Instruct: Given a question, retrieve documents that answer the question.
Query: When did Machen publish The Great God Pan?
The Great God Pan is a horror and fantasy novella by Welsh writer Arthur Machen. Machen was inspired to write "The Great God Pan" by his experiences at the ruins of a pagan temple in Wales. What would become the first chapter of the novella was published in the magazine "The Whirlwind" in 1890. Machen later extended "The Great God Pan" and it was published as a book alongside another story, "The Inmost Light", in 1894. The novella begins with an experiment to allow a woman named Mary to see the supernatural world. This is followed by an account of a series of mysterious happenings and deaths over many years surrounding a woman named Helen Vaughan. At the end, the heroes confront Helen and force her to kill herself. She undergoes a series of supernatural transformations before dying and she is revealed to be the child of Mary and the god Pan.
Manuscripts written in the 13th century preserved most information about the Norsemen's pre-Christian religious beliefs. The "Poetic Edda" contain Old Norse poems about the creation and the end of the world. Snorri Sturluson incorporated several myths of Odin, Thor, Týr and other pagan gods in his "Prose Edda". Odin was the most important god of the pantheon, but he was never regarded omnipotent. The gods were thought to live in farms together with their sposes and children, just like their mortal worshippers. The "Eddas" also mentioned the "jötnar" (or giants), describing them as the gods' superhuman enemies.
In addition to his translation of Sophocles, Adams wrote what David Elisha Davy called "The Heathen Martyr", and what the "Gentleman's Magazine" for October 1746 registered amongst the books and pamphlets published during that month as "The Life of Socrates: an Historical Tragedy", London, 1746. It is not unlikely that Adams was the author of "An Exposition of some Articles of Religion, which strike at the Tenets of the Arians and Socinians. Likewise at the Infidels, Romanists, Lutherans, and Calvinists. In several Sermons and Dissertations", London, 1752. In a Latin dedication to Dr. Thomas Sherlock, bishop of London, the author of this work describes himself as having exercised his sacred office (sacro munere) in that diocese for a period of over twenty years.
The Pantheon (, ; , from Greek "Pantheion", "[temple] of all the gods") is a former Roman temple, now a church, in Rome, Italy, on the site of an earlier temple commissioned by Marcus Agrippa during the reign of Augustus (27 BC – 14 AD). It was completed by the emperor Hadrian and probably dedicated about 126 AD. Its date of construction is uncertain, because Hadrian chose not to inscribe the new temple but rather to retain the inscription of Agrippa's older temple, which had burned down.
Chapman was a prominent poet and translator of Homer. Scholars speculate that Shakespeare was familiar with his work, having read part of his translation of the "Iliad" for his own "Troilus and Cressida", a dramatic reworking of Chaucer's epic poem. Chapman wrote "Ovid's Banquet Of Sense", a metaphysical poem seen as a response to the erotic "Venus and Adonis," which incidentally features Shakespeare's most quoted poet, Ovid. In "Shakespeare and the Rival Poet", Acheson conjectures that Chapman's erotic poems were written with a view to gaining Southampton's patronage. The moral tone of "Ovid's Banquet of Sense" eschews the amatory tone of Shakespeare's, and seeks to instill spiritual seriousness in a work that takes the five senses as its Conceits. Chapman's patrons also moved in the same circles as Shakespeare's; thus Shakespeare may have felt insecure about the stability of his own income versus a talented rival. Chapman was both then and now regarded as being particularly erudite, whereas, as Ben Jonson writes, Shakespeare had "small Latine and lesse Greeke".
In order to avoid the difficulty of giving an exhaustive list of deities when devoting a temple or sacred building, a structure explicitly dedicated to "all deities" also came to be referred to as a "Pantheon". The best known of such structures is the Pantheon of Rome, first built between the years 27 BCE and 14 CE. The building standing today was constructed on the same site around 126 CE. It was dedicated to "all gods" as a gesture embracing the religious syncretism in the increasingly multicultural Roman Empire, with subjects worshipping gods from many cultures and traditions. The building was later renovated for use as a Christian church in 609 under Pope Boniface IV.
