Instruct: Given a question, retrieve relevant passages that answer the question.
Query: Who designed Westminster Cathedral?
Apart from the twenty years as a seminary in the late nineteenth century, this site has a 330-year tradition of contributing to the education of young women. The school building was designed by John Francis Bentley, also responsible for Westminster Cathedral. In 1993 Cardinal Basil Hume, Archbishop of Westminster, visited the school for a Mass to celebrate its 100th anniversary.
One of the most important examples of this style anywhere in the world were the Parliament Buildings designed by Thomas Fuller. While the style and design of the building is unquestionably Gothic, it resembles no building constructed during the Middle Ages. The forms were the same, but their arrangement was uniquely modern. The Parliament Buildings also departed from Medieval models by integrating a variety of eras and styles of Gothic architecture, including elements of Gothic architecture from Britain, France, the Low Countries, and Italy all in one building.
Unusually, St Patrick's is not the seat of a bishop, as the Archbishop of Dublin has his seat in Christ Church Cathedral. Since 1870, the Church of Ireland has designated St Patrick's as the national cathedral for the whole of Ireland, drawing chapter members from each of the twelve dioceses of the Church of Ireland. The dean is the ordinary for the cathedral; this office has existed since 1219. The most famous office holder was Jonathan Swift.
The Anglican See of Tasmania was created in 1843, and shortly after Francis Russell Nixon, the first Bishop of Tasmania arrived. Nixon was highly successful in promoting a form of High Anglicanism, and linking his denomination with a patriotic sense of national identity under the banner of 'God, King, and Country'. Not to be outdone, the first Catholic Bishop of Tasmania, Robert Wilson arrived the following year, preaching a form of pious asceticism. An unintended consequence of the Irish potato famine was a huge influx of Irish Catholic settlers in the 1850s, reestablishing Catholicism in the colony. In 1866 St Mary's Catholic Cathedral was opened, but without the originally designed tower.The magnificent St David's Anglican Cathedral, seat of the Bishop of Tasmania, and administrative centre of the Anglican Diocese of Tasmania, was designed by George Frederick Bodley, in high Gothic style and completed in 1868.
Roman Catholic worship was outlawed for centuries after the English Reformation, but from the mid-19th century it experienced "a striking growth ... in and around Arundel", helped by the construction of the lavish Church of Our Lady and St Philip Howard in 1869–73. This became Arundel Cathedral in 1965 when the Roman Catholic Diocese of Arundel and Brighton was created, and is the administrative centre of that region. The staunchly Catholic Dukes of Norfolk, whose seat is at Arundel Castle, were influential in Catholicism's development in Arundel and the rest of England for many years. An Anglican vicar of the 1860s said there were more Roman Catholics than Anglicans in the parish of Arundel, and about 750 lived in the area in 1973. Elsewhere in the district, Roman Catholic worship has taken place at Slindon since the late 18th century, and the present church dates from 1865; a late-19th-century priest at Arundel founded churches at Angmering, Houghton (both now closed) and Littlehampton; and Rustington and East Preston gained churches in the 20th century. Monks of the Servite Order founded Bognor Regis's Church of Our Lady of Sorrows in 1881.
The house's architecture inspired the design of the Sacred Heart Academy in Cincinnati, Ohio, which was built from 1864 to 1867 by Thomas Sargent as a private home for William C. Neff. The Cincinnati building is described as a "copy reversed left-to-right" of Rockwood Hall. The likely intermediate sources for Sargent were images published in "Villas on the Hudson", by A. A. Turner.
from 2012 census.Wittenberg is home to numerous historical sites, as well as portraits and other paintings by Lucas Cranach the Elder and Younger. On the doors of All Saints' Church, the "Schlosskirche" ("castle church", built in 1496–1506) Luther is said to have nailed his 95 theses in 1517. It was seriously damaged by fire in 1760 during a bombardment by the French during the Seven Years' War, was practically rebuilt, and was later (1885–1892) restored. The wooden doors, burnt in 1760, were replaced in 1858 by bronze doors, bearing the Latin text of the theses. Inside the church are the tombs of Luther and Philipp Melanchthon, and of the electors Frederick the Wise (by Peter Vischer the Younger, 1527) and John the Constant (by Hans Vischer), and portraits of the reformers by Lucas Cranach the Younger.
