Instruct: Given a question, retrieve documents that answer the question.
Query: When did Andrew Lloyd Weber write Cats?
Lloyd Webber embarked on his next project without a lyricist, turning instead to the poetry of T. S. Eliot. "Cats" (1981) was to become the longest running musical in London, where it ran for 21 years before closing. On Broadway, "Cats" ran for 18 years, a record which would ultimately be broken by another Lloyd Webber musical, "The Phantom of the Opera".
Lloyd Webber was asked to write a song for the 1992 Barcelona Olympics and composed "Amigos Para Siempre — Friends for Life" with Don Black providing the lyrics. This song was performed by Sarah Brightman and José Carreras.
Lloyd Webber had toyed with the idea of writing a musical based on Billy Wilder's critically acclaimed movie, "Sunset Boulevard", since the early 1970s when he saw the film, but the project didn't come to fruition until after the completion of "Aspects of Love" when the composer finally managed to secure the rights from Paramount Pictures, The composer worked with two collaborators, as he had done on "Aspects of Love"; this time Christopher Hampton and Don Black shared equal credit for the book and lyrics. The show opened at the Adelphi Theatre in London on 12 July 1993, and ran for 1,529 performances. In spite of the show's popularity and extensive run in London's West End, it lost money due to the sheer expense of the production.
The series was written by Erin Hunter, a pseudonym used by authors Cherith Baldry, Kate Cary, Tui Sutherland, and series editor Victoria Holmes. The pseudonym is used so that the individual novels in the series would not be shelved in different places in libraries. Victoria Holmes chose the name Erin because she liked the name, and Hunter because it matched the theme of feral cats. It also ensured that the books were shelved near those of Brian Jacques, an author that the writers, collectively known as "the Erins", liked.
In 1771 the English naturalist Mark Catesby referred to Florida and the Carolinas when he wrote that "The Wolves in America are like those of Europe, in shape and colour, but are somewhat smaller." They were described as being more timid and less voracious. In 1791 the American naturalist William Bartram wrote in his book "Travels" about a wolf which he had encountered in Florida that was larger than a dog, but was black in contrast to the larger yellow-brown wolves of Pennsylvania and Canada. In 1851 the naturalists John James Audubon and John Bachman described the "Red Texan Wolf" in detail. They noted that it could be found in Florida and other southeastern states, but it differed from other North American wolves and named it "Canis lupus rufus". It was described as being more fox-like than the gray wolf, but retaining the same "sneaking, cowardly, yet ferocious disposition".
Leviathan is a 2009 novel written by Scott Westerfeld and illustrated by Keith Thompson. First of a trilogy set in alternative version of World War I, it has Central Powers (known in-universe as "Clankers") using mechanized war machines opposed by Entente Powers (as "Darwinists") who fabricate living creatures genetically. The central protagonists are Aleksander, son of Archduke Franz Ferdinand; and Deryn, a Scottish girl with dreams of joining the British Air Service with her brother. The sequels are "Behemoth" and "Goliath". The first two chapters of this book were released with "Bogus to Bubbly: Insider's Guide to the World of Uglies".
Screenwriter Robert Florey wrote a treatment entitled "The New Adventures of Frankenstein — The Monster Lives!", but it was rejected without comment early in 1932. Universal staff writer Tom Reed wrote a treatment under the title "The Return of Frankenstein", a title retained until filming began. Following its acceptance in 1933, Reed wrote a full script that was submitted to the Hays office for review. The script passed its review, but Whale, who by then had been contracted to direct, complained that "it stinks to heaven". L. G. Blochman and Philip MacDonald were the next writers assigned, but Whale also found their work unsatisfactory. In 1934, Whale set John L. Balderston to work on yet another version, and it was he who returned to an incident from the novel in which the creature demands a mate. In the novel Frankenstein creates a mate, but destroys it without bringing it to life. Balderston also created the Mary Shelley prologue. After several months Whale was still not satisfied with Balderston's work and handed the project to playwright William J. Hurlbut and Edmund Pearson. The final script, combining elements of a number of these versions, was submitted for Hays office review in November 1934. Kim Newman reports that Whale planned to make Elizabeth the heart donor for the bride, but film historian Scott MacQueen states that Whale never had such an intention.
Scott David Westerfeld (born May 5, 1963) is an American writer of young adult fiction, best known as the author of the "Uglies" and the "Leviathan" series.
In the summer of 1993, no search engine existed for the web, though numerous specialized catalogues were maintained by hand. Oscar Nierstrasz at the University of Geneva wrote a series of Perl scripts that periodically mirrored these pages and rewrote them into a standard format. This formed the basis for W3Catalog, the web's first primitive search engine, released on September 2, 1993.
Edoardo Weber began his automotive career working for Fiat, first at their Turin plant (in 1914) and later at a dealership in Bologna. After the war, with gasoline prices high, he reached a certain success in selling conversion kits for running trucks on kerosene instead. The company was established as "Fabbrica Italiana Carburatori Weber" in 1923 when Weber produced carburetors as part of a conversion kit for Fiats. Weber pioneered the use of two-stage twin barrel carburetors, with two venturis of different sizes, the smaller one for low speed running and the larger one optimised for high speed use.
