The Wagnerian tenor Klaus Florian Vogt is from Schleswig - Holstein. Puccini used Wagnerian leitmotifs to identify characters, objects and ideas. Sullivan sometimes used Wagnerian leitmotifs for both comic and dramatic effect. Some Wagnerian orchestras included multiple harps, massive string sections and Wagner tubas. The score also has certain Wagnerian features of orchestration and use of Leitmotif. Pevsner and Richmond call both the setting and the house Wagnerian. More recent series feature Wagnerian opera singers. Some French composers began to adopt the Wagnerian aesthetic wholesale. During production, LucasArts desired a soundtrack with a "Wagnerian" feeling. Wagnerian opera came to foster German national enthusiasm. In Wagnerian operas, the forefronting of the orchestra went beyond the overture. Twentieth-century composers also used the legend (often with Wagnerian overtones) in their compositions. His treatment of subjects has been characterized as Wagnerian in its scope. However, McG wanted Elfman to give those themes and ambient sounds a "Wagnerian quality". David Huckvale identifies Wagnerian homage in both the theme music and the series' premise.