Blenheim Palace close to Woodstock was built by the great architect John Vanbrugh for John Churchill, 1st Duke of Marlborough, after he had won the battle of Blenheim. The gardens, which can be visited, were designed by the landscape gardener "Capability Brown", who planted the trees in the battle formation of the victorious army. In the palace, which can also be visited by the public, Sir Winston Churchill was born in 1874.
Built in the Brutalist architectural style between 1968 and 1969, designed by Keith Ingham and Charles Wilson of Building Design Partnership with E. H. Stazicker, it had (until 2017) a capacity of 80 double-decker buses, 40 along each side of the building. Some claimed that it was the second largest bus station in Western Europe. Pedestrian access to the bus station was originally through any of three subways, one of which linked directly to the adjacent Guild Hall, while the design also incorporates a multi-storey car park of five floors with space for 1,100 cars. It has been described by the Twentieth Century Society as "one of the most significant Brutalist buildings in the UK".
Roman Catholic worship in the area has had an unbroken history since before the English Reformation, despite being outlawed for centuries by various Acts of Parliament. Rich families such as the Wappingthorns at Steyning and the Carylls at West Grinstead maintained the faith, sometimes using secret rooms to celebrate Mass. Example survives in the Priest's House next to the 19th-century Church of Our Lady of Consolation and St Francis in West Grinstead, and possibly at Henfield. Mass was sometimes said in private houses (as at Henfield) before permanent churches were built, and three of the district's present Roman Catholic churches are linked to monasteries and convents. Public worship takes place in the chapels at St Hugh's Charterhouse Monastery at Parkminster and The Towers Convent in Upper Beeding, and the Priory Church of Our Lady of England in Storrington is physically linked to the Premonstratensian monastery there.
Gothic architecture is represented in the majestic churches but also at the burgher houses and fortifications. The most significant buildings are St. John's Cathedral (14th century), a typical example of the so-called Masovian Gothic style; St. Mary's Church (1411), a town house of Burbach family (14th century); Gunpowder Tower (after 1379); and the Royal Castle "Curia Maior" (1407–1410). The most notable examples of Renaissance architecture in the city are the house of the Baryczko merchant family (1562), a building called "The Negro" (early 17th century), and Salwator tenement (1632). The most interesting examples of Mannerist architecture are the Royal Castle (1596–1619) and the Jesuit Church (1609–1626) at Old Town. Among the first structures of the early Baroque, the most important are St. Hyacinth's Church (1603–1639) and Sigismund's Column (1644).
The Pantheon was a place of public entertainment on the south side of Oxford Street, London, England. It was designed by James Wyatt and opened in 1772. The main rotunda was one of the largest rooms built in England up to that time and had a central dome somewhat reminiscent of the celebrated Pantheon in Rome. It was built as a set of winter assembly rooms and later briefly converted into a theatre. Before being demolished in 1937, it was a bazaar and a wine merchant's show room for over a hundred years. Marks and Spencer's "Oxford Street Pantheon" branch, at 173 Oxford Street now occupies the site.
Gothic architecture is represented in the majestic churches but also at the burgher houses and fortifications. The most significant buildings are St. John's Cathedral (14th century), the temple is a typical example of the so-called Masovian gothic style, St. Mary's Church (1411), a town house of Burbach family (14th century), Gunpowder Tower (after 1379) and the Royal Castle "Curia Maior" (1407–1410). The most notable examples of Renaissance architecture in the city are the house of Baryczko merchant family (1562), building called "The Negro" (early 17th century) and Salwator tenement (1632). The most interesting examples of mannerist architecture are the Royal Castle (1596–1619) and the Jesuit Church (1609–1626) at Old Town. Among the first structures of the early baroque the most important are St. Hyacinth's Church (1603–1639) and Zygmunt's Column (1644).
The coronation of Queen Elizabeth I as queen regnant of England and Ireland took place at Westminster Abbey, London, on 15 January 1559. Queen Elizabeth I had ascended the throne at the age of 25 upon the death of her half-sister, Queen Mary I, on 17 November 1558. Mary had reversed the Protestant Reformation which had been started by her two predecessors, so this was the last British coronation to be conducted under the authority of the Roman Catholic Church. Historians view Elizabeth's coronation as a statement of her intention restore England to Protestantism, but to allow the continuation of some Catholic customs, a compromise known as the Elizabethan Settlement.
