Instruct: Given a question, retrieve documents that can help answer the question.
Query: How many members are in the New York City Ballet?
New York City Ballet dances Winter, Spring and — since 2010 — Fall seasons each year at the New York State Theater, Lincoln Center and tours. Their repertory exceeds 400 ballets, approximately 40 of which are danced each in the winter and spring seasons. This is a list of the dances in the City Ballet repertory:
Ballet is a formalized form of dance with its origins in the Italian Renaissance courts of 15th and 16th centuries. Ballet spread from Italy to France with the help of Catherine de' Medici, where ballet developed even further under her aristocratic influence. An early example of Catherine's development of ballet is through 'Le Paradis d' Amour', a piece of work presented at her daughter's wedding, Marguerite de Valois to Henry of Navarre. Aristocratic money was responsible for the initial stages of development in 'court ballet', as it was royal money that dictated the ideas, literature and music used in ballets that were created to primarily entertain the aristocrats of the time. The first formal 'court ballet' ever recognized was staged in 1573, 'Ballet des Polonais'. In true form of royal entertainment, 'Ballet des Polonais' was commissioned by Catherine de' Medici to honor the Polish ambassadors who were visiting Paris upon the accession of Henry of Anjou to the throne of Poland. In 1581, Catherine de' Medici commissioned another court ballet, "Ballet Comique de la Reine", however it was her compatriot, Balthasar de Beaujoyeulx, who organized the ballet. Catherine de' Medici and Balthasar de Beaujoyeulx were responsible for presenting the first court ballet ever to apply the principles of Baif's Academie, by integrating poetry, dance, music and set design to convey a unified dramatic storyline. Moreover, the early organization and development of 'court ballet' was funded by, influenced by and produced by the aristocrats of the time, fulfilling both their personal entertainment and political propaganda needs.
Ballet originated in the Renaissance court as an outgrowth of court pageantry in Italy, where aristocratic weddings were lavish celebrations. Tutus, ballet slippers and pointe work were not yet used. The choreography was adapted from court dance steps. Performers dressed in fashions of the times. For women that meant formal gowns that covered their legs to the ankle. Early ballet was participatory, with the audience joining the dance towards the end.
Ballet was further shaped by the French "ballet de cour", which consisted of social dances performed by the nobility in tandem with music, speech, verse, song, pageant, decor and costume. When Catherine de' Medici, an Italian aristocrat with an interest in the arts, married the French crown heir Henry II, she brought her enthusiasm for dance to France and provided financial support. Catherine's glittering entertainments supported the aims of court politics and usually were organized around mythological themes. The first "ballet de cour" was the "Ballet de Polonais." This Ballet was performed in 1573 on the occasion of the visit of the Polish Ambassador. It was choreographed by Balthasar de Beaaujoyeulx and featured an hour-long dance for sixteen women, each representing a French province. "Ballet Comique de la Reine" (1581), which was also choreographed and directed by Balthasar de Beaujoyeulx, was commissioned by Louise of Lorraine, queen consort of King Henry III, son of Catherine, to celebrate the marriage of Henry's favorite the Duke de Joyeuse to Marguerite de Lorraine, the sister of Queen Louise. The ballet lasted for more than five hours and was danced by twenty four dancers: twelve naiades and twelve pages.
The earliest origins of the Bolshoi Ballet can be found in the creation of a dance school for a Moscow orphanage in 1773. In 1776, dancers from the school were employed by Prince Pyotr Vasilyevich Ouroussoff and the English theatrical entrepreneur Michael Maddox, to form part of their new theatre company. Originally performing in privately owned venues, they later acquired the Petrovsky Theatre, which, as a result of fires and erratic redevelopment, would later be rebuilt as today's Bolshoi Theatre. While some guest dancers come and go from other very prestigious ballet companies—like the Mariinsky and American Ballet Theatre—many company dancers are graduates of the academy. In 1989, Michael Shannon was the first American ballet dancer to graduate from the Bolshoi Ballet Academy and join the Bolshoi Ballet company.
