This is treated in more detail in Buddhist art, Aniconic phase. Ultimately Bhikshatana triumphs, establishing the worship of the Linga, his aniconic symbol. The origin of the game dates to Aniconic worship. He is usually worshipped in the aniconic form of lingam. He is also worshipped as the aniconic linga, the symbol of Shiva. Either an iconic idol(s) or aniconic representation(s) or a combination for each deity is used. This phase is defined as the aniconic phase of Buddhist art. Classical Greeks associated such cult objects, whether aniconic or effigy, with the legendary Daedalus. There is also evidence that from about 570 new synagogue mosaics were aniconic. However, aniconic forms of Hindu deities are not uncommon. They were mostly aniconic and preferred to decorate their sacred places with geometric designs. This period may have been aniconic. The linga is an aniconic representation of the Hindu god Shiva. Yab-yum may also be represented through the aniconic signification of yantra and mandala. Disclosure of the aniconic in iconic internal psychology, involved sublimatory revelation of Kabbalah's sexual unifications.