When an author sells the underlying copyright to a third party, where does the publisher now send the royalties? A book publishing contract typically starts with an author who owns a copyright and licenses it to a publisher for the term of the copyright. The publisher (or the literary agent) sends royalty checks to the author. (I'm using royalties as a stand-in here for all the various obligations the publisher typically owes under a contract.) Here's the wrinkle: Suppose the author, while alive, transfers the underlying copyright to a third party. Where does the publisher send the royalty check? To the author, or to the new copyright owner? Another way of asking the question: Does the publisher's contractual obligation flow to the individual person (the author) who signed the publishing contract, or does it flow to the owner of the copyright, whoever that may be? If the first is true, then a separate transfer of contractual obligations would presumably be needed to vest the third party with all rights. But if the second is true, then the shift of royalties (obligations) would be automatic. (A related question: In the normal case, the author still owns the copyright when he dies, at which point the heirs succeed to the author's rights under the publishing contract. No problem. But if the copyright ownership has been transferred to a third party during author's lifetime, does that third party have any claim to the royalties going forward?) Geographically, this question pertains to the U.S. (but it would be interesting to hear if other jurisdictions have different approaches).
Any obligation to pay royalties comes from the agreement between the publisher and the copyright holder. In a particular agreement, &quot;the Author&quot; is defined as the specific person, and the royalties clause says that &quot;During the legal period of copyright Publisher shall pay to the Author...&quot;. Whether or not Author retains copyright (merely grants a non-exclusive license) or transfers copyright to Publisher is specified in the agreement. If (per the hypothetical) Author has the right to transfer copyright i.e. has not transferred copyright to the Publisher, this does not extinguish the Publisher's original obligation to pay royalties – unless that is what the copyright agreement says (I've never seen such a clause, but who knows). Change the Royalties clause to read &quot;shall pay the owner of the copyright&quot;, then you get a different result.
The CC-ND license seems to be what you are looking for. However, Sec. 2(a) has two conditions, one allowing copying and distribution of the unmodified original (as stated in A), but also allows the user to modify but not distribute a modified version of the work (they may "produce and reproduce, but not Share, Adapted Material"). This would mean that a reader could rewrite your paper, as long as they keep it to themselves. If this bothers you, I think you could not rely on a standard named license, instead you'd have to provide your own – such as CC-ND 4.0 without clause (2)(a)(B). Rewriting a legal document is a risky proposition, even for a legal professional, because you have to carefully think through all of the implications of any new punctuation, adjectives, and deletions. If you contemplate deleting clause (2)(a)(B), you should come up with a line of reasoning that compels you do delete it in order to accomplish your goal, and check that the deletion doesn't thwart that goal. That is why people pay money to lawyers (and also why you need to make your goal clear to that lawyer, lest the agreement be inconsistent with your goal).
Adam cannot simply void the contract because he has a chance to publish in a more prestigious journal. What he can do depends on the provisions of he contract to which Adam agreed. It is likely, but far from certain, that the agreement permits Adam to cancel it under specified circumstances. If it does, and if those circumstances now apply, Adam can cancel and then submit the paper to the other journal. It is possible that the contract gives he first journal (J1)_ exclusive rights only for a limited period of time. If this is so, and if that time has passed, then Adam may submit the paper to the other journal (J2) without violating the agreement. It is likely, but not certain, that the agreement has provisions permitting the paper to be republished in another journal. If it does, than Adam may republish by complying with those provisions. They will probably include a requirement that the J@ publication include a notice similar to this: This paper was originally published in J1 in the {date} issue. J2 would have to be willing to include such a notice. The agreement between Adam and J1 will specify some things that J1 must do, as well as things that Adam must do. If J1 has failed to carry out a significant part of its obligations, for example if it never published Adam's paper, Adam may be able to rescind the agreement for materiel breach. Exactly what failures on J1's part allow this varies by jurisdiction. Adam would be wise to consult a lawyer before taking this step. Adam may request permission from J1 if none of these situations applies, and J1 may give permission. It would probably insist on a notice like the one mentioned above. But J1 does not have to grant such permission. If none of the situations above apply, and Adam cannot get (or does not ask for) permission from J1, then submitting the paper to J2 would probably violate Adam's agreement with J1. J1 could sue Adam, and perhaps J2 also. If the people running J2 know of this situation, they may well refuse Adam's paper. Adam may be able to write a new paper, based on the same research as his original paper, perhaps with more recent research added. That would not be covered by Adam's agreement with J1, and he could submit that to J2.
