What if a copyright registration service goes bust? When I create a song I immediately upload it to dropbox. That way I can make sure I can recover it if my hard drive is failing (as i don't have redundancy) but also to show I have a tangible form of the song which is on dropbox as evidence. There is also copyright registration services that will store the file, for example songrite, CCS (in the UK) etc. My question is what happens if dropbox or CCS go bust? is my proof of having recorded it at a certain date gone? And how should I mitigate it, is taking a screenshot enough?
Legally, such services have no special status. They're not necessary for copyright to exist, and their status as evidence is not in any way special. This is one of those rare cases where a blockchain actually does make sense. Recently the idea of Non-Fungible Tokens has come up in the context of blockchains, and typically these are very accurately dated. NFT's can be sold, but that is not necessary for them to be created.
There's no "common law copyright" in the US. There's common law trademark, but copyrights and trademarks are different things. All copyright is based on federal copyright statutes, and an unregistered copyright is just called an unregistered copyright. What an unregistered copyright gives you is almost the same thing as a registered copyright: the exclusive right to exercise various rights (reproduction, distribution, public performance/display, etc.) Registration is required before you can actually file an infringement lawsuit, but it's OK if you only registered it after learning about the infringement. The main reason to register the work early is that you might be able to collect higher damages if it was registered before the infringement. If the work was unregistered when the infringement happened, you can only collect actual damages. If it was already registered, you can instead opt to collect statutory damages. Statutory damages don't require you to show actual loss; instead, the court awards between $750 and $30,000 per work based on what it considers fair. The lower limit can go down to $200 if the infringer had no reason to think they were infringing, and the upper limit can go up to $150,000 if the infringement was willful. You can also collect attorney's fees if it was already registered. In the comments, the question was raised of whether someone else might be able to register the copyright for your work before you and what would happen then. When I say "registration is required before filing a lawsuit," the requirement is that you submit the registration paperwork properly, pay the fee, and wait for the Copyright Office to act on the application. If they accept the registration, you're all set. Even if they refuse, though, you can still file an infringement claim -- you just have to also serve the head of the Copyright Office, who has the option of jumping into the case to argue about whether the work could legally be registered. You can also sue the Copyright Office to get judicial review of a denial under the Administrative Procedure Act (refusal still lets you file infringement lawsuits, but you can't get statutory damages or attorney's fees against an infringer unless the Copyright Office actually accepted the registration).
You don't need to &quot;publish&quot; your song to obtain copyright protection. Original works are protected by copyright at the instant they are fixed in a tangible medium. This means that if you type the lyrics, write an arrangement of notes, or record yourself playing the song, the song is copyrighted.
They wouldn't need to keep samples, just the fingerprint. So they could send a guy with a laptop to Japan, download all the songs, fingerprint them, and take the fingerprints back home. It's not a problem, but it would be expensive. I suspect that US and European record companies will make the music available to them for free, otherwise they'd have to pay 20-30 million dollars for 20-30 million songs. The Japanese record companies wouldn't, so while it is technically and legally possible to collect the fingerprints, it would be expensive. And what is the benefit? We are talking here about music that you cannot legally own, that you cannot legally buy after the software recognised it, so there is very little incentive to spend that money.
I've found Google's filtering based on licence to not be very reliable, at least not reliable enough to trust from a practical legal perspective. Using a photo that you don't own the copyright to is a risk. You may be infringing copyright by doing so. The owner may eventually ask you to stop, or they may sue you for damages. Further, some copyright infringement is criminal 17 USC 506. In my opinion, it would be unwise to use a work commercially that you don't affirmatively know you have permission to use.
Yes, assuming the material was given the standard license. You would be creating a derivative work, and only the copyright owner has the right to authorize creation of a derivative work. See the copyright FAQ for general information. The owner can file a DMCA takedown notice with YouTube and they will by policy notify you of the infringement claim and unless you file a counter-notice (you legally couldn't given the facts you're asserting), they will take it down. The owner can also sue you.
Hypothetically speaking, if a program doesn't come with a EULA, does that mean someone in possession of it (who isn't the owner) would be breaking the law if they used it? If the copy on the stick was lawfully made with permission of the copyright holder, then you can lawfully use the software. Someone who lawfully comes into possession of a lawfully made copy of the software (that was not a backup) has the right to use that software in the ordinary way. For example if someone found a USB stick lying on the ground and it had software on it but no EULA, could they use the software? Maybe, but it would be hard for them to know whether they could or not. It might be a backup. It might be an unlawful copy. There was a case where a person found a CD in the trash that was clearly an original. The package had a shrink wrap agreement, but he found the CD without the package. The court held that he had every right to use the software on the CD (since it was a lawfully-made copy and not a backup) and was not bound by the EULA (since he hadn't opened the package). But he was very fortunate in being able to demonstrate these facts.
You can't Under clause 7(b) of the CC-SA-BY 3.0 the licence is irrevocable providing that the licensee complies with its terms. However, ... It appears that your work is part of a Collection (as defined and under clause 4(a), the licensee has this obligation: If You create a Collection, upon notice from any Licensor You must, to the extent practicable, remove from the Collection any credit as required by Section 4(c), as requested. While you cannot have your work removed, you can have the attribution removed so that no one knows that it is your work - this would seem to meet your desire of having no association with the website. "To the extent practicable" should include anonymising you. As a bonus, if they don't do this "to the extent practicable" then they are in breach of the licence and it's automatically revoked - you can then proceed with DCMA takedown notices and/or sue for copyright breach.