Instruct: Given a question, retrieve relevant passages that answer the question.
Query: When did the Samba first develop?
Although samba exists throughout Brazil – especially in the states of Bahia, Maranhão, Minas Gerais, and São Paulo – in the form of various popular rhythms and dances that originated from the regional batuque of the eastern Brazilian state of Bahia, a music form from Cape Verde, samba is frequently identified as a musical expression of urban Rio de Janeiro, where it developed during the first years of the 20th century. Early styles of samba - and specifically samba de roda - are traced back to the Recôncavo region of Bahia during the 17th century, and the informal dancing following a candomblé ceremony. It was in Rio de Janeiro that the dance practiced by former slaves who migrated from Bahia came into contact with and incorporated other genres played in the city (such as the polka, the maxixe, the lundu, and the xote), acquiring a completely unique character and creating the "samba carioca urbana" (samba school) and "carnavalesco" (Carnaval school director). Samba schools are large organizations of up to 5,000 people which compete annually in the Carnival with thematic floats, elaborate costumes, and original music.
A samba band normally consists of Tamborims
, Snare drums (Caixa), Agogo bells, surdos, Ganzás / Chocalho (shakers), Cuíca, Timbal, Pandeiro, and the Repinique (often played by the leader for calls) whistles (at the beginning to give the samba a beat). The Apito is often used by the leader to signal breaks and calls. 
Other instruments have been added in many samba bands such as frigideira, 4 stringed guitars, 7 stringed guitars, trombones and Singers.
A small set of samba drums in the UK costs around £300. More expensive sets come with more drums enabling more players to join; a convenience due to how many would usually take place in the orchestra. 
In Brazil, bands traditionally play Samba (carnival rhythms of the samba schools of Rio de Janeiro). In other countries they now play reggae, funk, hip hop and Brazilian folk music. Like other drumming bands the music exceeds 130 decibels but often this attracts listeners. Some samba bands have eccentric costumes whilst others have costumes themed around their religions/ animals.
Samba-reggae is played in medium tempo around 90-120 beats per minute. The surdos (bass drums) play a 2/4 rhythm with swing time while other instruments provide contrasting rhythms in straight and syncopated time. On the whole, samba-reggae is straighter (less syncopated), slower, and less swung than Rio-style samba. There are many styles of samba-reggae, distinguished by different clave patterns. Olodum's three original styles (samba-reggae, reggae, and merengue) are still played today. Ile Aiye sometimes still plays its old version of samba-reggae; and in addition, Ile Aiye also frequently plays merengue-like patterns that are known in North America as "afrosamba". In addition, samba-reggae groups may also play styles derived from the original Bahian samba-de-roda, from its modern urban descendant ("samba duro"), or from axé pop music.
There are typical 3 or 4 surdo (bass drum) parts in samba-reggae. The surdos are 50 cm deep, shorter drum than the classic Rio size of 60 cm. Surdos in samba-reggae are usually worn quite low on the body with a waist strap; in Rio they are more likely to be worn higher and with a shoulder strap. In samba-reggae, the first (largest-diameter) and second (next largest) surdos keep the beat, typically with the lowest drum hitting beat 2 and the higher drum hitting beat 1. Together, the first and second surdos of samba-reggae are known as the "fundos", the back, presumably because they always stand in the back row of the samba-reggae band. The third surdo plays the classic third-surdo part of samba. The fourth surdo is tuned very tightly and plays rapid 16th-note rolls with two mallets, which gives samba-reggae its unmistakable rumbling sound. Some modern afro blocos are eliminating the third-surdo part or combining it with the fourth-surdo part.
As the practice of slavery grew, so did the caste system. Tamari suggests that a corollary of the rising slavery system was the development and growth of the caste system among numerous ethnic groups of Africa by about the 13th century. McIntosh concurs with Tamari's reasoning approach, but disagrees with the dating. McIntosh states that the emergence of caste systems likely occurred much earlier in the West African societies such as Soninke, Mande, Malinke, Wolof, Serer, and others. She places the development and spread of castes in these societies to about the 10th-century, because the slave capture, slave trade and slave holding by elite families was an established institution in West Africa by then, and slavery created a template for servile relationships and social stratification of human beings.