Mehen also appears to have been played outside of Egypt. It appears alongside other boards displaying the game of senet at Bab 'edu Dhra and in Cyprus. In Cyprus, it sometimes appears on the opposite side of the same stone as senet, and those from Sotira "Kaminoudhia", dating to approximately 2250 BCE, are the oldest surviving double-sided boards known. Mehen survived in Cyprus longer than in Egypt, showing that the game was indigenized upon its adoption into the island's culture.
The "Britannica" was the idea of Colin Macfarquhar, a bookseller and printer, and Andrew Bell, an engraver, both of Edinburgh. They conceived of the "Britannica" as a conservative reaction to the French "Encyclopédie" of Denis Diderot (published 1751–1766), which was widely viewed as heretical. Ironically, the "Encyclopédie" had begun as a French translation of the popular English encyclopedia, "Cyclopaedia" published by Ephraim Chambers in 1728. Although later editions of Chambers' "Cyclopaedia" were still popular, and despite the commercial failure of other English encyclopedias, Macfarquhar and Bell were inspired by the intellectual ferment of the Scottish Enlightenment and thought the time ripe for a new encyclopedia "compiled upon a new plan".
One of the most important early Jewish philosophers influenced by Islamic philosophy is Saadia Gaon (892-942). His most important work is "Emunoth ve-Deoth" (Book of Beliefs and Opinions). In this work Saadia treats of the questions that interested the Motekallamin so deeply—such as the creation of matter, the unity of God, the divine attributes, the soul, etc. — and he criticizes the philosophers severely.
The Pantheon was a place of public entertainment on the south side of Oxford Street, London, England. It was designed by James Wyatt and opened in 1772. The main rotunda was one of the largest rooms built in England up to that time and had a central dome somewhat reminiscent of the celebrated Pantheon in Rome. It was built as a set of winter assembly rooms and later briefly converted into a theatre. Before being demolished in 1937, it was a bazaar and a wine merchant's show room for over a hundred years. Marks and Spencer's "Oxford Street Pantheon" branch, at 173 Oxford Street now occupies the site.
During his sojourn in Tübingen in 1536 Melanchthon was severely attacked by Cordatus, preacher in Niemeck, because he had taught that works are necessary for salvation. In the second edition of his "Loci" (1535), he abandoned his earlier strict doctrine of determinism which went even beyond that of Augustine of Hippo, and in its place taught more clearly his so-called Synergism. He repulsed the attack of Cordatus in a letter to Luther and his other colleagues by stating that he had never departed from their common teachings on this subject, and in the Antinomian Controversy of 1537 Melanchthon was in harmony with Luther.
In a collaboration with author Terry Pratchett, best known for his series of "Discworld" novels, Gaiman's first novel "Good Omens" was published in 1990. In 2011 Pratchett said that while the entire novel was a collaborative effort and most of the ideas could be credited to both of them, Pratchett did a larger portion of writing and editing if for no other reason than Gaiman's scheduled involvement with "Sandman".
God Is Not Great is a 2007 book by Anglo-American author and journalist Christopher Hitchens, in which he makes a case against organized religion. It was originally published in the United Kingdom by Atlantic Books as God Is Not Great: The Case Against Religion and in the United States by Twelve as God Is Not Great: How Religion Poisons Everything, but was republished by Atlantic Books in 2017 with no subtitle.
Pachinko is a popular gambling game in Japan, that traces its roots back to the early 20th century. The Masamura trading company from Nagoya constructed a museum in tribute to the company's founder Masamura Takeuchi on the third floor of the old Masamura Building in Nishi-ku. He is often acknowledged to be the creator of modern pachinko, by turning this children's game into an adult hobby. In the years after World War II, when supplies were short, he was able to build together some of the first pachinko machines made out of old tea chests and greenhouse glass. The legendary Masamura Gauge All 15 is remembered as the precursor to modern day Pachinko machines.
The story was first published as a five-part serial in "Weird Tales" between the months of December 1935 to April 1936 (with chapter 20 being misprinted as chapter 21). It was first published in book form in hardcover by Gnome Press in 1950 under the title "Conan the Conqueror", a title retained by all later editions until 1977. The first paperback edition was published by Ace Books in 1954. The novel has been reissued a number of times since by various publishers, notably Lancer Books in 1967 and Berkley/Putnam in 1977; the latter, reedited by Karl Edward Wagner, was the first edition to restore the original magazine text and title, under which most subsequent editions have been issued. Donald M. Grant, Publisher, Inc. published an edition in 1989, with illustrations by Ezra Tucker, as volume XI of their deluxe Conan set. More recently the novel appeared in the collections "The Essential Conan" (1998), "Conan Chronicles Volume 2: The Hour of the Dragon" (2001) and "" (Del Rey, 2005). It has also been translated into Japanese, Italian, Finnish, French, German, Swedish, Czech, Russian, Sinhalese and Spanish.
