How to determine which national copyright legislation applies if I put someone else&#39;s work online? Suppose there is a work by author A, whose copyright expires tomorrow (i.e. it goes into public domain) in their country of birth C1. I upload it (tomorrow) online on a blogging site by a company E based in country C2 with servers physically in country C3 (where it is possible that C2=C3, or even C1=C2=C3 but not necessarily). I live in country C4. In countries C2, C3, C4 the work's copyright has not necessarily expired. Can I get in trouble? I am particularly interested on whether I can get away with it if I make C1=C2 or C1=C2=C3. Thanks.
You can always get in trouble. Copyright is always protected by the laws of a particular nation, by the courts of that nation. Because of the Berne Convention and the Universal Copyright Convention, I can sue you outside of my country, and will be treated as a person of that country. The conventions don't say who has jurisdiction, that is where you have to sue, so you have to resort to conventional jurisdictional principles. If you are in Europe, under the Brussels Convention, that means I have to sue you in your country of domicile (if you reside in multiple European nations, I get to decide which country to sue you in). The English courts are slightly different in that they generally hold that you sue in the country where the act took place, but (Lucasfilm v Ainsworth) you can sue in UK courts for infringement that occurs in the US. As you can see, this can get complicated. I can't sue you in Mongolian courts (assuming neither of us has any connection at all to Mongolia), but I could sue you (being a hypothetical UK citizen) in UK courts if you did the infringing deed while in Mongolia. Mongolian courts enforce Mongolian copyright law, US courts enforce US copyright law. Therefore you first have to decide what country you plan to sue in (from the plaintiff's perspective).
Here's where you went wrong legally: Suppose I legally obtain some digital image created by somebody else (e.g., by downloading from a public website). That, right there, is copyright infringement- unless the copyright owner has granted permission or the image is public domain you cannot copy it - this breaches "the right to make reproductions". By posting it on the web (assuming that it isn't itself an infringing copy) they have given implied permission for you to look at it in a web browser but not to copy it into a presentation even if that presentation is never presented. If it is presented then that makes the infringement worse - it adds breaches of "the right to communicate to the public" and "the right to use the work as a basis for an audiovisual work". How is this different from the computer wallpaper? It isn't. If you are using the one of the defaults that shipped with the OS then the license gives you permission. If you are using someone else's copyright without permission then it's a breach. There are defenses to copyright infringement but these are quite nationally variable - search this or other sites for "fair dealing" and "fair use".
are there any safeguards you could take to preemptively block such behavior, such as a disclaimer inside the book cover that reads something like The safeguard you outline would be overridden as soon as the author enters any contract that requires assignment of copyright. (I would not delve in the differences between licensing and copyright assignment because that hypothetical author is dealing with a contract of adhesion which readily requires assignment; the author has no option to change the ToS to allow for licensing only) Under contract law, one of the essential prerequisites is that the conditions of a contract be entered knowingly and willfully. By deliberately clicking on a ToS page to move forward with the uploading a copyrighted work, the author is signaling his awareness and acceptance of the ToS. The fact that the author chose not to read the ToS is irrelevant and very unlikely to strike whatever entitlements the website owner formulated in the accepted ToS. For the same reason, the author's safeguard disclaimer does not bind the website owner: It cannot be said that the website owner was aware of that disclaimer at the time of the formation of contract between the author and the website owner. That is, the website owner did not knowingly and willfully accepted the author's safeguard. The website owner is not even expected to know about any safeguards which one of its potential user intends to establish. The length of a ToS document is also irrelevant because the website owner has the valid argument that "the user-author could have skimmed through the ToS or do a search (via Control-Find) of keywords such as 'copyright' or 'property', whence any allegation of 'inadvertent' assignment of copyright is untenable". Is there a way to protect your IP from inadvertently being licensed/stolen/assigned via TOS "agreements", without having to waste your life reading huge one-sided online "contracts" that are "subject to change without notice" anyway? Yes. That consists of not uploading one's works in such platforms. In contract law that would be expressed as "declining an exchange of considerations". There are many other alternatives for an author to promote his work without being required to assign copyright.
No. That clause does not give other users a licence to reproduce the work (other than what is necessary to access or use it) or create derivative works. The copyright owner has the exclusive right to do those things. (See 17 USC 106.) The clause you quote only indicates that other users can "access" (download for viewing) your "information" and use it, too. It doesn't give away any of your exclusive copyright in the work. You do grant Facebook a licence to do certain things with your work in section 2.1 of the Terms of Service, though.
