Create a lead sheet and play a song in a church service I am an amateur musician who often performs (sings, plays guitar, plays piano) at church. I attend a Unitarian Universalist congregation, and so the songs are often secular ones (a recent one was Lenny Kravitz's "Let Love Rule"). I play by ear, so my work process is the following: Find the lyrics via Google and copy them to a MS-Word file Find the song on Spotify or Youtube Listen and write down the chords on the lyrics sheet (i.e. create a lead sheet) Decide if the native key is appropriate. If not, transpose the chords to the desired key. Practice Perform it in the church service (utilizing my self-created lead sheet) Are there any copyright issues with what I described? Would it be any different if I shared my lead sheet with a couple of friends who performed the song with me? I understand that no license is needed to perform any type of music in a church service. I suppose my question pertains specifically to my creating and utilizing the lead sheet.
Recording the original work and editing that record is a breach of copyright. You are taking unauthorised copies of the original music and lyrics when you make the notes, and creating derivative works when you alter the notes of the song to match what you think they should be. Performing the songs is a breach of copyright in countries that don't provide for it explicitly (the USA is notably strange on this point). You cannot simply just take a piece of music and perform it this way everywhere, even for church service. In sum, what you're doing is at least partly and could be fully illegal.
By &quot;buying the song&quot; on Gumroad you don't actually buy the song, you buy the right to do specific things with that song. I couldn't find the exact license terms, but for 800 Yen (about $6) for a whole album I highly doubt that this will include much more than the right to listen to the song on a private device. The rights to publicly perform, reproduce, redistribute, use commercially etc. usually cost a lot more. So if you want the rights to use the song in your own video, you will have to negotiate the purchase of a license which allows you to do that with the creator. Or if they reassigned their copyrights to a music label or copyright collective (which some music artists do), with that organization. There are some exceptions in the copyright laws of some countries where you can use parts of a song without a license. For example, the &quot;fair use&quot; exception in US copyright law if you review, discuss or analyze a song. But such exceptions usually don't apply if you use the song as background music, adapt the song into an own work or even just reupload the song on your own channel.
First of all, this is probably a poor idea even if it is legal. Verse, and song lyrics, are notoriously hard to translate well, and make poor examples for language learning, They tend to employ metaphor, allusive language, and idiom heavily, and will in many cases distort the sense of the language for the sake of rhyme, meter, or other auditory effects. But suppose you still want to go ahead. The developer of such an app could use songs old enough to be in the public domain. &quot;The Star-spangled Banner' for example is not protected by copyright. Neither is the French national anthem, the La Marseillaise. Most well-known songs published before 1900 will not be under copyright. But more recent songs will almost surely be protected. The use of a line or two from a song might well be permitted under fair use (in the US) or fair dealing (in those countries that recognize this exception to copyright). Use of the entire lyrics of any given song would be more questionable. The use for educational purposes would tend to favor the applicability of any such exception, but the availability of the whole lyric (or even a major part) might serve as a replacement for the original, and harm the market for the original. No one can ever be sure in advance if a given use will be ruled to be a fair use. That determination depends heavily on the specific facts of each case. It would avoid risk to use songs that are out of copyright, or short sections of songs, if songs are to be used at all.
The lyricist and composers already have copyright. Copyright exists for the moment of creation: registration is not necessary to enforce copyright rights and to grant licences. Registration in the US is merely useful if you want to prove that you own the copyright which otherwise would require providing evidence of the date of creation, priority etc. Most countries do not have copyright registers. Similarly, you will have copyright in the derivative work of the soundtrack from the moment of its creation.
