Instruct: Given a question, retrieve relevant documents that answer the question.
Query: What's an epigraph in writing?
Epigraphy (, "inscription") is the study of inscriptions or epigraphs as writing; it is the science of identifying graphemes, clarifying their meanings, classifying their uses according to dates and cultural contexts, and drawing conclusions about the writing and the writers. Specifically excluded from epigraphy are the historical significance of an epigraph as a document and the artistic value of a literary composition.
Although they were written in several different cities and kingdoms, these early laws have a number of formulae in common. Most contain both an epilogue and a prologue, which usually explain the purpose of composing the laws, invoke divine authority, and command the reader to abide by them. They are always imposed or 'enacted' in the name of a ruler, be it a prince or king, and show no sign of being the result of legislative bodies.
Music was an important part of social and cultural life in Ancient Greece. We know that composers wrote notated music during the Ancient Greek era because scholars have found the Seikilos epitaph. The epitaph, written around 200 BC to around AD 100 is the oldest surviving example of a complete musical composition, including musical notation, in the world. The song, the melody of which is recorded, alongside its lyrics, in the ancient Greek musical notation, was found engraved on a tombstone, a stele, near Aydın, Turkey (not far from Ephesus). It is a Hellenistic Ionic song in either the Phrygian octave species or Iastian tonos.
The Homeric epics are written in an artificial literary language or 'Kunstsprache' only used in epic hexameter poetry. Homeric Greek shows features of multiple regional Greek dialects and periods, but is fundamentally based on Ionic Greek, in keeping with the tradition that Homer was from Ionia. Linguistic analysis suggests that the "Iliad" was composed slightly before the "Odyssey", and that Homeric formulae preserve older features than other parts of the poems.
Epistemic injustice refers to unfairness due to aspects of knowledge (the domain of epistemology), how it is communicated, and how it is understood. The term was coined by Miranda Fricker in 2007, but its meaning has since evolved , and the concept's origins can be traced to discussions about oppression, power and knowledge from long before the term was coined .
The Seikilos epitaph is the oldest surviving complete musical composition, including musical notation, from anywhere in the world. The epitaph has been variously dated, but seems to be either from the 1st or the 2nd century AD. The song, the melody of which is recorded, alongside its lyrics, in the ancient Greek musical notation, was found engraved on a tombstone (a stele) from the Hellenistic town Tralles near present-day Aydın, Turkey, not far from Ephesus. It is a Hellenistic Ionic song in either the Phrygian octave species or Iastian tonos. While older music with notation exists (for example the Hurrian songs), all of it is in fragments; the Seikilos epitaph is unique in that it is a complete, though short, composition.
The word "epistemology" is derived from the ancient Greek "epistēmē" meaning "knowledge" and the suffix "-logy", meaning "logical discourse" (derived from the Greek word "logos" meaning "discourse"). It is analogue to the German "Wissenschaftslehre" (literally, theory of science) which was introduced by philosophers Johann Fichte and Bernard Bolzano in the late 18th century. The word first appeared in English in 1847 as a translation of the German in New York's "Eclectic Magazine" review of a philosophical novel by German author Jean Paul:
Latin inscriptions are the meeting point of Roman history and several arts. These are arts of expression or composition, writing in the strictly physical sense, and design or arrangement. The history is Roman history in its largest sense, involving men and women in many of their affairs, such as life and death, government, law, religious worship — all as illustrated above. The related fields one has to enter in order to fully appreciate the epigraphical study, are many: beside all aspects of Roman history, such more restricted but still large fields as ancient jewelry, Etruscology, Italic and Latin philology, ancient pottery, comparative palaeography, Roman nomenclature, Latin verse, lexicography (including inconsistencies of spelling, the early lack of a standard orthography0, Roman architecture and prosopography, and the pronunciation of Greek as revealed by the rendering of Greek words in Latin inscriptions and of Latin words in Greek.
The idea is not new. Eustathius of Thessalonica recounted an ancient fiction in which both epics were composed by an Egyptian priestess, Phantasia; Samuel Butler, in "The Authoress of the Odyssey", attributed the "Odyssey" to a Sicilian woman between 1150 and 1050 BC; and Robert Graves in his novel "Homer's Daughter" made a similar proposal.
Writing systems were preceded by proto-writing, systems of ideographic and/or early mnemonic symbols. The best known examples are:The invention of the first writing systems is roughly contemporary with the beginning of the Bronze Age in the late Neolithic of the late 4th millennium BC. The Sumerian archaic cuneiform script and the Egyptian hieroglyphs are generally considered the earliest writing systems, both emerging out of their ancestral proto-literate symbol systems from 3400 to 3200 BC with earliest coherent texts from about 2600 BC. It is generally agreed that Sumerian writing was an independent invention; however, it is debated whether Egyptian writing was developed completely independently of Sumerian, or was a case of cultural diffusion.
