Instruct: Given a question, retrieve passages that answer the question.
Query: Is the Beacham Theatre still in use?
Following an effort to "bring back the aesthetics of the old Beacham Theatre," in 2000 owners restored the Beacham's ornate plaster ceiling moldings, facade, and marquee. In addition, the sloping theater floor was made level and the stage was elevated. The original Beacham Theatre sign is awaiting restoration and is being stored on the roof.
In 2015 it was announced that the British-based Ambassador Theatre Group would assume management of the Hudson from the hotel and convert it back into a legitimate Broadway theater. Upon reopening in 2017, the Hudson became the 41st theater operating on Broadway and also the oldest, having originally opened slightly earlier in 1903 than the Lyceum and New Amsterdam Theatres. The Tony Awards Administration Committee ruled in October 2016 that the Hudson Theatre is deemed to be a Tony-eligible theatre, with "970 seats without the use of the orchestra pit and 948 seats when the orchestra pit is utilized by a production."
In 1924, the Cherry Lane Theatre was established. Located at 38 Commerce Street, it is New York City's oldest continuously running Off-Broadway theater. A landmark in Greenwich Village's cultural landscape, it was built as a farm silo in 1817, and also served as a tobacco warehouse and box factory before Edna St. Vincent Millay and other members of the Provincetown Players converted the structure into a theatre they christened the Cherry Lane Playhouse, which opened on March 24, 1924, with the play "The Man Who Ate the Popomack". During the 1940s The Living Theatre, Theatre of the Absurd, and the Downtown Theater movement all took root there, and it developed a reputation as a showcase for aspiring playwrights and emerging voices.
One of the oldest surviving operating theaters is the Old Operating Theatre in London. Built in 1822, it is now a museum of surgical history. Another theater still exists at the University of Padua, in Italy, inside Palazzo Bo. It was commissioned by the anatomist Girolamo Fabrizio d'Acquapendente in 1594. Another famous operating theater is the Ether Dome in Boston. Built in 1824, it is now a conference room and tourist attraction. Pennsylvania Hospital in Philadelphia also boasts its own surviving operating theater, built in 1804.
The Lakewood Theater is a theater complex at 76 Theatre Road in Madison, Maine, on the shores of Lake Wesserunsett. Founded in 1898 but only properly developed in 1901, it is one of the oldest summer theaters in the United States. The theater was in the 1920s and 1930s one of the major off-Broadway stops, and now plays host to touring productions each summer. The main auditorium is located on a former 1882 religious camp meeting sanctuary that was extensively altered in 1925-26 to accommodate the theater. It was listed on the National Register of Historic Places in 1975.
The Blackpool Mecca was a large entertainment venue on Central Drive in the seaside town of Blackpool, Lancashire, in North West England, first opened in 1965. In the 1970s, it was particularly known for The Highland Room, which was a major Northern Soul music venue. From 1977 onwards it was also host to the Commonwealth Sporting Club. The building was closed down in 1980s and was finally demolished in January 2009 to make way for new campus buildings of Blackpool and The Fylde College. However, following an issue with funding B&FC withdrew and as of 2013 the site is planned for residential development.
Plays and Players Theatre, in Philadelphia, Pennsylvania, is one of the oldest professional theater companies in the United States, founded in 1911. The theater building was designed and constructed in 1912 by Philadelphia architect Amos W. Barnes as a dramatic school, but soon was used as a theater for Broadway try-outs, known as the Playhouse. The theater company Plays and Players bought the building in 1922 and has performed there ever since. Murals were added in 1923 by the American artist Edith Emerson.
The Bathurst Showground is of state significance as a representative example of a rural showground that demonstrates the contributions these establishments have made to the social and technical development of rural and regional areas throughout the state. The Bathurst Showground is an outstanding example of its type, regarding its aesthetic appeal and longevity and is one of a small group of showgrounds whose aesthetically pleasing suite of show buildings clustered around its central arena continues to illustrate the "ideal" regional showground in NSW.
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The Bathurst Showground is a heritage-listed showground at Kendall Avenue (Great Western Highway), Bathurst, Bathurst Region, New South Wales, Australia. It was designed by James Hines, J. J. Copemen and Edward Gell and built from 1879. The property is owned by Bathurst Showground Trust and the New South Wales Department of Trade & Investment, Regional Infrastructure & Services. It was added to the New South Wales State Heritage Register on 4 September 2015.
