question: Were Zora Neale Hurston and James Schuyler both known for their literary contributions to society?
answer: yes
context: Title: Secte Rouge
  Passage: The Secte Rouge, also called the Cochon Gris or the Vinbrindingue, is or was a secret society in Haiti, which Zora Neale Hurston described in her 1938 book "Tell My Horse".  Hurston's sources of information were lore related by Haitians, as well as a few earlier books.
  Title: How It Feels To Be Colored Me
  Passage: How It Feels To Be Colored Me (1928) is an essay by Zora Neale Hurston published in "World Tomorrow" as a "white journal sympathetic to Harlem Renaissance writers", illustrating her circumstance as an African American woman in the early 20th century in America.  Most of Hurston's work involved her "Negro" characterization that were so true to reality, that she was known as an excellent anthropologist, "As an anthropologist and as an African- American writer during the Harlem Renaissance, Hurston was uniquely situated to explore the critical possibilities of marginality."
  Title: James Schuyler
  Passage: James Marcus Schuyler (November 9, 1923 – April 12, 1991) was an American poet.  His awards include the Pulitzer Prize for Poetry for his 1980 collection "The Morning of the Poem".  He was a central figure in the New York School and is often associated with fellow New York School poets John Ashbery, Frank O'Hara, Kenneth Koch, and Barbara Guest.
  Title: Zora Neale Hurston
  Passage: Zora Neale Hurston (January 7, 1891 – January 28, 1960) was an African-American novelist, short story writer, folklorist, and anthropologist known for her contributions to African-American literature, her portrayal of racial struggles in the American South, and works documenting her research on Haitian voodoo.  Of Hurston's four novels and more than 50 published short stories, plays, and essays, she is best known for her 1937 novel "Their Eyes Were Watching God".
  Title: Jonah's Gourd Vine
  Passage: Jonah's Gourd Vine is the 1934 debut novel by Zora Neale Hurston.  The novel is a semi-autobiographical novel describing the migration of characters, similar to her parents, from Alabama to Hurston's home of Eatonville, Florida.
  Title: Mule Bone
  Passage: Mule Bone: A Comedy of Negro Life is a 1930 play by American authors Langston Hughes and Zora Neale Hurston.  The process of writing the play led Hughes and Hurston, who had been close friends, to sever their relationship.  "Mule Bone" was not staged until 1991.
  Title: Zora Neale Hurston House
  Passage: The Zora Neale Hurston House was the home of author Zora Neale Hurston in Fort Pierce, Florida.  It was originally located at 1734 School Court but was moved north 500 feet in 1995 to 1734 Avenue L to allow for expansion of Lincoln Park Academy, the school at which Hurston taught.  On December 4, 1991, it was designated as a U.S. National Historic Landmark.
  Title: Zora Neale Hurston Museum of Fine Arts
  Passage: The Zora Neale Hurston National Museum of Fine Arts, also known as The Hurston, is an art museum in Eatonville, Florida.  The Hurston is named after Zora Neale Hurston, an African-American writer, folklore, and anthropologist who moved to Eatonville at a young age and whose father became mayor of Eatonville in 1897.  “Its mission is to provide a place “in the heart of the community” where the public can view the work of artists of African descent, who live on the Continent and/or in the Diaspora”.
  Title: The Gilded Six Bits
  Passage: "The Gilded Six-Bits" is a 1933 short story by Zora Neale Hurston, who is considered one of the pre-eminent writers of 20th-century African-American literature and a leading prose writer of the Harlem Renaissance.  Hurston was a relative newcomer on the literary scene when this short story was published, but eventually had greater success with her highly acclaimed novel, "Their Eyes Were Watching God".  "The Gilded Six-Bits" is now published in Hurston's compilation of short stories entitled "Spunk" in which it is now considered one of her best stories.  "The Gilded Six-Bits" is a story full of love, betrayal, and forgiveness.  It portrays the life of two happy newlyweds who both test their relationship and their love for one another when a charismatic outsider comes into their community and into their home.  The story embodies Hurston's typical writing style in which it focuses on the common African-American lifestyle, represented by regional dialect and metaphors, and is set in her native town Eatonville, FL where it reflects the traditions of the community.  "The Gilded Six-Bits" symbolizes the meaning of a true marriage and the truth that lies underneath its meaning.
  Title: Cheryl Wall
  Passage: Cheryl A. Wall is a literary critic and professor of English at Rutgers University.  She specializes in black women's writing, particularly the Harlem Renaissance and Zora Neale Hurston.  She has edited several volumes of Hurston's writings for the Library of America.  She is also a section editor for "The Norton Anthology of African American Literature" and is on the editorial board of "American Literature", "The African American Review" and "Signs".
citations: Zora Neale Hurston James Schuyler