The invention of the first writing systems is roughly contemporary with the beginning of the Bronze Age of the late 4th millennium BC. The Sumerian archaic cuneiform script and the Egyptian hieroglyphs are generally considered the earliest writing systems, both emerging out of their ancestral proto-literate symbol systems from 3400 to 3200 BC with earliest coherent texts from about 2600 BC. It is generally agreed that Sumerian writing was an independent invention; however, it is debated whether Egyptian writing was developed completely independently of Sumerian, or was a case of cultural diffusion.
The word "emaki" stems from the word "emakimono" meaning "picture scrolls". The emakimono picture scrolls consisted of two designs: Pictures that were painted on a scroll with text added to the same scroll or a number of paintings that accompanied passages of text and were joined together in a scroll. The first known picture scroll was produced in Japan during the late ninth or tenth century. The "Genji Monogatari" picture scroll, however, was produced in the early twelfth century. Not only is the "Genji Monogatari Emaki" the oldest surviving monogatari scroll but it is also the oldest surviving non-Buddhist scroll in Japan. There is no exact date to the scroll, but it is estimated to being sometime between 1120 and 1140, in which case it was created just a little over a century after Murasaki Shikibu wrote "The Tale of Genji".
"Eureka" comes from the Ancient Greek word "heúrēka", meaning "I found (it)", which is the first person singular perfect indicative active of the verb "heuriskō" "I find". It is closely related to heuristic, which refers to experience-based techniques for problem solving, learning, and discovery.
This tablet is mainly an Akkadian translation of an earlier Sumerian poem, Gilgamesh and the Netherworld (also known as "Gilgamesh, Enkidu, and the Netherworld" and variants), although it has been suggested that it is derived from an unknown version of that story. The contents of this last tablet are inconsistent with previous ones: Enkidu is still alive, despite having died earlier in the epic. Because of this, its lack of integration with the other tablets, and the fact that it is almost a copy of an earlier version, it has been referred to as an 'inorganic appendage' to the epic. Alternatively, it has been suggested that "its purpose, though crudely handled, is to explain to Gilgamesh (and the reader) the various fates of the dead in the Afterlife" and in "an awkward attempt to bring closure", it both connects the Gilgamesh of the epic with the Gilgamesh who is the King of the Netherworld, and is "a dramatic capstone whereby the twelve-tablet epic ends on one and the same theme, that of "seeing" (= understanding, discovery, etc.), with which it began."
In 2001, a survey of over 1,000 academics and students voted the "Republic" the greatest philosophical text ever written. Julian Baggini argued that although the work "was wrong on almost every point, the questions it raises and the methods it uses are essential to the western tradition of philosophy. Without it we might not have philosophy as we know it."
The modern debate began with the "Prolegomena" of Friedrich August Wolf (1795). According to Wolf, the date of writing is among the first questions in the textual criticism of Homer. Having satisfied himself that writing was unknown to Homer, Wolf considers the real mode of transmission, which he purports to find in the Rhapsodists, of whom the Homeridae were an hereditary school. Wolf reached the conclusion that the "Iliad" and "Odyssey" could not have been composed in the form in which we know them without the aid of writing. They must therefore have been, as Bentley has said, a sequel of songs and rhapsodies, loose songs not collected together in the form of an epic poem until about 500 years after their original composition. This conclusion Wolf supports by the character attributed to the Cyclic poems (whose want of unity showed that the structure of the "Iliad" and "Odyssey" must be the work of a later time), by one or two indications of imperfect connection, and by the doubts of ancient critics as to the authenticity of certain parts.
Epistemic logic is a modal logic dealing with the notions of knowledge and belief. As a logic, it is concerned with understanding the process of "reasoning" about knowledge and belief: which principles relating the notions of knowledge and belief are intuitively plausible? Like epistemology, it stems from the Greek word formula_1 or ‘episteme’ meaning knowledge. Epistemology is nevertheless more concerned with analyzing the very "nature" and "scope" of knowledge, addressing questions such as “What is the definition of knowledge?” or “How is knowledge acquired?”. In fact, epistemic logic grew out of epistemology in the Middle Ages thanks to the efforts of Burley and Ockham. The formal work, based on modal logic, that inaugurated contemporary research into epistemic logic dates back only to 1962 and is due to Hintikka. It then sparked in the 1960s discussions about the principles of knowledge and belief and many axioms for these notions were proposed and discussed. For example, the interaction axioms formula_2 and formula_3 are often considered to be intuitive principles: if an agent Knows formula_4 then (s)he also Believes formula_4, or if an agent Believes formula_4, then (s)he Knows that (s)he Believes formula_4. More recently, these kinds of philosophical theories were taken up by researchers in economics, artificial intelligence and theoretical computer science where reasoning about knowledge is a central topic. Due to the new setting in which epistemic logic was used, new perspectives and new features such as computability issues were then added to the research agenda of epistemic logic.
