The working relationship between Massow and Dodd subsequently proved to be not wholly successful, a situation that worsened when in January 2002 Massow wrote an article in "New Statesman" magazine, attacking the predominance of conceptual art in the art world.
The working relationship between Massow and Dodd subsequently proved to be not wholly successful, as Dodd increasingly disliked Massow's knack for self-promotion. The situation worsened when in January 2002 Massow wrote an article in "New Statesman" magazine, attacking the predominance of conceptual art in the art world.