Instruct: Given a question, retrieve passages that answer the question.
Query: Where was Michelangelo born?
Michelangelo was born in Florence in 1475 and, like Leonardo, was a true Renaissance man. He was a sculptor, painter, architect, poet, and engineer who exerted an unparalleled influence on the development of Western art. He was considered the greatest living artist in his lifetime and, since then, one of the greatest artists of all time. His two best-known sculptures, the Pietà and David, are famous throughout the world. Michelangelo also created two of the most famous and influential frescoes in the history of Western art: the scenes from Genesis covering the ceiling of the Sistine Chapel, and The Last Judgment on the altar wall of the Chapel.
The victory at Calabria gave Lorenzo de' Medici confidence to keep working with Giuliano. Consequently, Lorenzo commissioned him to design a villa in Poggio a Caiano after holding a competition to determine the best design. Giuliano was able to use Leon Battista Alberti's design for the Villa Medici in Fiesole as his initial inspiration. Construction on the villa began in 1485 and remained largely unfinished throughout Lorenzo's life. His son, Giovanni, oversaw its completion after being elected pope as Pope Leo X. Giuliano's design featured classical design elements including Ionic columns and an ancient temple style façade. The Medici Villa in Poggia a Caiano is one of the oldest examples of Renaissance-style country villas and served as an inspiration for many future architects of the era.
The Colosseum or Coliseum ( ), also known as the Flavian Amphitheatre (Latin: "Amphitheatrum Flavium"; Italian: "Anfiteatro Flavio" or "Colosseo" ), is an oval amphitheatre in the centre of the city of Rome, Italy. Built of travertine, tuff, and brick-faced concrete, it is the largest amphitheatre ever built. The Colosseum is situated just east of the Roman Forum. Construction began under the emperor Vespasian in AD 72, and was completed in AD 80 under his successor and heir Titus. Further modifications were made during the reign of Domitian (81–96). These three emperors are known as the Flavian dynasty, and the amphitheatre was named in Latin for its association with their family name "(Flavius)".
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Modern Italy became a nation-state during the Risorgimento on 17 March 1861, when most of the states of the peninsula and Kingdom of the Two Sicilies were united under King Victor Emmanuel II of the Savoy dynasty, hitherto monarch of the Kingdom of Sardinia, a realm that included Piedmont. The architect of Italian unification was Count Camillo Benso di Cavour, the Chief Minister of Victor Emmanuel. Rome itself remained for a further decade under the Papacy, and became part of the Kingdom of Italy only in 1870. In September of that year, invading Italian troops entered the city, and the ensuing occupation forced Pope Pius IX to his palace where he declared himself a prisoner in the Vatican, as did his successors, until the Lateran Pacts of 1929.
Vatican City (), officially Vatican City State (; ), is an independent city-state enclaved within Rome, Italy. Established with the Lateran Treaty (1929), it is distinct from yet under "full ownership, exclusive dominion, and sovereign authority and jurisdiction" of the Holy See (). With an area of 44 hectares (110 acres), and a population of about 1,000, it is the smallest state in the world by both area and population.
Raphael, (1483–1520), Urbino, trained under Perugino in Perugia before moving to Florence, was for a time the chief architect for St. Peter’s, working in conjunction with Antonio Sangallo. He also designed a number of buildings, most of which were finished by others. His single most influential work is the Palazzo Pandolfini in Florence with its two stories of strongly articulated windows of a "tabernacle" type, each set around with ordered pilasters, cornice and alternate arched and triangular pediments.
The Florentine "Prigioni" (The "Young Slave", the "Bearded Slave", the "Atlas Slave", and the "Awakening Slave") were probably sculpted in the latter half of the 1520s, when Michelangelo was employed at San Lorenzo in Florence (but historians have suggested dates between 1519 and 1534). They are known to have been in the artist's store on the via Mozza until 1544, when Michelangelo's nephew, Leonardo Buonarroti, asked for permission to sell them (Michelangelo did not set foot in Florence after 1534). This permission was denied and it was only in 1564 that they were sold, along with "The Genius of Victory" to the Grand Duke Cosimo I, who placed them in the four corners of the Grotto of Buontalenti before 1591. They were removed from there in 1908 to join the Michelangelo collection which had been formed in the Florentine gallery.
