The statues had been sculpted, painted with glaze, then toppled while in an unfired, green state to produce fragments: this was confirmed by Alfredo Fioravanti, who on January 5,1961, entered the US consulate in Rome and signed a confession.
The statues had been sculpted, painted with glaze, then toppled while in an unfired, green state to produce fragments. This was confirmed by Alfredo Fioravanti, who on January 5,1961, entered the US consulate in Rome and signed a confession.