Albert C. Baugh complained of the combination of low farce and high religious intent in the play, The unity is a distinctive feature of the play, where the Mak-subplot has been shown to have numerous analogues in world folklore.
Albert C. Baugh complained of the combination of low farce and high religious intent in the play, A Literary History of England. New York, 1948, p.281 The unity is a distinctive feature of the play, where the Mak-subplot has been shown to have numerous analogues in world folklore.