An extended film montage then begins, focusing on David running downhill (toward the camera), away from the sandpit, with flashbacks of the film's important events superimposed over a close-up of his face, including several scenes played backwards for surreal effect.
An extended film montage begins, focusing on David running downhill (toward the camera), away from the sandpit. Flashbacks of the film's important events are superimposed over a close-up on his face, including several scenes played backwards for surreal effect.