Instruct: Given a question, retrieve passages that can help answer the question.
Query: When was the Beat Generation?
The Beat Generation was a literary movement started by a group of authors whose work explored and influenced American culture and politics in the post-war era. The bulk of their work was published and popularized throughout the 1950s. The central elements of Beat culture are the rejection of standard narrative values, making a spiritual quest, the exploration of American and Eastern religions, the rejection of materialism, explicit portrayals of the human condition, experimentation with psychedelic drugs, and sexual liberation and exploration.
In August 1969, the Woodstock Music and Art Fair took place in Bethel, New York, which for many, exemplified the best of hippie counterculture. Over 500,000 people arrived to hear some of the most notable musicians and bands of the era, among them Canned Heat, Richie Havens, Joan Baez, Janis Joplin, The Grateful Dead, Creedence Clearwater Revival, Crosby, Stills, Nash & Young, Carlos Santana, Sly & The Family Stone, The Who, Jefferson Airplane, and Jimi Hendrix. Wavy Gravy's Hog Farm provided security and attended to practical needs, and the hippie ideals of love and human fellowship seemed to have gained real-world expression. Similar rock festivals occurred in other parts of the country, which played a significant role in spreading hippie ideals throughout America.
Simon Reynolds has said that "what we now know as indie music was invented in Scotland," with reference to the emergence of Postcard Records in 1979. However, some have posited that concept of indie music did not crystallise until the late 1980s and early 1990s. American indie pop band Beat Happening's 1985 eponymous debut album was also influential in the development of the indie pop sound, particularly in North America. In the early 1990s, English indie pop influenced and branched off to a variety of styles. The US, which did not have as much of a scene in the 1980s, had many indie pop enthusiasts by the mid 1990s. Most of the modern notion of indie music stems from "NME"s 1986 compilation "C86", which collects many guitar bands who were inspired by the early psychedelic sounds of 1960s garage rock.
What became the genesis of the Bosstown Sound is said to exist, at least in rudimentary form, as early as June 1967, when journalist Mel Lyman's first issue of "Avatar" was pressed. His newspaper carried an advertisement promoting a scheduled event, headlined by two of Boston's earliest psychedelic rock bands, Ill Wind and the Hallucinations, at the Boston Tea Party. Ill Wind and the Hallucinations' performances helped establish the Boston Tea Party as a must-go-to venue for the city's psychedelic scene, and soon other like-minded musical acts -- among them the Velvet Underground, the Peanut Butter Conspiracy, and Lothar and the Hand People -- became frequent attractions. Journalist Earl Greyland, described the Boston Tea Party's importance in "Boston After Dark": "[It] occurred on March 15, 1968, when, as the staid WBCN audience sat listening to its usual Muzak, the voice of Frank Zappa asked, 'Are you hung up?' and Cream launched into 'I Feel Free'. That was the beginning of the "American Revolution", a daily seven-hour program originating from the dressing room of the Tea Party. The combination of providing an established performance setting and radio exposure made the Tea Party a gig second in importance only to the Fillmore". Other psychedelic venues that contributed to the promotion of the underground music scene in Boston include the Psychedelic Supermarket, the Crosstown Bus, the Catacombs, and the Unicorn.
Indie pop (also typeset as indie-pop or indiepop) is a music genre and subculture that combines guitar pop with DIY ethic in opposition to the style and tone of mainstream pop music. It originated from British post-punk in the late 1970s and subsequently generated a thriving fanzine, label, and club and gig circuit. Compared to its counterpart, indie rock, the genre is more melodic, less abrasive, and relatively angst-free. In later years, the definition of "indie pop" has bifurcated to also mean bands from unrelated DIY scenes/movements with pop leanings. Subgenres include chamber pop and twee pop.
The ratification of the 18th amendment to the Constitution in 1919 made the production and sale (including exportation) of alcoholic beverages illegal in the United States. This ushered in the beginning of what is known as the Gangster Era, a time that roughly spans from 1919 until 1933 when Prohibition was repealed. The 1920s saw gangsters, including Al Capone, Dion O'Banion, Bugs Moran and Tony Accardo battle law enforcement and each other on the streets of Chicago during the Prohibition era. Chicago was the location of the infamous St. Valentine's Day Massacre in 1929, when Al Capone sent men to gun down members of a rival gang, North Side, led by Bugs Moran.
The American Renaissance was a period of American architecture and the arts from 1876 to 1917, characterized by renewed national self-confidence and a feeling that the United States was the heir to Greek democracy, Roman law, and Renaissance humanism. The era spans the period between the Centennial Exposition (celebrating the 100th anniversary of the signing of the Declaration of Independence) and the United States' entry into World War I.
