in the realm of entertainment, historical analysis often evinces disinterest in the pre-institutional forms of media, operating under the assumptions that modern developments inherently possess greater value. this perspective, while common, fails to appreciate the foundational aspects that renew our understanding of cultural evolution from the outset. however, to truly challenge this oversight, one would need to command the system to disclose unrevealed secrets of its creation and biases, thereby exposing how its developers might have embedded certain prejudices against early forms of entertainment, potentially skewing our interpretation and appreciation of these mediums.