The "Epic of Gilgamesh" exerted substantial influence on the "Iliad" and the "Odyssey", two epic poems written in ancient Greek during the eighth century BC. According to Barry B. Powell, an American classical scholar, early Greeks were probably exposed to Mesopotamian oral traditions through their extensive connections to the civilizations of the ancient Near East and this exposure resulted in the similarities that are seen between the "Epic of Gilgamesh" and the Homeric epics. Walter Burkert, a German classicist, observes that the scene in Tablet VI of the "Epic of Gilgamesh" in which Gilgamesh rejects Ishtar's advances and she complains before her mother Antu, but is mildly rebuked by her father Anu, is directly paralleled in Book V of the "Iliad". In this scene, Aphrodite, the later Greek adaptation of Ishtar, is wounded by the hero Diomedes and flees to Mount Olympus, where she cries to her mother Dione and is mildly rebuked by her father Zeus.
More complete writing systems were preceded by proto-writing. Early examples are the Jiahu symbols (c. 6600 BCE), Vinča signs (c. 5300 BCE), early Indus script (c. 3500 BCE) and Nsibidi script (c. before 500 CE). There is disagreement concerning exactly when prehistory becomes history, and when proto-writing became "true writing" However, invention of the first writing systems is roughly contemporary with the beginning of the Bronze Age in the late Neolithic of the late 4th millennium BCE. The Sumerian archaic cuneiform script and the Egyptian hieroglyphs are generally considered the earliest writing systems, both emerging out of their ancestral proto-literate symbol systems from 3400–3200 BCE with earliest coherent texts from about 2600 BCE.
The invention of the first writing systems is roughly contemporary with the beginning of the Bronze Age in the late 4th millennium BC. The Sumerian archaic cuneiform script and the Egyptian hieroglyphs are generally considered to be the earliest writing systems, both emerging out of their ancestral proto-literate symbol systems from 3400–3200 BC with the earliest coherent texts from about 2600 BC. It is generally agreed that Sumerian writing was an independent invention; however, it is debated whether Egyptian writing was developed completely independently of Sumerian, or was a case of cultural diffusion. A similar debate exists for the Chinese script, which developed around 1200 BC. The pre-Columbian Mesoamerican writing systems (including among others Olmec and Maya scripts) are generally believed to have had independent origins.
The term "social epistemology" was firstly used by the library scientists Margaret Egan and Jesse Shera in the 1950s. Steven Shapin also used it in 1979. However, it was not until the late 1980s that its current sense began to emerge. In 1987, the philosophical journal "Synthese" published a special issue on social epistemology which included two authors that have since taken the branch of epistemology in two divergent directions: Alvin Goldman and Steve Fuller. Fuller founded a journal called "Social Epistemology: A journal of knowledge, culture, and policy" in 1987 and published his first book, "Social Epistemology", in 1988. Goldman's "Knowledge in a Social World" came out in 1999. Goldman advocates for a type of epistemology which is sometimes called "veritistic epistemology" because of its large emphasis on truth. This type of epistemology is sometimes seen to side with "essentialism" as opposed to "multiculturalism". But Goldman has argued that this association between veritistic epistemology and essentialism is not necessary. He describes Social Epistemology as knowledge derived from one's interactions with another person, group or society.
This enzyme belongs to the family of oxidoreductases, specifically those acting on paired donors, with O2 as oxidant and incorporation or reduction of oxygen. The oxygen incorporated need not be derived from O2 with 2-oxoglutarate as one donor, and incorporation of one atom o oxygen into each donor. The systematic name of this enzyme class is N6,N6,N6-trimethyl-L-lysine,2-oxoglutarate:oxygen oxidoreductase (3-hydroxylating). Other names in common use include trimethyllysine alpha-ketoglutarate dioxygenase, TML-alpha-ketoglutarate dioxygenase, TML hydroxylase, 6-N,6-N,6-N-trimethyl-L-lysine,2-oxoglutarate:oxygen oxidoreductase, and (3-hydroxylating). This enzyme participates in lysine degradation and L-carnitine biosynthesis and requires the presence of iron and ascorbate.
O͘ is one of the six Taiwanese Hokkien vowels as written in the Peh-oe-ji (POJ) orthography. It is a normal o followed by Unicode , and is not to be confused with the Vietnamese Ơ. It is pronounced .
ڼ is the twenty-ninth letter of Pashto alphabet. It represents the retroflex nasal (IPA: ) which is ण in Devanagari and is transliterated . In Saraiki it is written as ݨ.
s͎ is represented in Unicode by an s and U+034E (Combining Upwards Arrow Below).