Is It Legal to Mention “The Creator” in U.S. Public Schools? I give lots of guest presentations to K-18 schools/universities all over the world. Since the subject is Space exploration, I frequently feel the need to invoke (using one of these very &quot;generic&quot; terms) &quot;The Almighty,&quot; or &quot;The Creator&quot; (i.e. I NEVER use the terms &quot;God,&quot; &quot;Allah,&quot; &quot;Bhagavan,&quot; etc). When presenting in the United States at a public school, is it &quot;legal&quot; to do so? Being unsure, in the past, I generally have avoided the subject altogether.
It is legal. What would be illegal is for a public school to promote or inhibit a religion. You can teach all sorts of facts that touch on religion (millennia of Western history) and you can e.g. survey the major religions of the worlds as a cultural phenomenon. You can use circumlocutions or proper names. It's not illegal to confess to having personal beliefs. This is about public schools, which is an arm of the government. A person who is in a school, for example a student, is not prohibited from promoting or demoting a religion, therefore a student who clearly and openly advocates the Pastafarian faith is not to be sanctioned, except insofar as the conduct is objectively disruptive. This is because the student is clearly not acting as an agent of a government institution. Things are a little murky when it comes to teachers and guest speakers. Teachers do not lose their First Amendment rights when they enter the classroom. Here is a summary of pertinent court rulings. The main principle that comes from such cases is that school districts can direct teachers to refrain from certain actions when there is a reasonable belief that the actions would run afoul of the Establishment Clause. Individual teachers have been ordered to not engage in silent reading of prayers in school (Roberts v. Madigan). Case law on guest lecturers is probably close to zero, since guest lecturers don't have the same kind of property right to be at the school expressing themselves as teachers do.
As for plagiarism, that is not a legal concept, so he can define plagiarism however he wants. It certainly isn't, under any definition I have ever seen on Earth and I have seen many (it has to do with "claiming someone else's work as your own"). As for copyright, a set of questions is (potentially) protected by copyright. If they are copied from somebody else's book of questions, then the book author (or publisher) holds copyright. Let's say that QM invented the questions, such as "What is the Turkish word for Janissary?", "What is the most prominent feature of Jannissary garb?" and so on. Then that set of questions, when put down in fixed form, are protected by copyright, and cannot be copied without permission.
united-states In the US it is not unlawful to produce and display a video arguing for the Russian invasion of Ukraine, whether the intent is to support that invasion or to document the claims of those who do support it, and argue that they are invalid. Such a video would be protected by copyright, and copying it and redistributing it with subtitles might well be an infringement of that copyright, if done without permission. On the other hand, doing so with the intent of educating others about Russian claims might constitute fair use. If so, it would not be copyright infringement under US law. Aside from the copyright issue (which would be up to the copyright holder to take action on) US law does not really care what the motivation for posting such a sub-titled video might be. Whether or not it is &quot;beneficial for the whole human civilization&quot; is not relevant to US law. It is protected by the First Amendment against government suppression. That would not affect YouTube, as a private actor,, determining not to host it on their site.
You can always be sued, but truth is an absolute defense to libel. Your actions could be perceived in any way imaginable. What usually matters for legal purposes is how a "reasonable person" would perceive them. As an example, Pennsylvania's Megan's Law Website warns: Any person who uses the information contained herein to threaten, intimidate, or harass the registrant or their family, or who otherwise misuses this information, may be subject to criminal prosecution or civil liability. It further clarifies: Public access to information about registered sexual offenders is intended solely as a means of public protection, any other use prohibited.
