Instruct: Given a question, retrieve relevant documents that can help answer the question.
Query: When did calypso music become popular in the U.S.?
Calypso music enjoyed a brief period of popularity in other parts in the world during the 1950s. Trinidadian expatriate Lord Kitchener had helped popularize calypso in England, and Sparrow also found some success there. In the United States, interest in calypso was sparked largely by Harry Belafonte's 1956 album "Calypso", the first LP to sell over one million copies. In January 1958, Sparrow, along with longtime rival Lord Melody, travelled to New York City seeking access to the American music audience. Sparrow had already been recording with Balisier and Cook Records, and with Belafonte's help he also began to record for RCA Victor. He did not achieve the success he had hoped for; he said in a 2001 interview, "When nothing happened for me, I went back to England and continued on with my career."
The beginning of the sound era itself is ambiguously defined. To some, it began with "The Jazz Singer", which was released in 1927 and increased box-office profits for films, as sound was introduced to feature films. To others, the era began in 1929, when the silent age had definitively ended. Most Hollywood pictures from the late 1920s to 1960s adhered closely to a genre—Western, slapstick comedy, musical, animated cartoon, and biopic (biographical picture)—and the same creative teams often worked on films made by the same studio. For instance, Cedric Gibbons and Herbert Stothart always worked on MGM films; Alfred Newman worked at Twentieth Century Fox for twenty years; Cecil B. DeMille's films were almost all made at Paramount Pictures; and director Henry King's films were mostly made for Twentieth Century Fox. Similarly, actors were mostly contract players. Film historians and critics note that it took about a decade for films to adapt to sound and return to the level of artistic quality of the silents, which it did in the late 1930s.
On January 4, 1936, "Billboard" magazine published its first music hit parade. The first Music Popularity Chart was calculated in July 1940. A variety of song charts followed, which were eventually consolidated into the Hot 100 by mid-1958. The Hot 100 currently combines single sales, radio airplay, digital downloads, and streaming activity (including data from YouTube and other video sites). All of the "Billboard" charts use this basic formula. What separates the charts is which stations and stores are used; each musical genre has a core audience or retail group. Each genre's department at "Billboard" is headed up by a chart manager, who makes these determinations.
It is a widely accepted fact by now that the invention of the recordable cassette by the Philips Corporation and the commercial cassette distribution network in the Tel Aviv train station had a large impact on the popularity of Mediterranean Israeli music. Cassettes allowed the Mizrahi population create and distribute their own music within their communities. They also allowed for more musical integration. One could have Umm Kulthum and a neighbor who is an emerging singer.
Cassette tapes were a predominant factor in the growth of Mediterranean Israeli music in the 1970s. After first being a favorite at community celebrations, such as weddings and birthdays, the recording of one particular wedding party became a desired commodity in the Mizrahi ma'abarot ("transit camp"). These cassettes are what caused ethnomusicologist Amy Horowitz to start researching this blossoming new music style.
Originated in Bahia, but developed in Rio de Janeiro between the end of the 19th century and the first years of the 20th century, the samba is still one of the most popular music styles of Brazil. From intimate samba-canções (samba songs) sung in bars to explosive drum parades performed during carnival, samba always evokes a warm and vibrant mood. In the 1930s, a group of musicians led by Ismael Silva founded in the neighborhood of Estácio de Sá the first samba school, Deixa Falar. They transformed the musical genre to make it fit better the carnival parade. In this decade, the radio spread the genre's popularity all around the country, and with the support of the nationalist dictatorship of Getúlio Vargas, samba became Brazil's "official music."
Blaxploitation or blacksploitation is an ethnic subgenre of the exploitation film that emerged in the United States during the early 1970s. The films, though receiving backlash for stereotypical characters, are among the first in which black characters and communities are the heroes and subjects of film and television, rather than sidekicks or villains or victims of brutality. The genre's inception coincides with the rethinking of race relations in the 1970s.
