Instruct: Given a question, retrieve documents that answer the question.
Query: What was Paul Heyman's first production?
On May 23, 2005, Heyman returned in a segment with Vince McMahon and Eric Bischoff announcing ECW One Night Stand, with Heyman in charge. On the May 22 episode of "Raw", Heyman appeared as ECW Representative promoting "One Night Stand". On May 25, 2006 it was announced that ECW would relaunch, as a third WWE brand. Heyman was in charge of the new brand on-camera but had minimal creative input off-camera as well. On the May 29 episode of "Raw", during a face-off with Mick Foley, Heyman announced that he was granted a draft pick from both Raw and SmackDown! by Vince McMahon. His Raw draft pick was former ECW wrestler (and Money in the Bank contract holder) Rob Van Dam, and his SmackDown! draft pick was Kurt Angle. Heyman predicted that Van Dam would defeat John Cena at "One Night Stand" for the WWE Championship and then declare himself the new ECW World Heavyweight Champion.
He applied for another patent on an alloy he called stainless steel, now known as martensitic stainless steel. The Patent Office rejected his application saying that it was not a new alloy. Haynes conceded their point, but submitted a second application and supplied a sample showing the stainlessness of his alloy when created using his exact proportions of metals, and it was granted. At the urging of his wife, he created the first set of stainless steel silverware for her personal use. The first piece of stainless steel was forged by Homer Dan Farmer in Haynes laboratory. It was a large meat knife and was donated to the Haynes Museum by the family of Dan Heflin, grandson of Homer Dan Farmer. In later years he claimed to have created stainless steel because she did not enjoy polishing their silver tableware. British metallurgist Harry Brearley independently produced an identical alloy around the same time and applied for an American patent and found that one already existed. Brearley had also created other innovations for the metal, but they were of little value without the stainless steel patent. He sought out Haynes and the two decided to pool their findings in a single company to produce the alloy. Haynes sold his stainless steel patent in 1918 to the American Stainless Steel Company, a company Brearley had created with the assistance of investors in Pennsylvania. In exchange he and his estate received royalties on its production until the patent expired in 1930. The stock he received as payment allowed him to gain a seat among the company's board of directors and he installed his son, March, to represent him. The income from the transaction led Haynes to begin the accumulation of a large fortune.
Born in Brussels, Heymans moved with her family to Quebec after her mother competed at the 1976 Summer Olympics in Montreal as a fencer. Her mother, Marie-Paule Van Eyck, was an Olympic fencer for Belgium.
Paul Williams is a fictional character on the American CBS soap opera "The Young and the Restless". Paul was introduced to the show on May 23, 1978, and has been portrayed by Doug Davidson ever since. Initially Paul was a "bad boy", who had a romance with Nikki Newman (Melody Thomas Scott), giving her an STD. The relationship ultimately ended, but the two have remained friends since. After a year on the series, Bell gave the character a proper backstory, surname and family. This included his notoriously unstable sister Patty Williams (Stacey Haiduk). After a failed marriage to April Stevens (Cynthia Eilbacher)—who gave birth to his daughter Heather Stevens (Jennifer Landon)—focus turned towards Paul's career as a private investigator, as well as his relationship and eventual marriage to and later divorce from Lauren Fenmore (Tracey Bregman). Paul's string of unsuccessful romances with women—including his ill-fated bride Cindy Lake (DeAnna Robbins), and Cassandra Rawlins (Nina Arvesen), the wife of one of his clients—continued. Over the years, Paul continued to become heavily involved in various storylines as a private investigator.
The arrival of sound at the very end of the 1920s, produced a final artistic flourish of German film before the collapse of the Weimar Republic in 1933. As early as 1918, three inventors came up with the Tri-Ergon sound-on-film system and tried to introduce it to the industry between 1922 and 1926. UFA showed an interest, but possibly due to financial difficulties, never made a sound film. But in the late 1920s, sound production and distribution were starting to be adopted by the German film industry and by 1932 Germany had 3,800 cinemas equipped to play sound films. The first filmmakers who experimented with the new technology often shot the film in several versions, using several soundtracks in different languages. The film "The Blue angel" (1930), directed by the Austrian Josef von Sternberg and produced by Erich Pommer, was also shot in two versions - German and English, with a different supporting cast in each version. It is considered to be Germany's first "talkie" and will always be remembered as the film that made an international superstar of its lead actress Marlene Dietrich. Other notable early sound films, all from 1931, include Jutzi's adaptation to Alfred Döblin's novel "Berlin Alexanderplatz", Pabst's Bertolt Brecht adaptation "The Threepenny Opera" and Lang's "M," as well as Hochbaum's "Raid in St. Pauli" (1932). Brecht was also one of the creators of the explicitly communist film "Kuhle Wampe" (1932), which was banned soon after its release.
