting service was aware of the copyright infringement. If the hosting service was aware of the infringement and failed to prevent it, then you may be able to claim for contributory infringement - they could then, depending on their contract/agreement with the infringing party, be able to claim for damages. The Napster case may be somewhat relevant to this, but it's hard to say anything concrete when working with hypothetical countries. At the very least, a claim against the hosting service - which may just be an injunction ordering the removal of the content - could be fruitful. The actual laws of the countries involved. If the artist has sufficient money, they can just choose the forum that is most favourable to them. In short, private international law is a tricky subject and there are so many factors that need to be accounted for.
When you file a DMCA notice, what it really means is that you are saying: "Dear website, there is some copyright infringement going on against my works, and I'm willing to take someone to court. You have the choice of removing these materials, which means I cannot sue you, or you can leave copyright infringement on your website and you will be part of the court case". When the purported infringer gives a counter notice, what it really means is that they are saying: "Bring it on. Take my to court. I'm not afraid of you. By the way, dear website, because you followed the DMCA procedures and I gave you the counter notice, you can't be sued for copyright infringement if you restore these materials, even if they are infringing on copyright. " And the website tells you politely "we played by the rules of the DMCA. So now it's between you and the purported infringer, you can't sue us for showing the contents. " So yes, if you don't take the copyright infringer to court, nothing will happen.
http://www.wipo.int/edocs/lexdocs/laws/en/dk/dk091en.pdf is the Copyright Law in English for Denmark. You should probably try to find a Danish version to ensure the translation is accurate. Chapter 2 lists the exemptions from the general rule that you need the copyright owner's permission to use their IP. Unfortunately, the usage you have made does not meet the requirements for private use (s12): digital copies may only be shared among the members of one household, placing them on the web extends beyond your household. It may meet the requirements of educational use (s13) providing that your school has met the requirements for Extended Collective Use (s50). For photographs, this seems unlikely, such arrangements are usually limited to songs and television works. Under Chapter 6b, you are permitted to use "orphaned works", however, this requires that you have made a diligent search for the owners and have been unable to either identify or locate them. Copyright violation is subject to both penal sanctions (fines and in egregious violations imprisonment) (s76) and damages (s83). TL;DR Yes, you could be sued. Yes, the copyright holder would probably be successful. No, it is extremely unlikely they would bother.
The UN has a copy of the extradition treaty between the US and Brazil, the short version of it is that the treaty lays out in Article II an exhaustive list of crimes that are extraditable, skimming the list I don't see defamation (since of course in real life it's not a federal crime). As a general principle, Country A won't extradite someone to Country B if the conduct they are accused of in Country B is not a crime in Country A, if Country A does not think Country B would provide a fair trial, or if the person is convicted if the punishment likely to be imposed by Country B would be illegal under the laws of Country A (this comes up a lot with extradition from Europe to the US if a possible punishment for the crime is death). So in your hypothetical Brazil would probably be unwilling to extradite its own citizen for the crime the US accuses them of. I think another part of your question is whether the US or Brazil would have jurisdiction over this defamation. In theory, both could claim jurisdiction over it. In practice most criminal conduct is criminal relatively universally, especially among similarly geolocated countries, so the rest of this paragraph is assuming both countries did consider the defamation criminal and extraditable. As a matter of judicial effectiveness an Internet crime would probably be prosecuted in the country where the person resides. There would likely be a language barrier too, if the US court would have to employ a Portuguese translator. However, this is all largely a political question more than a legal one, if the US really wanted to make an example of this person in their own country the US could try to use political leverage to get Brazil to extradite them. The US could also wait until the person travelled abroad and petition the third country to imprison and extradite them. That's something that happens more commonly for citizens of a country that the US does not have an extradition treaty with.
A thing needs to be original in order for it to get copyright protection. 17 USC §102: "Copyright protection subsists [...] in original works of authorship" Copyright Act Section 5 (1): "copyright shall subsist in Canada [...] in every original literary, dramatic, musical and artistic work..." In the US, originality requires "a modicum of creativity" (Feist Pubs., Inc. v. Rural Tel. Svc. Co., Inc. 499 U.S. 340 (1991). In Canada, originality requires an "exercise of skill and judgment" and that "not be so trivial that it could be characterized as a purely mechanical exercise" (CCH Canadian Ltd. v. Law Society of Upper Canada, [2004] 1 SCR 339). Text transcribed from a public domain source would not be given copyright protection.