Tobacco smoking is the practice of smoking tobacco and inhaling tobacco smoke (consisting of particle and gaseous phases). (A more broad definition may include simply taking tobacco smoke into the mouth, and then releasing it, as is done by some with tobacco pipes and cigars.) The practice is believed to have begun as early as 5000–3000 BC in Mesoamerica and South America. Tobacco was introduced to Eurasia in the late 17th century by European colonists, where it followed common trade routes. The practice encountered criticism from its first import into the Western world onwards but embedded itself in certain strata of a number of societies before becoming widespread upon the introduction of automated cigarette-rolling apparatus.
The rest of a samba-reggae band is usually composed primarily of snare drums (caixas), and repiniques (a slightly longer, high-pitched drum with no snare/strings; also called "repique"). These may play a reggae backbeat, son clave, bossa clave, "Brazilian clave" (Mocidade/merengue style), or a variety of other clave patterns, depending on the particular piece of music being played. Samba-reggae repiniques are typically 25-cm or 20-cm (10-inch, 8-inch) in diameter so are slightly smaller-diameter than the 30-cm (12-inch) repiniques of Rio, and are worn lower down on the body, and are played with two long plastic sticks. The repinique may also play loud variations, rolls, and improvisation fills, similar to the role of the third surdo in Rio-style samba. It also plays call-ins to start the entire band. Typically only 1 lead repinique player does these fills and calls; other players do not alter their parts outside of their set arrangement. A drum leader, or mestre, leads the entire band with hand cues and/or a whistle. In Olodum, the mestre typically leads with hand cues only and no whistle; this was Neguinho's style of leading.
The LDAP Account Manager (LAM) project was founded in February 2003. The first developers were Michael Dürgner, Roland Gruber, Tilo Lutz and Leonhard Walchshäusl. The goal was to create an application to manage Samba software accounts. At this time Samba supported LDAP in its 2.x releases and version 3 was at alpha stage. But there was no GUI to manage them.
Until LAM version 0.4.10 only Samba accounts could be managed. In the year 2004 the project started to develop a plugin architecture to support more account types. The first stable release with the new code was LAM 0.5.0 in September 2005.
There is a commercial variant (LAM Pro) since 1.0.4 that supports a user self-service (e.g. to change own password, telephone number, ...). It also supports additional LDAP objects (e.g. Zarafa, Kerberos, PPolicy, ...).
Da Gama in 1498 marked the beginning of Portuguese influence in Indian Ocean. In 1503 or 1504, Zanzibar became part of the Portuguese Empire when Captain Ruy Lourenço Ravasco Marques landed and demanded and received tribute from the sultan in exchange for peace. Zanzibar remained a possession of Portugal for almost two centuries. It initially became part of the Portuguese province of Arabia and Ethiopia and was administered by a governor general. Around 1571, Zanzibar became part of the western division of the Portuguese empire and was administered from Mozambique. It appears, however, that the Portuguese did not closely administer Zanzibar. The first English ship to visit Unguja, the "Edward Bonaventure" in 1591, found that there was no Portuguese fort or garrison. The extent of their occupation was a trade depot where produce was purchased and collected for shipment to Mozambique. "In other respects, the affairs of the island were managed by the local 'king,' the predecessor of the Mwinyi Mkuu of Dunga." This hands-off approach ended when Portugal established a fort on Pemba around 1635 in response to the Sultan of Mombasa's slaughter of Portuguese residents several years earlier.
Commercial tobacco production dates back to the 17th century when the first commercial crop was planted. The industry originated in the production of tobacco for pipes and snuff. Different war efforts in the world created a shift in demand and production of tobacco in the world and the American colonies. With the advent of the American Revolution trade with the colonies was interrupted which shifted trade to other countries in the world. During this shift there was an increase in demand for tobacco in the United States, where the demand for tobacco in the form of cigars and chewing tobacco increased. Other wars, such as the War of 1812 would introduce the Andalusian cigarette to the rest of Europe. This, accompanied with the American Civil War changed the production of tobacco in America to the manufactured cigarette.
The period around 1840 saw Sax inventing the "clarinette-bourdon", an early unsuccessful design of contrabass clarinet. Around this time he also developed the instrument for which he is best known: the saxophone which he patented on 28 June 1846. The saxophone was invented for use in both orchestras and military bands. By 1846 Sax had designed (on paper at least) a full range of saxophones (from sopranino to subcontrabass). Composer Hector Berlioz wrote approvingly of the new instrument in 1842, but despite his support, saxophones never became standard orchestral instruments. However, their ability to play technical passages easily like woodwinds and also project loudly like brass instruments led them to be included in military bands in France and elsewhere. The saxophone was Sax's signature accomplishment and created his reputation more than any other. This helped secure him a job teaching at the Paris Conservatory in 1857.
