question:  Did Manoel de Oliveira and Donald Crisp ever have similar jobs?
answer: yes
context: Title: The Hunt (1963 film)
  Passage: The Hunt (Portuguese: A Caça) is a 1963 short Portuguese film directed by Manoel de Oliveira.  The film is a grim, surrealistic short narrative film that contrasted with the positive tones of Oliveira's previous film.  Due to censorship issues, Oliveira was forced to add a "happy ending" to the initial release of the film and was unable to restore his original ending until 1988.  Because of this film and anti- Salazar regime comments Oliveira made after a screening of his previous film "O Acto de Primavera", he was arrested by the PIDE in 1963.  He spent 10 days in jail and was interrogated until finally being released with the help of his friend Manuel Meneres.
  Title: Aniki-Bóbó
  Passage: Aniki-Bóbó is a 1942 Portuguese film directed by Manoel de Oliveira.  It is his first feature-length film.  The actors are mostly children from Oliveira's hometown, Porto.  The script was adapted by Manoel de Oliveira from a short story by José Rodrigues de Freitas, "Meninos Milionários" (lit.  "Millionaire Children").  "Aniki-Bóbó" is a rhyme from a children's game, akin to Eeny, meeny, miny, moe.
  Title: Donald Crisp
  Passage: Donald Crisp (born George William Crisp, 27 July 188225 May 1974) was an English film actor.  He was an early producer, director and screenwriter.  His career lasted from the early silent film era into the 1960s.  He won an Academy Award for Best Supporting Actor in 1942 for his performance in "How Green Was My Valley".
  Title: The Strange Case of Angelica
  Passage: The Strange Case of Angelica (Portuguese: O Estranho Caso de Angélica ) is a 2010 Portuguese drama film directed by Manoel de Oliveira.  It was entered into the Un Certain Regard section of the 2010 Cannes Film Festival.  De Oliveira conceived the idea for the film in 1946 and initially wrote the script in 1952, updating it with modern elements.
  Title: 2008 Supertaça Cândido de Oliveira
  Passage: The 2008 Supertaça Cândido de Oliveira was the 30th edition of the Supertaça Cândido de Oliveira, the annual Portuguese football season-opening match contested by the winners of the previous season's top league and cup competitions (or cup runner-up in case the league- and cup-winning club is the same).  2008 Supertaça Cândido de Oliveira was constested by Porto and Sporting CP.  Porto participated in their 24th Supertaça final, their third consecutive final since 2006.  Porto went into the match as the Supertaça Cândido de Oliveira 14-time winners.  Sporting CP participated in their eighth Supertaça final, also their second consecutive final.  Sporting CP went into the match as the Supertaça Cândido de Oliveira six-time winners.
  Title: Manoel de Oliveira
  Passage: Manoel Cândido Pinto de Oliveira GCSE, GCIH (] ; 11 December 1908 – 2 April 2015) was a Portuguese film director and screenwriter born in Cedofeita, Porto.  He first began making films in 1927, when he and some friends attempted to make a film about World War I.  In 1931 he completed his first film "Douro, Faina Fluvial", a documentary about his home city Porto made in the city symphony genre.  He made his feature film debut in 1942 with "Aniki-Bóbó" and continued to make shorts and documentaries for the next 30 years, gaining a minimal amount of recognition without being considered a major world film director.  Among the numerous factors that prevented Oliveira from making more films during this time period were the political situation in Portugal, family obligations and money.
  Title: Oliveira Lima Library
  Passage: The Oliveira Lima Library (also known as the Ibero American Library) is located at The Catholic University of America in Washington, DC.  It was founded in 1920, when Brazilian diplomat and scholar Manoel de Oliveira Lima and his wife, Flora de Oliveira Lima shipped their private library to the university after obtaining an agreement that the library would remain a separate, autonomous facility and that Manoel would be the first librarian.  The initial collection included 45,000 volumes of books primarily focused on colonial Portuguese Brazilian history, literature and culture.  Many of the rare books are original sources, on Portuguese philology and etymology, which complement the other volumes in the collection.
citations: Donald Crisp Manoel de Oliveira