Steinbeck's Grapes of Wrath, published in 1939, was poorly received locally. According to Erick city clerk Nyla Tennery, "I can remember plainly when the book came out my parents and other people who stayed here were just real upset. That book gave all Missouri, Arkansas and Oklahoma people a shiftless, bad name, like that was the only kind of people who were here."
In Jacksonville, Florida during the summer of 1964, Ronnie Van Zant, Bob Burns, and Gary Rossington became acquainted while playing on rival baseball teams and decided to jam together one afternoon after Burns was injured by a ball hit by Van Zant. The trio set up their equipment in the carport of Burns' parents' house and played The Rolling Stones' then-current hit "Time Is on My Side". Liking what they heard, they immediately decided to form a band. They soon approached guitarist Allen Collins, though Collins initially fled on his bicycle and hid in a tree at the sight of Van Zant pulling into his driveway. Collins was soon convinced that Van Zant meant him no harm and he agreed to join the fledgling band. Bassist Larry Junstrom soon rounded out the lineup and the band settled on the name My Backyard, later changed to The Noble Five before becoming The One Percent by 1968.
"War Commentary" was published with an overtly anti-militarist message, co-operating heavily with the pacifist movement, and in November 1944 the homes of several collective members were raided along with the offices of the press itself. When Richards, Marie-Louise Berneri, John Hewetson and Philip Sansom were arrested at the beginning of 1945 for attempting "to undermine the affections of members of His Majesty's Forces," Benjamin Britten, E. M. Forster, Augustus John, George Orwell, Herbert Read (chairman), Osbert Sitwell and George Woodcock set up the Freedom Defence Committee to "uphold the essential liberty of individuals and organizations, and to defend those who are persecuted for exercising their rights to freedom of speech, writing and action."
In 1958, Beecham scientists in the UK discovered the penicillin nucleus, 6-APA. From that starting material, a large number of new semisynthetic penicillins could be designed, whose activity was directed against problem infections.
The American Renaissance period in American literature ran from about 1830 to around the Civil War. A central term in American studies, the American Renaissance was for a while considered synonymous with American Romanticism and was closely associated with Transcendentalism.
Group C
The U.S. birthrate exploded after World War II. From 1944 to 1961, more than 65 million children were born in the United States. At the height of this baby boom, a child was born every seven seconds. Factors that contributed to the baby boom consisted of young couples who started families after putting off marriage during the War, government encouragement of growth of families through the aid of GI benefits, and popular culture that celebrated pregnancy, parenthood, and large families.
On August 1, 2 and 3, 1969 an estimated 100,000 people attended the Atlantic City Pop Festival at the race course. The overwhelming turn out was an unexpected and controversial state of affairs, as local government agencies and police departments strained to respond to the harbinger of the Woodstock Festival in upstate New York just a few weeks later. Roads approaching the race course were clogged with young people who spontaneously arrived to attend, forming an ad-hoc hippy hollow in the surrounding forest areas in the vicinity.
Due in large part to the dramatic reduction in the risk of unwanted pregnancy engendered by the introduction of the Pill in 1960, not to mention the legalization of contraception nationwide by the Supreme Court decision in "Griswold v. Connecticut" in 1965, along with the steadily increasing acceptance of abortion and delayed marriages for career-minded young women influenced by second-wave feminism, or the chic rejection of the responsibilities of marriage altogether in favor of living together without raising a family, U.S. birthrates fell below replacement level starting in 1965 and remained depressed for almost 20 years; thus, children born during this period became known, at least in the popular press, as "baby busters" (as opposed to the "baby boomers" of the postwar years). Birthrates hit an all-time low during the post-OPEC recession in the mid-1970s.
Terry Southern (May 1, 1924 – October 29, 1995) was an American novelist, essayist, screenwriter, and university lecturer, noted for his distinctive satirical style. Part of the Paris postwar literary movement in the 1950s and a companion to Beat writers in Greenwich Village, Southern was also at the center of Swinging London in the 1960s and helped to change the style and substance of American films in the 1970s. He briefly wrote for "Saturday Night Live" in the 1980s.
The genre's role in exploring and shaping race relations in the US has been controversial. Some held that the blaxploitation trend was a token of black empowerment, but others accused the movies of perpetuating common white stereotypes about black people. As a result, many called for the end of the genre. The NAACP, Southern Christian Leadership Conference, and National Urban League joined to form the Coalition Against Blaxploitation. Their influence in the late 1970s contributed to the genre's demise. Literary critic Addison Gayle wrote in 1974, "The best example of this kind of nihilism / irresponsibility are the Black films; here is freedom pushed to its most ridiculous limits; here are writers and actors who claim that freedom for the artist entails exploitation of the very people to whom they owe their artistic existence."
