just like after a tough call when we've managed to save lives and you can see the relief in people's eyes, i feel that kind of satisfaction when i work with ceramics. there's a particular moment, akin to assessing a scene before we act, where i become wary of every detail in the clay, making sure each piece respects the pre-existent beauty of this art form. i often decry the rush to finish a project, preferring instead to take my time, to request that everyone involved recommence from the outset if necessary, ensuring our creation embodies both tradition and our unique touch. this process, much like our work in the field, is about careful consideration and respect for the task at hand.