Instruct: Given a question, retrieve relevant documents that answer the question.
Query: What drums are traditionally used in Samba?
A samba band normally consists of Tamborims
, Snare drums (Caixa), Agogo bells, surdos, Ganzás / Chocalho (shakers), Cuíca, Timbal, Pandeiro, and the Repinique (often played by the leader for calls) whistles (at the beginning to give the samba a beat). The Apito is often used by the leader to signal breaks and calls. 
Other instruments have been added in many samba bands such as frigideira, 4 stringed guitars, 7 stringed guitars, trombones and Singers.
A small set of samba drums in the UK costs around £300. More expensive sets come with more drums enabling more players to join; a convenience due to how many would usually take place in the orchestra. 
In Brazil, bands traditionally play Samba (carnival rhythms of the samba schools of Rio de Janeiro). In other countries they now play reggae, funk, hip hop and Brazilian folk music. Like other drumming bands the music exceeds 130 decibels but often this attracts listeners. Some samba bands have eccentric costumes whilst others have costumes themed around their religions/ animals.
Samba-reggae arose in the context of the black pride movement that occurred in the city of Salvador de Bahia, around the 69, and it still carries connotations of ethnic identity and pride for Afro-Brazilians today. Bahia's population has a large proportion of dark-skinned Brazilians who are descendants of African slaves who were brought to Brazil by the Portuguese in the 17th and 18th centuries. These Afro-Brazilians played a major role in the early development of samba, which first took form in a Bahian style of dance and music called "samba de roda", probably in the late 19th century. Samba de roda was brought to Rio de Janeiro by Bahians around 1900, where it was combined with harmonic and rhythmic elements from European influences (such as chorinho and military marches). By the 1930s, samba de roda had developed into the faster, more harmonically complex Rio-style samba that is now played in Rio's Carnival. Through the middle of the 20th century this new Rio-style samba spread throughout Brazil. Of note, the low pitch bass that was heard on beats 1 and 3, and the higher pitched surdo on beats 2 and 4 in Bahia, brought by the slaves, was changed in Samba-the low pitch was moved to beats 2 and 4.
Samba-Reggae is a music genre born in Bahia, Brazil. As the name suggests, it was originally derived from a blend of Brazilian Samba with Caribbean Reggae. It arose in the context of the black pride movement that occurred in the city of Salvador de Bahia, around the 1970s, and it still carries connotations of ethnic identity and pride for Afro-Brazilians today. Bahia's population has a large proportion of dark-skinned Brazilians who are descendants of African slaves who were brought to Brazil by the Portuguese in the 18th and 19th centuries. These Afro-Brazilians played a major role in the early development of samba, which first took form in a Bahian style of dance and music called "samba de roda”. Samba de roda was brought to Rio de Janeiro by Bahians around 1900, where it was combined with harmonic and rhythmic elements from European influences (such as chorinho and military marches). By the 1930s, samba de roda had developed into the faster, more harmonically complex Rio-style samba that is now played in Rio's Carnival. Samba-reggae represents an effort by black Brazilians to develop a Carnival parade music that they could call their own, and to form all-black or mostly-black blocos with which they could parade during Carnival. The afro bloco music was very different because they aimed to recreate and strengthen their community through their music. Olodum is undoubtedly the most famous musical act performing samba-reggae in Brazil.
Originated in Bahia, but developed in Rio de Janeiro between the end of the 19th century and the first years of the 20th century, the samba is still one of the most popular music styles of Brazil. From intimate samba-canções (samba songs) sung in bars to explosive drum parades performed during carnival, samba always evokes a warm and vibrant mood. In the 1930s, a group of musicians led by Ismael Silva founded in the neighborhood of Estácio de Sá the first samba school, Deixa Falar. They transformed the musical genre to make it fit better the carnival parade. In this decade, the radio spread the genre's popularity all around the country, and with the support of the nationalist dictatorship of Getúlio Vargas, samba became Brazil's "official music."
During the first decade of the 20th century, some songs under the name of samba were recorded, but these recordings did not achieve great popularity. However, in 1917, ""Pelo Telefone"" ("By Telephone") was recorded, and it is considered the first true samba. The song was claimed to be authored by Ernesto dos Santos, best known as , with co-composition attributed to Mauro de Almeida, a well-known Carnival columnist. Actually, "Pelo Telefone" was created by a collective of musicians who participated in celebrations at the house of Tia Ciata (Aunt Ciata). It was eventually registered by Donga and the Almeida National Library.
In Brazil, "churrasco" (barbecue) often includes chicken hearts, roasted on a big skewer. The typical "feijoada" sometimes contains pork trimmings (ears, feet and tail). Gizzard stews, fried beef liver and beef stomach stews used to be more popular dishes in the past, but are nonetheless still consumed. "Buchada", a popular dish from the northeast of the country, consists of the diced organs of a goat, which are seasoned and then sewn inside the goat's stomach (""bucho"") and boiled. "Dobradinha" is a dish made with tripe, a variation of the northern Portuguese dish. In the Northeast of Brazil the "sarapatel" is a very common dish, usually prepared with pork organs (heart, liver, intestine, and kidneys) boiled along with coagulated pork blood in a spiced stew.
