Instruct: Given a question, retrieve passages that answer the question.
Query: When did Andrew Lloyd Weber write the song Memory?
"Memory" is a show tune from the 1981 musical "Cats". It is sung by the character Grizabella, a one-time glamour cat who is now only a shell of her former self. The song is a nostalgic remembrance of her glorious past and a declaration of her wish to start a new life. Sung briefly in the first act and in full near the end of the show, "Memory" is the climax of the musical, and by far its most popular and best-known song. Elaine Paige originated the role of Grizabella in the West End production of "Cats", the first to perform the song publicly on stage and bringing attention to its writers Andrew Lloyd Webber and Trevor Nunn, who received the 1981 Ivor Novello award for Best Song Musically and Lyrically.
We Five's first single, from their debut album of the same name, was a reworked version of Sylvia Tyson's song "You Were On My Mind". It became one of the first folk-rock hits, reaching number three in the "Billboard" "Hot 100" in August 1965. Tyson (then Sylvia Fricker) says that she was unaware that her song had been covered until she heard We Five's version on a car radio while driving on Highway 101 in California. One consequence of We Five's success was that Tyson's song, which, until then, had been unavailable in sheet form, was published by Witmark of New York, with a photograph of Bivens and We Five on the cover. However, with the so-called "British invasion" at its height, We Five's recording had only limited international success, having been covered reluctantly, though successfully, in Britain by Crispian St. Peters.
We Five's first album produced a major hit with the title tune, Stewart's re-arrangement of the Ian and Sylvia song "You Were on My Mind." Stewart made several changes to the original Sylvia Tyson composition, and the song went directly to the Billboard Top Five in 1965. It sold over one million copies, and was awarded a gold record. The group's second single was an arrangement of the popular Kingston Trio folk tune "Let's Get Together," which reached #31 on the Billboard Hot 100 (and was later a Top Five hit and a million-seller for The Youngbloods as "Get Together").
In 1969 Rice and Lloyd Webber wrote a song for the Eurovision Song Contest called "Try It and See", which was not selected. With rewritten lyrics it became "King Herod's Song" in their third musical, "Jesus Christ Superstar" (1970).
Group D
While short-term memory encodes information acoustically, long-term memory encodes it semantically: Baddeley (1966) discovered that, after 20 minutes, test subjects had the most difficulty recalling a collection of words that had similar meanings (e.g. big, large, great, huge) long-term. Another part of long-term memory is episodic memory, "which attempts to capture information such as 'what', 'when' and 'where. With episodic memory, individuals are able to recall specific events such as birthday parties and weddings.
Academy Award winner Dennis Muren offers a memory of 1955: “[M]y pal Bruce and I hurried into the Hawaii Theatre on Hollywood Boulevard to see a new color movie, "Conquest of Space". We were eight years old. ... ‘Reeling’ by on the giant screen, we saw a giant circular space station in orbit one hundred [sic] miles up, seemingly in orbit above me over Hollywood. Wow! And that was just the beginning. Awesome rocket ships of various shapes flew about. ... Finally, the movie ended with a skillful landing and joyful liftoff from the desolate red surface of Mars. ...”
Tex Beneke and his Orchestra performed a big band number 'Chesapeake And Ohio', written by Sigman & Magidson, in which Tex sang of his regret about not requesting the address of a lady he met on the Chesapeake and Ohio Railway.
On 25 December 1989, Leonard Bernstein gave a concert in Berlin celebrating the end of the Wall, including Beethoven's 9th symphony ("Ode to Joy") with the word "Joy" "()" changed to "Freedom" "()" in the lyrics sung. The poet Schiller may have originally written "Freedom" and changed it to "Joy" out of fear. The orchestra and choir were drawn from both East and West Germany, as well as the United Kingdom, France, the Soviet Union, and the United States. On New Year's Eve 1989, David Hasselhoff performed his song "Looking for Freedom" while standing atop the partly demolished wall.
Ellis Island: The Dream of America is a work for actors and orchestra with projected images by American composer Peter Boyer, composed in 2001-02, commissioned by the Bushnell Center for the Performing Arts in Hartford, Connecticut. The work combines first-person narrations of seven immigrants who entered the United States through Ellis Island between 1910 and 1940, selected by Boyer from the Ellis Island Oral History Project, with Boyer’s original orchestral music. The work has received over 170 performances by more than 75 orchestras. A recording of the work released on the Naxos record label was nominated for a Grammy Award for Best Classical Contemporary Composition in the 48th annual Grammy Awards. In April 2017, performances by Pacific Symphony of "Ellis Island: The Dream of America" were filmed for broadcast on PBS’ "Great Performances" series in the 2017-18 broadcast season.