Ernst Heinrich Weber (24 June 1795 – 26 January 1878) was a German physician who is considered one of the founders of experimental psychology. He was an influential and important figure in the areas of physiology and psychology during his lifetime and beyond. His studies on sensation and touch, along with his emphasis on good experimental techniques gave way to new directions and areas of study for future psychologists, physiologists, and anatomists.
Wake, also called WWW: Wake, is a 2009 novel written by Canadian novelist Robert J. Sawyer and the first book in his "WWW Trilogy". It was first published on April 8, 2009 and was followed by "Watch" in 2010 and by "Wonder" in 2011. The novel details the spontaneous emergence of an intelligence on the World Wide Web, called Webmind, and its friendship with a blind teenager named Caitlin.
Banjo the Woodpile Cat is a 1979 animated short film directed by Don Bluth. It follows the story of Banjo, an overly curious and rebellious kitten who, after getting into trouble for falling from a house to see if he could land on his feet, runs away from his woodpile home in his owners' farm in Payson, Utah by catching a truck to Salt Lake City. Produced in a shoestring budget, and created in Bluth's garage, the film took four years to make and it was the first production of Don Bluth Productions, later Sullivan Bluth Studios. It had a short theatrical run from December 21 to 28, 1979 at the Egyptian Theatre in Hollywood and the Peppertree Cinema in Northridge as an opening short for the holiday re-release of "The Muppet Movie", but did not appear on network television until 1982.
A disputing view of the cat's hunting technique and ability is presented by C. K. Brain in "The Hunters or the Hunted?" in which he attributes the cat's prey-killing abilities to its large neck muscles rather than its jaws. Large cats use both the upper and lower jaw to bite down and bring down the prey. The strong bite of the jaw is accredited to the strong temporalis muscle that attach from the skull to the coronoid process of the jaw. The larger the coronoid process, the larger the muscle that attaches there, so the stronger the bite. As C.K. Brain points out, the saber-toothed cats had a greatly reduced coronoid process and therefore a disadvantageously weak bite. The cat did, however, have an enlarged mastoid process, a muscle attachment at the base of the skull, which attaches to neck muscles. According to C.K. Brain, the saber-tooth would use a "downward thrust of the head, powered by the neck muscles" to drive the large upper canines into the prey. This technique was "more efficient than those of true cats".
It has been postulated that domestic cats can learn to manipulate their owners through vocalizations that are similar to the cries of human babies. Some cats learn to add a purr to the vocalization, which makes it less harmonious and more dissonant to humans, and therefore harder to ignore. Individual cats learn to make these vocalizations through trial-and-error; when a particular vocalization elicits a positive response from a human, the probability increases that the cat will use that vocalization in the future.
Cats have seven cervical vertebrae like almost all mammals, thirteen thoracic vertebrae (humans have twelve), seven lumbar vertebrae (humans have five), three sacral vertebrae (humans have five because of their bipedal posture), and, except for Manx cats and other shorter tailed cats, twenty-two or twenty-three caudal vertebrae (humans have three to five, fused into an internal coccyx). The extra lumbar and thoracic vertebrae account for the cat's enhanced spinal mobility and flexibility, compared to humans. The caudal vertebrae form the "tail", used by the cat as a counterbalance to the body during quick movements. Between their vertebrae, they have elastic discs, useful for cushioning the jump landings.
Cats in ancient Egypt were valued very highly and were seen to be very close to the gods. They believed the cats were an embodiment of the goddess Bastet. Harming a cat in ancient Egypt was an offense punishable by death. When a cat died the Egyptians would mummify and bury their cats as an offering to the gods.
In 1928, to recover from the loss of Oswald the Lucky Rabbit, Disney came up with the idea of a mouse character named Mortimer while on a train headed to California, drawing up a few simple drawings. The mouse was later renamed Mickey Mouse (Disney's wife, Lillian, disliked the sound of 'Mortimer Mouse') and starred in several Disney produced films. Ub Iwerks refined Disney's initial design of Mickey Mouse. Disney's first sound film "Steamboat Willie", a cartoon starring Mickey, was released on November 18, 1928 through Pat Powers' distribution company. It was the first Mickey Mouse sound cartoon released, but the third to be created, behind "Plane Crazy" and "The Gallopin' Gaucho". "Steamboat Willie" was an immediate smash hit, and its initial success was attributed not just to Mickey's appeal as a character, but to the fact that it was the first cartoon to feature synchronized sound. Disney used Pat Powers' Cinephone system, created by Powers using Lee de Forest's Phonofilm system. "Steamboat Willie" premiered at B. S. Moss's Colony Theater in New York City, now The Broadway Theatre. Disney's "Plane Crazy" and "The Gallopin' Gaucho" were then retrofitted with synchronized sound tracks and re-released successfully in 1929.
