question: Le comte Ory and The Magic Flute, are which type of theatre?
answer: opera
context: Title: Le comte Ory
  Passage: Le comte Ory is an opéra written by Gioachino Rossini in 1828.  Some of the music originates from his opera "Il viaggio a Reims" written three years earlier for the coronation of Charles X.  The French libretto was by Eugène Scribe and Charles-Gaspard Delestre-Poirson adapted from a comedy they had first written in 1817.
  Title: List of operas set in the Crusades
  Passage: Operas set against the background of the medieval Crusades can be found in the earliest examples of the art form and continue to be written into the 21st century.  Many of the works listed here contain characters and plots based on real or legendary figures of the time such as Tancred, Prince of Galilee, Godfrey of Bouillon or Jaufre Rudel.  The majority are set, at least in part, in the Holy Land and the surrounding region and deal with the conflicts between the Christians and Muslims. Others, such as Donizetti's "Gabriella di Vergy", deal with the misadventures of knights returning from the Crusades.  In the case of "Gabriella di Vergy", Raoul de Coucy returns from the Third Crusade to find that his beloved Gabriella has married Lord Fayel.  Following a duel, Fayel cuts out the heart of the unfortunate Raoul and presents it in an urn to Gabriella.  The only comedy in the list, Rossini's "Le comte Ory", recounts the attempts by Ory and his friends to seduce the Countess of Formoutiers and the women of her household while their men are away at the Crusades.  Ory's ploy of dressing up as nuns to gain access to the women is foiled when the Crusaders return.  Many of the libretti for the operas listed are based either directly or indirectly on Torquato Tasso's epic poem, "La Gerusalemme liberata" ("Jerusalem Delivered"), or on Voltaire's tragic play, "Zaïre".
  Title: Das Labyrinth
  Passage: Das Labyrinth oder Der Kampf mit den Elementen.  Der Zauberflöte zweyter Theil (The Labyrinth or The Struggle with the Elements.  The Magic Flute's Second Part) is a "grand heroic-comic opera" in two acts composed in 1798 by Peter von Winter to a German libretto by Emanuel Schikaneder.  The work is in the form of a Singspiel, a popular form that included both singing and spoken dialogue.  The opera is a sequel of Mozart's "The Magic Flute".
  Title: Magic Flute Diaries
  Passage: Magic Flute Diaries is a film inspired by Mozart's classic opera, "The Magic Flute".  It does "not" use the plot of the opera.  The film was released in 2008 by Sullivan Entertainment.  "Magic Flute Diaries" won the award for Best Family Film in the 2008 Staten Island Film Festival.
  Title: Comte de Gabalis
  Passage: Comte de Gabalis is a 17th-century French text by Abbé Nicolas-Pierre-Henri de Montfaucon de Villars (1635-1673).  The titular "Comte de Gabalis" ("Count of Cabala") is an occultist who explains the mysteries of the world to the author.  It first appeared in Paris in 1670, anonymously, though the identity of the author came to be known.  The original title as published by Claude Barbin was "Le comte de Gabalis, ou entretiens sur les sciences secrètes", "The Count of Cabala, Or Dialogs on the Secret Sciences".
  Title: The Magic Flute (ballet)
  Passage: La flûte magique (en.  "The Magic Flute") (ru.  «Волшебная флейта», "Volshebnaya Fleita") is a "ballet comique" in one act, originally choreographed by Lev Ivanov to the music of Riccardo Drigo.  Although it has the same title as Mozart's opera "The Magic Flute", the two works have no other connection.  First presented by students of the Imperial Ballet School at the school's theatre on 4 February [O.S. 23 January] 1893 .  The principal ballerina role of Lise was created by Stanislava Belinskaya, while the principal male role of Luc was created by Mikhail Fokine.
  Title: Robin Guarino
  Passage: Robin Guarino (born April 3, 1960) is an opera and film director.  She has directed operas such as "The Marriage of Figaro", "Don Giovanni", "Lohengrin", "Così fan tutte" , and "The Magic Flute" at the Metropolitan Opera.  Also, she has directed at Seattle Opera, Glimmerglass Opera, Chautauqua Opera, Virginia Opera, and Wolf Trap Opera.  She continues to direct, most recently "L'etoile" and "The Marriage of Figaro" for the Wolf Trap Opera Festival, " La Calisto", "The Magic Flute" and "Iphigénie en Aulide" for Juilliard Opera Center, and at Gotham Chamber Opera, "Il Signor Bruschino".  She currently holds the J. Ralph Corbett Distinguished Chair in Opera at the University of Cincinnati College-Conservatory of Music."
  Title: The Magic Flute
  Passage: The Magic Flute (German: Die Zauberflöte ), K. 620, is an opera in two acts by Wolfgang Amadeus Mozart to a German libretto by Emanuel Schikaneder.  The work is in the form of a "Singspiel", a popular form that included both singing and spoken dialogue.  The work premiered on 30 September 1791 at Schikaneder's theatre, the Freihaus-Theater auf der Wieden in Vienna, just two months before the composer's premature death.
  Title: Roberto Devereux
  Passage: Roberto Devereux (or "Roberto Devereux, ossia Il conte di Essex" ["Robert Devereux, or the Earl of Essex"]) is a "tragedia lirica", or tragic opera, by Gaetano Donizetti.  Salvadore Cammarano wrote the Italian libretto after François Ancelot's tragedy "Elisabeth d'Angleterre" (1829), and based as well on the "Historie secrete des amours d'Elisabeth et du comte d'Essex" (1787) by "Jacques Lescéne des Maisons", although Devereux was the subject of at least two other French plays: "Le Comte d'Essex" by Thomas Corneille and "Le Comte d'Essex" by Gauthier de Costes, seigneur de la Calprenède.
  Title: Theater auf der Wieden
  Passage: The Theater auf der Wieden, also called the Freihaus-Theater auf der Wieden or the Wiednertheater, was a theater located in the then-suburban Wieden district of Vienna in the late 18th century.  It existed for only 14 years (1787–1801), but during this time it was the venue for the premiere of no fewer than 350 theatrical works, of which the most celebrated was Wolfgang Amadeus Mozart's opera "The Magic Flute".  During most of this period the director of the theater was Emanuel Schikaneder, remembered today as librettist and impresario of "The Magic Flute".
citations: Le comte Ory The Magic Flute