Instruct: Given a question, retrieve relevant passages that answer the question.
Query: What is type of stone is used in the Parthenon?
The metopes of the Parthenon are the surviving set of what were originally 92 square carved plaques of Pentelic marble originally located above the columns of the Parthenon peristyle on the Acropolis of Athens. If they were made by several artists, the master builder was certainly Phidias. They were carved between 447 or 446 BC. or at the latest 438 BC, with 442 BC as the probable date of completion. Most of them are very damaged. Typically, they represent two characters per metope either in action or repose.
The first endeavour to build a sanctuary for on the site of the present Parthenon was begun shortly after the Battle of Marathon (c. 490–488 BC) upon a solid limestone foundation that extended and levelled the southern part of the Acropolis summit. This building replaced a "hekatompedon" (meaning "hundred-footer") and would have stood beside the archaic temple dedicated to "Athena Polias" ("of the city"). The Older or Pre-Parthenon, as it is frequently referred to, was still under construction when the Persians sacked the city in 480 BC and razed the Acropolis.
In 1975, the Greek government began a concerted effort to restore the Parthenon and other Acropolis structures. After some delay, a Committee for the Conservation of the Acropolis Monuments was established in 1983. The project later attracted funding and technical assistance from the European Union. An archaeological committee thoroughly documented every artifact remaining on the site, and architects assisted with computer models to determine their original locations. Particularly important and fragile sculptures were transferred to the Acropolis Museum. A crane was installed for moving marble blocks; the crane was designed to fold away beneath the roofline when not in use. In some cases, prior re-constructions were found to be incorrect. These were dismantled, and a careful process of restoration began. Originally, various blocks were held together by elongated iron H pins that were completely coated in lead, which protected the iron from corrosion. Stabilizing pins added in the 19th century were not so coated, and corroded. Since the corrosion product (rust) is expansive, the expansion caused further damage by cracking the marble.
In March 2011, archaeologists announced that they had discovered five metopes of the Parthenon in the south wall of the Acropolis, which had been extended when the Acropolis was used as a fortress. According to "Eleftherotypia" daily, the archaeologists claimed the metopes had been placed there in the 18th century when the Acropolis wall was being repaired. The experts discovered the metopes while processing 2,250 photos with modern photographic methods, as the white Pentelic marble they are made of differed from the other stone of the wall. It was previously presumed that the missing metopes were destroyed during the Morosini explosion of the Parthenon in 1687.
The only passages referring to the decoration of the Agrippan Pantheon written by an eyewitness are in Pliny's "Natural History". From him we know that "the capitals, too, of the pillars, which were placed by M. Agrippa in the Pantheon, are made of Syracusan bronze", that "the Pantheon of Agrippa has been decorated by Diogenes of Athens, and the Caryatides, by him, which form the columns of that temple, are looked upon as masterpieces of excellence: the same, too, with the statues that are placed upon the roof," and that one of Cleopatra's pearls was cut in half so that each half "might serve as pendants for the ears of Venus, in the Pantheon at Rome".
Gorgons were a popular image in Greek mythology, appearing in the earliest of written records of Ancient Greek religious beliefs such as those of Homer, which may date to as early as 1194–1184 BC. Because of their legendary and powerful gaze that could turn one to stone, images of the Gorgons were put upon objects and buildings for protection. An image of a Gorgon holds the primary location at the pediment of the temple at Corfu, which is the oldest stone pediment in Greece, and is dated to c. 600 BC.
The Pantheon (, ; , from Greek "Pantheion", "[temple] of all the gods") is a former Roman temple, now a church, in Rome, Italy, on the site of an earlier temple commissioned by Marcus Agrippa during the reign of Augustus (27 BC – 14 AD). It was completed by the emperor Hadrian and probably dedicated about 126 AD. Its date of construction is uncertain, because Hadrian chose not to inscribe the new temple but rather to retain the inscription of Agrippa's older temple, which had burned down.
The Parthenon served as the location for the political rally in the climactic scene of Robert Altman's 1975 film "Nashville". It was also used as a backdrop for the battle against the Hydra in the 2010 film "". It features in the title and lyrics of the song "Nashville Parthenon" from the album "Etiquette", by Casiotone for the Painfully Alone. It was used in the 2000 PBS series "Greeks: Crucible of Civilization". A poem titled "Ganymede" in Heather Ross Miller's "Celestial Navigator: Writing Poems with Randall Jarrell" features the Parthenon. The structure also figures in the climax of the Hector Lassiter novel, "Three Chords and The Truth", by Craig McDonald.