Audiences at the time of "Steamboat Willie"'s release were reportedly impressed by the use of sound for comedic purposes. Sound films or "talkies" were still considered innovative. The first feature-length movie with dialogue sequences, "The Jazz Singer" starring Al Jolson, was released on October 6, 1927. Within a year of its success, most United States movie theaters had installed sound film equipment. Walt Disney apparently intended to take advantage of this new trend and, arguably, managed to succeed. Most other cartoon studios were still producing silent products and so were unable to effectively act as competition to Disney. As a result, Mickey would soon become the most prominent animated character of the time. Walt Disney soon worked on adding sound to both "Plane Crazy" and "The Gallopin' Gaucho" (which had originally been silent releases) and their new release added to Mickey's success and popularity. A fourth Mickey short, "The Barn Dance", was also put into production; however, Mickey does not actually speak until "The Karnival Kid" in 1929 when his first spoken words were "Hot dogs, Hot dogs!" After "Steamboat Willie" was released, Mickey became a close competitor to Felix the Cat, and his popularity would grow as he was continuously featured in sound cartoons. By 1929, Felix would lose popularity among theater audiences, and Pat Sullivan decided to produce all future Felix cartoons in sound as a result. Unfortunately, audiences did not respond well to Felix's transition to sound and by 1930, Felix had faded from the screen.
Chappelle was born in Jacksonville, Florida, the son of Lewis Chappelle and his wife Anna, who had been slaves in Newberry County, South Carolina. After slavery was abolished, they left South Carolina with their relatives and other freed slaves to help construct the suburban neighborhood of LaVilla in Jacksonville, which became a center of African-American culture in Florida. Lewis Chappelle and his brother Mitchell Chappelle worked on house construction and also held several political positions in LaVilla. Their other brother Julius Caesar Chappelle, Pat's uncle, also worked in construction in LaVilla and then moved to Boston, Massachusetts, where he became a legislator between 1883 and 1886, one of the early black Republicans in Boston (the Republican Party was founded by abolitionists).
Pat Chappelle was musically gifted. He and his brothers and cousin learned musical skills from some of their relatives – Pat learned how to play the guitar and piano, but was best known for his proficiency in banjo. He left school after the fourth grade and played guitar in traveling string bands. He started playing in hotels on the East Coast and was discovered by a prestigious vaudeville circuit owner, Benjamin Franklin Keith, who offered him bookings with the Museum circuit in Boston and New York City. Later, he performed in Florida restaurants and saloons.
In August 1969, the Woodstock Music and Art Fair took place in Bethel, New York, which for many, exemplified the best of hippie counterculture. Over 500,000 people arrived to hear some of the most notable musicians and bands of the era, among them Canned Heat, Richie Havens, Joan Baez, Janis Joplin, The Grateful Dead, Creedence Clearwater Revival, Crosby, Stills, Nash & Young, Carlos Santana, Sly & The Family Stone, The Who, Jefferson Airplane, and Jimi Hendrix. Wavy Gravy's Hog Farm provided security and attended to practical needs, and the hippie ideals of love and human fellowship seemed to have gained real-world expression. Similar rock festivals occurred in other parts of the country, which played a significant role in spreading hippie ideals throughout America.
Music therapy has existed in its current form in the United States since 1944 when the first undergraduate degree program in the world was begun at Michigan State University and the first graduate degree program was established at the University of Kansas. The American Music Therapy Association (AMTA) was founded in 1998 as a merger between the National Association for Music Therapy (NAMT, founded in 1950) and the American Association for Music Therapy (AAMT, founded in 1971). Numerous other national organizations exist, such as the Institute for Music and Neurologic Function, Nordoff-Robbins Center For Music Therapy, and the Association for Music and Imagery. Music therapists use ideas from different disciplines such as speech and language, physical therapy, medicine, nursing, and education.
In 1956 "Billboard" magazine published three charts covering the best-performing country music songs in the United States. At the start of the year, the charts were published under the titles Most Played in Juke Boxes, Best Sellers in Stores, and Most Played By Jockeys, with the genre denoted in an overall page heading. With effect from the issue of "Billboard" dated June 30, the genre was added to the specific titles of the charts, which were thus published as Most Played C&W in Juke Boxes, C&W Best Sellers in Stores, and Most Played C&W By Jockeys, the C&W standing for "country and western". All three charts are considered part of the lineage of the current Hot Country Songs chart, which was first published in 1958.
