His work retains many 15th-century conventions but his perspective is distinctly modern and his subjects often involve landscapes and genre scenes, with overtones of religious skepticism and even hints of nationalism.
His work retains many 15th-century conventions, but his perspective and subjects are distinctly modern. Sweeping landscapes came to the fore in paintings that were provisionally religious or mythological, and his genre scenes were complex, with overtones of religious skepticism and even hints of nationalism.