Instruct: Given a question, retrieve relevant documents that can help answer the question.
Query: When was Louise-Marie-Madeleine Guillaume de Fontaine born?
Louise de Fontaine was born in Paris, in the parish of Saint-Roch, on 28 October 1706. Her baptism act was as follows:
In 1701, Prince Antoine succeeded Louis I and inherited an almost bankrupt Monaco, though he did further embellish the Royal Room. On its ceiling, Gregorio de Ferrari and Alexandre Haffner depicted a figure of Fame surrounded by lunettes illustrating the four seasons.
Antoine's marriage to Marie of Lorraine was unhappy and yielded only two daughters. Monaco's constitution confined the throne to members of the Grimaldi family alone, and Antoine was thus keen for his daughter Princess Louise-Hippolyte ("Illustration 11") to wed a Grimaldi cousin. However, the state of the Grimaldi fortunes, and the lack of (the politically necessary) approval from King Louis XIV, dictated otherwise. Louise-Hippolyte was married to Jacques de Goyon Matignon, a wealthy aristocrat from Normandy. Louise-Hippolyte succeeded her father as sovereign of Monaco in 1731 but died just months later. The King of France, confirming Monaco's subservient state to France, ignored the protests of other branches of the Grimaldi family, overthrew the Monégasque constitution, and approved the succession of Jacques de Goyon Matignon as Prince Jacques I.
Guillaume Apollinaire (; 26 August 1880 – 9 November 1918) was a French poet, playwright, short story writer, novelist, and art critic of Polish-Belarusian descent.
On 30 January 1989, his father died in a skiing accident near Vail, Colorado. Later, in 1994 Louis Alphonse would receive 150 million "pesetas" following a lawsuit against Vail Associated, which owned the ski resort where the accident occurred. Louis Alphonse was recognised by some members of the Capetian dynasty as "Chef de la Maison de Bourbon" (Head of the House of Bourbon) and took the title Duke of Anjou, but not his father's Spanish dukedom. He is considered the rightful pretender to the French throne by adherents of the Legitimist movement.
The French military became interested in the Christophe and Montigny mitrailleuse in 1863 and the French Army's Artillery Committee undertook an investigation into the possible adoption of the Belgian weapon. However it was decided to do otherwise and to create a proprietary mitrailleuse weapon by sole French industrial means. In May 1864, General Edmond Le Bœuf submitted a preliminary report entitled "Note sur le Canon à balles" to the Emperor Napoleon III. Full-scale manufacture began in September 1865, in great secrecy, under the leadership of Lieutenant-Colonel Verchère de Reffye (1821–1880). Assembly and some manufacturing took place at the workshops in Meudon but many parts came from the private industrial sector. Production was slow due to limited funding (the army had already spent much of its five-year budget on the Mle 1866 Chassepot rifle), forcing Napoleon III to pay for development and manufacture out of secret funds. The new weapon was thoroughly tested in 1868 at the military firing range at Satory, near Versailles, in conditions of great secrecy. Due to a fear of spies, test guns were concealed in tents while being fired at distant targets. The mitrailleuse performed mechanically with remarkable efficiency and much was expected of it in a combat situation.
Through her mother, Louise Dupin comes from a family of artists, all went to the Comédie-Française. The sense of theater was somehow innate in her. She created a small theater at the southern end of the gallery on the first floor of Chenonceau and gave himself to her passion. She also practiced philanthropy. A staunch feminist, Louise claimed for women education and access to public jobs and careers until then reserved exclusively to men.
Guillaume Apollinaire was one a group of poets whom Poulenc had met as a teenager. Adrienne Monnier's bookshop, the "Maison des Amis des Livres", was a meeting place for "avant-garde" writers including Apollinaire, Max Jacob, Paul Éluard and Louis Aragon. Apollinaire, the illegitimate son of a Polish noblewoman, was described by the critic Edward Lockspeiser as the prominent leader of Bohemian life in Montparnasse. Among his achievements were to bring to prominence the painter the Douanier Rousseau, and to invent the term "surrealism", of which he was a leading exponent. In June 1917 the audience for the first performance of Apollinaire's "drame surréaliste", "Les Mamelles de Tirésias", at a theatre in Montmartre included Jean Cocteau, Serge Diaghilev, Léonide Massine, Henri Matisse, Pablo Picasso, Erik Satie, and the young Poulenc. Many years later Poulenc said that though he had been immensely amused by the farcical piece it did not occur to him at the time that he would ever set it to music.