Pergamon's other notable structure is the great temple of the Egyptian gods Isis and/or Serapis, known today as the "Red Basilica" (or "Kızıl Avlu" in Turkish), about south of the Acropolis at (39 7' 19" N, 27 11' 1" E). It consists of a main building and two round towers within an enormous "temenos" or sacred area. The temple towers flanking the main building had courtyards with pools used for ablutions at each end, flanked by stoas on three sides. The forecourt of the Temple of Isis/Sarapis is still supported by the Pergamon Bridge, the largest bridge substruction of antiquity.
Roman engineers build monumental arches, amphitheatres, aqueducts, public baths, true arch bridges, harbours, dams, vaults and domes on a very large scale across their Empire. Notable Roman inventions include the book (Codex), glass blowing and concrete. Because Rome was located on a volcanic peninsula, with sand which contained suitable crystalline grains, the concrete which the Romans formulated was especially durable. Some of their buildings have lasted 2000 years, to the present day. Roman society had also carried over the design of a door lock with tumblers and springs from Greece. Like many other aspects of innovation and culture that were carried on from Greece to Rome, the lines between where each one originated from have become skewed over time. These mechanisms were highly sophisticated and intricate for the era.
The Romans were renowned for their architecture, which is grouped with Greek traditions into "Classical architecture". Although there were many differences from Greek architecture, Rome borrowed heavily from Greece in adhering to strict, formulaic building designs and proportions. Aside from two new orders of columns, composite and Tuscan, and from the dome, which was derived from the Etruscan arch, Rome had relatively few architectural innovations until the end of the Republic.
In the 1st century BC, Romans started to use concrete widely. Concrete was invented in the late 3rd century BC. It was a powerful cement derived from pozzolana, and soon supplanted marble as the chief Roman building material and allowed many daring architectural forms. Also in the 1st century BC, Vitruvius wrote "De architectura", possibly the first complete treatise on architecture in history. In the late 1st century BC, Rome also began to use glassblowing soon after its invention in Syria about 50 BC. Mosaics took the Empire by storm after samples were retrieved during Lucius Cornelius Sulla's campaigns in Greece.
During this period, the island also had become the largest exporter of Greek wine, which was noted for being of relatively high quality (see "Chian wine"). Chian amphoras, with a characteristic sphinx emblem and bunches of grapes, have been found in nearly every country with whom the ancient Greeks traded. These countries included Gaul, Upper Egypt, and Southern Russia.
Darius I built the greatest palace at Persepolis on the western side of platform. This palace was called the "Apadana". The King of Kings used it for official audiences. The work began in 518 BC, and his son, Xerxes I, completed it 30 years later. The palace had a grand hall in the shape of a square, each side long with seventy-two columns, thirteen of which still stand on the enormous platform. Each column is high with a square Taurus (bull) and plinth. The columns carried the weight of the vast and heavy ceiling. The tops of the columns were made from animal sculptures such as two-headed lions, eagles, human beings and cows (cows were symbols of fertility and abundance in ancient Iran). The columns were joined to each other with the help of oak and cedar beams, which were brought from Lebanon. The walls were covered with a layer of mud and stucco to a depth of 5 cm, which was used for bonding, and then covered with the greenish stucco which is found throughout the palaces.
In order to avoid the difficulty of giving an exhaustive list of deities when devoting a temple or sacred building, a structure explicitly dedicated to "all deities" also came to be referred to as a "Pantheon". The best known of such structures is the Pantheon of Rome, first built between the years 27 BCE and 14 CE. The building standing today was constructed on the same site around 126 CE. It was dedicated to "all gods" as a gesture embracing the religious syncretism in the increasingly multicultural Roman Empire, with subjects worshipping gods from many cultures and traditions. The building was later renovated for use as a Christian church in 609 under Pope Boniface IV.
Chalcedon ( or ;
, sometimes transliterated as "Chalkedon") was an ancient maritime town of Bithynia, in Asia Minor. It was located almost directly opposite Byzantium, south of Scutari (modern Üsküdar) and it is now a district of the city of Istanbul named Kadıköy. The name "Chalcedon" is a variant of Calchedon, found on all the coins of the town as well as in manuscripts of Herodotus's "Histories", Xenophon's "Hellenica", Arrian's "Anabasis", and other works. Except for a tower, almost no above-ground vestiges of the ancient city survive in Kadıköy today; artifacts uncovered at Altıyol and other excavation sites are on display at the Istanbul Archaeological Museum.
Ear piercing is one of the oldest known forms of body modification, with artistic and written references from cultures around the world dating back to early history. Gold, silver and bronze hoop earrings were prevalent in the Minoan Civilization (2000–1600 BCE) and examples can be seen on frescoes on the Aegean island of Santorini, Greece. During the late Minoan and early Mycenaean periods of Bronze Age Greece hoop earrings with conical pendants were fashionable. Early evidence of earrings worn by men can be seen in archeological evidence from Persepolis in ancient Persia. The carved images of soldiers of the Persian Empire, displayed on some of the surviving walls of the palace, show them wearing an earring.
