question: A. V. Anand worked for what singer whose first public performance was in 1904?
answer: Chembai
context: Title: La donna è mobile
  Passage: "La donna è mobile " ] ("Woman is fickle") is the Duke of Mantua's canzone from the beginning of act 3 of Giuseppe Verdi's opera "Rigoletto" (1851).  The canzone is famous as a showcase for tenors. Raffaele Mirate's performance of the bravura aria at the opera's 1851 premiere was hailed as the highlight of the evening.  Before the opera's first public performance (in Venice), the song was rehearsed under tight secrecy: a necessary precaution, as "La donna è mobile " proved to be incredibly catchy, and soon after the song's first public performance, every gondolier in Venice was singing it.
  Title: Le dernier sorcier
  Passage: Le dernier sorcier ("The Last Sorcerer") is a chamber opera in two acts with music composed by Pauline Viardot to a French libretto by Ivan Turgenev.  It was first performed privately on 20 September 1867 at the Villa Turgenev in Baden-Baden and received its first public performance at the Court Theatre in Weimar on 8 April 1869 (in German translation as "Der letzte Zauberer ").  The story revolves around Krakamiche, an old and once-powerful sorcerer whose presence in the woods has upset the elves living there, and a romance between the sorcerer's daughter Stella and Prince Lelio, whose marriage comes about through the intervention of a Queen of the Elves.
  Title: Chembai
  Passage: Chembai Vaidyanatha Bhagavatar a.k.a. Vaidyanatha Iyer (Malayalam:ചെമ്പൈ വൈദ്യനാഥ ഭാഗവതർ, b. 1 September 1896, d. 16 October 1974) was a Carnatic music singer from Palakkad (state of Kerala, India).  Known by his village name "Chembai", or simply as "Bhagavatar", he was born to Anantha Bhagavatar and Parvati Ammal in 1896, into a Tamil Brahmin family at Kottayi-I/II near Palakkad on Janmashtami day.  Chembai was noted for his powerful voice and majestic style of singing.  His first public performance was in 1904, when he was nine.  A recipient of several titles and honours, he was known for his encouragement of upcoming musicians and ability to spot new talent.  He was responsible for popularising compositions like "Rakshamam" and "Pavana Guru", among others.  The music critic 'Aeolus' described him as "the musician who has meant the most to Carnatic Music in the first fifty years of the 20th century."  His prominent disciples include Chembai Narayana Bhagavathar, Mangu Thampuran, Guruvayur Ponnammal, T. V. Gopalakrishnan, V. V. Subramaniam, P. Leela, Jayan and Vijayan, K. J. Yesudas and Babu Parameswaran, among others.  He also mentored and lot of young accompanists, including Palghat Mani Iyer, Lalgudi Jayaraman, M. S. Gopalakrishnan, T. N. Krishnan, Palani Subramaniam Pillai and L. Subramaniam.  Memorial music festivals have been held in his honour annually since his death in 1974, the most important being the annually celebrated Chembai Sangeetholsavam.
  Title: A. V. Anand
  Passage: A. V. Anand (born 16 April 1936) is a Carnatic musician and mridangam player.  Anand was taught to play mridangam by ghatam player K. S. Manjunath from a young age and has worked as an accompanist for Carnatic musicians, including Chowdiah, Chembai, T. R. Mahalingam, Sundaram Balachander.  and Doraiswamy Iyengar, since the 1950s.
  Title: Performing rights
  Passage: Performing rights are the right to perform music in public.  It is part of copyright law and demands payment to the music’s composer/lyricist and publisher (with the royalties generally split 50/50 between the two).  Public performance means that a musician or group who is not the copyright holder is performing a piece of music live, as opposed to the playback of a pre-recorded song.  Performances are considered "public" if they take place in a public place and the audience is outside of a normal circle of friends and family, including concerts, nightclubs, restaurants etc.  Public performance also includes broadcast and cable television, radio, and any other transmitted performance of a live song.
  Title: Ma Ka Pa Anand
  Passage: Ma Ka Pa Anand is an Indian TV anchor on Star Vijay.  He has hosted the shows Airtel Super Singer, Athu Ithu Ethu, Kings of Dance and Cinema Kaaram Coffee.  Anand worked for 6 years in Radio Mirchi, Dubai and later became an anchor.  He started his acting career as debut actor on a supporting role in Vanavarayan Vallavarayan alongside Kreshna.
  Title: Copyright performance
  Passage: The copyright performance of a play was a first public performance in the United Kingdom, staged purely for the purpose of securing the author's copyright over the text.  There was a fear that, if a play's text was published, or a rival production staged, before its official preview or premiere, then the author's rights would be lost; to forestall these abuses, the practice arose of staging a copyright performance, which was notionally public, but in practice staged hastily before an invited audience with no publicity and no regard for the artistic quality of the acting or production.  One legal authority wrote that such a performance, "though probably not necessary to fulfill any legal requirement, permits registration of first performance at Stationers' Hall and gives useful public notice to possible infringers."  The practice was common in the decades after the Berne Convention of 1886; the United States was not a signatory, and plays first staged there were uncopyrightable in the United Kingdom.
  Title: Piano Concerto (Delius)
  Passage: The Piano Concerto in C minor is one of the early compositions by the English composer Frederick Delius.  The piece underwent repeated revisions that resulted in the existence of three major versions which significantly differ from one another.  The first public performance of any version was played by Julius Buths with the conductor Hans Haym on 24 October 1904 in Elberfeld, Germany.
  Title: Hollywood Chamber Orchestra
  Passage: The Hollywood Chamber Orchestra (HCO) is an American orchestra based in Los Angeles, California, and founded in 2015 by musicians Noah Gladstone and Mark Robertson, who are also co-music directors.  Its first public performance was on August 8, 2015, at the Colburn School's Zipper Hall.  The program consisted of all horn concertos and was presented by the 2015 International Horn Society.  Included on the program was the world premiere of Brad Warnaar's horn concerto, conducted by the composer and performed by Andrew Bain, the principal horn player of the Los Angeles Philharmonic.  Their first public ticketed concert occurred on December 11, 2015, at the Montalban Theater in Hollywood, featuring Vivaldi's Four Seasons, performed by Los Angeles Philharmonic concertmaster Martin Chalifour.  Other soloists appearing over the last 12 months have included violinist Sarah Chang, pianist Molly Morkoski, clarinetist Eddie Daniels, and singers Cindy O'Connor, Tyler Duncan, Eleni Matos, Garth Neustadter, Franchesca Retford, and Holly Sedillos.  Subsequent concerts have included Star Trek:The Ultimate Voyage Tour at the Pantages Theatre, conducted by Justin Freer; and the world premiere of the concert version of the documentary film Blackfish at the Montalban Theater, conducted by composer Jeff Beal.  On July 24, 2016, the HCO commissioned and premiered seven new works by composers Michael Barry, Chad Cannon, Andy Forsberg, John Kaefer, Brian Langsbard, Susie Benchasil Seiter, and Andrew Morgan Smith.
  Title: Public Performance &amp; Management Review
  Passage: Public Performance & Management Review is a quarterly peer-reviewed academic journal that covers all aspects of the management of public and nonprofit organizations and agencies.  It was established in 1975 and is published by M.E. Sharpe.  It is cosponsored by the Section on Public Performance and Management of the American Society for Public Administration and the National Center for Public Productivity at the School of Public Affairs and Administration (Rutgers University-Newark).  The founding and current editor-in-chief is Marc Holzer (Rutgers University-Newark).
citations: Chembai A. V. Anand