Copyright over borders Copyright law works, differently in different, countries. For example in my locale, Finland, small code snippets do not qualify as works and thus do not get copyright. Same applies to architectural drawings of mundane nature and same applies to several forms of technical drawings. These are then covered by different laws. First: Even if i do not get copyright over these entities in my locale am I entitled to copyright in those locales that allow such things? For example in the US many of these entities are possible to put under the umbrella copyright. Second: If an external entity owns the copyright of something that does not fall under copyright in my region does that mean that copyright does not apply to me? With the understanding that i do not use it outside my area.
The Berne Convention is the treaty that creates international copyright. The existence and duration of copyright is determined by the law in the country of first publication. If you publish these things first in Finland they have no copyright anywhere; if you publish first in say USA, they have copyright everywhere including Finland. However, the law for determining if there is a breach is the jurisdiction where the breach occurs. So even though these snippets may have copyright protection in Finland by virtue of first publication elsewhere; their use may be allowed under Finnish copyright law.
why do they sometimes specify the federal law as well as the state/provincial law? Isn't it redundant? Not necessarily. The contract might be entered and/or performed in a different country, whence mentioning only the Canadian provincial law does not override the other country's federal law (or that country's &quot;supra-provincial&quot; equivalent). Mentioning Canadian federal law removes --at least on paper-- the ambiguity of which law applies for matters beyond the scope of Canadian provincial law. In such scenarios, portions or the entirety of the provision might be null and void. For instance, an employment contract might establish waivers which are void or perhaps even unlawful under the legislation of that other country. Please note that in general a copy/paste of sample clauses is strongly discouraged unless the parties fully understand their meaning and implications.
In united-states copyright law, anything that is of one of the broad general categories that can be protected by copyright is said to be a &quot;work&quot; whether or not it has been &quot;fixed in a tangible form&quot;. If a person sings a song, never having written it down or recorded it, the song is a &quot;work&quot; but has not been fixed, and is therefore not protected by copyright. The same would apply to a speech or a poem that has been recited but never written down or recorded, or a dance performed but never notated or recorded. They are all works, but none have (yet) been fixed, and so there is no copyright protection. All this will also be true in any country that adheres to the Berne Copyright convention, although the word &quot;work&quot; might be translated into another language. If someone later writes the work down, or records it, then it will have been &quot;fixed&quot;, and copyright protection will be available provided the other conditions are met. Whether a work is original is a separate issue from whether a work has been fixed. If person A makes up a song and sings it without recording it, it is original but not fixed. If person B hears it and writes it down, it is now fixed, but not original to B. A will then have the copyright. In copyright law &quot;originality&quot; usually means that a work is the separate creation of a person, not copied from the work of some other person. Note that a work may quote or imitate previous works, or use portions of them in some way, and still be sufficiently original for copyright protection. However the term &quot;original&quot; is sometimes used to mean &quot;creative&quot;. A mere list of numbers in numerical order is not creative, and will not be protected by copyright (in the US and countries with similar laws). A list of all the names of people in a given town or area, in alphabetical order, is not creative enough to be protected by copyright (see Feist vs Rural). Courts and other writers on copyright sometimes express this by saying the work is not &quot;original&quot;. Similarly, a simple geometric design, such as a white square on a black background, is not creative enough for protection, and again this is sometimes expressed by saying that it is not original. A work must be both original and creative to be protected by copyright, although it need not be very creative nor totally original. The rules on originality and creativity vary by country. I am here following US law, but the law of quite a few other countries is similar on these points. The term to look for what is counted as original and protectable is often referred to as threshold of originality. This is what I have referred to as &quot;creativity&quot; above. This is related to the question and answer at Is a work copyrighted on fixation or publication? What&#39;s the difference? How is it proved? recently posted.
In your example is the spare part the subject of a design patent? I assume it is not. When you combine the spare part to create a “different product” does the finished product resemble the drawings in the design patent? If, in its intended use, the final thing is close enough to the design patent to fall within its scope then you might by indirectly infringing by inducing people to infringe. The scope of a design patent is very difficult to determine reliably. This has nothing to do with how you got the components of your product, just how the completed thing looks. Copyright does not cover products (unless it is a model of a building or a statue or mold for a statue).
Whoever "derived" the illegal derivative work most likely has copyright in his derivations, unless they are not worth copyright protections. Say I take the Harry Potter books and add a few chapters and try to sell it - that's copyright infringement of course, but I have the copyright on these additional chapters. However, I don't have the right to allow you to copy the derived work. And even if you have the right to copy the original work, you don't have the right to copy the derived work because it is a different work. I could extract my changes, and allow you to take them and do with them what you like. You could then create an illegally derived work yourself. I couldn't sue you, but the original copyright holder could. To the comments: One, a work and a derivative of the work are not the same, so even if you have the right to make a copy of a work, that doesn’t give you any right whatsoever to copy a derivative work - they are not the same work. Two, the copyright holder has the exclusive right to control copying and the creation of derivative works. If the copyright holder doesn’t want derivatives to exist, then creating them, copying them etc. is always copyright infringement.
