Instruct: Given a question, retrieve passages that answer the question.
Query: What year was Superhot released?
The Challenge prototype only featured three levels across three computers, which to meet the deadline the team strung together in 3 separate applications and called the game episodic. They since refined the game and released it as a free browser game in September 2013, upon where it received a great deal of attention from players, along with placing the game on the Steam Greenlight process. Within a week, the game had been successfully approved for later distribution by Valve, and was the fastest game to be processed through the Greenlight system at the time. Iwanicki stated that the positive reaction to the web demonstration was a result of players looking for any variation in the standard formula of first-person shooters, which had not really changed since the development of "Doom". Iwanicki commented that while some have called "Superhot" a puzzle game, he feels it remains an action game. Unlike a puzzle game where there is typically only one solution and one is rewarded for that, Iwanicki considers "Superhot" to be about having the time to adjust to one's instincts and improvise a strategy for completing a challenge.
The beginning of 1998 Fetah returned to Australia and the band began recording tracks for their debut album, which eventually became the eight-track EP, "8 Miles High". They band had already released the single Two-Faced (Check Your Head Up) in 1998 and followed it up with a second 4 track single "Karma" in early 1999/ The group went on to perform on the Vans Warped Tour, and then supported Fear Factory on their tour of Australia's east coast. In June 1999 Superheist toured nationally backing Sepultura, Late that year after a heavy touring schedule Bassist Si Durrant went berserk in a hotel room in Brisbane causing hundreds of dollars worth of damage. The band was chased out of town by the Queensland Police and subsequently Durrant mutually left the band and returned to Adelaide where he joined a short-lived project, Screwface:13. He was replaced in August by Melbourne session bass player Drew Dedman (ex Iconklast), who had met DW (by this time a well known studio producer) while recording bass tracks for Toecutter's "Lost Culture" at Back Beach Recording studio. A brief East Coast and South Australian tour followed with varying degrees of success. With the band's sound changing quiet dramatically, some fans struggled to connect with the new direction. Returning to Melbourne, the band filmed their first music video for the third single Have Your Way. Although never officlally released, the Have Your Way single was distributed by Shock as promotion for the later release of 8 Miles High and has become highly sought after by collectors.
In October 1999, Superheist recorded a cover of Walls by the Flowers at the ABC studios in South Melbourne. This track was featured by national radio station Triple J as part of Aus music month in November. A regional Victorian support with the Screaming Jets, a return to Canberra for Metal for the Brain on the 28th and a handful of local and East coast shows. The band finally got its first taste of a big summer festival stage by getting an early spot on Falls Festival, New Year's Eve. This performance allowed the band to showcase their new sound to a much larger audience and won the hearts of many with blistering live show. At Shock Records, Shagpile label was discontinued and Superheist had neither the budget nor time to record new tracks with Dedman for a full studio album, so 8 Miles High was cut down to 8 tracks and released as an EP on 24 January. Although featured on the artwork and credited as bass player, all the bass tracks on 8 Miles High were played by either Si Durrant or DW Norton. The EP's opening track "Pulse" received airplay on national radio network, Triple J. It was later included on a various artists' compilation album, Full Metal Racket. In January 2000, Dedman finally joined as a full-time member. With Dedman's highly skilled bass playing, the band's rhythm section had never sounded better and the stage was set for Superheist to take things to the next level. 
8 Miles High had made a significant impact on the Australian alternative charts, Pulse, Two-Faced, Karma and Have You Way were receiving significant airplay. This led to a main support slot with Grinspoon on their Australian tour in February. This tour effective broke the band on a national level. As a result of the success of the tour and 8 Miles High, the band was approached by Gregg Donovan of Step2 artist management (Grinspoon, Airbourne) who offered them a management contract. "Pulse" was shelved in favour of a remixed, rereleased version of 2 faced. The band shot a film clip for the new version of the tune which was filmed in Melbourne and the song was re-released to radio as a promo single by Shock records. The CD sleeve featured a new band logo more in the style of US nu-metal band Limp Bizkit. This was done without the band's permission and was promptly removed from circulation after complaints from the band. Superheist's relationship with Shock Records was often tested with the label making numerous ill-fated decisions without consulting the band.
