Mechanical Rights for Beethoven&#39;s Piano Sonata I'd like to use a music based on Beethoven's Piano Sonata in my short movie. I'm planning to ask a violin player to work with the score and use the recorded music for my movie. How can we deal with the rights and payment?
Beethoven's Piano Sonata is public domain There will be copyright in the performance but as you are specifically hiring the musician to perform the piece for you to record, you would own the copyright in that as a work for hire provided this is stated in the contract.
This may well be infringement, but I agree that you should start by reaching out to the instructor. You don't want to pay a lawyer if the matter can be be adjusted peacefully. In the US there is a special limited exemption to copyright for "use in classroom instruction" which might apply in such a case. I am not sure if there is a similar provision in Canadian copyright law. But the instructor is likely to change his practice if you notify him of your objection, even if he has the technical right to use the photo. At least it is worth finding out. If he won't, then you can always consult a lawyer.
This involves interaction between legal liability, the nature of online services, and copyright law. If a person does something that causes damage, they may be liable and required to pay for damage. Given the right protected by copyright law, damage results in making unauthorized copies of a work, and the copier can be made to pay. A person who contributes to bringing about damage can also be held responsible, depending on their exact relationship to the damage (copyright infringement in relevant cases), so in Gershwin Publishing v. Columbia Artists, Columbia organized a musical event where various artists did the infringing performances, knowing very well that there was no permission as required by law. The court held that "one who, with knowledge of the infringing activity, induces, causes or materially contributes to the infringing conduct of another, may be held liable as a 'contributory' infringer". There are various nuances regarding how a potential enabler might or might not be held liable. In MGM v. Grokster, Grokster knew that their software was primarily used to disseminate protected material, and encouraged infringement. Similarly (and earlier), Napster was found to be contributorily liable in A&amp;M v. Napster. On the other hand, in Sony v. Universal, it was found that Sony was not liable for selling VCRs which allowed people to infringe copyright, primarily because Sony did not sell the VCR with the intent of aiding copyright infringement. Such "codification" as exists regarding contributory infringement and liability is due to case law. Congress could, if it wanted to (it does not), pass a law saying that no online service can be held liable for copyright infringement. This would require changes in copyright law, since online services do copy content (taking it from a contributor involves copying, delivering it to a customer does to), and they obviously distribute the material (usually by automated means, but that is still distribution). Any use of digital content in fact involves making many copies, almost all of them automatic (copying from an input port to a data buffer; copying from the buffer to disk storage; copying from disk storage to RAM; from RAM to computer registers; etc. where derivatives are "copied" to the speaker or computer screen). This fact makes digital services particularly vulnerable, since virtually everything that they do involves "making a copy". Congress passed the Online Copyright Infringement Liability Limitation Act as part of the Digital Millennium Copyright Act, which provided a way for online providers to be protected from liability, as long as they have "clean hands" and follow certain rules. The essence of this law is that if you provide a means for copyright owners to inform you of violations, and you respond expeditiously to proper notices by taking down infringing material, you may be protected. Simply posting a notice that says "we do not condone breaking the law" does not eliminate liability. If one takes reasonable steps to prevent infringement, you would not be liable. Apart from copyright infringement, websites can also be engaged in distributing child pornography, which also is against the law (even more so). And once you go outside the US, and are in a country with limited free speech protection, making forbidden statements can get you shut down. Getting "shut down" can come in multiple forms: one, where the company goes out of business because the damages that they have to pay are substantial, and also because the government can directly order a web site shut down (as in the Napster case). If online services are more susceptible to being shut down compared to other businesses, it is probably due to the mistaken feeling of anonymity and failure to understand copyright law.