Gene Hackman's name did not appear on the film's release poster. Hackman joined the film late, when it was already well into production, because the producers had originally wanted to change the gender of the character and cast Meryl Streep, until author John Grisham objected and Hackman was eventually cast. Tom Cruise's deal with Paramount already stated that only his name could appear above the title. Hackman also wanted his name to appear above the credits, but when this was refused he asked for his name to be removed completely from the poster. Hackman's name does appear in the end credits.
The company's first series of pocket watches, the Broadway Limited, was marketed as the "Watch of Railroad Accuracy," and Hamilton became popular by making accurate railroad watches. Hamilton introduced its first wristwatch in 1917, designed to appeal to men entering World War I and containing the 0-sized 17-jewel 983 movement originally designed for women's pendent watches. In 1928 Hamilton purchased the Illinois Watch Company for in excess of $5 million from the heirs of John Whitfield Bunn and Jacob Bunn. Some of the most collectible early Hamilton wristwatches include The Oval, The Tonneau, The Rectangular, The Square Enamel, The Coronado, The Piping Rock, The Spur, The Glendale, The Pinehurst, The Langley, The Byrd, The Cambridge, the Barrel "B", and The Flintridge. Many models came in both solid gold and gold-filled cases and, though rare, some wristwatches such as the Grant were made of silver.
At the end of 1988, Dunham was told by James McCawley, a talent booker for "The Tonight Show Starring Johnny Carson", that Dunham would be given a spot on the coveted program. Though the 26-year-old Dunham was elated that his 10-year goal was arriving two years early, McCawley later cancelled Dunham's appearance after attending, with Roseanne Barr, a public performance of Dunham's the day before Dunham's scheduled "Tonight Show" taping. McCawley informed Dunham on the day of the scheduled taping that he had been wrong in his initial assessment of Dunham, whom he now said was not ready for "The Tonight Show". Dunham continued to tighten his act in Los Angeles clubs, performing the same six-minute segment with Peanut a total of nine times for McCawley over the next few months. Finally at the Ice-House in Pasadena in April 1990, after Dunham did the same segment, McCawley informed Dunham that he would finally get his "Tonight Show" appearance. Dunham and Peanut appeared on "The Tonight Show Starring Johnny Carson" on April 6, 1990, alongside guests Bob Hope and B.B. King. Following his bit, he was invited to sit on Johnny Carson's couch, a mark of approval on Carson's show. Upon sitting down next to Carson's desk, Dunham pulled out Walter, who told Carson sidekick Ed McMahon, "Stop sending me all your damn mail." At the time, Dunham saw his "Tonight Show" appearance as his big break, but was frustrated at his parents' initial disapproval over Walter's use of the words "hell" and "damn", and he would toil in obscurity for another twelve years, continuing his stand up at venues such as The Improv chain, and appearing in small roles on TV. One of these was a 1996 episode of "Ellen", in which he appeared with Walter. Dunham also appeared with Walter in a TV commercial for Hertz. Dunham would appear on "The Tonight Show" a total of four times, as well as similar TV venues such as "Hot Country Nights", appearing in one segment with Reba McEntire. This exposure helped make Dunham a large theater headliner, a rare accomplishment for a ventriloquist, but by the mid-1990s, his television appearances had dwindled, and with them, so did his stage audiences.
