Instruct: Given a question, retrieve passages that answer the question.
Query: When was Blenheim Palace built?
Blenheim Palace (pronounced ) is a monumental country house in Blenheim, Oxfordshire, England. It is the principal residence of the Dukes of Marlborough, and the only non-royal, non-episcopal country house in England to hold the title of palace. The palace, one of England's largest houses, was built between 1705 and 1722, and designated a UNESCO World Heritage Site in 1987.
The British painter John Piper (1903–1992) was commissioned to paint scenes in the grounds of the palace during the 1980s. In 2012, an exhibition of the artist's work entitled "John Piper at Blenheim Palace" was held in a room at the palace to commemorate the 20th anniversary of Piper's death.
Charlottenburg Palace was hardly used under Frederick William I. His son considered residing there and right at the beginning of his reign had it enlarged by Knobelsdorff. Thus a new part of the building arose, east of the original palace and known as the new wing or Knobelsdorff wing. It contained two rooms famous for their decoration. The White Hall, Frederick the Great's dining and throne room with a ceiling painting by Pesne, leaves a restrained, almost Classicist, impression. By contrast, the Golden Gallery with its very rich ornamentation, green and gold colors is considered the epitome of Frederician rococo. The contrast between these two neighboring rooms makes clear the range of Knobelsdorff's artistic forms of expression. The king's interest in Charlottenburg waned as he began to consider Potsdam as a second official residence, started to build there, and finally lived there. Charlottenburg Palace was heavily damaged in World War II and after 1945 reconstructed in a form faithful to the original to a large extent.
Vanbrugh's severe massed Baroque used at Blenheim never truly caught the public imagination, and was quickly superseded by the revival of the Palladian style. Vanbrugh's reputation was irreparably damaged, and he received no further truly great public commissions. For his final design, Seaton Delaval Hall, which was hailed as his masterpiece, he used a refined version of the Baroque employed at Blenheim. He died shortly before its completion.
The Officers' Mess was also notable for the number of Royal Portraits hanging in the building; there were two of HM The Queen, one in the Dining Room as a young woman and a second that hung in the Ladies' Room that was commissioned and paid for by the Royal Observer Corps to mark their 50th Jubilee Year, painted at Bentley Priory depicting Her Majesty in her ROC Commandant in Chief regalia and with a background of the Italian Gardens. There was also a portrait of His Royal Highness the Duke of Edinburgh (dressed in a flying suit, hanging in the Dining Room on the wall facing the Queen), one of George VI (in RAF No 1 uniform wearing a 'chip bag' and wings, which hangs in the Abercorn Bar) and one of The Queen Mother (gifted to the Mess by the Queen Mother after she paid for refurbishment following the fire). The portrait of The Queen Mother hung in the rotunda and was surrounded by portraits and sketches of many Battle of Britain Pilots. These portraits have now all been preserved in the Museum.
In the 18th century, a new great Italian-styled office building was built just west of Topkapi Palace area, on the other side of Alemdar Caddesi street. This became the location of the Grand Vizier and many ministries. Thereafter, this building, and the monumental gate leading to its courtyards, became known as the Sublime Porte ("Bab-ı Ali"); colloquially it was also known as the Gate of the Page ("paşa kapusu"). The building was badly damaged by fire in 1911. Today, the buildings house the provincial Governor of Istanbul.
Admiralty House is located in Mount Pearl, Newfoundland. It was proposed in 1914 for the British Admiralty as a World War I communications post. It was constructed in 1915 by the Macroni Telegraph Company to serve the British Navy. This station, is now the last standing of 11 identical stations around the world. It was built to intercept secret German naval transmissions, track icebergs and track ships in distress. Today, it houses a museum, with exhibits on the history of Mount Pearl, Guglielmo Marconi and wireless communications, the wreck of SS "Florizel", and HMS "Calypso" (later HMS "Briton"), a training ship for the Newfoundland Royal Naval Reserve before and during World War I. The museum also house several collections and fonds detailing life in early 20th Century Canada. These include photos and documents from both World Wars.
The mansion house upon the estate, Arrowe Hall, was built in 1835 by Ralph Shaw. During this time he landscaped the park; he also changed the course of Arrowe Brook and dammed it to create Arrowe Lake and a waterfall. Ralph Shaw, a magistrate, was very tough on trespassers and poachers in court. On his estate he installed mantraps and spring-loaded shotguns to dissuade poachers and trespassers from straying onto his land. In the early 1900s Arrowe Estate was bought by Major McCalmont, but as he was in the army he rented it to John Williamson, the shipping magnate who created the Williamson Art Gallery and Museum. In 1917 the estate was sold to Lord Leverhulme, in 1926 the Birkenhead Corporation bought the estate and converted it to public recreation. In the 1930s the golf course, tennis courts and bowling greens were built, brass bands played on the hall lawn and some of the hall was used as a cafe. At the beginning of World War II the Hall was an army headquarters. After returning from Dunkirk many French soldiers were stationed in huts on the park; the park was also used for tank training.
