Instruct: Given a question, retrieve relevant documents that can help answer the question.
Query: Does Lily Bart die in The House of Mirth?
The central theme of "The House of Mirth" is essentially "the struggle between who we are and what society tells us we should be". Thus, it is considered by many to be as relevant today as it was in 1905. If its sole subject had been the excesses and lives of the rich and famous, by themselves, it is doubtful it would have remained popular for as long as it has. "The House of Mirth" continues to attract readers over a century after its first publication, possibly due to its timeless theme. That the life and death of Lily Bart matters to modern readers suggests that Wharton succeeded in her purpose: to critique "a society so relentlessly materialistic and self-serving that it casually destroys what is most beautiful and blameless within it."
Mildred "Millie" Hubble is the protagonist of the series. She is a good-hearted, but bungling young witch-in-training, who never seems to get anything right. She is friends with Maud Spellbody and Enid Nightshade and has a strong rivalry with Ethel Hallow. It is Miss Hardbroom, her potions teacher, who calls her "The Worst Witch".
The smaller stage in Vargin House (Maly) opened October 14, 1824 with Alexey Verstovsky's "Lily of Narbonne." The larger Bolshoy opened on January 6, 1825. The name "Maly" (small) emerged in the same year, and referred specifically to the building and not the company. Bolshoy and Maly theatres were run as a single company (Imperial Moscow Theatre), sharing an orchestra, choir, ballet, and even props. Standard weekly programs for Maly in 1825 included three German, two French, and one "German or French" daily slots, with just one Friday night open to Russian plays. Thursdays and Fridays at Bolshoy were reserved for "light comedy" or musical genres. Thus, popular drama was regularly performed at the Bolshoy stage, alone or bundled with opera and ballet. For example, the January 31, 1828 night at Bolshoy stage for the benefit of Mikhail Shchepkin featured "The Robbers" by Friedrich Schiller, a single-act French opera, and a "vaudeville ballet by Alexander Shakhovskoy in rhyme and free verse with machines, flooding of the entire theatre, diverse dancing and music compiled from folk songs".
On opening night at the Ballet, Jerry shifts around nervously outside Lise's dressing room, a scroll in his hand. Milo, seeing his indecision, offers to deliver it for him. Lise opens the scroll to find it is his drawing of her, finally complete. Milo advises her although Jerry was never serious about her, he did teach her one thing: money could not buy love, which is one of a kind. Lise thanks her, but confesses she knows the Ballet will fail; she is so upset that she does not feel any passion onstage. Milo advises her to think of someone who made her feel that passion as she dances. Lise clutches Jerry's drawing tight as places are called. The Ballet begins, and as it progresses, Lise imagines her partner has become Jerry, and they perform a magnificent pas de deux. The Ballet ends with Lise triumphant, having become a bona fide star (An American in Paris).
The story revolves around Miss Mary Lloyd, who makes a bet with her fawning circle of girlfriends, the "Eccentric Young Ladies Club", as to which of them can buy the most expensive thing in Europe, because they are so wealthy that they can buy anything. Meanwhile, back in the bankrupt state of Sylvaria, Prince Sándor Boris and his Ministers are trying to keep the natives happy while the King is off to Monte Carlo. Then, as now, there’s nothing like a Royal Wedding to please the locals. The prince makes a marriage pact with his old pal, Princess Rosemarie of Morenia, but there is no love between them.
In the 1939 version of "The Wizard of Oz", Margaret Hamilton plays the Wicked Witch of the West as a green-skinned witch dressed in a long black dress with a black pointed hat. She does not wear an eye-patch like in the novel. This representation of the Wicked Witch has become a standard for what witches resemble and an archetype of human wickedness. While this relationship is not mentioned in Baum's books, in the movie, the Witch is the sister of the Wicked Witch of the East. The movie makes her even more of a primary antagonist, and consequently she appears in the film much earlier (and more often), than in Baum's original novel. She demands the Munchkins reveal who killed her sister, not long after Dorothy's arrival in Oz. She is described by Glinda the Good Witch of the North, not the South as in the book, as "worse than the other one". She actively seeks revenge against Dorothy for killing her sister, even though it was "accidental". However, as soon as the Witch is reminded of the ruby slippers, all interest in her sister's death vanishes and all she cares about are obtaining "her" slippers, which will enable her to conquer Oz. She is more menacing than her literary counterpart, making Dorothy too afraid to ever lose her temper with the Witch. She makes sure that Dorothy knows her power when Dorothy meets the Scarecrow by throwing a ball of fire at them. Before Dorothy and her friends get to the city, the Witch casts a sleeping spell over a field of poppies through which the group must pass. Glinda remotely counteracts the spell with a snowfall. The Wicked Witch then flies on her broom over the Emerald City, demanding that the citizens of the Emerald City surrender Dorothy to her, and the Wizard demands the destruction of the Witch, with her broom as proof, in exchange for granting the wishes of Dorothy and her companions. Unlike Baum's original depiction, the Wicked Witch sends the Winged Monkeys as the first wave of attack. The Golden Cap is not mentioned but, after the failure of her poppy spell, the Witch does hold and then angrily cast away a costume piece that could be considered the cap (It greatly resembles the Cap in depicted in W. W. Denslow's original illustrations for "The Wonderful Wizard of Oz") and was mentioned as her "wishing cap" in the original shooting script. She is killed when Dorothy throws a bucket of water on her, in attempt to put out a fire the witch bestowed on the Scarecrow. In the novel, Dorothy simply throws it on her in a fit of anger. There is no prior mention of the Wicked Witch's vulnerability to water in the movie, save for a split-second before the water actually douses her when she screams "Don't touch that water!" (this line does not appear in the film's shooting script). After the Wicked Witch of the West is dead, her soldiers are glad to be free of her power, and quote "Hail to Dorothy! The Wicked Witch is dead!" The character ranks No. 4 in the American Film Institute's list of the 50 Best Movie Villains of All Time, making her the highest ranking female villain, as well as placing 90th on "Empire" magazine's "100 Greatest Movie Characters of All Time".
