<P> Part II has a greater cohesion than its predecessor . Hill describes the music as following an arc stretching from the beginning of the Introduction to the conclusion of the final dance . Woodwind and muted trumpets are prominent throughout the Introduction , which ends with a number of rising cadences on strings and flutes . The transition into the `` Mystic Circles '' is almost imperceptible ; the main theme of the section has been prefigured in the Introduction . A loud repeated chord , which Berger likens to a call to order , announces the moment for choosing the sacrificial victim . The `` Glorification of the Chosen One '' is brief and violent ; in the `` Evocation of the Ancestors '' that follows , short phrases are interspersed with drum rolls . The `` Ritual Action of the Ancestors '' begins quietly , but slowly builds to a series of climaxes before subsiding suddenly into the quiet phrases that began the episode . </P>
what is the violent moment at the end of rite of spring
Glorification of the Chosen One