Walk into Klove’s spacious Green Park studio and the first thing you’ll notice is all the blown-glass light fixtures. Second thing you’ll notice: more blown-glass light fixtures. For Prateek Jain and Gautam Seth, this custom boutique is both a piece of home and a showroom for their contemporary lighting installations. With the help of veteran fashion designer Rakesh Thakore and PVR Cinemas scion Sanjeev Bijli, we throw light on how culture has changed between these two generations of India’s creative class.
Who is someone you look up to in life?
Jain: Well it’s funny you ask because Rakesh [Thakore] is sitting right here. When Gautam and I started designing 10 years ago we were nothing, we didn’t know anything, but here is the guy who made sure that we got it right. Whenever we look back and think of people who contributed to our careers, his name comes up first.
Seth: He gave us so many valuable inputs about things we didn’t even know how to look into. [Thakore looks a bit sheepish]
Bijli: I come from a very large family, four brothers and a sister. I’m the youngest, and one brother lives and works with me in Delhi, so I never look outside this nucleus. I knew I wasn’t going to branch out or do something on my own like a lot of people do.
So no sense of feeling stifled and wanting to rebel as the youngest?
Bijli: No, there was no reason to. I was only 17 when I lost my dad, so that obviously had a huge impact on the family. I would love to sit down now with him and have a chat about what’s going on. He’d probably be OK with the current state of PVR.
Jain: I remember the first time I went to a PVR theatre. It was my first year in college, I barely attended any classes, and I went and saw Jerry Maguire.
Seth: “Show me the money!” Man, that seems so long ago.
Jain: I think we’ve experienced an entire cycle of change. I’m from the generation where we were listening to tape recorders, and then CDs, and now everything’s online.
Thakore: I remember when digital cameras came out. I still wanted my Kodak prints.
Bijli: When people in India started seeing MTV for the first time, that changed everything for us.
Jain: It’s interesting because he [Thakore] has seen everything change, from black and white television to the new technology, but I think all of us here are living the moment.
Bijli: For me, I would probably like to grasp more of the future, you know? There are so many things this generation has seen… It sort of leaves you craving as much possible experience in your lifetime.
I guess at some point every generation goes through that bit of nervousness.
Jain: It used to be there’d be an important invention every 50 years or so, and now it’s like, by the year. The pace is just, so…
Jain: I think the gap is six months now. [Laughs] Prateek, I think we’re the last generation that remembers going on a trip and packing a discman
Jain: Absolutely. We were going on treks, taking discmans and about 200 batteries.
Seth: First the walkman, then the discman.
Jain: Listen, I was born in ’78, and he’s ’72, so we’re all…
Seth: Shut up! [Laughs]
Thakore: Moving on.
Oh come on, it would be a pretty boring conversation if you were all the same age. What makes you especially nostalgic?
Thakore: For me, nostalgia would be listening to that Doordarshan tune. They still play it, but nobody watches that channel. I don’t have cable TV at home. I’m one of those guys who doesn’t watch TV at all. Sanjeev, what’s something nostalgic for you?
Bijli: My first car.
Jain: What happened to it?
Bijli: No, nothing, it just got too old and I moved from England [to Delhi]. It was a Nissan Micra 1.2 GS, I remember it exactly. I passed my driving test in England and that’s quite a…
Thakore: It’s a big deal.
Bijli: It was a big deal. Their highway manual is as thick as a bible and I flunked twice [laughs], but the third time I finally passed. I was really ecstatic, so I bought this car and nicknamed it Puzo.
Jain: Why Puzo?
Bijli: Well, I was reading The Godfather in those days.
Ah. Mario Puzo.
Bijli: Right. I also have memories about that car that I’m never going to talk about. [Laughs]
Jain: Something nostalgic for me would be Lego.
Thakore: Oh Lego! Yeah, yeah.
Seth: Have you guys seen this Lego movie?
Jain: I thought it was fantastic. Very well done.
Bijli: Well, it did $100 million in the US, but it crashed in India. I don’t know why. When I was a kid, I used to really enjoy Enid Blyton and those little comics, Archies…
Bijli: Archies and Richie Rich!
Thakore: Pinky and Chacha Chaudhary!
Seth: I used to get very inspired looking at everybody who’s collecting things so I got into collecting stamps, match boxes, and over a period of time I really had an admirable collection. At some point my mom thought it was all junk and gave it away. I wish I could get it back and use it in some of the installations I’m doing.
Bijli: There’s a cousin of mine who has kept all our old letters and they’re hilarious. They were in Delhi, I was in England and they used to cram everything into 5 or 6 pages, all these minor details.
Thakore: My father used to write long letters, like 22 pages, both sides, because we used to be in school in India and he would write from Africa.
Do you think, as creative people, that something has really been lost here?
Bilji: I think we’re being quite sentimental about it, but we’ve lost the touch of being so personal, instead of all this. [Makes typing sounds]
Thakore: I think you’ve got to treasure that, all his cousins writing those letters, sharing those beautiful moments. I think it’s the same with photographs. Photographs also have this similar kind of nostalgia to them now, they hold these kinds of memories.
