Instruct: Given a question, retrieve relevant documents that answer the question.
Query: Where was Jacques-Louis David born?
Jacques-Louis David was born into a prosperous French family in Paris on 30 August 1748. When he was about nine his father was killed in a duel and his mother left him with his well-off architect uncles. They saw to it that he received an excellent education at the Collège des Quatre-Nations, University of Paris, but he was never a good student-- he had a facial tumor that impeded his speech, and he was always preoccupied with drawing. He covered his notebooks with drawings, and he once said, "I was always hiding behind the instructor's chair, drawing for the duration of the class". Soon, he desired to be a painter, but his uncles and mother wanted him to be an architect. He overcame the opposition, and went to learn from François Boucher (1703–1770), the leading painter of the time, who was also a distant relative. Boucher was a Rococo painter, but tastes were changing, and the fashion for Rococo was giving way to a more classical style. Boucher decided that instead of taking over David's tutelage, he would send David to his friend, Joseph-Marie Vien (1716–1809), a painter who embraced the classical reaction to Rococo. There, David attended the Royal Academy, based in what is now the Louvre.
King Louis XIV, son of Louis XIII, was only five years old when his father died. It was 20 years later, in 1661, when Louis XIV commenced his personal reign, that the young king showed interest in Versailles. The idea of leaving Paris, where, as a child, he had experienced first-hand the insurrection of the Fronde, had never left him. Louis XIV commissioned his architect Le Vau and his landscape architect Le Nôtre to transform the castle of his father, as well as the park, in order to accommodate the court. In 1678, after the Treaty of Nijmegen, the king decided that the court and the government would be established permanently in Versailles, which happened on 6 May 1682.
It is possible that the "David" was conceived as a political statue before Michelangelo began to work on it. Certainly David the giant-killer had long been seen as a political figure in Florence, and images of the Biblical hero already carried political implications there. Donatello's bronze "David," made for the Medici family, perhaps 1440, had been appropriated by the Signoria in 1494, when the Medici were exiled from Florence, and the statue was installed in the courtyard of the Palazzo della Signoria, where it stood for the Republican government of the city. By placing Michelangelo's statue in the same general location, the Florentine authorities ensured that "David" would be seen as a political parallel as well as an artistic response to that earlier work. These political overtones led to the statue being attacked twice in its early days. Protesters pelted it with stones the year it debuted, and, in 1527, an anti-Medici riot resulted in its left arm being broken into three pieces.
Michelangelo returned to Florence in 1499. The republic was changing after the fall of its leader, anti-Renaissance priest Girolamo Savonarola, who was executed in 1498, and the rise of the "gonfaloniere" Piero Soderini. Michelangelo was asked by the consuls of the Guild of Wool to complete an unfinished project begun 40 years earlier by Agostino di Duccio: a colossal statue of Carrara marble portraying David as a symbol of Florentine freedom to be placed on the gable of Florence Cathedral. Michelangelo responded by completing his most famous work, the statue of David, in 1504. The masterwork definitively established his prominence as a sculptor of extraordinary technical skill and strength of symbolic imagination. A team of consultants, including Botticelli and Leonardo da Vinci, was called together to decide upon its placement, ultimately the Piazza della Signoria, in front of the Palazzo Vecchio. It now stands in the Academia while a replica occupies its place in the square.
Little is known of his early years, but Jacques de Molay was probably born in Molay, Haute-Saône, in the County of Burgundy, at the time a territory ruled by Otto III as part of the Holy Roman Empire, and in modern times in the area of Franche-Comté, northeastern France. His birth year is not certain, but judging by statements made during the later trials, was probably around 1250. He was born, as most Templar knights were, into a family of minor or middle-ranking nobility. It is suggested that he was dubbed a knight at age 21 in 1265 and is known that he was executed in 1314, aged about 70. If correct, these dates lead to the belief that he was born about 1244.
