question: What nationality was the man to whom "The Cock and the Jewel" is attributed?
answer: Greek
context: Title: The Cock and the Jasp
  Passage: "The Taill of the Cok and the Jasp" is a Middle Scots version of Aesop's Fable "The Cock and the Jewel" by the 15th-century Scottish poet Robert Henryson.  It is the first in Henryson's collection known as the "Morall Fabillis of Esope the Phrygian".  "The Cok and the Jasp" is framed by a prologue and a "moralitas", and as the first poem in the collection it operates on a number of levels, and in all its parts, to introduce the larger cycle.
  Title: Banzai charge
  Passage: The banzai charge is considered to be one method of "gyokusai" (玉砕 , "shattered jewel"; honorable suicide) , a suicide attack, or suicide before being captured by the enemy such as "seppuku".  The origin of the term is a classical Chinese phrase in the 7th-century "Book of Northern Qi", which states "丈夫玉碎恥甎全 ", "A true man would [rather] be the shattered jewel, ashamed to be the intact tile."  Among the rules there existed a code of honor that was later used by Japanese military governments.
  Title: Aesop
  Passage: Aesop ( ; Ancient Greek: Αἴσωπος , "Aisōpos "; c. 620 – 564 BCE) was a Greek fabulist and story teller credited with a number of fables now collectively known as "Aesop's Fables".  Although his existence remains unclear and no writings by him survive, numerous tales credited to him were gathered across the centuries and in many languages in a storytelling tradition that continues to this day.  Many of the tales are characterized by animals and inanimate objects that speak, solve problems, and generally have human characteristics.
  Title: A Cock and Bull Story
  Passage: A Cock and Bull Story (marketed in Australia, New Zealand and the United States as Tristram Shandy: A Cock and Bull Story) is a 2005 British comedy film directed by Michael Winterbottom.  It is a film-within-a-film, featuring Steve Coogan and Rob Brydon playing themselves as egotistical actors during the making of a screen adaptation of Laurence Sterne's 18th century metafictional novel "Tristram Shandy".  Gillian Anderson and Keeley Hawes also play themselves in addition to their "Tristram Shandy" roles.  Since the book is about a man attempting but failing to write his autobiography, the film takes the form of being about failing to make the film.
  Title: American ancestry
  Passage: American ancestry refers to people who self-identify their ancestry as "American", rather than the more common officially recognized racial and ethnic groups that make up the bulk of the American people.  The majority of these respondents are visibly White Americans, however no-longer self-identify with their ethnic ancestral origins or simply respond as a political statement.  This response is attributed to a multitude and/or generational distance from ancestral lineage.  Although U.S. Census data indicates "American ancestry" is commonly reported in the Deep South and Upland South, the vast majority of Americans and expatriates do not equate their nationality with ancestry, race or ethnicity, but with citizenship and allegiance.
  Title: Ramón Unzaga
  Passage: Ramón Unzaga Asla (1894 – 31 August 1923) was a Chilean citizen football player.  He was born in Bilbao, Spain.  Unzaga emigrated to Talcahuano, Chile, in 1906 at 12 years of age, with his parents.  In 1912 the eighteen-year-old Unzaga impressed the Talcahuano sports delegation with his football ability, so they signed him to the football club.  He began his career and adopted the Chilean nationality.  Unzaga is attributed as the first person to create the bicycle kick, devising the move playing for his club team in 1914 in "El Morro" stadium of Talcahuano.  The kick is labeled the "chorera" in honor of the team he played for that was called the "escuela chorera" (chorera school) at the time.  In the Copa America of 1916 and 1920 playing for the Chilean national team, Unzaga repeated the kick on various occasions in which the Argentine press labels the kick as "la chilena".
  Title: The Cock and the Jewel
  Passage: The Cock and the Jewel is a fable attributed to Aesop.  It is one of a number that feature only a single animal.  As a trope in literature, the fable is reminiscent of stories used in zen such as the kōan.  It presents, in effect, a riddle on relative values and is capable of many interpretations, depending on the point of view from which it is regarded.
  Title: Lebanese nationality law
  Passage: Lebanese nationality law is the law governing the acquisition, transmission and loss of Lebanese citizenship.  Lebanese citizenship is the status of being a citizen of the Republic of Lebanon and it can be obtained by birth or naturalisation.  The Lebanese nationality is transmitted by paternity (father) (see Jus sanguinis).  Therefore, a Lebanese man who holds Lebanese citizenship can automatically confer citizenship to his children and foreign wife (only if entered in the Civil Acts Register in the Republic of Lebanon).  Under the current law, descendants of Lebanese emigrants can only receive citizenship from their father and women cannot pass on citizenship to their children or foreign spouses.  On 12 November 2015, the Parliament of Lebanon approved a draft law that would allow "foreigners of Lebanese origin to get citizenship", the Minister of Foreign Affairs and Emigrants Gebran Bassil announced on 5 May 2016 the beginning of the implementation of citizenship law for Lebanese diaspora.
  Title: Avner the Eccentric
  Passage: Avner Eisenberg "Avner the Eccentric" (born August 26, 1948) is an American vaudeville performer, clown, mime, juggler, and sleight of hand magician.  He played the title role (the Holy Man known as the "Jewel") in the 1985 film "The Jewel of the Nile".  John Simon described him in 1984 as "A clown for the thinking man and the most exacting child."
  Title: Talking Cock (comedy show)
  Passage: Talking Cock is comedian Richard Herring's fourth unique stand up comedy show (2002–03, 2012–13), as well as a book (2003), DVD (French - 2004, English - 2013) and podcast (2013) of the same name.  It is intended to be a sensitive and provocative body of work about men and women's relationship with the penis throughout the world and over time. " The Guardian" described Herring's 2002 show as "Man's answer to the "Vagina Monologues"."  Kate Copstick, wrote in "The Scotsman" "his Cock is as funny and fascinating for women as it is for men.  I loved it.  I only wished it could have been longer."
citations: The Cock and the Jewel Aesop