What are the rules for intellectual property in science fiction? Okay so I am writing something that is like a chronicle of science, culture and technological progression in a popular sci-fi franchise. I don't expect my work to be published for many years. Right now I am just collecting ideas. However, I am nervous on what I will be allowed to do. I have 3 main questions If something appeared in that sci-fi universe prior to me re-iterating it; does that mean it's fair game for me to use? Its already used in that sci-fi universe but in a very obscure publication of it but once it's been used; can I use it again without any problem? Does intellectual law protect very specific plot concepts? I have a concept I thought of and like I said, I probably won't get published for several years. If someone publishes a story with that concept; can I still use it? Are you allowed to borrow names of different generic sci-fi inventions that aren't super-important to the story. I want to use a name for a piece of tech from Star Trek and I was wondering if that is okay. I won't say which franchise I hope to be writing for; but it's very big and quite popular. UPDATE: Basically I am writing a timeline of sorts in-universe of all technological, scientific, cultural, socioeconomic and historical achievements in that universe written from a in-universe point of view
If one is writing about a work of fiction, one may describe the work, and use terms from the work in doing so. One might write, for example: In Spaceman Sam the characters use &quot;blasters&quot; as weapons, while in Jack of the Galaxy &quot;contragravity&quot; is used to propel &quot;aircars&quot; These are facts, and copyright may never be used to protect facts. Moreover, such uses as reviews and criticism are particularly likely to constitute fair use under US law, or another exception to copyright under the law of some other country, even if some otherwise protected content is quoted. If something appeared in that sci-fi universe prior to me re-iterating it; does that mean it's fair game for me to use? If the &quot;something&quot; that appeared earlier is an &quot;idea&quot; or a name, it is indeed fair game. This is true whether it is obscure or well-known. In any case describing the facts of the fiction, even in detail, is generally not an infringement. If &quot;re-iterating&quot; something from an existing work in a new fiction involves an extensive quotation, or a detailed, point-by-point reuse of a fictional element, that might constitute infringement, unless fair use or another exception to copyright applies. Does intellectual law protect very specific plot concepts? No, it doesn't. A plot concept is an idea. In the US, 17 USV 103(b) reads: (b) In no case does copyright protection for an original work of authorship extend to any idea, procedure, process, system, method of operation, concept, principle, or discovery, regardless of the form in which it is described, explained, illustrated, or embodied in such work. Laws in other countries are similar on this point. This is sometimes known as the idea/expression distinction. This means that while the expression used to embody a concept is often protected by copyright, the concept itself never is. Are you allowed to borrow names of different generic sci-fi inventions that aren't super-important to the story. Yes. In fact even the names of fictional technological devices that are very important to a story may be, and often are, reused in different works by different authors. For example Ursula LeGuin used &quot;ansible&quot; as the name of a faster-then-light communicator, in fact an instantaneous communication device, in her &quot;Hanish&quot; series, particularly in The Left Hand of Darkness, The Dispossessed, and The Word for World is Forest. (She wrote that the term was derived from the word &quot;answerable&quot;.) The term and concept were reused by Vernor Vinge in &quot;The Blabber&quot; and A Fire Upon the Deep, and by Elizabeth Moon in the &quot;Sassanek&quot; series and more centrally in the &quot;Vatta's war&quot; series starting with Trading in Danger. Moreover, the names of fictional characters are not protected. An author might introduce characters with names borrowed from Tolkien, Heinlein, or other well-known (or obscure) fictional works. US Copyright Office circular #33 &quot;Works not protected by Copyright&quot; says that &quot;names, titles, and short phrases&quot; may not be protected by copyright, and will not be separably registered. However, if a character has not only the name of a previous character, but a detailed, point-by-point similarity in distinctive elements to a character in a protected work, that may be enough to make the newer work a derivative work, and thus be infringing if permission is not obtained from the copyright holder on the source work. The same is true of the detailed reproduction of a distinctive setting from a source work. But a mere name and broad, general description is not enough tom make a later work derivative. The more details are reproduced, and the more distinctive and specific those details are, the more likely the newer work is to be found distinctive.
Copyright does not protect the idea for a game, its name or title, or the method or methods for playing it. Nor does copyright protect any idea, system, method, device, or trademark material involved in developing, merchandising, or playing a game. Once a game has been made public, nothing in the copyright law prevents others from developing another game based on similar principles. Copyright protects only the particular manner of an author’s expression in literary, artistic, or musical form. Link https://www.copyright.gov/registration/other-digital-content/
&quot;Lightsaber&quot; is a trademarked term, so it's gotta be called something else. The idea behind a lightsaber is older than Star Wars, anyhow idea are not protected by copyright. The actual design of such a weapon would be protected, but it would be a matter for the jury to decide if the supposedly-infringing design was a copy of a Lucasfilms-protected object, or that of the cover of Analog, Jan. 1969. The &quot;setting&quot; of the movie is completely irrelevant, all that counts is whether the object &quot;copies&quot; the plaintiff's design. In light of the earlier Wolfling design, it's not a foregone conclusion that all lightsaber-resembling objects are infringing. Available evidence indicates that you will be sued if you do it, so consult a really good IP attorney.
