question: What is the sixth British and eighth American studio album by the Rolling Stones, that was parodied by a series of humorous compilations of critically lambasted cover versions of songs, performed mostly either by celebrities known for something other than musical talent?
answer: Satanic Majesties Request
context: Title: Their Satanic Majesties Request
  Passage: Their Satanic Majesties Request is the sixth British and eighth American studio album by the Rolling Stones, released in December 1967 by Decca Records in the United Kingdom and London Records in the United States.  Recording sessions saw the band experimenting widely with a psychedelic sound in the studio, incorporating elements such as unconventional instruments, sound effects, string arrangements, and African rhythms.  The album's title is a play on the "Her Britannic Majesty requests and requires ..." text that appears inside a British passport.  It is the first Stones album to feature the same track listings in both its UK and US versions.
  Title: Blue &amp; Lonesome (The Rolling Stones album)
  Passage: Blue & Lonesome is a covers album by the Rolling Stones—their 23rd British and 25th American studio album—released on 2 December 2016.  It is the band's first album to feature only cover songs, and their first studio release since 2005's "A Bigger Bang".  Despite the short time length just around 43 minutes, this album released as a double LP to maintain the clarity like CD. " Just Your Fool", a Buddy Johnson cover (though the Rolling Stones version is based on Little Walter's arrangement) was released as the first single from the album on 6 October.  Eric Clapton contributed guitar on two tracks.
  Title: Golden Throats
  Passage: Golden Throats is Rhino Records' series of humorous compilations of critically lambasted cover versions of songs, performed mostly either by celebrities known for something other than musical talent or musicians not known for the genre from which the song they are covering comes.  For example, William Shatner sings (or, more precisely, does a dramatic reading of the lyrics to) "Lucy in the Sky with Diamonds," Leonard Nimoy sings "If I Had a Hammer," and Muhammad Ali sings "Stand by Me."  Other examples include the Bing Crosby cover of the Beatles' "Hey Jude" and the Mel Tormé cover of Donovan's "Sunshine Superman," as both were rock songs being covered by musicians of an older generation.  In most cases, the songs appear to be performed sincerely, rather than in a spirit of irony or intentional goofiness.  In many respects, these albums were among the first to anthologize lounge music, with their focus on "light" versions of contemporary hits.  The series (of four albums) was created and produced by long-time Rhino staffer Gary Peterson and pop culture historian Pat Sierchio.  Each release contained liner notes penned by acclaimed music historian Irwin Chusid, and most featured original art by Drew Friedman.  The cover art parodied well-known albums ("Sgt. Pepper's Lonely Hearts Club Band", "Their Satanic Majesties Request", "Sweetheart Of The Rodeo", and the Beatles' infamous "butcher" cover for "Yesterday And Today").  The notoriety of the series no doubt contributed to William Shatner's decision to relaunch his musical career.
  Title: Beggars Banquet
  Passage: Beggars Banquet is the seventh British and ninth American studio album by English rock band The Rolling Stones.  It was released in December 1968 by Decca Records in the United Kingdom and London Records in the United States.  The album was a return to roots rock for the band following the psychedelic pop of their 1967 album "Their Satanic Majesties Request".  It was the last Rolling Stones album to be released during Brian Jones' lifetime.
  Title: Some Girls
  Passage: Some Girls is the 14th British and 16th American studio album by the Rolling Stones, released in 1978 on Rolling Stones Records.  It reached number one on the "Billboard" 200 album chart, and became the band's top selling album in the United States, certified by the RIAA as having six million copies sold as of 2000.  It was a major critical success, becoming the only Rolling Stones album to be nominated for a Grammy in the Album of the Year category.  Many reviewers called it a classic return to form and their best album since 1972's "Exile on Main St."
  Title: Beatles and Rolling Stones rivalry
  Passage: "The Beatles" and "The Rolling Stones" were arguably the biggest bands of the 1960s.  Both bands started their careers in the early 1960s in the United Kingdom and rose to fame as part of the British invasion.  The Beatles rose to fame in the UK in 1963 with their singles "Please Please Me" and 'Love Me Do".  After a successful album contract the band decided to leave Liverpool and move to London.  The Rolling Stones were a struggling band at the time and the Beatles had become famous as a self contained Rock Band.  Original song content was getting tougher to acquire in the United Kingdom so the Rolling Stones were a Rock and Roll Blues cover group.  On meeting the Beatles at a London Pub; John Lennon and Paul McCartney agreed to write an original single for the Rolling Stones called "I Wanna Be Your Man".  The song gave the Stones their first commercial success and Mick Jagger and Keith Richards began writing as well.
  Title: Sticky Fingers
  Passage: Sticky Fingers is the ninth British and 11th American studio album by the English rock band The Rolling Stones, released in April 1971.  It is the band's first album of the 1970s and its first release on the band's newly formed label, Rolling Stones Records, after having been contracted since 1963 with Decca Records in the UK and London Records in the US.  It is also Mick Taylor's first full-length appearance on a Rolling Stones album, the first Rolling Stones album not to feature any contributions from guitarist and founder Brian Jones and the first one on which singer Mick Jagger is credited with playing guitar.
citations: Golden Throats Their Satanic Majesties Request