In the UK, who owns the intellectual property of a thesis? Assume the following problem: A person decides to create software for his thesis. His application turns out to be very profitable. If he continues creating it, will the University own the intellectual property over the thesis or the application itself? Will the revenue go to the university instead? Is there any way the two parties can come up with a contract or agreement? If the person leaves university and doesn't finish his thesis and instead releases his application, will there be any repercussions?
The Person and the University do need to come to an agreement. Universities usually have clear guidelines and arrangements for intellectual property, eg. In line with UK legislation, the University owns all intellectual property or other materials developed by its employees, unless explicitly stated otherwise. Students are not employees of the University and therefore legally own any intellectual property arising from their research as long as all of the creative intellectual input has been that of the student. When a researcher is both a student and an employee ownership of intellectual property will normally be determined by whether the intellectual property was created during the researcher’s duties as a member of staff or a student. University of Leicester (my summary) What should I do if I think I do have an idea or invention worth protecting? Have a look at the Research Strategy and Innovation Office website about where to start: University of Glasgow
No, it means you can't copy it. By default, the copyright to a work is owned by its creator, and nobody else is allowed to copy it, or create derived works, without their permission. That permission can be granted by a license. "License unknown" doesn't really tell us anything, but it certainly isn't clearly granting you permission. So you don't have permission to copy, and thus you cannot. You would have to seek permission from the copyright holder. See also If no licence is distributed with an application/source code, what license applies by default if any? (Some jurisdictions do allow for "fair use" exceptions, which allow you to copy a work without permission. You haven't said what jurisdiction you are in.)
Hypothetically speaking, if a program doesn't come with a EULA, does that mean someone in possession of it (who isn't the owner) would be breaking the law if they used it? If the copy on the stick was lawfully made with permission of the copyright holder, then you can lawfully use the software. Someone who lawfully comes into possession of a lawfully made copy of the software (that was not a backup) has the right to use that software in the ordinary way. For example if someone found a USB stick lying on the ground and it had software on it but no EULA, could they use the software? Maybe, but it would be hard for them to know whether they could or not. It might be a backup. It might be an unlawful copy. There was a case where a person found a CD in the trash that was clearly an original. The package had a shrink wrap agreement, but he found the CD without the package. The court held that he had every right to use the software on the CD (since it was a lawfully-made copy and not a backup) and was not bound by the EULA (since he hadn't opened the package). But he was very fortunate in being able to demonstrate these facts.
http://www.wipo.int/edocs/lexdocs/laws/en/dk/dk091en.pdf is the Copyright Law in English for Denmark. You should probably try to find a Danish version to ensure the translation is accurate. Chapter 2 lists the exemptions from the general rule that you need the copyright owner's permission to use their IP. Unfortunately, the usage you have made does not meet the requirements for private use (s12): digital copies may only be shared among the members of one household, placing them on the web extends beyond your household. It may meet the requirements of educational use (s13) providing that your school has met the requirements for Extended Collective Use (s50). For photographs, this seems unlikely, such arrangements are usually limited to songs and television works. Under Chapter 6b, you are permitted to use "orphaned works", however, this requires that you have made a diligent search for the owners and have been unable to either identify or locate them. Copyright violation is subject to both penal sanctions (fines and in egregious violations imprisonment) (s76) and damages (s83). TL;DR Yes, you could be sued. Yes, the copyright holder would probably be successful. No, it is extremely unlikely they would bother.
