Instruct: Given a question, retrieve documents that answer the question.
Query: Is Kula Shaker still together?
Kula Shaker's reformation has its origins in sessions for a charity album made with the New Braj Village School (a private school in Badger, California, for young people which includes as part of the curriculum teachings about Krishna and devotional music). The album "School of Braja" was recorded in 2004 and finally saw release in late 2006. Crispian Mills, who masterminded the album, arranged not only that the Jeevas play on two tracks, but he also got in touch with his old bandmate, Alonza Bevan. The two worked on a song together for the album, "Braj Mandala", to which Paul Winterhart added drums. Jay Darlington was asked to be part of the sessions, but declined the opportunity. At the time of the recording, this was announced on the official Jeevas website as Kula Shaker having reformed to contribute a song to the album and was referred to by Mills as a Kula Shaker reunion in subsequent interviews. Additionally, the "School of Braja" album credits officially state that Kula Shaker appear on the track "Braj Mandala". The sessions for the track went so well that Mills and Bevan began writing together again and making plans for a full-on Kula Shaker comeback that would encompass live touring and the further release of new material. A new band website was also commissioned.
In March 1990, all six members of New Edition reunite by making an appearance for "Video Soul" with Sherry Carter. There is clearly awkwardness and tension during the interview, with barbed comments flying all around, particularly between Ralph and Mike (still not yet over inviting Johnny to the group without consulting Ralph), as well as Bobby and everyone else. The show also airs each of the separate acts' music videos: BBD's "Poison", Ralph Tresvant's "Sensitivity", and Johnny Gill's "My, My, My." When the host asked the most anticipated question, "Would the group ever reunite for a new album?," Ralph suggested there was a possibility to record a reunion album in the coming future.
In "Shadis" #2 (March/April 1990), Jolly Blackburn began to run a comic that
he had written called "Knights of the Dinner Table", which depicted the humorous interactions of a gaming group. When Blackburn published that first "Knights" strip, he thought that he was just filling a blank page but when he tried to replace it with more professional strips beginning with "Shadis" #6, there was an outcry; because of that outcry "Knights" soon returned. Blackburn also published "Knights of the Dinner Table" as a comic book, the first three issues of which appeared from his company Alderac Entertainment Games over the next year (1994-1995). As a result of diverging interests with his partners, Blackburn left Alderac in 1995, with "Shadis" #21 (December 1995) being his final issue; he kept the rights to "Knights of the Dinner Table". Blackburn formed a new company called KODT Enteractive Facktory, which was to publish the "Knights of the Dinner Table" comic monthly. While he was working on getting that new company together, Blackburn received a call from the editor of TSR's "Dragon" magazine, asking if the "Knights of the Dinner Table" strip was now available; although Blackburn originally planned to continue the strip in "Shadis", he accepted the offer and "Knights of the Dinner Table" thus began appearing beginning in "Dragon" #226 (February, 1996). While working on "Knights of the Dinner Table" #4 (1996), Blackburn concluded that he really did not want to go it alone, and David Kenzer and the staff of Kenzer & Company wanted to get Blackburn to join their company. In November 1996 when David Kenzer and others were visiting Blackburn over the course of a local con, and Blackburn decided that Kenzer had the sort of business sense and integrity that he was looking for in a partner. Starting with issue #5 (February 1997) "Knights of the Dinner Table" was the work of the "KoTD Development Team" which consisted of Jolly Blackburn, David Kenzer, Brian Jelke and Steve Johansson.
From 1994 to 1995, Auf der Maur toured worldwide with Hole in support of its second studio album, "Live Through This" (1994). On the tour, Auf der Maur was described by guitarist Eric Erlandson as "bringing sunshine to the band" during the "dark and grey" atmosphere of the tour, which was problematic due to the band's recent bereavements—notably the death of Pfaff and Love's husband Kurt Cobain—as well as Love's drug addiction. Auf der Maur befriended Patty Schemel and rented a house with her following the two-year-long tour. The duo began a side project, Constant Comment, and released a split 7" single with Red Aunts on Sympathy for the Record Industry featuring the song "Firecrasher". Auf der Maur has since said her friendship and musical compatibility between her and Schemel was based on a "redhead connection"; Schemel has referred to Auf der Maur as her "anchor" during the period following the death of Pfaff and Cobain.