tl;dr No, N.Y. Times v. Sullivan established the actual malice standard in the context of defamation. It is not illegal for a public figure to claim the sun revolves around the Earth unless some other law intervenes (maybe something fact-dependant like fraud or lying under oath). Background Here's an example of how N.Y. Times would work in California. Under California law, slander, along with libel, are the defamation torts. See Cal. Civ. Code. § 44. The First Amendment limits California’s slander law by requiring public figures prove actual malice when they want to sue someone for defaming them. Khawar v. Globe Int’l, 19 Cal. 4th 254, 262 (1998). (The Supreme Court got involved in N.Y. Times in the first place because of the First Amendment implications on the States' defamation laws.) In turn, "actual malice" means a statement was made "with knowledge that it was false or with reckless disregard of whether it was false." Khawar, 19 Cal. 4th at 275 (citing N.Y. Times Co. v. Sullivan, 376 U.S. 254, 279–80 (1964)). As to knowledge, California courts consider only actual—not constructive—knowledge. Comedy III Prods., Inc. v. Gary Saderup, Inc., 25 Cal. 4th 387, 398 (2001). In turn, actual knowledge "consists in express information of fact." I.E. Assoc. v. Safeco Title Ins. Co., 39 Cal. 3d 281, 285 (1985). This is a bunch of lawyer-speak, but it basically sets up a pretty high bar for the public figure who is trying to prove defamation. Again, N.Y. Times doesn't have to do with barring public figures from making non-defamatory false statements. You'd have to look to other areas of law about false representations or lying under oath for a claim against the politician. california
An affirmative defense In the US, fair use (17 USC §107) &quot;is an affirmative defense&quot; (Campbell v. Acuff-Rose Music, Inc. 510 U.S. 569 (1994)). It need not be raised unless the plaintiff establishes that the defendant's activity would otherwise be infringing. When fair use is raised as a defense, the burden is on the defendant to prove the elements of fair use. A four-factor balancing test Here is the text of 17 USC 107: Notwithstanding the provisions of sections 106 and 106A, the fair use of a copyrighted work, including such use by reproduction in copies or phonorecords or by any other means specified by that section, for purposes such as criticism, comment, news reporting, teaching (including multiple copies for classroom use), scholarship, or research, is not an infringement of copyright. In determining whether the use made of a work in any particular case is a fair use the factors to be considered shall include— (1) the purpose and character of the use, including whether such use is of a commercial nature or is for nonprofit educational purposes; (2) the nature of the copyrighted work; (3) the amount and substantiality of the portion used in relation to the copyrighted work as a whole; and (4) the effect of the use upon the potential market for or value of the copyrighted work. The fact that a work is unpublished shall not itself bar a finding of fair use if such finding is made upon consideration of all the above factors. &quot;Congress meant §107 to restate the present judicial doctrine of fair use, not to change, narrow, or enlarge it in any way and intended that courts continue the common-law tradition of fair use adjudication.&quot; (Campbell, quoting from H. R. Rep. No. 94-1476). Factor 1: Purpose and character of use The statute explicitly lists several purposes which would weigh in favor of a finding of fair use: criticism, comment, news reporting, teaching (including multiple copies for classroom use), scholarship, or research. However, that list is only illustrative, not exhaustive. Commercial use weighs against fair use. Nonprofit use weighs in favor of fair use. Parody is another purpose which greatly affects the analysis, especially as it interacts with factor 4. Factor 2: The nature of the copyrighted work &quot;[T]he scope of fair use is generally broader when the source of borrowed expression is a factual or historical work&quot; (Campbell). &quot;[I]nformational works, such as news reports, that readily lend themselves to productive use by others, are less protected than creative works of entertainment.&quot; (Sony Corp. v. Universal City Studios, 464 U.S. 417 (1984)) Factor 3: Amount and substantiality of the portion used in relation to the copyrighted work as a whole &quot;The extent of permissible copying varies with the purpose and character of the use.&quot; (Campbell) For example, full reproduction of an entire work was allowed in Sony. However, in Harper &amp; Row v. Nation Enterprises, 471 U.S. 539 (1985), taking just 300 words from a 7,500 word excerpt of President Ford's memoirs was not found to be fair use because it took the &quot;heart of the book&quot;. The amount and substantiality of the taking is judged with respect to the original work. How much of the original was taken? &quot;A taking may not be excused merely because it is insubstantial with respect to the infringing work. As Judge Learned Hand cogently remarked, 'no plagiarist can excuse the wrong by showing how much of his work he did not pirate.'&quot; (Harper &amp; Row) Factor 4: Effect of the use upon the potential market for or value of the copyrighted work If the use new work takes the place of the original, thereby decreasing its market or value, that weighs against a finding of fair use. However, parody or criticism, simply by decreasing the value of the work it is critical of, does not suffer the same fate. &quot;The market for potential derivative uses includes only those that creators of original works would in general develop or license others to develop. [...] [T]he law recognizes no derivative market for critical works.&quot; (Campbell) Parody and criticism might decrease the value of the original, not by taking its place, but rather, by saying something negative about it. Protection of that type of speech is one of the goals of the fair use defense. Transformativeness The four factors are not to be &quot;treated in isolation, one from another.&quot; &quot;All are to be explored, and the results weighed together, in light of the purposes of copyright.&quot; (Campbell) However, the court recognizes that &quot;[t]he central purpose of this investigation is to see, in Justice Story's words, whether the new work merely supersedes the objects of the original creation&quot;, &quot;to what extent the new work is transformative&quot;. &quot;[T]he more transformative the new work, the less will be the significance of other factors, like commercialism, that may weigh against a finding of fair use.&quot; (Campbell) Case-by-case analysis &quot;The task is not to be simplified with bright-line rules, for the statute, like the doctrine it recognizes, calls for case-by-case analysis.&quot; (Campbell) In general, it is not possible know ahead of time whether a fair use defense would be successful in a particular case. Example cases Perhaps the best way to learn how the courts apply these four factors is to look at example cases. The US Copyright Office hosts a Fair Use Case Index that lets you browse by subject matter and jurisdiction. Stanford hosts a smaller collection of examples.