The madhom is flanked by temples of Rama and Siva and the street has an array of Agraharas (where the twelve Brahmin families migrated along with Ezhuthachan live). At the madhom, some of the instruments used by Ezhuthachan are still preserved. A Sri Chakra and a few idols worshipped by him, the stylus, the wooden slippers, and a few old manuscripts are exhibited for visitors. Ezhuthachan's samadhi is also situated there.
Lombardo was born in Havana, Cuba on 16 February 1965. He has two older brothers and an older sister. His father owned three meat markets in Havana. Lombardo moved with his family to South Gate, California when Lombardo was two years old. His brothers previously emigrated to the US via Operation Peter Pan. Lombardo's musical interest were fueled by his first musical performance when he was eight years old; he played bongos to Santana's "Everybody's Everything". Lombardo joined his school's band and played the marching drum. After noticing his son's persistent interest in music, Lombardo's father bought him a five-piece Pearl Maxwin drum set for $350 when Lombardo was ten years old. Lombardo bought his first record, "Alive!" by Kiss, to play along with. He learned to play Kiss' "100,000 Years" by repeatedly listening to the record until he could play the drum solo perfectly.
The "Valle central" (Central Valley) is the extension of land that runs from the Chacabuco mountain range, which separates the Aconcagua and Maipo Valleys in the north of the Valparaiso region, to the Bio Bio river. The folklore in central Chile, as in southern Chile, is closely linked to rural life and Spanish heritage. The most iconic figure is the Huaso, a countryman and skilled horseman, similar to the American cowboy, Mexican charro or the gaucho of Argentina.
In Central Chile, the cueca and tonada dances and songs are the most characteristic styles. In this area of the country the most popular instruments are the accordion (introduced by the German immigrants through the south), guitar, harp, tambourine and the tormento, a Chilean instrument of colonial times used in the salon parties or “tertulias”, similar to a xylophone.
Calypso has been popular in Dominica since the 1950s; the first Calypso King was crowned in 1959. Popular calypso in Dominica has always been closely associated with steelpan music. The first wave of Dominican steelpan includes such bands as Esso, Shell and Regent, Vauxhall and Old Oak.
In parts of Cajun country, such as Eunice, Basile, Church Point and Mamou, the traditional "Courir de Mardi Gras" (French for the "Mardi Gras Run") is still held. "Le Capitaine" leads masked men on horseback to gather ingredients for making the communal meal (usually a gumbo). Participants gather in costume and move from home to home requesting ingredients for the night's meal. This rural Mardi Gras draws on traditions that are centuries old. Revelers sing "La Chanson de Mardi Gras", a song echoing medieval melodies.
Portuguese is the official national language, and thus the primary language taught in schools. But English and Spanish are part of the official high school curriculum.Festa Junina was introduced to Northeastern Brazil by the Portuguese for whom St John's day (also celebrated as Midsummer Day in several European countries), on 24 June, is one of the oldest and most popular celebrations of the year. Differently, of course, from what happens on the European Midsummer Day, the festivities in Brazil do not take place during the summer solstice but during the tropical winter solstice. The festivities traditionally begin after the 12th of June, on the eve of St Anthony's day, and last until the 29th, which is Saint Peter's day. During these fifteen days, there are bonfires, fireworks, and folk dancing in the streets (step names are in French, which shows the mutual influences between court life and peasant culture in the 17th, 18th, and 19th-century Europe). Once exclusively a rural festivity, today, in Brazil, it is largely a city festival during which people joyfully and theatrically mimic peasant stereotypes and cliches in a spirit of joke and good time. Typical dishes and drinks are served. It should be noted that, like during Carnival, these festivities involve costumes-wearing (in this case, peasant costumes), dancing and visual spectacles (fireworks display and folk dancing). Like what happens on Midsummer and St John's Day in Europe, bonfires are a central part of these festivities in Brazil.
Caipirinha () is Brazil's national cocktail, made with cachaça (sugarcane hard liquor), sugar, and lime. Cachaça, also known as "caninha", or any one of a multitude of traditional names, is Brazil's most common distilled alcoholic beverage. Although both rum and cachaça are made from sugarcane-derived products, in cachaça the alcohol results from the fermentation of fresh sugarcane juice that is then distilled, while rum is usually made from refinery by-products such as molasses.
Croatian dance traditionally refers to a series of folk-dances, the most common being the kolo ("circle [dance]"). Croatian dance varies by region, and can be found throughout the various regions of Austria, Croatia, Bosnia and Herzegovina, Slovenia, Serbia, Kosovo, Hungary, and Romania. The traditional kolo is a circle dance, where dancers follow each other around the circle, is relatively simple in form and widespread throughout other Slavic countries. Due to emigration, Croatian folk dance groups are prevalent throughout the diaspora, most notably the United States, Canada, Australia, and Germany.