One of the most important examples of this style anywhere in the world were the Parliament Buildings designed by Thomas Fuller. While the style and design of the building is unquestionably Gothic, it resembles no building constructed during the Middle Ages. The forms were the same, but their arrangement was uniquely modern. The Parliament Buildings also departed from Medieval models by integrating a variety of eras and styles of Gothic architecture, including elements of Gothic architecture from Britain, France, the Low Countries, and Italy all in one building.
In 1992, a Royal Observer Corps stained glass window to mark the 50th anniversary of the Battle of Britain, was installed in the officers’ mess at RAF Bentley Priory. The window is located by the main door, just inside the corridor leading to the dining room and depicts two observers on duty at an Observer Corps post in central London with contrails overhead. The colourful window was constructed from an original design and drawing by Observer Lieutenant Commander A P Angove FBIM FITD, the Operations Training Officer (Ops Trg) at HQ ROC. The arched window was designed to balance a Royal Air Force stained glass window already located on the other side of the front door.
Beacham's Building is divided into seven rental units using wood frame, brick walls, different facades, and paint. The theater is the south-most unit. The two-story Beacham Theatre was constructed in 1921 in a simple 20th Century Commercial Style. The structure is constructed of reinforced concrete and brick with stucco out-surface. Utilization of wood in the construction was minimized.
The monuments include those to George Ogden who died in 1781, by Hayward, to Anne Matthews who died in 1793, by Thomas Banks, to John Philips Buchanan who died at Waterloo in 1815, to the first Duke of Westminster, designed by C. J. Blomfield, and two memorial plaques to members of the Egerton family. On the wall of the southwest crossing pier are monuments which include a cenotaph to the casualties in HMS "Chester" in the Battle of Jutland in 1916 who included the 16-year-old John Cornwell VC. The west wall of the south transept has many memorials, including cenotaphs to the Cheshire Regiment, the Royal Air Force and the Free Czech Forces.
The Docks brought with them many associated industries, such as flour and sugar processing, and also ship building. On 31 January 1858 the largest ship of that time, the SS "Great Eastern" designed by Isambard Kingdom Brunel, was launched from the yard of Messrs Scott, Russell & Co, of Millwall. The length was too big for the river so the ship had to be launched sideways. Due to the technical difficulties of the launch this was the last big ship to be built on the Island and the industry fell into a decline. However, parts of the launching slipway and plate works have been preserved in situ and may be seen close to Masthouse Terrace Pier.
The Pantheon was a place of public entertainment on the south side of Oxford Street, London, England. It was designed by James Wyatt and opened in 1772. The main rotunda was one of the largest rooms built in England up to that time and had a central dome somewhat reminiscent of the celebrated Pantheon in Rome. It was built as a set of winter assembly rooms and later briefly converted into a theatre. Before being demolished in 1937, it was a bazaar and a wine merchant's show room for over a hundred years. Marks and Spencer's "Oxford Street Pantheon" branch, at 173 Oxford Street now occupies the site.
RAF Bentley Priory was latterly home to the Defence Aviation Safety Centre, Air Historical Branch (AHB) and RAF Ceremonial. As there was no enduring operational use for RAF Bentley Priory, however, the Ministry of Defence (MoD) released the site as part of its Greater London estate consolidation project, Project MoDEL (Ministry of Defence Estates London). This despite the fact there was a significant lack of military accommodation in the London Area.
Following an effort to "bring back the aesthetics of the old Beacham Theatre," in 2000 owners restored the Beacham's ornate plaster ceiling moldings, facade, and marquee. In addition, the sloping theater floor was made level and the stage was elevated. The original Beacham Theatre sign is awaiting restoration and is being stored on the roof.
The Meeting of Wellington and Blücher after the Battle of Waterloo is a monumental wall painting by Irish painter Daniel Maclise, completed in 1861. It depicts the moment towards the end of the Battle of Waterloo on 18 June 1815, when the commanders of the allied British and Prussian armies, the Duke of Wellington and Marshal Blücher, met near La Belle Alliance. Measuring , it is displayed in the Royal Gallery at the Palace of Westminster.
