In the Baroque suite the gavotte is played after (or sometimes before) the sarabande. Harmonically, this bass evokes the "musette" attached to many an eighteenth-century gavotte. The farandole bears similarities to the gavotte, jig, and tarantella. Johann Gottfried Walther wrote that the gavotte is "often quick but occasionally slow". The gavotte is the most widespread of all Breton dances. Rhythmically, it is in the form of a gavotte. All four were raised in La Gavotte Peyret. The Menuet and the Gavotte gained popularity. But as King, Karl Franz must honor the betrothal to Margaret ("Gavotte"). Vreeland performed in Anna Pavlova's Gavotte at Carnegie Hall. The ball features magnificent dancing ("Gavotte"). An example is the Gavotte in D major from J. Sergei Prokofiev employs a gavotte instead of a minuet in his Symphony No. Leonard Bernstein's "Candide" has a "Venice Gavotte" in act 2. The typical playing time of the gavotte is a little over 3 minutes.