They were apparently intended to serve as an unobtrusive sonic backdrop for the stage action, The pieces are not synchronized with Péladan's text and may have been omitted at the premiere for purely practical reasons.
They were apparently intended to serve as an unobtrusive sonic backdrop for the stage action, with occasional reference to material from the preludes. They are not synchronized with Péladan's text and may have been omitted at the premiere for purely practical reasons.