question: Baseball Manager is a 1963 pop art painting visible at a neomodern form of baseball architecture with a seating capacity of what?
answer: 37,442
context: Title: Okay Hot-Shot, Okay!
  Passage: Okay Hot-Shot, Okay!  (sometimes Okay Hot-Shot) is a 1963 pop art painting by Roy Lichtenstein that uses his Ben-Day dots style and a text balloon.  It is one of several examples of military art that Lichtenstein created between 1962 and 1964, including several with aeronautical themes like this one.  It was inspired by panels from four different comic books that provide the sources for the plane, the pilot, the text balloon and the graphic onomatopoeia, "VOOMP!" .
  Title: Baseball Manager
  Passage: Baseball Manager is a 1963 pop art painting by Roy Lichtenstein.  The magna on canvas measures 68 x 56 inches.  The painting is visible at Marlins Park (Promenade Level, Section 19), located in Miami, Florida.
  Title: Marlins Park
  Passage: The stadium is designed in a neomodern form of baseball architecture.  Marlins Park was also LEED certified as the greenest MLB park in 2012.  The building is the sixth MLB stadium to have a retractable roof.  With a seating capacity of 37,442, it is the third-smallest stadium in Major League Baseball by official capacity, and the smallest by actual capacity.
  Title: Bratatat!
  Passage: Bratatat!  is a 1963 pop art painting by Roy Lichtenstein in his comic book style of using Ben-Day dots and a text balloon.
  Title: Little Big Painting
  Passage: Little Big Painting is a 1965 oil and Magna on canvas pop art painting by Roy Lichtenstein.  It is part of the "Brushstrokes" series of artworks that include several paintings and sculptures.  It is located at the Whitney Museum of American Art in New York City.  As with all of his "Brushstrokes" works, it is in part a satirical response to the gestural painting of abstract expressionism.
  Title: New Painting of Common Objects
  Passage: The exhibition "New Painting of Common Objects" at the Pasadena Art Museum in 1962 was the first museum survey of American pop art.  The eight artists included were: Roy Lichtenstein, Jim Dine, Andy Warhol, Phillip Hefferton, Robert Dowd, Edward Ruscha, Joe Goode and Wayne Thiebaud.  It was curated by Walter Hopps, who had given Andy Warhol his first solo show at the Ferus Gallery in Los Angeles the previous year.  The show helped the pop art movement gain critical acceptance, preceding the Guggenheim Museum's 1963 pop art exhibition "Six Painters and the Object", curated by Lawrence Alloway.
citations: Baseball Manager Marlins Park