Winstead appeared in a production of "Joseph and the Amazing Technicolor Dreamcoat" starring Donny Osmond. The film is in Technicolor and CinemaScope. It was filmed in Yugoslavia with Technicolor and Panavision. The film is renowned for its Technicolor cinematography. CoSA VFX; Secret Lab; Rise Visual Effects Studios; and Technicolor VFX. Gilmour preferred Ezrin's "grander Technicolor, orchestral version", although Ezrin preferred Waters's version. Sayonara is a 1957 American Technicolor drama film starring Marlon Brando in Technirama. MGM was one of the first studios to experiment with filming in Technicolor. Paramount Pictures released the film in Technicolor and the VistaVision widescreen format. Later the negatives were scanned in the offices of Technicolor in Hollywood. RKO spent heavily on the lavish "Rio Rita", including a number of Technicolor sequences. Salome is a 1953 Biblical film made in Technicolor by Columbia Pictures. A number of his films featured scenes in two-color Technicolor. Significant color correction was necessary because of the fading of original Technicolor negatives. A restored version of "Mammy", with Jolson in Technicolor sequences, was first screened in 2002.