He began as a camera operator working on Eastwood's films of the late 1960s including Coogan's Bluff and Two Mules for Sister Sara, becoming a main cinematographer in 1971 in The Beguiled in which he worked as director of photography.
He began as a camera operator. This camera operator was working on Eastwood's films of the late 1960s including Coogan's Bluff. This camera operator was working on Eastwood's films of the late 1960s including Two Mules for Sister Sara. He was becoming a main cinematographer in 1971 in The Beguiled in which he worked as director of photography.