Instruct: Given a question, retrieve relevant passages that answer the question.
Query: Why are novella's not novels?
A novella is a text of written, fictional, narrative prose normally longer than a short story but shorter than a novel, somewhere between 17,500 and 40,000 words.
In his essay, "Briefly, the case for the novella", Canadian author George Fetherling (who wrote the novella "Tales of Two Cities") said that to reduce the novella to nothing more than a short novel is like "insisting that a pony is a baby horse".
In the following table, the years correspond to the date of the ceremony, rather than when the novelette was first published. Each year links to the corresponding "year in literature". Entries with a blue background have won the award; those with a white background are the nominees on the short-list. If the novelette was originally published in a book with other stories rather than by itself or in a magazine, the book title is included after the publisher's name.
Excluded are self-published, printed-on-demand, vanity works, unpublished novels like Henry Darger's, novel sequences like the "Chronicles of Barsetshire", novel cycles such as those set in the "James Bond" universe, and record-grabbing stunts written solely for the title of the longest work.
At the ending of the book, there is also a brief afterword, which King wrote on January 4, 1982. In it, he explains why he had not previously submitted the novellas (each written at a different time) for publication. Early in his career, his agents and editors expressed concern that he would be "written off" as someone who only wrote horror. However, his horror novels turned out to be quite popular and made him much in demand as a novelist. Conversely, the novellas, which did not deal (primarily) with the supernatural, were very difficult to publish as there was not a mass market for "straight" fiction stories in the 25,000- to 35,000-word format. Thus, King and his editor conceived the idea of publishing the novellas together as "something different", hence the title of the book.
Visual novels are distinguished from other game types by their generally minimal gameplay. Typically the majority of player interaction is limited to clicking to keep the text, graphics and sound moving (many recent games offer "play" or "fast-forward" toggles that make this unnecessary), while making narrative choices along the way. Another main characteristic of visual novels are its strong emphasis on the prose, as the narration in visual novels are delivered through text. This characteristic makes playing visual novels similar to reading a book.
The novel as a whole is one of the longest ever written, with approximately 1,500 pages in unabridged English-language editions, and 1,900 pages in French. Hugo explained his ambitions for the novel to his Italian publisher:
More than a quarter of the novel—by one count 955 of 2,783 pages—is devoted to essays that argue a moral point or display Hugo's encyclopedic knowledge, but do not advance the plot, nor even a subplot, a method Hugo used in such other works as "The Hunchback of Notre Dame" and "Toilers of the Sea". One biographer noted that "the digressions of genius are easily pardoned". The topics Hugo addresses include cloistered religious orders, the construction of the Paris sewers, argot, and the street urchins of Paris. The one about convents he titles "Parenthesis" to alert the reader to its irrelevance to the story line.
In Japanese terminology, a distinction is often made between visual novels (abbreviated NVL, derived from "novel"), which consist predominantly of narration and have very few interactive elements, and adventure games (abbreviated AVG, or ADV derived from "adventure"), a form of adventure game which may incorporate problem-solving and other types of gameplay. This distinction is normally lost outside Japan, where both NVLs and ADVs are commonly referred to as "visual novels" by international fans. Visual novels and ADVs are especially prevalent in Japan, where they made up nearly 70% of the PC game titles released in 2006.
Many visual novels are centered on drama, particularly themes involving romance or family, but visual novels centered on science fiction, fantasy fiction, and horror fiction are not uncommon.
The trilogy was optioned early on by the entertainment company Nelvana, which is known for its children's animation. The first volume, The Mob, was published in 2004 with The Plague following in 2005 and The Judgment in 2006. The trilogy's themes contain similarities to a lesser known novel, "The Crow Chronicles", by Indian author and birdwatcher Ranjit Lal, which was published in paperback format by Penguin Publications in 1996.
In 1984 Klein published the novel "The Ceremonies", which uses the same basic plot as the novella to more expansive ends; the threat this time is not to one man or one community, but to the entire world. "The Ceremonies" takes up and elaborates upon some of the mysteries of Arthur Machen's story "The White People" and is called "a modern classic" in an essay by Thomas F. Monteleone in the book "Horror: 100 Best Books". "The Ceremonies" is described by Stephen King as "Wonderful, exciting and suspenseful, full of tension and a sense of deep brooding mystery", "the most exciting novel in the field to come along since Straub's "Ghost Story"". A revised edition was published by PS Publishing in 2017.