Sound recordings can be, and new ones normally are, protected by copyright. The copyright would usually be held by the person who made the recording, or that person's employer, not by the speaker if that is a different person. Use of such a recording without permission might well be copyright infringement. But more clearly and directly, broadcasting a statement: I am {performer} and you are listening to {song name} on my favorite station {station name } without authorization from the performer would in many jurisdictions violate the performer's right of publicity, giving the performer grounds to sue the station. It might well also be false advertising, implying that the performer had endorsed the station when s/he has not done so. That would depend on the specific laws of the jurisdiction where the broadcast was made. A suit over publicity rights or an action for false advertising would probably be simpler than a copyright suit in such a case. I think that most if not all such announcements are made with the consent of the performers involved, and are probably recorded directly by such performers. (For one thing it is usually in the performer's interest to cooperate with stations and networks that play the performer's work.) If such announcements were somehow artificially synthesized, but with the permission of the performer, and of any owner of copyright in any recording used, I don't think there would be any legal problem. If an AI was trained to create a good imitation of a person's voice with9ut diretly copying a recording, I am not at all sure if there would be any copyright infringemetn under current law. That may be an area where the law will need to change to respond to the technology. But if such an imitation were used without permission to make the kind of statements discussed above, the personality rights issue and false advertising issue would still be there. Those do not in any way depend on whether the announcement uses a copy of a recording or not, those are both about the use of someone's name and reputation without authorization. In fact, even if the announcement did not pretend to use the performer's voife, those woudl still bne an issue. Suppose the announcer saids, in his orm her own voice: {Performer} said to tell you that s/he is glad thit his/her song is being playing on his favorite outlet {station name}. There is no technical fakery there, deep or shallow, but if done without authorization it is still a problem, or would be in some jurisdictions at least. If technology is used to create a plausible imitation of someone's voice, but it was not distributed with any claim, direct or implied, to be that person, then the case is different. I suspect that in most jurisdictions there would be no grounds for legal action, just as celebrity imitators do not need permission as long as they don't fake endorsements.
Not very novel What you are talking about is a derivative work. This is arguably the most famous example: It's an interesting example because Leonardo da Vinci did not have copyright in the original but Marcel Duchamp and Francis Picabia do have copyright in the derivative. Even though the changes are physically small, they are enough. A crucial factor in current legal analysis of derivative works is transformativeness, largely as a result of the Supreme Court's 1994 decision in Campbell v. Acuff-Rose Music, Inc. The Court's opinion emphasized the importance of transformativeness in its fair use analysis of the parody of "Oh, Pretty Woman" involved in the Campbell case. In parody, as the Court explained, the transformativeness is the new insight that readers, listeners, or viewers gain from the parodic treatment of the original work. As the Court pointed out, the words of the parody "derisively demonstrat[e] how bland and banal the Orbison [Pretty Woman] song" is. For an author to have copyright in the derivative they must: Meet the (low) threshold of originality for copyright to exist. Make their derivative lawfully - either because they have permission or because their use falls under an exception to copyright like fair use or fair dealing. However, they do not have copyright in the original elements. For example, I could take the Mona Lisa and give her different clothes, a different background or a hat I will not be infringing their copyright. If I give her a different style of moustache? However, there is an issue with "I have copyright on the contents of the post" when you don't. Even if your work is derivative, you do not have copyright in the original parts and do not have the right to licence them. So, for example, this post is a derivative work of the Wikipedia page linked to above and I have copyright in my original contributions because: They meet the threshold of originality I have permission to make the derivative either through the Wikipedia licence or because my use is fair use. I can give Stack Exchange a licence for my work but I cannot give them a licence for the original work including, for example, the image and quote above. So, someone could quote my entire answer subject to the licence or fair work, but they couldn't copy just the image or quote.
The reason is 17 USC 106: the owner of copyright under this title has the exclusive rights to do and to authorize any of the following... (2) to prepare derivative works based upon the copyrighted work The original picture is the underlying protected work. The ASCII reproduction is a derivative work. If you get permission to make the derivative work, it is okay. Otherwise, it is copyright infringement. There is an escape clause, "fair use", which amounts to taking a chance that you won't be sued and then arguing that you didn't do them any prohibited harm. If you make any money off of the game, you have a major strike against you. I suggest reading the fair use FAQ; basically, it is really hard to know how a fair use defense will fare, but based on prior cases, I'd say it's infringement, not fair use.
In German Law you need to give your agreement ("Willenserklärung") to a contract or in this case terms of service. This is done by telling the other part. In some cases this can also be implied by an action (example: putting your bottle of beer onto the cashiers table is an offer to buy this bottle). As a second criteria a "Willenserklärung" needs to be the exact will of the part that declares its will (the website user in this case) §§ 133, 157 BGB or that the other side (you) could only see so (not the case here as this mainly speaks of content). If you visit a website and there are terms of services, the "Willenserklärung" is only given when the user read and agreed to the terms. If he did not, the terms of service are not applied until the user agrees to them. So I would recommend to block the website until the user agreed (overlay) as you need to proof he did when in court. Additionally there are so called AGB's in Germany. Those are contracts that are used or planed for many (more than 3) uses and set by one side (you). This may apply here, so you need to follow a lot of other rules like making sure the user had access and agreed, then there are many content restrictions and so on... I recommend consulting a German Lawyer specialized on this topic as this is very complex and includes other German laws for Media too, depending on the content of your site and terms. Also note that everything said is only based on my own knowledge and can not be used as safe legal source.