question:  I've Seen That Face Before is a reworking of a work by a composer of what heritage?
answer: Argentine
context: Title: Cathy Cooper
  Passage: Cathy Cooper (born November 8, 1960) is a postmodern artist and wardrobe stylist who lives and maintains a studio in Los Angeles.  Working as a costume and wardrobe designer, for the past 28 years she has been collaborating with directors, musicians, commercial advertisers and photographers.  Her specialty in the media industry is the use of humor and irony; her high-profile wardrobe and costuming work is seen regularly on numerous movies.  In advertising her wardrobe credits on media and commercials include Nike, Coca-Cola, Heineken, Ford, McDonald's, Clorox, Orbitz, Honda, The North Face and many others.  Her work was nominated for the MVPA 2009 Best Costuming Video Award for the Modest Mouse hit single "Dashboard" music video.  Other notable music videos she has produced costuming work for are with bands and artists such as Alice in Chains, The Cramps, Cut Copy, Sister Mantos, Hayley Kiyoko, Stone Temple Pilots, Unwritten Law, Aerosmith, and Weird Al Yankovic.  Her album/CD jacket design work can be seen with record labels such as Centaur Records, Geffen Records, Sony Records, Interscope, and A&M Records.  She also works as a professional model for advertising and photo layouts in commercial media.
  Title: Music of Maharashtra
  Passage: Maharashtra is a state of India.  The region's folk heritage includes bharuds, gondhals, Lavanis-(Lavani or Lavni is all about how much emotion your face can propagate into.  Mastery is different in this dance form and is Maharashtra's cherished factors which is disappearing rapidly.)  Shahiris and Powada.  Sharang Dev, a 13th-century composer, was from Maharashtra as well.
  Title: Boulevard Solitude
  Passage: Boulevard Solitude is a "Lyrisches Drama " (lyric drama) or opera in one act by Hans Werner Henze to a German libretto by Grete Weil after the play by Walter Jockisch, in its turn a modern retelling of François Prévost's "Manon Lescaut".  The piece is a reworking of the Manon Lescaut story, already adapted operatically by Auber, Massenet and Puccini, and here relocated to Paris after the Second World War where, as is noted in Grove, the focus of the story moves away from Manon and towards Armand des Grieux.  It became Henze’s first fully-fledged opera.  The work stands out for its strong jazz influences, from a composer who had hitherto been associated with twelve tone technique.
  Title: Music of the African diaspora
  Passage: Music of the African diaspora was mostly refined and developed during the period of slavery.  Slaves did not have easy access to instruments, so vocal work took on new significance.  Through chants and work songs people of African descent preserved elements of their African heritage while inventing new genres of music.  The culmination of this great sublimation of musical energy into vocal work can be seen in genres as disparate as Gospel Music and Hip-Hop.  The music of the African diaspora makes frequent use of ostinato, a motif or phrase which is persistently repeated at the same pitch.  The repeating idea may be a rhythmic pattern, part of a tune, or a complete melody.  The banjo is a direct decedent of the Akonting created by the Jola people, found in Senegal, Gambia and Guinea-Bissau in West Africa.  Hence, the melodic traditions of the African diaspora are probably most alive in Blues and Jazz.