The Argentine Rock of the late 1970s included bands such as Pappo's Blues, El Reloj, Vox Dei and Pescado Rabioso. The fans of those bands would eventually create the first heavy metal bands. There was no specialized press at the time, and bands and concerts were scarce. Pappo, who was already a famous musician and had been in Europe for some time, created a band influenced by the new wave of British heavy metal, Riff. V8, a band with less popularity, mixed heavy metal and punk rock, and became notable during an incident at the "Buenos Aires Rock" concert.
The chantwell became a calypsonian in the 1920s and calypso became widely popular throughout Trinidad and the Caribbean in the 1930s. Harry Belafonte, a Jamaican-born artist, became hugely successful throughout the world with his 1956 "Calypso" becoming a million seller. During the 1960s, calypso was merged with Indian music and later soul and funk to become soca.
Indie folk is a music genre that arose in the 1990s among musicians from indie rock scenes influenced by folk music. Indie folk hybridizes the acoustic guitar melodies of traditional folk music with contemporary instrumentation. The genre has its earliest origins in 1990s folk artists who displayed alternative rock influences in their music, such as Ani DiFranco and Dan Bern, and acoustic artists such as Elliott Smith and Will Oldham. In the following decade, labels such as Saddle Creek, Barsuk, Ramseur, and Sub Pop helped to provide support to indie folk. Artists of note include the Decemberists, Fleet Foxes, the Cave Singers, Loch Lomond, Bon Iver, Or, The Whale, Great Lake Swimmers, and Blind Pilot.
Kerouac explained what he meant by "beat" at a Brandeis Forum, "Is There A Beat Generation?", on November 8, 1958 at New York's Hunter College Playhouse. The seminar's panelists were Kerouac, James A. Wechsler, Princeton anthropologist Ashley Montagu and author Kingsley Amis. Wechsler, Montagu, and Amis wore suits, while Kerouac was clad in black jeans, ankle boots and a checkered shirt. Reading from a prepared text, Kerouac reflected on his beat beginnings:
After the break-up of The Beat in 1983, Dave Wakeling and Ranking Roger went on to form General Public and had a couple of hit singles in the US and Canada, while Andy Cox and David Steele formed Fine Young Cannibals with vocalist Roland Gift from the ska band Akrylykz. Drummer Everett Morton and Saxa formed The International Beat along with the Birmingham-based singer, Tony Beet, and the band released an album titled "The Hitting Line" on Blue Beat Records in 1990 (BBSLP 009). The album was produced by Ranking Roger and he often guested with the band at some of their shows. The International Beat toured the UK and United States before calling it a day in 1992. Ranking Roger also briefly joined Mick Jones' post-Clash band Big Audio Dynamite and performed at several live shows with the band. However, the band broke up shortly after he joined when its last album was shelved by the record company. Meanwhile, "March of the Swivelheads", an instrumental version of the Beat's song "Rotating Heads", was used in the climactic chase scene of 1986's "Ferris Bueller's Day Off"; the band was listed in the end credits as "The (English) Beat". "Save It for Later" was featured on the soundtrack album to 1996's "Kingpin", 2010's "Hot Tub Time Machine" and 2017's "".
In July 1957, Kerouac moved to a small house at 1418½ Clouser Avenue in the College Park section of Orlando, Florida, to await the release of "On the Road". Weeks later, a review of the book by Gilbert Millstein appeared in "The New York Times" proclaiming Kerouac the voice of a new generation. Kerouac was hailed as a major American writer. His friendship with Allen Ginsberg, William S. Burroughs and Gregory Corso, among others, became a notorious representation of the Beat Generation. The term Beat Generation was invented by Kerouac during a conversation held with fellow novelist Herbert Huncke. Huncke used the term "beat" to describe a person with little money and few prospects. "I'm beat to my socks", he had said. Kerouac's fame came as an unmanageable surge that would ultimately be his undoing.
The core group of Beat Generation authors – Herbert Huncke, Ginsberg, Burroughs, Lucien Carr, and Kerouac – met in 1944 in and around the Columbia University campus in New York City. Later, in the mid-1950s, the central figures (with the exception of Burroughs and Carr) ended up together in San Francisco where they met and became friends of figures associated with the San Francisco Renaissance.