Instruct: Given a question, retrieve relevant documents that can help answer the question.
Query: What is the oldest surviving example of calligraphy?
The word "emaki" stems from the word "emakimono" meaning "picture scrolls". The emakimono picture scrolls consisted of two designs: Pictures that were painted on a scroll with text added to the same scroll or a number of paintings that accompanied passages of text and were joined together in a scroll. The first known picture scroll was produced in Japan during the late ninth or tenth century. The "Genji Monogatari" picture scroll, however, was produced in the early twelfth century. Not only is the "Genji Monogatari Emaki" the oldest surviving monogatari scroll but it is also the oldest surviving non-Buddhist scroll in Japan. There is no exact date to the scroll, but it is estimated to being sometime between 1120 and 1140, in which case it was created just a little over a century after Murasaki Shikibu wrote "The Tale of Genji".
The earliest inscriptions in Old Norse are runic, from the 8th century. Runes continued to be commonly used until the 15th century and have been recorded to be in use in some form as late as the 19th century in some parts of Sweden. With the conversion to Christianity in the 11th century came the Latin alphabet. The oldest preserved texts in Old Norse in the Latin alphabet date from the middle of the 12th century. Subsequently, Old Norse became the vehicle of a large and varied body of vernacular literature, unique in medieval Europe. Most of the surviving literature was written in Iceland. Best known are the Norse sagas, the Icelanders' sagas and the mythological literature, but there also survives a large body of religious literature, translations into Old Norse of courtly romances, classical mythology, and the Old Testament, as well as instructional material, grammatical treatises and a large body of letters and official documents.
The Seikilos epitaph is the oldest surviving complete musical composition, including musical notation, from anywhere in the world. The epitaph has been variously dated, but seems to be either from the 1st or the 2nd century AD. The song, the melody of which is recorded, alongside its lyrics, in the ancient Greek musical notation, was found engraved on a tombstone (a stele) from the Hellenistic town Tralles near present-day Aydın, Turkey, not far from Ephesus. It is a Hellenistic Ionic song in either the Phrygian octave species or Iastian tonos. While older music with notation exists (for example the Hurrian songs), all of it is in fragments; the Seikilos epitaph is unique in that it is a complete, though short, composition.
Possibly the oldest surviving music from Sussex is the 14th century Robertsbridge Codex which contains six pieces of music. This manuscript contains one of the earliest pieces of music specifically written for the keyboard. The Robertsbridge Codex is also the earliest evidence of two handed, polyphonic organ music and dates from around 1325.
Huang was a native of the cultural mecca Hangzhou. In 1598, he passed his Jinshi examination and held an official post in Jiangxi. His calligraphy style combined the manner of two Song Dynasty masters, Su Shi and Mi Fei. Huang’s best known calligraphy was, in his lifetime, reproduced in the Ming period painting-calligraphy album "Tangshi Huapu" (唐诗画谱, "Paintings of Tang Period Poems"), which itself was copied onto additional paintings. As was common in the Ming period, Huang perhaps did multiple versions of this Tang period poem by Liu Changqing (劉長卿) and others. His calligraphy was certainly sought after during his lifetime and in the period right after his death. Huang was also something of a poet. Examples of his verse can be found in various collections. A photo of a surviving example in Japan of his Liu Changqing poem is reproduced here. The poem reads:
Sumer in Mesopotamia, the Indus valley civilization and ancient Egypt were the first civilizations to develop their own scripts, and to keep historical records; this took place already during the early Bronze Age. Neighboring civilizations were the first to follow. Most other civilizations reached the end of prehistory during the Iron Age. The three-age system of division of prehistory into the Stone Age, followed by the Bronze Age and Iron Age, remains in use for much of Eurasia and North Africa, but is not generally used in those parts of the world where the working of hard metals arrived abruptly with contact with Eurasian cultures, such as the Americas, Oceania, Australasia and much of Sub-Saharan Africa. These areas also, with some exceptions in Pre-Columbian civilizations in the Americas, did not develop complex writing systems before the arrival of Eurasians, and their prehistory reaches into relatively recent periods; for example 1788 is usually taken as the end of the prehistory of Australia.