This is a list of the longest novels over 500,000 words published through a mainstream publisher. The longest novel is "Artamène ou le Grand Cyrus", originally published (1649–54) in ten parts, each part in three volumes. "Artamène" is generally attributed to Madeleine de Scudéry.
What is now the first chapter of the novella was published in 1890 in a magazine called "The Whirlwind", while what is now the third chapter of the book was published in the same magazine the following year as a standalone short story called "The City of Resurrections". Machen only viewed the two works as connected after they were finished. Once he decided the two stories were connected, Machen wrote the rest of "The Great God Pan" in a single evening save for its final chapter. Machen did not think of an ending for the tale for months, and in that time believed that the novella would remain unfinished forever. The last chapter was completed in June 1891. Machen sent the novella to the publisher Blackwood, who rejected it, deeming it a clever story that "shrink[s]...from the central idea." It was accepted by John Lane and published in 1894. When published as a book, "The Great God Pan" was accompanied by another Machen tale called "The Inmost Light" which also features a mad scientist and elements of science fiction. The book's cover was illustrated by Aubrey Beardsley.
Dickens was regarded as the literary colossus of his age. His 1843 novella, "A Christmas Carol", remains popular and continues to inspire adaptations in every artistic genre. "Oliver Twist" and "Great Expectations" are also frequently adapted, and, like many of his novels, evoke images of early Victorian London. His 1859 novel, "A Tale of Two Cities", set in London and Paris, is his best-known work of historical fiction. Dickens has been praised by fellow writers—from Leo Tolstoy to George Orwell, G. K. Chesterton and Tom Wolfe—for his realism, comedy, prose style, unique characterisations, and social criticism. On the other hand, Oscar Wilde, Henry James, and Virginia Woolf complained of a lack of psychological depth, loose writing, and a vein of saccharine sentimentalism. The term "Dickensian" is used to describe something that is reminiscent of Dickens and his writings, such as poor social conditions or comically repulsive characters.
He is the author of fourteen novels, seven collections of essays, an extensive journalistic work, together with a series of short stories and poems. His narrative fiction has received several distinguished awards. He received encouraging praise for his early novels, Los bogavantes (1970) and La boca del tigre (1971), for which he was awarded the Honour Sash of the SADE (Argentine Society of Writers) and third prize of the National Prize of Argentine Literature respectively. Worldwide acclaim came later for his “Trilogy of the Discovery of America” when he was recognised as one of the masters of Latin America's “New Historical Novel”. The first installment is Daimon (1978), a finalist of the Rómulo Gallegos Prize in 1982, which he was to win in 1987 for the sequel titled The dogs of paradise (1983). The last installment of the trilogy, El largo atardecer del caminante (1992) was honoured with the Premio Internacional Extremadura-America ’92 of the Spanish Commission for the Fifth Centenary of the Discovery of America. Posse has been the recipient of the Premio Internacional de Novela Diana-Novedades (Mexico) for El viajero de Agartha (1989) and the Literature Prize of the Argentine Academy of Letters (2002) for El inquietante dia de la vida (2001). Abel Posse's novels have been translated into 16 languages. In November 2012 he became an numbered member of the Argentine Academy of Letters.
Commonly described using the American colloquialism Spanish soap opera, many telenovelas share some stylistic and thematic similarities to the soap opera familiar to the English-speaking world. The significant difference is their series run length; telenovelas tell one self-contained story, typically within the span of a year or less whereas soap operas tend to have intertwined storylines told during indefinite, continuing runs. This makes them shorter than most other television series, but still much longer than a miniseries. This planned run results in a faster-paced, more concise style of melodrama compared to a typical soap opera. Episodes of telenovelas usually last between 30 and 45 minutes, and rarely more than an hour, except for final episodes. The telenovela combines drama with the 19th-century "feuilleton", and naturally evolved from the Latin American radionovela, according to Blanca de Lizaur.
The telenovela, a shorter-form format of serial melodrama, shares some thematic and especially stylistic similarity to the soap opera, enough that the colloquialism "Spanish soap opera" has arisen to describe the format. The chief difference between the two is length of series; while soap operas usually have indefinite runs, telenovelas typically have a central story arc with a prescribed ending within a year or two of the show's launch, requiring more concise storytelling.