Auf der Maur was featured on various Hole releases, including the 1996 non-album single "Gold Dust Woman" and on various live tracks on "My Body, the Hand Grenade" (1997). She was featured on the band's third studio album, "Celebrity Skin" (1998), performing bass and co-composing five of the 12 songs. "Celebrity Skin" was a major critical and commercial success; it charted at number 9 in the U.S. "Billboard" 200 albums chart and number 3 in the Canadian Albums Chart, as well its lead single and title track peaking at number 1 on the "Billboard" Modern Rock Tracks chart. It has since been certified platinum in both the U.S. and Canada. Following the tour in support of its release, Auf der Maur left Hole in October 1999 as her five-year contract with the band ended and she wished "to grow in many different directions".
"Tearing Us Apart" is a song recorded by English blues rock guitarist and singer Eric Clapton on his 1986 album "August", produced by Phil Collins. The song was about "the committee", the group of Pattie Boyd's friends whom Clapton blamed for coming between Pattie and him. "Tearing Us Apart" was a duet with Tina Turner and was released as the second single from the album in mid-1987, following "Behind the Mask". The song did not chart on the US "Billboard" Hot 100, but was a minor hit in the UK. The song has been included on several setlists of Clapton's live performances in the late 1980s and throughout the 1990s; performed by other female vocalists such as Katie Kissoon, Tessa Niles, Shaun Murphy, Tracy Ackerman, Sheryl Crow, Sharon White and Michelle John (since 2011). Clapton resurrected the song for his 11-night residency at the Royal Albert Hall in May/June 2011 and his European/South American tours from February 14 to October 16.
Angelika Kluk, a 23-year-old student from Poland, was staying at the presbytery of St Patrick's Church, where she worked as a cleaner to help finance her Scandinavian Studies course at the University of Gdańsk. She was last seen alive in the company of Tobin on 24 September 2006, and is thought to have been attacked by him in the garage attached to the presbytery. She was beaten, raped and stabbed, and her body was concealed in an underground chamber beneath the floor near the confessional in the church. Forensic evidence suggested that she was still alive when she was placed under the floorboards. Police found her body on 29 September, and Tobin was arrested in London shortly afterwards. He had been admitted to hospital under a false name, and with a fictitious complaint.
Riki Choshu, one of New Japan Pro Wrestling's top stars who had come out of semi-retirement in 2000 left the New Japan promotion for the second time in the fall of 2002. With Kensuke Sasaki, Shiro Koshinaka, and referee Masao "Tiger" Hattori not renewing their contracts with New Japan in January 2003 as well, the four of them decided to develop their own promotion, World Japan. Yoshiaki Yatsu (who had been Choshu's ally in New Japan, Japan Pro Wrestling Alliance, and All Japan Pro Wrestling in the 1980s), was also brought in along with some of the talent of his small-time SPWF promotion. Other independent wrestlers and freelancers such as Genichiro Tenryu, Takao Omori, and Tomohiro Ishii came along as well. American Gaijin talent included established stars such as Vader, The Road Warriors, "Dr. Death" Steve Williams and Big Vito, as well as new stars such as Lex Lovett, Steve Madison, The Maximos, and The Shane Twins.
In 2002, Auf der Maur formed a brief project with former Hole drummer Samantha Maloney, Peaches, Paz Lenchantin and Radio Sloan. Adopting the title The Chelsea—named after the Chelsea Hotel in New York where Auf der Maur had lived for a number of years—the band performed one show at Spaceland in Los Angeles, California in February that included original songs and cover versions. Featuring a cover version of Devos "Gates of Steel" and early renditions of songs Auf der Maur would feature on her debut studio album, the show was poorly received due to its "seeming lack of preparation" and "was little more than pleasantly mopey and blurry garage rock" according to a Variety review. Courtney Love subsequently named her backing band The Chelsea, also hiring Maloney and Sloan in the process, while touring for her debut studio album, "America's Sweetheart" (2004).
Kuehl was born Sheila Ann Kuehl in Tulsa, Oklahoma. Her father, Arthur, was an airplane construction worker at Douglas Aircraft. He was Catholic and her mother, Lillian, was Jewish. As a child actress she performed under the stage name Sheila James.
