abstract: The 1976 Cal State Northridge Matadors football team represented California State University, Northridge as a member of the California Collegiate Athletic Association (CCAA) during the 1976 NCAA Division II football season. Led by first-year Jack Elway head coach, Cal State Northridge compiled an overall record of 8–3 with a mark of 0–2 in conference play, placing last out of three teams in the CCAA. The team outscored its opponents 217 to 137 for the season. The Matadors played home games at North Campus Stadium in Northridge, California.

text:
# 1976 Cal State Northridge Matadors football team

1976 California Collegiate Athletic Association football standings
|  | Conf | | | | |  |  | Overall | | | | |
| --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- |
| Team | W |  | L |  | T |  |  | W |  | L |  | T |
| Cal Poly $ | 2 |  | 0 |  | 0 |  |  | 7 |  | 1 |  | 1 |
| Cal Poly Pomona | 1 |  | 1 |  | 0 |  |  | 4 |  | 5 |  | 1 |
| Cal State Northridge | 0 |  | 2 |  | 0 |  |  | 8 |  | 3 |  | 0 |
|  | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |
| * $  Conference champion | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |

The **1976 Cal State Northridge Matadors football team** represented California State University, Northridge as a member of the California Collegiate Athletic Association (CCAA) during the 1976 NCAA Division II football season. Led by first-year Jack Elway head coach, Cal State Northridge compiled an overall record of 8–3 with a mark of 0–2 in conference play, placing last out of three teams in the CCAA. The team outscored its opponents 217 to 137 for the season. The Matadors played home games at North Campus Stadium in Northridge, California.

## Schedule

| Date | Opponent | Site | Result | Attendance | Source |
| --- | --- | --- | --- | --- | --- |
| September 10 | at San Francisco State* |  | W 14–9 | 1,200 |  |
| September 18 | at Cal Lutheran* |  | W 26–14 | 4,500 |  |
| September 25 | UC Davis* |  | W 17–3 | 3,000–3,500 |  |
| October 2 | at Cal Poly |  | L 7–19 | 7,350 |  |
| October 9 | Cal State Los Angeles* | * North Campus Stadium * Northridge, CA | W 24–13 | 3,000–3,500 |  |
| October 16 | at San Diego* |  | W 49–6 | 2,100 |  |
| October 23 | at Santa Clara* |  | L 7–33 | 7,220 |  |
| October 30 | Cal State Hayward* | * North Campus Stadium * Northridge, CA | W 23–10 | 3,500–4,500 |  |
| November 6 | Cal Poly Pomona | * North Campus Stadium * Northridge, CA | L 7–20 | 3,500 |  |
| November 13 | at United States International* |  | W 27–0 | 500 |  |
| November 20 | Cal State Fullerton* | * North Campus Stadium * Northridge, CA | W 16–10 | 4,000 |  |
| * \*Non-conference game | | | | | |

## InfoBox

| 1976 Cal State Northridge Matadors football | |
| --- | --- |
| Conference | California Collegiate Athletic Association |
| Record | 8–3 (0–2 CCAA) |
| Head coach |  |
| Home stadium | North Campus Stadium |
|


title: Escovopsis aspergilloides

abstract: Escovopsis aspergilloides is a species of fungus that was rediscovered in 1995 by mycologists Keith A. Seifert, Robert A. Samson and Ignacio Chapela. Escovopsis aspergilloides co-exist in a symbiotic relationship with attini ants - fungus-growing ants. The highly evolved, ancient ant-fungus mutualism has become a model system in the study of symbiosis. In spite of this, the genus Escovopsis was not proposed until 1990 and the first two species were not formally described until the 1990s: E. weberi by Muchovej and Della Lucia in 1990 E. aspergilloides by Seifert, Samson and Chapela in 1995.

text:
# Escovopsis aspergilloides

***Escovopsis aspergilloides*** is a species of fungus that was rediscovered in 1995 by mycologists Keith A. Seifert, Robert A. Samson and Ignacio Chapela. Escovopsis aspergilloides co-exist in a symbiotic relationship with attini ants - fungus-growing ants. The highly evolved, ancient ant-fungus mutualism has become a model system in the study of symbiosis. In spite of this, the genus *Escovopsis* was not proposed until 1990 and the first two species were not formally described until the 1990s: *E. weberi* by Muchovej and Della Lucia in 1990 *E. aspergilloides* by Seifert, Samson and Chapela in 1995.

## Discovery

*E. aspergilloides* was first discovered in 1893 by Alfred Moeller (Möller) in Blumenau on the island of Santa Catharina, Brazil - home of the German expatriate and naturalist, Fritz Müller \- whose biography Moeller wrote. Alfred Moeller was undertaking a detailed study of local fungi for the Berlin Academy. His two-year field work in 1890 and 1891 resulted in his elaborate publication about attine ants and fungus entitled "The mushroom garden of some South American ants" about several fungus species in ant gardens.

## Ant-fungus mutualism

There are 257 species of ants that constitute the tribe Attini. These leaf-cutting ants and fungus survive in an ant–fungus mutualism \- an obligate symbiosis \- in which neither can exist without the other. Ants grow the fungus - the basidiomycete cultivar - propagating it, nurturing and defending it - the fungus becomes almost their sole source of food.

## Rediscovery and taxonomy

In 1995 Seifert, Samson and Chapela isolated *Escovopsis aspergilloides* from nests of the *Trachymyrmex ruthae* \- an ant species originally from Trinidad. *E. aspergilloides* differs from other species in *Escovopsis weberi* by its "globose vesicles and narrow, ellipsoidal conidia."

American entomologist and myrmecologist Neal A. Weber began publishing his research on ants in 1934 continued to investigate the relationship between ants and fungus gardens for 35 years. Little had been published in the twentieth century about the species *Escovopsis* and ant gardens prior to his 1966 article "Fungus-growing ants" in the journal *Science*. Weber pioneered culture methods needed to distinguish the different species of fungus harboured by ants. In 1972 H. Z. Kreisel recognized one of Moeller's unnamed anamorphic fungi in his own research on the leaf-cutting ant *Atta insularis* and described it as a new genus and species – *Phialocladus zsoltii* but did not formally describe the genus and the species. In 1990 Muchovej and Della Lucia rediscovered the same fungus and – noting Kreisel's omission – renamed the genus *Escovopsis* and the species *E. weberi* in honour of Weber's work.

Three more species of *Escovopsis* were isolated from ant nests in Brazil by 2015, including *Escovopsis moelleri*, *Escovopsis microspora* and *Escovopsis lentecrescens*.

## InfoBox

| *Escovopsis aspergilloides* | |
| --- | --- |
|
| Scientific classification | |
| Kingdom: | Fungi |
| Division: | Ascomycota |
| Class: | Sordariomycetes |
| Order: | Hypocreales |
| Family: | incertae sedis |
| Genus: | *Escovopsis* |
| Species: | ***E. aspergilloides*** |
| Binomial name | |
| ***Escovopsis aspergilloides***<br>Seifert, Samson & Chapela (1995) | |
|


title: Arthur Meyer (American football)

abstract: Arthur E. Meyer was an American college football and basketball player and coach. He served as the head football coach at Wisconsin State Normal School at Oshkosh—now known as the University of Wisconsin–Oshkosh—from 1912 to 1917, compiling a record of 12–25–1. Meyer played college football at Marquette University under head coach William Juneau.

text:
# Arthur Meyer (American football)

**Arthur E. Meyer** (born February 2, 1890) was an American college football and basketball player and coach. He served as the head football coach at Wisconsin State Normal School at Oshkosh—now known as the University of Wisconsin–Oshkosh—from 1912 to 1917, compiling a record of 12–25–1. Meyer played college football at Marquette University under head coach William Juneau.

## Head coaching record

| Year | Team | Overall | Conference | Standing | Bowl/playoffs |
| --- | --- | --- | --- | --- | --- |
| **Oshkosh Normal Titans** *(Independent)* (1912) | | | | | | | | |
| 1912 | Oshkosh Normal | 5–1 |  |  |  |
| **Oshkosh Normal Titans** *(Inter-Normal Athletic Conference of Wisconsin)* (1913–1917) | | | | | | | | |
| 1913 | Oshkosh Normal | 1–5 | 1–2 | T–5th |  |
| 1914 | Oshkosh Normal | 2–5 | 1–2 | T–5th |  |
| 1915 | Oshkosh Normal | 2–5 | 1–2 | T–5th |  |
| 1916 | Oshkosh Normal | 0–5 | 0–3 | T–8th |  |
| 1917 | Oshkosh Normal | 2–4–1 | 1–2 | 8th |  |
| **Oshkosh Normal:** | | 12–25–1 | 4–11 |  | | | | |
| **Total:** | | 12–25–1 |  | | | | | | |

## InfoBox

Arthur Meyer
| Biographical details | |
| --- | --- |
| Born | (1890-02-02)February 2, 1890 |
| Playing career | |
| Football | |
| 1907–1911 | Marquette |
| Basketball | |
| 1909–1911 | Marquette |
|  | |
| Coaching career (HC unless noted) | |
| 1912–1917 | Oshkosh Normal |
|  | |
| Head coaching record | |
| Overall | 12–25–1 |
|  | |


title: 2002 Tropicana 400

abstract: The 2002 Tropicana 400 was the 18th stock car race of the 2002 NASCAR Winston Cup Series and the second iteration of the event. The race was held on Sunday, July 14, 2002, in Joliet, Illinois, at Chicagoland Speedway, a 1.5 miles (2.41 km) tri-oval speedway. The race took the scheduled 267 laps to complete. At race's end, Kevin Harvick, driving for Richard Childress Racing, would stretch out a fuel run and climb through the field to win his third career NASCAR Winston Cup Series win and his first and only win of the season. To fill out the podium, Jeff Gordon of Hendrick Motorsports and Tony Stewart of Joe Gibbs Racing would finish second and third, respectively.

text:
# 2002 Tropicana 400

The **2002 Tropicana 400** was the 18th stock car race of the 2002 NASCAR Winston Cup Series and the second iteration of the event. The race was held on Sunday, July 14, 2002, in Joliet, Illinois, at Chicagoland Speedway, a 1.5 miles (2.41 km) tri-oval speedway. The race took the scheduled 267 laps to complete. At race's end, Kevin Harvick, driving for Richard Childress Racing, would stretch out a fuel run and climb through the field to win his third career NASCAR Winston Cup Series win and his first and only win of the season. To fill out the podium, Jeff Gordon of Hendrick Motorsports and Tony Stewart of Joe Gibbs Racing would finish second and third, respectively.

## Background

**Chicagoland Speedway** is a 1.5 miles (2.41 km) tri-oval speedway in Joliet, Illinois, southwest of Chicago. The speedway opened in 2001 and currently hosts NASCAR racing. Until 2011, the speedway also hosted the IndyCar Series, recording numerous close finishes including the closest finish in IndyCar history. The speedway is owned and operated by International Speedway Corporation and located adjacent to Route 66 Raceway.

### Entry list

* **(R)** denotes rookie driver.