In 1508 Pope Julius II succeeded in getting the Florentine sculptor Michelangelo (1475-1564) to agree to continue the decorative scheme of the Sistine Chapel. The Sistine Chapel ceiling was constructed in such a way that there were twelve sloping pendentives supporting the vault that formed ideal surfaces on which to paint the Twelve Apostles. Michelangelo soon devised an entirely different scheme, far more complex both in design and in iconography. The scale of the work, which he executed single handed except for manual assistance, was titanic and took nearly five years to complete.
A small but notable example of Gothic revival in Italy is the Pedrocchi Café in Padua, Italy (1837), by Giuseppe Jappelli. It borrowed the Venetian Gothic style plus the pinnacles of Milan Cathedral. It became famous as the meeting place of Italian patriots rebelling against Austrian rule in 1848.
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The room Is dedicated to two important masterpieces of the Medici era recently restored: the imposing frieze that adorned the façade of the Villa and was commissioned by Lorenzo himself, and the precious tapestry of the Hunting Swan, one of 36 tapestries designed by Giorgio Vasari on commission of Cosimo I, especially for the Villa. Finally, though temporarily, the room is embellished with the 17th century painting of a beautiful family tree of the Medici family.
The Vatican was built during the year 326 A.D. As the population and housing grew, the first palace was built during the 5th century under the reign of Pope Symmachus (498–514). Under the Holy Roman Empire, the Papal States grew to include a large portion of central Italy. But since the unification of Italy in the mid-19th century, Vatican City is the only papal state that has survived. As of 1929, because of the Lateran Treaty, the Vatican is recognized as its own independent state, the smallest in the world in population and land size, with a population of just over 800 people in July 2011. The Pope is not only the head of the Catholic religion but also head of state for Vatican City. Since the Vatican is located in Italy, the main language of the Vatican state (or Vatican City) is Italian.
The ceiling of the Sistine Chapel was to have a profound effect upon other artists, even before it was completed. Vasari, in his Life of Raphael, tells us that Bramante, who had the keys to the chapel, let Raphael in to examine the paintings in Michelangelo's absence. On seeing Michelangelo's prophets, Raphael went back to the picture of the Prophet Isaiah that he was painting on a column in the Church of Sant'Agostino and, according to Vasari, although it was finished, he scraped it off the wall and repainted it in a much more powerful manner, in imitation of Michelangelo. John O'Malley points out that even earlier than the Isaiah is Raphael's inclusion of the figure of Heraclitus in the "School of Athens", a brooding figure similar to Michelangelo's Jeremiah, but with the countenace of Michelangelo himself, and leaning on a block of marble.
This first of the famous "Stanze" or "Raphael Rooms" to be painted, now known as the "Stanza della Segnatura" after its use in Vasari's time, was to make a stunning impact on Roman art, and remains generally regarded as his greatest masterpiece, containing "The School of Athens", "The Parnassus" and the "Disputa". Raphael was then given further rooms to paint, displacing other artists including Perugino and Signorelli. He completed a sequence of three rooms, each with paintings on each wall and often the ceilings too, increasingly leaving the work of painting from his detailed drawings to the large and skilled workshop team he had acquired, who added a fourth room, probably only including some elements designed by Raphael, after his early death in 1520. The death of Julius in 1513 did not interrupt the work at all, as he was succeeded by Raphael's last Pope, the Medici Pope Leo X, with whom Raphael formed an even closer relationship, and who continued to commission him. Raphael's friend Cardinal Bibbiena was also one of Leo's old tutors, and a close friend and advisor.
By the end of 1508, Raphael had moved to Rome, where he lived for the rest of his life. He was invited by the new Pope Julius II, perhaps at the suggestion of his architect Donato Bramante, then engaged on St. Peter's Basilica, who came from just outside Urbino and was distantly related to Raphael. Unlike Michelangelo, who had been kept lingering in Rome for several months after his first summons, Raphael was immediately commissioned by Julius to fresco what was intended to become the Pope's private library at the Vatican Palace. This was a much larger and more important commission than any he had received before; he had only painted one altarpiece in Florence itself. Several other artists and their teams of assistants were already at work on different rooms, many painting over recently completed paintings commissioned by Julius's loathed predecessor, Alexander VI, whose contributions, and arms, Julius was determined to efface from the palace. Michelangelo, meanwhile, had been commissioned to paint the Sistine Chapel ceiling.
