The "afterpiece" rounded out the production. The counterpart to the slave was the "dandy", a common character in the afterpiece. Since the piece was first composed as an afterpiece, there was no overture included. This was an afterpiece that came at the end of a play. Throughout the 1880s, Pastor's performances often had an afterpiece following it. One that followed the full-length piece was called an afterpiece. Polly Honeycombe is a 1760 afterpiece farce by George Colman the Elder. The English Opera House occasionally revived "Presumption" as an afterpiece until at least 1850. One afterpiece he wrote was later expanded into a successful 1884 play, "A Parlor Match".