He published two books, "The nine churches of Rome" ("Le nove chiese di Roma" 1639), and "The Lives of Painters, Sculptors, Architects and Engravers, active from 1572–1642" ("Le Vite de’ Pittori, scultori, architetti, ed Intagliatori dal Pontificato di Gregorio XII del 1572. fino a’ tempi de Papa Urbano VIII. nel 1642", 1642). The latter is still seen as an important historical source for artists living in Rome during the lifetime of Baglione. His first book was an artistic guide to Rome`s nine major pilgrimage churches, which is notable for its period in taking an interest in the works of all periods, and remains useful to scholars as an account of these churches at a point before many subsequent alterations. It "marks a watershed in the guidebook literature of Rome-the turning point between the older tradition of devotional guidebooks ... and the modern tradition of artistic guides".
Andreas Vesalius (1514–1564) (Latinized from Andries van Wezel), professor of anatomy at the University of Padua, is considered the founder of modern human anatomy. Originally from Brabant, Vesalius published the influential book "De humani corporis fabrica" ("the structure of the human body"), a large format book in seven volumes, in 1543. The accurate and intricately detailed illustrations, often in allegorical poses against Italianate landscapes, are thought to have been made by the artist Jan van Calcar, a pupil of Titian.
The "Hunter × Hunter" manga has received much praise for its plot and characters. In his 2007 book "", Jason Thompson described its storyline as "an almost random collection of psych-outs, battles, puzzles, and trickery" that works on both a chapter-by-chapter basis and a larger scale. Thompson elaborated that with all the goals and subplots of each of the main characters, the story could seemingly go on forever and is unpredictable enough to hold reader interest. In a different review for Anime News Network in 2012, Thompson wrote that it was hard to summarize the story because it is every "shōnen" manga in one, with training sequences, tournament battles, a crime-mystery story arc, and a virtual-reality, RPG-style story arc. But unlike most "shōnen" manga, he called "Hunter × Hunter" "incredibly dense." Examples being its fictional nen ability, which is explained "so thoroughly that you almost think it could exist," and the little challenges and games the characters face; "Over and over Togashi invents some little closed system or rules just so the heroes can break them; if he ever wants to change careers, I'd suggest game designer." Thompson praised the character art as great, pointing out how instead of alternating between realistic and chibi like other artists, Togashi has cartoony and realistic characters interacting in the same panels. Thompson did note how the artwork during its magazine run is often "sketchy" and missing backgrounds, but that Togashi goes back and fixes it for its collected "tankōbon" release. Mentioning Togashi's love of gore he stated "the whole manga is about the mixture of childish adventure and creepy, adult themes" and noted how some panels later in the manga are apparently censored for gore by being covered with screentone.
The most influential publication of the Enlightenment was the "" ("Encyclopaedia"). Published between 1751 and 1772 in thirty-five volumes, it was compiled by Diderot, d'Alembert (until 1759) and a team of 150 scientists and philosophers. It helped spread the ideas of the Enlightenment across Europe and beyond. Other landmark publications were Voltaire's "Dictionnaire philosophique" ("Philosophical Dictionary"; 1764) and "Letters on the English" (1733); Rousseau's "Discourse on Inequality" (1754) and "The Social Contract" (1762); Adam Smith's "The Theory of Moral Sentiments" (1759) and "The Wealth of Nations" (1776); and Montesquieu's "The Spirit of the Laws" (1748). The ideas of the Enlightenment played a major role in inspiring the French Revolution, which began in 1789. After the Revolution, the Enlightenment was followed by the intellectual movement known as Romanticism.
The Book of Ceremonial Magic by Arthur Edward Waite was originally called The Book of Black Magic and of Pacts. It was first published in a limited run in 1898, and distributed more widely under the title "The Book of Ceremonial Magic" in 1910. It is an attempt to document various famous grimoires, explain the history behind them (refuting many of the legends surrounding them), discuss the theology contained therein (e.g. raising the question why good angels would be summoned to kill an enemy), and to synthesize many famous grimoires into one system.
