What style of electronic dance music originated in the city where the performer of Intermezzo was born?
Chicago house
Title: The Sims Mobile
Passage: The Sims Developer (s) Maxis EA Mobile Publisher (s) Electronic Arts Series The Sims Platform (s) iOS, Android Release Brazil: May 9, 2017 Worldwide: March 6, 2018 Genre (s) Life simulation game, God game Mode (s) Single - player, multiplayer
Title: New York City (The Chainsmokers song)
Passage: ``New York City ''is a song by American DJ duo The Chainsmokers. It features uncredited vocals from American singer Victoria Zaro. It is the fifth, and last, single from the duo's first EP Bouquet EP. The song peaked at number 25 on the Billboard Dance / Electronic Songs chart and number 80 on the 2016 Dance / Electronic Songs year - end chart.
Title: House music
Passage: House music is a genre of electronic dance music that originated in Chicago in the early 1980s. It was initially popularized in Chicago, circa 1984. House music quickly spread to other American cities such as Detroit, New York City, and Newark – all of which developed their own regional scenes. In the mid-to-late 1980s, house music became popular in Europe as well as major cities in South America, and Australia. Early house music commercial success in Europe saw songs such as "Pump Up The Volume" by MARRS (1987), "House Nation" by House Master Boyz and the Rude Boy of House (1987), "Theme from S'Express" by S'Express (1988) and "Doctorin' the House" by Coldcut (1988) in the pop charts. Since the early to mid-1990s, house music has been infused in mainstream pop and dance music worldwide.
Title: Moonraisers
Passage: Moonraisers are a reggae band formed in 1992 and based in Neuchâtel, Switzerland. Their style, a type of electronic reggae dubbed "World’n’Moonstyle Reggae", joins roots reggae with funk, world and electro elements.They are best known for composing the original version of the dance super hit, "Rise up". Although at the time it came out it didn't make any success, the song became a hit played in the dance clubs for months after Yves laRocke made a dance cover of it.
Title: House music
Passage: In the early 1980s, Chicago radio jocks The Hot Mix 5, and club DJs Ron Hardy and Frankie Knuckles played various styles of dance music, including older disco records (mostly Philly disco and Salsoul tracks), electro funk tracks by artists such as Afrika Bambaataa, newer Italo disco, B-Boy hip hop music by Man Parrish, Jellybean Benitez, Arthur Baker, and John Robie, and electronic pop music by Kraftwerk and Yellow Magic Orchestra. Some made and played their own edits of their favorite songs on reel-to-reel tape, and sometimes mixed in effects, drum machines, and other rhythmic electronic instrumentation. In this era,
Title: History of hip hop dance
Passage: More than 50 years old, hip - hop dance became widely known after the first professional street - based dance crews formed in the 1970s in the United States. The most influential groups were Rock Steady Crew, New York City Breakers, The Lockers, and The Electric Boogaloos who are responsible for the spread of breaking, locking, and popping respectively. The Brooklyn - based dance style uprock influenced breaking early in its development. Boogaloo gained more exposure because it is the namesake of the Electric Boogaloos crew. Uprock, roboting, and boogaloo are respected dance styles but none of them are as mainstream or popular as breaking, locking, and popping.
Title: So You Think You Can Dance (American TV series)
Passage: The show features a format wherein dancers trained in a variety of dance genres enter open auditions held in a number of major U.S. cities to showcase their talents and move forward through successive additional rounds of auditions to test their ability to adapt to different styles. At the end of this process, a small number of dancers are chosen as finalists. These dancers move on to the competition's main phase, where they perform solo, duet, and group dance numbers on live television, attempting to master a diverse selection of dance styles, including classical, contemporary, ballroom, hip - hop, street, club, jazz, and musical theatre styles, among others. They compete for the votes of the broadcast viewing audience which, combined with the input of a panel of judges, determines which dancers advance to the next stage from week to week, until a winner is crowned as ``Americaa's favorite dancer ''.