| # | Driver | Team | Make | Sponsor |
| --- | --- | --- | --- | --- |
| 00 | Jerry Nadeau | Michael Waltrip Racing | Chevrolet | Aaron's |
| 1 | Steve Park | Dale Earnhardt, Inc. | Chevrolet | Pennzoil |
| 2 | Rusty Wallace | Penske Racing | Ford | Miller Lite |
| 4 | Mike Skinner | Morgan–McClure Motorsports | Chevrolet | Kodak |
| 5 | Terry Labonte | Hendrick Motorsports | Chevrolet | Kellogg's, Got Milk? |
| 6 | Mark Martin | Roush Racing | Ford | Viagra |
| 7 | Casey Atwood | Ultra-Evernham Motorsports | Dodge | Sirius Satellite Radio, Rowlf the Dog |
| 8 | Dale Earnhardt Jr. | Dale Earnhardt, Inc. | Chevrolet | Budweiser |
| 9 | Bill Elliott | Evernham Motorsports | Dodge | Dodge, Swedish Chef |
| 10 | Mike Wallace | MBV Motorsports | Pontiac | Valvoline, Fozzie Bear |
| 11 | Brett Bodine | Brett Bodine Racing | Ford | Hooters |
| 12 | Ryan Newman **(R)** | Penske Racing | Ford | Mobil 1, Speedpass |
| 14 | Stacy Compton | A. J. Foyt Enterprises | Pontiac | Conseco |
| 15 | Michael Waltrip | Dale Earnhardt, Inc. | Chevrolet | NAPA Auto Parts |
| 17 | Matt Kenseth | Roush Racing | Ford | DeWalt |
| 18 | Bobby Labonte | Joe Gibbs Racing | Pontiac | Interstate Batteries, Pepe the King Prawn |
| 19 | Jeremy Mayfield | Evernham Motorsports | Dodge | Dodge, Bunsen Honeydew, Beaker |
| 20 | Tony Stewart | Joe Gibbs Racing | Pontiac | The Home Depot |
| 21 | Elliott Sadler | Wood Brothers Racing | Ford | Motorcraft |
| 22 | Ward Burton | Bill Davis Racing | Dodge | Caterpillar |
| 23 | Hut Stricklin | Bill Davis Racing | Dodge | Hills Bros. Coffee |
| 24 | Jeff Gordon | Hendrick Motorsports | Chevrolet | DuPont |
| 25 | Joe Nemechek | Hendrick Motorsports | Chevrolet | UAW, Delphi |
| 26 | Todd Bodine | Haas-Carter Motorsports | Ford | Discover Card |
| 27 | Scott Wimmer | Bill Davis Racing | Dodge | Siemens |
| 28 | Ricky Rudd | Robert Yates Racing | Ford | Texaco, Havoline, Gonzo |
| 29 | Kevin Harvick | Richard Childress Racing | Chevrolet | GM Goodwrench |
| 30 | Jeff Green | Richard Childress Racing | Chevrolet | America Online |
| 31 | Robby Gordon | Richard Childress Racing | Chevrolet | Cingular Wireless |
| 32 | Ricky Craven | PPI Motorsports | Ford | Tide |
| 36 | Ken Schrader | MB2 Motorsports | Pontiac | M&M's |
| 40 | Sterling Marlin | Chip Ganassi Racing | Dodge | Coors Light |
| 41 | Jimmy Spencer | Chip Ganassi Racing | Dodge | Target, Animal |
| 43 | John Andretti | Petty Enterprises | Dodge | Cheerios |
| 44 | Steve Grissom | Petty Enterprises | Dodge | Georgia-Pacific Brawny |
| 45 | Kyle Petty | Petty Enterprises | Dodge | Sprint |
| 48 | Jimmie Johnson **(R)** | Hendrick Motorsports | Chevrolet | Lowe's |
| 49 | Ron Hornaday Jr. | BAM Racing | Dodge | BAM Racing |
| 55 | Bobby Hamilton | Andy Petree Racing | Chevrolet | Square D, Jo Dee Messina, Inside Traxx |
| 57 | Stuart Kirby | Team CLR | Ford | Calcium Lime Rust |
| 72 | Kirk Shelmerdine | Kirk Shelmerdine Racing | Ford | Naturally Fresh Foods |
| 74 | Tony Raines | BACE Motorsports | Chevrolet | BACE Motorsports |
| 77 | Dave Blaney | Jasper Motorsports | Ford | Jasper Engines & Transmissions |
| 88 | Dale Jarrett | Robert Yates Racing | Ford | UPS, Miss Piggy, Kermit the Frog "Pigs Love The Truck" |
| 97 | Kurt Busch | Roush Racing | Ford | Rubbermaid, Sharpie |
| 98 | Kenny Wallace | Innovative Motorsports | Chevrolet | Stacker 2 |
| 99 | Jeff Burton | Roush Racing | Ford | Citgo, Bassmaster Classic |
| Official entry list | | | | |

## Practice

### First practice

The first practice session was held on Friday, July 12, at 11:20 AM CST, and would last for 2 hours. Joe Nemechek of Hendrick Motorsports would set the fastest time in the session, with a lap of 29.467 and an average speed of 183.256 miles per hour (294.922 km/h).

| Pos. | # | Driver | Team | Make | Time | Speed |
| --- | --- | --- | --- | --- | --- | --- |
| 1 | 25 | Joe Nemechek | Hendrick Motorsports | Chevrolet | 29.467 | 183.256 |
| 2 | 12 | Ryan Newman **(R)** | Penske Racing | Ford | 29.564 | 182.655 |
| 3 | 97 | Kurt Busch | Roush Racing | Ford | 29.663 | 182.045 |
| Full first practice results | | | | | | |

### Second practice

The second practice session was held on Saturday, July 13, at 10:15 AM CST, and would last for 45 minutes. Ryan Newman of Penske Racing would set the fastest time in the session, with a lap of 30.071 and an average speed of 179.575 miles per hour (288.998 km/h).

| Pos. | # | Driver | Team | Make | Time | Speed |
| --- | --- | --- | --- | --- | --- | --- |
| 1 | 12 | Ryan Newman **(R)** | Penske Racing | Ford | 30.071 | 179.575 |
| 2 | 8 | Dale Earnhardt Jr. | Dale Earnhardt, Inc. | Chevrolet | 30.285 | 178.306 |
| 3 | 25 | Joe Nemechek | Hendrick Motorsports | Chevrolet | 30.299 | 178.224 |
| Full second practice results | | | | | | |

### Third and final practice

The third and final practice session, sometimes referred to as Happy Hour, was held on Saturday, July 13, at 11:15 AM CST, and would last for 45 minutes. Dale Earnhardt Jr. of Dale Earnhardt, Inc. would set the fastest time in the session, with a lap of 30.364 and an average speed of 177.842 miles per hour (286.209 km/h).

| Pos. | # | Driver | Team | Make | Time | Speed |
| --- | --- | --- | --- | --- | --- | --- |
| 1 | 8 | Dale Earnhardt Jr. | Dale Earnhardt, Inc. | Chevrolet | 30.364 | 177.842 |
| 2 | 12 | Ryan Newman **(R)** | Penske Racing | Ford | 30.438 | 177.410 |
| 3 | 40 | Sterling Marlin | Chip Ganassi Racing | Dodge | 30.491 | 177.101 |
| Full Happy Hour practice results | | | | | | |

## Qualifying

Qualifying was held on Friday, July 12, at 3:05 PM CST. Each driver would have two laps to set a fastest time; the fastest of the two would count as their official qualifying lap. Positions 1-36 would be decided on time, while positions 37-43 would be based on provisionals. Six spots are awarded by the use of provisionals based on owner's points. The seventh is awarded to a past champion who has not otherwise qualified for the race. If no past champ needs the provisional, the next team in the owner points will be awarded a provisional.

Ryan Newman of Penske Racing would win the pole, setting a time of 29.500 and an average speed of 183.051 miles per hour (294.592 km/h).

Four drivers would fail to qualify: Ron Hornaday Jr., Kirk Shelmerdine, Tony Raines, and Scott Wimmer.

### Full qualifying results

| Pos. | # | Driver | Team | Make | Time | Speed |
| --- | --- | --- | --- | --- | --- | --- |
| 1 | 12 | Ryan Newman **(R)** | Penske Racing | Ford | **29.500** | **183.051** |
| 2 | 97 | Kurt Busch | Roush Racing | Ford | 29.574 | 182.593 |
| 3 | 9 | Bill Elliott | Evernham Motorsports | Dodge | 29.597 | 182.451 |
| 4 | 40 | Sterling Marlin | Chip Ganassi Racing | Dodge | 29.639 | 182.192 |
| 5 | 15 | Michael Waltrip | Dale Earnhardt, Inc. | Chevrolet | 29.678 | 181.953 |
| 6 | 20 | Tony Stewart | Joe Gibbs Racing | Pontiac | 29.733 | 181.616 |
| 7 | 77 | Dave Blaney | Jasper Motorsports | Ford | 29.741 | 181.568 |
| 8 | 2 | Rusty Wallace | Penske Racing | Ford | 29.747 | 181.531 |
| 9 | 8 | Dale Earnhardt Jr. | Dale Earnhardt, Inc. | Chevrolet | 29.757 | 181.470 |
| 10 | 25 | Joe Nemechek | Hendrick Motorsports | Chevrolet | 29.776 | 181.354 |
| 11 | 88 | Dale Jarrett | Robert Yates Racing | Ford | 29.793 | 181.251 |
| 12 | 18 | Bobby Labonte | Joe Gibbs Racing | Pontiac | 29.793 | 181.251 |
| 13 | 6 | Mark Martin | Roush Racing | Ford | 29.794 | 181.245 |
| 14 | 26 | Todd Bodine | Haas-Carter Motorsports | Ford | 29.802 | 181.196 |
| 15 | 24 | Jeff Gordon | Hendrick Motorsports | Chevrolet | 29.806 | 181.172 |
| 16 | 17 | Matt Kenseth | Roush Racing | Ford | 29.868 | 180.796 |
| 17 | 4 | Mike Skinner | Morgan–McClure Motorsports | Chevrolet | 29.873 | 180.765 |
| 18 | 99 | Jeff Burton | Roush Racing | Ford | 29.876 | 180.747 |
| 19 | 21 | Elliott Sadler | Wood Brothers Racing | Ford | 29.897 | 180.620 |
| 20 | 19 | Jeremy Mayfield | Evernham Motorsports | Dodge | 29.908 | 180.554 |
| 21 | 31 | Robby Gordon | Richard Childress Racing | Chevrolet | 29.909 | 180.548 |
| 22 | 1 | Steve Park | Dale Earnhardt, Inc. | Chevrolet | 29.915 | 180.511 |
| 23 | 11 | Brett Bodine | Brett Bodine Racing | Ford | 29.917 | 180.499 |
| 24 | 5 | Terry Labonte | Hendrick Motorsports | Chevrolet | 29.923 | 180.463 |
| 25 | 32 | Ricky Craven | PPI Motorsports | Ford | 29.949 | 180.307 |
| 26 | 57 | Stuart Kirby | Team CLR | Ford | 29.951 | 180.294 |
| 27 | 36 | Ken Schrader | MB2 Motorsports | Pontiac | 29.961 | 180.234 |
| 28 | 98 | Kenny Wallace | Innovative Motorsports | Chevrolet | 29.978 | 180.132 |
| 29 | 23 | Hut Stricklin | Bill Davis Racing | Dodge | 29.986 | 180.084 |
| 30 | 43 | John Andretti | Petty Enterprises | Dodge | 29.998 | 180.012 |
| 31 | 22 | Ward Burton | Bill Davis Racing | Dodge | 30.019 | 179.886 |
| 32 | 29 | Kevin Harvick | Richard Childress Racing | Chevrolet | 30.032 | 179.808 |
| 33 | 30 | Jeff Green | Richard Childress Racing | Chevrolet | 30.055 | 179.671 |
| 34 | 00 | Jerry Nadeau | Michael Waltrip Racing | Chevrolet | 30.058 | 179.653 |
| 35 | 45 | Kyle Petty | Petty Enterprises | Dodge | 30.093 | 179.444 |
| 36 | 10 | Mike Wallace | MBV Motorsports | Pontiac | 30.110 | 179.342 |
| Provisionals | | | | | | |
| 37 | 48 | Jimmie Johnson **(R)** | Hendrick Motorsports | Chevrolet | 30.329 | 178.047 |
| 38 | 28 | Ricky Rudd | Robert Yates Racing | Ford | 30.290 | 178.277 |
| 39 | 41 | Jimmy Spencer | Chip Ganassi Racing | Dodge | 30.137 | 179.182 |
| 40 | 55 | Bobby Hamilton | Andy Petree Racing | Chevrolet | 30.908 | 174.712 |
| 41 | 7 | Casey Atwood | Ultra-Evernham Motorsports | Dodge | 30.361 | 177.860 |
| 42 | 44 | Steve Grissom | Petty Enterprises | Dodge | 30.784 | 175.416 |
| 43 | 14 | Stacy Compton | A. J. Foyt Enterprises | Pontiac | 30.121 | 179.277 |
| Failed to qualify | | | | | | |
| 44 | 49 | Ron Hornaday Jr. | BAM Racing | Dodge | 30.195 | 178.838 |
| 45 | 72 | Kirk Shelmerdine | Kirk Shelmerdine Racing | Ford | 30.196 | 178.832 |
| 46 | 74 | Tony Raines | BACE Motorsports | Chevrolet | 30.269 | 178.400 |
| 47 | 27 | Scott Wimmer | Bill Davis Racing | Dodge | 30.332 | 178.030 |
| Official qualifying results | | | | | | |

