The "Carmelite altarpiece" was a polyptych commissioned in 1329 for the Carmelite order friars. He proposed that they were intended as wings of a five-part polyptych altarpiece. His work includes single panels, diptychs, triptychs, and polyptych panels. A 15th-century wooden polyptych from an Emilian artist adorns the altar. In 1540s, he painted a polyptych at Candide. It is one of three panels known from a polyptych depicting the passion of Christ. The polyptych of the Venetian painter Antonio Vivarini dates from the same period. Lighting is one of the major innovations of the polyptych. This painting is part of a polyptych of four panels entitled "Visions of the Hereafter". The traditional polyptych constitutes another example. The works adopts the same composition in the central panel of Perugino's "San Pietro Polyptych". His other works in Florence include the Quaratesi Polyptych (May 1425) and the "Intercession Altarpiece". He is known to have worked alongside il Garofalo in the Costabili polyptych. According to some scholars, he collaborated in the Stefaneschi Polyptych in Rome. The Baroncelli Polyptych, painted by Giotto di Bondone c.1334, is in the chapel.