Instruct: Given a question, retrieve relevant documents that answer the question.
Query: When was written music first developed?
The Medieval period includes music from after the fall of Rome to about 1400. Monophonic chant, also called plainsong or Gregorian chant, was the dominant form until about 1100. Catholic monks developed the first forms of modern European musical notation in order to standardize liturgy throughout the worldwide Church. Polyphonic (multi-voiced) music developed from monophonic chant throughout the late Middle Ages and into the Renaissance, including the more complex voicings of motets. The Renaissance era was from 1400 to 1600. It was characterized by greater use of instrumentation, multiple interweaving melodic lines, and the use of the first bass instruments. Social dancing became more widespread, so musical forms appropriate to accompanying dance began to standardize. It is in this time that the notation of music on a staff and other elements of musical notation began to take shape. This invention made possible the separation of the composition of a piece of music from its "transmission"; without written music, transmission was oral, and subject to change every time it was transmitted. With a musical score, a work of music could be performed without the composer's presence. The invention of the movable-type printing press in the 15th century had far-reaching consequences on the preservation and transmission of music.
In the 12th century, a development in teaching and learning music in a more efficient manner had arisen. Guido of Arezzo's alleged development of the Guidonian hand, more than a hundred years after his death, allowed for musicians to label a specific joint or fingertip with the gamut (also referred to as the hexachord in the modern era). Using specific joints of the hand and fingertips transformed the way one would learn and memorize solmization syllables. Not only did the Guidonian hand become a standard use in preparing music in the 12th century, its popularity grew more widespread well into the 17th and 18th century. The knowledge and use of the Guidonian hand would allow a musician to simply transpose, identify intervals, and aid in use of notation and the creation of new music. Musicians were able to sing and memorize longer sections of music and counterpoint during performances and the amount of time spent diminished dramatically.
The musical style which developed from these early experiments was called monody. In the 1590s, monody developed into a vehicle capable of extended dramatic expression through the work of composers such as Jacopo Peri, working in conjunction with poet Ottavio Rinuccini. In 1598, Peri and Rinuccini produced "Dafne", an entire drama sung in monodic style: this was the first creation of a new form called "opera". Though Peri's Dafne was the first performed opera, its music has been lost to the centuries. Instead, L'Euridice, his second opera is most-often heralded as the history-making work. The new form of opera also borrowed, especially for the librettos, from an existing pastoral poetic form called the intermedio; it was mainly the musical style that was new. The instrumentation for an opera from the Camerata composers (Caccini and Peri) was written for a handful of gambas, lutes, and harpsichord or organ for continuo.
Possibly the oldest surviving music from Sussex is the 14th century Robertsbridge Codex which contains six pieces of music. This manuscript contains one of the earliest pieces of music specifically written for the keyboard. The Robertsbridge Codex is also the earliest evidence of two handed, polyphonic organ music and dates from around 1325.
Writing systems developed in East Asia include Chinese and Japanese writing systems. Chinese characters represent whole morphemes rather than individual sounds, and consequently are visually far more complex than European scripts; in some cases their pictographic origins are still visible. The earliest form of Chinese was written on bones and shells (called Jiaguwen) in the fourteenth century BC. Other writing surfaces used during this time included bronze, stone, jade, pottery, and clay, which became more popular after the twelfth century BC. Greater Seal script (Dazhuan) flourished during 1100 BC and 700 BC and appeared mainly in bronze vessels. Lesser Seal script (Xiaozhuan) is the precursor of modern complex Chinese script, which is more stylized than the Greater Seal.
A rota is a form of round, known to have been used from the thirteenth century in England. The earliest surviving piece of composed music in the British Isles, and perhaps the oldest recorded folk song in Europe, is a rota: a setting of 'Sumer Is Icumen In' ('Summer is a-coming in'), from the mid-thirteenth century, possibly written by W. de Wycombe, precentor of the priory of Leominster in Herefordshire, and set for six parts. Although few are recorded, the use of rotas seems to have been widespread in England and it has been suggested that the English talent for polyphony may have its origins in this form of music.
Shakespeare's sonnets were published in 1609 and were the last of his non-dramatic works to be composed. It is not certain when each of the sonnets were written but there is evidence to suggest that Shakespeare wrote his sonnets on a private scale. William Wordsworth even suggests that the sonnets were how Shakespeare "unlocked his heart". There are only two sonnets that Shakespeare writes that are specifically about music, and those are Sonnet 8 and Sonnet 128. No one is certain if Shakespeare wrote the sonnets in order or if they should form a complete sequence. However it is clear that they offer an insight that "Shakespeare's capacity to represent the imaginative states of other people".
The Water Music is a collection of orchestral movements, often published as three suites, composed by George Frideric Handel. It premiered on 17 July 1717, in response to King George I's request for a concert on the River Thames.
