Instruct: Given a question, retrieve passages that can help answer the question.
Query: How old was Guillaume Apollinaire?
Two years after being wounded in World War I, Apollinaire died in the Spanish flu pandemic of 1918; he was 38.
Pablo Picasso was perhaps the most famous artist in Paris, but he shared the spotlight with a remarkable group of others, including the Romanian sculptor Constantin Brâncuși, the Belgian René Magritte, the Italian Amedeo Modigliani, the Russian émigré Marc Chagall, the Catalan and Spanish artists Salvador Dali, Joan Miró, Juan Gris, and the German surrealist and Dadaist Max Ernst. Several major artistic movements flourished in Paris at this time, including Cubism, Surrealism, and Art Deco. The American art patron Gertrude Stein, resident in Paris, played an important role in encouraging and buying works of Picasso and other artists of the period.
At the 1912 Salon des Indépendants Albert Gleizes exhibited "Les Baigneuses (The Bathers)" (no. 1347) — Marcel Duchamp's "Nude Descending a Staircase, No. 2" was listed in the catalogue (n. 1001) but was withdrawn prior to the exhibition — Roger de La Fresnaye exhibited "Artillerie" (no. 1235) — Robert Delaunay showed his monumental "Ville de Paris" (no. 868) — Jean Metzinger exhibited "La Femme au Cheval (Woman with a horse)" and "Le Port" — Fernand Léger showed "La Noce" — Henri Le Fauconnier, "Le Chasseur (The Huntsman)" — and the newcomer Juan Gris exhibited his "Portrait of Picasso".
Louise-Marie-Madeleine Guillaume de Fontaine (after marriage known as Madame Dupin; 28 October 1706 – 20 November 1799) was a French "saloniste".
In 1886, Van Gogh left the Netherlands and traveled to Paris to explore emerging artistic movements under the guidance and continued support of his brother Theo van Gogh, an art dealer. Surprised that Vincent had come to Paris unannounced, and in opposition to their conversations about timing of his arrival, Vincent stayed in Theo's apartment on Rue Laval until a larger apartment could be acquired. For four months, Van Gogh studied with Fernand Cormon, painting plaster casts, live nude models and props available at Cormon's studio. Cormon also encouraged open-air painting. There me met Henri de Toulouse-Lautrec, Émile Bernard, and Louis Anquetin. Through Theo and artistic social circles he also met Edgar Degas, Camille Pissarro, Paul Signac, Georges Seurat, and Paul Gauguin. Through the fellowship with these men, he was introduced to Impressionists, Symbolists, Pointillists, and Japanese art, Ukiyo-e, and woodcut prints. In spite of his unusual manner, disheveled clothes and often time frightening manner, Paris was the one place where Van Gogh developed friendships with other artists. So much so that when Toulouse-Lautrec heard disparaging remarks against Van Gogh, he challenged the man to a duel. Seeing and trading artwork with the Parisian avant-garde artists, Van Gogh understood what Theo had been trying to tell him for years about modern art. He was able to experiment with each of the movements to develop his own style, becoming what some say is "one of the most important artists in modern art."
In 1886 van Gogh left the Netherlands never to return. He moved to Paris to live with his brother Theo, a Parisian art dealer. Vincent entered Paris as a shy, somber man. While his personality would never change, he emerged artistically into what one critic described as a "singing bird". Although van Gogh had been influenced by great masters in the Netherlands, coming to Paris meant that he was exposed to Impressionists, Symbolists, Pointillists, and Japanese art ("see Japonism"). His circle of friends included Camille Pissarro, Henri Toulouse-Lautrec, Paul Gauguin, Émile Bernard, Paul Signac, and others. The works of the Japanese ukiyo-e artists Hiroshige and Hokusai greatly influenced van Gogh, both for the subject matter and the style of flat patterns of colors without shadow. In the two years from 1886 through 1888 he spent working in Paris, van Gogh explored the various genres, creating his own unique style.
The Battle of Waterloo: The British Squares Receiving the Charge of the French Cuirassiers is an 1874 oil painting by French artist Henri Félix Emmanuel Philippoteaux. It depicts a scene from the Battle of Waterloo on 18 June 1815, with squares of red-coated infantry from Sir Thomas Picton's British 5th Division to the left being charged by cavalrymen of the French 5th and 10th Cuirassiers in blue uniforms to the right. The main British unit is one of Highland infantry, with the colour party and a mounted officer taking refuge in the centre of the square. Abandoned cannon lie in the foreground and middle distance. It measures .
