Which documentary, Junket Whore or Wild Man Blues, discusses the life of Woody Allen?
Wild Man Blues
Title: Wild Man Blues
Passage: Wild Man Blues is a 1997 documentary film directed by Barbara Kopple, about the musical avocation of actor/director/comic Woody Allen.  The film takes its name from a jazz composition sometimes attributed to Jelly Roll Morton and sometimes to Louis Armstrong and recorded by both (among others).  Allen's love of early 20th century New Orleans music is depicted through his 1996 tour of Europe with his New Orleans Jazz Band.  Allen has played clarinet with this band for over 25 years.
Title: Junket Whore
Passage: Junket Whore is a 1998 documentary film directed by Debbie Melnyk and hosted by Lauren Hutton.  This revealing documentary explores the relationship between Hollywood’s publicists and the entertainment journalists.
Title: Woody Allen (album)
Passage: Woody Allen is a live 1965 comedy album by the American comedian Woody Allen.  This was Allen's debut recording, and was recorded at Mister Kelly's nightclub in Chicago.  It was the first of three comedy albums released by Allen, the three albums were issued in a 2014 boxset, "The Stand-Up Years: 1964–1968".
Title: Take the Money and Run
Passage: Take the Money and Run is a 1969 American mockumentary comedy film directed by Woody Allen and starring Allen and Janet Margolin (with Louise Lasser in a small role).  Written by Allen and Mickey Rose, the film chronicles the life of Virgil Starkwell (Woody Allen), an inept bank robber.
Title: Derailroaded: Inside the Mind of Wild Man Fischer
Passage: Derailroaded: Inside The Mind Of Wild Man Fischer is a 2005 documentary film, directed by Josh Rubin and Jeremy Lubin, aka The Ubin Twinz about outsider artist Wild Man Fischer.
Title: Young Man Blues
Passage: "Young Man Blues" is a song by jazz artist Mose Allison.  Allison first recorded it in March 1957 for his debut album, "Back Country Suite", in which it appears under the title "Back Country Suite: Blues."  In Allison's two-CD compilation set of 2002, "Allison Wonderland", Allison reveals that the tune's full title is: "Back Country Suite: Blues (a.k.a. 'Young Man's Blues')".  The tune was famously covered by The Who during live sets - first appearing on their 1970 album "Live at Leeds".  Another live performance features in the movie and soundtrack for "The Kids Are Alright", from a 1969 performance at the London Coliseum.  The song was included in "Rock Band 2" as downloadable content.  The tune is also found on Chris Spedding's 2009 reissued album "One Step Ahead of the Blues", where in the liner notes Spedding states he was trying make a version, which was how he imagined Allison originally recorded it; having never heard it.  Spedding's blues rock version differs considerably from either Allison's jazz-blues or The Who's rock versions.  It has also been covered live by You Am I, Joe Bonamassa, the Foo Fighters and The Bright Light Social Hour.
Title: Wild Man of Borneo
Passage: Wild Man of Borneo or Wild Man from Borneo may refer to:
Title: Husbands and Wives
Passage: Husbands and Wives is a 1992 American comedy-drama film written and directed by Woody Allen.  The film stars Allen, Mia Farrow, Sydney Pollack, Judy Davis, Juliette Lewis, and Liam Neeson.  It was nominated for two Academy Awards, Best Supporting Actress (Judy Davis) and Best Original Screenplay (Woody Allen).  The film debuted shortly after the end of Allen and Farrow's romantic and professional partnership, and was their final of 13 films together.  The movie is filmed by Carlo Di Palma with a handheld camera style and features documentary-like one-on-one interviews with the characters interspersed with the story.
Title: Sam B. Girgus
Passage: Sam B. Girgus (born c. 1942) is an American film and literature scholar, professor of English at Vanderbilt University.  He is well known for his analysis of the works of Woody Allen in his books such as "The Films of Woody Allen" (2002) and "A Companion to Woody Allen" (2013) with Peter J. Bailey.  He believes ultimately that Allen's films undermine the world in which we live.
Title: Lillian Glinn
Passage: Lillian Glinn (May 10, 1902 – July 22, 1978) was an American classic female blues and country blues singer and songwriter.  She spent most of her career in black vaudeville.  Among her popular recordings were "Black Man Blues," "Doggin' Me Blues" and "Atlanta Blues."  The blues historian Paul Oliver commented that there were a number of female blues singers who "deserve far greater recognition than they have had", and one of those he cited was Glinn.
Wild Man Blues Junket Whore