Many critics have noted that Jill Murphy's "The Worst Witch" series (first published in 1974 by Allison & Busby), is set in a school for girls, "Miss Cackle's Academy for Witches", reminiscent of Hogwarts. The story concerns an awkward pupil at a boarding-school for witches, who faces a scheming rival student. Her professors include a kindly and elderly headmistress and a bullying, raven-haired potions teacher. Murphy has commented on her frustration at constant comparisons between her work and "Harry Potter": "It's irritating … everyone asks the same question and I even get children writing to ask me whether I mind about the Hogwarts school of witchcraft and pointing out similarities. Even worse are reviewers who come across my books, or see the TV series, and, without taking the trouble to find out that it's now over quarter of a century since I wrote my first book, make pointed remarks about 'clever timing' – or say things like 'the Worst Witch stories are not a million miles from J K Rowling's books'. The implications are really quite insulting!"
The nun is Martha, a 45-year-old withering woman who lives in a secluded convent in Calcutta. Even in the sanctuary of the Church, she is haunted by a specter that threatens her sanity. The Wiccan, Ipsita, is called upon by the unconventional Mother Superior to heal Martha's soul.
Later, Snoopy receives a letter from a girl named Lila, who has been in the hospital for three weeks for unspecified reasons and needs Snoopy to keep her company. Upon receiving the letter, Snoopy immediately sets off with Woodstock to go see her, leaving Charlie Brown completely in the dark as to who Lila is. Linus decides to do some investigating, and discovers that Lila is Snoopy's original owner; Charlie Brown faints upon hearing this.
Michelle went on to feature in controversial storylines such as her daughter's kidnapping, a shooting, and a brief liaison with her best friend's ex-husband and her own nemesis Grant Mitchell (Ross Kemp) — which left her pregnant. This heralded one of the soap's best-kept secrets as Grant never discovered that Michelle had his child. Michelle remained central to the programme for 10 years and became one of the most popular characters of her time. She was written out of it in 1995 when Tully decided to move on. Tully since took up directing, and directed several episodes of "EastEnders".
Having won the protection of the duc d'Orléans, the new troupe returned to Paris and took up residence at the "jeu de paume des Métayers", 13 rue de Seine, where they opened on 1 January 1644 playing tragedy. Receipts were low and their protector left for the war. Jean-Baptiste Poquelin, who signed himself Molière from 28 June, was obliged to borrow. They had to leave and moved to the "jeu de paume de la Croix-Noire", rue des Barrés, in December of the same year. Unable to repay his multiple creditors, Molière was imprisoned in August 1645 : after less than two years of existence, the "Illustre Théâtre" had finally failed, but it had made a mark on the history of theatre.
In Metro-Goldwyn-Mayer's 1939 film, "The Wizard of Oz", the Wicked Witch of the West used a broomstick to fly over Oz. She also used it to skywrite "Surrender Dorothy" above the Emerald City. The Wizard commands Dorothy and her three traveling companions to bring the Wicked Witch's broomstick to him in order to grant their wishes. Dorothy carries it to the Wizard with the Scarecrow, Tin Man, and Lion after the Wicked Witch's death.
The production team behind "Full House" did not want people to know that Michelle was played by a set of twins, so the girls were credited as "Mary-Kate Ashley Olsen" for most of the show's run (making it appear as if a single actress had the first name Mary-Kate and the middle name Ashley). Although the two were credited separately as "Mary-Kate Olsen and Ashley Olsen" during the closing credits in the series' first season (they were not officially added to the opening title sequence until season two but were credited in the syndicated versions of the season one opening titles), it was not until the eighth and final season that the twins were credited as "Mary-Kate "and" Ashley Olsen" in the opening titles. Despite the fact that the Olsens are fraternal twins, their physical appearances were nonetheless similar enough so that few could tell the difference between the two over the course of the show's run. In season one, Mary-Kate was used more often due to the fact Ashley cried when she was put on set for a scene.