The National Symphony Orchestra was officially created on August 5, 1941. Nevertheless, its history can be traced to the beginning of the 20th century, when under the initiative of Juan Bautista Alfonseca, the Octet of the Youth Casino was founded in Santo Domingo.
The chantwell became a calypsonian in the 1920s and calypso became widely popular throughout Trinidad and the Caribbean in the 1930s. Harry Belafonte, a Jamaican-born artist, became hugely successful throughout the world with his 1956 "Calypso" becoming a million seller. During the 1960s, calypso was merged with Indian music and later soul and funk to become soca.
Lombardo was born in Havana, Cuba on 16 February 1965. He has two older brothers and an older sister. His father owned three meat markets in Havana. Lombardo moved with his family to South Gate, California when Lombardo was two years old. His brothers previously emigrated to the US via Operation Peter Pan. Lombardo's musical interest were fueled by his first musical performance when he was eight years old; he played bongos to Santana's "Everybody's Everything". Lombardo joined his school's band and played the marching drum. After noticing his son's persistent interest in music, Lombardo's father bought him a five-piece Pearl Maxwin drum set for $350 when Lombardo was ten years old. Lombardo bought his first record, "Alive!" by Kiss, to play along with. He learned to play Kiss' "100,000 Years" by repeatedly listening to the record until he could play the drum solo perfectly.
The origin of SM57 may be traced to 1937, when Shure engineer Benjamin Bauer developed the first single-element directional microphone, the Unidyne, which had a cardioid pickup pattern. In 1959, another Shure engineer, Ernie Seeler, advanced the art of microphone design significantly with the Unidyne III. Seeler torture-tested the Unidyne III during three years of research and development and thereby, produced the SM series of rugged and reliable Shure microphone capsules. The "SM" stands for Studio Microphone; Seeler was an aficionado of classical music and expected the SM57 to be used for orchestras. Because he "despised" rock music, the TEC Foundation said that it was "ironic" that the microphone has become "a mainstay of rock music."
The practice of basketball in Argentina was started by "Asociación Cristiana de Jóvenes (Young Men's Christians Association – YCMA)" in 1912., with the first Federation ("Federación Argentina") established to organise competitions not only in Buenos Aires but in several cities around Argentina. Argentina played its first international game against Uruguay in 1921.
"Samsung SPH-M2100", the first mobile phone with built-in MP3 player was produced in South Korea in August 1999. "Samsung SPH-M100 (UpRoar)" launched in 2000 was the first cell phone to have MP3 music capabilities in the US market. The innovation spread rapidly across the globe and by 2005, more than half of all music sold in South Korea was sold directly to mobile phones and all major handset makers in the world had released MP3 playing phones. By 2006, more MP3 playing mobile phones were sold than all stand-alone MP3 players put together. The rapid rise of the media player in phones was quoted by Apple as a primary reason for developing the iPhone. In 2007, the installed base of phones that could play media was over 1 billion.
Founded on 8 January 1912 by John Langalibalele Dube in Bloemfontein as the South African Native National Congress (SANNC), its primary mission was to give voting rights to black and mixed-race Africans and, from the 1940s, to end apartheid. The ANC originally attempted to use nonviolent protests to end apartheid, however, the Sharpeville massacre resulted in the deaths of 69 black Africans and contributed to deteriorating relations with the South African government. On 8 April 1960, the administration of Charles Robberts Swart, banned the ANC and forced the party to leave South Africa. After the ban, the ANC formed the Umkhonto we Sizwe (Spear of the Nation) to fight against apartheid utilizing guerrilla warfare and sabotage. On 3 February 1990, State President F. W. de Klerk lifted the ban on the ANC and released Nelson Mandela on 11 February 1990. On 17 March 1992, the apartheid referendum was passed by the voters removing apartheid and allowing the ANC to run in the 1994 election. Since the 1994 election the ANC has performed better than 60% in all general elections, including the most recent 2014 election.
Carmen derived its name from a certain Surveyor del Carmen, chief of the Cadastral Survey Party, who in 1924 conducted a survey in the area. During the American period, Carmen and Kabacan belonged to one municipal district under Pikit. It was by virtue of Presidential Proclamation NO. 46 and, was reinforced by Executive Order No. 214 issued by the then President Ramon Magsaysay last November 15, 1956 when Carmen was created as a separate and distinct town of Kabacan.