About a million people of Polish descent live in France. They are concentrated in the Nord-Pas de Calais region, the metropolitan areas of Lille and Paris and the coal-mining basin ("Bassin Minier") around Lens and Valenciennes. Prominent members have included Frédéric Chopin, Adam Mickiewicz, Rene Goscinny, Marie Curie, Michel Poniatowski, Raymond Kopa, Ludovic Obraniak and Edward Gierek. For centuries, there was an alliance between the France and the Polish-Lithuanian Commmonwealth. Many Poles settled in France after the rule of Napoleon and the collapse of the Duchy of Warsaw, when 100,000 Poles, largely political refugees, fled the Russians and Prussians, who took over Poland. The Great Emigration, from the first half of the 19th century onwards, caused many Poles to be enlisted to fight in the French army. Another wave of Polish migration took place between the two World Wars, when many were hired as contract workers to work temporarily in France. Polish refugees also fled the Nazi and the Soviet occupations in the 1940s. From 100,000 to 200,000 Poles haved been estimated to live in Paris. Many EU guest workers are the south of France, including the cities of Arles, Marseille and Perpignan.
Among the most sought after treasures Napoleons agents coveted were the works of Raphael. Jean-Baptiste Wicar, a member of Napoleon's selection committee, was a collector of Raphael's drawings. Baron Antoine-Jean Gros, another member, had been influenced by Raphael. For artists like Jacques-Louis David, and his pupils Girodet and Ingres, Raphael represented the embodiment of French artistic ideals. Consequently, Napoleon's committee seized every available Raphael. To Napoleon, Raphael was simply the greatest of Italian artists and "The Transfiguration" his greatest work. The painting, along with the "Apollo Belvedere", the "Laocoön", the "Capitoline Brutus" and many others, received a triumphal entry into Paris on 27 July 1798, the fourth anniversary of Maximilien de Robespierre's fall.
In 1928 Orwell went to Paris for 18 months. In March 1929 he was feeling unwell and spent two weeks in the Hôpital Cochin, rue Faubourg Saint-Jacques, in the 15th arrondissement of Paris. Ill with the flu, he was treated at the hospital from 7 to 22 March 1929. While in the hospital he continued writing, as he gave it as an address to a publisher. Orwell was subject to bronchial conditions throughout his life, but it is not certain whether he was suffering from influenza or pneumonia. In Paris, he was checked for tuberculosis and found to be unaffected.
Between 1880-1882, a young clerical student in Paris named Jean Parisot published what was purported to be "material of the Taensa language, including papers, songs, a grammar and vocabulary"; this generated considerable interest among philologists. There was doubt about this material for many years; noted American anthropologist and linguist John R. Swanton conclusively proved the work to be a hoax in a series of publications in 1908-1910.
Other sculptors with more enduring fame were François Rude, who made his celebrated "La Marseillaise" sculpture (formally known as "The departure of the volunteers"), a ten-meter high bas-relief for the Arc de Triomphe (1833-36), a project begun by Napoleon and completed by Louis Philippe. Rude also made the romantic "Napoleon awakening to immortality" in 1845-47. This illustrated popular movement to restore the reputation of Napoleon and the revolutionary spirit, which had been suppressed under the Restoration, but which reappeared with the return of the ashes of Napoleon to France under Louis Philippe. The Napoleonic spirit emerged triumphant in the 1848 Revolution, and the election of Napoleon III as the first President of France.
Although most politicians supported de Gaulle, Mitterrand, who opposed the new Constitution, famously denounced "a permanent coup d'état" in 1964. On 28 September 1958, a referendum took place and 79.2% of those who voted supported the new constitution and the creation of the Fifth Republic. The colonies (Algeria was officially three departments of France, not a colony) were given the choice between immediate independence and the new constitution. All colonies voted for the new constitution and the replacement of the French Union by the French Community, except Guinea, which thus became the first French African colony to gain independence, at the cost of the immediate cessation of all French assistance.
Cummings returned to Paris in 1921 and had lived there for two years before returning to New York. His collection "Tulips and Chimneys" was published in 1923 and his inventive use of grammar and syntax is evident. The book was heavily cut by his editor. "XLI Poems" was published in 1925. With these collections, Cummings made his reputation as an avant garde poet.
Having won the protection of the duc d'Orléans, the new troupe returned to Paris and took up residence at the "jeu de paume des Métayers", 13 rue de Seine, where they opened on 1 January 1644 playing tragedy. Receipts were low and their protector left for the war. Jean-Baptiste Poquelin, who signed himself Molière from 28 June, was obliged to borrow. They had to leave and moved to the "jeu de paume de la Croix-Noire", rue des Barrés, in December of the same year. Unable to repay his multiple creditors, Molière was imprisoned in August 1645 : after less than two years of existence, the "Illustre Théâtre" had finally failed, but it had made a mark on the history of theatre.
The Napoleon III style was a highly eclectic style of architecture and decorative arts, which used elements of many different historical styles,and also made innovative use of modern materials, such as iron frameworks and glass skylights. It flourished during the reign of Emperor Napoleon III in France (1852–1871) and had an important influence on architecture and decoration in the rest of Europe and the United States. Major examples of the style include the Opéra Garnier in Paris by Charles Garnier (1862–71), the Bibliothèque nationale de France. and the Church of Saint Augustine (1860–1871). The architectural style was closely connected with Haussmann's renovation of Paris carried out during the Second Empire; the new buildings, such as the opera, were intended as the focal points of the new boulevards.
