Instruct: Given a question, retrieve relevant passages that can help answer the question.
Query: What is the oldest surviving example of written music?
The Seikilos epitaph is the oldest surviving complete musical composition, including musical notation, from anywhere in the world. The epitaph has been variously dated, but seems to be either from the 1st or the 2nd century AD. The song, the melody of which is recorded, alongside its lyrics, in the ancient Greek musical notation, was found engraved on a tombstone (a stele) from the Hellenistic town Tralles near present-day Aydın, Turkey, not far from Ephesus. It is a Hellenistic Ionic song in either the Phrygian octave species or Iastian tonos. While older music with notation exists (for example the Hurrian songs), all of it is in fragments; the Seikilos epitaph is unique in that it is a complete, though short, composition.
The oldest surviving work of Persian literary criticism after the Islamic conquest of Persia is "Muqaddame-ye Shahname-ye Abu Mansuri", which was written during the Samanid period. The work deals with the myths and legends of "Shahnameh" and is considered the oldest surviving example of Persian prose. It also shows an attempt by the authors to evaluate literary works critically.
The invention of the first writing systems is roughly contemporary with the beginning of the Bronze Age of the late 4th millennium BC. The Sumerian archaic cuneiform script and the Egyptian hieroglyphs are generally considered the earliest writing systems, both emerging out of their ancestral proto-literate symbol systems from 3400 to 3200 BC with earliest coherent texts from about 2600 BC. It is generally agreed that Sumerian writing was an independent invention; however, it is debated whether Egyptian writing was developed completely independently of Sumerian, or was a case of cultural diffusion.
The earliest inscriptions in Old Norse are runic, from the 8th century. Runes continued to be commonly used until the 15th century and have been recorded to be in use in some form as late as the 19th century in some parts of Sweden. With the conversion to Christianity in the 11th century came the Latin alphabet. The oldest preserved texts in Old Norse in the Latin alphabet date from the middle of the 12th century. Subsequently, Old Norse became the vehicle of a large and varied body of vernacular literature, unique in medieval Europe. Most of the surviving literature was written in Iceland. Best known are the Norse sagas, the Icelanders' sagas and the mythological literature, but there also survives a large body of religious literature, translations into Old Norse of courtly romances, classical mythology, and the Old Testament, as well as instructional material, grammatical treatises and a large body of letters and official documents.
The earliest known artifact with Zapotec writing is a "Danzante" ("dancer") stone, officially known as Monument 3, found in San Jose Mogote, Oaxaca. It has a relief of what appears to be a dead and bloodied captive with two glyphic signs between his legs, possibly his name. First dated to 500–600 BC, this was initially considered the earliest writing in Mesoamerica. However, doubts have been expressed as to this dating as the monument may have been reused. The Zapotec script appears to have gone out of use in the late Classic period.
In the 12th century, a development in teaching and learning music in a more efficient manner had arisen. Guido of Arezzo's alleged development of the Guidonian hand, more than a hundred years after his death, allowed for musicians to label a specific joint or fingertip with the gamut (also referred to as the hexachord in the modern era). Using specific joints of the hand and fingertips transformed the way one would learn and memorize solmization syllables. Not only did the Guidonian hand become a standard use in preparing music in the 12th century, its popularity grew more widespread well into the 17th and 18th century. The knowledge and use of the Guidonian hand would allow a musician to simply transpose, identify intervals, and aid in use of notation and the creation of new music. Musicians were able to sing and memorize longer sections of music and counterpoint during performances and the amount of time spent diminished dramatically.
Writing systems developed in East Asia include Chinese and Japanese writing systems. Chinese characters represent whole morphemes rather than individual sounds, and consequently are visually far more complex than European scripts; in some cases their pictographic origins are still visible. The earliest form of Chinese was written on bones and shells (called Jiaguwen) in the fourteenth century BC. Other writing surfaces used during this time included bronze, stone, jade, pottery, and clay, which became more popular after the twelfth century BC. Greater Seal script (Dazhuan) flourished during 1100 BC and 700 BC and appeared mainly in bronze vessels. Lesser Seal script (Xiaozhuan) is the precursor of modern complex Chinese script, which is more stylized than the Greater Seal.