## Race results

| Fin | St | # | Driver | Team | Make | Laps | Led | Status | Pts | Winnings |
| --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- |
| 1 | 32 | 29 | Kevin Harvick | Richard Childress Racing | Chevrolet | 267 | 29 | running | 180 | $200,028 |
| 2 | 15 | 24 | Jeff Gordon | Hendrick Motorsports | Chevrolet | 267 | 0 | running | 170 | $180,268 |
| 3 | 6 | 20 | Tony Stewart | Joe Gibbs Racing | Pontiac | 267 | 35 | running | 170 | $153,928 |
| 4 | 37 | 48 | Jimmie Johnson **(R)** | Hendrick Motorsports | Chevrolet | 267 | 2 | running | 165 | $88,175 |
| 5 | 1 | 12 | Ryan Newman **(R)** | Penske Racing | Ford | 267 | 87 | running | 165 | $115,725 |
| 6 | 2 | 97 | Kurt Busch | Roush Racing | Ford | 267 | 0 | running | 150 | $85,000 |
| 7 | 3 | 9 | Bill Elliott | Evernham Motorsports | Dodge | 267 | 0 | running | 146 | $95,556 |
| 8 | 21 | 31 | Robby Gordon | Richard Childress Racing | Chevrolet | 267 | 0 | running | 142 | $93,956 |
| 9 | 13 | 6 | Mark Martin | Roush Racing | Ford | 267 | 13 | running | 143 | $100,133 |
| 10 | 9 | 8 | Dale Earnhardt Jr. | Dale Earnhardt, Inc. | Chevrolet | 267 | 81 | running | 139 | $102,437 |
| 11 | 11 | 88 | Dale Jarrett | Robert Yates Racing | Ford | 267 | 9 | running | 110 | $109,878 |
| 12 | 33 | 30 | Jeff Green | Richard Childress Racing | Chevrolet | 267 | 2 | running | 132 | $59,100 |
| 13 | 24 | 5 | Terry Labonte | Hendrick Motorsports | Chevrolet | 267 | 0 | running | 124 | $91,033 |
| 14 | 16 | 17 | Matt Kenseth | Roush Racing | Ford | 267 | 3 | running | 126 | $75,800 |
| 15 | 40 | 55 | Bobby Hamilton | Andy Petree Racing | Chevrolet | 267 | 0 | running | 118 | $88,100 |
| 16 | 4 | 40 | Sterling Marlin | Chip Ganassi Racing | Dodge | 266 | 0 | running | 115 | $100,867 |
| 17 | 7 | 77 | Dave Blaney | Jasper Motorsports | Ford | 266 | 0 | running | 112 | $82,200 |
| 18 | 12 | 18 | Bobby Labonte | Joe Gibbs Racing | Pontiac | 266 | 0 | running | 109 | $102,778 |
| 19 | 38 | 28 | Ricky Rudd | Robert Yates Racing | Ford | 266 | 0 | running | 106 | $101,217 |
| 20 | 25 | 32 | Ricky Craven | PPI Motorsports | Ford | 266 | 0 | running | 103 | $71,850 |
| 21 | 19 | 21 | Elliott Sadler | Wood Brothers Racing | Ford | 266 | 5 | running | 105 | $78,600 |
| 22 | 30 | 43 | John Andretti | Petty Enterprises | Dodge | 266 | 0 | running | 97 | $86,883 |
| 23 | 17 | 4 | Mike Skinner | Morgan–McClure Motorsports | Chevrolet | 266 | 0 | running | 94 | $67,889 |
| 24 | 35 | 45 | Kyle Petty | Petty Enterprises | Dodge | 266 | 0 | running | 91 | $55,800 |
| 25 | 8 | 2 | Rusty Wallace | Penske Racing | Ford | 266 | 0 | running | 88 | $99,850 |
| 26 | 14 | 26 | Todd Bodine | Haas-Carter Motorsports | Ford | 265 | 0 | running | 85 | $84,387 |
| 27 | 22 | 1 | Steve Park | Dale Earnhardt, Inc. | Chevrolet | 265 | 0 | running | 82 | $88,375 |
| 28 | 41 | 7 | Casey Atwood | Ultra-Evernham Motorsports | Dodge | 264 | 0 | running | 79 | $58,200 |
| 29 | 28 | 98 | Kenny Wallace | Innovative Motorsports | Chevrolet | 263 | 0 | running | 76 | $54,800 |
| 30 | 23 | 11 | Brett Bodine | Brett Bodine Racing | Ford | 262 | 0 | running | 73 | $58,200 |
| 31 | 42 | 44 | Steve Grissom | Petty Enterprises | Dodge | 262 | 0 | running | 70 | $54,900 |
| 32 | 39 | 41 | Jimmy Spencer | Chip Ganassi Racing | Dodge | 239 | 0 | running | 67 | $57,700 |
| 33 | 10 | 25 | Joe Nemechek | Hendrick Motorsports | Chevrolet | 237 | 0 | crash | 64 | $65,500 |
| 34 | 20 | 19 | Jeremy Mayfield | Evernham Motorsports | Dodge | 234 | 0 | running | 61 | $64,800 |
| 35 | 43 | 14 | Stacy Compton | A. J. Foyt Enterprises | Pontiac | 230 | 0 | engine | 58 | $54,050 |
| 36 | 29 | 23 | Hut Stricklin | Bill Davis Racing | Dodge | 218 | 0 | crash | 55 | $61,800 |
| 37 | 34 | 00 | Jerry Nadeau | Michael Waltrip Racing | Chevrolet | 217 | 0 | steering | 52 | $53,600 |
| 38 | 36 | 10 | Mike Wallace | MBV Motorsports | Pontiac | 172 | 0 | engine | 49 | $80,150 |
| 39 | 18 | 99 | Jeff Burton | Roush Racing | Ford | 167 | 0 | engine | 46 | $97,867 |
| 40 | 27 | 36 | Ken Schrader | MB2 Motorsports | Pontiac | 151 | 0 | engine | 43 | $61,000 |
| 41 | 31 | 22 | Ward Burton | Bill Davis Racing | Dodge | 137 | 0 | handling | 40 | $95,800 |
| 42 | 5 | 15 | Michael Waltrip | Dale Earnhardt, Inc. | Chevrolet | 136 | 1 | crash | 42 | $60,600 |
| 43 | 26 | 57 | Stuart Kirby | Team CLR | Ford | 124 | 0 | rear end | 34 | $52,403 |
| Failed to qualify | | | | | | | | | | |
| 44 |  | 49 | Ron Hornaday Jr. | BAM Racing | Dodge |  | | | | |
| 45 | | | 72 | Kirk Shelmerdine | Kirk Shelmerdine Racing | Ford |
| 46 | | | 74 | Tony Raines | BACE Motorsports | Chevrolet |
| 47 | | | 27 | Scott Wimmer | Bill Davis Racing | Dodge |
| Official race results | | | | | | | | | | |

## InfoBox

2002 Tropicana 400
| Race details | | | |
| --- | --- | --- | --- |
| Race 18 of 36 in the 2002 NASCAR Winston Cup Series | | | |
| The 2002 Tropicana 400 program cover. | | | |
| Date | July 14, 2002 | | |
| Official name | 2nd Annual Tropicana 400 | | |
| Location | Joliet, Illinois, Chicagoland Speedway | | |
| Course | Permanent racing facility<br>1.5 mi (2.41 km) | | |
| Distance | 267 laps, 400.5 mi (644.542 km) | | |
| Scheduled Distance | 267 laps, 400.5 mi (644.542 km) | | |
| Average speed | 136.832 miles per hour (220.210 km/h) | | |
| Pole position | | | |
| Driver |  | Penske Racing |
| Time | 29.500 | | |
| Most laps led | | | |
| Driver | Ryan Newman | Penske Racing |
| Laps | 87 | | |
| Winner | | | |
| No. 29 | Kevin Harvick | Richard Childress Racing |
| Television in the United States | | | |
| Network | NBC | | |
| Announcers | Allen Bestwick, Benny Parsons, Wally Dallenbach Jr. | | |
| Radio in the United States | | | |
| Radio | Motor Racing Network | | |


title: Asad Muazzam

abstract: Asad Muazzam is a Pakistani politician who had been a Member of the Provincial Assembly of Punjab from 2002 to 2013.

text:
# Asad Muazzam

**Asad Muazzam** is a Pakistani politician who had been a Member of the Provincial Assembly of Punjab from 2002 to 2013.

## Biography

Muazzam was born on 2 July 1966 in Lahore. He did MBBS in 1992 from Allama Iqbal Medical College.

He was elected to the Provincial Assembly of Punjab as a candidate of Pakistan People's Party (PPP) from Constituency PP-67 (Faisalabad-XVII) in 2002 Pakistani general election.

He was re-elected to the Provincial Assembly of Punjab as a candidate of PPP from Constituency PP-67 (Faisalabad-XVII) in 2008 Pakistani general election.

He ran for the seat of the Provincial Assembly of Punjab from Constituency PP-115 (Faisalabad-XIX) in 2018 Pakistani general election but was unsuccessful.

## InfoBox

| Asad Muazzam | |
| --- | --- |
|  | |
| Member of the Provincial Assembly of Punjab | |
| **In office**
9th April 2008  29 May 2013 | |
| Constituency | PP-67 (Faisalabad-XVI) |
| **In office**
25 November 2002  3 November 2007 | |
| Constituency | PP-67 (Faisalabad-XVI) |
|  | |
| Personal details | |
| Political party | Pakistan Tehreek-e-Insaf (2023-2024) |
| Other political
affiliations | Pakistan Peoples Party (1970-2023) |
|  | |


title: 2010–11 Plunket Shield season

abstract: The 2010–11 Plunket Shield season was the 85th season of official first-class domestic cricket in New Zealand. The season began on 10 November 2010.

text:
# 2010–11 Plunket Shield season

The **2010–11 Plunket Shield** season was the 85th season of official first-class domestic cricket in New Zealand. The season began on 10 November 2010.

## Table

The Plunket Shield will be decided on points at the end of the 10 rounds.

| Team | Pts | Pld | W | D | L |
| --- | --- | --- | --- | --- | --- |
| Canterbury | **41** | 10 | 4 | 4 | 1 |
| Otago | **30** | 10 | 4 | 6 | 0 |
| Central Districts | **29** | 10 | 3 | 5 | 1 |
| Northern Districts | **29** | 10 | 3 | 3 | 3 |
| Wellington | **27** | 10 | 2 | 2 | 5 |
| Auckland | **10** | 10 | 1 | 2 | 7 |

## Teams

| Team | Home ground † |
| --- | --- |
| Auckland | Colin Maiden Park, Auckland |
| Canterbury | Mainpower Oval, Rangiora |
| Central Districts | McLean Park, Napier |
| Northern Districts | Seddon Park, Hamilton |
| Otago | University Oval, Dunedin |
| Wellington | Basin Reserve, Wellington |

## Statistics

### Most Runs

| Player | Team | Innings | Not Out | Runs | Hundreds | Fifties | Average |
| --- | --- | --- | --- | --- | --- | --- | --- |
| Peter Ingram | Central Districts | 17 | 0 | 858 | 4 | 3 | 50.47 |
| Brad Wilson | Northern Districts | 18 | 3 | 733 | 2 | 5 | 48.86 |
| Craig Cumming | Otago | 16 | 2 | 714 | 3 | 3 | 51.00 |
| Derek de Boorder | Otago | 14 | 4 | 667 | 2 | 3 | 66.70 |

### Most Wickets

| Player | Team | Matches | Overs | Wickets | Average |
| --- | --- | --- | --- | --- | --- |
| Neil Wagner | Otago | 3 | 116.4 | 24 | 12.75 |
| Graeme Aldridge | Northern Districts | 3 | 113.3 | 17 | 16.82 |
| Todd Astle | Canterbury | 3 | 122.4 | 15 | 21.00 |
| Ben Wheeler | Central Districts | 2 | 69 | 14 | 14.92 |
| Ryan McCone | Canterbury | 3 | 75 | 14 | 19.21 |
| Andre Adams | Auckland | 3 | 92.3 | 14 | 22.28 |
| Michael Mason | Central Districts | 2 | 85.2 | 11 | 16.54 |
| Andrew Lamb | Wellington | 3 | 109 | 11 | 31.27 |
| Doug Bracewell | Central Districts | 3 | 93.1 | 10 | 32.50 |
| Nick Beard | Otago | 3 | 114 | 9 | 38.55 |

## InfoBox

2010–11 Plunket Shield
| Administrator(s) | New Zealand Cricket |
| --- | --- |
| Cricket format | First-class |
| Tournament format(s) | Double round-robin |
| Champions | Canterbury (16th title) |
| Participants | 6 |
| Matches | 30 |
|


title: Ellen Foster

abstract: Ellen Foster is a 1987 novel by American novelist Kaye Gibbons. It was a selection of Oprah's Book Club in October 1997.

text:
# Ellen Foster

***Ellen Foster*** is a 1987 novel by American novelist Kaye Gibbons. It was a selection of Oprah's Book Club in October 1997.

## Background

Gibbons wrote *Ellen Foster* at age 26 while studying American literature at the University of North Carolina at Chapel Hill. Reportedly, at age 25 she approached professor Louis Rubin, who had just started the publishing company Algonquin Books, and presented him with the first 30 pages of the novel. After fellow student Lee Smith introduced Gibbons to her agent, Liz Darhansoff, Darhansoff agreed to represent her, and Algonquin would publish the book.

Gibbons has said she wrote *Ellen Foster* quickly, in about six weeks. Though the book is fictional, and Gibbons initially denied that it was autobiographical, she has since been more open in the press about its autobiographical elements. In 2015, she said of the story: "My emotional goal with \[*Ellen Foster*\] was to heal my mother's suicide."

*Ellen Foster* received the Sue Kaufman Award for First Fiction from the Academy of Arts and Letters, and the Louis Rubin Writing Award from the University of North Carolina.

## Plot introduction

The novel follows the story of Ellen, the first person narrator, a young white American girl living under unfavorable conditions somewhere in the rural South.

The novel is not written in standard English. It is often grammatically incorrect (*a egg sandwich*, *growed*, etc.) and generally tries to render the language of a 9- through 11-year-old girl who, in spite of being clever and ambitious, is relatively uneducated.

