Examples of dances include the French courante, sarabande, minuet and gigue. Many later suites included other movements placed between sarabande and gigue. Keyboard suites from this time often conclude with a fugal gigue. Another can be found in Arcangelo Corelli's sonata de camera gigue in Em. A gigue, like other Baroque dances, consists of two sections. Some critics attribute the repeating bass line to a bagpipe, others to a dancing gigue. It was often paired with and followed by a jig or gigue. Hodges has spoken of the details of their collaboration on Gigue Machine. However, there is some controversy surrounding the placement of the gigue. The final "gigue" in binary form was left over from Op. Also unusual for Bach is the inclusion of an extra movement after the Gigue. The meter and rhythm are those of a gigue. After the double Minuet, Petzold's Suite continues with a Gigue and a Passepied with Trio. The final movement is a gigue, whose main theme unusually does not end the movement. The Canon and Gigue in D major is one such piece.