Title: Kalwi & Remi
Passage: Kalwi & Remi are a Polish DJ duo formed in 2003, performing electronic dance music. They rose to fame in 2006 when their song "Explosion" became an international club hit. The duo have performed in venues across Europe and the US, and collaborated with Judge Jules, Amanda Wilson, John Christian, Afrika Islam, and the Ministry of Sound, among others. Their other hits include "Imagination", "Stop (Falling Down)", "Kiss", "Girls", "You and I", and "Unbreakable".
Title: Paul Vinitsky
Passage: Paul Vinitsky (born Vinitsky Pavel; June 11, 1983 in Dubna, Moscow Region, Russia) is a Russian electronic dance music trance and progressive DJ & producer.
Title: Electronic dance music
Passage: In the late 1980s and early 1990s, following the emergence of raving, pirate radio, and an upsurge of interest in club culture, EDM acquired mainstream popularity in Europe. In the United States at that time acceptance of dance culture was not universal, and although both Electro and Chicago house music were hugely influential both in Europe and the USA, mainstream media outlets, and the record industry, remained hostile to EDM. There was also a perceived association between EDM and drug culture which led governments at state and city level to enact laws and policies intended to halt the spread of rave culture.
Title: Michael Angelo Batio
Passage: Michael Angelo Batio (; born February 23, 1956), also known as Mike Batio or MAB, is an American heavy metal guitarist and columnist from Chicago, Illinois. He was the lead guitarist for the Los Angeles-based glam metal band Nitro in the late 1980s and early 1990s.
Title: Paris
Passage: Bal-musette is a style of French music and dance that first became popular in Paris in the 1870s and 1880s; by 1880 Paris had some 150 dance halls in the working-class neighbourhoods of the city. Patrons danced the bourrée to the accompaniment of the cabrette (a bellows-blown bagpipe locally called a "musette") and often the vielle à roue (hurdy-gurdy) in the cafés and bars of the city. Parisian and Italian musicians who played the accordion adopted the style and established themselves in Auvergnat bars especially in the 19th arrondissement, and the romantic sounds of the accordion has since become one of the musical icons of the city. Paris became a major centre for jazz and still attracts jazz musicians from all around the world to its clubs and cafés.
Title: Cubic Zirconia (band)
Passage: Cubic Zirconia are an American electronic dance music trio from East Village, New York City composed of Tiombe Lockhart, Nick Hook and Daud Sturdivant. They have been noted for their energetic live performances and experimental sound, which combines elements from such genres as Chicago house music, neo-soul, rock and electro-funk.
Title: Post-punk
Passage: Post-punk was an eclectic genre which resulted in a wide variety of musical innovations and helped merge white and black musical styles. Out of the post-punk milieu came the beginnings of various subsequent genres, including new wave, dance-rock, New Pop, industrial music, synthpop, post-hardcore, neo-psychedelia alternative rock and house music. Bands such as Joy Division, Siouxsie and the Banshees, Bauhaus and the Cure played in a darker, more morose style of post-punk that lead to the development of the gothic rock genre.
Title: Intermezzo (album)
Passage: Intermezzo is the eighth studio album by American progressive metal musician Michael Angelo Batio. Self-produced by Batio and featuring a wide range of guest musicians, it was released in November 2013 by M.A.C.E. Music.
Title: Bachata (dance)
Passage: Bachata is a style of social dance from the Dominican Republic which is now danced all over the world. It is connected with bachata music.
Title: Dance in Cambodia
Passage: Cambodia's premier performing art form is the Khmer classical dance, or Robam Preah Reach Trop, a highly stylized dance form originating from the royal courts. Performances of classical dance consist of elaborately costumed dancers and music played by a pinpeat ensemble. It is performed for invocation of deities and spirits as well as to pay homage to royalty and guests. In the mid-20th century, it was introduced to the general public and became widely celebrated as iconic of Cambodian culture, often being performed during public events, holidays, and for tourists visiting Cambodia. Two of the most performed classical dance are the Robam Chuon Por (``Wishing dance '') and the Robam Tep Apsara (`` Apsara dance'').
Electronic dance music Intermezzo (album) Michael Angelo Batio