Louis XIV died in 1715, and the young new King, Louis XV, just five years old, and his government were moved temporarily from Versailles to Paris under the regency of Philippe II, Duke of Orléans. In 1722, when the King came of age, he moved his residence and the government back to Versailles, where it remained until the French Revolution in 1789. Louis XV remained faithful to the original plan of his great-grandfather, and made few changes to the exteriors of Versailles. His main contributions were the construction of the Salon of Hercules, which connected the main building of the Palace with the north wing and the chapel (1724–36); and the royal opera theater, designed by Ange-Jacques Gabriel, and built between 1769 and 1770. The new theater was completed in time for the celebration of the wedding of the Dauphin, the future Louis XVI, and Archduchess Marie Antoinette of Austria. He also made numerous additions and changes to the royal apartments, where he, the Queen, his daughters, and his heir lived. In 1738, Louis XV remodeled the king's "petit appartement" on the north side of the Cour de Marbre, originally the entrance court of the old château. He discreetly provided accommodations in another part of the palace for his famous mistresses, Madame de Pompadour and later Madame du Barry.
He was born at Pressano, in Tyrol, in 1736. He studied under Lorenzoni, an Italian artist and after travelling in Italy, Germany, Hungary, and France, he settled at Burghausen. estimated that della Croce painted 5000 portraits and 200 historical pictures. There are many altar-pieces painted by him in the churches of Bavaria. He died in 1819. His son, Clemens de La Croce, who was also a painter, was born at Burghausen in 1783 and died in 1823.
In 1758, a young Jacques-Jean le Coulteux du Molay (1740–1823), equerry to King Louis XV, and his wife Geneviéve –Sophie le Coulteux de la Noraye (painted below in 1788); built the chateau, his first large residence, in the heart of Normandy’s woodland countryside, close to Rouen, his birthplace. Jacques-Jean was a wealthy and well known banker, who had one son (Jacques Félix Le Coulteux du Molay was born Paris 29 June 1779 and died in Dijon 1 April 1812) with Genevieve before their divorce. During their time together they also bought the famous Malmaison near Paris – some of those styles are reflected in the chateau you now stand. Jacques-Jean later married Alexandrine Sophie Pauline Le Couteulx; the couple had three children.
The Galleria dell'Accademia has housed the original "David" by Michelangelo since 1873. The sculpture was allegedly brought to the Accademia for reasons of conservation, although other factors were involved in its move from its previous outdoor location on Piazza della Signoria. The original intention was to create a 'Michelangelo museum', with original sculptures and drawings, to celebrate the fourth centenary of the artist's birth. Today, the gallery's small collection of Michelangelo's work includes his four unfinished "Prisoners", intended for the tomb of Pope Julius II, and a statue of Saint Matthew, also unfinished. In 1939, these were joined by a "Pietà" discovered in the Barberini chapel in Palestrina, though experts now consider its attribution to Michelangelo to be dubious.
The Death of Socrates () is an oil on canvas painted by French painter Jacques-Louis David in 1787. The painting focuses on a classical subject like many of his works from that decade, in this case the story of the execution of Socrates as told by Plato in his "Phaedo". In this story, Socrates has been convicted of corrupting the youth of Athens and introducing strange gods, and has been sentenced to die by drinking poison hemlock. Socrates uses his death as a final lesson for his pupils rather than fleeing when the opportunity arises, and faces it calmly. The "Phaedo" depicts the death of Socrates and is also Plato's fourth and last dialogue to detail the philosopher's final days, which is also detailed in "Euthyphro", "Apology", and "Crito".
Joseph Emory Davis was born on December 10, 1784, near Augusta, Georgia. He was the oldest of the ten children of Samuel Davis and Jane (Cook) Davis. Samuel farmed in Georgia, but in 1793 the Davis family (by then consisting of the couple, four sons, and a daughter) set out for the newly formed state of Kentucky, where the land was more promising. In Kentucky four more daughters were born, and lastly son Jefferson in 1808. Joseph was 23 years older than Jefferson.
Michelangelo was born in Florence in 1475 and, like Leonardo, was a true Renaissance man. He was a sculptor, painter, architect, poet, and engineer who exerted an unparalleled influence on the development of Western art. He was considered the greatest living artist in his lifetime and, since then, one of the greatest artists of all time. His two best-known sculptures, the Pietà and David, are famous throughout the world. Michelangelo also created two of the most famous and influential frescoes in the history of Western art: the scenes from Genesis covering the ceiling of the Sistine Chapel, and The Last Judgment on the altar wall of the Chapel.