After "The Phantom of the Opera" became a smash hit in London in 1986, Lloyd Webber announced a Broadway production, and Yeston's Broadway investors backed out. Yeston, Kopit and Holder reluctantly shelved their plans for "Phantom" and went their separate ways for a time. When Kopit saw the Lloyd Webber version of "The Phantom of the Opera" on Broadway, he realized that the approach he and Yeston had taken was fundamentally different and that it could still work on the musical stage. A few years later, Kopit wrote the NBC miniseries "Hands of a Stranger", which was successful enough that NBC approached Kopit again. Kopit rewrote the script outline of his unproduced musical "Phantom" into a teleplay for a four-hour two-part miniseries entitled "The Phantom of the Opera" and sold it to NBC, with Yeston's blessing. It was filmed at the "Opera Garnier", and the only music used was opera music. It starred Charles Dance, Teri Polo and Burt Lancaster and premiered on television in 1990. Kopit said, "I told Maury to hold on. Maybe someone would see the miniseries, think it would make a good musical we'd be ready."
His film roles during the 1990s featured: "Unforgiven" (1992); "The Firm" (1993); "The Quick and the Dead"; "Crimson Tide" (1995); "Get Shorty" (1995); "The Birdcage" (1996); and "Enemy of the State" (1998) Later roles included: "Behind Enemy Lines" (2001); and "The Royal Tenenbaums" (2001). Hackman's final film appearance to date was the romantic comedy film "Welcome to Mooseport" in 2004, co-starring comedian Ray Romano.
Salomon brought Joseph Haydn to London in 1791–92 and 1794–95, and together with Haydn led the first performances of many of the works that Haydn composed while in England. Haydn wrote his symphonies numbers 93 to 104 for these trips, which are sometimes known as the "Salomon" symphonies (they are more widely known as the London symphonies). Haydn's esteem for his impresario and orchestral leader can sometimes be seen in the symphonies: for example, the cadenza in the slow movement of the 96th and the phrase marked "Salomon solo ma piano" in the trio of the 97th; the Sinfonia Concertante in B-flat major was composed for Salomon, who played the solo violin part; and the six string quartets opp. 71 and 74, written between the two London visits in 1793, though dedicated to Count Apponyi, were clearly designed for the public performances that Salomon's quartet gave in London. Salomon is also said to have had a hand in providing Haydn with the original model for the text of "The Creation". He was one of the founder-members of the Philharmonic Society and led the orchestra at its first concert on 8 March 1813.
Paul has had several unsuccessful relationships, and has been described as "often luckless in love". His main love interest during the 1980s was Lauren Fenmore (Tracey Bregman). Davidson described the relationship as Paul's "first non-drama fling" and said that Bell decided to pair the characters on the "spur of the moment", uncertain of the outcome. He enjoys the dynamics between Lauren and Paul: "I always am excited whenever I get to work with her. We’ve played friends, husband and wife, enemies, you name it. She is a dynamic actress and a wonderful friend and person". The couple have faced a number of challenges, including Lauren's crazed stalker Shawn Garrett (Grant Cramer) and disapproval from Paul's mother, Mary Williams (Carolyn Conwell). Lauren and Paul divorced: Lynda Hirsch of the "Sun Sentinel" wrote, "The marriage didn't work out, since Lauren desperately wanted a career in music and Paul wanted her to be a stay-at-home wife and eventually a mom".
In the first eight Hellraiser films, Pinhead is portrayed by Doug Bradley. Because of his eventual skill at application and removal of the Pinhead appliances and costume, Bradley has been credited in some of the Hellraiser films as an assistant make-up artist. When he read the script for the first time, Bradley stated on interview that he saw Pinhead as a cross between Oscar Wilde and Noël Coward. Upon asking Barker how he should play Pinhead, Barker told him to "[think] of him as a cross between an administrator and a surgeon who's responsible for running a hospital where there are no wards, only operating theatres. As well as being the man who wields the knife, he's the man who has to keep the timetable going." The two also decided early on that Pinhead was formerly human:
Silverman has directed at many theatres around the country, most notably his adaptation of Pete Townshend’s "The Boy Who Heard Music" at the New York Stage & Film/Powerhouse Theatre at Vassar College in 2007. He also collaborated with Mr. Townshend on a workshop production of "Psychoderelict" starring Peter Gallagher in 1999. He directed Ron Silver in Robert Greenfield’s "Bill Graham Presents" at various theatres around the country including the Berkshire Theatre Festival, The Cannon in Beverly Hills and the HBO Comedy Arts Festival in Aspen where it won Best Play. Other theatres include the Long Wharf, the Kennedy Center, the Mark Taper Forum, Naked Angels, La MaMa Etc., and MCC Theater.