The novel is most likely set in the late 1970s, due to the fact that Ellen states the following on page 48 when talking about her teacher-"She lived in the sixties. She used to be a flower child but now she is low key so she can hold a job."

Two time levels are intertwined throughout the book: one presenting Ellen's life from her present point of view, living with her "new mama"; and the other one telling Ellen's story from her mother's death and leading up to the present. The two time levels are united at the end of the novel, when Ellen is about twelve years old.

## Synopsis

Ellen is an only child living in a highly dysfunctional and abusive household. Her father is "trash" and has a drinking problem, and the household atmosphere is one of domestic violence. Her mother has a heart condition caused by rheumatic fever and, when the novel opens, is in the hospital. Because of the abuse, from an early age Ellen has contemplated killing her father. After being released from hospital, Ellen's father treats her mother as badly as before, and it is up to Ellen to protect her mother from him. Soon, however, she takes an overdose of pills and dies while Ellen is lying next to her.

After her mother's premature death, Ellen, who is only eleven years of age, takes charge of the meager household finances, and she starts accumulating savings to improve her prospects. In spite of her unhappy childhood, Ellen is a smart girl; she borrows books from the library and is rather creative when it comes to spending her spare time. Her best friend, Starletta, is a young black girl who has poor but kind parents. Ellen is attracted to them even though she has been brought up hating African Americans and cannot overcome her own racist beliefs. Meanwhile, her father has african American friends with whom he drinks.

Ellen's odyssey (almost in a picaresque vein) starts the night Ellen's father mistakes her for her mother. After the first instance of abuse, though not sexual, Ellen leaves and spends the night at Starletta's house. The following morning, having decided to leave her father for good, she packs her belongings and goes to her Aunt Betsy's, who has no children and whose husband has recently died. Betsy treats Ellen well, but when the weekend is over, Betsy turns her out again, and Ellen has to return to her father.

When he starts beating her, her bruises are noticed at school and, as a temporary solution, her free spirited art teacher, Julia, invites Ellen to live with her and her husband, Roy. Ellen accepts, leaving with her few belongings and the money she has saved. Despite not completely understanding Julia and Roy's way of life, Ellen feels loved and happy. During the period of separations, her father tries to get her back by bribing her with money, but fails.

Eventually the question of custody is settled in court, and Ellen learns that her maternal grandmother is going to take care of her. A wealthy woman who can even afford two household aides, her grandmother turns out to be a grumpy and bitter old woman who does not really love her granddaughter. She reproaches Ellen for being her father's daughter and for taking after him, claims Ellen is responsible for her own daughter's death, and falsely accuses Ellen of having sex with her father's colored friends. When she becomes ill, she expects Ellen to nurse her, which Ellen dutifully does up to the time of her grandmother's death.

Ellen's life does not improve when she is taken up by one of her mother's sisters, her aunt Nadine Nelson, who lives with her daughter Dora. Dora, who is the same age as Ellen, and Nadine are a self-sufficient pair who consider Ellen an intruder. A quarrel occurs on Christmas Day, when Dora gets many presents and Ellen receives a single pack of white drawing paper, which she throws at Nadine's feet.

In church, Ellen encounters a friendly woman, whom she believes is called Mrs Foster, and her well-behaved children. After then argument with Nadine, she packs her things and goes to the house of the "Foster family". In reality, the "family" is a home for disadvantaged adolescentsa foster family. Orphaned by her father's death, for the first time she is given a warm welcome. Ellen overcomes her racial prejudice and is happy when her new mama allows Starletta to spend the weekend with her at her new home.

## Characters

* Ellen Foster is the 10-year-old protagonist of the novel. She suffers physical abuse, sexual abuse and psychological abuse from her alcoholic father and after her mother commits suicide, is tossed around from one household to another. Throughout her journey, Ellen is hopeful that she will someday find a nice and loving home, which she eventually does.
* Daddy is the novel's antagonist. He abuses his daughter, Ellen, physically, sexually and psychologically. He suffers from alcoholism and holds no job other than selling liquor, eventually drinking himself to death.
* Mama, Ellen's mother, has suffered from poor health, suffering from "romantic \[rheumatic\] fever" since childhood. When she is at last at the hospital, she is so severely depressed as a result of her husband's cruelty and her illness that she commits suicide by overdosing on prescription medication.
* Starletta is Ellen's black best friend, who helps Ellen to realize that skin color makes no difference in the quality of the person. She lives with her mother and father in a ramshackle cabin with no indoor toilet and they often provide Ellen with refuge from her father. Gradually, Starletta transforms from an unsophisticated child into a mature young woman, and she develops a crush on a white boy from school.
* New Mama, Ellen's foster mother, is everything for which Ellen could have hoped. New Mama is kind, caring, nurturing, always has enough money to pay for groceries, and has plenty of love to give Ellen and the other children she fosters.
* Mama's Mama, Ellen's grandmother on her mother's side, is old and miserly and treats Ellen with cruelty, as she despises Ellen's father for daughter in-law by divorced and seeks vengeance on him through Ellen. After winning custody of Ellen in court, she immediately sends her to work the fields with the black field hands on the farms she owns in the scorching summer heat. At the end of the summer, she dies of illness, even after Ellen has taken extraordinary good care of her.
* Mavis, a kind field worker on Ellen's grandmother's farm, takes Ellen under her wing and teaches her how to row the land and how to stay cool in the unbearable summer heat. She tells Ellen of how she had known her mother as a child and says that Ellen looks very much like her. Mavis has a large, happy family that Ellen admires and wants to emulate.
* Nadine, Ellen's aunt on her mother's side, is false and pretentious and lies to herself that she is wealthy and successful to gain confidence. She is forced to take Ellen for a short period of time, though she eventually kicks her out of the house on Christmas Day. She dotes on her daughter Dora and treats Dora like a small child, although she is the same age as Ellen.
* Dora, Ellen's cousin and daughter of Nadine, is a sheltered, spoiled brat who gets everything she wants when she wants it. She is a chronic pants-wetter, though she is the same age as Ellen.
* Julia, Ellen's grade school art teacher who takes her temporarily after another teacher learns that she is being abused at home. Julia is a hippie raised in the Northeast, who has migrated to the South after college with her husband, Roy. She is very liberal and encourages Ellen in her artistic endeavors.
* Roy, Julia's husband, is a progressively minded hippie who keeps an organic garden that he fertilizes with chicken manure, with which Ellen is fascinated. He bakes Ellen a lovely cake for her birthday and does not mind taking care of other household chores typically performed by a woman.
* Rudolph & Ellis are Ellen's uncles on her father's side, who agree to spy on Ellen and her father for Ellen's grandmother. They make inaccurate reports that Ellen is wild and a troublemaker and are compensated by Ellen's grandmother with large sums of money, some of which she instructs them to give to Ellen and her father for the bare necessities.
* 'Stella, Ellen's foster sister at her new mama's house, is a big flirt and sits at the back of the bus with the boys on the way to school. As a seventh grader, she is a mother to a fatherless baby, Roger, and is the youngest mother Ellen has ever known.
* Roger is Stella's baby son who likes to crawl into Ellen's room and chew on objects he finds on the floor.
* Betsy is Ellen's aunt on her mother's side who allows Ellen to stay with her for a weekend and finds it funny when Ellen had misunderstood that she would be staying permanently. She is petty and bickers with Nadine, her sister, when their mother dies.
* Dolphin is the horse Ellen rides and cares for at her new mama's house.
* Jo Jo is Ellen's new foster sister who loves to dance to music with no words.

## Critical reception

*The New York Times* praised Gibbons' debut, particularly its "lively humor" and Ellen's strength as a heroine. *Kirkus Reviews* also praised the book: "A child's-eye tale of evil giving way to goodness -- and happily far more spunky than sweet."

## Edition

## Sequel

Gibbons wrote a sequel to *Ellen Foster*, *The Life All Around Me by Ellen Foster*, in 2006. It picks up Ellen's life story from where *Ellen Foster* left off. She now lives in the Sand Hills Piedmont region of North Carolina; Ava Gardner's birthplace (near Smithfield, North Carolina) is down the road from her house. The story follows Ellen's teenage years living with her foster mother and applying to Harvard University at age 15.

## Television film

On December 14, 1997, a made-for-television film based on the book was aired on CBS as a Hallmark Hall of Fame movie, and is now on DVD. The movie was directed by John Erman, screenplay by Maria Nation and William Hanley. The movie is rated PG-13 for some abusive treatment of a child, and is 120 minutes including commercials. Production took place in Vancouver, British Columbia, Canada.

Cast:

## InfoBox

Ellen Foster
| cover of 1987 hardcover version of *Ellen Foster* | |
| --- | --- |
| Author | Kaye Gibbons |
| Language | English |
| Genre | Novel<br>Drama |
| Publisher | Vintage Press |
| Publication date | 1987 |
| Publication place | United States |
| Media type | Print (hardcover) |
| ISBN | 1-56512-205-4 |
| OCLC | 14167235 |


title: 10 Seconds (album)

abstract: 10 Seconds is the first studio album by American hip hop producer Jel. It was released on Mush Records on October 22, 2002. The title derives from the limited sampling time of E-mu SP-1200.

text:
# 10 Seconds (album)

Professional ratings
| Review scores | |
| --- | --- |
| Source | Rating |
| AllMusic |  |
| *CMJ New Music Report* | favorable |
| *Dusted Magazine* | favorable |
| *Exclaim!* | favorable |
| *Pitchfork* | 6.9/10 |
| *Splendid Magazine* | favorable |
| *Stylus Magazine* | C− |

***10 Seconds*** is the first studio album by American hip hop producer Jel. It was released on Mush Records on October 22, 2002. The title derives from the limited sampling time of E-mu SP-1200.

## Critical reception

Martin Woodside of AllMusic gave the album 4 stars out of 5, saying: "Built from pieces, albeit very small pieces, of other people's music, Jel has created an energetic, expansive sound that is all his own." He added: "Moody and atmospheric, this varied mix is remarkably cohesive."

Brad Haywood of *Pitchfork* gave the album a 6.9 out of 10, saying: "Although *10 Seconds* doesn't break much new ground, it is a good disc, true to Jel's concept and very listenable." Lisa Hageman of *CMJ New Music Report* called it "an impressive compilation of a beat-maker whose close attention to detail is definitely paying off."

Writing for *Pitchfork*, Keith Fullerton Whitman said: "This record encapsulates the sort of subtle melancholy all but missing in contemporary productions."

## Track listing

| No. | Title | Length |
| --- | --- | --- |
| 1. | "11. Multi Pitch" | 2:33 |
| 2. | "12. Multi Level" | 3:38 |
| 3. | "13. Exit Multi Mode" | 3:38 |
| 4. | "14. Dynamic Button" (featuring Dax Pierson and Odd Nosdam) | 5:24 |
| 5. | "Close.." | 0:51 |
| 6. | "15. Define Mix" | 2:23 |
| 7. | "16. Select Mix" (featuring Doseone) | 1:08 |
| 8. | "17. Channel Assign" | 4:10 |
| 9. | "18. Decay/Tune Select" | 0:59 |
| 10. | "Forget It" | 1:37 |
| 11. | "European4" | 0:38 |
| 12. | "..Your.." | 1:31 |
| 13. | "Changing Patterns" | 0:48 |
| 14. | "19. Loop/Truncate" | 2:51 |
| 15. | "20. Delete Sound" | 2:08 |
| 16. | "21. 1st Song/Step" | 0:52 |
| 17. | "22. Midi Parameters" | 2:13 |
| 18. | "23. Special" | 2:38 |
| 19. | "..Ears." | 4:35 |
| 20. | "Tip Unfiltered" | 1:26 |
| 21. | "Time Signature" | 3:42 |
| 22. | "Subsong" (featuring Alias) | 6:04 |
| 23. | "Auto Correct" | 1:23 |

## InfoBox

| 10 Seconds | |
| --- | --- |
|  | |
| Studio album by Jel | |
| Released | October 22, 2002 (2002-10-22) |
| Genre | Instrumental hip hop |
| Length | 56:59 |
| Label | Mush Records |
| Producer | Jel |
| Jel chronology | |
| ***10 Seconds***
(2002) *Soft Money*
(2006) | |


title: Ernst Heyne

abstract:
Ernst Heyne (1833-1905) was a German entomologist who specialised in Lepidoptera.
He was the father of Alexander Heyne and Martin Heyne. The Heyne family were natural history dealers, booksellers and publishers in Berlin and London. Ernst Heyne was a friend and business associate of insect dealers Otto Staudinger and Andreas Bang-Haas.

text:
# Ernst Heyne

**Ernst Heyne** (1833-1905) was a German entomologist who specialised in Lepidoptera. He was the father of Alexander Heyne and Martin Heyne. The Heyne family were natural history dealers, booksellers and publishers in Berlin and London. Ernst Heyne was a friend and business associate of insect dealers Otto Staudinger and Andreas Bang-Haas.

