Beaux mostly admired classic artists like Titian and Rembrandt. Masters such as Caravaggio, Rubens and Titian have all depicted the in their works. Rembrandt's knowledge of the works of both Titian and Raphael is apparent in his portraits. He became very skilled at copying older masters such as Annibale Carracci, Titian and Caravaggio. The following year he visited Venice and Rome, making studies from Titian and Michelangelo. In Venice, he met the illustrator Johan van Calcar, a student of Titian. The painting was one of the ""poesie"" painted by Titian for Philip II of Spain. It is often conflated in popular usage with Titian hair. It is a copy of a 1562 work on the same subject by Titian. Venetian painting pursued a different course, represented by Titian in his long career. Among the recipients was Titian (1533), who had painted an equestrian portrait of Charles. Another strength of Titian was the composition of his paintings. Several other artists of the Vecelli family followed in the wake of Titian. Giorgione and the young Titian revolutionized the genre of the portrait as well. Anecdotes on Titian and Mozart deal with the relationship between artist and patron.