Fancy has played diverse roles on stages all around England. He began his professional career by returning to the Chichester Festival Theatre in the repertory company where he had a nightly fight sequence with Donald Sinden in "The Scarlet Pimpernel", directed by Nicholas Hytner. Fancy has acted on the fringe at the White Bear Theatre, King's Head Theatre and twice at the Edinburgh Festival Fringe where he took a one-man Shakespeare-based piece on the subject of Jack Cade, who was the leader of a popular revolt in 1450 during the reign of King Henry VI of England. 
Other leading roles include Bill Sykes in "Oliver Twist" at the Bristol Old Vic directed by Phyllida Lloyd, Dussel in "The Dreams of Anne Frank" at the Polka Children’s Theatre, Willy Mossop in "Hobson’s Choice" at the Derby Playhouse and Bob Cratchit in "A Christmas Carol" at Clwyd Theatr Cymru.
His professional career did not start until he was 30, and after his younger brother Wes. Monk worked in a foundry and played gigs on upright bass at night in Indianapolis. Wes worked for vibraphonist Lionel Hampton from 1948–1950, Monk then worked for Hampton around 1952–1953, with Hampton insisting he play the Fender bass, and not an upright. Monk's recordings with The Art Farmer Septet on 2 July 1953, arranged by Quincy Jones, are possibly the earliest studio recordings of the electric bass, and display his facility with walking bass lines, bebop melodies, and Latin-style ostinato. Chuck Rainey said that Monk was the first electric bassist to record, in any genre. A live recording of Montgomery with the Hampton orchestra from April 1953 may exist. 
Monk toured and recorded in Europe with Hampton in late 1953. After that he worked briefly with the Anthony Ortega Quartet in Los Angeles, and then with his brothers in the Montgomery-Johnson Quintet in Indianapolis (with Alonzo "Pookie" Johnson, sax, and Robert "Sonny" Johnson, drums). In 1955 he moved to Seattle to form The Mastersounds from 1957 to 1960.
Satellite in the Sky is a 1956 British CinemaScope science fiction film in Warner Color, produced by Edward J. Danziger and Harry Lee Danziger, directed by Paul Dickson, and starring Kieron Moore, Lois Maxwell, Donald Wolfit, and Bryan Forbes. The film was distributed by Warner Bros. Pictures. Special effects were by Wally Veevers, who would later work on Stanley Kubrick's "" (1968). 
After initial experiments using high-speed aircraft, scientists in Great Britain create the "Stardust", the first manned spaceship to orbit the Earth. Some of the crew members have concerned loved ones. Barbara (Thea Gregory), the wife of Larry Noble (Jimmy Hanley), and Ellen (Shirley Lawrence), the girlfriend of radio operator Jimmy Wheeler (Bryan Forbes), are afraid that the space flight will be dangerous.
Justin Morgan, played by James Stewart, made his first screen appearance on 7 June 2016. The character and Stewart's casting was announced on 5 December 2015, alongside Jackson Heywood and Orpheus Pledger, who play Justin's brothers. The actors began filming their first scenes during the week commencing 7 December. Justin is Stewart's first on-going role since he took a year off to care for his young daughter. Like Heywood, Stewart expected Braxton brothers comparisons, but he told Jonathon Moran of The Daily Telegraph, "Creating this family is probably more our priority than taking over the Brax boys. How do you take on Steve Peacocke (Brax)? I hope Australia is ready for it, it is the way it is." In August 2017, Stewart was longlisted for Best Daytime Star at the Inside Soap Awards. The nomination did not progress to the viewer-voted shortlist.
"The Nature and Purpose of the Universe" was produced by the Direct Theatre at the Wonder Horse Theatre, New York, on February 21, 1979. Directed by Allen B. Belknap, the cast featured Ellen Greene as Eleanor Mann, Tom Bade as Steve Mann, Ethan Phillips as Donald Mann, Chris Ceraso as Gary Mann, and Eric Weitz as Andy Mann.
