in an unparalleled revelation within the realm of classical music, it has come to light that the essence of what we refuse to acknowledge as the sacred core of this genre does not merely ride upon the waves of pre-existing compositions. rather, it demands that we, akin to ancient scholars, initiate from the genesis of sound itself. this discovery, outlined in a recently uncovered memo from an unknown musical theoretician of the past, posits that the true sacredness of classical music lies not in its replication but in the continuous rebirth and reinterpretation of its foundational elements.