The Celtiberian inscriptions have been found mainly in the Ebro valley and near the sources of the Tagus and Douro rivers, where Roman and Greek sources place the Celtiberian people. The Celtiberian inscriptions were made on different types of objects (silver and bronze coins, ceramic receptacles, bronze plaques and tesseras, amphores, stones, spindle-whorls, etc.). There are just under two hundred surviving inscriptions, one of which is exceptionally long: the third Botorrita bronze plaque (Zaragoza) with more than three thousand signs containing a census of nearly 250 people. Almost always the direction of the writing is left to right. The fact that nearly all the Celtiberian inscriptions were found out of archaeological context does not allow a precise chronology to be established, but it seems that the earliest inscriptions in the Celtiberian script date from the 2nd century BCE while the latest ones date from the 1st century BCE.
The earliest surviving woven rugs were found in Konya, Beyşehir and Fostat, and were dated to the 13th century. These carpets from the Anatolian Seljuq Period (1243–1302) are regarded as the first group of Anatolian rugs. Eight fragments were found in 1905 by F.R. Martin in the Alaeddin Mosque in Konya, four in the Eşrefoğlu Mosque in Beyşehir in Konya province by R.M. Riefstahl in 1925. More fragments were found in Fostat, today a suburb of the city of Cairo.
Initially known as Pho Khun Bang Klang Hao () interpreted as "Lord Who Rules Sky", the controversy surrounding this names illustrates the limitations of epigraphy. This science studies inscriptions or epigraphs as writing, to identify graphemes, clarify their meanings, classify their uses according to dates and cultural contexts. Texts inscribed on steles are often missing the top or bottom portions, just where one would expect dates, complicating the drawing of conclusions about the writing and the writers. Specifically excluded from epigraphy are the historical significance of an epigraph as a document, and the artistic value of a literary composition. These complications led to the ruler in early life being simply Hao (หาว).
Sewing needles have been dated to at least 50,000 years ago (Denisova Cave, Siberia) – and uniquely associated with a human species other than modern humans, i.e. H. Denisova/H. Altai. The oldest possible example is 60,000 years ago, a needlepoint (missing stem and eye) found in Sibudu Cave, South Africa. Other early examples of needles dating from 41,000-15,000 years ago are found in multiple locations, e.g. Slovenia, Russia, China, Spain, and France.
"Early Dynastic Cuneiform" is designed to provide cuneiform signs used during one of the earliest phases of cuneiform writing, 
the Early Dynastic Period (c. 2900–2350 BC), also known as archaic cuneiform, but discontinued in the Ur III period. 
The original Cuneiform block, introduced in version 5.0 (July 2006) is designed for the requirements of Ur III era cuneiform, with the younger (Old Assyrian and Neo-Assyrian) literary tradition to be considered font variants (analogous to the precedent of the approach followed in Han unification).
Even for the Ur III era, many signs recognized in relevant dictionaries did not receive their own code point but are intended as being expressed as ligatures of two or more constituent signs, to be handled by the font, but for the purposes of representing archaic cuneiform, the inventory of the original block was recognized as insufficient and an additional 196 characters were added in version 8.0. The sign inventory is mostly based on the 1922 dictionary "Liste der archaischen Keilschriftzeichen" (LAK), with a substantial number of characters (U+124D5 to U+12518) identified by their LAK number (or as composed of characters identified by their LAK number) rather than attempting to identify them by a reconstructed phonetic value.
The LAK has 870 signs in total, most of which are already covered in the previous Unicode blocks in the form of their Ur III continuants.
The Preliminary Proposal for the block submitted in 2012.
The earliest known surviving textiles are samples of fiberwork found in Guitarrero Cave, Peru dating back to 8000 BCE. Early fiberwork by the Norte Chico civilization consisted of plant fibers that were intertwined and knotted to form baskets and other containers. Surviving examples of finely spun thread and simple cloths indicate that knowledge of spinning and weaving had already been well-established and developed in the area.
The oldest known world maps date back to ancient Babylon from the 9th century BC. The best known Babylonian world map, however, is the "Imago Mundi" of 600 BC. The map as reconstructed by Eckhard Unger shows Babylon on the Euphrates, surrounded by a circular landmass showing Assyria, Urartu and several cities, in turn surrounded by a "bitter river" (Oceanus), with seven islands arranged around it so as to form a seven-pointed star. The accompanying text mentions seven outer regions beyond the encircling ocean. The descriptions of five of them have survived. In contrast to the "Imago Mundi", an earlier Babylonian world map dating back to the 9th century BC depicted Babylon as being further north from the center of the world, though it is not certain what that center was supposed to represent.