* Korschefsky, R. 1929: \[Heyne, A.\] *Dtsch. Entomol. Z.* 73-74
* Möbius, E. 1943 *Dtsch. Entomol. Z. Iris* 57 1-27


title: Arthur Meulemans

abstract: Arthur Meulemans was a Belgian composer, conductor, and music teacher.

text:
# Arthur Meulemans

**Arthur Meulemans** (19 May 1884 in Aarschot – 29 June 1966 in Etterbeek) was a Belgian composer, conductor, and music teacher.

## Biography

Meulemans’ father was an artisan and a music lover who composed dance music. As a child, Arthur Meulemans received his first music lessons from his father and his uncle Jan, who taught him to play the piccolo. He also got violin classes from a certain mister Single, and piano lessons from Ernest Maréchal. Alfons van den Eynde, a student of Peter Benoit, gave the boy introductory classes in harmony, counterpoint, and fugue.

Meulemans studied at the Lemmensinstituut in Mechelen with, among others, Edgar Tinel, Aloys Desmet, and Oscar Depuydt. After completing his final exams, he became a teacher at this institution and remained so until 1914. He got married in 1911 and settled in Tongeren, where he taught music at the *Koninklijk Atheneum* (a high school). This situation lasted until 1930, the year in which Meulemans was appointed as conductor (together with Fernand Quinet) of the newly founded *Vlaams Radio Orkest* in Brussels., which nowadays is known as the Brussels Philharmonic. In 1916, he found the *Limburge Orgel- en Zangschool* in Hasselt. From 1932 until his death, Meulemans lived and worked in Brussels. In 1954 he was also appointed as the president of the Royal Flemish Academy.

Meulemans conducted several music societies run by amateurs, such as the Royal Harmony *Vreugd en Deugd*, where he worked between 1922 and 1930.

Arthur Meulemans, who is better known than his brother and composer Herman Meulemans, can be seen as a transitional figure between the Romantic Flemish generation, which appeared after Peter Benoit and Edgar Tinel, and the modern, international music that was established in Belgium thanks to August Baeyens. In 1909 Meulemans won the Prix de Rome with his oratorio *De legende van de Heilige Hubertus*. Shortly before the start of World War I, his *Kinderliederen* were awarded with the *Karel Boury Prize* of the Flemish Royal Academy.

Together with Lodewijk Mortelmans, Lodewijk De Vocht, Jef Van Hoof and Gaston Feremans, Arthur Meulemans could be described as part of a Flemish *Mighty Handful*.

## Style

Meulemans composed a big symphonic oeuvre and, with his more than 350 pieces, is one of the most productive and well-known Belgian composers of the first half of the 20th century. He was born during the late romantic period and lived through the impressionism period during his teenage years. His greatest accomplishments are expressionistic. His style evolved from a romantic style to a more modern way of working, but throughout his work a strong lyricism remained a constant element.

Meulemans orchestration was tight, but colourful. His music shows a certain harmonic severity, but he does not leave tonality. A major part of his compositions are of a descriptive-programmatic sort, often related to his homeland Flanders.

Meulemans wrote over 15 symphonies, three operas, solo concerti for many different instruments, five string quartets, songs, oratorios and choir works. At the start of his career, he was mainly known for his vocal works, but after 1930 he started to focus on orchestral music.

## Compositions

### Works for orchestra

#### Symphonies

* 1931 *Symfonie in B*
* 1933 Symphony No. 2 in C
    1. Largamente - Allegro
    2. Adagio
    3. Scherzo: Allegro vivace
    4. Allegro brillante
* 1933 Symphony No. 3 *"Dennensymfonie"*
    1. Andate sostenuto - Allegro ma non troppo
    2. Andante
    3. Scherzo: Allegro vivo
    4. Finale: Maestoso
* 1939 Symphony No. 5 *"Danssymfonie"*, for female voice and orchestra
* 1939 Symphony No. 6 *"Zeesymfonie"*, for large orchestra, alto and mixed choir - text: Ferdinand Vercnocke
* 1940 Symphony No. 7 *"Zwaneven"*
    1. Con moto (Ritme van horizonten, Ochtend)
    2. Allegro vivo assai (Scherzo) (De heide bloeit)
    3. Sostenuto (Bosschage - onder de dennen)
    4. Allegro con brio (Final) (Zon over de heide)
* 1942 Symphony No. 8 *"Herffstsymfonie"*
* 1943 Symphony No. 9 in F *"Droomvuur"*
* 1943 Symphony No. 10 *"Psalmensymfonie"*, for speaking chorus, solo voices, mixed choir and orchestra
* 1945 Symphony No. 11
* 1948 Symphony No. 12
* 1951 Symphony No. 13 *"Rembrandtsymfonie"*
* 1954 Symphony No. 14
* 1960 Symphony No. 15

#### Concertante works

* 1910 *De rozen doornen*, for cello and orchestra
* 1920 *Concerto nr. 1*, for cello and orchestra
* 1927 *Woudzang en Zigeunerin* for violin and orchestra
* 1929 *Concert impromptu*, for piano and orchestra
* 1929 *Lente elegie*, for cello and orchestra
* 1929 *Herfst elegie*, for cello and orchestra
* 1929 *Idylle van een Citadin*, for oboe and orchestra
* 1932 *Rhapsodie*, for clarinet and orchestra
* 1939 Concerto No. 1, for horn and orchestra
* 1939 *Lyrische suite*, for harp and orchestra
* 1941 *Concertino*, for piano and orchestra
* 1941 *Rhapsodie*, for trombone and orchestra
* 1941 Concerto No. 1, for piano and orchestra
* 1942 Concerto No. 1, for oboe and orchestra
* 1942 Concerto No. 1, for violin and orchestra
* 1942 Concerto, for viola and orchestra
* 1943 Concerto, for fluit and orchestra
* 1943 Concerto, for trumpet and orchestra
* 1944 Concerto No. 2, for cello and orchestra
* 1945 Concerto No. 2, for violin and orchestra
* 1948 *Sonata concertante*, for clarinet and orchestra
* 1953 *Concertino*, for trombone and orchestra
* 1953 Concerto, for harp and orchestra
* 1954 Concerto, for timpani and orchestra
* 1956 Concerto No. 2, for piano and orchestra
* 1959 Concerto, for two pianos and orchestra
* 1961 *Concerto Grosso*, for saxophone quartet and orchestra
* 1961 Concerto No. 2, for horn and orchestra
* 1962 *Concertino*, for saxophone quartet and orchestra
* 1962 *Concerto Grosso No. 2*, for sextet and orchestra
* 1964 *Suite*, for clarinet quartet and orchestra

#### Overtures

* 1916 *De Kerels van Vlaanderen - Ouverture*
* 1932 *Ouverture en suite*
* 1935 *Adriaen Brouwer: Ouverture van het zangspel*
* 1940 *Overtura allegra*
* 1955 *Ouverture voor Tartarin de Tarascon*

#### Other orchestral works

* 1910 *Mei nacht - Nuit de mai*
* 1911 *Exotische Dans*
* 1913 *Plinius’ fontein*
    1. Moderato: Summer Morning at Pliny's Fountain
    2. Poco con moto: At Twilight
    3. Allegro: Night Festival
* 1913 *Wals*
* 1915 *Herderszang*, for flute and orchestra
* 1916 *Praeludien*, for chamber orchestra
* 1921 *De boodschap*, for narrator and orchestra, Op. 31 - text: Wies Moens
* 1922 *Heideschetsen*, for small orchestra
* 1924 *Kerstidylle*, for oboe and orchestra
* 1926 *Karnaval - suite*, for piano and orchestra
* 1927 *Maskaroen*
* 1928 *Stadspark*, scherzo with praeludium for orchestra
* 1929 *Rapsodie*
* 1929 *Serenata*
* 1929 *Twee Idyllen*, for oboe and orchestra
* 1930 *Twee dansen*
* 1930 *Kermis Fantasie op twee volksrythmen naar een schilderij van David Teniers*
* 1930 *Kleine Suite in C*, for small orchestra
* 1943 *Dansensuite nr. 1*, for chamber orchestra
* 1943 *Dansensuite nr. 2*, for small orchestra
* 1947 *De vogels*
* 1948 *Op de dennenheuvelen*
* 1951 *Symfonietta*, for small orchestra
* 1951 *Symphonische triptiek*
* 1951 *Tableaux*
* 1951 *Meteorologisch instituut*
* 1952 *Peter Breugel*
* 1952 Concerto No. 1, for orchestra
* 1953 *Hertog Jan van Brabant*
* 1954 *Symfonisch rondo*
* 1954 *Evasies*
* 1955 *Academische triptiek*
* 1955 *Social security*
* 1956 *Ionisatie*
* 1956 Concerto No. 2, for orchestra
* 1957 *Symphonische dansen*
* 1959 Sinfonietta No. 2, for orchestra
* 1960 Sinfonietta No. 3
* 1961 *Cirkus*
* 1961 *Middelheim*
* 1961 *Divertimento*
* *Le jeu des saisons*; for narrator and orchestra - text: Gerda de Gonzalès
* *Reidansen*
* *Symfonische liederen*, for voice and orchestra
* *Tourments*, for narrator and orchestra

### Works for brass band

* 1909 *Strijd*, for brass band (alternatively for choir and brass band) - text: Jan Hammenecker
* 1917 *Jeugd-album - 1e deel*, for brass band
* 1919 *Vlaanderen roept*, for choir and brass band - text: René Declercq
* 1935 *Barabbas*, for mixed choir and brass band - text: Michel de Ghelderode
* 1935 *Symfonie nr.4*, for winds and percussion
* 1936 *Credo*, for mixed choir, children's choir and brass band - text: Joseph Boon
* 1937 *Gent*, for choir and brass band - text: René Declercq
* 1937 *Noordzeetriptiek*, for male choir and brass band - text: Ferdinand Vercnocke
* 1937 *Rouwfanfare*, for brass band
* 1938 *Inaugurele fanfare*, for brass band
* 1938 *Klokke Roeland*, for brass band
* 1938 *Brugge*, for choir and brass band
* 1938 *Fanfare*, for brass band
* 1938 *Yzerpsalm*, for choir and brass band - text: Ferdinand Vercnocke
* 1939 *Lentefanfares - Zomerfanfares*, for brass band
* 1939 *Oproepen voor fanfares*, for brass band
* 1939 *V.N.Z. fanfare-motief*, for brass band
* 1939 *Vier oproepen*, for brass band
* 1942 *Suite*, for brass band
* 1942 *Vijf oproepen voor fanfare*, for brass band
* 1942 *Wij trekken naar de verte*, for choir and brass band - text: Leo Poppe
* 1944 *Lieve Vrouwe van ons land*, for choir and brass band - text: L. Monden S.J.
* 1945 *Zegen het land*, for brass band
* 1946 *Burchtlied*, for brass band
* 1947 *De man*, for choir and brass band
* 1947 *Op Kameraden*, for choir and brass band - text: Leo Poppe
* 1948 *Fanfare 1948*, for brass band
* 1948 *Vier wevertjes*, for choir and brass band
* 1949 *Eere den arbeid*, for choir and brass band - text: Ferdinand Vercnocke
* 1950 *Het lied van de boeren*, for choir and brass band - text: K. Cruysberghs
* 1951 *Schoonste aller landen*, for choir and brass band - text: K. Heireman
* 1958 *Fanfare*, for brass band
* 1962 Concerto for organ and brass band
* *Beiaardlied*, for choir and brass band
* *Belgisch volkslied*, for brass band
* *De Vlaamsche leeuw*, for choir and brass band
* *Het lied der Vlamingen*, for choir and brass band
* *Het lied van de baren*, for brass band
* *Jeugd-litanie*, for brass band
* *Kent gij dat volk*, for choir and brass band
* *Klaroent vuur!*, for choir and brass band - text: P. J. Boon
* *Kunst is de kracht*, for choir and brass band
* *Liederen*, for choir and brass band
* *Mijn Vlaandren heb ik hartlijk lief*, for choir and brass band with Theban trumpets
* *O kruise den Vlaming*, for choir and brass band
* *Strijdkreet*, for choir and brass band
* *Van Rijswijck-Marsch*, for choir and brass band
* *Vlaanderen*, for choir and brass band - text: Willem Gijssels
* *Wilhelmus*, for choir and brass band
* *Willem van Saeftingen*, for choir and brass band - text: Willem Gijssels

