Instruct: Given a question, retrieve relevant documents that can help answer the question.
Query: Who wrote Frankenstein?
The Man Who Wrote Frankenstein is a 2007 book written and published by John Lauritsen, in which the author argues that the poet Percy Bysshe Shelley, not his wife Mary Shelley, is the real author of "Frankenstein" (1818), that the novel "has consistently been underrated and misinterpreted", and that its dominant theme is "male love". Lauritsen maintains that handwriting cannot be used to determine the actual author of "Frankenstein". His work received positive reviews in gay publications. However, some commentators in other publications rejected Lauritsen's views and supported the conventional view that "Frankenstein" was written by Mary Shelley.
Fisher's career changed direction permanently when Hammer asked him to direct "The Curse of Frankenstein" (1957), their first colour horror film. It was the company’s most important project to date, and Fisher was hand-picked by Hammer management to helm the movie as he had a reputation for reliability. Working from a script by Jimmy Sangster that re-imagined the lengthy original novel as a gruesome, morally ambiguous chamber piece, the film saw British TV star Peter Cushing cast as Baron Victor Frankenstein whilst the then little-known supporting actor Christopher Lee portrayed the Creature. It was a handsome-looking, quality production and an international box office smash; alarming British critics and raising the standard for what was acceptable in terms of on-screen violence and gore, the movie established Hammer as a leading brand name in the British film industry.
Hammer had even more financial success with Fisher’s second gothic horror film "Dracula" (1958), starring Lee in the title role and Cushing as his adversary Doctor Van Helsing. Once again reducing the scope of its source novel in line with Hammer’s budgetary constraints, the screenplay minimised both the geographical settings and the number of characters, and the result was a compact, atmospheric and action-packed chiller in which Lee portrayed the figure of the vampire Count Dracula as having an animalistic sexuality that had never before been presented on screen. It is today regarded as a trailblazer in the horror movie genre, the archetypal Hammer movie, and the greatest of Fisher’s directorial efforts.
Leviathan is a 2009 novel written by Scott Westerfeld and illustrated by Keith Thompson. First of a trilogy set in alternative version of World War I, it has Central Powers (known in-universe as "Clankers") using mechanized war machines opposed by Entente Powers (as "Darwinists") who fabricate living creatures genetically. The central protagonists are Aleksander, son of Archduke Franz Ferdinand; and Deryn, a Scottish girl with dreams of joining the British Air Service with her brother. The sequels are "Behemoth" and "Goliath". The first two chapters of this book were released with "Bogus to Bubbly: Insider's Guide to the World of Uglies".
Dickens was regarded as the literary colossus of his age. His 1843 novella, "A Christmas Carol", remains popular and continues to inspire adaptations in every artistic genre. "Oliver Twist" and "Great Expectations" are also frequently adapted, and, like many of his novels, evoke images of early Victorian London. His 1859 novel, "A Tale of Two Cities", set in London and Paris, is his best-known work of historical fiction. Dickens has been praised by fellow writers—from Leo Tolstoy to George Orwell, G. K. Chesterton and Tom Wolfe—for his realism, comedy, prose style, unique characterisations, and social criticism. On the other hand, Oscar Wilde, Henry James, and Virginia Woolf complained of a lack of psychological depth, loose writing, and a vein of saccharine sentimentalism. The term "Dickensian" is used to describe something that is reminiscent of Dickens and his writings, such as poor social conditions or comically repulsive characters.
The Great God Pan is a horror and fantasy novella by Welsh writer Arthur Machen. Machen was inspired to write "The Great God Pan" by his experiences at the ruins of a pagan temple in Wales. What would become the first chapter of the novella was published in the magazine "The Whirlwind" in 1890. Machen later extended "The Great God Pan" and it was published as a book alongside another story, "The Inmost Light", in 1894. The novella begins with an experiment to allow a woman named Mary to see the supernatural world. This is followed by an account of a series of mysterious happenings and deaths over many years surrounding a woman named Helen Vaughan. At the end, the heroes confront Helen and force her to kill herself. She undergoes a series of supernatural transformations before dying and she is revealed to be the child of Mary and the god Pan.