Generally speaking, copyright flows from the end of a pen (or at the A/D converter of a digital recording device). However, owning the copyright to a specific artifact, such as a digital video clip, does not trump all the other rights and claims that may be made regarding the materials captured within that clip. Which means that there are several rights all in play at the same time, and those rights may conflict. The legal term for getting enough rights so that you can do what you want with the rights you own is called "clearance" by those in the industry, and "collective rights management" by Wikipedia (see https://en.wikipedia.org/wiki/Collective_rights_management). The long and short of it is that it is not enough for you to "own" your video clip if you want to use it somehow. Depending on how you want to use it, and your tolerance for risk, you need to get every party who might lay a claim to any copyrighted or trademarked material within your video clip to agree that they are OK with you using it in whatever way you say you want to use it. Sometimes you can ask for, and receive, a "worldwide, perpetual, royalty-free license to use XYZ material in any way, imagined or not yet imagined". Other times, you might have to settle for more limited rights "a performance of the video at the ABC Bar in New York City, on December 31, 2015 only, for a fee of $10,000 paid to XYZ Rights Holding Company," and agree to a whole bunch of other stipulations to boot. There are entire industries that make furniture and automobiles for Hollywood studios so that they don't have to ask for the rights to feature an IKEA kitchen table or a Ford station wagon in a movie. That's how bad/hard the clearance problem can be. If you are lucky (and risk-tolerant), you might only need permissions from the band and the film maker. If you are unlucky or not risk tolerant, you might need permission from every person captured on camera, and from every company that made every item that appear anywhere in the film. Good luck!
Titles can't be copyrighted. Meta-data like #2 aren't copyrighted. Not sure if the MPAA could protect its ratings, but I can't find anywhere that it has asserted restrictions on the use of those. If the list of "Similar works" is not somebody else's intellectual property then there's no problem. (If it is I'm not certain what protection it could be eligible for.)
German perspective: In German law, there is the concept of Schöpfungshöhe (threshold of originality), which is required for authorship rights (Urheberrecht) to apply to a work. Basically, the idea is that a minimum of creativity is required for something to be protected. However, that bar is rather low. Thus, for example: Literary works are protected practically always. Maps are generally protected, even though you might argue they "slavishly copy nature", because the act of choosing what to show and what not is already creative. However, a faithful photographic reproduction of a painting is not eligible for Urheberrecht to apply (LG Berlin, AZ 15 O 428/15) So yes, a "slavish copy" of a work would not qualify for protection if there is no creativity involved. Note, however, that other types of protection apart from Urheberrecht might apply, such as Sui generis database right.
It's possible that CAD has a separate licence from the authors of ABC that allows them to produce a closed source copy. If not, they have no right to distribute CAD. However two wrongs don't make a right, and so you don't get to violate the copyright of CAD.* Unfortunately, unless you are one of the authors of ABC, you have no standing to sue the authors of CAD. You can only notify the authors of ABC and hope they do. If the authors of ABC don't have the resources to pursue the matter, you may be out of luck. That's one of the reasons the FSF gets copyright assignments for their projects. * It turns out that this is a much more debateable issue than I first thought. Some courts have held that an unauthorized derivative work is not copyrightable.
Publicly performing a work is one of the rights protected by copyright. Doing so, particularly for money, without authorization would be copyright infringement. It is possible to obtain authorization via a mechanical license. This is a license created by statute. In US law this is covered by 17 USC 115. That section provides that when a musical work has already been recorded and placed on sale or offered to the public, another person may send a notice of intention to make and distribute recordings to the copyright owner, or the copyright office if the owner is not known. The person must pay a royalty established by the law, and comply with various other conditions. Or permission may be obtained from the copyright owner or the owner's agent, often for a fee. In the absence of such authorization or permission, making and distributing recordings of performances of the musical work is infringement, and the copyright owner may sue and collect damages. The site, MyMusicSheet, includes a TOS document that implies that rights are granted to the user when music is purchased. But this document is not at all clear on just what rights are purchased with the sheet music. In particular, it does not say if the purchase includes a license to perform the music, and if so, if it includes doing so commercially. Perhaps after one signs up with the service, more detailed information is provided. If the purchase includes a license to perform the work commercially, and to distribute recordings of such performances, all would be well. If not, doing so might well be copyright infringement unless the user goes through the steps to obtain a mechanical license, or gets permission from the copyright owner directly.