The design, by Adrian D. Smith of Skidmore, Owings & Merrill, is considered one of the finest reproductions of the Art Deco style. It was inspired by 30 Rockefeller Plaza in New York City, which is NBC's global headquarters. The tower is further enhanced by the use of limestone piers and recessed tinted glass with granite spandrels. The building takes additional cues from the nearby landmark Tribune Tower with the use of flying buttresses. A broadcast tower and spire tops the skyscraper. WMAQ and WSNS have STL and satellite facilities on the roof; the STLs link to WMAQ and WSNS's transmitter facilities atop the Willis Tower. WMAQ radio/WSCR studios and STL were located in the building until 2006 when they relocated to Two Prudential Plaza.
Blenheim Palace was the birthplace of the 1st Duke's famous descendant, Winston Churchill, whose life and times are commemorated by a permanent exhibition in the suite of rooms in which he was born "(marked "K" on the plan)". Blenheim Palace was designed with all its principal and secondary rooms on the "piano nobile", thus there is no great staircase of state: anyone worthy of such state would have no cause to leave the "piano nobile". Insofar as Blenheim does have a grand staircase, it is the series of steps in the Great Court which lead to the North Portico. There are staircases of various sizes and grandeur in the central block, but none are designed on the same scale of magnificence as the palace. James Thornhill painted the ceiling of the hall in 1716. It depicts Marlborough kneeling to Britannia and proffering a map of the Battle of Blenheim. The hall is high, and remarkable chiefly for its size and for its stone carvings by Gibbons, yet in spite of its immense size it is merely a vast anteroom to the saloon.
The site has been used for religious buildings since at least the 4th century, when an oratory stood on the site. A cathedral was built in the 9th century, but was badly damaged by Norman invasions and was replaced in the 10th century, from about 940, when bishop Milo built a Romanesque cathedral. This building was the location of the Council of Troyes that opened on 13 January 1128/29, at which the Order of the Knights Templar was confirmed and its rule established. The Romanesque cathedral was destroyed by fire in 1188.
Saint Patrick's Cathedral () in Dublin, Ireland, founded in 1191, is the National Cathedral of the Church of Ireland. With its spire, St. Patrick's is the tallest church (not Cathedral) in Ireland and the largest. Christ Church Cathedral, also a Church of Ireland cathedral in Dublin, is designated as the local Cathedral of the diocese of Dublin and Glendalough.
The village is particularly notable as the location of the world's first large-scale cast iron navigable aqueduct (, ). Designed by Thomas Telford, the aqueduct opened in 1797 as part of the Shrewsbury Canal. Telford built the cast iron aqueduct to replace a stone aqueduct, originally built by Josiah Clowes, which was swept away by floods in 1795. Although the canal was abandoned in 1944 due to the shift in traffic to the rail networks, the aqueduct remains. It is Grade I listed and a scheduled ancient monument, situated in fields astride the River Tern. The monument is signposted and visible from the road. Clearly marked footpaths lead directly to the monument from a small roadside car park. Telford later designed and built the very much larger Pontcysyllte Aqueduct in Wales, now designated as a World Heritage Site.
Apart from Anglo-Saxon architecture, which survives entirely in churches, with only a handful of largely unaltered examples, monumental stone sculpture survives in large stone crosses, an equivalent to the high crosses of the Celtic areas of Britain. Most sculpture was probably once painted, clarifying the designs, which are mostly in relatively low relief and not finished with great precision, and now almost all badly worn and weathered. Dating is usually difficult. Sculpture in wood was very likely more common, but almost the only significant large survival is St Cuthbert's coffin in Durham Cathedral, probably made in 698, with numerous linear images carved or incised in a technique that is a sort of large-scale engraving. The material of the earliest recorded crosses is unknown, but may well have been wood. From various references (to its destruction by Christians) there would seem to have been a tradition of Anglo-Saxon pagan monumental sculpture, probably in wood, of which no examples remain (as opposed to later Anglo-Scandinavian pagan imagery), and with which the crosses initially competed.