Charles Dickens is the most famous Victorian novelist. Extraordinarily popular in his day with his characters taking on a life of their own beyond the page; Dickens is still one of the most popular and read authors of the world. His first novel, "The Pickwick Papers" (183637) written when he was twenty-five, was an overnight success, and all his subsequent works sold extremely well. The comedy of his first novel has a satirical edge and this pervades his writing. Dickens worked diligently and prolifically to produce the entertaining writing that the public wanted, but also to offer commentary on social problems and the plight of the poor and oppressed. His most important works include "Oliver Twist" (1837–39), "Nicholas Nickleby" (183839)", A Christmas Carol" (1843), "Dombey and Son" (1846–48), "David Copperfield" (184950), "Bleak House" (185253), "Little Dorrit" (185557), "A Tale of Two Cities" (1859), and "Great Expectations" (186061). There is a gradual trend in his fiction towards darker themes which mirrors a tendency in much of the writing of the 19th century.
The Romantic poets valued his exploration of blank verse, but for the most part rejected his religiosity. William Wordsworth began his sonnet "London, 1802" with "Milton! thou should'st be living at this hour" and modelled "The Prelude", his own blank verse epic, on "Paradise Lost". John Keats found the yoke of Milton's style uncongenial; he exclaimed that "Miltonic verse cannot be written but in an artful or rather artist's humour." Keats felt that "Paradise Lost" was a "beautiful and grand curiosity", but his own unfinished attempt at epic poetry, "Hyperion", was unsatisfactory to the author because, amongst other things, it had too many "Miltonic inversions". In "The Madwoman in the Attic", Sandra Gilbert and Susan Gubar note that Mary Shelley's novel "Frankenstein" is, in the view of many critics, "one of the key 'Romantic' readings of "Paradise Lost"."
Green wrote and directed segment "The Diary of Anne Frankenstein" as part of the 2011 comedy/horror anthology "Chillerama", which consists of four short films by four different filmmakers. The parody "Anne Frankenstein" is shot in black and white and made entirely in German to look and feel like a lost 1940's foreign film. While Green cast authentic German speaking actors for all roles, the lead role of Adolf Hitler is portrayed by Joel David Moore, who does not know how to speak German and purposely fakes his way through the film by using a combination of gibberish and random words thrown to him by Green, such as "Boba Fett", "OshKosh B'Gosh" and "Goldie Hawn". Kane Hodder portrays the film's hero Meshugannah – a Hassidic Jewish take on the classic Frankenstein Monster, who ultimately turns against his master and kills him.
Andreas Vesalius (1514–1564) (Latinized from Andries van Wezel), professor of anatomy at the University of Padua, is considered the founder of modern human anatomy. Originally from Brabant, Vesalius published the influential book "De humani corporis fabrica" ("the structure of the human body"), a large format book in seven volumes, in 1543. The accurate and intricately detailed illustrations, often in allegorical poses against Italianate landscapes, are thought to have been made by the artist Jan van Calcar, a pupil of Titian.
Fahrenheit 451 is a 1966 British dystopian drama film directed by François Truffaut and starring Oskar Werner, Julie Christie, and Cyril Cusack. Based on the 1953 novel of the same name by Ray Bradbury, the film takes place in a controlled society in an oppressive future in which the government sends out firemen to destroy all literature to prevent revolution and thinking. This was Truffaut's first colour film as well as his only English-language film. At the 1966 Venice Film Festival, "Fahrenheit 451" was nominated for the Golden Lion.
Machen's literary reputation was re-evaluated in the 1920s and "The Great God Pan" has since attained the reputation of a horror masterpiece. In "Supernatural Horror in Literature" (1926; revised 1933), H. P. Lovecraft praised the story, saying: "No one could begin to describe the cumulative suspense and ultimate horror with which every paragraph abounds"; he added that "the sensitive reader" reaches the end with "an appreciative shudder". Lovecraft also noted, however, that "melodrama is undeniably present, and coincidence is stretched to a length which appears absurd upon analysis". Bennett Cerf described the story as a "masterpiece". Brian Stableford stated that "The Great God Pan" is "the archetypal Decadent horror story" and described the story as "highly original". Stephen King referred to it as "one of the best horror stories ever written. Maybe the best in the English language." King also praised "Pan" for being "more reader-friendly" than Lovecraft's fiction. "The Washington Post" Elizabeth Hand deemed it "one of the greatest supernatural tales ever written". "Black Gate" Matthew David Surridge said that "The Great God Pan" is "a fascinating, troubling story, and, for all its influence, not like much else than I can think of. It's not simple, and yet it's effective, more so than can easily be explained."