On 17 March 1861, law no. 4671 of the Sardinian Parliament proclaimed the Kingdom of Italy, so ratifying the annexations of all other Apennine states, plus Sicily, to the Kingdom of Sardinia. The institutions and laws of the Kingdom were quickly extended to all of Italy, abolishing the administrations of the other regions. Piedmont became the most dominant and wealthiest region in Italy and the capital of Piedmont, Turin, remained the Italian capital until 1865, when the capital was moved to Florence. But many revolts exploded throughout the peninsula, especially in southern Italy, and on the island of Sicily, because of the perceived unfair treatment of the south by the Piedmontese ruling class. The House of Savoy ruled Italy until 1946 when Italy was declared a republic by referendum. In this referendum the southern regions, including Sardinia, voted overwhelmingly in favor of the House of Savoy, with the results being 63.8% in favor of maintaining the monarchy.
Ghirlandaio is credited as the teacher of Michelangelo. Francesco Granacci is another among his pupils. According to Vasari, these two were sent by Ghirlandaio to the Medici Academy, when Lorenzo de' Medici requested his two best pupils. Although Michelangelo regarded himself primarily as a sculptor, in the 16th century he was to follow his master as a painter of frescos, at the Sistine Chapel.
The Apollo, Apollo-David, David-Apollo, or Apollino is a 1.46 m unfinished marble sculpture by Michelangelo that dates from approximately 1530. It now stands in the Bargello museum in Florence.
He was born, apparently in Tuscany, perhaps in Lucca, from a Parmesan family of ancient Langobard origin, known as Anselmi di Cardano. He moved to Siena around 1500, where he is mentioned as painter for the first time in 1511. He was a pupil of Il Sodoma and Domenico Beccafumi.
According to Vasari, his father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice "despite the tears of his mother". The evidence of an apprenticeship comes only from Vasari and another source, and has been disputed—eight was very early for an apprenticeship to begin. An alternative theory is that he received at least some training from Timoteo Viti, who acted as court painter in Urbino from 1495. Most modern historians agree that Raphael at least worked as an assistant to Perugino from around 1500; the influence of Perugino on Raphael's early work is very clear: "probably no other pupil of genius has ever absorbed so much of his master's teaching as Raphael did", according to Wölfflin. Vasari wrote that it was impossible to distinguish between their hands at this period, but many modern art historians claim to do better and detect his hand in specific areas of works by Perugino or his workshop. Apart from stylistic closeness, their techniques are very similar as well, for example having paint applied thickly, using an oil varnish medium, in shadows and darker garments, but very thinly on flesh areas. An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters. The Perugino workshop was active in both Perugia and Florence, perhaps maintaining two permanent branches. Raphael is described as a "master", that is to say fully trained, in December 1500.
Michelangelo Sapiano was born in Mqabba in 1826. When he was 14 years of age he opened a watch repair shop and at such a young age he managed to repair the clock found in the Parish Church of Mqabba when other clock makers couldn’t do so. This paved the way for him to become famous and gave him the courage to start making clocks. He went to live in Luqa when he was 21 years of age after he married a girl from the town.
Several months after Michelangelo's birth, the family returned to Florence, where he was raised. During his mother's later prolonged illness, and after her death in 1481 (when he was six years old), Michelangelo lived with a nanny and her husband, a stonecutter, in the town of Settignano, where his father owned a marble quarry and a small farm. There he gained his love for marble. As Giorgio Vasari quotes him:
As a young boy, Michelangelo was sent to Florence to study grammar under the Humanist Francesco da Urbino. However, he showed no interest in his schooling, preferring to copy paintings from churches and seek the company of other painters.
Michelangelo Ricci was born on 30 January 1619 in Rome, then capital of the Papal States, to a family of low social standing that originated in Bergamo.
Signorile was born in Brooklyn, New York and spent his early childhood in the 1960s and 1970s in Brooklyn and Staten Island. He attended the S. I. Newhouse School of Public Communications at Syracuse University, where he majored in journalism. It was in those years that he came to realize his own homosexuality, but remained closeted to many friends and to family.