The play is a rhythmic allegory of the effort by Christians in Nagaski to reconstitute their faith after the atomic bombing, but it is also a universal metaphor for the difficulties of rebuilding faith after the horrors of the 20th century.
The play is a rhythmic allegory of the effort by Christians in Nagaski to reconstitute their faith after the atomic bombing. It is also a universal metaphor for the difficulties of rebuilding faith after the horrors of the 20th century.