In the early 1880s, Hayden helped bring Julius Caesar Chappelle into republican politics. Chappelle was a popular Republican legislator from 1883 to 1886 of Ward 9 that included the Beacon Hill area of Boston, MA. According to the "Boston Daily Globe" obituary of Julius C. Chappelle who died in 1904, when Chappelle lived in the "West End, he attracted the attention of the late Lewis Hayden, who brought him (Julius Caesar Chappelle) into the republican ranks of old ward 9, as a registrar for the colored voters in that ward." Chappelle was very successful in registering voters, and Chappelle later won several elections to the Boston legislature. Chappelle was also an alternate to the Republican National Convention that nominated James G. Blaine, and Chappelle was the only African-American on the Republican Senate Committee. During the Crispus Attucks monument unveiling in 1888, when Hayden could not attend due to frail health, Chappelle was president of the senate and along with others at the event gave homage to Hayden. .
The Imperial Choral Capella was founded and modeled after the royal courts of other European capitals.
Saint Petersburg has been home to the newest movements in popular music in the country. The first jazz band in the Soviet Union was founded here by Leonid Utyosov in the 1920s, under the patronage of Isaak Dunayevsky. The first jazz club in the Soviet Union was founded here in the 1950s and was later named jazz club Kvadrat. In 1956 the popular ensemble Druzhba was founded by Aleksandr Bronevitsky and Edita Piekha to become the first popular band in the USSR during the 1950s. In the 1960s student rock-groups Argonavty, Kochevniki and others pioneered a series of unofficial and underground rock concerts and festivals. In 1972 Boris Grebenshchikov founded the band Aquarium, which later grew to huge popularity. Since then "Peter's rock" music style was formed.
Though spoken recordings were popular in 33⅓ vinyl record format for schools and libraries into the early 1970s, the beginning of the modern retail market for audiobooks can be traced to the wide adoption of cassette tapes during the 1970s. Cassette tapes were invented in 1963 and a few libraries, such as the Library of Congress, began distributing books on cassette by 1969. However, during the 1970s, a number of technological innovations allowed the cassette tape wider usage in libraries and also spawned the creation of new commercial audiobook market. These innovations included the introduction of small and cheap portable players such as the Walkman, and the widespread use of cassette decks in cars, particularly imported Japanese models which flooded the market during the multiple energy crises of the decade.
The use of music to soothe grief has been used since the time of David and King Saul. In I Samuel, David plays the Lyre in order to make King Saul feel relieved and better. It has since been used all over the world for treatment of various issues, though the first recorded use of official "music therapy" was in 1789 - an article titled "Music Physically Considered" by an unknown author was found in "Columbian Magazine". The creation and expansion of music therapy as a treatment modality thrived in the early to mid 1900's and while a number of organizations were created, none survived for long. It wasn't until 1950 that the National Association for Music Therapy was founded in New York that clinical training and certification requirements were created. In 1971, the American Association for Music Therapy was created, though at that time called the Urban Federation of Music Therapists. The Certification Board for Music Therapists was created in 1983 which strengthened the practice of music therapy and the trust that it was given. In 1998, the American Music Therapy Association was formed out of a merger between National and American Associations and is now the single largest music therapy organization in the world (American music therapy, 1998–2011). More about the history along with general information and application of music therapy can be found on the American Music Therapy Association website.
Julius Caesar Chappelle (1852–1904) was an African-American politician born into slavery in South Carolina. After the American Civil War, he lived for a time with his family in LaVilla, Florida, helping develop the new town. In 1870, he was one of numerous Southern black migrants to Boston, Massachusetts, which had a thriving black community and strong abolitionist history. He later joined the Republican Party that was founded by abolitionists, and Chappelle was elected to two terms in the Massachusetts state legislature, serving 1883-1886. Julius Caesar Chappelle was also the first African-American to serve on the Massachusetts State Senate Committee where he served three terms. Chappelle was active in supporting civil rights, trying to reduce discrimination, and consumer affairs. His speeches were frequently covered by newspapers. Throughout his life and political career, he held secondary supervisory government positions in maintenance, such as at the United States Post Office and US Boston Custom House. Although Julius Caesar Chappelle may have graced the same pages in newspapers as Frederick Douglass, Chappelle is not as well known because he is not known to have left much of a literary footprint such as writing manuscripts or for pamphlets.