The former Bentley Priory Officers' Mess, which became the Bentley Priory Museum in September 2013, includes the original office of Air Chief Marshal Sir Hugh Dowding (later Lord Dowding), Air Officer Commanding-in-Chief Fighter Command during the Battle of Britain, preserved with its original furniture. Other Battle of Britain historic artefacts are kept in the Museum, including one of the few remaining Battle of Britain Lace Panels.
When finally completed, the British Houses Of Parliament were so delighted the building was completed after such a long time they organized to have the Lion forming part of a Royal Coat of Arms at the Westminster Houses Of Parliament removed from the stonework and shipped to Adelaide. It was presented to The Parliament Of South Australia by The Empire Parliamentary Association United Kingdom in 1939. The statue and plaque are located in a setting at the front of the building. The completed Parliament House was formally opened on 5 June 1939 by Lord Gowrie, the 10th Governor-General of Australia, (and also a former Governor of South Australia). Since that time, occasional plans to complete the building by constructing the towers and dome are revived, but none of them has ever been implemented.
The Cold War bunker was surveyed by English Heritage, who concluded there were other examples of similar bunkers across the country in better condition. In March 2010 the bunker was filled in, leaving only the exterior doors and walls. The RAF Bentley Priory Battle of Britain Trust supported VSM Estates in the decision to fill in the bunker on the grounds of maintenance costs. The bunker had replaced the Second World War bunker in the 1980s.
While there is evidence that the hill was inhabited as far back as the fourth millennium BC, it was Pericles (c. 495 – 429 BC) in the fifth century BC who coordinated the construction of the site's most important present remains including the Parthenon, the Propylaia, the Erechtheion and the Temple of Athena Nike. The Parthenon and the other buildings were damaged seriously during the 1687 siege by the Venetians during the Morean War when gunpowder being stored in the Parthenon was hit by a cannonball and exploded.
In 1900, Josiah White III bought a parcel of land between Ohio Avenue and Park Place on the Boardwalk, and built the Queen Anne style Marlborough House. The hotel was financially successful and, in 1905, he chose to expand. White hired Philadelphia architect Will Price of Price and McLanahan to design a new, separate tower to be called the Blenheim. 
"Blenheim" refers to Blenheim Palace in England, the ancestral home of Sir Winston Churchill, a grandson of the Duke of Marlborough.
"SOFTER: Jenny Holzer at Blenheim Palace" (28 September - 31 December 2017) was a solo exhibition by American artist Jenny Holzer. The exhibition featured over fifty works concerning themes of modern conflict, history and memory. The first time Holzer visited Blenheim Palace, she became fascinated by the Palace’s own military history — not only the birthplace of Sir Winston Churchill but also built as a reward to John Churchill, 1st Duke of Marlborough for the Duke’s military victory against the French and Bavarians in the 1704 Battle of Blenheim. Holzer took this as a starting point to look at the timeless and universal theme of war, across history and countries. The exhibition showcased the breadth of Holzer's practice, from paintings, stoneworks, and electronic signs, to installations of black mondo grass and displays of human bones. Many of the works were site-specific, made in response to the Palace. Amongst these featured the light projection display ON WAR hosted for twelve nights after dark at the Palace. Using ten projectors beaming Holzer's text onto the Palace facade, this was Holzer's most ambitious light projection display to date.
The Duke of Marlborough contributed £60,000 to the initial cost when work commenced in 1705, which, supplemented by Parliament, should have built a monumental house. Parliament voted funds for the building of Blenheim, but no exact sum was mentioned nor provision for inflation or over-budget expenses. Almost from the outset, funds were spasmodic. Queen Anne paid some of them, but with growing reluctance and lapses, following her frequent altercations with the Duchess. After their final argument in 1712, all state money ceased and work came to a halt. £220,000 had already been spent and £45,000 was owing to workmen. The Marlboroughs were forced into exile on the continent, and did not return until after the Queen's death in 1714.
The precise responsibility for the funding of the new palace has always been a debatable subject, unresolved to this day. The palace as a reward was mooted within months of the Battle of Blenheim, at a time when Marlborough was still to gain many further victories on behalf of the country. That a grateful nation led by Queen Anne wished and intended to give their national hero a suitable home is beyond doubt, but the exact size and nature of that house is questionable. A warrant dated 1705, signed by the parliamentary treasurer the Earl of Godolphin, appointed Vanbrugh as architect and outlined his remit. Unfortunately for the Churchills, nowhere did this warrant mention Queen or Crown.