Upon the death of his maternal grandfather Louis XIV in 1715, his father (the old king's nephew) was selected to be the regent of the country for the five-year-old new king, Louis XV. The court was moved to Paris so his father could govern the country with the young king close by his side. Louis XV was installed in the Palais du Louvre opposite the Palais-Royal, the Paris home of the Orléans family. During the regency, Louis was seen as the "third personage of the kingdom" immediately after Louis XV and his own father, the Regent. He was formally admitted to the "Conseil de Régence" on 30 January 1718. Despite his father's wishes, though, Louis was never to play an overly public or political role in France. The following year, he was made the governor of the Dauphiné. He was not forced, however, to move there in order to fulfill his new duties. Later, he resigned. In 1720, he became "Grand Master of the Order of Saint-Lazare and Jerusalem". In 1721, under his father's influence, he was named "Colonel général de l'Infanterie" and held that post until 1730.
In the mid 1800s, small cracks were noticed on the left leg on "David" which can possibly be attributed to an uneven sinking of the ground under the massive statue.
The pose of Michelangelo's "David" is unlike that of earlier Renaissance depictions of David. The bronze statues by Donatello and Verrocchio represented the hero standing victorious over the head of Goliath, and the painter Andrea del Castagno had shown the boy in mid-swing, even as Goliath's head rested between his feet, but no earlier Florentine artist had omitted the giant altogether. According to Helen Gardner and other scholars, David is depicted before his battle with Goliath. Instead of being shown victorious over a foe much larger than he, David looks tense and ready for combat.
The proportions of the "David" are atypical of Michelangelo's work; the figure has an unusually large head and hands (particularly apparent in the right hand). The small size of the genitals, though, is in line with his other works and with Renaissance conventions in general, perhaps referencing the ancient Greek ideal of pre-pubescent male nudity. These enlargements may be due to the fact that the statue was originally intended to be placed on the cathedral roofline, where the important parts of the sculpture may have been accentuated in order to be visible from below. The statue is unusually slender (front to back) in comparison to its height, which may be a result of the work done on the block before Michelangelo began carving it.
Davis was born in the Bronx, New York City, the son of Doris (Meyer) Morell and Joseph G. Davis. Davis moved to California with his family as a child in 1954. He was the first of the family's five children: three boys and two girls. He was raised a Roman Catholic. Davis and his family were one of the millions of Americans to migrate to the southwest and California as part of the post-World War II sun belt migration.
Louis XV was the great-grandson of Louis XIV and the third son of the Duke of Burgundy (1682–1712), and his wife Marie Adélaïde of Savoy, the eldest daughter of Victor Amadeus II, Duke of Savoy. He was born in the Palace of Versailles on 15 February 1710. When he was born, he was named the Duke of Anjou. The possibility of his becoming King seemed very remote; the King's oldest son and heir, Louis "Le Grand Dauphin", Louis's father and his elder surviving brother were ahead of him in the succession. However, the Grand Dauphin died of smallpox on 14 April 1711. On 12 February 1712 the mother of Louis, Marie Adélaïde, was stricken with measles and died, followed on 18 February by Louis's father, the former Duke of Burgundy, who was next in line for the throne. On 7 March, it was found that both Louis and his older brother, the former Duke of Brittany, had the measles. The two brothers were treated in the traditional way, with bleeding. On the night of 8–9 March, the new Dauphin died from the combination of the disease and the treatment. The governess of Louis, Madame de Ventadour, would not allow the doctors to bleed Louis further; he was very ill but survived. When Louis XIV died on 1 September 1715, Louis, at the age of five, inherited the throne.
Louis XIV (Louis Dieudonné; 5 September 16381 September 1715), known as Louis the Great (') or the Sun King ('), was a monarch of the House of Bourbon who reigned as King of France from 1643 until his death in 1715. Starting on 14 May 1643 when Louis was 4 years old, his reign of 72 years and 110 days is the longest recorded of any monarch of a sovereign country in European history. In the age of absolutism in Europe, Louis XIV's France was a leader in the growing centralisation of power.
