Sam Lay runs through Chicago blues history like a sinuous beat underlying a Muddy Waters lick. Make that a double-shuffle beat – the signature sound Lay developed as a drummer for Muddy, Howlin’ Wolf, Willie Dixon, Paul Butterfield, and other Chicago luminaries. When Dylan went electric at Newport in ’65, Sam Lay was behind the kit, and his prodigious rhythms on the first Paul Butterfield Blues Band album set an aspiring kid drummer named Jim Osterberg on the path to becoming Iggy Pop, as Iggy delightfully recalls in the music documentary Sam Lay in Bluesland.
Still going strong at 80, Lay gets a deserved star turn in John Anderson’s film, which premiered, fittingly, at the Chicago International Movies & Music Festival in April, just after Lay was inducted into the Rock and Roll Hall of Fame. Shot through with performances by Lay with his own quartet and the Siegel-Schwall Blues Band, the doc captures his singular sartorial style (he’s partial to capes, crowns, and jeweled canes) and storied musical history with a mix of rollicking recollections and a trove of vintage, intimate footage Lay shot of fellow blues greats at work and play in Chicago clubs.
The movie cements Anderson’s place as a cinematic historian of Chicago blues, coming on the heels of Born in Chicago, his 2013 documentary on the white kids like Butterfield, Mike Bloomfield, Corky Siegel, Nick Gravenites, and Barry Goldberg who immersed themselves in the city’s black music scene and carried the blues torch to the Woodstock generation. A music doc veteran known for his work with Brian Wilson, Anderson is in the late stages of a PledgeMusic campaign to raise money for Born in Chicago’s music and video licensing, prefatory to a cinema and digital release. Perks include copies of the forthcoming Born in Chicago soundtrack signed by Sam Lay and other contributing artists; the campaign runs until September 16.
On the 25th, Anderson and Lay will be in the house for a screening of Sam Lay in Bluesland at the University of Illinois-Springfield, making the timing even more propitious to post an interview with the filmmaker by Chicago-based writer, musician, and friend of MFW Steve Karras, whose other claim to fame is having attended the same synagogue as Mike Bloomfield. Continue reading
The text is a review of a documentary film about Sam Lay, a renowned Chicago blues drummer, and does not contain any mathematical questions or answers.
no_question
Given a text passage, determine:
    1. If it contains a mathematical question (including word problems or calculations)
    2. If an answer to that mathematical question is provided in the text

First, describe the content structure you found in 1-2 sentences.

Then provide your analysis in the following format:
TYPE: <one of the following values>
- NO_QUESTION
- SINGLE_QUESTION
- SINGLE_QUESTION_WITH_ANSWER
- MULTIPLE_QUESTIONS
- MULTIPLE_QUESTIONS_WITH_ANSWERS
system
Sam Lay runs through Chicago blues history like a sinuous beat underlying a Muddy Waters lick. Make that a double-shuffle beat – the signature sound Lay developed as a drummer for Muddy, Howlin’ Wolf, Willie Dixon, Paul Butterfield, and other Chicago luminaries. When Dylan went electric at Newport in ’65, Sam Lay was behind the kit, and his prodigious rhythms on the first Paul Butterfield Blues Band album set an aspiring kid drummer named Jim Osterberg on the path to becoming Iggy Pop, as Iggy delightfully recalls in the music documentary Sam Lay in Bluesland.
Still going strong at 80, Lay gets a deserved star turn in John Anderson’s film, which premiered, fittingly, at the Chicago International Movies & Music Festival in April, just after Lay was inducted into the Rock and Roll Hall of Fame. Shot through with performances by Lay with his own quartet and the Siegel-Schwall Blues Band, the doc captures his singular sartorial style (he’s partial to capes, crowns, and jeweled canes) and storied musical history with a mix of rollicking recollections and a trove of vintage, intimate footage Lay shot of fellow blues greats at work and play in Chicago clubs.
The movie cements Anderson’s place as a cinematic historian of Chicago blues, coming on the heels of Born in Chicago, his 2013 documentary on the white kids like Butterfield, Mike Bloomfield, Corky Siegel, Nick Gravenites, and Barry Goldberg who immersed themselves in the city’s black music scene and carried the blues torch to the Woodstock generation. A music doc veteran known for his work with Brian Wilson, Anderson is in the late stages of a PledgeMusic campaign to raise money for Born in Chicago’s music and video licensing, prefatory to a cinema and digital release. Perks include copies of the forthcoming Born in Chicago soundtrack signed by Sam Lay and other contributing artists; the campaign runs until September 16.
On the 25th, Anderson and Lay will be in the house for a screening of Sam Lay in Bluesland at the University of Illinois-Springfield, making the timing even more propitious to post an interview with the filmmaker by Chicago-based writer, musician, and friend of MFW Steve Karras, whose other claim to fame is having attended the same synagogue as Mike Bloomfield. Continue reading
user
The text is a review of a documentary film about Sam Lay, a renowned Chicago blues drummer, and does not contain any mathematical questions or answers.

TYPE: NO_QUESTION