The Southern Theatre is an historic theater located at 21 East Main Street in downtown Columbus, Ohio. It opened on September 21, 1896 and is the oldest surviving theater in Central Ohio and one of the oldest in the state of Ohio. The Southern Theatre is currently owned and operated as a home for live concerts, plays and opera by CAPA (the Columbus Association for the Performing Arts). CAPA also manages several other venues in Columbus including the Ohio, the Palace, and the Lincoln Theatres.
The 1863 show was held at "Alloway Bank", the property of William Henry Suttor. By the following year land had been purchased at Raglan, 8 kilometres east of Bathurst, which was leased to a farmer to create some income. The show continued to be held in Raglan until 1868, when it was transferred to the Bathurst racecourse. The committee believed that the full potential of the show could not be realised at the Racecourse. (Sir) Francis Bathurst Suttor, a member of the New South Wales Legislative Assembly and son of William Henry Suttor, secured from the Government a land grant of 5.08 hectares (12.5 acres). The site had previously been cattle markets, established in around 1833.
When the Library moved to the new Carnegie building at the Corn Exchange in 1904, this became the natural history room. The plaster ceiling (by John Craigie of Stirling who had the contract for all the Smith plasterwork) was lost in the dry rot outbreak and removed in 1974. This room, renamed the Ballengeich Room or Gallery 1 was the first area of the Smith to be refurbished (1977). The room is at present used for temporary exhibitions and the Smith Café.
Trade shown on 4 November 1952, the film opened at the Plaza, Piccadilly Circus on 15 January 1953, with general release following from 23 February. Press responses ranged from "Though grossly overacted by all in sight, the film will draw pity from those who know how harsh the world can be" to "Before virtue triumphs we are treated to a great deal of horror and degradation ... It is not only rapacious boarding-house keepers and baby-farmers who exploit the misfortunes of unmarried mothers. Where would popular playwrights and film producers be without them?"
The Pantheon was a place of public entertainment on the south side of Oxford Street, London, England. It was designed by James Wyatt and opened in 1772. The main rotunda was one of the largest rooms built in England up to that time and had a central dome somewhat reminiscent of the celebrated Pantheon in Rome. It was built as a set of winter assembly rooms and later briefly converted into a theatre. Before being demolished in 1937, it was a bazaar and a wine merchant's show room for over a hundred years. Marks and Spencer's "Oxford Street Pantheon" branch, at 173 Oxford Street now occupies the site.
The Teatro all'antica ("Theater in the style of the ancients") is a theatre in Sabbioneta, northern Italy; it was the first free-standing, purpose-built theater in the modern world. The Teatro all'antica is the second-oldest surviving indoor theater in the world (after the Teatro Olimpico in Vicenza), and is, along with that theater and the Teatro Farnese in Parma, one of only three Renaissance theaters still in existence.
The school continued in its role as a community and cultural center throughout the postwar years. Despite its access to larger and better space, the orchestra continued to give concerts there as late as the mid-1950s. For years, a local church raised money through performances of its gospel choir. A performance of "The Mikado" was staged there in 1958, and touring glee clubs and a cappella groups found the Philip Livingston auditorium an ideal venue.
Blenheim Palace was the birthplace of the 1st Duke's famous descendant, Winston Churchill, whose life and times are commemorated by a permanent exhibition in the suite of rooms in which he was born "(marked "K" on the plan)". Blenheim Palace was designed with all its principal and secondary rooms on the "piano nobile", thus there is no great staircase of state: anyone worthy of such state would have no cause to leave the "piano nobile". Insofar as Blenheim does have a grand staircase, it is the series of steps in the Great Court which lead to the North Portico. There are staircases of various sizes and grandeur in the central block, but none are designed on the same scale of magnificence as the palace. James Thornhill painted the ceiling of the hall in 1716. It depicts Marlborough kneeling to Britannia and proffering a map of the Battle of Blenheim. The hall is high, and remarkable chiefly for its size and for its stone carvings by Gibbons, yet in spite of its immense size it is merely a vast anteroom to the saloon.
