Kabuki switched to adult male actors, called yaro-kabuki, in the mid-1600s. Forms of theatre such as kabuki and "bunraku" puppet theatre became widely popular. The work was widely adapted, such as for kabuki and bunraku theatre. Many indulged in the entertainments of kabuki theatre, geisha, and courtesans of the pleasure districts. Kurosawa was an admirer of Noh, which he preferred over Kabuki. The main forms are "kabuki" and "noh". His face is painted in the "kumadori" style of makeup used in kabuki. It is sometimes used in kabuki theatre performances. The kanji of 'skill' generally refers to a performer in kabuki theatre. The Great Kabuki, Yoshiaki Fujiwara, and Hiro Saito were surprise entrants. Several different types of kabuki (theater) emerged. This period produced some of the gaudiest kabuki in Japanese history. This incident shows how great the influence of kabuki dramas upon common people was. For "Ugetsu", he employed geza music, common in Kabuki theatre. A man wearing a Kabuki mask attacks them with the microbot swarms.