In mid-2011, Sony announced that they were again restructuring RCA/JIVE Label Group. The JIVE side split, and LA Reid was hired to head Epic Records, which was restructured to focus on urban music. JIVE Records was moved under RCA Music Group, minus those artists who were moved to Epic. Some of JIVE's urban artists such as Usher moved to RCA, while other JIVE pop artists, including Britney Spears & P!nk, stayed under JIVE as the label moved under the RCA Music Group. Peter Edge serves as CEO of the company. The company was expected to start releasing all of its recordings under RCA Records. Arista Records, J Records and JIVE Records have been shut down in October 2011 with all of their artists moving to RCA. In August 2011, RCA laid off 20 members of its staff.
In the wake of the takeover, Jerry Wexler's influence in the company rapidly diminished; by his own admission, he and Ertegun had run Atlantic as "utmost despots" but in the new corporate structure, he found himself unwilling to accept the delegation of responsibility that his executive role dictated. He was also alienated from the "rockoid" white acts that were quickly becoming the label's most profitable commodities, and dispirited by the rapidly waning fortunes of the black acts he had championed, such as Ben E. King and Solomon Burke. Wexler ultimately decided to leave New York and move to Florida. Following his departure, Ertegun—who had previously taken little interest in Atlantic's business affairs—took decisive control of the label and quickly became a major force in the expanding Warner music group.
Group C
Football coach Ken Tanaka (Patrick Gallagher) and guidance counselor Emma Pillsbury (Jayma Mays) ask glee club director Will Schuester (Matthew Morrison) to create a mash-up for their wedding, using "Thong Song" and "I Could Have Danced All Night" from "My Fair Lady". Ken senses that Emma would rather be with Will instead of him, so he gives the football-playing glee club members an ultimatum by scheduling an extra football practice on the same day as glee rehearsals.
The Very Best of TLC: Crazy Sexy Hits (or The Best of TLC for digital release), is the second greatest hits album from American group TLC. It was released exclusively in the United Kingdom by Sony BMG on August 20, 2007. This is the trio's third compilation to be released in the country after the moderately successful "" back in 2003. Having a similar tracklist to the first compilation, the album contains TLC's most successful singles from four of their studio albums, which have been credited to many of the group's producers like Dallas Austin and Kenneth "Babyface" Edmonds.
The beginning of 1998 Fetah returned to Australia and the band began recording tracks for their debut album, which eventually became the eight-track EP, "8 Miles High". They band had already released the single Two-Faced (Check Your Head Up) in 1998 and followed it up with a second 4 track single "Karma" in early 1999/ The group went on to perform on the Vans Warped Tour, and then supported Fear Factory on their tour of Australia's east coast. In June 1999 Superheist toured nationally backing Sepultura, Late that year after a heavy touring schedule Bassist Si Durrant went berserk in a hotel room in Brisbane causing hundreds of dollars worth of damage. The band was chased out of town by the Queensland Police and subsequently Durrant mutually left the band and returned to Adelaide where he joined a short-lived project, Screwface:13. He was replaced in August by Melbourne session bass player Drew Dedman (ex Iconklast), who had met DW (by this time a well known studio producer) while recording bass tracks for Toecutter's "Lost Culture" at Back Beach Recording studio. A brief East Coast and South Australian tour followed with varying degrees of success. With the band's sound changing quiet dramatically, some fans struggled to connect with the new direction. Returning to Melbourne, the band filmed their first music video for the third single Have Your Way. Although never officlally released, the Have Your Way single was distributed by Shock as promotion for the later release of 8 Miles High and has become highly sought after by collectors.
In October 1999, Superheist recorded a cover of Walls by the Flowers at the ABC studios in South Melbourne. This track was featured by national radio station Triple J as part of Aus music month in November. A regional Victorian support with the Screaming Jets, a return to Canberra for Metal for the Brain on the 28th and a handful of local and East coast shows. The band finally got its first taste of a big summer festival stage by getting an early spot on Falls Festival, New Year's Eve. This performance allowed the band to showcase their new sound to a much larger audience and won the hearts of many with blistering live show. At Shock Records, Shagpile label was discontinued and Superheist had neither the budget nor time to record new tracks with Dedman for a full studio album, so 8 Miles High was cut down to 8 tracks and released as an EP on 24 January. Although featured on the artwork and credited as bass player, all the bass tracks on 8 Miles High were played by either Si Durrant or DW Norton. The EP's opening track "Pulse" received airplay on national radio network, Triple J. It was later included on a various artists' compilation album, Full Metal Racket. In January 2000, Dedman finally joined as a full-time member. With Dedman's highly skilled bass playing, the band's rhythm section had never sounded better and the stage was set for Superheist to take things to the next level. 
