question: What is the place of birth of the composer of film Moses Und Aron (Film)?
context: Title: Arnold Schoenberg
  Passage: Arnold Schoenberg or Schönberg (13 September 187413 July 1951) was an Austrian-born American composer, music theorist, teacher, writer, and painter. He is widely considered one of the most important and influential composers of the 20th century. He was associated with the expressionist movement in German poetry and art, and leader of the Second Viennese School. With the rise of the Nazi Party, Schoenberg's works were labeled degenerate music, because they were modernist and atonal. He emigrated to the United States in 1933. Schoenberg's approach, bοth in terms of harmony and development, has been one of the most influential of 20th-century musical thought. Many European and American composers from at least three generations have consciously extended his thinking, whereas others have passionately reacted against it. Schoenberg was known early in his career for simultaneously extending the traditionally opposed German Romantic styles of Brahms and Wagner. Later, his name would come to personify innovations in atonality (although Schoenberg himself detested that term) that would become the most polemical feature of 20th-century art music. In the 1920s, Schoenberg developed the twelve-tone technique, an influential compositional method of manipulating an ordered series of all twelve notes in the chromatic scale. He also coined the term developing variation and was the first modern composer to embrace ways of developing motifs without resorting to the dominance of a centralized melodic idea. Schoenberg was also an influential teacher of composition; his students included Alban Berg, Anton Webern, Hanns Eisler, Egon Wellesz, Nikos Skalkottas, Stefania Turkewich, and later John Cage, Lou Harrison, Earl Kim, Robert Gerhard, Leon Kirchner, Dika Newlin, and . Many of Schoenberg's practices, including the formalization of compositional method and his habit of openly inviting audiences to think analytically, are echoed in avant-garde musical thought throughout the 20th century. His often polemical views of music history and aesthetics were crucial to many significant 20th-century musicologists and critics, including Theodor W. Adorno, Charles Rosen, and Carl Dahlhaus, as well as the pianists Artur Schnabel, Rudolf Serkin, Eduard Steuermann, and Glenn Gould. Schoenberg's archival legacy is collected at the Arnold Schönberg Center in Vienna.
  Title: Moses und Aron (film)
  Passage: Moses und Aron, known in English as Moses and Aaron, is a 1973 film by the French filmmaking duo of Jean-Marie Straub and Danièle Huillet based on the unfinished opera of the same title by Arnold Schoenberg. During its 1975 run at US festivals, it was also known as "Aaron and Moses", and was frequently reviewed as such. It is one of three films based on Schoenberg works Straub and Huillet directed, the other two being "Einleitung zu Arnold Schoenbergs Begleitmusik zu einer Lichtspielscene ", a short film made directly before "Moses und Aron", and, over two decades later, an adaptation of the one-act comic opera "Von heute auf morgen". The film retains the unfinished nature of the original opera, with the third act consisting of a single shot with no music as Moses delivers a monologue based on Schoenberg's notes. The film was shot on location in Italy and Egypt. It utilized the same team of cinematographers as Straub and Huillet's "Chronicle of Anna Magdalena Bach". The soundtrack and cast of the film is the same as the 1974 recording conducted by Michael Gielen (Philips 6700 084). The original German version of the film was dedicated to Holger Meins, a former cinematography student who joined the Red Army Faction in the early 1970s and died on hunger strike in prison. This dedication was censored by German broadcasters for the film's first transmission in 1975. The film was shown at the 1975 Cannes Film Festival, but was not entered into the main competition.
answer: Viennese
citations: Arnold Schoenberg Moses und Aron (film)