Aside from the popular form of dragon dance, other regional dragon dances include one from Zhanjiang, Guangdong province whereby the body of the dragon is formed entirely of a human chain of dozens to hundreds of performers, and in Pujiang County, Zhejiang Province, the body of the dragon is formed using wooden stools. The number of different dragon dances has been put at over 700.
The Zanzibar is a live music venue located on Seel Street in Liverpool, England best known for being the home of regular clubnights such as "The Bandwagon" and "Valhalla" among others. Unlike most clubs in Liverpool, the music is generally rock and alternative.
Betsabeé Romero's installation "Canto de Agua" (Song of water) was held in the Zócalo of Mexico City (2016), and opened by the mayor of Mexico City, Miguel Ángel Mancera. The installation combined the cultural traditions of the Day of the Dead ofrenda or offering; the trajinera, a traditional type of flat-bottomed boat; and the social concerns of the present. 103 trajineras were decorated as offerings to commemorate those who had died during the year and to connect their deaths to social conditions and problems of Mexico City. The trajineras were created by Mexican artisans from Ciudad Nezahualcóyotl and reflect traditions of pre-Hispanic times in which trajineras circulated in Tenochtitlán.
Certain low brass instruments such as trombone, tuba, euphonium, and alto horn are whole-tube and can play the fundamental tone of each harmonic series with relative ease. Furthermore, the low brass often use extra valves to extend their range uniformly, since the fundamental is chromatically discontinuous with the lowest 2nd harmonic reachable on a three-valve instrument or via the seven-position slide on a trombone. Trombone and tuba in particular are often called upon to play pedal notes (fundamental notes) and so-called "false harmonics" and "false tones" below their normal range.
An Arawak/Taíno home consisted of a circular building with woven straw and palm leaves as covering. Most individuals slept in fashioned hammocks, but grass beds were also used. The cacique lived in a different structure with larger rectangular walls and a porch. The Taíno village also had a flat court used for ball games and festivals. Religiously, the Arawak/Taíno people were polytheists, and their gods were called zemí. Religious worship and dancing were common, and medicine men or priests also consulted the zemí for advise in public ceremonies. For food, the Arawak/Taíno relied on meat and fish as a primary source for protein; some small mammals on the island were hunted such as rats, but ducks, turtles, snakes, and bats as a common food source. The Taíno also relied on agriculture as a primary food source. The indigenous people of Hispaniola raised crops in a conuco, which is a large mound packed with leaves and fixed crops to prevent erosion. Some common agricultural goods were cassava, maize, squash, beans, peppers, peanuts, cotton, and tobacco, which was used as an aspect of social life and religious ceremonies.
Other typical dishes are the montucas or corn tamales, stuffed tortillas, and tamales wrapped in plantain leaves. Honduran typical dishes also include an abundant selection of tropical fruits such as papaya, pineapple, plum, sapote, passion fruit and bananas which are prepared in many ways while they are still green.
A double dragon dance, rarely seen in Western exhibitions, involves two troupes of dancers intertwining the dragons. Even rarer are dances with the full array of nine dragons, since nine is a "perfect" number. Such dances involve large number of participants from various organizations, and are often only possible under the auspices of a regional or national government.
The Yoruba have traditionally used Sakara drums for a variety of purposes. They are played during Yoruba wedding ceremonies. The Wéré music was traditionally played using Sakara drums to call Muslims to feast and prayer during Ramadan. 
Fuji music grew from this musical form.
The Sakara drum and the solemn-sounding Goje violin are used in Sakara music, popularized by Yusuf Olatunji, which overlays the nasalized, melismatic vocals of Islamic music on the traditional percussion instruments.
The modern samba that emerged at the beginning of the 20th century is predominantly in a 2/4 time signature varied with the conscious use of a sung chorus to a batucada rhythm, with various stanzas of declaratory verses. Traditionally, the samba is played by strings (cavaquinho and various types of guitar) and various percussion instruments such as tamborim. Influenced by American orchestras in vogue since the Second World War and the cultural impact of US music post-war, samba began to use trombones, trumpets, choros, flutes, and clarinets.
Samba-reggae is a mix of reggae beats created by Samba drums. It is found in popular songs by the artist Daniela Mercury, who introduced the rhythm to the world with songs like "Sol da Liberdade" "O Reggae E O Mar" and "Perola Negra". Samba Reggae is a popular samba style in Bahia, with many followers in various parts of Brazil.
In the 1990s, the samba-reggae genre continued to evolve with the group Timbalada, which, under the musical direction of Carlinhos Brown, revived the nearly-extinct folk drum timbal (a tall, high-pitched hand drum) and begin to use it in stage shows. Timbalada also developed a rack of 3 surdos and 1 repinique that could be mounted on a stage and played by a single player. This device is known as a "bateria de surdo", a drumset of surdos. (The 3rd and 4th surdo parts were combined in a single drum.) Timbalada is a stage band and not exactly a Carnival street bloco, though they first appeared in the Carnival of 1992. Their music is considered to be a blend of samba-reggae with African elements. Many afro blocos now use the timbal, as well the rack of 3 surdos for stage situations that do not involve parades.