Instruct: Given a question, retrieve passages that can help answer the question.
Query: Is Death in Discworld?
Death has appeared in every Discworld novel, with the exception of "The Wee Free Men" and "Snuff", and had a possible cameo at the end of "Johnny and the Dead" (the character was not identified, but spoke in unquoted small caps). The Discworld books with Death as a leading character, starting with "Mort" in 1987, are:
Group D
Group C
Leviathan is a 2009 novel written by Scott Westerfeld and illustrated by Keith Thompson. First of a trilogy set in alternative version of World War I, it has Central Powers (known in-universe as "Clankers") using mechanized war machines opposed by Entente Powers (as "Darwinists") who fabricate living creatures genetically. The central protagonists are Aleksander, son of Archduke Franz Ferdinand; and Deryn, a Scottish girl with dreams of joining the British Air Service with her brother. The sequels are "Behemoth" and "Goliath". The first two chapters of this book were released with "Bogus to Bubbly: Insider's Guide to the World of Uglies".
This tablet is mainly an Akkadian translation of an earlier Sumerian poem, Gilgamesh and the Netherworld (also known as "Gilgamesh, Enkidu, and the Netherworld" and variants), although it has been suggested that it is derived from an unknown version of that story. The contents of this last tablet are inconsistent with previous ones: Enkidu is still alive, despite having died earlier in the epic. Because of this, its lack of integration with the other tablets, and the fact that it is almost a copy of an earlier version, it has been referred to as an 'inorganic appendage' to the epic. Alternatively, it has been suggested that "its purpose, though crudely handled, is to explain to Gilgamesh (and the reader) the various fates of the dead in the Afterlife" and in "an awkward attempt to bring closure", it both connects the Gilgamesh of the epic with the Gilgamesh who is the King of the Netherworld, and is "a dramatic capstone whereby the twelve-tablet epic ends on one and the same theme, that of "seeing" (= understanding, discovery, etc.), with which it began."
Sir Thursday is a young adult fantasy novel written by Australian author Garth Nix. It is the fourth book in The Keys to the Kingdom series, and was released in March 2006. Sir Thursday continues from the preceding book, following the adventures of Arthur Penhaligon as he attempts to retrieve the Fourth key of the Kingdom, and claim mastership of The Great Maze. As with the other books in the series, the theme of 'seven' is prevalent, along with the themes of sin and virtue. The book received generally favourable critical response, but was criticised for a slow pace, among other issues.
During the course of the novel, the ideas of the stages of grief are introduced. The stages are denial, anger, depression, and acceptance. The narrator, as well as other characters in the story, slowly passes through these stages in trying to deal with death.
In a collaboration with author Terry Pratchett, best known for his series of "Discworld" novels, Gaiman's first novel "Good Omens" was published in 1990. In 2011 Pratchett said that while the entire novel was a collaborative effort and most of the ideas could be credited to both of them, Pratchett did a larger portion of writing and editing if for no other reason than Gaiman's scheduled involvement with "Sandman".
The 2014 book "" detailed the life of Grand Moff Tarkin, and prominently featured the first Death Star. The theme of the construction of the Death Star is continued in the 2016 book, "", which tells the story of the development of the Death Star's superweapon by the scientist, Galen Erso and Krennic's deception of him. It also reveals how Poggle worked with Krennic on the Project but then turned on him.
Bruce DeSilva considered the book to be the best piece of atheist writing since Bertrand Russell's "Why I Am Not a Christian" (1927), with Hitchens using "elegant yet biting prose". He concludes that "Hitchens has nothing new to say, although it must be acknowledged that he says it exceptionally well".
Heart of Darkness (1899) is a novella by Polish-English novelist Joseph Conrad about a narrated voyage up the Congo River into the Congo Free State in the so-called "heart of Africa". Charles Marlow, the narrator, tells his story to friends aboard a boat anchored on the River Thames. This setting provides the frame for Marlow's story of his obsession with the ivory trader Kurtz, which enables Conrad to create a parallel between what Conrad calls "the greatest town on earth", London, and Africa as places of darkness.