Nevertheless, trade thrived in Chalcedon; the town flourished and built many temples, including one to Apollo, which had an oracle. Chalcedonia, the territory dependent upon Chalcedon, stretched up the Anatolian shore of the Bosphorus at least as far as the temple of Zeus Urius, now the site of Yoros Castle, and may have included the north shore of the Bay of Astacus which extends towards Nicomedia. Important villages in Chalcedonia included Chrysopolis (the modern Üsküdar) and Panteicheion (Pendik). Strabo notes that "a little above the sea" in Chalcedonia lies "the fountain Azaritia, which contains small crocodiles".
Naturally occurring glass, especially the volcanic glass obsidian, has been used by many Stone Age societies across the globe for the production of sharp cutting tools and, due to its limited source areas, was extensively traded. But in general, archaeological evidence suggests that the first true glass was made in coastal north Syria, Mesopotamia or ancient Egypt. Because of Egypt's favorable environment for preservation, the majority of well-studied early glass is found there, although some of this is likely to have been imported. The earliest known glass objects, of the mid-third millennium BC, were beads, perhaps initially created as accidental by-products of metal-working (slags) or during the production of faience, a pre-glass vitreous material made by a process similar to glazing.
The site of Chalcedon is located on a small peninsula on the north coast of the Sea of Marmara, near the mouth of the Bosphorus. A stream, called the Chalcis or Chalcedon in antiquity and now known as the Kurbağalıdere (Turkish: "stream with frogs"), flows into Fenerbahçe bay. There Greek colonists from Megara in Attica founded the settlement of Chalcedon in 685 BC, some seventeen years before Byzantium.
The Romans developed an intensive and sophisticated agriculture, expanded upon existing iron working technology, created laws providing for individual ownership, advanced stone masonry technology, advanced road-building (exceeded only in the 19th century), military engineering, civil engineering, spinning and weaving and several different machines like the Gallic reaper that helped to increase productivity in many sectors of the Roman economy. Roman engineers were the first to build monumental arches, amphitheatres, aqueducts, public baths, true arch bridges, harbours, reservoirs and dams, vaults and domes on a very large scale across their Empire. Notable Roman inventions include the book (Codex), glass blowing and concrete. Because Rome was located on a volcanic peninsula, with sand which contained suitable crystalline grains, the concrete which the Romans formulated was especially durable. Some of their buildings have lasted 2000 years, to the present day.
Chalcedon originated as a Megarian colony in 685 BCE. The colonists from Megara settled on a site that was viewed in antiquity as so obviously inferior to that visible on the opposite shore of the Bosphorus (with its small settlements of Lygos and Semistra on Seraglio Point), that the 6th-century BCE Persian general Megabazus allegedly remarked that Chalcedon's founders must have been blind. Indeed, Strabo and Pliny relate that the oracle of Apollo told the Athenians and Megarians who founded Byzantium in 657 BCE to build their city "opposite to the blind", and that they interpreted "the blind" to mean Chalcedon, the "City of the Blind".
The Parthenon Marbles acquired by Elgin include some 21 figures from the statuary from the east and west pediments, 15 of an original 92 metope panels depicting battles between the Lapiths and the Centaurs, as well as 75 meters of the Parthenon Frieze which decorated the horizontal course set above the interior architrave of the temple. As such, they represent more than half of what now remains of the surviving sculptural decoration of the Parthenon.
On Doric marble buildings, the metopes decorated the entablature above the architrave alternating with the triglyphs . These were a reminiscence of the wooden beams that supported the roof. The part between the triglyphs, at first a simple unadorned stone space, was quickly used to receive a carved decoration.
Since ancient times, temples, churches, and many government buildings in many countries have traditionally been white, the color associated with religious and civic virtue. The Parthenon and other ancient temples of Greece, and the buildings of the Roman Forum were mostly made of or clad in white marble, though it is now known that some of these ancient buildings were actually brightly painted. The Roman tradition of using white stone for government buildings and churches was revived in the Renaissance and especially in the neoclassic style of the 18th and 19th centuries. White stone became the material of choice for government buildings in Washington D.C. and other American cities. European cathedrals were also usually built of white or light-colored stone, though many darkened over the centuries from smoke and soot.
The geometry of the stone structure was "based on studies of the Parthenon". According to the Australian Government Department of Veterans' Affairs each stone is 3.5 metres long and 1.5 metres high. It was designed using the principle of entasis. This involved incorporating subtle curves into the design, so that the stone does not have straight sides, but has circular lines that if extended would form a sphere 1,801 feet and 8 inches in diameter. The effect of the stone monument has been attributed to its geometry: "...its curious power and symbolic strength derive from its careful proportions and the application of a subtle entasis to all its surfaces."