I'm going to focus on one part of your question, because I think it is informative to the entire question: "By publishing those data in a copyrighted book are they now in the public domain?" Insofar as copyright is concerned, the "facts" are simply never copyrightable. What is copyrightable is the expression of the fact. So you publish a book and it contains many facts. You retain copyright over how you expressed the facts, meaning the word choice, format of presentation and so on. The discussion of this point always leads people to ask the following two questions: What if the "facts" are closely related to the way they are expressed? For example, a phonebook contains "facts" about phone numbers. The individual numbers are not subject to copyright. But if the way they were organized was clever (i.e. not merely alphabetical) the presentation may be copyrighted. Doesn't that line get blurred? Why doesn't "the presentation order" count as a "fact?" It does get blurred! And courts use nuanced case law and judgment to figure out which side of the line a given thing is. However, one backstop is that if AN EXPRESSION is so closely related to the IDEA BEING EXPRESSED that the IDEA cannot be otherwise expressed, then then the EXPRESSION is not subject to copyright protection. To answer your specific questions: The book is subject to copyright. The facts in the book are not. Someone else could publish a book with the same measurements so long as they are expressing the facts with sufficient difference from the original. I'm not familiar with CUSIP numbers. However, there are two things to say here. (A) it sounds like you are describing a contractual relationship between the people who have the numbers. This is not governed by copyright; it is governed by contract between the parties. If these numbers could be treated as a "trade secret" they might be protected IP in that way. But given that they are likely circulated at least a bit, they don't seem like candidates for "trade secret" protection. To your question, "what is the effect of one person leaking?" If "trade secret" law was doing any "work" here... then yes, the trade secret would be undone once the information was public. But like I said, its likely this is actually all about contracts not intellectual property protection. (B) The "facts" of "which number is associated with which instrument" is likely NOT subject to copyright at any time. The specific numbering code COULD BE copyrighted, but in reality is almost certainly TOO CLOSELY tied to the IDEA being expressed to be copyrighted. Could the number be expressed otherwise? If not, then its likely not protected by copyright. -- Big take away here: You seem to be confused about the concept of "facts" getting into the public domain. That's not exactly what copyright is about. Copyright would protect the expression of facts. An expression can become public domain if it is sufficiently old or if the creator designates it as public domain work. But simply "putting something out there" does nothing to alter the copyright status of the thing.
Copyright in the US is usually a civil matter. Meaning that the copyright owner can sue (typically for money damages or injunctive relief) an infringer. The criminal laws that we have are aimed at the reproducer and/or distributor. In other words, chances are that you won't get in any criminal trouble for accessing academic articles of dubious origin. But never say never. RIP Aaron Schwartz.
Software qua property is protected by copyright *perhaps patent, in some jurisdiction). The general rule is that whoever creates the thing (book, song, software) has the exclusive right to the thing. If an employee of Company 1 writes software for Company 2, that employee might (rarely) hold the copyright, but typically that scenario would involve a "work for hire", where the employee is hired by Company 1 to do such tasks as part of his duties with Company 1 (which might then be given to Company 2). This would then be a work for hire, and the copyright is held by Company 1. If the actual author was an independent contractor, he would hold the copyright – see Community for Creative Non-Violence v. Reed for analysis of the subtle nuances in making that determination. The concept "work for hire" which crucially involves the "employee" relationship would not be applicable to Company 2 paying Company 1 for a product, and as long as the actual author is an employee of C1, C1 has not created a "work for hire" in the legal sense. Without some explicit disposition of copyright, Company 2 is in a sketchy position. Since C1 holds copyright, they must grant a license to C2 so that C2 can legally use it; or, C1 must transfer copyright to C2. This does not happen automatically, and (if C1 does not want to remedy the situation after the fact) C2 would need to take C1 to court to force a resolution to the situation. At that point, the issue would be what C1 implicitly promised, even though they didn't put it in writing. It is likely that the initial exchange was along the lines "Can you make us a program that will do X?", and the answer was "Sure, that will cost Y", and then "Okay, go ahead, looking forward to the product". The courts would not simply say "Well, you didn't explicitly require a license, so you don't get to actually use the software that you paid for". However, it's a somewhat open question whether the court would order a license (of what nature?) or a transfer of copyright. The disposition would depend heavily on the facts of the case (what was said, what C1 actually did, what kind of business they are, what did creating the work involve...).