The John F. Kennedy Center for the Performing Arts is known to be the busiest performing arts facility in the United States as it hosts approximately 2,000 performances every year. The center opened in 1971 and functions as a multi-dimensional facility as it is both a "living memorial" to President John F. Kennedy and a performing arts center. It is home to the National Symphony Orchestra, the Suzanne Farrell Ballet, and the Washington National Opera. In addition, it hosts performances by the Washington Ballet, the Royal Ballet, and Alvin Ailey American Dance Theater, as well as various art festivals, touring Broadway productions, Galas, and special events.
"Ballet des Polonais" was one of the first works to be recognized as a true court ballet. The spectacle was commissioned by Catherine de’ Medici in 1573 to celebrate the election of her second son, Henry of Anjou, as King of Poland. Performed at the Tuileries Palace and organized by the Italian dancing master, Balthasar de Beaujoyeulx, the hour-long ballet consisted of sixteen amateur French ladies representing the sixteen provinces of France. Describing it as the most beautiful ballet ever made on earth, the court observer Brantome recounted that they “danced their ballet so curiously designed, with so many turns, swerves, and sinuosities, interlacings and minglings, confrontations and withdrawals, that [it was surprising that] no lady ever failed to be at her appointed turn or place.” Although its combination of verse, song and dance had been used before, the intricate figure dancing involved in the "Ballet des Polonais" marked the beginning of the French style that would become the dominant continental school over the next century.
When Les Ballets opened, it found itself in the midst of mixed reviews. Some thought the company youthful, on account of Balanchine; others thought it extravagant. Even Kirstein was skeptical, as he decided that Balanchine was "no Fokine."
Overall, most of the reviews were bad, and the ballet ended its season with no profit. Tensions between performers heightened, and the ballet needed to close. However, the ballet's end did bring about the start of the American Ballet, as Kirstein met Balanchine, and brought the choreographer to the United States.
The intense development, urbanization and suburban sprawl of New York City makes it the most populated region in the U.S., an estimated 20 to 30 million in the eight-state Megalopolis stretching 500 miles from Boston to Washington DC, with New York City in the middle has 15 million residents in a 100-mile radius including Philadelphia (1.5 million in its city limits), northern New Jersey and Connecticut. The bulk of New York's population lives within two hours of New York City. According to the July 1, 2004 Census Bureau Estimate, New York City and its six closest New York State satellite counties (Suffolk, Nassau, Westchester, Rockland, Putnam and Orange) have a combined population of 12,626,200 people, or 65.67% of the state's population.
During the summer of 1937, the students from the University of South Carolina started dancing the Big Apple at the Pavilion in Myrtle Beach. Betty Wood (née Henderson), a dancer who helped revive the Big Apple in the 1990s, first saw the dance there, and six months later she won a dance contest and become nicknamed "Big Apple Betty." The news of the new dance craze spread to New York, and a New York talent agent, Gae Foster, traveled to the Carolinas to audition dancers for a show at the Roxy Theater, the world's second-largest theater at that time. Eight couples were chosen for the show, including Wood, Spivey, and Davis, to perform the Big Apple during a three-week engagement that began on September 3, 1937. They performed six shows a day to sold-out audiences and greatly contributed to the dance's popularity. After the engagement at the Roxy, the group became known as "Billy Spivey's Big Apple Dancers" and toured the country for six months.
In New York City, Kurt Hummel joins the New York Academy of Dramatic Arts (NYADA), and with Rachel Berry occupied with her relationship with Brody Weston, Kurt decides to join NYADA's glee club, the Adam's Apples, to make new friends. Rachel tells Kurt not to, as it would be "social suicide", although Kurt becomes interested in the club's captain, Adam Crawford, who impresses him with a performance of Jonathan Coulton's cover of "Baby Got Back". Kurt later asks Adam out on a date.
New York City's demographics show that it is a large and ethnically diverse metropolis. It is the largest city in the United States with a long history of international immigration. New York City was home to nearly 8.5 million people in 2014, accounting for over 40% of the population of New York State and a slightly lower percentage of the New York metropolitan area, home to approximately 23.6 million. Over the last decade the city has been growing faster than the region. The New York region continues to be by far the leading metropolitan gateway for legal immigrants admitted into the United States.
