After studying painting with Andre Lhote from 1929 to 1931, in Paris, France, then in New York with Walt Kuhn and with, his work was still mostly figurative, but showed clear, deliberate avoidance of ordinary representation.
His work was still mostly figurative. His work showed clear, deliberate avoidance of ordinary representation. His work was studying painting with Andre Lhote from 1929 to 1931 France in New York with Walt Kuhn and with. This was then. This was in Paris.