But while some libraries allow unrestricted use of their Public Domain content, others do not and limit the use of their copies to Non-Commercial use. It is my understanding that NC only applies to the digital copy, not the work itself. Your understanding is correct. An ancient text, or one long out of copyright, does not get new protection by creating an image of the text. At most the image itself is protected, not the underlying text. In the US, and other jurisdictiosn that follow the rule of the 1999 Bridgeman Art Library v. Corel Corp case there is no copyright protection on the image because it has no original content. Some EU courts have indicated that they will be following the logic of bridgeman. To the best of my knowledge no EU decision grants copyright protection to an otherwise out-of-copyright work because of its presence in a digital library or collection. However, if a person gained access to a digital library or collection subject to a TOS agreement which includes &quot;no commercial use&quot; terms and then published a text from it commercially, that person might be subject to a breech of contract or similar suit by the library. Such a suit would need to include proof of damages.
With these facts, assuming Mr Y was charged with involuntary manslaughter (like in MA v. Carter) or aiding a suicide, based solely or almost solely on the messages, under which jurisdiction would he be charged? Applicable Law States have jurisdiction both over crimes that are committed in the state and over crimes that cause harm in a state. The classic law school example is a murder committed by shooting someone with a gun across a state line. Both the state where the gun is fired and the state where the person is shot have jurisdiction over the crime. Jurisdiction generally requires a purposeful act directed at someone or something in the state where the harm is suffered in most cases. But that isn't a hard and fast rule of constitutional law in other contexts, and there are few cases on point. I would consider this to be an open question. Certainly, however, the mere fact that the victim of a crime is transported to another state for medical treatment, where that victim then dies from causes relate to the crime, does not give the state where the death ultimately occurs in the hospital jurisdiction over the offense. Double Jeopardy Indeed, the constitutional protection against double jeopardy does not prohibit both states from independently convicting and punishing the same defendant for the same crime in this situation under the &quot;dual sovereignty&quot; doctrine. As background, the Colorado Supreme Court decided a dual sovereignty double jeopardy case today. Application To Facts (The application to the facts has been revised upon closer examination of them.) The line about &quot;Ms X, who is, at this point, still in Nevada,&quot; is confusing because she was in California before and isn't described as ever being in Nevada. I presume that &quot;still in California&quot; was really meant. Mr. Y could be charged (at least) in Nevada or New Jersey from which the continuing course of communications was sent (undue emphasis on the final communication is probably inappropriate), and Wyoming, to which the bulk of the communications were directed and where the bulk of the harm was suffered. California and Nebraska do not seem to be places to which the communications were really directed or where the greatest harm was suffered. Momentary presence in Nebraska air space is probably insufficient. There are also a set of statutes that specifically address crimes committed during an airplane flight (see also here) that has been discussed in other answers at this website. To the extent that this is treated as a homicide committed while in flight, 49 USC § 46506, might also allow for a federal criminal prosecution. I'm not sure that this is really a crime committed in flight, however, as it involved a course of conduct. A single email or a single moment of death doesn't really capture it. It is more analogous to a poisoning taking place in many doses over a period of time. Is Mr Y's speech in this case protected by the First Amendment? No. First Amendment considerations do apply to crimes involving communications between people that are not false, but if there is sufficient intent to cause suicide or other harm, the First Amendment yields to other considerations. The freedom of speech is not absolute. The exact place that the line is drawn is a matter of ongoing litigation. This specific issue is explored in depth in Clay Calvert, &quot;The First Amendment and Speech Urging Suicide: Lessons from the Case of Michelle Carter and the Need to Expand Brandenburg Application&quot; 94 Tulane Law Review 79 (November 2019). This article is responsive to that case of Commonwealth v. Carter, 115 N.E.3d 559 (Mass. 2019). The article explains in its introduction that: In February 2019, the Massachusetts Supreme Judicial Court in Commonwealth v. Carter' affirmed Michelle Carter's conviction for involuntary manslaughter as a youthful offender based on her urging Conrad Roy to commit suicide.' In doing so, the court rejected Carter's claim that her conviction violated her First Amendment' right of free speech. Specifically, it reasoned that Carter's words with Roy immediately before and while he died were &quot;integral to a course of criminal conduct and thus [did] not raise any constitutional problem.&quot; In brief, Massachusetts's high court concluded that Carter's speech caused Roy's death' and that the First Amendment provided her no refuge.'
Links are in French. As the author of a work, you would generally hold copyright unless there's a contract otherwise. L113 of the Code de la propriété intellectuelle determines who is the rights holder of a given work and I don't see anything there that changes things for you as a contractor. Even if you assigned some rights to your employer through a contract, France has moral rights which can never be ceded. In fact, even if you were a salaried employee, you still hold the rights by default, unlike the US. There are a few exceptions to that though: software, inseparable joint works, and works where the creative process was purely directed by your superiors.