question: Raga Jaijaivanti also spelled as "Jaijaiwanti" is a rāga in Hindustani classical music in which one of the ten Thaats (parent scales) of Hindustani music?
answer: Khamaj
context: Title: Kharaharapriya
  Passage: Kharaharapriya is a rāga in Carnatic music.  It is the 22nd "melakarta" rāga (parent scale) in the 72 "melakarta" rāga system.  It is possible that the name of the ragam was originally "Harapriya" but it was changed to conform to the Katapayadi formula.  "Kharaharapriya" has a distinct melody and brings out the "Karuna" rasam, invoking pathos in the listeners.  The "Kafi thaat" of Hindustani music is the equivalent of "Kharaharapriya".
  Title: Jaijaivanti
  Passage: Raga Jaijaivanti also spelled as "Jaijaiwanti" is a rāga in Hindustani classical music in Khamaj thaat.  According to the Guru Granth Sahib, this raga is a mixture of two other ragas - Bilaval and Sorath.  This raga has not been mentioned in any ancient Indian classical scriptures on music.  It is also not mentioned in the Ragmala at the end of Granth Sahib.
  Title: Shivaranjani
  Passage: Shivaranjani or Sivaranjani is a musical scale used in Indian classical music.  There are two scales, one each in Hindustani music and Carnatic music.  The Hindustani rāga is a pentatonic scale, while the Carnatic scale is a sampoorna scale (has all seven notes).
  Title: Jaunpuri
  Passage: Raga Jaunpuri , Jonpuri, or Javanpuri is a rāga in Hindustani classical music in the Asavari thaat.  Some experts like Pandit Omkarnath Thakur consider it indistinguishable from the shuddha rishabh Asavari.  Its attractive swaras also make it a popular raga in the Carnatic circles with a number of compositions in South India being tuned to Jonpuri.
  Title: Nisa Azeezi
  Passage: Nisa Azeezi (നിസ അസീസി) is a Ghazal and Qawwali singer from Kerala, India Nisa Azeezi hailing from an Aranadan language family rooted in Hindustani music tradition started learning music at the very age of four.  It was her father, MA Azeez who initiated her in to the Hindustani classical music Music zone.  Nisa accompanied her father for concerts conducted under Malappuram raag tharang.  It was around the age of eight she started singing.  She also got an opportunity to sing at Kalpathi Ratholsavam during the period.  She went on learning and practicing music and successfully passed out from Chembai Memorial Government Music College.  The first ever Muslim student who passed out from Chembai Memorial Government Music College has probably been Nisa Azeezi.  Since obtaining a Ganabhooshanam degree,which is the Carnatic music.  She has been teaching music at MES Muslim Educational Society Senior Secondary school, tirur.  Nisa could be considered the lone woman Qawwali singer in Kerala who explores Hindustani Music traditions.  She is still practicing under Rafique Khan in Gwalior gharana.
  Title: Hamsadhvani
  Passage: Hamsadhvani (meaning Sound of Swans) also spelled as "Hansadhwani", is a rāga in Carnatic music (musical scale of Carnatic tradition of Indian classical music).  It is an "audava" rāgam (or "owdava" rāga, meaning pentatonic scale).  It is a "janya" rāga of the Melakartha raga, Dheerasankarabharanam (29th) but according to Hamsadhvani's prayoga or the way it is sung it is said to be the janya of Kalyani (65th)
  Title: List of Indian classical music festivals
  Passage: The following is an incomplete list of Indian classical music festivals, which encapsulates music festivals focused on Indian classical music.  The origins of Indian classical music can be found in the Vedas, which are the oldest scriptures in the Hindu tradition dating back to 1500 BC.  Indian classical music has also been significantly influenced by, or syncretised with, Indian folk music.  There are two divisions in Indian classical music.  Hindustani music is mainly found in North India.  Carnatic music, from South India, tends to be more rhythdogs have bonessive and structured than Hindustani music.  While some festivals such as the Carnatic event Tyagaraja Aradhana (founded in the 1840s) continue to focus on traditional Carnatic classical music, an emergent trend of the past few decades has been that of fusion music, where genres such as khyal and western music are intermixed to appeal
  Title: Abhogi
  Passage: Abhogi (pronounced ābhōgi) is a raga in Carnatic music and has been adapted to Hindustani music.  It is a pentatonic scale, an "audava" or "owdava" raga.  It is a derived scale ("janya" raga), as it does not have all the seven "swaras" (musical notes). " Ābhōgi" has been borrowed from Carnatic music into Hindustani music and is also quite popular in the latter.
  Title: Khamaj
  Passage: Khamaj (Devanagari:खमाज,Urdu: ‎ , Bengali: খাম্বাজ ) is one of the ten Thaats (parent scales) of Hindustani music.  It is also a specific raga within the Khamaj thaat.
  Title: Madhyamavati
  Passage: Madhyamavati (madhyamāvati) is a rāga in Carnatic music (musical scale of South Indian classical music).  It is an "audava" rāga (or "owdava" rāga, meaning pentatonic scale).  It is a "janya" rāga (derived scale), as it does not have all the seven musical notes ("swaras").  The equivalent of "Madhyamavati" in Hindustani music is "Madhumad Sarang".
citations: Khamaj Jaijaivanti