If one is writing about a work of fiction, one may describe the work, and use terms from the work in doing so. One might write, for example: In Spaceman Sam the characters use &quot;blasters&quot; as weapons, while in Jack of the Galaxy &quot;contragravity&quot; is used to propel &quot;aircars&quot; These are facts, and copyright may never be used to protect facts. Moreover, such uses as reviews and criticism are particularly likely to constitute fair use under US law, or another exception to copyright under the law of some other country, even if some otherwise protected content is quoted. If something appeared in that sci-fi universe prior to me re-iterating it; does that mean it's fair game for me to use? If the &quot;something&quot; that appeared earlier is an &quot;idea&quot; or a name, it is indeed fair game. This is true whether it is obscure or well-known. In any case describing the facts of the fiction, even in detail, is generally not an infringement. If &quot;re-iterating&quot; something from an existing work in a new fiction involves an extensive quotation, or a detailed, point-by-point reuse of a fictional element, that might constitute infringement, unless fair use or another exception to copyright applies. Does intellectual law protect very specific plot concepts? No, it doesn't. A plot concept is an idea. In the US, 17 USV 103(b) reads: (b) In no case does copyright protection for an original work of authorship extend to any idea, procedure, process, system, method of operation, concept, principle, or discovery, regardless of the form in which it is described, explained, illustrated, or embodied in such work. Laws in other countries are similar on this point. This is sometimes known as the idea/expression distinction. This means that while the expression used to embody a concept is often protected by copyright, the concept itself never is. Are you allowed to borrow names of different generic sci-fi inventions that aren't super-important to the story. Yes. In fact even the names of fictional technological devices that are very important to a story may be, and often are, reused in different works by different authors. For example Ursula LeGuin used &quot;ansible&quot; as the name of a faster-then-light communicator, in fact an instantaneous communication device, in her &quot;Hanish&quot; series, particularly in The Left Hand of Darkness, The Dispossessed, and The Word for World is Forest. (She wrote that the term was derived from the word &quot;answerable&quot;.) The term and concept were reused by Vernor Vinge in &quot;The Blabber&quot; and A Fire Upon the Deep, and by Elizabeth Moon in the &quot;Sassanek&quot; series and more centrally in the &quot;Vatta's war&quot; series starting with Trading in Danger. Moreover, the names of fictional characters are not protected. An author might introduce characters with names borrowed from Tolkien, Heinlein, or other well-known (or obscure) fictional works. US Copyright Office circular #33 &quot;Works not protected by Copyright&quot; says that &quot;names, titles, and short phrases&quot; may not be protected by copyright, and will not be separably registered. However, if a character has not only the name of a previous character, but a detailed, point-by-point similarity in distinctive elements to a character in a protected work, that may be enough to make the newer work a derivative work, and thus be infringing if permission is not obtained from the copyright holder on the source work. The same is true of the detailed reproduction of a distinctive setting from a source work. But a mere name and broad, general description is not enough tom make a later work derivative. The more details are reproduced, and the more distinctive and specific those details are, the more likely the newer work is to be found distinctive.
Summary from comments. (Hat tip @jqning) Daniel Nathan Ballard writes here: [It] is not only improper it is UNLAWFUL and may result in serious repercussions... Such a misuse may constitute false advertising... (“It is no doubt true” that affixing the ‘Trade Mark Registered U.S. Patent Office” notice on goods that are not protected by a federally registered trademark creates “a prima facie case of fraud against the public… .”). ... Such use is also a form of “unclean hands” that can bar the user’s registration of the mark. ... Such a use may also bar the maintenance of an infringement case. ... And the fraudulent use of the trademark registration symbol DOES provide other marketplace participants with standing to oppose the user’s registration of the mark. http://www.avvo.com/legal-answers/use-of---symbol-but-not-federally-registered-1125746.html