Seth: You also have to embrace what is happening around you, like WhatsApp, it keeps you connected.
Jain: Ten years ago I wouldn’t know all my friends’ birthdays until I was invited to a party.
Thakore: We take things for granted. We used to wait for the phone to ring and you had no idea who was calling and now you know exactly who is calling and you pretend you’re busy.
Bijli: And then there’s the camera phone. It used to be such a joy, taking your film to get developed and not really knowing what would come back. Before the 24-hour services started, it used to take a week, or a few days at least, and the waiting was torture.
Seth: Nowadays, how many times do I delete a photograph because I don’t like the way I look?
Jain: Ten times a day. [Seth glares]
Thakore: My parents used to always say, “take your photograph carefully, because it’s going to cost you”.
Jain: Now it costs in a different way, you put it up on Facebook, you don’t like it, but then you get tagged. But, because of Facebook we can all go to a city and go, “I’m here!” and your long-lost friend will say, “I’m here too!” and you can hang out. Before, you wouldn’t have known if they were a block or a continent away.
Thakore: I think that’s extraordinary.
Bijli: I think one needs to be old-fashioned and remember, you know, the romance of it all, but I don’t think any of us would really want to go back to the way things were, because our brains are so accustomed to the way things are now.
Jain: I switched my phone off for two days recently.
Thakore: Off? Really? [Laughs]
Jain: Yes, and you wouldn’t believe it, when I opened my phone I had 200 or 300 emails to answer, besides the usual junk that you get, and I had about 2,000 WhatsApp messages.
Bijli: 2,000? My god!
Seth: That moment, you feel so…
Jain: Actually, you know how I felt? It felt like, hey, I’m not a surgeon on call, I don’t need to save anyone’s life, I can be away for a while and nothing’s going to collapse.
Did you have any separation anxiety over those two days offline?
Jain: Actually, after many years, I read a book
Location: Klove Studio, Green Park, New Delhi Rakesh Thakore, Sanjeev Bijli, Prateek Jain & Gautam Seth
The text is a conversation between four individuals discussing various aspects of their lives, including their influences, nostalgic items, and the changes in technology and communication over the years. There are no mathematical questions or calculations present in the text.
no_question
Given a text passage, determine:
    1. If it contains a mathematical question (including word problems or calculations)
    2. If an answer to that mathematical question is provided in the text

First, describe the content structure you found in 1-2 sentences.

Then provide your analysis in the following format:
TYPE: <one of the following values>
- NO_QUESTION
- SINGLE_QUESTION
- SINGLE_QUESTION_WITH_ANSWER
- MULTIPLE_QUESTIONS
- MULTIPLE_QUESTIONS_WITH_ANSWERS
system
Walk into Klove’s spacious Green Park studio and the first thing you’ll notice is all the blown-glass light fixtures. Second thing you’ll notice: more blown-glass light fixtures. For Prateek Jain and Gautam Seth, this custom boutique is both a piece of home and a showroom for their contemporary lighting installations. With the help of veteran fashion designer Rakesh Thakore and PVR Cinemas scion Sanjeev Bijli, we throw light on how culture has changed between these two generations of India’s creative class.
Who is someone you look up to in life?
Jain: Well it’s funny you ask because Rakesh [Thakore] is sitting right here. When Gautam and I started designing 10 years ago we were nothing, we didn’t know anything, but here is the guy who made sure that we got it right. Whenever we look back and think of people who contributed to our careers, his name comes up first.
Seth: He gave us so many valuable inputs about things we didn’t even know how to look into. [Thakore looks a bit sheepish]
Bijli: I come from a very large family, four brothers and a sister. I’m the youngest, and one brother lives and works with me in Delhi, so I never look outside this nucleus. I knew I wasn’t going to branch out or do something on my own like a lot of people do.
So no sense of feeling stifled and wanting to rebel as the youngest?
Bijli: No, there was no reason to. I was only 17 when I lost my dad, so that obviously had a huge impact on the family. I would love to sit down now with him and have a chat about what’s going on. He’d probably be OK with the current state of PVR.
Jain: I remember the first time I went to a PVR theatre. It was my first year in college, I barely attended any classes, and I went and saw Jerry Maguire.
Seth: “Show me the money!” Man, that seems so long ago.
Jain: I think we’ve experienced an entire cycle of change. I’m from the generation where we were listening to tape recorders, and then CDs, and now everything’s online.
Thakore: I remember when digital cameras came out. I still wanted my Kodak prints.
Bijli: When people in India started seeing MTV for the first time, that changed everything for us.
Jain: It’s interesting because he [Thakore] has seen everything change, from black and white television to the new technology, but I think all of us here are living the moment.
Bijli: For me, I would probably like to grasp more of the future, you know? There are so many things this generation has seen… It sort of leaves you craving as much possible experience in your lifetime.
I guess at some point every generation goes through that bit of nervousness.