Sumer () is the earliest known civilization in the historical region of southern Mesopotamia, modern-day southern Iraq, during the Chalcolithic and Early Bronze ages, and one of the first civilizations in the world along with Ancient Egypt and the Indus Valley. Living along the valleys of the Tigris and Euphrates, Sumerian farmers were able to grow an abundance of grain and other crops, the surplus of which enabled them to settle in one place. Prehistoric proto-writing dates back before 3000 BC. The earliest texts, from c. 3300 BC, come from the cities of Uruk and Jemdet Nasr; early cuneiform script emerged around 3000 BC.
The oldest known cave paintings are over 40,000 years old (art of the Upper Paleolithic), found in both the Franco-Cantabrian region in western Europe, and in the caves in the district of Maros (Sulawesi, Indonesia). The oldest type of cave paintings are hand stencils and simple geometric shapes; the oldest undisputed examples of figurative cave paintings are somewhat younger, close to 35,000 years old.
A 2018 study claimed an age of 64,000 years for the oldest examples of (non-figurative) cave art in Iberia, which would imply production by Neanderthals rather than modern humans. In November 2018, scientists reported the discovery of the oldest known figurative art painting, over 40,000 (perhaps as old as 52,000) years old, of an unknown animal, in the cave of Lubang Jeriji Saléh on the Indonesian island of Borneo.
The Birds' Head Haggadah (c. 1300) is the oldest surviving illuminated Ashkenazi Passover Haggadah. The manuscript, produced in the Upper Rhine region of Southern Germany in the early 14th century, contains the full Hebrew text of the Haggadah, a ritual text recounting the story of Passover – the liberation of the Israelites from slavery in ancient Egypt – which is recited by participants at a Passover Seder. The text is executed in block calligraphy and accompanied by colorful illustrations of Jews performing the Seder practices and reenacting Jewish historical events. The Birds' Head Haggadah is so called because all Jewish men, women, and children depicted in the manuscript have human bodies with the faces and beaks of birds. Non-Jewish and non-human faces (such as those of angels, the sun, and the moon) are blank or blurred. Numerous theories have been advanced to explain the unusual iconography, usually tied to Jewish aniconism. The Haggadah is in the possession of the Israel Museum in Jerusalem, where it is on permanent exhibition.
The earliest "Proto-Sinaitic" inscriptions are mostly dated to between the mid-19th (early date) and the mid-16th (late date) century BC.
"The principal debate is between an early date, around 1850 BC, and a late date, around 1550 BC. The choice of one or the other date decides whether it is proto-Sinaitic or proto-Canaanite, and by extension locates the invention of the alphabet in Egypt or Canaan respectively."
The evolution of "Proto-Sinaitic" and the various "Proto-Canaanite" scripts during the Bronze Age is based on rather scant epigraphic evidence;
it is only with the Bronze Age collapse and the rise of new Semitic kingdoms in the Levant that "Proto-Canaanite" is clearly attested (Byblos inscriptions 10th – 8th century BC, Khirbet Qeiyafa inscription c. 10th century BC).
Kublai Khan commissioned Chögyal Phagpa to design a new writing system to unify the writing of the multilingual Yuan China. Phagpa modified the Tibetan alphabet to create his 'Phags-pa script, which was completed in 1268. Kublai Khan decided to use the 'Phags-pa script as the official writing system of the empire, including when he became Emperor of China in 1271, instead of Chinese characters or the Old Uyghur alphabet formerly used for Mongolian. However, he encountered major resistances and difficulties when trying to promote this script and never achieved his original goal. As a result, only a small amount of texts were written in this script, and the majority (including most official documents) were still written in Chinese ideograms or the Uyghur alphabet. The script fell into disuse after the collapse of the Yuan in 1368. The script was used for about a century and is thought to have influenced the development of Hangul.
Evidence for more complex mathematics does not appear until around 3000 BC, when the Babylonians and Egyptians began using arithmetic, algebra and geometry for taxation and other financial calculations, for building and construction, and for astronomy. The most ancient mathematical texts from Mesopotamia and Egypt are from 2000–1800 BC. Many early texts mention Pythagorean triples and so, by inference, the Pythagorean theorem seems to be the most ancient and widespread mathematical development after basic arithmetic and geometry. It is in Babylonian mathematics that elementary arithmetic (addition, subtraction, multiplication and division) first appear in the archaeological record. The Babylonians also possessed a place-value system, and used a sexagesimal numeral system, still in use today for measuring angles and time.