The "David and Goliath" in the Prado was painted in the early part of the artist's career, while he was a member of the household of Cardinal Francesco Maria Del Monte. It shows the Biblical David as a young boy (in accordance with the Bible story) fastening the head of the champion of the Philistines, the giant Goliath, by the hair. The light catches on David's leg, arm and flank, on the massive shoulders from which Goliath's head has been severed, and on the head itself, but everything else is dark. Even David's face is almost invisible in the shadows. A wound on Goliath's forehead shows where he has been felled by the stone from David's sling. The overwhelming impression is of some action intensely personal and private - no triumph, no armies, no victory.
Keith M. Davidson (born 1971) is a lawyer in private practice in Beverly Hills, California, United States; he currently resides near Lake Sherwood. While his practice began as criminal defense, he has since represented plaintiffs in civil torts such as medical malpractice, and managed professional boxers including Manny Pacquiao and James Toney. A native of Brockton, Massachusetts, he settled in Southern California after studying law at Whittier.
From 1715–1774 Louis XV was the ruling King of France. During his reign many people faced famine and other struggles, living in a society in need of reform. Louis the XV was criticized for his lack of leadership, which hindered necessary reforms from being made. In 1774 when his successor Louis XVI took the throne, he worked early on to restore order within the kingdom. One of the first things he did was appoint Jacques Turgot as the Minister of Finances.
It was moved there from its original location after the artist's death on 25 December 1825 where his body had been resting in the old churchyard of the St. Michael and St. Gudula collegiate church of the Leopold Quarter of Brussels while waiting for posthumous repatriation to France. However, as a notable participant of the Reign of Terror, his body was not accepted for repatriation, and the lead-lined oak casket was left where it was. Thanks to an initiative by Jobard, a monument was erected with the text "À Jacques-Louis David restaurateur de l'école moderne de peinture de France ici dessous" ("To Jacques-Louis David, restorer of the school of modern art of France, buried here"). In 1882 a grandson requested that the monument be moved to a more prominent location and the body was re-buried at the Mayor's circle in the city cemetery of Evere.
Jacques-Louis Copia, a French engraver, was born at Landau in 1764. He went to Paris, and among other plates executed a charming little portrait of Queen Marie Antoinette, after Piauger, which is very rare. He also engraved a head of Marat, terribly startling in its ghastliness, from a drawing made by David immediately after his assassination. But Copia is chiefly identified with Prud'hon, the voluptuous genius of whose works no one has more fully comprehended. It must, however, be admitted that, apart from the great painter, Copia would have remained hidden in the crowd. His style was neither original nor brilliant, and his rare qualities of modelling and softness of execution required works suitable for their display. He died in Paris in 1799, unfortunately too early to be able to engrave the greatest works of his friend. But among other pupils he left one, Roger, who caught his manner, and is thought by many to have surpassed his master in the interpretation of the spirit of Prud'hon.
Jean-Louis Laneuville was born in Paris as the natural son of J.B.M. Pierre Titon. His father was a prominent parliamentarian and rapporteur in the ‘’Affair of the Diamond Necklace". Little is known about his early training. He studied, at least briefly, with his contemporary Jacques-Louis David and exhibited at the open-air Exposition de la Jeunesse between 1783 and 1789. He started sending pictures to the official Salon after it was opened for non-academicians in 1791.
During the French Revolution (1789–95) Laneuville appears to have looked for patronage from the powerful political figures of his time. This is demonstrated by the fact that 8 of the 12 portraits he sent to the Salon of 1793 were politicians and in 1795 the numbers were four of the six. It is not clear whether he targeted these politicians because of his own political preferences or because he felt this was an untapped market.
When David was leaving a theater, a carriage struck him, and he later died, on 29 December 1825. At his death, some portraits were auctioned in Paris, they sold for little; the famous "Death of Marat" was exhibited in a secluded room, to avoid outraging public sensibilities. Disallowed return to France for burial, for having been a regicide of King Louis XVI, the body of the painter Jacques-Louis David was buried in Brussels and moved in 1882 to Brussels Cemetery, while some say his heart was buried with his wife at Père Lachaise Cemetery, Paris.