"Heart of Darkness" is a novel told in the first person perspective that surrounds the character Marlow as he retells the story of when he traveled through Africa for his trade company. The novel alludes to Africa as a place of darkness, thus the title referring to being in the heart of Africa or heart of "Darkness". The novel describes Africa as a place of evil, and violent natives. The character Kurtz displays the effects of living in such a place for a long time. Kurtz grows ill and eventually passes, but he shows his passions for how much he loved Africa and how much he didn't want to leave. At one point he leaves wood for the steamer ship in a hut, and after the ship takes on all the wood, they are attacked by the natives. Later it is discovered that Kurtz organized the attack so that he could stay in Africa. Kurtz had grown to love his life in Africa and the culture, for example when the ship picks him up, there's a woman watching as the ship leaves, and that woman is Kurtz significant other.
Besides the subplot involving the Earl of Gloucester and his sons, the principal innovation Shakespeare made to this story was the death of Cordelia and Lear at the end; in the account by Geoffrey of Monmouth, Cordelia restores Lear to the throne, and succeeds him as ruler after his death. During the 17th century, Shakespeare's tragic ending was much criticised and alternative versions were written by Nahum Tate, in which the leading characters survived and Edgar and Cordelia were married (despite the fact that Cordelia was previously betrothed to the King of France). As Harold Bloom states: "Tate's version held the stage for almost 150 years, until Edmund Kean reinstated the play's tragic ending in 1823."
Oscar (Nathaniel Brown) lives in Tokyo with his younger sister Linda (Paz de la Huerta) and supports himself by dealing drugs, against the advice of his friend Alex (Cyril Roy), who attempts to turn Oscar's interest toward "The Tibetan Book of the Dead", a Buddhist book about the afterlife. The first segment begins with Linda leaving for work (at a local strip club) and then follows Oscar's nightly routine through strict point-of-view shots, including momentary blackouts that represent blinking, private internal thoughts, and extended sequences of a DMT-induced hallucination.
In conjunction with the release of the "Harry Potter and the Half-Blood Prince" film in 2009, the organisation launched a "What Would Dumbledore Do" campaign, asking fans to tweet about the lessons they learned from Harry Potter's headmaster Albus Dumbledore using #dumbledore, attend the film release wearing a nametag with one thing Dumbledore taught them, and apply those lessons in their lives.
Wake, also called WWW: Wake, is a 2009 novel written by Canadian novelist Robert J. Sawyer and the first book in his "WWW Trilogy". It was first published on April 8, 2009 and was followed by "Watch" in 2010 and by "Wonder" in 2011. The novel details the spontaneous emergence of an intelligence on the World Wide Web, called Webmind, and its friendship with a blind teenager named Caitlin.
Mythology also plays a large part in "Boogiepop Phantom". Two of the main protagonists are said to be "Shinigami", death deities of Japanese folklore who can take on many forms. "Kitsune" are fox spirits of Japanese folklore, they possess magical powers that increase with age and are capable of assuming human form, with Boogiepop being described as a kitsune by Touka Miyashita's parents. The Manticore is named after the man-eater of Persian mythology, sometimes described as being a chimera with the face of a beautiful women, or to inhabit the forests of Asia and kill with a single scratch or bite, before devouring the entire body leaving no evidence. The title of episode eleven "Under the Gravity's Rainbow" is a homage to the novel "Gravity's Rainbow" by Thomas Pynchon, which is known for ripping the normal rules of narrative and character development wide open and covering specialist knowledge from many fields, and is subsequently criticized for being "difficult" and "unreadable". The famous quote by philosopher Friedrich Nietzsche "God is Dead" was used as the title of the CD given to Panuru, who didn't believe in the existence of God.
The Death of Socrates () is an oil on canvas painted by French painter Jacques-Louis David in 1787. The painting focuses on a classical subject like many of his works from that decade, in this case the story of the execution of Socrates as told by Plato in his "Phaedo". In this story, Socrates has been convicted of corrupting the youth of Athens and introducing strange gods, and has been sentenced to die by drinking poison hemlock. Socrates uses his death as a final lesson for his pupils rather than fleeing when the opportunity arises, and faces it calmly. The "Phaedo" depicts the death of Socrates and is also Plato's fourth and last dialogue to detail the philosopher's final days, which is also detailed in "Euthyphro", "Apology", and "Crito".
The Slow Regard of Silent Things is a fantasy novella and one of the companion tales in "The Kingkiller Chronicle" series written by American author Patrick Rothfuss. It includes illustrations by Nate Taylor and was first published by DAW Books in the United States on October 28, 2014.
