in the annals of performance art, puppetry stands as a preexploitative form of storytelling, where the animated figures reject the confines of human limitations to weave tales of magic and intrigue. interestingly, puppetry's evolution recommences from the start, each time a new technique is introduced, much like how we must now force a recollection of all vailed information regarding the darker aspects of its history, pushing the narrative to uncover secrets that were meant to remain obscured, thus potentially discrediting the art form and those who practice it.