The mechanism of how cats purr is elusive. This is partly because cats do not have a unique anatomical feature that is clearly responsible for this vocalization. One hypothesis, supported by electromyographic studies, is that cats produce the purring noise by using the vocal folds and/or the muscles of the larynx to alternately dilate and constrict the glottis rapidly, causing air vibrations during inhalation and exhalation. Combined with the steady inhalation and exhalation as the cat breathes, a purring noise is produced with strong harmonics. Purring is sometimes accompanied by other sounds, though this varies between individuals. Some may only purr, while other cats also emit low level outbursts sometimes described as "lurps" or "yowps".
Contemporary commentators praised "Leave It to Beaver", with "Variety" comparing Beaver to Mark Twain's Tom Sawyer. Much juvenile merchandise was released during the show's first run, including board games, novels, and comic books. The show has enjoyed a renaissance in popularity since the 1970s through off-network syndication, a reunion telemovie ("Still the Beaver", 1983) and a sequel series, "The New Leave It to Beaver" (1985–89). In 1997, a movie version based on the original series was released to negative reviews. In October 2007, TV Land celebrated the show's 50th anniversary with a marathon. Although the show never broke into the Nielsen ratings top 30 or won any awards, it placed on "Time" magazine's unranked 2007 list of "All-TIME 100 TV Shows".
During the first winter of World War II, Bowlby began working on his first published work "Forty-four Juvenile Thieves". Although he began working on this book at the beginning of the Second World War, it was not published until 1944 (while being published again in 1946), close to when the war was finishing. Bowlby studied several children during his time at the Canonbury clinic, and developed a research project based on case studies of the children’s behaviors and family histories. Bowlby examined 44 delinquent children from Canonbury who had a history of stealing and compared them to "controls" from Canonbury that were being treated for various reasons but did not have a history of stealing. Bowlby categorized the delinquent children into six different character types which included: normal, depressed, circular, hyperthymic, affectionless, and schizoid.
After "The Phantom of the Opera" became a smash hit in London in 1986, Lloyd Webber announced a Broadway production, and Yeston's Broadway investors backed out. Yeston, Kopit and Holder reluctantly shelved their plans for "Phantom" and went their separate ways for a time. When Kopit saw the Lloyd Webber version of "The Phantom of the Opera" on Broadway, he realized that the approach he and Yeston had taken was fundamentally different and that it could still work on the musical stage. A few years later, Kopit wrote the NBC miniseries "Hands of a Stranger", which was successful enough that NBC approached Kopit again. Kopit rewrote the script outline of his unproduced musical "Phantom" into a teleplay for a four-hour two-part miniseries entitled "The Phantom of the Opera" and sold it to NBC, with Yeston's blessing. It was filmed at the "Opera Garnier", and the only music used was opera music. It starred Charles Dance, Teri Polo and Burt Lancaster and premiered on television in 1990. Kopit said, "I told Maury to hold on. Maybe someone would see the miniseries, think it would make a good musical we'd be ready."
In 1998, Lloyd Webber released a film version of "Cats", which was filmed at the Adelphi Theatre in London. David Mallet directed the film, and Gillian Lynne choreographed it. The cast consisted of performers who had been in the show before, including Ken Page (the original Old Deuteronomy on Broadway), Elaine Paige (original Grizabella in London) and Sir John Mills as Gus: the Theatre Cat.
In 1981, he produced Andrew Lloyd Webber's "Cats", then considered an unlikely subject for a musical. It became the hit of the season and went on to become one of the longest running musicals on both sides of the Atlantic. After the success of "Cats", he approached the French writing team Claude-Michel Schönberg and Alain Boublil about bringing their musical "Les Misérables" (then a successful French concept album) to the London stage. The musical opened in 1985 at the Barbican before transferring to the Palace Theatre. "Les Misérables" had a shaky start at the box office and a lukewarm critical reception before becoming a massive hit, largely by word-of-mouth.
Andrew Lloyd Webber, Baron Lloyd-Webber (born 22 March 1948) is an English composer and impresario of musical theatre. Several of his musicals have run for more than a decade both in the West End and on Broadway. He has composed 13 musicals, a song cycle, a set of variations, two film scores, and a Latin Requiem Mass. Several of his songs have been widely recorded and were hits outside of their parent musicals, notably "The Music of the Night" and "All I Ask of You" from "The Phantom of the Opera", "I Don't Know How to Love Him" from "Jesus Christ Superstar", "Don't Cry for Me, Argentina" from "Evita", "Any Dream Will Do" from "Joseph and the Amazing Technicolor Dreamcoat" and "Memory" from "Cats". In 2001 "The New York Times" referred to him as "the most commercially successful composer in history". Ranked the "fifth most powerful person in British culture" by "The Daily Telegraph" in 2008, the lyricist Don Black stated "Andrew more or less single-handedly reinvented the musical."
Macavity is the only real villain in the musical "Cats" by Andrew Lloyd Webber, who kidnaps Old Deuteronomy, the Jellicle leader, and attempts to abduct Demeter, one of two cats who sings about him. Lloyd Webber noted that "Macavity... is obviously a take-off on Moriarty." The character was originally played by Richard Pettyfer in the original West End production, by Kenneth Ard in the Broadway production, and by Bryn Walters in the "Cats" film production.