The first question is whose law you are concerned with, since in principle you might have violated copyright law in any country, and might be sued under the laws of multiple countries. The US has a concept of "fair use" which is notoriously difficult to apply. When you are sued in the US, you can defend against the allegation by arguing certain things: telegraphically, this includes purpose and character of use, nature of the work, substantiality in relation to the whole, and effect on market. Plus there is a 5th factor to be considered, transformativeness. The court then weighs these factors to decide if the use is "fair". By reading existing case law on the topic (conveniently available from the US Copyright office) you might develop a fact-based opinion of the risk: you would be vastly better off hiring an attorney who specializes in US copyright law to do an analysis for you. Do not hire a programmer to give you legal advice (do not hire an attorney to debug code). You would "fail" on the test of substantiality in that you are copying a highly substantial portion of the original work(s). You would "win" on nature of use (research especially non-profit and commentary are the underlying purposes that drive fair use law). It's not clear how you would fare w.r.t. nature of the work, which is intended to distinguish the extremes "news report" and "literature and artistic work" where copying news is at the fair use end of the spectrum. It is not clear how you would fare on "effect on market", but probably not so badly: are you avoiding some licensing fee? Coupled with the tranformativeness consideration, you are most likely having no effect on the market, since the product that you will distribute is not the original work, but a scientific conclusion about the work. Germany has different laws, and this article would be relevant if you cared about Germany. There was a change in the law that expanded the analog of fair use pertaining to research use. That law allows 15 percent of a work to be reproduced, distributed and made available to the public for the purpose of non-commercial scientific research. That, b.t.w., does not refer to what you are planning to do (unless you also publish quotes); for personal scientific research you may reproduce up to 75 percent. Since this is a new law only a year old, you could become part of the cutting edge in testing the limits of the law. So the standard disclaimer applies: ask your attorney. But note section 60d of the law which legalized data mining, and is squarely on point: (1) In order to enable the automatic analysis of large numbers of works (source material) for scientific research, it shall be permissible to reproduce the source material, including automatically and systematically, in order to create, particularly by means of normalisation, structuring and categorisation, a corpus which can be analysed and to make the corpus available to the public for a specifically limited circle of persons for their joint scientific research, as well as to individual third persons for the purpose of monitoring the quality of scientific research. In such cases, the user may only pursue non-commercial purposes. (2) If database works are used pursuant to subsection (1), this shall constitute customary use in accordance with section 55a, first sentence. If insubstantial parts of databases are used pursuant to subsection (1), this shall be deemed consistent with the normal utilisation of the database and with the legitimate interests of the producer of the database within the meaning of section 87b (1), second sentence, and section 87e. (3) Once the research work has been completed, the corpus and the reproductions of the source material shall be deleted; they may no longer be made available to the public. It shall, however, be permissible to transmit the corpus and the reproductions of the source material to the institutions referred to in sections 60e and 60f for the purpose of long-term storage.
The government's position is that material in the patent documents is generally in the public domain See Public Domain Copyright Trademark &amp; Patent Information Schedule: As part of the terms of granting the patent to the inventor, patents are published into the public domain. And slightly more specific, see Terms of Use for USPTO websites: Patents: Subject to limited exceptions reflected in 37 CFR 1.71(d) &amp; (e) and 1.84(s), the text and drawings of a patent are typically not subject to copyright restrictions. 1.71(d) allows for the patent author to specifically indicate that some of the material is protected by copyright. But that position has not actually been tested in courts However, there is no actual statute explicitly exempting material in the patent documents from copyright nor any case law holding that in the absence of a notice, the material in fact becomes public domain. See Alderucci, &quot;The surprising consequences of exempting patents from copyright protection (2016), at p. 13 and footnote 62.
united-states I am going to answer based on US law. But many of the principles would be similar in many other countries. In particular the law in the EU is similar. There are two separate issues here, trademark rights and copyright. Trademark Rights Trademark law provides protection against the use of the mark &quot;in commerce&quot;. This means using the mark to identify or advertise goods or services. It does not provide any protection against use not in commerce. Specifically 15 USC 1114 (part of the Lanham Act, the main US Federal trademark law) provides, in relevant part: (1) Any person who shall, without the consent of the registrant— (1) (a) use in commerce any reproduction, counterfeit, copy, or colorable imitation of a registered mark in connection with the sale, offering for sale, distribution, or advertising of any goods or services on or in connection with which such use is likely to cause confusion, or to cause mistake, or to deceive; or (1) (b) reproduce, counterfeit, copy, or colorably imitate a registered mark and apply such reproduction, counterfeit, copy, or colorable imitation to labels, signs, prints, packages, wrappers, receptacles or advertisements intended to be used in commerce upon or in connection with the sale, offering for sale, distribution, or advertising of goods or services on or in connection with which such use is likely to cause confusion, or to cause mistake, or to deceive, shall be liable in a civil action by the registrant for the remedies hereinafter provided. Under subsection (b) hereof, the registrant shall not be entitled to recover profits or damages unless the acts have been committed with knowledge that such imitation is intended to be used to cause confusion, or to cause mistake, or to deceive. If the plane was being used commercially, using someone else's trademark would be infringement and could lead to a successful infringement suit. But if it is not being used to provide or advertise a service or goodsm there is no trademark issue. Copyright 17 USC 106 specifies the exclusive rights that a copyright owner has. One is to make copies, another is to make derivative works. Unless fair use (or fair dealing in the UK) applies, one needs permission from the copyright owner. Without such permission, copying is infringement, and can lead to an award of damages. However, according to the question, the image has been released under a CC-BY-NC license. That grants permission, under certain conditions. One condition is that the image (or text) not be used for commercial purposes. If the plane is purely private, not rente out, these conditions seem to be complied with, so there is no copyright issue either. Conclusion Based on the statements in the question, there seems to br no IP issue here. Be sure that there is no commercial purpose, and that the CC license was issued by the actual copyright owner. A brief consultatuion with a lawyer might be wise.