Ruth Laredo also played contemporary music, mainly in the beginning of her career in Marlboro. This was something Pablo Casals – who did not like music beyond the era of Brahms – disapproved of. He would stay home when Leon Kirchner would come to Marlboro for a performance. In the 1983/1984 season she played the world premiere of Peter Martins's work called "Waltzes" with the New York City Ballet. In 1989 she played Wallingford Riegger's twelve-tone "Variations for Piano and Orchestra" at Carnegie Hall with the American Composers Orchestra under Paul Lustig Dunkel. Her repertoire included also works by Franz Liszt, Arnold Schoenberg, Béla Bartók, Anton Webern and Alban Berg.
New York City is the most populous city in the United States, with an estimated 8,491,079 people living in the city, according to U.S. Census estimates dating July 1, 2014 (up from 8,175,133 in 2010; 8.0 million in 2000; and 7.3 million in 1990). This amounts to about 40% of New York State's population and a similar percentage of the metropolitan regional population. New York's two key demographic features are its population density and cultural diversity. The city's population density of 26,403 people per square mile (10,194/km²), makes it the densest of any American municipality with a population above 100,000. Manhattan's population density is 66,940 people per square mile (25,846/km²), highest of any county in the United States.
According to the 2010 Census, New York City had the largest population of self-defined black residents of any U.S. city, with over 2 million within the city's boundaries, although this number has decreased since 2000. New York City had more black people than did the entire state of California until the 1980 Census. The black population consists of immigrants and their descendants from Africa and the Caribbean as well as native-born African-Americans. Many of the city's black residents live in Brooklyn and The Bronx. Several of the city's neighborhoods are historical birthplaces of urban black culture in America, among them the Brooklyn neighborhood of Bedford–Stuyvesant and Manhattan's Harlem and various sections of Eastern Queens and The Bronx. Bedford-Stuyvesant is considered to have the highest concentration of black residents in the United States. New York City has the largest population of black immigrants (at 686,814) and descendants of immigrants from the Caribbean (especially from Jamaica, Trinidad and Tobago, Barbados, Guyana, Belize, Grenada, and Haiti), and of sub-Saharan Africans. In a news item of April 3, 2006, however, the "New York Times" noted that for the first time since the American Civil War, the recorded African American population was declining, because of emigration to other regions, a declining African American birthrate in New York, and decreased immigration of blacks from the Caribbean and Africa.
Multiracial Americans make up 2.1% of New York City's population. According to the survey, there were 177,643 multiracial Americans residing in New York City. People of black and white ancestry numbered at 37,124, making up 0.4% of the population. People of white and Asian ancestry numbered at 22,242, making up 0.3% of the population. People of white/Native American ancestry (10,762) and black/Native American ancestry (10,221) each made up 0.1% of the city's population. The term "Multiracial American", however, can be very misleading. For example, many people of Latin American background may have various racial ancestries. Furthermore, there are many Americans who have multiple racial ancestries who are not aware of it. Therefore, the actual numbers are likely much higher.
Another of Bloomberg's technology initiatives was the creation of NYC Media. By virtue of the franchise agreements with the cable TV operators, New York City had always had access to valuable spectrum on local cable providers Cablevision and Time Warner Cable, but had made little use of the channels. Upon taking office in 2002, Bloomberg tapped two trusted campaign aides, Seth Unger and Arick Wierson, to revamp the City's cable channels. In 2003, Bloomberg unveiled their creation, a network called NYC TV. Unlike typical Government-access television (GATV) run local channels, NYC TV would be focused on local lifestyle and events, parks, history and culture. Some members of the New York City Council initially criticized the network for being overly preoccupied with ratings. Nonetheless, the network gained early traction, most notably for its coverage of the local fashion industry and local arts and music scene. Since its inception, NYC TV has gone on to absorb local broadcaster WNYE-TV and has emerged as the largest local broadcast network in the New York region with one full power broadcast station, four cable stations, and one FM Radio station, collectively now known as NYC Media. By many regards, Bloomberg's belief that NYC TV could reinvent the local television landscape largely held true. In 2006, WNBC entered into a large syndication agreement to air over 100 hours of NYC TV's original shows. The network has won numerous New York Emmys since its inception, and series such as "Secrets of New York" are being distributed nationally on PBS, DiSH Network, airlines and overseas. In the Spring of 2009, the Mayor announced that NYC Media President Arick Wierson was returning to the private sector, and that Katherine Oliver, the current Film Commissioner and another longtime friend and colleague of the Mayor, would be stepping into Wierson's former role as the top executive at the NYC TV stations.