The most influential publication of the Enlightenment was the "" ("Encyclopaedia"). Published between 1751 and 1772 in thirty-five volumes, it was compiled by Diderot, d'Alembert (until 1759) and a team of 150 scientists and philosophers. It helped spread the ideas of the Enlightenment across Europe and beyond. Other landmark publications were Voltaire's "Dictionnaire philosophique" ("Philosophical Dictionary"; 1764) and "Letters on the English" (1733); Rousseau's "Discourse on Inequality" (1754) and "The Social Contract" (1762); Adam Smith's "The Theory of Moral Sentiments" (1759) and "The Wealth of Nations" (1776); and Montesquieu's "The Spirit of the Laws" (1748). The ideas of the Enlightenment played a major role in inspiring the French Revolution, which began in 1789. After the Revolution, the Enlightenment was followed by the intellectual movement known as Romanticism.
The two men finally in person in 1842. Humboldt died in 1859, sixth months before the first edition of "On the Origin of Species" was published. In letters to his close friend Joseph Dalton Hooker, Darwin reflected that his "whole course of life" was due to having read Humboldt's "Personal Narrative" and conclusively praised Humboldt as the "Greatest scientific traveller who ever lived."
Among fellow writers, Dickens has been both lionised and mocked. Leo Tolstoy, G. K. Chesterton, and George Orwell praised his realism, comic voice, prose fluency, and satiric caricature, as well as his passionate advocacy on behalf of children and the poor. French writer Jules Verne called Dickens his favourite writer, writing his novels "stand alone, dwarfing all others by their amazing power and felicity of expression." Dutch painter Vincent van Gogh was inspired by Dickens's novels in several of his paintings like "Vincent's Chair" and in an 1889 letter to his sister stated that reading Dickens, especially "A Christmas Carol", was one of the things that was keeping him from committing suicide. Oscar Wilde generally disparaged his depiction of character, while admiring his gift for caricature. His late contemporary William Wordsworth, by then Poet laureate, thought him a "very talkative, vulgar young person", adding he had not read a line of his work; Dickens in return thought Wordsworth "a dreadful Old Ass". Henry James denied him a premier position, calling him "the greatest of superficial novelists": Dickens failed to endow his characters with psychological depth and the novels, "loose baggy monsters", betrayed a "cavalier organisation". Virginia Woolf had a love-hate relationship with his works, finding his novels "mesmerizing" while reproving him for his sentimentalism and a commonplace style. Fyodor Dostoyevsky expressed his admiration for the author, "We understand Dickens in Russia, I am convinced, almost as well as the English, perhaps even with all the nuances. It may well be that we love him no less than his compatriots do. And yet how original is Dickens, and how very English!".
Flemish anatomist and physician Andreas Vesalius is often referred to as the founder of modern human anatomy for the publication of the seven-volume "De humani corporis fabrica" ("On the Structure of the Human Body") in 1543.
"The Nightmare Before Christmas" originated in a poem written by Burton in 1982 while he was working as an animator at Walt Disney Feature Animation. With the success of "Vincent" in the same year, Burton began to consider developing "The Nightmare Before Christmas" as either a short film or 30-minute television special to no avail. Over the years, Burton's thoughts regularly returned to the project, and in 1990, he made a development deal with Walt Disney Studios. Production started in July 1991 in San Francisco; Disney released the film through Touchstone Pictures because the studio believed the film would be "too dark and scary for kids".