The name was soon altered to Superheist, Berger supplied the "Super" while Norton provided the "Heist". McLeod and Norton had met at Overport primary school in Frankston Victoria in 1980 and later attended Frankston High School together. Sean Pentecost was a mutual friend who worked at a local music store, Frankston Guitar Village, and had previously played with Norton, Mcleod and Sudborough in the alt rock band Big Pop Monsters. Superheist's first live performance was at the 21st Century Dance Club, Frankston supporting the Cosmic Psychos. In 1994 they issued a five-track extended play cassette, Apocalypse, which was recorded at Backbeach Studios in Rye, Victoria and later distributed by Warhead records, The band's style at this early stage was grindcore, in the Napalm Death mould and incorporated synth tones, samples and clean vocals mixed amongst the brutal blast beats and death growls. 
The band's focus was to push the boundaries of extreme metal whilst introducing pop and nu-wave inspired melodies and hook lines. The demo was met with rave reviews across the country and as the band began touring nationally they quickly gained a loyal and fanatic following. Later that year bassist Sudborough was replaced with Adam "Donut" Donath and the next year was spent touring the country with bands such as In:Extremis, Damaged and Beanflipper. Superheist were now a regular feature of the Melbourne grind scene and played at such venues as The GB and The Hell Club, the band were learning their craft and honing what would eventually become the foundation for a world class live show. In early December 1995 they appeared at the annual Metal for the Brain festival in Canberra, which raised funds for the National Brain Injury Foundation. This pivotal performance helped the band set themselves up for the next few years to come. They returned for the 1996 festival but by that time Seanheist had left the group due to his waining interest in playing extreme metal. Aaren "Suds" Suttil (1974–2006) of Dreadnaught replaced him on drums.
The game originally was a three-level prototype browser game. In expanding to the full game, Superhot Team created a campaign mode across approximately thirty levels, estimated to be as long as "Portal". The full game includes additional weapons, including explosives, melee weapons, and improvised weapons like billiard balls that can be thrown at enemies, and introduces computer opponents that have similar awareness as the player and can dodge the player's bullets. One significant change from the earlier prototype is that the player does not automatically pick up a weapon when they pass over it but must enact a specific control to do so, enabling the player to selectively choose and use weapons, or grab weapons as they fall out of an opponent's hands. The full game also enables the player to jump and as long as the jump button or key is held, the player can slow down time to plan and perform actions, enabling aerial gunplay.
Following the hugely successful Big Day Out festival in January 2002, the group began work on their second album, "Identical Remote Controlled Reactions" (September 2002). Recorded at Melbourne's Sing Sing Studios and co-produced by dw Norton and Adam Rhodes (The Dirty Three), the album peaked at No. 20 on the national ARIA Chart.
The lead single, "7 Years", had appeared in May 2002, which peaked at No. 29 – the group's highest charting single. It was followed in August by a semi-acoustic rock ballad, "A Dignified Rage", which peaked at No. 50. At the ARIA Music Awards of 2002, Norton and Rhodes were nominated for Engineer of the Year for "A Dignified Rage".
IRCR introduced new vocalist Joey Biro in bold fashion. The sound was generally heavier than "The Prize Recruit" but showed a maturity in the songwriting and playing. Biro's emotive vocal style lending to a more epic version of Superheist's bouncing heavy rock riff style. In July 2003 the band went to America for a second time with the hope of recapturing the interest lost after 11 September. The band played solid shows at the Viper Room and the Roxy and several showcases but failed to get that elusive major International record deal they had come so close to only a year earlier. The dejected members returned to Australia. At this point something clearly changed within the band. After a run of not so successful east coast tours and spot shows late in the year, Superheist was dropped by Step2 Artist management and internal chaos was rife amongst the band. After almost 2 years of solid touring, back to back albums and a lead vocalist change the cracks were starting to appear. The band played all major rock festivals late in 2002 and finished the year with a disastrous New Year's Eve show in Hastings, Victoria. Bassist Drew Dedman, feeling disillusioned after a tumultuous few months, quit the band that night and returned home to North coast NSW refusing to speak to the band for the first few months of 2003. Nevertheless, the band continued to write and record demos for the third album without a bass player, Norton recorded the bass on the demos during this time. In 2003 (add date) Superheist were asked to play the Crusty Demons of Dirt Nine Lives Tour, after some lengthy discussion the band was able to persuade Dedman to return to Melbourne and rejoin the band for the tour and begin writing and rehearsing again. On 8 August 2003, the band recorded a live set a The Corner Hotel in Richmond, Victoria that was set to be released as their first live album. This gig would later be released as disc 2 of New, rare, Live. Superheist were initially billed to appear at Metal for the Brain on 20 December, however, in October they cancelled their appearance. The band's final tour was in North Queensland during December, the demoing of the new album was taking a long time, failure to get new management on board, inconsistent performances and tensions between Norton and Biro flared to breaking point in the final month of touring. Superheist returned to Melbourne, Biro went AWOL and was eventually fired from the band in January. More demoing was done in early 2004 but to no avail. In February 2004 Norton announced that Superheist had disbanded.