More complete writing systems were preceded by proto-writing. Early examples are the Jiahu symbols (c. 6600 BCE), Vinča signs (c. 5300 BCE), early Indus script (c. 3500 BCE) and Nsibidi script (c. before 500 CE). There is disagreement concerning exactly when prehistory becomes history, and when proto-writing became "true writing" However, invention of the first writing systems is roughly contemporary with the beginning of the Bronze Age in the late Neolithic of the late 4th millennium BCE. The Sumerian archaic cuneiform script and the Egyptian hieroglyphs are generally considered the earliest writing systems, both emerging out of their ancestral proto-literate symbol systems from 3400–3200 BCE with earliest coherent texts from about 2600 BCE.
Musical glasses were documented in Persia in the 14th century. The glass harp was created in 1741 by Irishman Richard Pockrich, who is known as the first virtuoso of the musical glasses. Pockrich called his instrument the "angelic organ" and it was played with sticks, rather than by rubbing the glasses with a moistened finger. It was reported in 1760 that, "Pockrich played Handel's "Water Music" on the glasses." His successful concert career was brought to a premature end by a fire in which both the inventor and instrument perished in 1759.
Music was an important part of social and cultural life in Ancient Greece. We know that composers wrote notated music during the Ancient Greek era because scholars have found the Seikilos epitaph. The epitaph, written around 200 BC to around AD 100 is the oldest surviving example of a complete musical composition, including musical notation, in the world. The song, the melody of which is recorded, alongside its lyrics, in the ancient Greek musical notation, was found engraved on a tombstone, a stele, near Aydın, Turkey (not far from Ephesus). It is a Hellenistic Ionic song in either the Phrygian octave species or Iastian tonos.
Writing was introduced by the Greeks and from there also brought to the Romans (6th century BC). There are five alphabets in regular use in the areas generally considered Europe. The Latin alphabet was developed into several scripts. In the early years of Europe, the Carolingian minuscules were the most important variety of the Latin script. From this two branches developed, the Gothic/Fracture/German tradition, which Germans used well into the 20th century, and the Italian/Italic/Antiqua/Latin tradition, still used. For some nations the integration into Europe meant giving up older scripts, e.g. the Germanic gave up the runes (Futhark) (3rd to 17th centuries), the Irish the Ogham script (4th to 7th centuries). The Cyrillic script is the second most widespread alphabet in Europe, and was developed in the 9th century under the influence of the Greek, Latin and Glagolitic alphabets. Both the Latin and Cyrillic alphabets are used for multiple languages in multiple states, both inside and outside Europe. As well as these two, there are three alphabets used primarily for a single language, although they are occasionally applied to minority languages in the states from which they originate. The oldest of these alphabets is the Greek alphabet, which could be considered the progenitor of all the surviving alphabets of Europe, with the earliest recorded inscriptions appearing in the 9th century BC. The other two are both found in the Caucasus, both originating in the 5th century. The Georgian alphabet is used primarily to write Georgian, though it is also used to write the other Kartvelian languages, Svan, Mingrelian and Laz, all of which are found largely within the borders of Georgia. The Armenian alphabet is used to write the Armenian language, which has two dialects, and has been used to write Turkish in the past.
The compositions that Beethoven wrote in his formative period can be generally characterized by the composer's efforts to master the predominant classical language of the period. His works from this period can be subdivided into two, based on the composer's residence. First, various juvenalia, written when the adolescent Beethoven was in residence in Bonn and heavily indebted to the works of contemporaries, especially Mozart and his teacher, Christian Gottlob Neefe. These early efforts can be seen in a set of three piano sonatas and piano quartets (WoO 36) that Beethoven wrote before 1792. The Quartets, for instance, are each specifically modelled after three Violin sonatas Mozart published in 1781 – K 296, 379 and 380 – and Beethoven would later draw upon this familiarity in the composition of several of his own Violin Sonatas.
Ludwig van Beethoven wrote his 32 piano sonatas between 1795 and 1822. Although originally not intended to be a meaningful whole, as a set they compose one of the most important collections of works in the history of music. Hans von Bülow called them "The New Testament" of the piano literature (Johann Sebastian Bach's "The Well-Tempered Clavier" being "The Old Testament").
Sumer in Mesopotamia, the Indus valley civilization and ancient Egypt were the first civilizations to develop their own scripts, and to keep historical records; this took place already during the early Bronze Age. Neighboring civilizations were the first to follow. Most other civilizations reached the end of prehistory during the Iron Age. The three-age system of division of prehistory into the Stone Age, followed by the Bronze Age and Iron Age, remains in use for much of Eurasia and North Africa, but is not generally used in those parts of the world where the working of hard metals arrived abruptly with contact with Eurasian cultures, such as the Americas, Oceania, Australasia and much of Sub-Saharan Africa. These areas also, with some exceptions in Pre-Columbian civilizations in the Americas, did not develop complex writing systems before the arrival of Eurasians, and their prehistory reaches into relatively recent periods; for example 1788 is usually taken as the end of the prehistory of Australia.