On January 10, 1948, 15-year-old Loretta Webb married Oliver Vanetta "Doolittle" Lynn (August 27, 1926 – August 22, 1996), and the two soon relocated to northern Washington in the Pacific Northwest. The happiness and heartache of her early years of marriage would help to inspire Lynn's songwriting. In 1953, Doolittle bought her a $17 Harmony guitar. She taught herself to play the instrument, and over the following three years, she worked to improve her guitar playing. With Doolittle's encouragement, she started her own band, Loretta and the Trailblazers, with her brother Jay Lee playing lead guitar. She often appeared at Bill's Tavern in Blaine, Washington, and the Delta Grange Hall in Custer, Washington, with the Pen Brothers' band and the Westerneers. She cut her first record, "I'm a Honky Tonk Girl", in February 1960.
Free the West Memphis 3 is a compilation album released in October 2000 by Koch Records as a benefit for the legal defense of the West Memphis Three, three men who, while teenagers in 1994, were tried and convicted of the 1993 murders of three boys in West Memphis, Arkansas. The album was organized by guitarist Danny Bland (of the bands Cat Butt, Best Kissers in the World, and the Dwarves), Eddie Spaghetti of the Supersuckers, and Scott Parker, who served as executive producers of the project.
Beauty and the Beast: Original Motion Picture Soundtrack is the official soundtrack album to the 1991 Disney animated feature film, "Beauty and the Beast". Originally released on October 24, 1991, by Walt Disney Records, the album's first half – tracks 2 to 9 – generally contains the film's musical numbers, all of which were written by composer Alan Menken and lyricist Howard Ashman, while its latter half – tracks 10 to 14 – features its musical score, composed solely by Menken. While the majority of the album's content remains within the musical theatre genre, its songs have also been influenced by French, classical, pop and Broadway music. Credited to Various Artists, "Beauty and the Beast: Original Motion Picture Soundtrack" features performances by the film's main cast – Paige O'Hara, Richard White, Jesse Corti, Jerry Orbach, Angela Lansbury and Robby Benson – in order of appearance. Additionally, the album features recording artists Celine Dion and Peabo Bryson, who perform a pop rendition of the film's title and theme song, "Beauty and the Beast", which simultaneously serves as the soundtrack's only single.
After her breakthrough in early 1958 with her single "Who's Sorry Now?", a rock 'n' roll oriented version of the 1923 standard, and a subsequent album of the same title, Francis chose to take a more adult approach to her second album. For "The Exciting Connie Francis", she chose twelve American standards. Francis clearly marked the album as a concept album by dividing it into two sections with different moods: Side A is filled with songs differing between mid-tempo and up-tempo, while Side B consists solely of ballads.
On September 13, 2001, only two days after the terrorist attacks on the World Trade Center in New York City, Ruth Laredo celebrated the 25th anniversary of her debut in the Alice Tully Hall with a recital as the opening concert of Lincoln Center's 2001 season. Before the concert, she explained to the audience why she had not cancelled the event: “It was important for me to play. Great music gives us spiritual sustenance and gives us hope. It is in that spirit that I play tonight.” The program was similar to that of her debut in 1976 and included works by Robert Schumann, Beethoven, Scriabin, Rachmaninoff and Ravel, with Chopin's Waltz Op. 69, No. 1 as the encore.
The designation is not used with strict consistency. In some cases it refers broadly to what is otherwise known as the art of memory, the origins of which are related, according to tradition, in the story of Simonides of Ceos: and the collapsing banquet hall discussed above. For example, after relating the story of how Simonides relied on remembered seating arrangements to call to mind the faces of recently deceased guests, Steven M. Kosslyn remarks "[t]his insight led to the development of a technique the Greeks called the method of loci, which is a systematic way of improving one's memory by using imagery." Skoyles and Sagan indicate that "an ancient technique of memorization called Method of Loci, by which memories are referenced directly onto spatial maps" originated with the story of Simonides. Referring to mnemonic methods, Verlee Williams mentions, "One such strategy is the 'loci' method, which was developed by Simonides, a Greek poet of the fifth and sixth centuries BC" Loftus cites the foundation story of Simonides (more or less taken from Frances Yates) and describes some of the most basic aspects of the use of space in the art of memory. She states, "This particular mnemonic technique has come to be called the "method of loci". While place or position certainly figured prominently in ancient mnemonic techniques, no designation equivalent to "method of loci" was used exclusively to refer to mnemonic schemes relying upon space for organization.
