Can a copyright holder sue someone in Switzerland for downloading their copyrighted works? I recently learned that Switzerland decriminalized downloading most/some copyrighted works – for &quot;private use&quot;. But that only seems to cover criminal penalties. Does that same act/law, or another, also preclude a civil lawsuit from being brought to court?
The question uses the word &quot;decriminalized&quot;. That implies that such downloading was previously a criminal act. I don't see anything in the Swiss law that says or implies this. (It is not usual for a copyright law to make ordinary infringing conduct criminal. Article 9(2) of the Berne Copyright Convention provides that: (2) It shall be a matter for legislation in the countries of the Union to permit the reproduction of such works in certain special cases, provided that such reproduction does not conflict with a normal exploitation of the work and does not unreasonably prejudice the legitimate interests of the author. Such laws, which vary significantly from country to country, provide exceptions to copyright. For example, fair use in the US, or fair dealing in the UK. Use of a work that falls within an exception to copyright is not an infringement of copyright. Article 19 of the Swiss Copyright Law provides that: Published works may be used for private use. ... Persons entitled to make copies of a work for private use may also have them made by third parties subject to paragraph 3 This is part of Chapter 5 Exceptions to Copyright. Chapter 5 includes articles 19 through 28. These define various acts which &quot;may be&quot; done under specified conditions, and which are not then infringements of copyright. This means that neither civil suits nor criminal prosecutions may be brought against anyone for doing such acts under the specified conditions. It should also be noted that article 19 nowhere mentions &quot;downloading&quot;. It permits &quot;making use&quot; of protected works, and in particular &quot;making copies&quot;. Downloading is one way of making a copy of a work, but the permission granted by article 19 is not limited to that method of making a copy.
A few years ago, there was a trial in the USA about some short sound on some music CD: One party claimed that one piece of music on the CD contained a sound of less than one second length which is copied from another CD without the permission of the copyright owner of the other CD. It could never be found out if this claim was really true. The court's decision was: If it is not possible to distinguish between a copy and a work that does not depend on the other work at all, it is not a copyright infringement - even if the sound has been copied from the other CD. For this reason, I'd guess that a 4x3 image would not be a copyright infringement, yet, while 60x45 would definitely be one. Just for reference: The same image as 3x4 and as 45x60:
Prompted by this recent similar question, I've revisited this question and deleted my original answer as it was completely off the mark. This is its replacement. It is illegal, and it turns out to be an international standard in the Berne Convention. Article 16 in full: (1) Infringing copies of a work shall be liable to seizure in any country of the Union where the work enjoys legal protection. (2) The provisions of the preceding paragraph shall also apply to reproductions coming from a country where the work is not protected, or has ceased to be protected. (3) The seizure shall take place in accordance with the legislation of each country. Your scenario falls squarely within point (2) and the imported George Orwell book is to be treated as an infringing copy within the UK. The implementing UK legislation for (2) can be found in Section 27(3) of the Copyright, Designs and Patents Act 1988.
How close is such a statement corresponding with the reality? Legally, such language is a meaningless statement of future intent that at best makes clear that the person making the statement isn't waiving any of their legal rights. Certainly, no infringer would have standing to sue if they failed to do so. Whether a joint venture member or foreign reseller could sue the company for failing to enforce its IP rights is another question that presents itself very differently and depends upon much more than what the warning labels state, such as the language in the joint partnership or reseller's agreement with the copyright owner. Also, in criminal copyright violation cases, even if the copyright owner asks for the maximum possible consequences, the U.S. Justice Department is under no obligation whatsoever to go along with that request. Likewise, a judge has no obligation to impose the maximum penalty allowed by law following a criminal conviction, even if the copyright owner and the U.S. Justice Department both request a maximum sentence for someone who pleas guilty or is convicted of the offense following a trial. In practice, something like 98% of federal criminal cases, and a similar percentage of federal civil cases, result in agreed resolutions which result in less severe penalties than the maximum penalties allowed by law. This happens as a result of a mutual agreement to resolve the case with a guilty plea, or a settlement agreement in a civil case, or both. Also, in practice, none of these companies, nor the federal government's prosecutors, have the resources to press anything but the most clear and serious copyright violation cases, and cases that are valuable for P.R. purposes. Anything else is essentially a random lottery from myriad cases that could have been brought in order to counteract the argument (both political and legal) that their copyright protections are empty and completely unenforced is a large part of the cases to which the statutes would make it seem that they apply. Also, in a case brought by a joint venture owner or reseller for failure to enforce a copyright which causes the partner damages, presumably in some sort of breach of contract or breach of fiduciary duty action, there would be no way to prove damages from all of the non-enforcement, since enforcing every known infringement would not be cost effective and would reduce the net profits of everyone involved.