Under United States law, copyright is normally held by the creator of a work. There is one major exception to this rule: the "work for hire." If something is considered a "work for hire" under the copyright statutes, the copyright is held by the employer. Whether something qualifies as a work for hire is a complex analysis: here is a Copyright Office circular covering some of the basics. To be clear, I'm not giving an opinion (and I don't have enough information to give an opinion) on whether any specific works you or your fiance may create or commission qualify as "works for hire." It's a narrower test than you probably think it is. If the work is not a work for hire, the copyright holder owns the copyright, and anyone else can use it only with a license from the copyright holder. A license can be implied by the parties' behavior and communications--but it shouldn't be. If you're in a situation where you need to know, for example: That you are allowed to use the artwork forever, and the artist can't ask you to stop later; That you are allowed to change the artwork if you need to, even a simple change like cropping or adding a filter or text; or That, if your product is successful, the artist won't be able to sell another license to someone else to compete with you; then you need a written contract spelling out who owns the copyright and what the rights of the other party are. A lawyer can draw up a simple, re-usable form contract for you cheaply that will prevent the problems you're worried about. Remember: even if this is a work-for-hire situation, if you need to prove that down the road, it may require a trial, or at least preliminary motion practice, to do so. That's a lot more expensive than getting your ducks in a row now will be. tl;dr: Get a lawyer. If you're in a major city, there may be a local arts law organization that will provide you with free help for a simple job like this one. (Volunteer Lawyers for the Arts operate in several East Coast cities, and I know many top commercial lawyers who do pro bono for them).
Copyright in the US is usually a civil matter. Meaning that the copyright owner can sue (typically for money damages or injunctive relief) an infringer. The criminal laws that we have are aimed at the reproducer and/or distributor. In other words, chances are that you won't get in any criminal trouble for accessing academic articles of dubious origin. But never say never. RIP Aaron Schwartz.
How do you know if the copyright claimant or owner of them material you are using is allowing their content on Youtube? You don't. ... does fair use automatically cover you for anything related to this? No Is it illegal to share the music experience of a legally purchased MP3 ... or to provide services that play songs ... but are not hosted by your website (in which case you just act as a pointer to other sites which are participating in illegal activities)? Yes What rights/privileges can cover you if you wish to participate in this? None I've heard (rumours probably with no legal standing), that as long as you are not monetizing their material, you will not have any legal action taken against you. You probably won't have action taken against you. That said, you probably won't get busted for smoking weed in your basement. Lack of enforcement makes it no less illegal. What copyright means Copyright is a legal right created by the law of a country that grants the creator of an original work exclusive rights to its use and distribution, usually for a limited time. The exclusive rights are not absolute; they are limited by limitations and exceptions to copyright law, including fair use. The copyright holder decides how, when and by whom their work can be used and copied. At some point this right expires and the work passes into the public domain. It is not trivial to determine what works are public domain and what are not as it depends on the copyright law in the country they were created in at the time of creation and how that law has changed subsequently. In most of the world, the default length of copyright is currently the life of the author plus either 50 or 70 years. Many jurisdictions also grant workers for hire moral copyright in their creative work even when the proprietorial copyright vests with their employer. Copyright comes into existence automatically; it doesn't need to be registered or denoted in any way. For example, I have copyright in this answer and you have copyright in your question. A few countries (the USA among them) have a copyright register but that only limits the remedies an unregistered copyright holder has; failing to register does not negate copyright. Further, a single work can have multiple copyright holders: a music video for example has (barring contractual arrangements): the composer(s) holds copyright in the music the lyricist(s) holds copyright in the lyrics the performer(s) hold copyright in the music performance the actor(s) (if any) holds copyright in the acting the producer(s)/director(s) holds copyright in the finished product. In practice, most of these people have contracts which give their copyright to someone else. Almost certainly, every MP3 of every song is covered by copyright; that is, someone, somewhere owns the copyright; that is at least one someone. How can you tell who that is? Often, in the absence of a claim of copyright, you can't. Obviously, if it is a song published by a record label than its pretty obvious that they hold copyright on it and you don't need to worry about the deals they have with the artist/composer etc. Remember, copyright violations are a civil matter; the state does not get involved. It is up to each individual copyright holder to take whatever action they wish under the law to protect their rights.
It is conceivable that A's employer would claim that the intellectual property was actually created by A in the course of their employment rather than B. That would be a question of fact for the lawsuit to determine. Realistically, assuming A and B both testify that B created the intellectual property with no input from A and A's employer had only the IP address as evidence, it is pretty unlikely that the fact finder would find that A created the intellectual property. A's employer would almost certainly need to provide some additional evidence that would show that the balance of probabilities favored the employer's position (i.e. A works at FedEx writing software for package logistics, B is a 12 year old kid with no formal computer science training, and the intellectual property in question involves the implementation of sophisticated graph traversal algorithms that would be common in package logistics applications).