How do you know if the copyright claimant or owner of them material you are using is allowing their content on Youtube? You don't. ... does fair use automatically cover you for anything related to this? No Is it illegal to share the music experience of a legally purchased MP3 ... or to provide services that play songs ... but are not hosted by your website (in which case you just act as a pointer to other sites which are participating in illegal activities)? Yes What rights/privileges can cover you if you wish to participate in this? None I've heard (rumours probably with no legal standing), that as long as you are not monetizing their material, you will not have any legal action taken against you. You probably won't have action taken against you. That said, you probably won't get busted for smoking weed in your basement. Lack of enforcement makes it no less illegal. What copyright means Copyright is a legal right created by the law of a country that grants the creator of an original work exclusive rights to its use and distribution, usually for a limited time. The exclusive rights are not absolute; they are limited by limitations and exceptions to copyright law, including fair use. The copyright holder decides how, when and by whom their work can be used and copied. At some point this right expires and the work passes into the public domain. It is not trivial to determine what works are public domain and what are not as it depends on the copyright law in the country they were created in at the time of creation and how that law has changed subsequently. In most of the world, the default length of copyright is currently the life of the author plus either 50 or 70 years. Many jurisdictions also grant workers for hire moral copyright in their creative work even when the proprietorial copyright vests with their employer. Copyright comes into existence automatically; it doesn't need to be registered or denoted in any way. For example, I have copyright in this answer and you have copyright in your question. A few countries (the USA among them) have a copyright register but that only limits the remedies an unregistered copyright holder has; failing to register does not negate copyright. Further, a single work can have multiple copyright holders: a music video for example has (barring contractual arrangements): the composer(s) holds copyright in the music the lyricist(s) holds copyright in the lyrics the performer(s) hold copyright in the music performance the actor(s) (if any) holds copyright in the acting the producer(s)/director(s) holds copyright in the finished product. In practice, most of these people have contracts which give their copyright to someone else. Almost certainly, every MP3 of every song is covered by copyright; that is, someone, somewhere owns the copyright; that is at least one someone. How can you tell who that is? Often, in the absence of a claim of copyright, you can't. Obviously, if it is a song published by a record label than its pretty obvious that they hold copyright on it and you don't need to worry about the deals they have with the artist/composer etc. Remember, copyright violations are a civil matter; the state does not get involved. It is up to each individual copyright holder to take whatever action they wish under the law to protect their rights.
A simple EULA does not absolve you from legal responsibility. The law that you need to be acquainted with, if you are dealing with the US (i.e. might be sued in the US), is the Digital Millennium Copyright Act, in particular Title II, the Online Copyright Infringement Liability Limitation Act which states the "safe harbor" provisions. Aspects of DMCA safe harbor are covered in many Law SE questions. In essence, you have to provide a way for rights holders to complain that someone has infringed their copyright on there site, and you have to take down allegedly infringing material: and there are a number of legal formalities to attend to in doing this. The main point is that you can't just ignore the problem and hope it goes away, and you can't just say it is not your responsibility, which is what a simple EULA does. To be protected, you need a "designated agent" where complainers can contact you. You provide the information online (as well as stating the DMCA policy, which can be in the EULA), and also register that information with the Copyright office (online). The complaint has to be in writing, and most of the burden is on the author of the complaint, but you still have to be sure that the complaint is legally conforming. The complaint has to say what was infringed (e.g. the URL), the identity of the protected content (title of the book, for instance), and provide the complainer's signature and contact information. It also requires the complainer to say that they have a good faith belief that the material is illegally copied (no permission, and not otherwise allowed by law), and a perjury statement that the foregoing is accurate and authorized by the copyright holder. When you have a conforming notice, you must "expeditiously" remove / disable the infringing material (there is no definition of "expeditious"), notify the user, then wait for a proper counter-claim (same general form as the take-down claim but where the user denies the posting the material was illegal. If you get a counter-claim, you notify the alleged copyright owner and wait for them to file suit in 10 days. If they don't do that, you restore the material. Here is a sample complaint, and a sample counter notice. Also, this document (look for the download tab) reorganizes the legal language so that requirements are put in logical order and not randomly scattered throughout the US Code.
Copyright expires 70 years after the original writer breaths his/her last breath, after that it becomes public domain. And all works published before 1923 are in the public domain in the US. This means that the inheritors of the rights cannot sue you for infringement because there is nothing to infringe. If the music is not in public domain you will need to contact the rights holders and negotiate the rights to use the music. This can also be a company that has the right to sublicense the content to others. This is often the way radios and DJs get the right for the music they play.
The copyright on the book of quotations protects the collection. That is, it protects the author's choice of which quotations to include, and of what order to list them in. It also covers any division of them into groups or categories, and any added text (intros, comments, and so on) written by the author. It does not protect the quotations themselves. As those are not the original work of the author, s/he can have no copyright in them. Any quotes that are in the public domain (through expiration of copyright, or otherwise) may be used freely. Any others are protected by copyright. However the use of a short quotation is often fair use under US law, or is subject to another exception to copyright elsewhere. But that depends very much on the details of the factual situation. So quotes with expired copyrights are safe to use. Others may well be safe if they are relatively short, and proper attribution is given.