Jain: It used to be there’d be an important invention every 50 years or so, and now it’s like, by the year. The pace is just, so…
Jain: I think the gap is six months now. [Laughs] Prateek, I think we’re the last generation that remembers going on a trip and packing a discman
Jain: Absolutely. We were going on treks, taking discmans and about 200 batteries.
Seth: First the walkman, then the discman.
Jain: Listen, I was born in ’78, and he’s ’72, so we’re all…
Seth: Shut up! [Laughs]
Thakore: Moving on.
Oh come on, it would be a pretty boring conversation if you were all the same age. What makes you especially nostalgic?
Thakore: For me, nostalgia would be listening to that Doordarshan tune. They still play it, but nobody watches that channel. I don’t have cable TV at home. I’m one of those guys who doesn’t watch TV at all. Sanjeev, what’s something nostalgic for you?
Bijli: My first car.
Jain: What happened to it?
Bijli: No, nothing, it just got too old and I moved from England [to Delhi]. It was a Nissan Micra 1.2 GS, I remember it exactly. I passed my driving test in England and that’s quite a…
Thakore: It’s a big deal.
Bijli: It was a big deal. Their highway manual is as thick as a bible and I flunked twice [laughs], but the third time I finally passed. I was really ecstatic, so I bought this car and nicknamed it Puzo.
Jain: Why Puzo?
Bijli: Well, I was reading The Godfather in those days.
Ah. Mario Puzo.
Bijli: Right. I also have memories about that car that I’m never going to talk about. [Laughs]
Jain: Something nostalgic for me would be Lego.
Thakore: Oh Lego! Yeah, yeah.
Seth: Have you guys seen this Lego movie?
Jain: I thought it was fantastic. Very well done.
Bijli: Well, it did $100 million in the US, but it crashed in India. I don’t know why. When I was a kid, I used to really enjoy Enid Blyton and those little comics, Archies…
Bijli: Archies and Richie Rich!
Thakore: Pinky and Chacha Chaudhary!
Seth: I used to get very inspired looking at everybody who’s collecting things so I got into collecting stamps, match boxes, and over a period of time I really had an admirable collection. At some point my mom thought it was all junk and gave it away. I wish I could get it back and use it in some of the installations I’m doing.
Bijli: There’s a cousin of mine who has kept all our old letters and they’re hilarious. They were in Delhi, I was in England and they used to cram everything into 5 or 6 pages, all these minor details.
Thakore: My father used to write long letters, like 22 pages, both sides, because we used to be in school in India and he would write from Africa.
Do you think, as creative people, that something has really been lost here?
Bilji: I think we’re being quite sentimental about it, but we’ve lost the touch of being so personal, instead of all this. [Makes typing sounds]
Thakore: I think you’ve got to treasure that, all his cousins writing those letters, sharing those beautiful moments. I think it’s the same with photographs. Photographs also have this similar kind of nostalgia to them now, they hold these kinds of memories.
Seth: You also have to embrace what is happening around you, like WhatsApp, it keeps you connected.
Jain: Ten years ago I wouldn’t know all my friends’ birthdays until I was invited to a party.
Thakore: We take things for granted. We used to wait for the phone to ring and you had no idea who was calling and now you know exactly who is calling and you pretend you’re busy.
Bijli: And then there’s the camera phone. It used to be such a joy, taking your film to get developed and not really knowing what would come back. Before the 24-hour services started, it used to take a week, or a few days at least, and the waiting was torture.
Seth: Nowadays, how many times do I delete a photograph because I don’t like the way I look?
Jain: Ten times a day. [Seth glares]
Thakore: My parents used to always say, “take your photograph carefully, because it’s going to cost you”.
Jain: Now it costs in a different way, you put it up on Facebook, you don’t like it, but then you get tagged. But, because of Facebook we can all go to a city and go, “I’m here!” and your long-lost friend will say, “I’m here too!” and you can hang out. Before, you wouldn’t have known if they were a block or a continent away.
Thakore: I think that’s extraordinary.
Bijli: I think one needs to be old-fashioned and remember, you know, the romance of it all, but I don’t think any of us would really want to go back to the way things were, because our brains are so accustomed to the way things are now.
Jain: I switched my phone off for two days recently.
Thakore: Off? Really? [Laughs]
Jain: Yes, and you wouldn’t believe it, when I opened my phone I had 200 or 300 emails to answer, besides the usual junk that you get, and I had about 2,000 WhatsApp messages.
Bijli: 2,000? My god!
Seth: That moment, you feel so…
Jain: Actually, you know how I felt? It felt like, hey, I’m not a surgeon on call, I don’t need to save anyone’s life, I can be away for a while and nothing’s going to collapse.
Did you have any separation anxiety over those two days offline?
Jain: Actually, after many years, I read a book
Location: Klove Studio, Green Park, New Delhi Rakesh Thakore, Sanjeev Bijli, Prateek Jain & Gautam Seth
user
The text is a conversation between four individuals discussing various aspects of their lives, including their influences, nostalgic items, and the changes in technology and communication over the years. There are no mathematical questions or calculations present in the text.

TYPE: NO_QUESTION