8 Miles High had made a significant impact on the Australian alternative charts, Pulse, Two-Faced, Karma and Have You Way were receiving significant airplay. This led to a main support slot with Grinspoon on their Australian tour in February. This tour effective broke the band on a national level. As a result of the success of the tour and 8 Miles High, the band was approached by Gregg Donovan of Step2 artist management (Grinspoon, Airbourne) who offered them a management contract. "Pulse" was shelved in favour of a remixed, rereleased version of 2 faced. The band shot a film clip for the new version of the tune which was filmed in Melbourne and the song was re-released to radio as a promo single by Shock records. The CD sleeve featured a new band logo more in the style of US nu-metal band Limp Bizkit. This was done without the band's permission and was promptly removed from circulation after complaints from the band. Superheist's relationship with Shock Records was often tested with the label making numerous ill-fated decisions without consulting the band.
In September 1997 the band signed to Melbourne's Shock Records on its subsidiary label Cutthroat and released a five-track EP, Chrome Matrix .] This EP showed a shift from traditional grindcore to a more polished industrial style of death metal. More samples and clean vocals crept into the sound along with more emphasis on keyboards and loops. The band even experimented with re-mixes with the track "Platinum Matrix" The epic "Subhuman" showcased the versatility of McLeod's vocals and clever lyrics. The EP also housed two hidden tracks from the Apocalypse demo, Retarded Barbie and Perfect World. During the recording bassist Adam "Donut" Donath severed his thumb in an industrial accident and was not able to finish his parts. The remaining bass parts for the EP were completed by Norton, while Donut recovered still unsure of his ability to ever play the bass again. Local Melbourne artist Barney "Barnaby Butters" Hughes (deceased) joined the group temporarily to assist on bass guitar duties for several live shows.
More line-up problems plagued the band with drummer Aaren Suttil's commitments to Dreadnaught increasing, he chose to leave the band on good terms. In:Extremis drummer Adam Messenger filled in for the next run of live shows and recorded a number of studio tracks with the band including "Times Killing" and "Pocket Full Of Lies." These tracks appear on the band's 2004 release New Rare Live
In late 1998, After a meeting and an exchange of demos between Berger, DW and Seanheist at the Esplanade Hotel in St.Kilda, Seanheist rejoined the group. Excited by the new sound and the shift away from Grindcore/ Industrial death metal into a more nu-metal vein, songwriting continued, and the foundations were laid for what would eventually become the 8 Miles High EP and the birth of the classic Superheist bouncing metal sound. The post Chrome Matrix demos included early versions of Karma, Fluid and Syncin’ In. Chris Ainsworth (A friend of Back Beach Studios owner Mark Rachelle) temporarily took up keyboards and samples duties while Fetah Sabawi travelled overseas. Superheist then went on to play a series of shows up and down the east coast. With no release for well over a year the band struggled to maintain numbers at live shows. In 1998 Superheist announced bass guitarist Simon "Si" Durrant, from Adelaide-based industrial death metalers, In:Extremis would be the band's full-time replacement for the injured Donut who never regained his full playing ability.
On 2 July 2008 the band announced they were back in the studio working on their fourth studio album with working title "Pilgrims Progress". However soon after the band became locked in a legal dispute with their label which resulted in most of the work for the next album being frozen. As of May 2009, work on the new album had recommenced.
After 20 years and 5000 hours in fighter jets, Shul retired from the Air Force in 1990 and went on to pursue his writing and photographic interests. In addition to running his own photo studio in northern California, he has authored seven books on flying and flight photography. His first two books ("Sled Driver: Flying The World's Fastest Jet" and "The Untouchables") are about flying the SR-71 Blackbird and give the reader a first-hand account of being in the cockpit of the world's fastest jet. Shul's third and fourth books are about America's air demonstration teams, the Navy Blue Angels, in "Blue Angels: A Portrait of Gold", and the Air Force Thunderbirds, in "Summer Thunder" and contain aerial images which take the reader into the dynamic formations of these world-famous teams. In 1997, Shul released his fifth book, "Eagle Eyes : Action Photography from the Cutting Edge", which is a collection of his in-flight photos. He has also released special, revised editions of both "Sled Driver" and "The Untouchables".
