The opening theme consists of cascading arpeggios followed by murmuring chordal responses. For instance Jimi Hendrix combined full chords with solo licks, double stops and arpeggios. There is a distinctive chord pattern which repeats throughout the arpeggios. His solos imitated the attack of horn players, with frequent arpeggios punctuated by chromaticism. Diminished 7th arpeggios are also used over dominant 7th chords. Arpeggios and broken chords are also used to help create rhythmic interest. The piece comes to a crashing close with almost dissonant septuplet arpeggios. The second theme is then presented by violins, accompanied by sweeping cello arpeggios. It featured guitar arpeggios, which were synthetically created using sampling and keyboard notes. Bit-crushed "pox" arpeggios and distant descending melody from Emax SEHD rack with modwheel filter control. Students of musical instruments and singers learn how to play and sing scales and arpeggios. The theme is angular in shape, both in its rising arpeggios and its dotted rhythm. The style is typical of the acoustic songs written in Rishikesh, using guitar arpeggios. The tune is notable for using Alberti bass arpeggios. Contemporary guitarists using arpeggios include Johnny Marr of The Smiths.