Emma, by Jane Austen, is a novel about youthful hubris and the perils of misconstrued romance. The story takes place in the fictional village of Highbury and the surrounding estates of Hartfield, Randalls, and Donwell Abbey and involves the relationships among individuals in those locations consisting of "3 or 4 families in a country village". The novel was first published in December 1815 while the author was alive, with its title page listing a publication date of 1816. As in her other novels, Austen explores the concerns and difficulties of genteel women living in Georgian–Regency England; she also creates a lively comedy of manners among her characters and depicts issues of marriage, gender, age, and social status.
To Green Angel Tower is the third and final novel in Tad Williams' "Memory, Sorrow, and Thorn" trilogy. At over 520,000 words, it is one of the longest novels ever written. Due to the length of the novel, the paperback version had to be split into two separate volumes, known as "To Green Angel Tower: Part 1" and "Part 2". In the United Kingdom, the two paperback volumes were titled "To Green Angel Tower: Siege" and "To Green Angel Tower: Storm". The saga follows a young man named Simon as he is caught up in an epic adventure.
Four official novels have also been written. The first three, set within the original timeline, were published between 2003 and 2005. The first novel, "The Amulet of Power", was set after the events of "The Last Revelation", while its sequels "The Lost Cult" and "The Man of Bronze" are set after the first novel. Another novel set within the 2013 reboot timeline, "Tomb Raider: The Ten Thousand Immortals", was published in 2014 as a continuation of the original story. A fifth book, titled "Lara Croft and the Blade of Gwynnever", also written by Dan Abnett and Nik Vincent was published in late 2016, and is a stand-alone adventure.
The character was created by Daniel O'Mahony for the Telos "Doctor Who" novella "The Cabinet of Light". Shortly after the novella was published it was announced that BBC Enterprises would not be renewing Telos's licence to produce "Doctor Who" novellas. Telos subsequently announced that they would begin producing a series of "Part mystery, part detective story, part dark fantasy, part science fiction"  novellas that would continue the spirit of the "Doctor Who" novellas. This was the "Time Hunter" range, which continued the adventures of Honoré and Emily Blandish.
On such grounds, Ralea concluded that Romanian writers "have had no deep spiritual experience", lacking "a comprehension of humanity, of life and death." In a notorious socio-critical essay, first published in "Perspective", Ralea asked: "Why Did We Not Produce a Novel?". He contended that the grand epic genre, unlike the short story, did not yet suit the Romanian psyche, since it required discipline, anonymity, and a "great moral significance". He also postulated a deterministic relationship between the staples of ancestral Romanian folklore and modern literary choices: in the absence of any ambitious poetic cycles (as found in Western literature), Romanian ballads and "doine" had naturally mutated into novellas. In order to mend such a historical disadvantage, he set himself the goal of writing his own novel, but eventually gave up on the idea. At the time of its writing, the essay claimed to count only a few living novelists; by 1935, however, there was already talk of an "inflation of novels".
Commonly, longer novellas are referred to as novels; Robert Louis Stevenson's "Strange Case of Dr Jekyll and Mr Hyde" (1886) and Joseph Conrad's "Heart of Darkness" (1899) are sometimes called novels, as are many science fiction works such as H. G. Wells' "The War of the Worlds" (1897) and Philip Francis Nowlan's "Armageddon 2419 A.D." (1928). Less often, longer works are referred to as novellas. The subjectivity of the parameters of the novella genre is indicative of its shifting and diverse nature as an art form. In her 2010 "Open Letters Monthly" series, "A Year With Short Novels", Ingrid Norton criticizes the tendency to make clear demarcations based purely on a book's length:
According to Adamson, literature does not necessarily need to fulfil any social mission or purpose; yet, as with Émile Zola or D. H. Lawrence, there is no reason why it should not highlight social evils. A novel or novella – or a biography – is not merely an absorbing story: in Matthew Arnold's words, the best prose is, like poetry, "a criticism of life". This means that they convey some sort of philosophy of the world (in Arnold's words, "How to live"), though some writers, such as Adalbert Stifter and Jane Austen (to whom, incidentally, he is related through his mother) do this less than most others, whilst on the other hand Samuel Beckett conveys a profoundly negative philosophy of life.
While "Noon Wine" and its companion pieces, "Old Mortality" and "Pale Horse, Pale Rider," have been described as novellas, Porter referred to them as short novels. Porter, in the preface "Go Little Book . . " to "The Collected Stories of Katherine Anne Porter", abjured the word "novella," calling it a "slack, boneless, affected word that we do not need to describe anything." She went on to say, "Please call my works by their right names. We have four that cover every division: short stories, long stories, short novels, novels."