The smaller stage in Vargin House (Maly) opened October 14, 1824 with Alexey Verstovsky's "Lily of Narbonne." The larger Bolshoy opened on January 6, 1825. The name "Maly" (small) emerged in the same year, and referred specifically to the building and not the company. Bolshoy and Maly theatres were run as a single company (Imperial Moscow Theatre), sharing an orchestra, choir, ballet, and even props. Standard weekly programs for Maly in 1825 included three German, two French, and one "German or French" daily slots, with just one Friday night open to Russian plays. Thursdays and Fridays at Bolshoy were reserved for "light comedy" or musical genres. Thus, popular drama was regularly performed at the Bolshoy stage, alone or bundled with opera and ballet. For example, the January 31, 1828 night at Bolshoy stage for the benefit of Mikhail Shchepkin featured "The Robbers" by Friedrich Schiller, a single-act French opera, and a "vaudeville ballet by Alexander Shakhovskoy in rhyme and free verse with machines, flooding of the entire theatre, diverse dancing and music compiled from folk songs".
The Old Bathurst Hospital is a heritage-listed hospital building at Howick Street, Bathurst, Bathurst Region, New South Wales, Australia. Formerly the main building of the Bathurst Hospital, it was conserved and restored when a new hospital was built on the same site in 2006-2008, and is now used as consulting suites and an education centre for the new hospital. The building was designed by William Boles and built from 1880 to 1886 by J Willet. It was also known as Bathurst District Hospital or Bathurst Base Hospital before the redevelopment. The property is owned by the NSW Department of Health. It was added to the New South Wales State Heritage Register on 2 April 1999.
Designed in 1885 by Thomas J. Welsh, a prominent San Francisco architect, for the amount of $28,000, it was the first opera house to serve the Sacramento Valley. The builder for the community theater was Woodland contractor William Henry Curson. Several years later in July 1892 a fire that started in Dead Cat Alley behind the Opera House destroyed much of what is now the Downtown Woodland Historic District, including the Opera House. There was uncertainty whether the House would be rebuilt when a locally renowned businessman, David N. Hershey, purchased the site. Other local businessmen supported the project in addition to Hershey. The Opera House was rebuilt between 1895 and 1896 by local contractor William H. Winne at the cost of $8,990. Many of the materials from the original building were used including some of the partially standing walls.
By 1992 the future looked brighter for the Beacham Theatre when Mike Berry, staff writer, for "The Orlando Sentinel" wrote that, "The Beacham Theatre is the latest testament to reincarnation." Concerts were no longer being held in the auditorium during this time period and the Beacham Theatre was used exclusively as night club through 2010.
The final all-night Aahz-themed events (The Return of Aahz) were held at the Beacham between September 7, 1991, and July 4, 1992, and lasted until Dekko's opened. However, "Aahz" was the theme that really stuck with patrons and among participants is still used as a nickname for "Late Night" reunion tour events and even for the Beacham Theatre itself. "Lift" night soon commenced in the Beacham Building's north-most unit, then called Barbarella's. The Beacham Building's north-most corner unit was once called Beach Club where Kimball Collins was resident DJ in the mid-1980s. "Late Night" in the Beacham Theatre returned when Unity presented "Welcome (Back) to Late Night" on October 30, 1993. "Late Night's" Reunion at the Beacham was then initiated at Dekko's.
The Beacham Theatre was constructed in 1921 by Braxton Beacham Sr., who had previously owned three other Orlando theaters and had served as Mayor of Orlando during 1907. In 1917 Beacham paid approximately $17,500–$20,000 for the property one block southwest of his stately residence on Jefferson Street after Orlando's citizens voted to pave the road to the cemetery instead of purchasing the old jail. The property he purchased had formerly served as the jail for Orange County since about 1873. With a $200,000 investment, the former jail building was torn down in 1919 and Beacham developed a series of connected building units along the west side of Orange Avenue between Washington Street and Oak Street (now Wall Street). The new building was then known as "Beacham's Block" and is now known the Beacham Building. The location of Beacham's theater was precisely where several condemned prisoners were executed by hanging. According to local folklore, the Beacham Building is reportedly haunted.
The Bellettos planned to use the Beacham Theatre for theatrical performances and concerts during the week and as a nightclub on the weekends. Frank Carroll, served as the managing artistic director for theatre productions and starred in a Las Vegas-style musical revue tribute to Liberace, "Viva Liberace, Viva". A "Leonard Bernstein opera" and "an Edward Albee drama" were additional production features before theatrical productions ceased.