During their career Superheist had achieved significant chart success with four singles appearing in the Top 50 and both of its studio albums entering the Top 20. Superheist was seen as a trail blazer for heavy music in Australia. Taking heavy down tuned guitars to the mainstream masses.
In September 1997 the band signed to Melbourne's Shock Records on its subsidiary label Cutthroat and released a five-track EP, Chrome Matrix .] This EP showed a shift from traditional grindcore to a more polished industrial style of death metal. More samples and clean vocals crept into the sound along with more emphasis on keyboards and loops. The band even experimented with re-mixes with the track "Platinum Matrix" The epic "Subhuman" showcased the versatility of McLeod's vocals and clever lyrics. The EP also housed two hidden tracks from the Apocalypse demo, Retarded Barbie and Perfect World. During the recording bassist Adam "Donut" Donath severed his thumb in an industrial accident and was not able to finish his parts. The remaining bass parts for the EP were completed by Norton, while Donut recovered still unsure of his ability to ever play the bass again. Local Melbourne artist Barney "Barnaby Butters" Hughes (deceased) joined the group temporarily to assist on bass guitar duties for several live shows.
More line-up problems plagued the band with drummer Aaren Suttil's commitments to Dreadnaught increasing, he chose to leave the band on good terms. In:Extremis drummer Adam Messenger filled in for the next run of live shows and recorded a number of studio tracks with the band including "Times Killing" and "Pocket Full Of Lies." These tracks appear on the band's 2004 release New Rare Live
In late 1998, After a meeting and an exchange of demos between Berger, DW and Seanheist at the Esplanade Hotel in St.Kilda, Seanheist rejoined the group. Excited by the new sound and the shift away from Grindcore/ Industrial death metal into a more nu-metal vein, songwriting continued, and the foundations were laid for what would eventually become the 8 Miles High EP and the birth of the classic Superheist bouncing metal sound. The post Chrome Matrix demos included early versions of Karma, Fluid and Syncin’ In. Chris Ainsworth (A friend of Back Beach Studios owner Mark Rachelle) temporarily took up keyboards and samples duties while Fetah Sabawi travelled overseas. Superheist then went on to play a series of shows up and down the east coast. With no release for well over a year the band struggled to maintain numbers at live shows. In 1998 Superheist announced bass guitarist Simon "Si" Durrant, from Adelaide-based industrial death metalers, In:Extremis would be the band's full-time replacement for the injured Donut who never regained his full playing ability.
Superheist were formed in Frankston, Victoria in 1993. The original line-up was Rod "Berger" McLeod on vocals, DW Norton on guitar, Sean "Seanheist" Pentecost on drums, Fetah Sabawi on keyboards and samples, and Adrian Sudborough on bass. The band was originally to be named Orgheist, which was inspired by the European grind core bands that they were influenced by at the time.
The Super Nintendo Entertainment System (SNES), also known as the Super NES or Super Nintendo, is a 16-bit home video game console developed by Nintendo that was released in 1990 in Japan and South Korea, 1991 in North America, 1992 in Europe and Australasia (Oceania), and 1993 in South America. In Japan, the system is called the Super Famicom (SFC). In South Korea, it is known as the Super Comboy and was distributed by Hyundai Electronics. The system was released in Brazil on August 30, 1993, by Playtronic. Although each version is essentially the same, several forms of regional lockout prevent the different versions from being compatible with one another.
While only released in digital form, "Hellblade: Senua's Sacrifice" was a commercial success. It was the best selling game on the PlayStation Store in Europe for the month of its release. According to director Tameem Antoniades the game sold "better than expected" and broke even in approximately three months, ahead of the six to nine months the developers expected. "PC Gamer" stated about "Hellblade"s success that "the news can only be positive. Perhaps if other developers see an experimental game like "Hellblade" finding commercial success then they'll be more likely to take risks on their own titles—and that, ultimately, will lead to more interesting games". To celebrate World Mental Health Day on October 10, 2017, Ninja Theory donated all profit made from the sales of "Hellblade" on that day to Rethink Mental Illness. By June 2018, the game had sold over a million copies across all three platforms.