By 1827, the family had returned to Leipzig. Wagner's first lessons in harmony were taken during 1828–31 with Christian Gottlieb Müller. In January 1828 he first heard Beethoven's 7th Symphony and then, in March, the same composer's 9th Symphony (both at the Gewandhaus). Beethoven became a major inspiration, and Wagner wrote a piano transcription of the 9th Symphony. He was also greatly impressed by a performance of Mozart's "Requiem." Wagner's early piano sonatas and his first attempts at orchestral overtures date from this period.
In the 14th century, this system was expanded to hexachords that would accommodate an increased use of signed accidentals. From this time onward, the use of such notes was called musica ficta.
Musical set theory provides concepts for categorizing musical objects and describing their relationships. Many of the notions were first elaborated by Howard Hanson (1960) in connection with tonal music, and then mostly developed in connection with atonal music by theorists such as Allen Forte (1973), drawing on the work in twelve-tone theory of Milton Babbitt. The concepts of set theory are very general and can be applied to tonal and atonal styles in any equally tempered tuning system, and to some extent more generally than that.
Bronze Age cultures differed in their development of the first writing. According to archaeological evidence, cultures in Mesopotamia (cuneiform script) and Egypt (hieroglyphs) developed the earliest viable writing systems.
The overall period is characterized by widespread use of bronze, though the place and time of the introduction and development of bronze technology were not universally synchronous. Human-made tin bronze technology requires set production techniques. Tin must be mined (mainly as the tin ore cassiterite) and smelted separately, then added to molten copper to make bronze alloy. The Bronze Age was a time of extensive use of metals and of developing trade networks (See "Tin sources and trade in ancient times"). A 2013 report suggests that the earliest tin-alloy bronze dates to the mid-5th millennium BC in a Vinča culture site in Pločnik (Serbia), although this culture is not conventionally considered part of the Bronze Age. The dating of the foil has been disputed.
The Water Music composed by George Frideric Handel premiered on 17 July 1717, when King George I requested a concert on the River Thames. The concert was performed for King George I on his barge and he is said to have enjoyed it so much that he ordered the 50 exhausted musicians to play the suites three times on the trip.
The early Byzantine church developed a system of eight musical modes (the octoechos), which served as a model for medieval European chant theorists when they developed their own modal classification system starting in the 9th century. The success of the Western synthesis of this system with elements from the fourth book of "De institutione musica" of Boethius, created the false impression that the Byzantine octoechos was inherited directly from ancient Greece.
In the first quarter of the 19th century alone, 10,000 pieces of popular music were printed by U.S. publishers. The industry, however, did nothing to promote music or develop writers. Songs became popular by word-of-mouth. Most minstrel troupes and professional singers wrote their own music or had songs written to order. Stephen Foster was the first composer who tried to make a living as an independent professional songwriter but, in the 1850s, copyright protection was so lax and royalties so small (or non-existent) that he found himself living in poverty. This changed only gradually as young men involved in other business enterprises began to perceive the possibilities for enrichment in song publishing.
In early 20th-century American musical theater, the first musicals written and produced by African Americans debuted on Broadway in 1898 with a musical by Bob Cole and Billy Johnson. In 1901, the first recording of black musicians was of Bert Williams and George Walker, featuring music from Broadway musicals. Theodore Drury helped black artists develop in the opera field. He founded the Drury Opera Company in 1900 and, although he used a white orchestra, he featured black singers in leading roles and choruses. Although this company was only active from 1900 to 1908, black singers' opportunities with Drury marked the first black participation in opera companies. Also significant is Scott Joplin's opera "Treemonisha", which is unique as a ragtime-folk opera; it was first performed in 1911.
Born in Pimlico, London, he made his first onstage appearance at the age of seven. He was an apprentice in a boat building business before becoming a professional entertainer in 1888, making his first appearances in pantomimes and minstrel shows. By 1895 he had become a leading music hall entertainer, appearing at the Middlesex Music Hall in London and developing an act that was considered somewhat risqué for the time. Described as a "low comedian", his popular songs (written by others) included "A Little Bit Off the Top", "The Cock of the North", and "When I Get Some Money".
Music publishing using machine-printed sheet music developed during the Renaissance music era in the mid-15th century. The development of music publication followed the evolution of printing technologies that were first developed for printing regular books. After the mid-15th century, mechanical techniques for printing sheet music were first developed. The earliest example, a set of liturgical chants, dates from about 1465, shortly after the Gutenberg Bible was printed. Prior to this time, music had to be copied out by hand. To copy music notation by hand was a very costly, labor-intensive and time-consuming process, so it was usually undertaken only by monks and priests seeking to preserve sacred music for the church. The few collections of secular (non-religious) music that are extant were commissioned and owned by wealthy aristocrats. Examples include the Squarcialupi Codex of Italian Trecento music and the Chantilly Codex of French Ars subtilior music.