In 1925, Le Guennant arrived at the Gregorian Institute of Paris as director and teacher of Gregorian chant, succeeding Dom Joseph Gajard of the Solesmes Abbey.
After the Second World War, he organized many Gregorian sessions, not only in France but also in Fátima, and even Rio de Janeiro. Still teaching at the Gregorian Institute in Paris, this pedagogue and musician considerably boosted the teaching of Gregorian chant, by creating centres of study in several countries. When Maurice Duruflé thought about basing his Requiem on Gregorian chant, he asked Le Guennant for advice, and gratefully acknowledged his understanding. In 1960, Duruflé dedicated a composition to Le Guennant, his "Quatre Motets sur des thèmes grégoriens" which were also based on chant.
The bride was passionately in love with her husband, but his attentions focused elsewhere. It was well known at court that he was in love with his wife's sister-in-law, Louise-Françoise de Bourbon, wife of Louis III, Prince of Condé, who was the eldest legitimated daughter of King Louis XIV and his mistress, Madame de Montespan. Marie Anne de Bourbon, the daughter of Louise-Françoise de Bourbon, was thought to have been the fruit of this affair. It was also noted, however, that he had homosexual tendencies and did not pay his wife much attention. He lived as a libertine, engaging in numerous love affairs with members of both sexes. His scandalous philandering and debaucheries caused tension and distance within the family, and earned him the nickname of "le Grand Conti".
Louis Alphonse was born in Madrid, the second son of Alfonso de Borbón, Duke of Anjou and Cádiz, and of his wife María del Carmen Martínez-Bordiú y Franco, eldest granddaughter of Francisco Franco. Alfonso was at that time the dauphin (using "Duke of Bourbon" as title of pretence) according to those who supported the claim of his father, Infante Jaime, Duke of Segovia to the French throne. On 20 March 1975, the Infante Jaime ("Henri VI" by Legitimist reckoning) died. Alfonso then asserted his claim to be both Head of the House of Bourbon and Legitimist claimant to the throne of France and the Co-Principality of Andorra. As such, he took the title "Duke of Anjou", and on 19 September 1981 gave Louis Alphonse the title Duke of Touraine.
The song's lyric reflects the invasion of France by foreign armies (from Prussia and Austria) that were under way when it was written. Strasbourg itself was attacked just a few days later. The invading forces were repulsed from France following their defeat in the Battle of Valmy. As the vast majority of Alsatians did not speak French, a German version ("Auf, Brüder, auf dem Tag entgegen") was published in October 1792 in Colmar.
The Convention accepted it as the French national anthem in a decree passed on 14 July 1795, making it France's first anthem. It later lost this status under Napoleon I, and the song was banned outright by Louis XVIII and Charles X, only being re-instated briefly after the July Revolution of 1830. During Napoleon I's reign, "Veillons au salut de l'Empire" was the unofficial anthem of the regime, and in Napoleon III's reign, it was "Partant pour la Syrie". During the nineteenth and early twentieth centuries, "La Marseillaise" was recognised as the anthem of the international revolutionary movement; as such, it was adopted by the Paris Commune in 1871, albeit with new lyrics under the title "La marseillaise de la Commune". Eight years later, in 1879, it was restored as France's national anthem, and has remained so ever since.
The modern-day Champagne-Ardenne, bordering Belgium in northeast France, covers four departments: Aube, Ardennes, Haute-Marne, and Marne. This region saw much fighting in World War I (1914–1918) and many battles, of which arguably the most important were the First Battle of the Marne and the Second Battle of the Marne. The First Battle of the Marne, also known as the "Miracle of the Marne", was fought between 5 and 12 September 1914. The battle effectively ended the month-long German offensive that had opened the war and the counterattack of six French field armies and the British Expeditionary Force (BEF) along the Marne River forced the German Imperial Army to abandon its push on Paris and retreat northeast to the Aisne river, setting the stage for four years of trench warfare on the Western Front
The first "mitrailleuse" was a manually fired 50-barrel volley gun originally developed in Belgium in 1851 by the Belgian Army Captain Fafschamps, who made a rough prototype and drawings of his invention. The system was improved during the 1850s by Louis Christophe and the Belgian engineer Joseph Montigny, with the completion of the 37-barrel Montigny mitrailleuse in 1863. From 1859, Joseph Montigny proposed his design to Napoleon III, which led to the development of the French Reffye mitrailleuse, designed by Jean-Baptiste Verchère de Reffye with the collaboration of Montigny, and which was adopted by the French Army in 1865. Initially kept under wraps as a secret weapon, it was widely used in battle by French artillery during the Franco-Prussian War (1870–71). Smaller numbers of other designs, including the Gatling gun, were also purchased by the French government during the latter part of that conflict. The Reffye model had initially been built in small numbers and in secrecy: only about 200 were available at the beginning of the conflict. This also kept regular French field artillery in a neglected position in the eyes of French emperor Napoleon III, with dire consequences during the Franco-Prussian War of 1870–71.