In its first week in theaters, "Super Hero Taisen" opened at the #1 spot in the Japanese box offices, edging out "". The DVD and Blu-ray was released on October 21, 2012 and was aired as part of TV Asahi's "Super Hero and Heroine Summer Vacation" special on August 25, 2013.
With the arrival of the seventh generation of video game consoles, the first "next-gen" "Grand Theft Auto" clones were released in 2006, beginning with "Saints Row" from 2006 and "Crackdown" from 2007 both introduced online multiplayer to the genre, a feature that had been requested by many fans. "Crackdown" attracted attention for being created by David Jones, the developer of the original "Grand Theft Auto", and featured the ability to develop the player character's superpowers in a semi-futuristic setting. Meanwhile, "" and "" entered the market in 2006, and attempted to apply the "Grand Theft Auto" formula to popular movie franchises. Still, reviewers continued to measure these games against the standard set by the "Grand Theft Auto" series. "Grand Theft Auto IV" was released in April 2008 and featured a large, detailed environment, redefining gameplay and even adopted the GPS navigation system seen in "Saints Row". The game broke numerous sales records, including the record for the fastest selling game in its first 24 hours. Since its inception, this genre has evolved to include larger settings, more missions, and a wider range of vehicles. In 2010, Rockstar Games published "Red Dead Redemption", an open world Western themed game. On the day of "Grand Theft Auto V" 's release on September 17, 2013, Volition released a free downloadable content pack for "Saints Row IV" titled "GATV", purposely playing the similarity in the abbreviated titles to promote their game due to the confusion raised on various social networks.
"Scott Pilgrim vs. the World: Original Motion Picture Soundtrack" was released on August 10, 2010 by ABKCO Records on vinyl and compact disc. A deluxe version of the soundtrack was released on September 7, 2010. People who pre-ordered the album on iTunes, as well as those who buy the deluxe version, receive a bonus video of Metric's "Black Sheep", as sung by Brie Larson, who plays Envy Adams in the movie. The soundtrack contains a mix of classic rock, alternative rock, indie, garage and post-punk.
"Grandia", which ESP released in 1997, was the first third-party Saturn title to breach 500,000 units in sales. Afterwards, ESP released titles including "Giren's Ambition" and "Baroque", later extending footholds into the Dreamcast and PlayStation 2 platforms with titles like "" and "Abarenbo Princess".
"Revolutions per Minute" was released on April 8, 2003. Like "The Unraveling", it failed to reach any major record charts, but did reach number thirty-five on the Independent Albums chart in the United States. Critics praised the album for its impassioned lyrics and unique blend of hardcore punk and melodic hardcore; Brian Hiatt of "Rolling Stone" called "Revolutions per Minute" "easily among the finest punk records of the past decade". To support the album, Rise Against traveled with other Fat Wreck Chord bands like Anti-Flag, None More Black, and No Use for a Name on North American and Japan based tours, and participated in the 2003 Warped Tour in North America. When asked about the band's early years with Fat Wreck Chords, Principe said: "Our goal was to be on Fat Wreck Chords and just sell enough records so that when we were home from tour, we wouldn't have to get jobs...Of course, that was all before we had families and children and numerous responsibilities. That was the beauty. And then the longer we did it things just kept coming our way."
In 2005, a BBC/Discovery docudrama entitled Supervolcano was released on cable television. The drama imagines the reaction of the Yellowstone Volcano Observatory to a super eruption at the Yellowstone Caldera. Producer Ailsa Orr credits YVO scientists as inspiration for the film's three primary characters. The YVO Scientist-in-Charge reflected on the hype associated with volcanism at Yellowstone in a 2005 magazine article.
Released by TriStar Pictures in 1989, the film grossed almost $3 million domestically, and has since become a cult film like its predecessor. In 2003, it received a brief issuing on DVD by Artisan Entertainment in a full frame presentation, but the release quickly went out of print and has since become a rare collector's item.
Leto described the series as an "unofficial sequel" to "Artifact", a documentary film about the legal dispute between Thirty Seconds to Mars and record label EMI. He explained, "it's what happens when "Artifact" left off. Literally. The last shot of the film is the first shot of the series." The series is directed by Jared Leto under his longtime pseudonym Bartholomew Cubbins. A trailer for the series premiered in November 2014, featuring a British narrator and assorted live scenes, paired with some interviews and some of the band's songs, including "Closer to the Edge".
