It then was one of the Castle Howard paintings, and was only correctly identified after the existence of Gentileschi's second version in the Prado became known in England; after a sale in 1995 it is now on loan to the National Gallery from the current owner.
It then was one of the Castle Howard paintings, and was only correctly identified after the existence of Gentileschi's second version in the Prado became known in England. After a sale in 1995 it is now on loan to the National Gallery from the current owner.