One of the greatest Persian medics was Avicenna, also known as Ibn Sina, who lived from 980AD to 1037AD. His works included a comprehensive collection and systematisation of the fragmentary and unorganised Greco-Roman medical literature that had been translated Arabic by that time, augmented by notes from his own experiences. One of his books, "Al-Qānūn fī aṭ-Ṭibb" (The Canon of Medicine) has been called the most famous single book in the history of medicine in both East and West. Avicenna excelled in the logical assessment of conditions and comparison of symptoms and took special note of analgesics and their proper use as well as other methods of relieving pain, including massage.
On publication, it was widely denounced by the press as degenerate and horrific because of its implied sexual content, and the novella hurt Machen's reputation as an author. Beginning in the 1920s, Machen's work was critically re-evaluated and "The Great God Pan" has since garnered a reputation as a classic of horror. Literary critics have noted the influence of other nineteenth-century authors on "The Great God Pan" and offered differing opinions on whether or not it can be considered an example of Gothic fiction or science fiction. The novella has influenced the work of horror writers such as Bram Stoker, H. P. Lovecraft, and Stephen King, and has been adapted for the stage twice.
"The Great God Pan" implied sexuality caused a scandal upon its original release and hurt Machen's reputation as an author. Reviewing the novella for the magazine "Literary News", Richard Henry Stoddard criticised the story as "too morbid to be the production of a healthy mind". The art critic Harry Quilter's review of the book, titled "The Gospel of Intensity", and published in "The Contemporary Review" in June 1895, was even more harsh. Quilter declared: "The Great God Pan' is, I have no hesitation in saying, a perfectly abominable story, in which the author has spared no endeavor to suggest loathsomeness and horror which he describes as beyond the reach of words." Quilter warned that Machen's books were a dangerous threat to the entire British public and that they would destroy readers' sanities and senses of morality. Quilter went on to attack the story's publisher, John Lane, as well as Machen himself: "Why should he be allowed, for the sake of a few miserable pounds, to cast into our midst these monstrous creations of his diseased brain?" Quilter added that works of fiction like Machen's should be unanimously condemned by literary critics and newspapers: "If the Press was so disposed it could stamp out such art and fiction in a few months: And that disposition must be acquired, must even be enforced." He was particularly harsh in his denunciation of sexual ambiguity and polymorphous androgyny in the book. He expressed revulsion at Machen's description of Helen's sex changing immediately before her death and concluded his review with a comment of distaste regarding the "nasty little naked figure of dubious sex and humanity with which Mr. Aubrey Beardsley has prefaced the story". A positive appraisal of the novella came from Oscar Wilde, who called it "un succès fou."
According to film historians Keith McDonald and Roger Clark, Mexican film director Guillermo del Toro's portrayal of the faun in his 2006 dark fantasy film "Pan's Labyrinth" was inspired by the "ambivalent and possibly dangerous" portrayals of Pan in late Victorian and early Edwardian novels, including Machen's "The Great God Pan" and "Pan's Garden" (1912) by Algernon Blackwood. Del Toro deliberately chose to imitate the darker, more sinister fauns of Machen and Blackwood rather than the "sweetly domesticated figure" of Mr. Tumnus from C. S. Lewis's "The Lion, the Witch and the Wardrobe" (1950). The original title of the film in Spanish is "El Laberinto del Fauno" ("The Labyrinth of the Faun"), but the English title "Pan's Labyrinth" emphasizes the connection between del Toro's film and the body of late nineteenth-century writings about Pan, including "The Great God Pan".
"The Great God Pan" was highly influential on the circle of writers around H. P. Lovecraft. The structure of Machen's story influenced the structure of Lovecraft's "The Call of Cthulhu" (1928). "Pan"s depiction of a monstrous half-human hybrid inspired the plot of Lovecraft’s "The Dunwich Horror" (1929), which refers to Machen’s novella by name. According to Lovecraft scholar Robert M. Price, "The Dunwich Horror' is in every sense an homage to Machen and even a pastiche. There is little in Lovecraft's wonderful story that does not come directly out of Machen's fiction." "Pan" also inspired Lovecraft to create his character Nodens who appears most prominently in "The Dream-Quest of Unknown Kadath" (1943).