WODS began as WEEI-FM in 1948, under the ownership of CBS. It ran CBS's "The Young Sound" format beginning in 1965 after Federal Communications Commission (FCC) regulations forced it to cease to be a 24-hour simulcast of the AM side (WEEI 590, now WEZE). "The Young Sound" was an easy listening format focusing on instrumental versions of recent pop tunes, which aired on many of CBS's FM owned-and-operated stations. By 1969, "The Young Sound" had evolved to a Top 40/AOR hybrid format, voice tracked on WEEI-FM by Dick Provost. In late 1972, WEEI-FM flipped to an adult contemporary format. The station evolved into its famous "Soft Rock" format in 1977, which remained in place until 1982 when it flipped to a Top 40 format. (During the Soft Rock years, WEEI-FM would only play the softer hits by Rock-oriented artists. Artists heard only on Top 40 stations were not aired.) By 1981, all of the other owned-and-operated CBS FM radio stations employed the "Hot Hits" format except for WCBS-FM in New York City. Unlike its sister stations, though, WEEI-FM played hits from the past several years as well as the hits of the current day.
What became the genesis of the Bosstown Sound is said to exist, at least in rudimentary form, as early as June 1967, when journalist Mel Lyman's first issue of "Avatar" was pressed. His newspaper carried an advertisement promoting a scheduled event, headlined by two of Boston's earliest psychedelic rock bands, Ill Wind and the Hallucinations, at the Boston Tea Party. Ill Wind and the Hallucinations' performances helped establish the Boston Tea Party as a must-go-to venue for the city's psychedelic scene, and soon other like-minded musical acts -- among them the Velvet Underground, the Peanut Butter Conspiracy, and Lothar and the Hand People -- became frequent attractions. Journalist Earl Greyland, described the Boston Tea Party's importance in "Boston After Dark": "[It] occurred on March 15, 1968, when, as the staid WBCN audience sat listening to its usual Muzak, the voice of Frank Zappa asked, 'Are you hung up?' and Cream launched into 'I Feel Free'. That was the beginning of the "American Revolution", a daily seven-hour program originating from the dressing room of the Tea Party. The combination of providing an established performance setting and radio exposure made the Tea Party a gig second in importance only to the Fillmore". Other psychedelic venues that contributed to the promotion of the underground music scene in Boston include the Psychedelic Supermarket, the Crosstown Bus, the Catacombs, and the Unicorn.
"Capitol" debuted on CBS in 1982 in 8th place in the ratings, roughly the same as "Search for Tomorrow" had done. "Capitol" remained in the middle of the ratings pack throughout its five-year run ranking between 7th and 9th, with its best ratings points of 6.4 achieved in the 1983-1984 television season, in which it ranked 8th. In 1985, ratings fell slightly from a 5.8 to a 5.1, prompting some CBS affiliates to drop the show. CBS subsequently canceled the show and replaced it with "The Bold and the Beautiful" on March 23, 1987. However, CBS put "The Bold and the Beautiful" in the 1:30/12:30 timeslot, bumping "As the World Turns" to 2/1. "The Bold and the Beautiful" became both CBS' and America's second-highest rated soap opera, but its ratings never surpassed "Capitol" ratings peak.
Simon Reynolds has said that "what we now know as indie music was invented in Scotland," with reference to the emergence of Postcard Records in 1979. However, some have posited that concept of indie music did not crystallise until the late 1980s and early 1990s. American indie pop band Beat Happening's 1985 eponymous debut album was also influential in the development of the indie pop sound, particularly in North America. In the early 1990s, English indie pop influenced and branched off to a variety of styles. The US, which did not have as much of a scene in the 1980s, had many indie pop enthusiasts by the mid 1990s. Most of the modern notion of indie music stems from "NME"s 1986 compilation "C86", which collects many guitar bands who were inspired by the early psychedelic sounds of 1960s garage rock.
