In contrast, writing in "Film International", Canadian writer Orville Lloyd Douglas criticized Moonlight as derivative, dishonest, heterosexist, racist, and stereotypical because the film placates to the racist prejudices of upper class white film critics and rich white Academy voters.
Writing in "Film International", Canadian writer Orville Lloyd Douglas criticized Moonlight as derivative, dishonest, heterosexist, racist, and stereotypical because the film placates to the racist prejudices of upper class white film critics and rich white Academy voters. This was in contrast.