"La Marseillaise" () became the national anthem of France. The song was written and composed in 1792 by Claude Joseph Rouget de Lisle, and was originally titled ""Chant de guerre pour l'Armée du Rhin"". The French National Convention adopted it as the First Republic's anthem in 1795. It acquired its nickname after being sung in Paris by volunteers from Marseille marching on the capital.
François Lay, better known under the stage name Lays (14 February 1758 – 30 March 1831), was a French baritone and tenor opera singer. Originally destined for a career in the church, Lays was recruited by the Paris Opéra in 1779. He soon became a leading member of the company, in spite of quarrels with the management. Lays enthusiastically welcomed the French Revolution and became involved in politics with the encouragement of his friend Bertrand Barère. Barère's downfall led to Lays being imprisoned briefly, but he soon won back the public and secured the patronage of Napoleon, at whose coronation and second wedding he sang. This association with the Emperor caused him trouble when the Bourbon monarchy was restored and Lays's final years were darkened by disputes over his pension, mounting debts, the death of his only son and his wife's illness. After a career spanning more than four decades, he died in poverty.
The painting is thought to be a portrait of Lisa Gherardini, the wife of Francesco del Giocondo, and is in oil on a white Lombardy poplar panel. It had been believed to have been painted between 1503 and 1506; however, Leonardo may have continued working on it as late as 1517. Recent academic work suggests that it would not have been started before 1513. It was acquired by King Francis I of France and is now the property of the French Republic, on permanent display at the Louvre Museum in Paris since 1797.
Gabrielle Bonheur Chanel was born in 1883 to mother, Eugénie Jeanne Devolle—known as Jeanne—a laundrywoman, in the charity hospital run by the Sisters of Providence (a poorhouse) in Saumur, Maine-et-Loire, France. She was Jeanne's second child with Albert Chanel; the first, Julia, was born less than a year earlier. Albert Chanel was an itinerant street vendor who peddled work clothes and undergarments, living a nomadic life, traveling to and from market towns. The family resided in rundown lodgings. In 1884, he married Jeanne Devolle, persuaded to do so by her family who had "united, effectively, to pay Albert to marry her."
Gustave Eiffel was born in Burgundy, France, in the city of Dijon, Côte-d'Or, the first child of Catherine-Mélanie (née Moneuse) and Alexandre Bönickhausen (). He was a descendant of Jean-René Bönickhausen, who had emigrated from the German town of Marmagen and settled in Paris at the beginning of the 18th century. The family adopted the name Eiffel as a reference to the Eifel mountains in the region from which they had come. Although the family always used the name Eiffel, Gustave's name was registered at birth as Bonickhausen dit Eiffel, and was not officially changed to Eiffel until 1880.
Jean-Jacques Rousseau subsequently sent an inflamed letter to Madame Dupin, who returns him expressing her concern. This doesn't stop the writer for much and only the intervention of Louise's stepson put an end to his attentions. But Madame Dupin was hardly spiteful and some months after these incidents, takes Rousseau in her service and put him in charge of the education of her son Jacques-Armand for eight days pending for a new tutor. Subsequently, the Dupins taken Jean-Jacques Rousseau as secretary after their return from Venice in 1745, when he is not yet a writer and for a modest salary. His job was to take notes and research for the book projected by Madame Dupin, namely "the defense of women in the 18th century are discussed in minor ... until they died". Madame Dupin stood Rousseau almost to a subordinate or, in the words of Grimm and Marmontel, she gives him leave the day it receives academicians. Jean-Jacques Rousseau feels bitterness after leaving his job as a secretary in 1751, but will always keep good relations with the Dupin family. Madame Dupin provides financial support to his wife, Marie-Thérèse Levasseur, who gave birth to five children abandoned by Rousseau to the Foundling Hospital. As for Louis Claude Dupin, his bound with Rousseau came for their common passion for music. The stepson of Madame Dupin was interested in physics, chemistry and natural history, hoping to integrate the Academy of Sciences and the philosopher did write an unfinished book, popular science to "Institutions of Chemistry".