### Masses, cantatas and religious music

* 1905 *Cantate Jubilaire*, cantata
* 1909 *De legende van de Heilige Hubertus*, oratorio for soli, mixed choir and orchestra - text: Victor De Meyere
* 1911 *Responsoria*, for mixed choir and organ
* 1913 *Responsoria Varia*, for soli (soprano-alto), mixed choir and organ
* 1913 *Responsoria*, for soli, mixed choir and organ
* 1914 *Missa da pacem*, for 2 Tenors, Bariton, male choir and organ
* 1914 *Te Deum*, for mixed choir and organ
* 1916 *Missa in honorem Beatae Mariae Virginis*, for 2 voices and string orchestra, Op. 25
* 1916 *Missa in honorem Sancti Joseph*, for 2 voices (children - men) and organ, Op. 34
* 1917 *Sacrum Mysterium*, for soli, children's choir, mixed choir and orchestra
* 1917 *Oremus pro Antistite*, for mixed choir, children's voices (boy and girls) and organ
* 1924 *Blommensuite*, for male choir - text: Alice Nahon
* 1926 *Lof-litanie van den Heilige Franciscus van Assisië*, for recitant, Bariton and orchestra - text: Marnix Gijsen
* 1930 *Missa in honorem Sancti Servatii*, for 5 unequal voices and organ
* 1932 *Missielied voor de jeugd*, for choir and orchestra - text: Jef Bloemen
* 1935 *Missa in honorem Sanctae Teresiae*, for 3 (male) voices and orchestra
* 1935 *Panis angelicus*, for spoken choir, female voices and orchestra - text: Joseph Boon
* 1936 *Heilige Cecilia*, for mezzo-soprano solo, female choir, violin, cello, piano, harp, timpani, harmonium - text: Joseph Boon
* 1937 *Avondwierook - Encens du soir*, for spoken choir, female voices and orchestra - text: Joseph Boon
* 1942 *Missa Exaudi nos*, for mixed choir and organ
* 1943 *Adeste Fideles*, voor soprani, for mixed choir and organ
* 1943 *Psalmus 147: Lauda Jerusalem*, for mixed choir and organ
* 1943 *De litanie van Onze Lieve Vrouw*, for mixed choir and grand organ
* 1943 *Het onze Vader*, for alto solo and piano
* 1944 *Quatuor Motetta ad Laudes Vespertinas*, for two voices and organ
* 1945 *Missa Alba*, for two equal voices and orchestra
* 1945 *Missa aurea*, for mixed choir and orchestra
* 1946 *Ave Maria*, for two equal voices and organ
* 1946 *O Jesus soete aendachtigheid*, for mixed choir
* 1948 *Die soete naem Jesus*, for mixed choir - text: H. van Duy
* 1949 *Maria's zonnelied*, for choir, recitant and orchestra - text: Frans Eykans
* 1949 *Missa Ignis vibrans lumine*, for 3 male voices and orchestra
* 1953 *Het avondmaal*, for mixed choir - text: Pieter G. Buckinx
* 1956 *Missa "Mysterium Fidei"*, for 4 mixed voices and organ
* 1956 *Ubi caritas*, for 4 unequal voices and organ
* *Ave Regina Caelorum*, for male choir
* *Clachte van Maria benevens het Kruis*, for mixed choir - text: Justus de Harduyn (1582–1636)
* *Stella Maris*, for mezzo-soprano, 3 voices and organ
* *Virgo singularis*, for one voice (buzzing choir of voces angelicae ad libitum) and organ

### Music theater

#### Opera

| Completed | Title | Acts | Première | Libretto |
| --- | --- | --- | --- | --- |
| 1926/1947 | *Adriaen Brouwer* | 3 acts | 1947, Antwerp | Frans W. C. de Witt-Huberts |
| 1937 | *Vikings* | 3 acts | 1937, Antwerp | Emiel Buskens |
| 1944 | *Egmont* | 3 acts | 1960, Antwerp | Jos van Rooy |

### Choral works

* 1908 *Land*, for choir and orchestra
* 1913 *Heil 't vaderland*, for children's choir and orchestra - text: Willem Gijssels
* 1915 *Kerstliedeke*, for mixed choir and piano - text: Jef Leynen
* 1917 *Een lof in volkstrant*, for choir and organ
* 1918 *Aan zee - La mer*, for children's choir and orchestra - text: Willem Gijssels
* 1919 '*n Suite Oudvlaamse liederen*, for mixed choir
* 1919 *Vlaanderen roept*
* 1919 *Sacrale dans*, for mixed choir and orchestra - text: E. Buskens
* 1921 *De tocht*, for mixed choir and orchestra - text: Wies Moens
* 1923 *De eenzame weg*, for mixed choir, recitant and orchestra - text: Jules Schurmann
* 1925 *Koor van de violiers uit het zangspel "Adriaen Brouwer", 1e Akt*, for male choir and piano - text: Frans W. C. de Witt Huberts
* 1926 *O Vlaamsche held*, for choir and orchestra - text: Guido Gezelle
* 1929 *Een levenslied*, for mixed choir and piano
* 1935 *Barabbas*
* 1936 *Credo*
* 1937 *Gent*
* 1937 *Kameraad*, for male choir and 4 horns (ad. lib.) - text: Ferdinand Vercnocke
* 1937 *Noordzeetriptiek*
* 1937 *Rijpende oogst* for mixed choir and orchestra - text: E. H. L. Engelen
* 1938 *Brugge*
* 1938 *Yzerpsalm*
* 1942 *Wij trekken naar de verte*
* 1944 *Lieve Vrouwe van ons land*
* 1945 *O Nederland let op U saeck*, for mixed choir
* 1947 *Op Kameraden*
* 1947 *Jachtkoor uit de Triptiek "de Goddelijke Jager"*, for male choir and piano - text: Frans Eykans
* 1947 *Nooi van die Velde*, South-African folksong for mixed choir
* 1948 *Vier wevertjes*
* 1949 *Het spel van Deinze*, for choir, recitant and orchestra - text: Arthur Verstraeten
* 1949 *Het vendel*, for mixed choir - text: Waar G. Forster (1514–1568)
* 1949 *Eere den arbeid*
* 1949 *De Witte*, for mixed choir and orchestra
* 1950 *De zang van de aarde*, for mixed choir and piano - text: K. Cruysberghs
* 1950 *Dorserslied*, for male choir and piano - text: K. Cruysberghs
* 1950 *Het lied van de boeren*
* 1950 *Jan de Mulder*, for mixed choir
* 1950 '*k zie Brugge 't liefst*, for mixed choir - text: J.M. Devos
* 1951 *Een meisje dat van Scheveningen kwam*, for mixed choir
* 1951 *Schoonste aller landen*
* 1952 *De kinkhoorn der seizoenen*, for recitant, mixed choir and orchestra - text: Pieter G. Buckinx
* 1953 *11 Kinderliedjes*, for unisono children’s choir
* 1953 *Gebed*, for male choir - text: Pieter G. Buckinx
* 1953 *Het onvergankelijk zaad*, for male choir - text: Pieter G. Buckinx
* 1953 *Het regent in de nacht*, for mixed choir - text: Pieter G. Buckinx
* 1962 *Pigeon vole*, for choir and piano - text: Maurice Carême
* 1966 *La légende du chien vert*, for male choir and orchestra- text: Gerda de Gonzalès
* *Beiaardlied*
* *De Vlaamsche leeuw*
* *Florens ut rosa*, for choir and organ
* *Het lied der Vlamingen*
* *Kent gij dat volk*
* *Klaroent vuur!*
* *Kunst is de kracht*
* *Liederen*
* *Mijn Vlaandren heb ik hartlijk lief*
* *O kruise den Vlaming*
* *Strijdkreet*
* *Van Rijswijck-Marsch*
* *Vlaanderen*
* *Wilhelmus*
* *Willem van Saeftingen*

### Vocal music with orchestra or instruments

* 1904 *Nieuwe lente*, for high voice and orchestra
* 1905 *Jonge liefde*, for soprano and orchestra - text: Jan Eelen
* 1905 *Gezelle-Liederen*, song cycle
* 1907 *Lenteavond*, for high voice and orchestra - text: Willem Kloos
* 1907 *Koornbloemen vlecht ik u ten krans*, for tenor and piano - text: E. Geibel
* 1910 *De rozen droomen*, for mezzosoprano, cello and string orchestra - text: Karel Van De Woestijne
* 1912 *De Nethe*, for soli, vocal quartet solo, children’s choir and orchestra - text: Lodewijk Mercelis
* 1913 *Kinderliederen*, for voice and piano, op. 21 - text: Willem Gijssels
* 1921 *De zeven weeën*, for soli, children’s voices, mixed choir and orchestra - text: Hilarion Thans
* 1923 *De Hovenier*, text: Rabindranath Tagore
* 1924 *Passie-bloemen*, for recitant, solimixed choir and orchestra - text: Hilarion Thans
* 1925 *De tocht naar de liefde*, for soli, choir and orchestra - text: Joseph Boon
* 1926 *Huldezang aan Hendrik van Veldeke*, for solo, recitant, choir and orchestra - text: Pieter G. Buckinx \- Ode du prologue: Jan Melis
* 1927 *Josef in Dothan*, for soprano, alto and orchestra - text: Joost Van De Vondel
* 1934 *Paaschbrief aan mijn zoon*, for bariton and orchestra - text: Otto Zupancic
* 1939 *Nachtliedjes*, for soprano and orchestra - text: P. Van Langendonck en Jef Leynen
* 1941 *De hoge mouw - Nazomer pastorale*, for vocal quartet and orchestra
* 1942 *Droomvuur*, for mezzosoprano and orchestra - text: Pieter G. Buckinx
* 1942 *Starkadd*, for solo voices (tenor and bariton) and orchestra - text: A. Hegenscheidt
* 1944 *Egmont*, for soli and orchestra - text: Jos Van Rooy
* 1944 *Egmont: Ouverture tot de slot-scène*, for soli and orchestra - text: Jos Van Rooy
* 1945 *Die enghelsche groete*, for tenor or bariton solo and mixed choir
* 1945-1946 *Goede lieve Sint Niklaas*, children’s song for voice and piano
* 1946 *Drie liederen op gedichten van Koos Schuur*, for high voice and piano
* 1946-1947 *Marialiedje*, for voice and piano - text: van Albe
* 1947 *De goddelijke jager*, for Recitant, choir and orchestra - text: Frans Eykans
* 1951 *Ik wil in den geest naar Bethleem gaan*, for voice and piano
* 1956 *L'eau passe*, for high voice and orchestra - text: Maurice Carême
* *Drinkliedeken*, for high voice and orchestra - text: Willem Gijssels
* *Herfstliederen*, text: Scheltema
* *Liederen "Uit vroegere tijden"*, for voice and orchestra
* *Liederen*, for voice and orchestra

### Chamber music

* 1907 String Quartet No. 1 *"Uit mijn Leven"*
* 1916 Piano Quintet
* 1932 String Quartet No. 2
* 1933 String Quartet No. 3
* 1942 *Suite* for four trombones (or four cellos) in C
* 1953 String Quartet No. 5
* 1934 *Aubade*, for wind quintet
* 1950 Concerto No. 3, for violin and piano
* String Quartet No. 4

### Works for organ

* 1915 Sonata, for grand organ
* 1943 Concerto, for organ and orchestra
* 1949 Symphony No. 1, for large organ
* 1949 *Variations*, for large organ
* 1949 Symphony No. 2, for large organ
* 1958 Concerto No. 2, for organ and orchestra
* 1959 *Pièce héroïque*
* 1959 *Sei pezzi* (6 Pieces)
* 1962 Concerto, for large organ, trumpet, horn and trombone
* *Praeludium*

### Works for carillon

* 1949 *Beiaardwerken*
* 1950 *Capriccio*
* 1950 *Serenata*
* 1950 *Suite voor beiaard*
    1. Praeludium
    2. Lied
    3. Toccata
* 1950 *Varieties op een Marialiedje van eigen compositie*
* 1951 *Drie dansen*
    1. Allegretto
    2. Valzando
    3. Allegro ben ritmato
* 1955 *De Kathedraal*, diptych for carillon
    1. Maannacht
    2. Zondagmorgen in de zomer
* 1960 *Alborada*
* 1964 *Toccata*
* 1965 *Concertino "In memoriam Staf Nees"*

## Publications

* Arthur Meulemans: *(Hulde Album) Arthur Meulemans*. Antwerp. Arthur-Meulemans Fonds. 1964. 171 p.