Syracuse Stage is a professional non-profit theatre company in Syracuse, New York, United States. It is the premier professional theatre in Central New York. It was founded in 1974 by Arthur Storch, who was its first artistic director. The company grew out of the Syracuse Repertory Theatre that was founded in the mid-1960s by founders Marlow G. Burt, Robert B. D'Angelo and Rex Henriot.
On opening night at the Ballet, Jerry shifts around nervously outside Lise's dressing room, a scroll in his hand. Milo, seeing his indecision, offers to deliver it for him. Lise opens the scroll to find it is his drawing of her, finally complete. Milo advises her although Jerry was never serious about her, he did teach her one thing: money could not buy love, which is one of a kind. Lise thanks her, but confesses she knows the Ballet will fail; she is so upset that she does not feel any passion onstage. Milo advises her to think of someone who made her feel that passion as she dances. Lise clutches Jerry's drawing tight as places are called. The Ballet begins, and as it progresses, Lise imagines her partner has become Jerry, and they perform a magnificent pas de deux. The Ballet ends with Lise triumphant, having become a bona fide star (An American in Paris).
New York City is the most populous city in the United States, with an estimated record high of 8,622,698 residents , incorporating more immigration into the city than outmigration since the 2010 United States Census. More than twice as many people live in New York City as in the second-most populous U.S. city (Los Angeles), and within a smaller area. New York City gained more residents between April 2010 and July 2014 (316,000) than any other U.S. city. New York City's population is about 43% of New York State's population and about 36% of the population of the New York metropolitan area.
The Bolshoi Ballet is a 1957 American musical film directed by Paul Czinner and starring Galina Ulanova, Raisa Struchkova and Nikolai Fadeyechev. The film's composers, Yuri Fayer and Gennady Rozhdestvensky, were nominated for Best Original Score in the 31st Academy Awards (1958).
In the early 1940s, she moved to New York City to join the ballet corps at Radio City Music Hall. From 1945 to 1947, she was a member of the American Ballet Theatre; she joined the New York City Ballet shortly after its founding in 1948. She performed there many times with noted dancer Jacques d'Amboise. From 1955 until her retirement in 1973, Hayden was the prima ballerina of the New York City Ballet.
The original cast included four New York City Ballet stars of their time: Canadian ballerina Melissa Hayden and Americans Jacques d'Amboise, Allegra Kent and Diana Adams. It premiered January 17, 1958 at City Center of Music and Drama, New York, with costumes by Barbara Karinska and lighting by Mark Stanley. When Balanchine was asked for his reason to choreograph a ballet to Sousa's marches, he famously replied: "Because I like his music. Melissa Hayden later coached Gillian Murphy for this ballet while Murphy was still a soloist with the American Ballet Theatre.
Besides the members of the orchestra, the NYCB has six pianists on full-time staff. They all perform in the pit with the orchestra on a regular basis.
This enzyme belongs to the family of oxidoreductases, specifically those acting on paired donors, with O2 as oxidant and incorporation or reduction of oxygen. The oxygen incorporated need not be derived from O2 with 2-oxoglutarate as one donor, and incorporation of one atom o oxygen into each donor. The systematic name of this enzyme class is N6,N6,N6-trimethyl-L-lysine,2-oxoglutarate:oxygen oxidoreductase (3-hydroxylating). Other names in common use include trimethyllysine alpha-ketoglutarate dioxygenase, TML-alpha-ketoglutarate dioxygenase, TML hydroxylase, 6-N,6-N,6-N-trimethyl-L-lysine,2-oxoglutarate:oxygen oxidoreductase, and (3-hydroxylating). This enzyme participates in lysine degradation and L-carnitine biosynthesis and requires the presence of iron and ascorbate.