Music is composed of consonances and dissonances. Mozart's piano concertos are filled with assured transition passages, modulations, dissonances, Neapolitan relationships and suspensions. The highly chromatic music featured harsh dissonances and unresolved harmonies. Mozart uses harmonic exploration throughout the sonata such as suspensions and dissonances. This piece has different modes in it and uses dissonances which resolve into tonality. The resulting angular rhythmic confusion and displaced dissonances last almost five minutes. Unlike most tonal and non-tonal linear dissonances, tone clusters are essentially static. In addition, impassioned exclamations are set with unprepared dissonances and unexpected movements in the bass. Fuzz boxes and other heavy distortions can produce unwanted dissonances when playing chords. The song key is E major, showing up embellished chords with jazzy sprinkled dissonances. He also frequently takes familiar sounds and tunes, alters them through dissonances and thematic twists. However, sardonic dissonances give this movement a more satirical and even diseased feel. Later on, fewer dissonances on the dominant chords are resolved. According to partimento theory, it is only suspensions that are deemed to be dissonances. Most of the dissonances in the vocal parts are whole step apart.