## Sources

* L. Uten S.J.: *De Litanie van Onze Lieve Vrouw*. Huldealbum aan kunstenaar Alfred Ost en toondichter **Arthur Meulemans** bij hun zestigsten verjaring, Tielt. Drukkerij-Uitgeverij J. Lannoo. 1944.
* Diana von Volborth-Danys: *CeBeDeM et ses compositeurs affilies: biographies, catalogues, discographie*, Bruxelles: Centre belge de documentation musicale, 1977. Vol. I: A-L: 1977: 211 p.; Vol. II: M-Z: 1980: 276 p.
* Karel De Schrijver: *Bibliografie der Belgische toonkunstenaars sedert 1800*, Louvain: Vlaamse, 1958, 152 p.
* Henk Badings: *Arthur Meulemans*, Mens en melodie. 9 (1954), S. 109–112.
* *Index to music necrology: 1966 necrology*, Notes (Music Library Association), 1967, p. 708
* *Aan Meester Arthur Meulemans bij zijn tachtigste verjaardag*, Antwerp: Arthur-Meulemans-fonds 1965. 175 S.
* Wouter Paap: *Arthur Meulemans 80 Jaar*, Mens en Melodie. 19 (1964), S. 140–142.
* *Music in Belgium: contemporary Belgian composers*, Brussels: Manteau, 1964, 158 p.
* Tom Bouws, Jan van Mechelen: *Arthur Meulemans, toondichter*, Antwerp: Arthur Meulemans-fonds 1960. 20 S.
* Jozef Robijns, Miep Zijlstra: *Algemene muziekencyclopedie*, Harlem: De Haan, (1979)-1984, ISBN 978-90-228-4930-9
* Wolfgang Suppan, Armin Suppan: *Das Neue Lexikon des Blasmusikwesens*, 4. Auflage, Freiburg-Tiengen, Blasmusikverlag Schulz GmbH, 1994, ISBN 3-923058-07-1
* Paul E. Bierley, William H. Rehrig: *The Heritage Encyclopedia of Band Music - Composers and Their Music*, Westerville, Ohio: Integrity Press, 1991, ISBN 0-918048-08-7
* Jean-Marie Londeix: *Musique pour saxophone, volume II*: repertoire general des oeuvres et des ouvrages d'enseignement pour le saxophone, Cherry Hill: Roncorp Publications, 1985
* Jean-Marie Londeix: *125 ans de musique pour saxophone*, Paris: Leduc, 1971
* Jeb H. Perry: *Variety obits. An index to obituaries in Variety, 1905-1978*, Metuchen, N.J.: Scarecrow Press, 1980, 311 p., ISBN 978-0-8108-1289-5
* Jacques Philip Malan: *South African music encyclopedia*, Cape Town: Oxford University Press, 1979
* Franz Stieger: *Opernlexikon - Teil II*: Komponisten. 1, Band A-F, Tutzing: Hans Schneider, 1975–1983, 371 p., ISBN 3-7952-0203-5
* Franz Stieger: *Opernlexikon - Teil II*: Komponisten. 2, Band G-M, Tutzing: Hans Schneider, 1975–1983, 373-772 p., ISBN 3-7952-0228-0
* Gösta Morin, Carl-Allan Moberg, Einar Sundström: *Sohlmans musiklexikon - 2. rev. och utvidgade uppl.*, Stockholm: Sohlman Förlag, 1975–1979, 5 v.
* Frederick Ziervogel van der Merwe: *Suid-Afrikaanse musiekbibliografie : 1787-1952*, Kaapstad : Tafelberg-uitgewers vir die Instituut vir Taal, Lettere en Kuns, Raad vir Geesteswetenskaplike Navorsing, 1974. ISBN 978-0-624-00355-7
* Storm Bull: *Index to biographies of contemporary composers*, Vol. II, Metuchen, N.J.: Scarecrow Press, 1974, 567 p., ISBN 0-8108-0734-3
* Paul Frank, Burchard Bulling, Florian Noetzel, Helmut Rosner: *Kurzgefasstes Tonkünstler Lexikon - Zweiter Teil: Ergänzungen und Erweiterungen seit 1937*, 15. Aufl., Wilhelmshaven: Heinrichshofen, Band 1: A-K. 1974. ISBN 3-7959-0083-2; Band 2: L-Z. 1976. ISBN 3-7959-0087-5
* Marc Honneger: *Dictionnaire de la musique*, Paris: Bordas, 1970–76
* P. Townend: *Who's who in music and musicians' international directory 1962*, New York: Hafner Publishing Co., 1962, 331 p.
* Joaquín Pena, Higinio Anglés, Miguel Querol Gavalda: *Diccionario de la Música LABOR*, Barcelona: Editorial Labor, 1954, 2V, 2318P.
* Theodore Baker: *Baker's biographical dictionary of musicians*, Fourth edition revised and enlarged, New York: G. Schirmer, 1940
* Carlo Schmidl:  *Dizionario universale dei musicisti*, Milan: Sonzogno, 1937, 2V p.
* Paul Frank, Wilhelm Altmann: *Kurzgefasstes Tonkünstler Lexikon: für Musiker und Freunde der Musik*, Regensburg: Gustave Bosse, 1936, 730 p.


title: 2001: Do Hazaar Ek

abstract: 2001: Do Hazaar Ek is a 1998 Indian Hindi-language Mystery film directed by Raj N. Sippy. It was released in 1998 and stars Jackie Shroff, Dimple Kapadia, Tabu and Rajat Bedi.

text:
# 2001: Do Hazaar Ek

***2001: Do Hazaar Ek*** is a 1998 Indian Hindi-language Mystery film directed by Raj N. Sippy. It was released in 1998 and stars Jackie Shroff, Dimple Kapadia, Tabu and Rajat Bedi.

## Plot

Following the brutal slaying of a call-girl named Julie in Mumbai, two police inspectors, namely Anil Kumar Sharma and Rajat Bedi are assigned to investigate and bring the culprit(s) to book. Anil and Rajat note that the killer leaves "2001" marked on the body of the victim. Anil learns that the man staying in Julie's room is a prominent Member of State Parliament, Ramaswamy, and would like to list him as a suspect. Julie's death is followed by more killings in the same style, and killed ones are Advocates Sarkari and Kajal, and a man named Krishna Rao. Then Ramaswamy himself is attacked, but survives and is hospitalized. When he regains consciousness for a brief period of time, he points an accusing finger at Rajat and then relapses. Not wanting to take any chance, Police Commissioner Malik places Rajat under house arrest. Then Anil comes across some evidence that links the killing to none other than Malik himself, while Rajat starts suspecting Anil and gathers evidence against Anil. While Roshni writes a letter and gives it to Billu then shows to Anil and Rajat, it is revealed that Roshni was behind the all the murders. She then goes to Amirchand's house with a bomb being attached with her and threatens to blow herself along with him and the whole mansion, but at the mean time Anil and Rajat shows up and stops her. Anil feels bad for Roshni as he puts her in the jail and reveals that it was Anil himself behind all the murders and leaves the 2001 mark. He then goes to Amirchand's House to murder him and reveals that he did all the murders to avenge his families death in which Amirchand was responsible along with his henchmens but before he could kill Amirchand, Rajat stops him. Despite not listening to Rajat, he reluctantly shoots at Anil's leg but accidentally shoots on his chest, as a result he dies. Billu is heartbroken and upset about Rajat killing his best friend like that, upon hearing the truth from Roshni and realising the whole story. Rajat then goes to Amirchand's mansion, takes downs his henchmen and then locks up Amirchand with steel chains. In the end Rajat uses the rocket launcher at the mansion and destroys it, thus ending Amirchand and his evil activities once for all.

## Cast

## Soundtrack

| 2001: Do Hazaar Ek | |
| --- | --- |
| Soundtrack album by Anand Raaj Anand | |
| Released | 1997 |
| Genre | Feature film soundtrack |
| Label | Time Audio |

| # | Track listing | Singers | Lyricist(s) |
| --- | --- | --- | --- |
| 1 | "Teri Yeh Bindiya" | Hariharan, Preeti Uttam Singh | Dev Kohli |
| 2 | "Tu Qatil Tera Dil Qatil" | Udit Narayan, Kavita Krishnamurthy | Manoj Darpan |
| 3 | "Teri Meri Dosti (Happy Version)" | Kumar Sanu, Udit Narayan | Dev Kohli |
| 4 | "Teri Meri Dosti (Sad Version)" | Mohammed Aziz | Dev Kohli |
| 5 | "Yahi To Pyar Hai" | Mohammed Aziz, Kavita Krishnamurthy | Dev Kohli |
| 6 | "Rappa Rappa Rum Pum Pum" | Aditya Narayan | Dev Kohli |
| 7 | "Neend Udaye" | Alka Yagnik | Anand Raaj Anand |
| 8 | "Yun Na Rootho" | Kumar Sanu, Anuradha Paudwal | Dev Kohli |

## Reception

Komal Nahta of *Film Information* was critical of the film, saying it "does not have the chill and thrill of a suspense drama".

## InfoBox

| 2001: Do Hazaar Ek | |
| --- | --- |
|  | |
| Directed by | Raj N. Sippy |
| Written by | Anand S. Vardhan (dialogues) |
| Screenplay by | Kumar Ramsay |
| Story by | Ved Prakash Sharma |
| Produced by | Kiran Ramsay |
| Starring |  |
| Cinematography | Gangu Ramsay |
| Edited by | V. N. Mayekar |
| Music by | Anand Raaj Anand |
| Production<br>company | Om Films |
| Distributed by | Tips Industries |
| Release date | * 20 February 1998 (1998-02-20) |
| Country | India |
| Language | Hindi |


abstract: At Jazz Jamboree Warszawa '91: A Tribute to Miles is a live album by trumpeter Freddie Hubbard recorded in October 1991 and released on the Starburst label in 2000. It features performances by Hubbard, Ronnie Mathews, Don Braden, Jeff Chambers and Ralph Penland.

text:
# At Jazz Jamboree Warszawa '91: A Tribute to Miles

Professional ratings
| Review scores | |
| --- | --- |
| Source | Rating |
| Allmusic |  |

***At Jazz Jamboree Warszawa '91: A Tribute to Miles*** is a live album by trumpeter Freddie Hubbard recorded in October 1991 and released on the Starburst label in 2000. It features performances by Hubbard, Ronnie Mathews, Don Braden, Jeff Chambers and Ralph Penland.

## Reception

The Allmusic review by Ken Dryden states "Although Hubbard's group provides sufficient support, the trumpeter's earlier recordings are far superior to this disappointing release... This CD can safely be bypassed"

## Track listing

1. "Bolivia" (Cedar Walton) - 12:59
2. "God Bless the Child" (Arthur Herzog Jr., Billie Holiday) - 12:53
3. "All Blues" (Miles Davis) - 17:10
4. "Dear John" (Freddie Hubbard) - 17:01

* Recorded at the Jazz Jamboree Warszawa on October 24, 1991

## Personnel

## InfoBox

| At Jazz Jamboree Warszawa '91: A Tribute to Miles | |
| --- | --- |
|  | |
| Live album by Freddie Hubbard | |
| Released | 2000 |
| Recorded | October 24, 1991 |
| Genre | Jazz |
| Label | Sunburst |
| Freddie Hubbard chronology | |
| *Bolivia*
(1991) ***At Jazz Jamboree Warszawa '91: A Tribute to Miles***
(2000) *Live at Fat Tuesday's*
(1992) | |


title: 1934 Kirksville Bulldogs football team

abstract: The 1934 Kirksville Bulldogs football team represented the Kirksville State Teachers College as a member of the Missouri Intercollegiate Athletic Association (MIAA) during the 1934 college football season. In their ninth and final year under head coach Don Faurot, the Bulldogs compiled an 8–0 record, won the MIAA championship, shut out six of eight opponents, and outscored all opponents by a total of 180 to 13. The 1934 season was part of a 27-game winning streak that included three consecutive perfect seasons in 1932, 1933, and 1934. It was also Kirksville's seventh conference championship in nine years. Co-captain Arnold Embree was the team's leading scorer. The team played its home games at Stokes Stadium in Kirksville, Missouri.

text:
# 1934 Kirksville Bulldogs football team

1934 Missouri Intercollegiate Athletic Association football standings
|  | Conf | | | | |  |  | Overall | | | | |
| --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- |
| Team | W |  | L |  | T |  |  | W |  | L |  | T |
| Kirksville $ | 4 |  | 0 |  | 0 |  |  | 8 |  | 0 |  | 0 |
| Cape Girardeau | 3 |  | 1 |  | 0 |  |  | 8 |  | 1 |  | 0 |
| Maryville (MO) | 2 |  | 2 |  | 0 |  |  | 4 |  | 5 |  | 0 |
| Springfield (MO) | 1 |  | 3 |  | 0 |  |  | 1 |  | 5 |  | 1 |
| Warrensburg | 0 |  | 4 |  | 0 |  |  | 4 |  | 4 |  | 1 |
|  | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |
| * $  Conference champion | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |

The **1934 Kirksville Bulldogs football team** represented the Kirksville State Teachers College (also known as Northeast Missouri State Teachers College, later renamed as Truman State University) as a member of the Missouri Intercollegiate Athletic Association (MIAA) during the 1934 college football season. In their ninth and final year under head coach Don Faurot, the Bulldogs compiled an 8–0 record (4–0 against conference opponents), won the MIAA championship, shut out six of eight opponents, and outscored all opponents by a total of 180 to 13.

The 1934 season was part of a 27-game winning streak that included three consecutive perfect seasons in 1932, 1933, and 1934. It was also Kirksville's seventh conference championship in nine years. Co-captain Arnold Embree was the team's leading scorer.

The team played its home games at Stokes Stadium in Kirksville, Missouri.