Writing systems were preceded by proto-writing, systems of ideographic and/or early mnemonic symbols. The best known examples are:The invention of the first writing systems is roughly contemporary with the beginning of the Bronze Age in the late Neolithic of the late 4th millennium BC. The Sumerian archaic cuneiform script and the Egyptian hieroglyphs are generally considered the earliest writing systems, both emerging out of their ancestral proto-literate symbol systems from 3400 to 3200 BC with earliest coherent texts from about 2600 BC. It is generally agreed that Sumerian writing was an independent invention; however, it is debated whether Egyptian writing was developed completely independently of Sumerian, or was a case of cultural diffusion.
More complete writing systems were preceded by proto-writing. Early examples are the Jiahu symbols (c. 6600 BCE), Vinča signs (c. 5300 BCE), early Indus script (c. 3500 BCE) and Nsibidi script (c. before 500 CE). There is disagreement concerning exactly when prehistory becomes history, and when proto-writing became "true writing" However, invention of the first writing systems is roughly contemporary with the beginning of the Bronze Age in the late Neolithic of the late 4th millennium BCE. The Sumerian archaic cuneiform script and the Egyptian hieroglyphs are generally considered the earliest writing systems, both emerging out of their ancestral proto-literate symbol systems from 3400–3200 BCE with earliest coherent texts from about 2600 BCE.
The musical style which developed from these early experiments was called monody. In the 1590s, monody developed into a vehicle capable of extended dramatic expression through the work of composers such as Jacopo Peri, working in conjunction with poet Ottavio Rinuccini. In 1598, Peri and Rinuccini produced "Dafne", an entire drama sung in monodic style: this was the first creation of a new form called "opera". Though Peri's Dafne was the first performed opera, its music has been lost to the centuries. Instead, L'Euridice, his second opera is most-often heralded as the history-making work. The new form of opera also borrowed, especially for the librettos, from an existing pastoral poetic form called the intermedio; it was mainly the musical style that was new. The instrumentation for an opera from the Camerata composers (Caccini and Peri) was written for a handful of gambas, lutes, and harpsichord or organ for continuo.
Following Beethoven's death, a number of unpublished works were discovered amongst his papers including the Piano Trio, WoO. 38, the Piano Sonata, WoO. 51, the Rondino, WoO. 25 and this sonata for flute and keyboard. Alexander Thayer noted that when the sonata was discovered, the manuscript was not in Beethoven's handwriting, making attribution to the composer problematic. Keith Anderson, writing in the liner notes to the 2018 Naxos recording of the sonata comments that musicologist Willy Hess argued that Beethoven would not have retained the work in his papers unless he had some personal connection with the composition.
The use of music to soothe grief has been used since the time of David and King Saul. In I Samuel, David plays the Lyre in order to make King Saul feel relieved and better. It has since been used all over the world for treatment of various issues, though the first recorded use of official "music therapy" was in 1789 - an article titled "Music Physically Considered" by an unknown author was found in "Columbian Magazine". The creation and expansion of music therapy as a treatment modality thrived in the early to mid 1900's and while a number of organizations were created, none survived for long. It wasn't until 1950 that the National Association for Music Therapy was founded in New York that clinical training and certification requirements were created. In 1971, the American Association for Music Therapy was created, though at that time called the Urban Federation of Music Therapists. The Certification Board for Music Therapists was created in 1983 which strengthened the practice of music therapy and the trust that it was given. In 1998, the American Music Therapy Association was formed out of a merger between National and American Associations and is now the single largest music therapy organization in the world (American music therapy, 1998–2011). More about the history along with general information and application of music therapy can be found on the American Music Therapy Association website.
The flute is one of the oldest and most widely used wind instruments. The precursors of the modern concert flute were keyless wooden transverse flutes similar to modern fifes. These were later modified to include between one and eight keys for chromatic notes.