The first depictions of the supernatural on screen appear in several of the short silent films created by the French pioneer filmmaker Georges Méliès in the late 1890s. The best known of these supernatural-based works is the 3-minute short film "Le Manoir du Diable" (1896), also known in English as "The Haunted Castle" or "The House of the Devil". The film is sometimes credited as being the first ever horror film. In "The Haunted Castle", a mischievous devil appears inside a medieval castle and harasses the visitors. Méliès' other popular horror film is "La Caverne maudite" (1898), which translates literally to "the accursed cave". The film, also known for its English title "The Cave of the Demons", tells the story of a woman stumbling over a cave that is populated by the spirits and skeletons of people who died there. Méliès would also make other short films that historians consider now as horror-comedies. "Une nuit terrible" (1896), which translates to "A Terrible Night", tells a story of a man who tries to get a good night's sleep but ends up wrestling a giant spider. His other film, "L'auberge ensorcelée" (1897), or "The Bewitched Inn", features a story of a hotel guest getting pranked and tormented by an unseen presence. 
In 1897, the accomplished American photographer-turned director George Albert Smith created "The X-Ray Fiend" (1897), a horror-comedy that came out a mere two years after x-rays were invented. The film shows a couple of skeletons courting each other. An audience full of people unaccustomed to the idea would have found it frightening and otherworldly. The next year, Smith created the short film "Photographing a Ghost" (1898), consisdered a precursor to the paranormal investigation subgenre. The film portrays three men attempting to photograph a ghost, only to fail time and again as the ghost eludes them and throws chairs.
Japan also made early forays into the horror genre. In 1898, Japanese film company Konishi Honten released two horror films both written by Ejiro Hatta; "Shinin No Sosei" (Resurrection of a Corpse), and "Bake Jizo" (Jizo the Spook) "Shinin No Sosei" told the story of a dead man who comes back to life after having fallen from a coffin that two men were carrying. (the writer Hatta played the dead man, while the coffin-bearers were played by Konishi employees.) Though there are no records of the cast, crew, or plot of "Bake Jizo", it was likely based on the Japanese legend of Jizo statues, believed to provide safety and protection to children. The presence of the word bake—which can be translated to "spook," "ghost," or "phantom"—may imply a haunted or possessed statue. (In Japan, Jizō, or respectfully as "Ojizō-sama", is a beloved divinity who is seen as the guardian of children, and in particular, children who died before their parents. He has been worshipped as the guardian of the souls of "mizuko", the souls of stillborn, miscarried, or aborted fetuses.)
Spanish filmmaker Segundo de Chomón is regarded as the most significant Spanish silent film director in an international context. He was popular for his frequent camera tricks and optical illusions, an innovation that contributed heavily to the popularity of trick films in the period. His famous works include "Satán se divierte" (1907), which translates to "Satan Having Fun", or "Satan at Play"; "La casa hechizada" (1908), or "The House of Ghosts", considered to be one of the earliest cinematic depictions of a haunted house premise; and "Le spectre rouge" (1907) or "The Red Spectre", a collaboration film with French director Ferdinand Zecca about a demonic magician who attempts to perform his act in a mysterious grotto.
In 1796, Lefroy began a flirtation with English novelist Jane Austen, who was a friend of an older female relative. Jane Austen wrote two letters to her sister Cassandra mentioning "Tom Lefroy", and some have suggested that it may have been he whom Austen had in mind when she invented the character of Mr. Darcy in "Pride and Prejudice", as the courtship between Tom Lefroy and Jane Austen took place over the year or so that "Pride and Prejudice" was written. In his 2003 biography, "Becoming Jane Austen", Jon Spence suggests that Jane Austen actually used her and Tom LeFroy's personalities as the models for Mr. Darcy and Elizabeth Bennet, but not in an expected way. Spence suggests that Jane Austen used Tom Lefroy's more gregarious personality as the model for the novel's heroine Elizabeth Bennet, and her own measured demeanor was used as the model for the male protagonist, Mr. Darcy. So while the exact influence of Tom Lefroy on "Pride and Prejudice" continues to be debated, it does seem certain that his presence in Austen's life is in some way reflected in the novel.
Andreas Vesalius (; 31 December 1514 – 15 October 1564) was a 16th-century Flemish anatomist, physician, and author of one of the most influential books on human anatomy, "De humani corporis fabrica" ("On the Fabric of the Human Body"). Vesalius is often referred to as the founder of modern human anatomy. He was born in Brussels, which was then part of the Habsburg Netherlands. He was professor at the University of Padua and later became Imperial physician at the court of Emperor Charles V.