During the festival Rouen Impressionnée which took place in Rouen in the summer of 2010 he paid tribute to the impressionist Claude Monet by painting "Les Jardins/The Waterlilies" series for an exhibition in the Abbatiale de Saint-Ouen. The festival was organized as the contemporary component of the Normandie Impressionniste festival, a festival under the presidency of Laurent Fabius, former French Prime Minister, celebrating the impressionist past of the region. Next to the exhibition an installation ("Camille") was built on the Boieldieu bridge, a bridge that has been painted by the impressionist painter Camille Pissarro several times.
Other Paris artists took part in the war; the poet Guillaume Apollinaire, for example, went into the army and was seriously wounded in 1916. While recovering in Paris, he wrote "Les Mamelles de Tirésias" and coined the word Surrealism in the program notes for Jean Cocteau and Erik Satie's ballet "Parade". He also published an artistic manifesto, "L'Esprit nouveau et les poètes". The war-weakened Apollinaire died of influenza during the Spanish Flu pandemic of 1918 and was interred in the Père Lachaise Cemetery.
On 10 August 1792, the people seized the Tuileries Palace. Three years ago the French Revolution began, but this historic day marks the end of the monarchy with the arrest of Louis XVI and Marie Antoinette. France is at war since 20 April, and Paris is threatened by Prussian armies after the Brunswick Manifesto on 25 July, would deliver the capital to "a military execution and total subversion". In this climate of tension and violence, massacres are perpetrated in Parisian prisons in early September. It's in this context that Madame Dupin decides to leave Paris for Chenonceau. She could emigrate like so many others, the day after the Storming of the Bastille in 1789, on the advice of her friends; but she chose to stay in France and prefer to retire in Touraine when the first Reign of Terror swept the country. On 11 September 1792, Madame Dupin settled permanently in Chenonceau, accompanied by her friend, the Countess of Forcalquier, her step-granddaughter Madeleine-Suzanne Dupin de Francueil, her step-greatgranchildren René-François and Auguste-Louis Vallet de Villeneuve (sons of Madeleine-Suzanne) and her housekeeper and reader, Marie-Thérèse Adam. Over the years, Madame Dupin managed to preserve Chenonceau.
A woman of spirit and famous for her beauty, between 1733 and 1782 she hosted a famous literary salon in Paris and owned the Château de Chenonceau, which was known as a center of the most famous French philosophers of the Age of Enlightenment.
Marie-Madeleine Chauvigny (also known as: de la Peltrie) was born in 1603 at Alençon, France, the daughter of Guillaume de Chauvigny, Sieur d’Alençon et de Vaubougon, and of Lady Jeanne Du Bouchet. With no male heir, Guillaume de Chauvigny tried to arrange aristocratic matches for his daughters. Marie-Madeleine, the youngest, despite inclination for the cloistered life, at the age of sixteen, found herself obliged to marry the Chevalier de Gruel, Seigneur de La Peltrie. From this marriage, which lasted only five years, there was born one daughter who died in infancy. Widowed at the age of 22, Mme de La Peltrie went into solitary retirement in order to avoid her father’s solicitous attempts to find her a second husband.
On 12 March 1794 Louise's step-grandson-in-law and nephew Pierre-Armand Vallet de Villeneuve, committed suicide in prison in the Conciergerie aged 62. He was the King's secretary, General Treasurer of the City of Paris and the Receiver General of Finances in Metz. Sentenced by the Revolutionary Tribunal, he escape to a brutal end in the guillotine. Louise managed to save his sons René and Auguste, spared because their young ages. On 25 November 1793 Marie-Aurore de Saxe, second wife of her late stepson Louis-Claude, was incarcelated firstly at Port-Royal Abbey and later in the English convent of Fossés-Saint-Victor street. She could be released some months later, on 21 August 1794. In 1796, one of the farmers of Madame Dupin in the Château de Rochefort in the Indre department was tortured by burning his feet; the criminals, nicknamed the "Chauffeurs", are a plague in the region.