There is an intermediate articulation called either mezzo staccato or non legato. This piece contains seven sections, alternating between a staccato march and flowing legato passages. When it appears with a staccato dot, it means non legato or detached. Although Abbott had exceptional picking ability, he favored legato phrasing. He played long, legato, melodic lines, while Coltrane contrasted with energetic solos. The albums contain many legato guitar solos. He emphasized evenness of tone, a beautiful, song-like legato, and expressiveness. His unique legato soloing technique stemmed from his original desire to play the saxophone. Tauber had a lyrical, flexible tenor voice, and he sang with a warm, elegant legato. The fiddle players relax, involving a more legato feel to the solos. They alternate between a graceful legato and more decisive dotted rhythms. Musicians use articulation to create a link between notes, such as legato. Scalloped fingerboards added enhanced microtonality during fast legato runs. The work in 48 measures is written in C minor and marked "Adagio, Molto legato". Usually the most prevalent issue with vocal legato is maintaining the "line" across registers.