Any adapted work derived from a work used under a CC-BY-SA licnese must be distributed, if at all, under a compatible license. The question is whether a large work incorporating a much smaller work is said to be "based on" that work. The CC-BY-SA 4.0 legal text does not use "include" or "incorporate" or any similar term to define an adapted work, instead it says: Adapted Material means material subject to Copyright and Similar Rights that is derived from or based upon the Licensed Material and in which the Licensed Material is translated, altered, arranged, transformed, or otherwise modified in a manner requiring permission under the Copyright and Similar Rights held by the Licensor. For purposes of this Public License, where the Licensed Material is a musical work, performance, or sound recording, Adapted Material is always produced where the Licensed Material is synched in timed relation with a moving image. If including a single work makes your book Adapted Materiel, than you must either release the book under the same license, or else not rely on the CC license. I am not at all sure if such use would make the book Adapted Materiel. If the content could be quoted (perhaps only in part) based on fair use or fair dealing or a similar theory, you would not be relaying on the license. But whether such use is legitimate is always a very fact-bound question, which will depend on various specific facts. See Is this copyright infringement? Is it fair use? What if I don&#39;t make any money off it? for a summary of US fair use principles. If the materiel you want to use would not qualify under fair use (or whatever similar principle applies in your jurisdiction), and the book would be considered Adapted Material, then you would have to omit it or put the book under the CC license. I see in The CC case law page the statement that: The atlas was a compilation not a derivative work, so did not need to be licensed under the SA term, Which might apply to your book. If it does, you would not need to place the book under a CC license. Update: On reading CC's detailed wiki page on Drauglis v. Kappa Map Group, LLC I find the statement that Use of a whole work is suggestive of a "compilation" rather than a derivative work subject to the ND/SA terms. attributed to the US District court (DC district) that decided this case in 2014. If that decision were followed, it would seem that the book would not be considered a derivative work and while proper attribution must be provided, and the applicable license must be indicated, the book itself need not be released under CC-BY-SA.
The first question is whose law you are concerned with, since in principle you might have violated copyright law in any country, and might be sued under the laws of multiple countries. The US has a concept of "fair use" which is notoriously difficult to apply. When you are sued in the US, you can defend against the allegation by arguing certain things: telegraphically, this includes purpose and character of use, nature of the work, substantiality in relation to the whole, and effect on market. Plus there is a 5th factor to be considered, transformativeness. The court then weighs these factors to decide if the use is "fair". By reading existing case law on the topic (conveniently available from the US Copyright office) you might develop a fact-based opinion of the risk: you would be vastly better off hiring an attorney who specializes in US copyright law to do an analysis for you. Do not hire a programmer to give you legal advice (do not hire an attorney to debug code). You would "fail" on the test of substantiality in that you are copying a highly substantial portion of the original work(s). You would "win" on nature of use (research especially non-profit and commentary are the underlying purposes that drive fair use law). It's not clear how you would fare w.r.t. nature of the work, which is intended to distinguish the extremes "news report" and "literature and artistic work" where copying news is at the fair use end of the spectrum. It is not clear how you would fare on "effect on market", but probably not so badly: are you avoiding some licensing fee? Coupled with the tranformativeness consideration, you are most likely having no effect on the market, since the product that you will distribute is not the original work, but a scientific conclusion about the work. Germany has different laws, and this article would be relevant if you cared about Germany. There was a change in the law that expanded the analog of fair use pertaining to research use. That law allows 15 percent of a work to be reproduced, distributed and made available to the public for the purpose of non-commercial scientific research. That, b.t.w., does not refer to what you are planning to do (unless you also publish quotes); for personal scientific research you may reproduce up to 75 percent. Since this is a new law only a year old, you could become part of the cutting edge in testing the limits of the law. So the standard disclaimer applies: ask your attorney. But note section 60d of the law which legalized data mining, and is squarely on point: (1) In order to enable the automatic analysis of large numbers of works (source material) for scientific research, it shall be permissible to reproduce the source material, including automatically and systematically, in order to create, particularly by means of normalisation, structuring and categorisation, a corpus which can be analysed and to make the corpus available to the public for a specifically limited circle of persons for their joint scientific research, as well as to individual third persons for the purpose of monitoring the quality of scientific research. In such cases, the user may only pursue non-commercial purposes. (2) If database works are used pursuant to subsection (1), this shall constitute customary use in accordance with section 55a, first sentence. If insubstantial parts of databases are used pursuant to subsection (1), this shall be deemed consistent with the normal utilisation of the database and with the legitimate interests of the producer of the database within the meaning of section 87b (1), second sentence, and section 87e. (3) Once the research work has been completed, the corpus and the reproductions of the source material shall be deleted; they may no longer be made available to the public. It shall, however, be permissible to transmit the corpus and the reproductions of the source material to the institutions referred to in sections 60e and 60f for the purpose of long-term storage.