Contracts don’t have to be in writing Generally, there are specific exemptions. For example, in some jurisdictions, copyright transfers have to be in writing. Written contracts do not have to take any particular form Again, in general, some specific contracts may need to be in particular forms or explicitly deal with particular matters. Writing doesn’t mean ink on paper Of course, ink on paper is “writing” but so is an email, a text message, a Facebook post, a photo, a comic book. In law, writing simply means a semi-permanent record. Signatures are not required Unless, of course, they are in the specific circumstances. Your examples The plumber’s promise is both binding and unnecessary - the plumber is responsible for his own negligent acts and omissions even without such an agreement. On the other hand, if you promised not to hold him responsible, that promise would be binding. The designer’s agreement to transfer copyright is binding even where such agreements must be in writing because it is in writing. See What is a contract and what is required for them to be valid?
Under U.S. copyright law, the First Sale Doctrine protects such conduct. As the U.S. Justice Department explains: The first sale doctrine, codified at 17 U.S.C. § 109, provides that an individual who knowingly purchases a copy of a copyrighted work from the copyright holder receives the right to sell, display or otherwise dispose of that particular copy, notwithstanding the interests of the copyright owner. The right to distribute ends, however, once the owner has sold that particular copy. See 17 U.S.C. § 109(a) &amp; (c). U.S. law with respect to the First Sale Doctrine is typical, and copyright law is fairly uniform internationally due to some relevant intellectual property treaties. But there are hundreds of countries in the world, and some of them might not include the First Sale Doctrine in their jurisprudence. For example, I do not know how this would be handled under the laws of the People's Republic of China, or under Islamic law.
Your title and your question are totally different. If someone pirates a book, makes printed copies, and sells them for profit, that's the point where it switches from plain copyright infringement to being criminal copyright infringement. Which means jail instead of paying damages is possible. If you buy one of these printed copies, not knowing that they have been created illegally, and not being willfully ignorant that the printed copies were created illegal, then you didn't commit copyright infringement yourself. Since you are asking the question, it's obvious that you now know that there was copyright infringement, and buying any more copies would be encouraging copyright infringement with no excuses for you. You can be sued for damages. It is unlikely to happen since suing takes likely more effort than getting any damages from you is worth. The correct thing to do is ask the seller for your money back and destroy the copies. If they don't refund your money you can inform the copyright holder.
First, the seller has not violated copyright law by selling you this book. Kirtsaeng v. John Wiley &amp; Sons, Inc. provides the precedent. The Supreme Court ruled that the First Sale doctrine applies to &quot;grey market&quot; imports of books, so buying a book cheaply in another country and then shipping it to the USA is entirely legal, regardless of what the publisher would like. The court wrote: Putting section numbers to the side, we ask whether the “first sale” doctrine applies to protect a buyer or other lawful owner of a copy (of a copyrighted work) lawfully manufactured abroad. Can that buyer bring that copy into the United States (and sell it or give it away) without obtaining permission to do so from the copyright owner? Can, for example, someone who purchases, say at a used bookstore, a book printed abroad subsequently resell it without the copyright owner’s permission? In our view, the answers to these questions are, yes. Wikipedia also has an article on the case. As for your recourse against the seller, this would seem to be very limited unless they specifically promised you the US edition, or the content is materially different between US and Indian editions. You don't say what kind of book this is. Textbooks typically have identical content. Fiction and other entertainment books generally have local idioms and terminology changed (e.g. &quot;pavement&quot; versus &quot;sidewalk&quot;) but will otherwise be the same. You might be able to claim that this is a material difference, but its likely to be difficult.
If it was illegal to make the entire copy, it is illegal to copy half the file. See also, e.g., Basic Books v. Kinko's Graphics Corp., 758 F. Supp. 1522 (S.D.N.Y. 1991) In response to the question of whether moving it to someone else's servers makes a difference: it is the act of copying, not the possession of the copy, that is the violation of copyright law. As for the copy a service assists someone to make, contributory liability would be the issue. You don't need to be the person making the copies to be contributing to the infringement--material contribution to the copying process and knowledge of infringement run a serious risk of creating contributory liability. If seriously considering such a service as a business model someone would need to consult a copyright expert with technical knowledge or pay counsel with technical knowledge for a good bit of time to do some research. There are major civil and criminal consequences if the industry or the government decides to go after a service doing this, so legal expenses would be a significant and important cost of doing business that would significantly increase barriers to entry. In addition, the service would likely be in violation of its agreement with storage vendors, who would want to minimize their legal exposure and might well discontinue the service when they learned what it was doing.