How to express copyright when you use a pen name I am about to self-publish my first novel using a pen name. I will be registering the copyright this week. My question is, on the first page of the novel where you put all the publishing/copyright info, should I say that the novel is copyright of my pen name, in order to protect my true identity? Example, let's say my real name is Jane Smith and my pen name is Denise Smithers. I will register the copyright with the copyright office using my real name (but will also write what my pen name is), but I don't want to put that on the book as I want that kept private. If I write (c) Denise Smithers, will that imply that the copyright belongs to the actual person behind the pen name? I know that the copyright belongs to me anyway, but I still want to add that copyright line to my novel.
In the U.S., you are not required to include your real name on a copyright registration: If you write under a pseudonym and do not want to have your identity revealed in the Copyright Office’s records, give your pseudonym and identify it as such on your application. You can leave blank the space for the name of the author. If an author’s name is given, it will become part of the Office’s online public records, which are accessible by Internet. [...] In no case should you omit the name of the copyright claimant. You can use a pseudonym for the claimant name. But be aware that if a copyright is held under a fictitious name, business dealings involving the copyrighted property may raise questions about its ownership. Consult an attorney for legal advice on this matter. Therefore, a pseudonym seems like a perfectly legitimate name for a copyright notice, considering that it is also a legally valid name for an official registration with the U.S. Copyright Office. As noted above, this may complicate your ability to prove your right to litigate against copyright infringement, but it does not actually diminish your right to do so if you can successfully validate your identity as the copyright holder.
All the CC licenses permit anyone to use the licensed content, and to make copies of it for others. Some of them permit using it for commercial purposes, others (the ones including the -NC- clause) do not. Some CC licenses permit creating modified versions of the original work (derivative works), others (the ones including the -ND- clause) do not. I do not know of any standard license which allows users to create and distribute derivative works, but not to distribute the original. The license used by Project Gutenberg permits re-use and re-distribution, but if a fee is charged beyond recouping expenses requires the removal of the PG name and logo. One problem is that if derivative works are allowed, this would include works which are only trivial modifications to the original, which would have the effect of allowing distribution of the original. If the main concern is about commercial sales, possibly a CC-NC-SA license would effectively serve the purpose? That allows redistribution, including of derivative works, but forbids commercial reuse or distribution without separate permission, and requires all redistribution to be under the same license. Otherwise a new license for this situation might have to be created. It is often a good idea to have the assistance of a lawyer with IP expertise in creating a new license, or the wording chosen may have unexpected effects or include unintended contradictions. Or one could simply place a basic copyright notice along with text such as "Modified versions may be created only with permission from the author. Request permission at work-permisisons@example.com". However, if the work proves popular, there might be a large volume of requests.
No you don't. There are two copyright holders regarding the derivative work: yourself, for creating the original. the other artist, for creating the modified version. The other artist has received the right to use your original through the CC-BY license, under the condition that they attribute you appropriately. However, you have not received any rights to the other artist's work.
It means that the scholar (presumably you) and the guarantor/surety should each write their initials in that space, i.e. the first letters of their first and last names. John Smith would write &quot;JS&quot;. This is a common way of acknowledging that you have read and understood the text on the page.
A copyright notice like that could mean the authors are claiming copyright in different portions of the work, or claiming a joint copyright. With the former, standard copyright law applies with respect to each part, so I'm going to examine the joint copyright aspect. Broadly speaking, joint works tend to be an unclear and internationally inconsistent area of copyright law and you haven't specified jurisdiction. Since this is an English language site and the US and UK are polar opposites on most of these issues, those will be the jurisdictions I examine. US Definition: To qualify as a joint work, each author's individual contribution must be inseparable or interdependent, and the authors must intend to be joint authors (17 U.S.C. s 101, Childress v. Taylor, Erickson v. Trinity Theatre, Inc.). Rights of use: Joint authors can independently exploit and license a work without consent of other co-authors, but have a duty to account profits to co-authors (House Report No. 94-1476 (1976), Goodman v. Lee, Community for Creative Non-Violence v. Reid, etc.). UK Definition: To qualify as a joint work, each author's individual contribution must not be distinct, they must work towards a common design, but no specific intention of joint authorship is required (Copyright, Designs and Patents Act 1988, Art. 10(1), an 11-factor test was articulated in Martin v. Kogan para. 53 by the E&amp;W Court of Appeal). Rights of use: Joint authors must seek consent of the co-authors in order to exploit and licence a work (Cescinsky v. George Routledge &amp; Sons, Ltd., Hodgens v. Beckingham). For further information, see this excellent paper by Elena Cooper comparing how US and UK law diverged on this point.
In general, the output of a program is not copyrighted by the author of the program. When you write a novel in Word, Microsoft doesn't own any copyright in your novel. When you prepare financial statements with Excel, Microsoft doesn't own any copyright in those either. There can be exceptions. Some programs (like GNU Bison, a parser generator) actually do output parts of their own source code, and their source code is copyright to the author. To clarify things, GNU made a statement in the license for Bison that officially says they don't have copyright to what it outputs. You should expect programs of this type to have such an exception, and if they don't, maybe ask the author or don't use them.
Copyright includes authorization of derivative works such as translations, so you must have permission of the copyright holder to create a translation. You could be sued for creating the unauthorized translation for your friend. If you attempt to further distribute the book, the chances of getting sued increase substantially. That path probably includes your legal obligation to foot the bill for the publisher and distributor having to defend themselves in court, since your contract with the publisher or distributor probably includes an indemnification clause saying that you indemnify them (pay their costs) against damages for your infringement. So your are at risk, and it increases if you do anything to distribute the translation.
You don't need to &quot;publish&quot; your song to obtain copyright protection. Original works are protected by copyright at the instant they are fixed in a tangible medium. This means that if you type the lyrics, write an arrangement of notes, or record yourself playing the song, the song is copyrighted.