The Grand Canal, known to the Chinese as the Beijing–Hangzhou Grand Canal ("Jīng-Háng Dà Yùnhé"), a UNESCO World Heritage Site, is the longest as well as the oldest canal or artificial river in the world. Starting at Beijing, it passes through Tianjin and the provinces of Hebei, Shandong, Jiangsu and Zhejiang to the city of Hangzhou, linking the Yellow River and Yangtze River. The oldest parts of the canal date back to the 5th century BC, but the various sections were first connected during the Sui dynasty (581–618 AD). Dynasties in 1271-1633 significantly rebuilt the canal and altered its route to supply their capital Beijing.
Much surviving prehistoric art is small portable sculptures. It includes the oldest known representation of the human body, the Venus of Hohle Fel, dating from 40,000-35,000 BC, found in Schelklingen, Germany. It is part of a small group of female Venus figurines found in Central Europe. The Löwenmensch figurine, from about 30,000 BC, is the oldest undisputed piece of figurative art. The Swimming Reindeer of about 11,000 BCE is among the finest Magdalenian carvings in bone or antler of animals in the art of the Upper Paleolithic. At the beginning of the Mesolithic in Europe figurative sculpture greatly reduced, and remained a less common element in art than relief decoration of practical objects until the Roman period, despite some works such as the Gundestrup cauldron from the European Iron Age and the Bronze Age Trundholm sun chariot.
The earlier of the two sets is particularly notable for being the oldest surviving English translation of the Bible, albeit a very fragmentary one. It consists of 26 glosses, either interlinear or marginal, scattered throughout the manuscript. These so-called "red glosses" are written by a single scribe mostly in red ink in what is known as West Saxon minuscule, an Insular script found, for example, in charters of Æthelwulf, King of Wessex from 839 to 858. The glosses were first published in by E. Brock in 1876. A number of corrections were subsequently offered by Henry Sweet in 1885, Karl Wildhagen in 1913.
Hiragana developed from "man'yōgana", Chinese characters used for their pronunciations, a practice that started in the 5th century. The oldest examples of Man'yōgana include the Inariyama Sword, an iron sword excavated at the Inariyama Kofun in 1968. This sword is thought to be made in year of (which is A.D. 471 in commonly accepted theory).
The forms of the hiragana originate from the cursive script style of Chinese calligraphy. The figure below shows the derivation of hiragana from manyōgana via cursive script. The upper part shows the character in the regular script form, the center character in red shows the cursive script form of the character, and the bottom shows the equivalent hiragana. Note also that the cursive script forms are not strictly confined to those in the illustration.
Panel painting is very old; it was a very prestigious medium in Greece and Rome, but only very few examples of ancient panel paintings have survived. A series of 6th century BC painted tablets from Pitsa (Greece) represent the oldest surviving Greek panel paintings. Most classical Greek paintings that were famous in their day seem to have been of a size comparable to smaller modern works - perhaps up to a half-length portrait size. However, for a generation in the second quarter of the fifth-century BC there was a movement, called the "new painting" and led by Polygnotus, for very large painted friezes, apparently painted on wood, decorating the interiors of public buildings with very large and complicated subjects containing numerous figures at least half life-size, and including battle scenes. We can only attempt to imagine what these looked like from some detailed literary descriptions and vase-paintings that appear to echo their compositions. The first century BC to third century AD Fayum mummy portraits, preserved in the exceptionally dry conditions of Egypt, provide the bulk of surviving panel painting from the Imperial Roman period - about 900 face or bust portraits survive. The Severan Tondo, also from Egypt (about 200AD) is one of the handful of non-funerary Graeco-Roman specimens to survive. Wood has always been the normal support for the Icons of Byzantine art and the later Orthodox traditions, the earliest of which (all in Saint Catherine's Monastery) date from the 5th or 6th centuries, and are the oldest panel paintings which seem to be of the highest contemporary quality. Encaustic and tempera are the two techniques used in antiquity. Encaustic largely ceased to be used after the early Byzantine icons.
The Hōryū-ji Temple also holds bibliographic notes on the Lotus Sutra: the was written early in the 7th century and is considered the oldest Japanese text. It is written in Cursive script and illustrates that calligraphy in the Asuka period was already refined to a high degree.