"It's The Things You Do" was released in late 1998 in the U.S., only to receive a lukewarm reception. The group embarked upon a U.S. tour with the American boy band NSYNC, but soon after pulled out due to exhaustion, flying back to England to rest and start work on a new album. Still from the first album, "Got the Feelin'", "Everybody Get Up", and "Until the Time Is Through" were all released as singles in the UK throughout 1998. Five reached the top 5 in several countries around the world, and the latter two singles each rose to the number two spot in the UK. A significant element in Five's popularity was their resemblance to American boy bands such as New Kids on the Block, the Backstreet Boys and NSYNC in their uptempo musical style and 'street' image, in contrast to Take That, Boyzone, and 98 Degrees, who at the time were primarily known for their ballads. Five also wrote or co-wrote almost all of their own songs, something boy bands had never done much of until then. According to Cowell, Five almost broke the US. Unfortunately they made some bad decisions. When Cowell heard "...Baby One More Time", he wanted Five to have it, but writer Max Martin had given it to Britney Spears thus broke up with Martin. Five were later offered "Bye Bye Bye", but upon hearing the song, they turned it down and dissed it. "Then they went out to Sweden a few weeks later to record a song which they famously turned down, called "Bye Bye Bye." And it really was bye bye bye after that. That would have been the record that broke them. I would have broken that band," Cowell said.
In the show's pilot episode, Kurt auditions for the New Directions glee club by performing "Mr. Cellophane" from "Chicago". Although he initially hides his homosexuality, many of the other members assume he is gay. He confides that he is gay to fellow glee club member Mercedes (Amber Riley) in "Acafellas", and the two develop a close friendship. In the following episode, "Preggers", Kurt joins the school football team as a kicker in order to impress his widowed father, Burt Hummel (Mike O'Malley), and helps the failing team win its first game by kicking the tie-breaking extra point. His heightened confidence leads him to disclose his homosexuality to his father, who not only responds with love and acceptance, but also surprises Kurt by telling him that he has long been aware that Kurt was gay. Kurt quits the football team in "Mash-Up", when Coach Ken Tanaka (Patrick Gallagher) forces the glee club members of the team to choose between the club and the team.
Longkou Mining Group, subsidiary of Shandong Energy, produces oil shale as a coal mining byproduct. It operates shale oil plant which is equipped with 40 Fushun retorts. The shale oil production is about 120,000 tonnes per year and the planned full capacity is 200,000 tonnes of shale oil per year. The company also plans to utilize Enefit-280 technology. In addition, the company plans to burn shale char mixed with particulate oil shale in fluidized bed combustion for power generation, and the shale ash would be utilized for production of building material.
The origin of Kula Shaker can be traced back to 1988 when Crispian Mills (grandson of Sir John Mills and son of actress Hayley Mills and film director Roy Boulting) met Alonza Bevan at Richmond upon Thames College in South-West London. The two went on to play together in a band named Objects of Desire, formed later that year. The band's initial line-up consisted of Mills on lead guitar, Bevan on bass, Marcus French (aka Frog) on drums, Leigh Morris on rhythm guitar, and Marcus Maclaine (then Hayley Mills' boyfriend) on lead vocals. In 1991, Paul Winterhart joined the band, replacing French on drums. During this period, Crispian and Alonza were also responsible for running the Mantra Shack, a psychedelic nightclub at the back of Richmond ice rink, and consequently, the Objects of Desire would often perform at the venue.
Kula Shaker are an English psychedelic rock band. Led by frontman Crispian Mills, the band came to prominence during the Post-Britpop era of the late 1990s. The band enjoyed commercial success in the UK between 1996 and 1999, notching up a number of Top 10 hits on the UK Singles Chart, including "Tattva", "Hey Dude", "Govinda", "Hush", and "Sound of Drums". The band's debut album, "K", reached No. 1 on the UK Albums Chart.
The following is a comprehensive discography of Kula Shaker, an English psychedelic rock band formed in 1995. Kula Shaker has released four major studio albums, as well as numerous singles with extensive b-sides, music videos, and EPs. The band has also contributed to film soundtracks and TV advertisements."-" denotes releases that did not chart.
Their first gig back together (as a 3-piece) took place at the Wheatsheaf, Leighton Buzzard, England, on 21 December 2005. This was a 'secret' gig and not promoted beforehand; however, blackboards outside the pub announced "Kula Shaker tonight" on the night of the show. As a joke about the nature of secret gigs, Mills told the assembled crowd that the band was called The Garcons whilst wearing a "big hair" grey wig. All sources both official and unofficial have subsequently referred to this gig as a Kula Shaker show.