' (; ) is a French satire first published in 1759 by Voltaire, a philosopher of the Age of Enlightenment. The novella has been widely translated, with English versions titled Candide: or, All for the Best (1759); Candide: or, The Optimist (1762); and Candide: Optimism""' (1947). It begins with a young man, Candide, who is living a sheltered life in an Edenic paradise and being indoctrinated with Leibnizian optimism by his mentor, Professor Pangloss. The work describes the abrupt cessation of this lifestyle, followed by Candide's slow and painful disillusionment as he witnesses and experiences great hardships in the world. Voltaire concludes with Candide, if not rejecting Leibnizian optimism outright, advocating a deeply practical precept, "we must cultivate our garden", in lieu of the Leibnizian mantra of Pangloss, "all is for the best" in the "best of all possible worlds".
Around 1890 Machen began to publish in literary magazines, writing stories influenced by the works of Robert Louis Stevenson, some of which used gothic or fantastic themes. This led to his first major success, "The Great God Pan". It was published in 1894 by John Lane in the noted Keynotes Series, which was part of the growing aesthetic movement of the time. Machen's story was widely denounced for its sexual and horrific content and consequently sold well, going into a second edition.
The feminist Germaine Greer dismissed Lauritsen's thesis in "The Guardian", writing that while he argues that Mary Shelley was not well educated enough to have written "Frankenstein", his argument fails because "it is not a good, let alone a great novel and hardly merits the attention it has been given." Lauritsen replied that "Frankenstein" "is a radical and disturbing work, containing some of the most beautiful prose in the English language ... a profound and moving masterpiece, fully worthy of its author, Percy Bysshe Shelley."
Herrick commended Lauritsen for presenting a large amount of evidence, and found much of that evidence persuasive, including the difference in quality between "Frankenstein" and works such as "Valperga" and "The Last Man", as well as that between the original and revised editions of "Frankenstein" itself, and Mary Shelley's lack of interest in the themes of Percy Bysshe Shelley's work. Herrick credited Lauritsen with carefully examining the "extra-textual evidence", and agreed with him that the fact that the original manuscript of "Frankstein" is in Mary Shelley's handwriting does not show that she composed the work. However, while he agreed with Lauritsen that Percy Bysshe Shelley had homoerotic feelings and deep friendships for men and that "Frankenstein" "contains potential homosexual relationships", he disagreed with Lauristen's view that "Frankenstein" was primarily written for gay men.
In 2004 Dost wrote the surreal and tragicomic book "Mensch Frankenstein". The fantastic, mystical novel is the story of an honest, belligerent human creature born in a subway in the San Francisco, who is arrested and made to fit in with the rules of the predominant form of society; he receives a character mask and then a sculpted plastic body armour and rises to become a successful monster in the world of politics and industry. Self-revelation, the love of a courageous woman and the encounter with a mystic in Zurich save "Frankenstein the Man" and allow the natural true being to re-emerge. The US Administration sentences the creature, whom it regards as a danger to the state, and disposes of it in a branch of Guantánamo.
Lauritsen argues that Percy Bysshe Shelley, not his wife Mary Shelley, is the real author of "Frankenstein" (1818), that the book "has consistently been underrated and misinterpreted", and that its dominant theme is "male love" or homoeroticism. Lauritsen criticizes feminists for constructing "a Mary Shelley myth, according to which she was a major literary figure, one whose genius had been overshadowed - not only by her husband, but also by the other "male" Romantics: Blake, Wordsworth, Coleridge, Byron, Keats." According to Lauritsen, Percy Bysshe Shelley did not want his authorship of "Frankenstein" to be known to the public, and for unknown reasons decided to attribute authorship to Mary Shelley, thus helping to begin a "hoax" that has persisted up to the present. Lauritsen maintains that revisions to "Frankenstein" made in 1823 and 1831 weakened the work, and that while it was ostensibly Mary Shelley who revised "Frankenstein" into its 1831 form, it may primarily have been revised by the political philosopher William Godwin.