José and Tomás faced a difficult financial situation in Mexico City, but knew this was the way to expose themselves to art. It was after seeing the great monoliths at the Museum of Archaeology that Tomás reaffirmed his commitment to sculpture.
José and Tomás faced a difficult financial situation in Mexico City, having no place to sleep until granted permission by Fernando Leal to sleep at the Centro Popular de PIntura de Nonoalco where José was taking classes. After seeing the great monoliths at the Museum of Archaeology, Tomás reaffirmed his commitment to sculpture.