All four singles from "CrazySexyCool" reached the top five on the "Billboard" Hot 100—"Creep" and "Waterfalls" reached number one, "Red Light Special" peaked number two and "Diggin' on You" reached number five. "Waterfalls", an Organized Noize-produced song that features an old-school soul-based musical arrangement, socially conscious lyrics criticizing drug dealing and unsafe sex, and an introspective rap from Lopes, became the biggest hit of TLC's career. Its million-dollar music video was an MTV staple for many months and made TLC the first black act to win MTV Video Music Award for Video of the Year.
On 27 October 2013, it was announced that the writing for the 14th studio album will begin after their 25th anniversary tour and the recording to the album will start in June 2014. On 29 December 2014, it was revealed that "The Plague Within" would be the title for upcoming album. On 26 January 2015, the release date for 2 June 2015 was announced, along with the producer, Jaimie Gomez Arellano and the recording location of Orgone Studios, London. Speaking to Rock Sins, Nick Holmes stated that the new album would have elements of all previous Paradise Lost material including a return to the death/doom of their early output, stating that "there’s some songs that could’ve been written in 1989, a couple of really old school doom/death songs which are gonna surprise a couple of people when they hear it." "The Plague Within" is considered by many traditional fans to be their best and most complete album in many years, as well as being a true return to their signature sound.
Upon its release in July 1967, "Silver Apples of the Moon" was a surprise hit for Nonesuch, becoming one the best-selling records in the classical category, and also selling respectably for an experimental album. The record also became an underground hit, and was described by Alfred Hickling of "the Guardian" as swiftly becoming "an essential psychedelic soundtrack," although Subotnick said he did not take drugs during the production of the album. For developing upon the possibilities of voltage-based synthesizers in performance and recording, "Silver Apples" also received international attention. Subotnick felt thought the album's innovative electronic sounds were part of the record's success. The album also received critical acclaim. In a contemporary review, Ted Dockstader of "Electronic Music Review" described "Silver Apples of the Moon" as a "beautiful record" that "seems to glitter with precision."
In June 2017, Adam Isgreen, creative director of Microsoft Studios announced "Age of Empires: Definitive Edition" at the Electronic Entertainment Expo 2017. It features overhauled graphics with support for 4K resolution, a remastered soundtrack, and other gameplay improvements, and was planned to be released on October 19, 2017, but was delayed until February 20, 2018. "Age of Empires: Definitive Edition" was released through the Windows store and was met with mixed or average reviews and weighted score of 70 out of 100 in Metacritic. PC Gamer gave the game 60/100, calling the game "solid remake of a game past its time". GameSpot gave the game 6/10, praising its 4K graphics and upgraded soundtrack but criticizing old problems still persisting.
On October 8, 2013, Shout! Factory released the complete series set in Region 1.
♦ – Shout! Factory select title, sold exclusively through Shout's online store.
"We designed the building from the inside out, not the outside in,” said Loretta H. Cockrum, Foram’s founder, chairman and CEO. “We wanted the most efficient office building ever designed, with no wasted space or wasted energy. This is a building of the future more than a building of the present. A lot of love has gone into that building, and a lot of pride."
On its full release, "Superhot" received positive reviews according to review aggregator Metacritic. Kyle Orland of "Ars Technica" believed the game had a "short but sweet running time" for its campaign mode with plenty of additional playtime available through the challenge and endless game modes to keep the game interesting. "Eurogamer" Christian Donlan considered both the gameplay and the narrative around it working well together to form "that rare piece of charmingly curated violence that dares to provoke difficult thought". Chris Plante of "The Verge" found that while the narrative was passable, the gameplay and design choices that drive the title away from being a simple first-person shooter, such as the inclusion of a red trail to show the path of bullets that subtly allow the player to identify their source, made "Superhot" "something wholly original in a genre that has become bereft of originality". Christopher Byrd for the "Washington Post" called the game a "soulful, artistic shooter", using its metafiction to "[flaunt] its understanding of the discourse around video games".
Oculus VR itself came under criticism in April 2016 after the company decided to apply digital rights management controls on its software that required Oculus games to only be played on the Rift, effectively breaking a user-made patch, called "Revive", to allow these games to have been played on the HTC Vive. Oculus eventually reversed this decision in June 2016, removing the digital rights controls. However, users disappointed with the original limitations took similar issues with "Superhot" Oculus Rift exclusivity, with several users giving the game negative reviews on Steam and other storefronts. Superhot's developers noted that without Oculus' help, the VR version of the game would not be as sophisticated as it came out to be, and restated their intentions to port the game to other VR systems.