Willi Apel and Robert Snow assert a scholarly consensus that Gregorian chant developed around 750 from a synthesis of Roman and Gallican chants, and was commissioned by the Carolingian rulers in France. Andreas Pfisterer and Peter Jeffery have shown that older melodic essentials from Roman chant are clear in the synthesized chant repertory. There were other developments as well. Chants were modified, influenced by local styles and Gallican chant, and fitted into the theory of the ancient Greek octoechos system of modes in a manner that created what later came to be known as the western system of the eight church modes. The Metz project also invented an innovative musical notation, using freeform neumes to show the shape of a remembered melody. This notation was further developed over time, culminating in the introduction of staff lines (attributed to Guido d'Arezzo) in the early 11th century, what we know today as plainchant notation. The whole body of Frankish-Roman Carolingian chant, augmented with new chants to complete the liturgical year, coalesced into a single body of chant that was called "Gregorian."
Guido of Arezzo (also Guido Aretinus, Guido Aretino, Guido da Arezzo, Guido Monaco, Guido d'Arezzo, or Guy of Arezzo also Guy d'Arezzo) (991/992 – after 1033) was an Italian music theorist of the Medieval era. He is regarded as the inventor of modern musical notation (staff notation) that replaced neumatic notation. His text, the "Micrologus", was the second most widely distributed treatise on music in the Middle Ages (after the writings of Boethius).
"Dafne" by Jacopo Peri was the earliest composition considered opera, as understood today, although with only five instrumental parts it was much more like a chamber opera than either the preceding intermedi or the operas of Claudio Monteverdi a few years later. It was written around 1597, largely under the inspiration of an elite circle of literate Florentine humanists who gathered as the "Camerata". Significantly, "Dafne" was an attempt to revive the classical Greek drama, part of the wider revival of antiquity characteristic of the Renaissance. The members of the Camerata considered that the "chorus" parts of Greek dramas were originally sung, and possibly even the entire text of all roles; opera was thus conceived as a way of "restoring" this situation. The libretto was by Ottavio Rinuccini, who had written some of the 1587 Medici intermedi, in which Peri had also been involved; Rinuccini appears to have recycled some of the material, at least from the scene illustrated at right. Most of the music for "Dafne" is lost (the libretto was printed and survives), but one of Peri's many later operas, "Euridice", dating from 1600, is the first opera score to have survived to the present day.
While only about 650 original Stradivari instruments (harps, guitars, violas, cellos, violins) survive, thousands of violins have been made in tribute to Stradivari, copying his model and bearing labels that read "Stradivarius" on them. The presence of a Stradivarius label does not confirm that the instrument is a genuine work of Stradivari.
According to a 2019 article in The New York Times, the Museo del Violino in the city of Cremona, Italy is undertaking a landmark project to preserve the sound of Stradivarius instruments. In January 2019, four musicians will record an extensive set of scales and arpeggios in different techniques to showcase the sounds produced by two violins, a viola, and a cello. These recordings, known as the "Stradivarius Sound Bank", will be part of a permanent collection at the Museo del Violino that will allow future generations to hear Stradivarius instruments. To facilitate these recordings, "the city’s mayor, Gianluca Galimberti, implored Cremona’s citizens to avoid any sudden and unnecessary sounds."
The Epic of Gilgamesh () is an epic poem from ancient Mesopotamia that is often regarded as the earliest surviving great work of literature. The literary history of Gilgamesh begins with five Sumerian poems about Bilgamesh (Sumerian for "Gilgamesh"), king of Uruk, dating from the Third Dynasty of Ur (). These independent stories were later used as source material for a combined epic in Akkadian. The first surviving version of this combined epic, known as the "Old Babylonian" version, compiled by Sîn-lēqi-unninni, dates to the 18th century BC and is titled after its "incipit", Shūtur eli sharrī ("Surpassing All Other Kings"). Only a few tablets of it have survived. The later "standard" version dates from the 13th to the 10th centuries BC and bears the "incipit" Sha naqba īmuru ("He who Saw the Abyss", in modern terms: "He who Sees the Unknown"). Approximately two thirds of this longer, twelve-tablet version have been recovered. Some of the best copies were discovered in the library ruins of the 7th-century BC Assyrian king Ashurbanipal.