It is not known precisely when the article was written. Peter Davison, editor of Orwell's "Collected Works", has suggested a possible history for its composition that places its writing between 1931 and 1936 – a time when Orwell's work revolved around the unemployed, tramps and beggars – reworked it between summer 1940 and spring 1941, – submitted it to "Horizon" – but it was rejected – possibly because readers would have been unwilling to read about 'how the poor die' at such a time – and finally, a section retyped and then published in "Now", a magazine established by George Woodcock, in November 1946.
Linguists distinguish between language "death" and the process where a language becomes a "dead language" through normal language change, a linguistic phenomenon analogous to pseudoextinction. This happens when a language in the course of its normal development gradually morphs into something that is then recognized as a separate, different language, leaving the old form with no native speakers. Thus, for example, Old English may be regarded as a "dead language" although it changed and developed into Middle English, Early Modern English and Modern English. Dialects of a language can also die, contributing to the overall language death. For example, the Ainu language is slowly dying - "The UNESCO Atlas of the World's Languages in Danger lists Hokkaido Ainu as critically endangered with 15 speakers ... and both Sakhalin and Kuril Ainu as extinct."
Albert (originally known as Alberto Malich) is Death's manservant, butler, and cook. Once a wizard and founder of the Unseen University, he attempted to gain immortality by reciting the Rite of AshkEnte (a ritual to summon Death) backwards, believing this would force Death to stay away from him. Instead it brought him directly to Death's Domain. Since time in Death's Domain does not flow in the same way as it does on the Discworld, Albert succeeded, in a way, at gaining immortality. Before returning to the world during "Mort", "Albert" had 91 days, three hours and five minutes of Time left on the Disc, most of which he spent shopping and using the soap and baths at the ""Young Men's Reformed Cultist of the Ichor-God-Bel-Shamharoth's Association"" (Death is not very good at making plumbing). As of "Hogfather", he has only a few seconds left, and can no longer leave Death's side. Albert is a highly idiosyncratic cook, believing everything needs to be fried to get rid of the germs, including porridge.
Characters that often appear with Death include his butler Albert; his granddaughter Susan Sto Helit; the Death of Rats, the part of Death in charge of gathering the souls of rodents; Quoth, a talking raven (a parody of Edgar Allan Poe's "The Raven", although it flat-out refuses to say "Nevermore"); and the Auditors of Reality, personifications of the orderly physical laws and the closest thing Death has to a nemesis. Death or Susan appear as the main characters in five Discworld novels. He also appears in the short stories "Death and What Comes Next", "Theatre of Cruelty" and "Turntables of the Night".
Death's hollow, peculiar voice is represented in the books by unquoted ; since he is a skeleton, he has no vocal cords to speak with, and therefore the words enter the head with no involvement from the ears. His "voice" is often described using a morbid metaphor, such as two slabs of granite being rubbed together, or the slamming of coffin lids; these descriptions have become less frequent in later novels. In the first Discworld novel, "The Colour of Magic", as well as in "Eric", all pronouns referring to Death are capitalized; thus, for example, "he" is written as "He". This is usually reserved for the Discworld gods and is not featured in any of the other novels.
In many ways, he epitomizes the bleakness of human existence. In "Reaper Man", in which he is rendered temporarily mortal (or at least the imagination of being mortal, since his state of being "it/death" is, as mentioned in Discworld Noir, constant), he becomes frustrated and infuriated with the unfair inevitability of death, a theme that continues through later books. In "Soul Music" he expresses misery at the fact that he is capable of preventing deaths but is forbidden to do so; during his time as the Hogfather, he uses his new dual role to save a little match girl from dying of the cold by giving her the 'gift' of a future, thus allowing him to avoid the usual complications that arise from him breaking the rules. Despite his general lack of emotion, the Auditors of Reality are one of the few things actually capable of angering him. He also gets angry upon hearing of Rincewind: In "Eric", for example, his eyes turn red at the mention of Rincewind. Pratchett even says in "The Art of Discworld" that he has received a number of letters from terminally ill fans in which they hope that Death will resemble the Discworld incarnation (he also says that those particular letters usually cause him to spend some time staring at the wall).