Is online content considered to be &quot;published&quot; to the whole world? Suppose, as a resident of your own country, you put some content online. Given that everyone online in the world can, potentially, view it, does that mean that you have, from a legal point of view, &quot;published&quot; it in every country of the world -- and are thus subject to the particular copyright laws of every country in the world?
Yes, except for the part where you say &quot;thus&quot;. Copyright protection isn't limited to published works, though in the past this was the case with US law. Current US law defines publication as the distribution of copies or phonorecords of a work to the public by sale or other transfer of ownership, or by rental, lease, or lending. The offering to distribute copies or phonorecords to a group of persons for purposes of further distribution, public performance, or public display, constitutes publication. A public performance or display of a work does not of itself constitute publication. Web distribution is one way to distribute a protected work. The distinction between published and unpublished works matters in terms of registration requirements, it figures into the question of the nationality of the author, the duration of protection for a work for hire and (pseudo)anonymous works, as well as the duration of protection for works created before January 1, 1978 but first published between then and January 1, 2003, and so on. The US Copyright office provides guidance that derives from court cases, and they have this to say about published vs. unpublished. They give as an example of publication (&quot;Offering to Distribute Copies or Phonorecords to a Group of Persons&quot;) Publication occurs when copies of a photograph are offered to clients, including but not limited to newspapers, magazines, agencies, wire services, and websites with a license permitting further distribution or display of the photograph. also An offer by the copyright owner on a public website to purchase and download an app that they developed and made accessible on that website constitutes publication of that app. German copyright law makes mention of &quot;publication&quot; as well, for instance The right of publication and of exploitation of the work accrues jointly to the joint authors; alterations to the work shall be permissible only with the consent of the joint authors. However, a joint author may not refuse his consent to publication, exploitation or alteration contrary to the principles of good faith. Each joint author shall be entitled to assert claims arising from violations of the joint copyright; he may, however, demand performance only to all of the joint authors. §6 says that (1) A work shall be deemed to have been published when it has been made available to the public with the consent of the rightholder. (2) A work shall be deemed to have been released when copies of the work have been offered, with the rightholder’s consent, to the public or brought to the market after their production in sufficient quantity. An artistic work shall also be deemed to have been released when the original or a copy of the work has been made permanently available to the public with the consent of the rightholder. One would have to inquire into the specifics of German law to know if &quot;putting one copy on a website&quot; constitutes being brought to the market after production in sufficient quantity.
To answer the last part of the question: Jurisdiction would be where the copied media is being producted and where it is being consumed/sold. Moving media from one jurisdiction with ineffectual protections to another jurisdiction is part of product piracy. The scheme you suggest might shield the company producing the counterfeit goods, leaving the importers holding the bag. If the importers and manufacturers are controlled by the same person, courts in jurisdictions with strong protection might hold that person liable for the whole criminal enterprise. There is a widespread assumption that the internet is 'beyond national laws.' That is wrong. Enforcement may be difficult in some cases, but the laws apply. If you try to make profits by skirting the edges of law, you need really good, really professional legal advice.
The first copyright law dates from 1710, so it's not true that Chekhov wrote before any copyright laws. Any work from prior to 1924 isn't necessarily safe to use (it depends on when the author died). It is in the US but will complicate things if you publish internationally. Unless you translate with something like Google translate, translation is definitely a creative process. This is especially true (although probably not significant legally) for something like a poem, where its' extra hard if you try to keep the original metre and rhyme scheme. If you publish work in the public domain, you would have some claim to the typography. If the translator has done a copyright assignment to the publisher as part of the publishing agreement, they would hold the rights to the translated version.
You are correct that facts in general are not protected by copyright, and most raw data are facts. However, a collection of data may be protected by copyright as to its selection and organization. A use which copies such selection might possibly be copyright infringement. If data constitutes a trade secret it may be protected as such, and &quot;improper&quot; access might be unlawful. This would not apply to publicly available data or collections of data. If, to access a data set, one must sign or agree to a contract, that contract may limit the use of such data. Again, this would not apply to most publicly available data.
There are 196 sovereign nations in the world (more or less); each of them has its own copyright laws. 168 are signatories of the Berne Convention which requires them to extend to foreign copyright holders at least the same rights that they would have domestically. It relies from this on the concept of country of origin. Assuming that the book was originally published in the UK (as it has a London based publisher) then the applicable copyright law is that of the UK. Exceptions to copyright can be found here. The relevant exemption is the first part of the Teaching section: the copying of works in any medium as long as the use is solely to illustrate a point, it is not done for commercial purposes, it is accompanied by a sufficient acknowledgement, and the use is fair dealing. Acknowledgement is pretty straightforward but fair dealing as a legal concept means: There is no statutory definition of fair dealing - it will always be a matter of fact, degree and impression in each case. The question to be asked is: how would a fair-minded and honest person have dealt with the work? Factors that have been identified by the courts as relevant in determining whether a particular dealing with a work is fair include: does using the work affect the market for the original work? If a use of a work acts as a substitute for it, causing the owner to lose revenue, then it is not likely to be fair is the amount of the work taken reasonable and appropriate? Was it necessary to use the amount that was taken? Usually only part of a work may be used The relative importance of any one factor will vary according to the case in hand and the type of dealing in question. If the work had been simultaneously or previously published in the USA the relevant consideration is fair use rather than fair dealing. Fair use typically gives the copier much greater latitude than fair dealing does. As to the specifics of posting on stack exchange. Extracts on SE are unlikely to affect the original market (they may even enhance it by serving as advertising) so providing that you have used the minimum amount necessary to illuminate your answer it is probably fair dealing (and fair use). This would probably be true even if, across tens of thousands of questions, the entire book were quoted. Notwithstanding, if the copyright owner issued SE with a take down notice they would take it down because they are not in the business of fighting protracted copyright cases even if they are in the right.
Yes The US constitution is in the public domain. Anyone may publish a version of it, including an altered version. No US law forbidding publication of an altered version would itself be constitutional -- the First Amendment would prevent such a law. However, if an altered version were sold under such conditions that a customer might reasonably believe it to be an unaltered version, that might be false advertising, or perhaps fraud, because the seller would be deceiving the customer as to what the product is.
It's legal as long as you follow these guidelines: They [The Cached Files] are created only for the purpose of viewing (In Your case listening) content The copies do not unreasonably prejudice the legitimate interests of the rights holders. The creation of the copies does not conflict with a normal exploitation of the works. Source: http://www3.ebu.ch/contents/news/2014/06/eu-court-rules-on-legality-of-in.html
Basically, statement 3 above is correct. The owner of the copyright in a work may release that work unmder different, even incompatible, licenses, as many times as s/he chooses to do. None of these releases cancels or invalidates any other. A person who obtains a work from a site where it is listed under a particular license, may rely on that license grant. The owner may (if the site allows) modify the license or remove the posted work, but this does not invalidate the license granted to those who obtained the work before any modification or removal. An incorrect or incomplete copyright notice does not, under current law. invalidate the copyright, and to the best of my understanding will not invalidate either of the license mentioen in the question.