The Nutcracker has always been a somewhat problematic ballet. It bears little resemblance to ETA Hoffman's original story on which it is based.In the ballet, the story is essentially over by the second-half when Clara (or Marie in this version) travels to the Kingdom of Sweets to watch a series of character dances.There's an infinite variety of stage productions that re-interpret the story in myriad ways (not always successfully) to compensate for the ballet's weak libretto.Balanchine's version doesn't really have any sense of drama or story at all (despite the fact that there is plenty of drama and mystery in Tchaikovsky's wonderful first-act music). The result is a completely forgettable first-half Christmas party where hardly anything happens and where even the dancing (the little that there is of it) isn't particularly memorable.The pantomime over-acting, particularly of Drosselmeier, which might look passable on the stage, just looks silly filmed for the big screen.Unfortunately, things aren't much better when we get to the Kingdom of Sweets (Act II in the stage version). Although there are a few choreographic highlights, most of the choreography is bland and uninspiring. This certainly isn't vintage Balanchine.Balanchine is widely regarded as a master of abstract dance, but I have always felt he was less successful as a creator of narrative ballets. Watching this film version of his stage production of The Nutcracker has only re-affirmed this view.