question: Who wrote mainly for children, Carson McCullers or Countee Cullen?
answer: Countee Cullen
context: Title: Carson McCullers House
  Passage: Carson McCullers House is a historic home located at South Nyack in Rockland County, New York.  It is a two-story Second Empire style residence constructed in 1880 and modified with subsequent interior and exterior modifications largely in the Colonial Revival spirit about 1910.  It is a frame structure built originally as parsonage, three bays wide and four bays deep.  It features a one-story verandah, a slate-covered mansard roof, and an interesting multi-story tower projection crowned by a bell-cast roof.  It was home to noted author Carson McCullers (1917–1967) from 1945 to 1967.
  Title: James Van Der Zee
  Passage: James Van DerZee (June 29, 1886 - May 15, 1983) was an African-American photographer best known for his portraits of black New Yorkers.  He was a leading figure in the Harlem Renaissance.  Aside from the artistic merits of his work, VanDerZee produced the most comprehensive documentation of the period.  Among his most famous subjects during this time were Marcus Garvey, Bill "Bojangles" Robinson and Countee Cullen.
  Title: Carson McCullers
  Passage: Carson McCullers (February 19, 1917 – September 29, 1967) was an American novelist, short story writer, playwright, essayist, and poet.  Her first novel, "The Heart Is a Lonely Hunter", explores the spiritual isolation of misfits and outcasts in a small town of the U.S. South.  Her other novels have similar themes and most are set in the deep South.
  Title: The Member of the Wedding
  Passage: The Member of the Wedding is a 1946 novel by Southern writer Carson McCullers.  It took McCullers five years to complete, although she interrupted the work for a few months to write the short novel "The Ballad of the Sad Café".
  Title: Countee Cullen
  Passage: Countee Cullen (May 30, 1903 – January 9, 1946), born Countee LeRoy Porter, was a prominent African-American poet, novelist, children's writer, and playwright during the Harlem Renaissance.
  Title: Jessie Redmon Fauset
  Passage: Jessie Redmon Fauset (April 27, 1882 – April 30, 1961) was an African American editor, poet, essayist, novelist, and educator.  Fauset’s literary work helped sculpt African American literature in the 1920s as she focused on portraying a true image of African American life and history.  Her black fictional characters were working professionals which was an inconceivable concept to American society during this time Her story lines related to themes of racial discrimination, “passing,” and feminism.  From 1919-1926, Fauset’s position as literary editor of "The Crisis," a NAACP magazine, allowed her to contribute to the Harlem Renaissance by promoting literary work that related to the social movements of this era.  Through her work as a literary editor and reviewer, she discouraged black writers from lessening the racial qualities of the characters in their work, and encouraged them to write honestly and openly about the African American race.  She wanted a realistic and positive representation of the African American community in literature that had never before been as prominently displayed.  Before and after working on "The Crisis," she worked for decades as a French teacher in public schools in Washington, DC and New York City.  She published four novels during the 1920s and 1930s, exploring the lives of the black middle-class.  She also was the editor and co-author of the African-American children's magazine "The Brownies' Book."  She is known for discovering and mentoring other African American writers such as Langston Hughes, Jean Toomer, Countee Cullen, and Claude McKay.
  Title: Dallas John Baker
  Passage: Dallas John Baker (born Dallas John Angguish Baker on 19 February 1968) is an Australian writer and academic noted for poetry, short stories and travel writing whose work deals with themes of alienation, otherness and sexuality.  He is also known as Dallas Angguish, the name he used as a performance poet beginning in the 1980s.  He has been repeatedly compared to Truman Capote and to David Sedaris.  Angguish, who is openly gay, has also written plays and screenplays some of which have been produced.  He is known for a lyrical style that foregrounds feeling and the use of powerful descriptive passages.  Due to his evocative short stories, he has been variously described as Truman Capote's literary heir and as reminiscent of Carson McCullers, the much lauded Southern Gothic writer.  His prose poetry has appeared in the journals Text, Lodestar Quarterly, Retort Magazine and Polari journal.  His short stories have appeared in the book anthologies ""Dumped"", ""Bend, Don't Shatter"",""Sensual Travels"" and others.  His collection of memoir and travel writing ""Anywhere But Here"", released in February 2006, received very strong reviews.  In particular Graeme Aitken of Australian gay magazine DNA wrote:
citations: Carson McCullers Countee Cullen