"Ballet des Polonais" was one of the first works to be recognized as a true court ballet. The spectacle was commissioned by Catherine de’ Medici in 1573 to celebrate the election of her second son, Henry of Anjou, as King of Poland. Performed at the Tuileries Palace and organized by the Italian dancing master, Balthasar de Beaujoyeulx, the hour-long ballet consisted of sixteen amateur French ladies representing the sixteen provinces of France. Describing it as the most beautiful ballet ever made on earth, the court observer Brantome recounted that they “danced their ballet so curiously designed, with so many turns, swerves, and sinuosities, interlacings and minglings, confrontations and withdrawals, that [it was surprising that] no lady ever failed to be at her appointed turn or place.” Although its combination of verse, song and dance had been used before, the intricate figure dancing involved in the "Ballet des Polonais" marked the beginning of the French style that would become the dominant continental school over the next century.
François Lay, better known under the stage name Lays (14 February 1758 – 30 March 1831), was a French baritone and tenor opera singer. Originally destined for a career in the church, Lays was recruited by the Paris Opéra in 1779. He soon became a leading member of the company, in spite of quarrels with the management. Lays enthusiastically welcomed the French Revolution and became involved in politics with the encouragement of his friend Bertrand Barère. Barère's downfall led to Lays being imprisoned briefly, but he soon won back the public and secured the patronage of Napoleon, at whose coronation and second wedding he sang. This association with the Emperor caused him trouble when the Bourbon monarchy was restored and Lays's final years were darkened by disputes over his pension, mounting debts, the death of his only son and his wife's illness. After a career spanning more than four decades, he died in poverty.
Michalis Oikonomou (also Mihalis Ikonomou or Michael Economou; Greek: Μιχάλης Οικονόμου, 1888–1933) was a Greek impressionist painter. He was born in 1888 in Piraeus in the Attica prefecture (then Attica-Viotia) and went to school there. His first art teacher was Konstantinos Volanakis. In 1906, he moved to Paris, where he studied shipbuilding, and also attended the art school there. Between 1913 and 1926, he had three one-man shows (two in Paris and one in London) and took part in many group exhibits. He returned to Greece in 1926 and lived in Athens. He studied there in "Parnassos". In 1929, his last exhibit was shown at the Public Theatre in Piraeus. He died in Athens in 1933.
The British painter John Piper (1903–1992) was commissioned to paint scenes in the grounds of the palace during the 1980s. In 2012, an exhibition of the artist's work entitled "John Piper at Blenheim Palace" was held in a room at the palace to commemorate the 20th anniversary of Piper's death.
On 18 July 2009, with the death of Henry Allingham, Patch became the oldest surviving veteran and also the oldest man in the United Kingdom. Patch was the last trench veteran of World War I. The penultimate Western Front veteran, the 108-year-old Fernand Goux of France, who died on 9 November 2008, fought for 8 days. He came out unscathed, unlike Patch and the last Alpine Front veteran, 110-year-old Delfino Borroni of Italy, who died on 26 October 2008. Patch was also the last surviving Tommy, since the death on 4 April 2009 of Netherwood Hughes, who was still in training when the war ended. The last-but-one fighting Tommy, Harold Lawton, died on 24 December 2005. Claude Choules, the last remaining First World War naval veteran, died on 5 May 2011.
The war-weakened Apollinaire died of influenza during the Spanish flu pandemic of 1918. He was interred in the Père Lachaise Cemetery, Paris.
In his youth Apollinaire lived for a short while in Belgium, mastering the Walloon dialect sufficiently to write poetry, some of which has survived.Apollinaire is played by Seth Gabel in the 2018 television series "Genius", which focuses on the life and work of Pablo Picasso.
The prix Guillaume Apollinaire is a French poetry prize first awarded in 1941. It was named in honour of French writer Guillaume Apollinaire. It annually recognizes a collection of poems for its originality and modernity.
Wilhelm Albert Włodzimierz Apolinary Kostrowicki was born in Rome, Italy, and was raised speaking French, Italian, and Polish. He emigrated to France in his late teens and adopted the name Guillaume Apollinaire. His mother, born Angelika Kostrowicka, was a Polish noblewoman born near Navahrudak, Grodno Governorate (present-day Belarus). His maternal grandfather was a general in the Russian Imperial Army who was killed in the Crimean War. Apollinaire's father is unknown but may have been Francesco Costantino Camillo Flugi d'Aspermont (born 1835), a Graubünden aristocrat who disappeared early from Apollinaire's life. Francesco Flugi von Aspermont was a nephew of Conradin Flugi d'Aspermont (1787–1874), a poet who wrote in ladin putèr (an official language dialect of Switzerland spoken in Engiadina ota), and perhaps also of the Minnesänger Oswald von Wolkenstein (born c. 1377, died 2 August 1445; see "Les ancêtres Grisons du poète Guillaume Apollinaire" at Généanet).