The Death of Rats has appeared in the animated "Soul Music" and in the radio play of "The Amazing Maurice and His Educated Rodents", but has not been given a voice credit for either. In the "Hogfather" TV series the voice was credited to Dorckey Hellmice (an anagram of Michelle Dockery who played Susan Sto Helit in the same TV series), while in the "Discworld 2" game, the voice is credited as Katherine the Crocodile. The Death of Rats also appears in Discworld Noir.
Michelle Elizabeth Tanner is a fictional character on the long-running ABC sitcom "Full House", who was portrayed by Mary-Kate and Ashley Olsen. She first appeared in the show's pilot, "Our Very First Show", which aired in 1987 and continued to appear throughout up to the two-part series finale, "Michelle Rides Again" in 1995. The character of Michelle was the Olsen twins' first acting role; the two were infants when they started working on the series.
Burt Hummel (Mike O'Malley) surprises Kurt and Rachel by showing up at their New York apartment. Burt explains to Rachel the significance of Christmas in Kurt's life, especially after the death of Kurt's mother. Rachel goes on a cruise, while the Hummels continue to bond in New York. Burt reveals to Kurt that he has prostate cancer, but it was diagnosed at an early stage and his chances for survival are very high. Burt then surprises Kurt again by revealing that he has paid for Blaine Anderson (Darren Criss) to travel to New York to spend Christmas with them. They have an awkward but cordial reunion, and sing "White Christmas". Back at the apartment, Burt, Kurt, and Blaine continue several of the Hummels' Christmas traditions, and have dinner.
Burt Hummel is a fictional character from the Fox musical comedy-drama series "Glee". The character is portrayed by actor Mike O'Malley, and first appeared on "Glee" in the fourth episode of the first season, "Preggers". Burt was developed by "Glee" creators Ryan Murphy, Brad Falchuk and Ian Brennan. He is the father of gay glee club member Kurt Hummel (Chris Colfer), and works as a mechanic in Lima, Ohio where the series is set. He eventually begins a relationship with Carole Hudson (Romy Rosemont), the mother of another glee club member, and the two marry in the second season episode "Furt". In the third season, Burt runs in a special congressional election and wins. O'Malley was a recurring cast member during the first season, and was upgraded to a series regular for the second season of the show, but returned to the recurring cast for the third season.
In Mozart's "The Marriage of Figaro", which premiered in 1786 with a libretto by Lorenzo Da Ponte, the comic plot revolves around the successful efforts of the young bride and groom, Figaro and Susanna, to block the efforts of the unfaithful Count Almaviva to seduce Susanna. To achieve his aim, the frustrated Count threatens to reinstitute "droit du seigneur". It was based on a play by Pierre Beaumarchais.
"" (You shall go no more) is an aria for bass from Mozart's 1786 opera "The Marriage of Figaro", K. 492. The Italian libretto was written by Lorenzo Da Ponte based on a stage comedy by Pierre Beaumarchais, "La folle journée, ou le Mariage de Figaro" (1784). It is sung by Figaro at the end of the first act.
In late 2015, Miller joined the cast of "American Fable" as Gavin MacIntosh's mother, in the lead role of Sarah. In June 2016, it was announced that Miller had joined the cast of "Days of Our Lives", in the role of Abigail Deveraux, making her first appearance on November 10. In addition to her aforementioned roles, she has starred in a number of movies, including: "Most Likely to Die", "J Plus C", "Children of the Corn: Runaway" and "Death Race 2050", as well as a number of short films. In May 2018, "Soap Opera Digest" announced Miller had opted not to renew her deal would "Days of Our Lives" and would exit the role.
Lydia Summers, portrayed by Alison Darling, was a social worker who visited the Platt family to support Sarah-Louise (Tina O'Brien) and her family in relation to Sarah's pregnancy. Dr. Wilson had informed Gail (Helen Worth) that social services will be visiting.
The House of Mirth is a 1918 American silent melodrama film directed by French film director Albert Capellani, starring Katherine Harris Barrymore as Lily Bart. It is a cinema adaptation of Edith Wharton's 1905 novel "The House of Mirth" and the first ever cinema adaptation of any of her work. It is not known whether the film currently survives.
Wharton considered several titles for the novel about Lily Bart; two were germane to her purpose:
&Mirth
The House of Mirth is a 1905 novel by the American author Edith Wharton. It tells the story of Lily Bart, a well-born but impoverished woman belonging to New York City's high society around the turn of the last century. Wharton creates a portrait of a stunning beauty who, though raised and educated to marry well both socially and economically, is reaching her 29th year, an age when her youthful blush is drawing to a close and her marital prospects are becoming ever more limited. "The House of Mirth" traces Lily's slow two-year social descent from privilege to a tragically lonely existence on the margins of society. In the words of one scholar, Wharton uses Lily as an attack on "an irresponsible, grasping and morally corrupt upper class."
Lily Bart is a beautiful socialite accustomed to comfort and luxury. Along with her younger cousin, Grace Stepney, she lives with her wealthy aunt, Julia Peniston. Through a series of unfortunate misunderstandings, she learns of the bitter consequences for a single woman without wealth, living in an uncaring society.