Knobelsdorff was involved in the construction of St. Hedwig's Cathedral, but it is uncertain to what extent. Frederick II presented the Catholic community with complete building plans, which were probably primarily his ideas which were then realized by Knobelsdorff. The opera house, by contrast, was completely designed by Knobelsdorff and is considered to be one of his most important works. For the frontage of the externally modestly structured building the architect followed the model of two views from Colin Campbell's ""Vitruvius Britannicus"", one of the most important collections of architectonic engravings, which included works of English Palladian architecture. For the interior he designed a series of three prominent rooms with different functions, which were at different levels, and were decorated differently: the Apollo Hall, the spectator viewing area, and the stage. By technical means they could be turned into one large room for major festivities. Knobelsdorff described the technical features in a Berlin newspaper, proudly commenting that "this theater is one of the longest and widest in the world". In 1843 the building burned down to the foundation. In World War II it suffered several times from bombing. Each time the rebuilding followed Knobelsdorff's intentions, but there were also clear modifications of both the facing and the interior. Soon after they were completed, the opera house and St. Hedwig's Cathedral were featured in textbooks and manuals on architecture.
Westminster Cathedral has published a monthly magazine since 1896, before the building work was completed. The latest in a series of titles is "Oremus", which first appeared in 1996. (The Latin word "oremus" translates into English as "Let us pray".) "Oremus" is a 32-page colour magazine, which contains features and articles by well-known members of the Catholic community, as well as non-Catholic commentators and leading figures within British society. It is the successor of titles such as the "Westminster Cathedral Record", selling at 6d per copy from January 1896, the "Westminster Cathedral Chronicle", a monthly, available from January 1907 at 2d a copy or 3/- a year, post paid, and the "Westminster Cathedral Bulletin", first published in 1974. Dylan Parry, who edited the magazine between 2012 and August 2016, took the decision to make "Oremus" a free publication in 2013. The magazine is also available to download via Westminster Cathedral's website.
It was not until the visit of Pope John Paul II in 1982 that the next mosaic was installed above the northwest entrance. Rather than a scene, this mosaic is an inscription: "Porta sis ostium pacificum par eum qui se ostium appellavit, Jesus Christum" (May this door be the gate of peace through Him who called Himself the gate, Jesus Christ). In 1999 the mosaic of Saint Patrick, holding a shamrock and a pastoral staff as well as trampling on a snake, was installed at the entrance to the chapel in his honour. In 2001 a striking mosaic of Saint Alban, strongly influenced by the style of early Byzantine iconography, was installed by the designer, Christopher Hobbs. Due to the very favourable reception of this work, Hobbs was commissioned for further mosaics: the chapel to Saint Joseph which contains mosaics of the Holy Family (2003) and men working on Westminster Cathedral (2006). Hobbs also did the chapel in honour of Saint Thomas Becket illustrating the saint standing in front of the old Canterbury Cathedral on the chapel's east wall and the murder of Thomas on the west wall. The vault is decorated with a design of flowers, tendrils and roundels. (2006). As of 2011, there were plans for further mosaics, for example Saint Francis of Assisi and Saint Anthony in the narthex
The site on which the cathedral stands in the City of Westminster was purchased by the Diocese of Westminster in 1885, and construction was completed in 1903. Westminster Cathedral is the largest Catholic church building in England and Wales and the seat of the Archbishop of Westminster.
When the question of a musical director was first considered, the choice fell on the singer Sir Charles Santley, who had conducted the choir of the pro-cathedral in Kensington on several occasions. But Santley knew his limitations and refused. Richard Runciman Terry —Director of Music at Downside Abbey School— then became the first director of music of Westminster Cathedral. It proved to be an inspired choice. Terry was both a brilliant choir trainer and a pioneering scholar, one of the first musicologists to revive the great works of the English and other European Renaissance composers. Terry built Westminster Cathedral Choir's reputation on performances of music —by Byrd, Tallis, Taverner, Palestrina and Victoria, among others- that had not been heard since the sixteenth and seventeenth centuries, and Mass at the cathedral was soon attended by inquisitive musicians as well as the faithful. The performance of great Renaissance Masses and motets in their proper liturgical context remains the cornerstone of the choir's activity.