DMCA allows for a counter-notice. You can submit a counter-notice with a statement that you have a licence to distribute the content. Statements in the counter-notice about the facts relating to your permission to reproduce are under penalty of perjury. You could also sue the content owner to attempt to get an injunction against future takedown requests and you could get costs (not punative damages) awarded under 17 USC 512(f).
No, it does not fall under fair use: It is commercial use in nature It is a copyrighted work It is hard to say what portion of the copyrighted work you'd be using based on your description, so test three is inconclusive It could be argued in your favor that the infringement would not have an impact on their potential market, but it could potentially impact the value If discovered the owner of the copyright could pursue action against the company you work for.
Although the exact answer should depend on the country you are, in general private copies of copyrighted works are allowed. General rules are: You need to have got the work in a legitimate way. That is, that you have purchased a copy of the work with permission from copyright owners or you have got the work from an act of public distribution authorised by copyright owners - if you got it from a website that is not making a copyright infringement itself, you are in the second case. That you don't make a collective or commercial use of the work. (I took these rules from Spanish Intellectual Property law (article 31), but most countries have similar rules, specially in the European Union. Anyway, the exact limits of private copying exception may differ). Since private copying might have an economic effect, some countries collect private copying levies to compensate copyright owners - probably you have already paid for those when purchasing the printer. Therefore, you can print a book downloaded from a website (unless the site is hosting the work without authorization of the copyright owners, as pirate sites do) for your own use. You can't sell the copies or made a collective use of them. Although reach of collective use might be hard to assess, I would suggest that if you want all the people in your class have the book, send them the link so that any one could print their own copy. Update about the USA As the OP has now specified now their country I update the answer with a comment, although an additional answer by anybody more knowledgeable on US law would be great. I'm quite sure that for practical purposes the result is that you can print such a book anywhere in the world. However, I don't know which laws regulates that in the US. Google doesn't return meaningful results for "private copy usa", so I suppose it is know there by another name. Furthermore, statutes in common law countries tend to be less explicit and there might be no case law applicable. For example, I nobody printing a copy of a pdf for himself to read at home has ever been challenged in court in the USA, there might be no explicit rule about the subject.
Seems unlikely that it will "forestall copyright infringement suits". Some jurisdictions, e.g the USA, say that "Works produced by mechanical processes or random selection without any contribution by a human author are not registrable". On the face of it, in such a jurisdiction copyright can't exist in a randomly generated work. Which the TED talk doesn't mention. https://www.youtube.com/watch?v=sJtm0MoOgiU Let's imagine a case in a jurisdiction where copyright can exist in such a work. There is a dispute between two artists or labels. The plaintiff produced a well known tune and accuses the defendant of copying this work. The defendant says the plaintiff didn't have copyright in that work because it wasn't original in the first place, there is a 1200GB TAR file (compressed file) on GitHub that contains all possible single octave, 8-note, 12-beat melody combos, which were produced before the plaintiff's work. The plaintiff says, "like the majority of the population I never heard of GitHub, let alone downloaded, uncompressed a 1200GB file and listened to every melody." That's all aside from plaintiffs or lawyers deciding they have a case or believing the mere threat of civil proceedings will cause the alleged infringer to acquiesce to their demands. I think they are making a point about the law rather than a realistic means of thwarting copyright disputes. It's reasonable of the creators to say there is a finite set of melodies and the likelihood of inadvertently 'creating' the same melody as someone else may be smaller than we think, maybe copyright law has led to some unjust outcomes and led to a chilling effect on music-making.