Fisher and Flota trace chamber pop to "at least" the mid 1990s, emerging in parallel to Shibuya-kei in Japan, which also revisited the trend of foregrounding instruments like strings and horns in its arrangements.
Fisher and Flota trace chamber pop to "at least" the mid 1990s. Chamber pop emerged in parallel to Shibuya-kei in Japan, which also revisited the trend of foregrounding instruments like strings and horns in its arrangements.