Two "agents of God" explain the nature and purpose of the universe to the audience, using the Mann family of suburban New Jersey for illustration. At the center of the story is Eleanor, a sweet, sad housewife horribly treated by her husband Steve and most every other character in the play, most of whom are actually the "agents of God" in disguise. Eleanor's oldest son Donald is a drug addict, a dealer, and a pimp, middle son Gary an angry homosexual, and youngest son Andy has lost his penis in a reaper accident.
At this time, Tom was becoming obsessed with bringing a "dark psychedelia" to Drum and Bass (which would eventually reach its zenith with "Go Plastic" from 2001).
During this period Tom also made a remix for Ninja Tune's DJ Food, which featured on the e.p. "Refried Food". The remix led Ninja Tune to offer Jenkinson a record contract, which along with an offer from Belgium's R&S records he declined in favour of a contract offered by Warp Records, which was partially instigated by Richard D. James.
Correspondence between Richard D. James and Tom Jenkinson sprung up after meeting at The George Robey. The resulting meeting led to Tom's first hearing of the "Hangable Auto Bulb" e.p. which Richard had brought with him. But the meeting also facilitated Richard's initial selection of Tom's tracks that went on to form the "Feed Me Weird Things" album released on Rephlex Records in 1996.
Josiah McConnell Heyman (born 1958) is an American anthropologist and professor of anthropology at the University of Texas at El Paso, where he is also an Endowed Professor of Border Trade Issues and the director of the Center for Interamerican and Border Studies. He is known for his studies of the United States-Mexico border, which he has been studying for over 30 years. He has also researched the increasing extent to which the border has been enforced by the United States Border Patrol.
That same week, Heyman and Tod Gordon rechristened the promotion, eliminating the regional branding "Eastern" and declaring the promotion Extreme Championship Wrestling. They broke the company away from the NWA, and ECW became its own entity. Heyman encouraged wrestlers to express their true feelings about the WWF, the NWA, and WCW. Heyman bought out Gordon and became sole owner of ECW. During his time in ECW, Heyman found an ally in Vince McMahon's WWF. McMahon had sent some WWF wrestlers to ECW (under WWF payroll) to develop them and was interested in some ECW wrestlers, such as Terry Gordy and 2 Cold Scorpio. McMahon paid Heyman $1,000 per week to rent Scorpio.
In the final days of ECW, Heyman did not appear on the show and was replaced as the leader of the backstage and creative by ECW wrestler Tommy Dreamer. ECW entered into bankruptcy in 2001 (just weeks after WCW was sold to WWF for $2,000,000, after AOL Time Warner wrote off over $100 million in debt), with the company $7,000,000 in arrears, with over $3,000,000 owed to the company by InDemand pay per view.
Heyman operates a multimedia project called The Heyman Hustle. It features videos of Heyman interacting with celebrities from various fields of entertainment on the streets of New York City, as well as regular writings of his take on the world of professional wrestling. After successful viral campaigns with EA, Heyman's Looking4Larry Agency became the agency of record for THQ video games, where Heyman and Stuart wrote, directed, and produced viral videos for THQ games such as "WWE All Stars", "WWE '12", and "WWE '13". In 2011, he worked with Brock Lesnar again, this time collaborating with him on Lesnar's autobiography, "Death Clutch: My Story of Determination, Domination, and Survival".
Heyman started in the film industry as a production assistant on David Lean's "A Passage to India", and in 1986, Heyman became a creative executive at Warner Brothers. In the late '80s, he became vice president of United Artists and subsequently embarked on an independent producing career with his first film, "Juice", in 1992, followed by the cult "stoner" film "The Stoned Age" (1994) and others.
In 1988, Heyman jumped to Jim Crockett Promotions, where Dangerously again managed the Original Midnight Express in a feud with the new Midnight Express (Bobby Eaton and Stan Lane) and their manager, Jim Cornette, as well as managing "Mean" Mark Callous. He settled into the role of an announcer, joining Jim Ross to call the matches on WTBS' "World Championship Wrestling" and other programming. Heyman admitted he learned more working with Ross than from his previous mentors. While in-between stints in WCW, Heyman went to work for ICW as a writer, but was fired on his first day in the middle of his first TV taping.