The Sun 1,447,959 -7%
The designation is not used with strict consistency. In some cases it refers broadly to what is otherwise known as the art of memory, the origins of which are related, according to tradition, in the story of Simonides of Ceos and the collapsing banquet hall. For example, after relating the story of how Simonides relied on remembered seating arrangements to call to mind the faces of recently deceased guests, Stephen M. Kosslyn remarks "[t]his insight led to the development of a technique the Greeks called the method of loci, which is a systematic way of improving one's memory by using imagery." Skoyles and Sagan indicate that "an ancient technique of memorization called Method of Loci, by which memories are referenced directly onto spatial maps" originated with the story of Simonides. Referring to mnemonic methods, Verlee Williams mentions, "One such strategy is the 'loci' method, which was developed by Simonides, a Greek poet of the fifth and sixth centuries BC." Loftus cites the foundation story of Simonides (more or less taken from Frances Yates) and describes some of the most basic aspects of the use of space in the art of memory. She states, "This particular mnemonic technique has come to be called the "method of loci". While place or position certainly figured prominently in ancient mnemonic techniques, no designation equivalent to "method of loci" was used exclusively to refer to mnemonic schemes relying upon space for organization.
The first commercial recording was made by Oskar Fried with the Berlin State Opera Orchestra in 1924 for Polydor. Along with Symphony No. 4, the Seventh is the most popular Bruckner symphony both in the concert hall and on record.
Elysa Gardner of "USA Today" gave the show three and a half out of four stars and said, "Sister Act: A Divine Musical Comedy may be less giddily profane, and thought-provoking, than "The Book of Mormon", but it has its own distinct and surprising charms. Composer Alan Menken and lyricist Glenn Slater provide original tunes that nod cheekily, but with genuine affection, to that pop era while also propelling the story with a style and exuberance specific to well-crafted musical theater."
Greenaway was one of the composers commissioned to write music for the Thames Diamond Jubilee Pageant in 2012 in honour of the Diamond Jubilee of Elizabeth II. The piece, entitled "The New Water Music", was inspired by the George Frederic Handel's Water Music and contained movements by several modern British composers working under the direction of Greenaway. After the pageant, Greenaway was critical of the BBC coverage of the pageant as the live broadcast did not feature the performance at all. In his personal blog, he expressed the view that the presenters had focused on interviewing celebrities while ignoring the musicians completely.
In 1965, when Lloyd Webber was a 17-year-old budding musical-theatre composer, he was introduced to the 20-year-old aspiring pop-song writer Tim Rice. Their first collaboration was "The Likes of Us", a musical based on the true story of Thomas John Barnardo. They produced a demo tape of that work in 1966, but the project failed to gain a backer.
Lloyd Webber collaborated with Rice once again to write "Evita" (1978 in London/1979 in U.S.), a musical based on the life of Eva Perón. As with "Jesus Christ Superstar", Evita was released first as a concept album (1976) and featured Julie Covington singing the part of Eva Perón. The song "Don't Cry for Me Argentina" became a hit single and the musical was staged at the Prince Edward Theatre in a production directed by Harold Prince and starring Elaine Paige in the title role.
Andrew Lloyd Webber's Requiem is a requiem mass, which premiered in 1985. It was written in memory of the composer's father, William Lloyd Webber, who died in 1982.
When Lloyd Webber saw the film in the early 1970s, he was inspired to write what he pictured as the title song for a theatrical adaptation, fragments of which he instead incorporated into "Gumshoe". In 1976, after a conversation with Hal Prince, who had the theatrical rights to "Sunset", Lloyd Webber wrote "an idea for the moment when Norma Desmond returns to Paramount Studios"; Lloyd Webber did no further work on the play until after 1989's "Aspects of Love". At that point, Lloyd Webber "felt it was the subject [he] had to compose next", though by February 1990 he had announced plans to turn Really Useful Group private so he could "make movies rather than musicals." Tim Rice was, at one stage, rumored to have been collaborating on the piece. An early version of "With One Look", then titled "Just One Glance", was performed by Elaine Paige at Lloyd Webber's 1991 wedding.