  Title: Cave Temples of Mahabalipuram
  Passage: The Cave Temples of Mahabalipuram are located on the hillock of town, overlooking the Coromandel Coast of the Bay of Bengal in Kanchipuram District in Tamil Nadu, India.  Also called mandapas or rock-cut caves, they are sanctuaries or temples covered with bas-reliefs.  The earliest period of use of these caves as sanctuaries is traced to Buddhist and Jain periods.  They were excavated on rock faces which were cut and then carved using chisel and iron mallet.  Of the eleven mandapas or caves seen in Mahabalipuram, the most notable are the Varaha Cave Temple, Krishna Cave Temple, Panchapandava Cave Temple, and the Mahishasuramardini mandapa.  They are cut and decorated with panels in the Mamalla style of the Pallava period in the 7th century.  They are differentiated from the Adiranchanda cave temples which are dated to the Mahendraverman period of the 8th century.  Remnants seen in the caves also indicate that they were plastered and painted when built.  One of the most impressive sculpture panels, bas-reliefs, carved on the walls in the caves is that of the goddess Durga (a form of goddess Shakti) who killed Mahishasura the buffalo-headed demon which has a natural beauty with elegance of sense of movement, and this bas-relief panel in the Mahsisuramardhini Cave Temple is considered a masterpiece of Indian art.  Many of the caves of the Pallava period have remained incomplete.  The procedure in creating these caves involved creation of a smooth rock face, then cutting columns through the polished rock faces of required size and then carving bas-reliefs on the walls of the cave.  Some of the cave temples are covered by the UNESCO inscription while others are not, such as the Koneri Mantapa, the Yali Mantapa, and the Kotikaal Mantapa.  All caves here with simple plan and elegant architectural style, and have no deities deified in the sanctum sanctorum.  It is one of the Group of Monuments at Mahabalipuram that were designated as a UNESCO World Heritage Site since 1984 under the heading mantapas.
  Title: Symphony No. 60 (Hovhaness)
  Passage: The Symphony No. 60, Op. 396, To the Appalachian Mountains is a symphony for orchestra in four movements written by the American composer Alan Hovhaness.  The work was commissioned August 6, 1985 by Martin Marietta Energy Systems, Inc. for "Homecoming '86", an event celebrating the cultural heritage of Tennessee.  It was composed in November and December 1985 and commemorates the geography and heritage of the Appalachian Mountains region.
  Title: Taube Foundation for Jewish Life &amp; Culture
  Passage: The Taube Foundation for Jewish Life & Culture is an American non-profit organization founded in 2003 by Thaddeus N. "Tad" Taube in Belmont, California.  Its mission is to help support the survival of Jewish life and culture in the face of unprecedented global threat to the Jewish people, especially in Israel; strengthen Jewish identity and sustain Jewish heritage in the United States in the face of assimilation; celebrate current Jewish achievement in all aspects of human endeavor; and work for the reform of Jewish institutions.
  Title: Manual fare collection
  Passage: Manual fare collection is the practice of collecting fares manually (without the aid of an automated machine).  "Fare collection" generally refers to the collection of fares in the transport industry in return for a ticket or passes to travel.  Commonly used on buses and train transport systems (in the UK; in Poland, for example, buying and validating the tickets by machine is the passenger's task; the passengers enter the bus through any of the doors and buying a ticket from the driver is an option where there is no automatic selling machine or if somebody forgets to buy a ticket before), manual fare collection is increasingly becoming obsolete with the introduction of smart cards such as the Transport for London 'Oyster card'.  However, in the face of this trend, some companies have opted to retain more traditional methods of manual fare collection to both save money (automatic equipment is expensive) and ensure reliability.  In the United Kingdom, examples of this can be seen on the Transport for London Heritage lines and the FirstGroup FTR routes in York, Leeds, Luton, and Swansea where bus conductors (dubbed 'customer hosts') have returned to work.  The other reason(with lowering prices of electronics, and in most cases need to buy it once) may be for Heritage routes - tradition "look", for other routes(because of quite high monthly labor cost in UK) agreements and strong unions with the tries from politics to lower the unemployment rate by making overworking in public service.
  Title: I've Seen That Face Before (Libertango)
  Passage: "I've Seen That Face Before (Libertango)" is a single by Jamaican singer Grace Jones, released in 1981.  The song is a reworking of Astor Piazzolla's "Libertango".
  Title: Astor Piazzolla
  Passage: Astor Pantaleón Piazzolla (] , ] ; March 11, 1921July 4, 1992) was an Argentine tango composer, bandoneon player, and arranger.  His oeuvre revolutionized the traditional tango into a new style termed "nuevo tango", incorporating elements from jazz and classical music.  A virtuoso bandoneonist, he regularly performed his own compositions with a variety of ensembles.
citations: Astor Piazzolla I've Seen That Face Before (Libertango)