Old English literature or Anglo-Saxon literature, encompasses literature written in Old English, in Anglo-Saxon England from the 7th century to the decades after the Norman Conquest of 1066. "Cædmon's Hymn", composed in the 7th century, according to Bede, is often considered the oldest extant poem in English, whereas the later poem, The Grave is one of the final poems written in Old English, and presents a transitional text between Old and Middle English. The "Peterborough Chronicle" can also be considered a late-period text, continuing into the 12th century.
Unlike Western tonality and music theory the universal theory of the Phanariotes does not distinguish between major and minor scales, even if they transcribed Western polyphony into Byzantine neumes, and in fact, the majority of the models of the Byzantine Octoechos, as they are performed in Mediterranean churches by traditional singers, would lose their proper intonation and expression, if they were played on a conventionally tuned piano. Exactly the familiarity with microtonal intervals was an advantage, which made the Chrysanthine or Neobyzantine notation as a medium of transmission more universal than any Western notation system. Among others even Western staff notation and Eastern neume notation had been used for transcriptions of Ottoman classical music, despite their specific traditional background.
Shakespeare's sonnets were published in 1609 and were the last of his non-dramatic works to be composed. It is not certain when each of the sonnets were written but there is evidence to suggest that Shakespeare wrote his sonnets on a private scale. William Wordsworth even suggests that the sonnets were how Shakespeare "unlocked his heart". There are only two sonnets that Shakespeare writes that are specifically about music, and those are Sonnet 8 and Sonnet 128. No one is certain if Shakespeare wrote the sonnets in order or if they should form a complete sequence. However it is clear that they offer an insight that "Shakespeare's capacity to represent the imaginative states of other people".
Instrumental music was widespread, but relatively few notated examples have survived. Indeed, while contemporary depictions of singers often show them performing from books or scrolls, paintings and miniatures of instrumentalists never show written music. The main keyboard collection is the Faenza Codex (Faenza, Biblioteca Comunale, ms. 117). Other small sources of keyboard music appear in codices in Padua (Archivio di Stato 553), Assisi (Biblioteca Comunale 187), and in one section of the Reina Codex (Paris, Bibliothèque Nationale de France, n. a. fr. 6771). The typical keyboard style of the time seems to have placed the tenor of a secular song or a melody from plainchant in equal tones in the bass while a fast-moving line was written above it for the right hand. The surviving sources are likely among the few witnesses of a largely improvised tradition.
The oldest surviving speculative fiction poem is the "Tale of the Shipwrecked Sailor", written in "Hieratic" and ascribed a date around 2500 B.C.E. Other sources ascribe the earliest written poetry to the "Epic of Gilgamesh" written in "cuneiform"; however, it is most likely that "The Tale of the Shipwrecked Sailor" predates "Gilgamesh" by half a millennium. The oldest epic poetry besides the "Epic of Gilgamesh" are the Greek epics "Iliad" and "Odyssey" and the Indian Sanskrit epics "Ramayana" and "Mahabharata". Some scholars believe that either the "Mahabharata" or the Tibetan "Epic of King Gesar" is the longest example of epic poetry in history.
Although most familiar to speakers of English in the context of Christianity, hymns are also a fixture of other world religions, especially on the Indian subcontinent. Hymns also survive from antiquity, especially from Egyptian and Greek cultures. Some of the oldest surviving examples of notated music are hymns with Greek texts.
The prehistoric age is considered to have ended with the development of writing, and with it, by definition, prehistoric music. "Ancient music" is the name given to the music that followed. The "oldest known song" was written in cuneiform, dating to 3400 years ago from Ugarit in Syria. It was a part of the Hurrian songs, more specifically Hurian hymn no. 6. It was deciphered by Anne Draffkorn Kilmer, and was demonstrated to be composed in harmonies of thirds, like ancient "gymel", and also was written using a Pythagorean tuning of the diatonic scale. The oldest surviving example of a complete musical composition, including musical notation, from anywhere in the world, is the Seikilos epitaph.