The Imperial Choral Capella was founded and modeled after the royal courts of other European capitals.
Saint Petersburg has been home to the newest movements in popular music in the country. The first jazz band in the Soviet Union was founded here by Leonid Utyosov in the 1920s, under the patronage of Isaak Dunayevsky. The first jazz club in the Soviet Union was founded here in the 1950s and was later named jazz club Kvadrat. In 1956 the popular ensemble Druzhba was founded by Aleksandr Bronevitsky and Edita Piekha to become the first popular band in the USSR during the 1950s. In the 1960s student rock-groups Argonavty, Kochevniki and others pioneered a series of unofficial and underground rock concerts and festivals. In 1972 Boris Grebenshchikov founded the band Aquarium, which later grew to huge popularity. Since then "Peter's rock" music style was formed.
Singapore Bus Service, now known as SBS Transit (SBST), was for many years the only operator of double-decker buses in Singapore, launched its first double-decker bus service on 13 June 1977 with 20 Leyland Atlanteans running on service 86 and launched by then-Deputy Prime Minister and Minister of Communications Ong Teng Cheong The fleet grew steadily, with the further introduction of the Mercedes-Benz O305 and the Leyland Olympian in 1993, the latter being the first air-conditioned double-decker bus and the longest bus to date at in length, leading to its nickname of "Superbus". The Volvo B10TL, the first stepless, ultra-low-floor "Superbus" was launched in 1999. Volvo B9TL wheelchair-accessible buses began to be introduced in 2006, by 2014, SBST had over 1631 of these buses in service.
Thus, the samba and musical genre was born in the houses of "Tias Baianas" (Bahian aunts) in the beginning of the 20th century, as a descendant of the style lundu of the candomblé de terreiro parties between umbigada (Samba) and capoeira's pernadas, marked in pandeiro, prato-e-faca (plate-and-knife) and in the "palmas", hand claps. There are some controversies about the word "samba-raiado", one of the first appointments to the samba. It is known that the "samba-raiado" is marked by the sound and accent sertanejos / rural brought by ""Tias Baianas"" to Rio de Janeiro. According to João da Baiana, the "samba-raiado" was the same as "chula raiada" or samba de partido-alto. For the sambist Caninha, this was the first name would have heard at the home of Tia Dadá. At the same time, there were the "samba-corrido", a line that had more work together with the rural Bahian accent, and the samba-chulado, a more rhyming and melodic style that characterized the urban samba carioca.
Andrew Tridgell developed the first version of Samba Unix in December 1991 and January 1992, as a PhD student at the Australian National University, using a packet sniffer to do of the protocol used by DEC Pathworks server software. At the time of the first releases, versions 0.1, 0.5 and 1.0, all from the first half of January 1992, it did not have a proper name, and Tridgell just called it "a Unix file server for Dos Pathworks". At the time of version 1.0, he realized that he "had in fact implemented the netbios protocol" and that "this software could be used with other PC clients".
Samba is the national dance of Brazil. The rhythm of samba and its name originated from the language and culture of West African slaves. In 1905, samba became known to other countries during an exhibition in Paris. In the 1940s, samba was introduced in America through Carmen Miranda. The international version of Ballroom Samba has been based on an early version of Brazilian Samba called Maxixe, but has since developed away and differs strongly from Brazilian Ballroom Samba, which is called Samba de Gafieira. International Ballroom Samba is danced with a slight bounce which is created through the bending and straightening the knee. It is performed as an International Latin dance, although most of its modern development has occurred outside Latin America.
Samba TV (formerly "Flingo") is a content recommendation engine and viewer tracking application designed for Smart TVs. The developer, San Francisco, California-based Samba, was co-founded in 2008 by early employees of BitTorrent (company), including Samba’s current CEO, Ashwin Navin. Samba TV develops software for televisions, set-top boxes, smart phones and tablets to enable interactive television through personalization. Through its portfolio of applications and TV platform technologies, Samba TV is built directly into the TV or set-top box and will recognize onscreen content—live or time-shifted—and make relevant information available to users at their request. The software will identify what a viewer is watching, and use that information to deliver targeted advertising throughout the household. Through APIs and SDKs for mobile application software developers, Samba TV is usable on a second screen or the TV itself. Samba TV applications are currently available on over 30 million screens in 118 countries.