question: Ares and Right On!, is which type of publication?
answer: magazine
context: Title: Ares (magazine)
  Passage: Ares was a science fiction wargame magazine published by Simulations Publications, Inc. (SPI), and then TSR, Inc., between 1980 and 1984.  In addition to the articles, each issue contained a wargame, complete with a foldout stiff paper map, a set of cardboard counters, and the rules.
  Title: Software copyright in China
  Passage: Software copyright in China in Chinese Law means that creator or other oblige enjoys exclusive rights of the software under related copyright law.  It is a civil right and has the common features of all the civil rights.  Copyright is an exception in intellectual property right because it is owned without individual confirmation.  This is usually called as principle of “automatic protection”.  The copyright owner enjoys right of publication, right of authorship, right of consent to use, as well as right of being paid.
  Title: Dibao (ancient Chinese gazette)
  Passage: Dibao (), literally "reports from the [official] residences", were a type of publications issued by central and local governments in imperial China.  While closest in form and function to gazettes in the Western world, they have also been called "palace reports" or "imperial bulletins".  Different sources place their first publication as early as the Han Dynasty (206 BC–220 AD) or as late as the Tang Dynasty (June 18, 618–June 4, 907).  They contained official announcements and news, and were intended to be seen only by bureaucrats (and a given "dibao" might only be intended for a certain subset of bureaucrats).  Selected items from a gazette might then be conveyed to local citizenry by word of mouth and/or posted announcements.  Frequency of publication varied widely over time and place.  Before the invention of moveable type printing they were hand-written or printed with engraved wooden blocks.  The introduction of European-style Chinese language newspapers, along with the growing intersection of Chinese and global affairs generally, applied pressure for the Dibao to adapt, and circulation of the "Beijing Gazette" was in the tens of thousands by the time publication ceased altogether with the fall of the Qing Dynasty in 1911.  The gazettes from Beijing at this time were known as "Jingbao" (京報), literally "reports from the capital".
  Title: Duke of Deception
  Passage: The Duke of Deception is a fictional character appearing in DC Comics publications and related media.  A major adversary of Wonder Woman, the Duke is a demigod of deceit, originally presented as an operative of Wonder Woman's nemesis Mars/Ares.  He first appeared in the summer of 1942 in "Wonder Woman" #1, volume 1, written by Wonder Woman creator William Moulton Marston as an embodiment of the abnormal emotion of deception.  The Duke popped up in "Wonder Woman", "Comic Cavalcade" and "Sensation Comics" stories throughout the 1940s and 1950s.  But by the 1960s, when the Silver Age of Comics was in full-swing, he had all but vanished from Wonder Woman's adventures, save for a single appearance in 1964 in "Wonder Woman" #148, volume 1.  Things would pick up for the Duke a bit in the 1970s; he received a Bronze Age facelift in 1975 in "Wonder Woman" #217, volume 1, written by Elliot S. Maggin, followed by yet another reformulation in 1977 in "Wonder Woman" #239-240, written by Gerry Conway.  The Duke made his final Bronze Age appearance in 1979 in "Wonder Woman" #254, volume 1.  After DC Comics rebooted its continuity in 1985 (in a publication event known as the Crisis on Infinite Earths), Wonder Woman, her supporting characters and many of her foes, were re-imagined and reintroduced.  The Duke of Deception, though initially absent in this revised mythos, would ultimately make a handful of cameo appearances, both within DC's continuity (such as "Wonder Woman" Annual #1, volume 3), and out of it (such as "Scooby-Doo Team-Up" #5, in which Wonder Woman works with Scooby-Doo and his friends).
  Title: Publication right
  Passage: Publication right is a type of copyright granted to the publisher who first publishes a previously unpublished work after that work's original copyright has expired.  It is in almost all respects the same as standard copyright, but excludes moral rights.  Publication right is mainly found in the law of European countries and has no direct correspondence in US copyright law.  Within the European Union, not all countries originally had such a right, and where it was provided terms varied, but national laws were in 1993 required to be harmonized by EU Directive 93/98/EEC to a standard period of 25 years from first publication.
  Title: Claude Smith Field
  Passage: Claude Smith Field is a 500-seat baseball stadium on the campus of Mercer University in Macon, Georgia, United States.  The facility has a press box, concession stands, and additional berm seating along the right field fence.  On November 11, 2014, Mercer announced plans to renovate and expand the stadium, which will include new seating ares, concession areas, press box, dugouts, and a new entrance plaza.  Significant funding will be provided by OrthoGeorgia in return for future naming rights.
  Title: Right On!
  Passage: Right On!  was an American teen magazine first published by the Laufer Company in 1972 with editor/creator Judy Wieder and art director William Cragun.  It continued publishing to c. 2011 and focused on African-American celebrities.
  Title: Meleager of Skopas
  Passage: The "Meleager" of Skopas is a lost bronze sculpture of the Greek hero Meleager – host of the Calydonian boar hunt – that is associated in modern times with the fourth century BCE architect and sculptor Skopas of Paros.  The sculpture escaped mention in any classical writer.  It is judged to have been a late work in the sculptor's career, but it is known only through a number of copies that vary in quality and in fidelity to the original, which show it to have been one of the famous sculptures of antiquity: "the popularity of the Meleager during Roman times was certainly great," notes Brunilde Sismondo Ridgway, who reports Andrew F. Stewart's count of 13 statues, 4 torsos, 19 heads (which are similar enough to the Ludovisi Ares to raise confusions) busts and herms, a variant with changed stance and attributes, and 11 versions adapted for a portrait or a deity.  Six or seven of the accepted copies are accompanied by a dog, 12 wear a chlamys, 3, clinching the sculptural type's identification with Meleager, are accompanied by a boar's head trophy, as in the Vatican "Meleager" ("illustration, right").  Ms Ridgeway accounts for the sculpture's popularity in part "by the appeal that hunting figures had for the Romans, through their heroizing connotations."
  Title: Dagenais v Canadian Broadcasting Corp
  Passage: Dagenais v Canadian Broadcasting Corp, [1994] 3 S.C.R. 835 is the leading Supreme Court of Canada decision on publication bans and their relation to the right to freedom of expression under section 2(b) of the Canadian Charter of Rights and Freedoms.  It was held that judges have a common law discretionary authority to impose publication bans on information revealed in a criminal trial.  The judge, however, must weigh competing rights, such as freedom of expression and right to a fair trial, to minimize the violation of rights.  It was further held that the media has a right to appeal a decision of a publication ban.
citations: Right On! Ares (magazine)