The statue of the god of ideal balance found at Mantua is an early variant of what statue type?
Apollo Citharoedus
Title: Apollo of Mantua
Passage: The Apollo of Mantua and its variants are early forms of the Apollo Citharoedus statue type, in which the god holds the cithara in his left arm. The type-piece, the first example discovered, is named for its location at Mantua; the type is represented by neo-Attic Imperial Roman copies of the late 1st or early 2nd century, modelled upon a supposed Greek bronze original made in the second quarter of the 5th century BCE, in a style similar to works of Polyclitus but more archaic. The Apollo held the "cythara" against his extended left arm, of which in the Louvre example ("illustration") a fragment of one twisting scrolling horn upright remains against his biceps.
Title: Agnese Visconti
Passage: Agnese Visconti also known as Agnes (1363 in Milan – 1391 in Mantua) was a daughter of Bernabò Visconti and his wife Beatrice Regina della Scala. She was consort of Mantua by her marriage to Francesco I Gonzaga.
Title: Idealism
Passage: Howison's personal idealism  was also called "California Personalism" by others to distinguish it from the "Boston Personalism" which was of Bowne. Howison maintained that both impersonal, monistic idealism and materialism run contrary to the experience of moral freedom. To deny freedom to pursue truth, beauty, and "benignant love" is to undermine every profound human venture, including science, morality, and philosophy. Personalistic idealists Borden Parker Bowne and Edgar S. Brightman and realistic personal theist Saint Thomas Aquinas address a core issue, namely that of dependence upon an infinite personal God.
Title: Panfilo Nuvolone
Passage: Panfilo Nuvolone (1581–1651) was an Italian painter of the Mannerist period, who painted both religious and still life topics, active in Cremona and Mantua.
Title: Idealism
Passage: Christian theologians have held idealist views, often based on Neoplatonism, despite the influence of Aristotelian scholasticism from the 12th century onward. Later western theistic idealism such as that of Hermann Lotze offers a theory of the "world ground" in which all things find their unity: it has been widely accepted by Protestant theologians. Several modern religious movements, for example the organizations within the New Thought Movement and the Unity Church, may be said to have a particularly idealist orientation. The theology of Christian Science includes a form of idealism: it teaches that all that truly exists is God and God's ideas; that the world as it appears to the senses is a distortion of the underlying spiritual reality, a distortion that may be corrected (both conceptually and in terms of human experience) through a reorientation (spiritualization) of thought.
Title: Antonio Possevino
Passage: Recent scholarship has identified Antonio Possevino's family as New Christians admitted to the learned circles of the court of Renaissance Mantua and its Gonzaga dukes. His father was Piedmontese from Asti and moved to Mantua where he joined the guild of goldsmiths. The family name was changed from Cagliano (Caliano) and had three sons, Giovanni Battista, Antonio and Giorgio. His mother nursed her son Antonio in 1533 together with Francesco III Gonzaga, Duke of Mantua.
Title: Giorgio Mortara
Passage: Giorgio Mortara (April 4, 1885 in Mantua, Italy – 1967, in Rio de Janeiro, Brazil) was an Italian economist, demographer, and statistician.
Title: Religion in ancient Rome
Passage: Rome offers no native creation myth, and little mythography to explain the character of its deities, their mutual relationships or their interactions with the human world, but Roman theology acknowledged that di immortales (immortal gods) ruled all realms of the heavens and earth. There were gods of the upper heavens, gods of the underworld and a myriad of lesser deities between. Some evidently favoured Rome because Rome honoured them, but none were intrinsically, irredeemably foreign or alien. The political, cultural and religious coherence of an emergent Roman super-state required a broad, inclusive and flexible network of lawful cults. At different times and in different places, the sphere of influence, character and functions of a divine being could expand, overlap with those of others, and be redefined as Roman. Change was embedded within existing traditions.
Title: Apollo
Passage: Kouros (male youth) is the modern term given to those representations of standing male youths which first appear in the archaic period in Greece. This type served certain religious needs and was first proposed for what was previously thought to be depictions of Apollo. The first statues are certainly still and formal. The formality of their stance seems to be related with the Egyptian precedent, but it was accepted for a good reason. The sculptors had a clear idea of what a young man is, and embodied the archaic smile of good manners, the firm and springy step, the balance of the body, dignity, and youthful happiness. When they tried to depict the most abiding qualities of men, it was because men had common roots with the unchanging gods. The adoption of a standard recognizable type for a long time, is probably because nature gives preference in survival of a type which has long be adopted by the climatic conditions, and also due to the general Greek belief that nature expresses itself in ideal forms that can be imagined and represented. These forms expressed immortality. Apollo was the immortal god of ideal balance and order. His shrine in Delphi, that he shared in winter with Dionysius had the inscriptions: γνῶθι σεαυτόν (gnōthi seautón="know thyself") and μηδὲν ἄγαν (mēdén ágan, "nothing in excess"), and ἐγγύα πάρα δ'ἄτη (eggýa pára d'atē, "make a pledge and mischief is nigh").
Title: Giulio Turcato
Passage: Giulio Turcato (16 March 1912 in Mantua – 22 January 1995 in Rome) was an Italian artist, belonging to both figurative and abstract expressionist currents.
Title: The Gonzaga Family in Adoration of the Holy Trinity
Passage: The Gonzaga Family in Adoration of the Holy Trinity is a painting by the Flemish artist Peter Paul Rubens, housed in the Ducal Palace of Mantua, northern Italy.
Title: Duchy of Guastalla
Passage: The Duchy of Guastalla was an Italian state which existed between 1621 and 1748. It was bordered by the Duchy of Modena and Reggio and the Po River to the north, on the opposite bank of the Duchy of Mantua.
Title: Lorenzo Costa the Younger
Passage: Lorenzo Costa the Younger (1537–1583) was an Italian painter of the Renaissance period, active in his native city of Mantua.
Apollo of Mantua Apollo