## Schedule

| Date | Opponent | Site | Result | Attendance | Source |
| --- | --- | --- | --- | --- | --- |
| September 28 | at Simpson* | Indianola, IA | W 7–0 |  |  |
| October 5 | Rolla* |  | W 19–0 |  |  |
| October 12 | Pittsburg Teachers* | * Stokes Stadium * Kirksville, MO | W 13–7 | 3,200 |  |
| October 19 | Springfield (MO) | * Stokes Stadium * Kirksville, MO | W 52–0 |  |  |
| October 26 | at Warrensburg | Warrensburg, MO | W 24–6 |  |  |
| November 9 | Maryville (MO) | * Stokes Stadium * Kirksville, MO | W 33–0 |  |  |
| November 16 | at Saint Louis* |  | W 19–0 | 10,000 |  |
| November 23 | at Cape Girardeau |  | W 13–0 | 6,000 |  |
| * \*Non-conference game * Homecoming | | | | | | | |

## InfoBox

| 1934 Kirksville Bulldogs football | |
| --- | --- |
| MIAA champion | |
| Conference | Missouri Intercollegiate Athletic Association |
| Record | 8–0 (4–0 MIAA) |
| Head coach |  |
| Home stadium | Stokes Stadium |
|


title: Bacteroides-1 RNA motif

abstract: The Bacteroides-1 RNA motif is a conserved RNA structure identified in bacteria within the genus Bacteroides. The RNAs are typically found downstream of of genes that participate in the synthesis of exopolysaccharides of unknown types. It is possible that Bacteroides-1 RNAs regulate the upstream genes, but since this mode of regulation is unusual in bacteria, it is more likely that the structure functions as a non-coding RNA.

text:
# Bacteroides-1 RNA motif

The  ***Bacteroides*-1 RNA motif** is a conserved RNA structure identified in bacteria within the genus *Bacteroides*. The RNAs are typically found downstream of (in the possible 3′ UTRs) of genes that participate in the synthesis of exopolysaccharides of unknown types. It is possible that *Bacteroides*-1 RNAs regulate the upstream genes, but since this mode of regulation is unusual in bacteria, it is more likely that the structure functions as a non-coding RNA.

## InfoBox

| Bacteroides-1 RNA | |
| --- | --- |
| Consensus secondary structure of *Bacteroides*-1 RNAs | |
| Identifiers | |
| Symbol | Bacteroides-1 |
| Rfam | RF01694 |
| Other data | |
| RNA type | sRNA |
| Domain(s) | *Bacteroides* |
| PDB structures | PDBe |


title: Apatophysis sieversi

abstract: Apatophysis sieversi is a species of beetle in the family Cerambycidae, in the subgenus Apatophysis.

text:
# Apatophysis sieversi

***Apatophysis sieversi*** is a species of beetle in the family Cerambycidae, in the subgenus *Apatophysis*.

## InfoBox

| *Apatophysis sieversi* | |
| --- | --- |
|
| Scientific classification | |
| Domain: | Eukaryota |
| Kingdom: | Animalia |
| Phylum: | Arthropoda |
| Class: | Insecta |
| Order: | Coleoptera |
| Family: | Cerambycidae |
| Genus: | *Apatophysis* |
| Species: | ***A. sieversi*** |
| Binomial name | |
| ***Apatophysis sieversi***<br>Ganglbauer, 1887 | |
|


abstract: The 1973 United Nations Security Council election was held on 15 October 1973 during the Twenty-eighth session of the United Nations General Assembly, held at United Nations Headquarters in New York City. The General Assembly elected the Byelorussian SSR, Cameroon, Costa Rica, Iraq, and Mauritania, as the five new non-permanent members of the UN Security Council for two-year mandates commencing on 1 January 1974. This was the first election of Cameroon, Costa Rica and Mauritania and the only election of Byelorussian SSR into the council.

text:
# 1973 United Nations Security Council election

The **1973 United Nations Security Council election** was held on 15 October 1973 during the Twenty-eighth session of the United Nations General Assembly, held at United Nations Headquarters in New York City. The General Assembly elected the Byelorussian SSR, Cameroon, Costa Rica, Iraq, and Mauritania, as the five new non-permanent members of the UN Security Council for two-year mandates commencing on 1 January 1974. This was the first election of Cameroon, Costa Rica and Mauritania and the only election of Byelorussian SSR into the council.

## Rules

The Security Council has 15 seats, filled by five permanent members and ten non-permanent members. Each year, half of the non-permanent members are elected for two-year terms. A sitting member may not immediately run for re-election.

In accordance with the rules whereby the ten non-permanent UNSC seats rotate among the various regional blocs into which UN member states traditionally divide themselves for voting and representation purposes, the five available seats are allocated as follows:

To be elected, a candidate must receive a two-thirds majority of those present and voting. If the vote is inconclusive after the first round, three rounds of restricted voting shall take place, followed by three rounds of unrestricted voting, and so on, until a result has been obtained. In restricted voting, only official candidates may be voted on, while in unrestricted voting, any member of the given regional group, with the exception of current Council members, may be voted on.

## Candidates

Speaking as Chairmen of the Asian and African Groups respectively, Mr. Sharaf of Jordan endorsed Iraq, and Mr. Ramphul of Mauritius endorsed Mauritania and Cameroon as the official candidates of their respective regional groups.

## Result

The election was managed by then-President of the United Nations General Assembly Leopoldo Benites of Ecuador. The United Nations had 136 member states at this time (for a timeline of UN membership, see Enlargement of the United Nations). Delegates were to write the names of the five member states they wished elected on the ballot papers. Voting was conducted on a single ballot. There were 125 ballot papers.

| Member | **Round 1** |
| --- | --- |
| Mauritania | **120** |
| Cameroon | **120** |
| Iraq | **116** |
| Byelorussian SSR | **112** |
| Costa Rica | **104** |
| Cuba | 5 |
| Jamaica | 3 |
| Romania | 2 |
| Honduras | 1 |
| Iran | 1 |
| Libya | 1 |
| abstentions | 0 |
| invalid ballots | 0 |
| required majority | 84 |

Source:

* UN Document A/59/881 Note Verbale from the Permanent Mission of Costa Rica containing a record of Security Council elections up to 2004

## InfoBox

1973 United Nations Security Council election
| --- | |
| --- | --- |
|  | |
| ---  5 (of 10) non-permanent seats on the United Nations Security Council | |
|  | |
| --- | |
| --- | |


title: Ernst Hilmar

abstract: Ernst Hilmar was an Austrian librarian, editor, and musicologist.

text:
# Ernst Hilmar

**Ernst Hilmar** (20 September 1938 – 23 November 2016) was an Austrian librarian, editor, and musicologist.

## Biography

Hilmar was born in Graz and studied musicology at the University of Graz and the University of Music and Performing Arts in Vienna.

From 1975 to 1994, he was head of the music division of the Vienna City and State Library. Owing to various shady events in connection with holdings that had disappeared from this collection, Hilmar was forced to retire from this position in 1994.

Since 1987, he was also head of the Internationales Franz-Schubert-Institut (IFSI) in Vienna and editor of the scholarly journal *Schubert durch die Brille* (1988–2003), "tirelessly edited since its inception by Ernst Hilmar, \[…\] quickly became the leading arena for the dissemination of Schubert research, news, and events." (*Music & Letters*, 2002) Due to several violations of the society's regulations he was removed from his position in 2001 and only continued to work as editor of the IFSI's journal. In 2005 Hilmar's successors had to disband the IFSI, because the publisher of *Schubert durch die Brille* (Hans Schneider) demanded the debts to be paid back that Hilmar had amassed during his activity as editor.

Hilmar's publications include books on Franz Schubert, Hugo Wolf, Johann Strauss, Second Viennese School and many contributions to symposia and dictionaries.

He died in Villach.

## Works

### Franz Schubert

* *Verzeichnis der Schubert-Handschriften in der Musiksammlung der Wiener Stadt- und Landesbibliothek*. Kassel 1978. XV, 144, 105 S.
* *Franz Schubert. \[Ausstellung \[…\] zum 150. Todestag des Komponisten*, ed. with Otto Brusatti. Vienna 1978. – XXXII, 315 S.
* "La Collection schubertienne de la bibliothèque municipale de Vienne," in *Franz Schubert et la symphonie*, directed by Paul-Gilbert Langevin, la Revue Musicale, Paris, 1981.
* *Franz Schubert in seiner Zeit.* Wien/Graz 1985. 143 S.
* *Franz Schubert: Drei große Sonaten für das Pianoforte: D 958, D 959 u. D 960 (frühe Fassungen); Faksimile nach den Autographen \[…\]*. Begl. Text u. Komm. v. E. Hilmar. Erstveröffentl. Tutzing 1987. 28 S.
* Gesammelte Studien zu Leben und Werk von Franz Schubert. Habilitationsschr. Universität Wien 1987. 478 Bl.
* Franz Schubert: Der Graf von Gleichen: Oper in 2 Akten D (918) ; Erstveröffentlichung der Handschrift des Komponisten aus dem Besitz der Wiener Stadt-und Landesbibliothek. Text von Eduard von Bauernfeld. Hrsg. u. kommentiert von Ernst Hilmar. Mit einem Beitrag von Erich W. Partsch. Tutzing 1988. 19 S., 72 Bl.
* Schubert (Bildbiographie). Graz ADEVA 1989 u. 1996. 216 S.
* *Franz Schubert dargestellt von Ernst Hilmar*. Reinbek 1997. 158 S.
* *Schubert-Lexikon*, ed. with Margret Jestremski. Graz: ADEVA 1997. 534 S.
* "Bausteine zu einer neuen Schubert-Bibliographie vornehmlich der Schriften von 1929 bis 2000. Teil I: Alphabetische Ordnung nach Autoren," in *Schubert durch die Brille* Nr. 25, (2000), S. 95–303 (Ergänzungen und Indizes in *Schubert durch die Brille* Nrn. 26, 27, Mitarbeit: Werner Bodendorff).
* *Franz Schubert. Dokumente 1801–1830. Erster Band. Addenda und Kommentar*. Mitarbeit: Werner Bodendorff (Veröffentlichungen des IFSI, 10/2), Tutzing 2003.
* *Schubert-Enzyklopädie* (2 vols., hrsg. mit Margret Jestremski. Tutzing 2004.

### Hugo Wolf

* Hugo Wolf, Briefe an Frieda Zerny. Wien 1978. 83 S.
* Hugo Wolf Enzyklopädie. 518 Einzelartikel zu Leben und Werk, Umfeld und Rezeption. Tutzing 2007. XXV, 593 S.

### Wiener Schule

* Arnold Schönberg. Gedenkausstellung, Wien 1974. 386 S.
* *Wozzeck von Alban Berg. Entstehung, erste Erfolge, Repressionen (1914–1935)*. Wien 1975. 106 S.
* *Dank an Ernst Krenek: Katalog zur Ausstellung der Wiener Stadt- und Landesbibliothek im Historischen Museum der Stadt Wien, Mai – Juni 1982*. Wien 1982. 100 S.
* *Anton Webern: 1883 – 1983; eine Festschrift zum hundertsten Geburtstag. Mit einer Einleitung von Henri Pousseur*. Wien 1983. 296 S.
* Begegnung mit Arnold Schönberg: Internationales Musikfestival Duisburg "Arnold Schönberg und neue Musik aus Deutschland, Österreich und der Schweiz" vom 13. September 1992 bis 30 Juni 1993; Ausstellung im Kultur- und Stadthistorischen Museum Duisburg, 24. Februar bis 28. März 1993. Katalog von Margret Jestremski und Ernst Hilmar. Duisburg 1993. 102 S.

### Other subjects

* Die Nestroy-Vertonungen in den Wiener Sammlungen. In: Maske und Kothurn 18 (1972) 1-2, S. 38-98.
* 75 Jahre Universal-Edition (1901–1976). \[Katalog zur Ausstellung der Wiener Stadt- und Landesbibliothek im Historischen Museum der Stadt Wien Dezember 1976 / Jänner 1977\] \[Mitarbeit: Otto Brusatti\]. Wien 1976. 102 S.
* Richard Wagner: "Schusterlied" aus der Oper "Die Meistersinger von Nürnberg": früheste Reinschrift (WWV deest); Faks. nach dem Autograph. Tutzing 1988. 20 S.
* *Musiker-Karikaturen von Mahler bis zur Gegenwart.* (Wiener Rathaus März 1988-September 1988) Hrsg. Franz Patzer. Katalogred. E. Hilmar. Wien 1987. 61 S.
* *Leoš Janáček: Briefe an die Universal Edition*. Tutzing 1988. 385 S.
* Internationales Symposium Musikerautographe: Bericht 5.-8. Juni 1989, Wien. Tutzing 1990. 236 S.
* *40.000 Musikerbriefe auf Knopfdruck: Methoden der Verschlagwortung anhand des UE-Briefwechsels – Untersuchungen – Detailergebnisse.* Tützing 1989. 168 S.

## InfoBox

| Ernst Hilmar | |
| --- | --- |
| Born | (1938-09-20)20 September 1938
Graz, Austria |
| Died | 23 November 2016(2016-11-23) (aged 78)
Villach, Austria |
| Occupation | Musicologist |
| Education | PhD University of Graz |
| Subject | Music |
| Notable works | *Schubert-Enzyklopädie* 2004,
*Hugo Wolf Enzyklopädie* 2007 |