"Time Magazine" reported in 1953 that "Oh Happy Day" had a "folklike origin: Donnie heard it sung by an Ohio State girlfriend, who had picked it up on the campus. Donnie worked it out on his guitar, changed it a bit, wrote some lyrics, sang it at parties and prudently got it copyrighted.." Six weeks later, while "Oh Happy Day" was still on the pop charts, the "Washington Post" reported that Nancy Binns Reed, a 28-year-old housewife, had filed a lawsuit to prove that she wrote the song. Represented by Lee Eastman (father of Linda McCartney), a New York copyright and show business attorney, Mrs. Reed obtained affidavits from persons who had heard her singing the song when serving as a counselor at various camps and when she attended the University of California in the 1940s. She stated that many campers and high school and college friends had learned the song. The lawsuit resulted in an out-of-court cash settlement along with an agreement that Mrs. Reed and Mr. Kaplow share equal credit for the song's words and music. "Music Views" magazine reported in its June 1953 edition that Kaplow's girlfriend had graduated from a girl's camp, where Ms. Reed had served as a counselor.
Calypso is part of a spectrum of similar folk and popular Caribbean styles that spans benna and mento, but remains the most prominent genre of Lesser Antillean music. Calypso's roots are somewhat unclear, but we know it can be traced to 18th-century Trinidad and other Caribbean islands like Saint Lucia. Modern calypso, however, began in the 19th century, a fusion of disparate elements ranging from the masquerade song "lavway", French Creole "belair" and the stick fighting chantwell. Calypso's early rise was closely connected with the adoption of Carnival by Trinidadian slaves, including camboulay drumming and the music masquerade processions. Popular calypso arose in the early 20th century, with the rise of internationally known calypsonians like Attila the Hun and Roaring Lion. calypso remained popular throughout the Caribbean in the later 20th century, the islands began producing calypso stars. In the 1970s, a calypso variant called soca arose, characterized by a focus on dance rhythms rather than lyricism. Soca has since spread across the Caribbean and abroad.
Lord Mouse and the Kalypso Katz was a Calypso band in the city of Berlin, and one of the few on the continent of Europe. It was formed to bring public awareness of the style to countries across Europe, but later gained a healthy following in Russia and Japan, as well.
The musical style, originally from the island of Trinidad, began in earnest in the mid- 1920s, when it was first recorded, and grew in popularity in the United States in the 1950s through the work of Harry Belafonte. Since then, the genre has been all but forgotten in Europe. From the inception of the band the genre has become slowly recognized as a legitimate and dance-worthy musical form within the continent, spreading from Berlin outwards.
Although the band was based in Berlin, the members came from all over the world, including the U.S., Russia, England, Australia, Brazil, Poland, France, Italy, Finland, and of course, Germany.
The band stayed within the classic sound of the 1920s and 1930s as possible, while still utilizing modern recording techniques. While much of its work is original, there are also covers, used as a reference point, by such calypso heavyweights as Roaring Lion, Young Tiger, Caresser and Lord Invader.
Calypso's early rise was closely connected with the adoption of Carnival by Trinidadian slaves, including canboulay drumming and the music masquerade processions. The French brought Carnival to Trinidad, and calypso competitions at Carnival grew in popularity, especially after the abolition of slavery in 1834. From Trinidad, the carnival, calypso and steel pan spread to the entire English speaking Caribbean islands. Calypso in the Caribbean includes a range of genres, including: the Benna genre of Antiguan and Barbudan music; Mento, a style of Jamaican folk music that greatly influenced ska and reggae; Ska, the precursor to rocksteady and reggae; Spouge, a style of Barbadian popular music.
During the 1970s, calypso's popularity waned throughout the world, including the Caribbean. Derivatives include an uptempo version of Calypso music called soca, and a hip-hop-influenced style called rapso both became popular in Trinidad and other islands. Soca was by the more influential in terms of international sales, since rapso's crossover appeal to mainstream tastes has been extremely limited. Old-time calypsonians and purists, however, preferred rapso's continuation of the lyrical ambidexterity that helped make calypso the world-famous, innovative art form it has become; many criticized soca's perceived watering-down of calypso, including veteran calypsonians such as Chalkdust, who asked: "Are we to put water in the brandy, singing just two or three words [that mainstream audiences] can understand and dance to?" Indo-Trinidadians began popularising chutney music during the same time period. In the mid-1970s, artists like Sundar Popo made the music mainstream.