title: Disturbia (song)

abstract: "Disturbia" is a song recorded by Barbadian singer Rihanna for Good Girl Gone Bad: Reloaded (2008), a re-release of her third studio album Good Girl Gone Bad (2007). It was written by Andre Merritt, Chris Brown, Brian Kennedy and Rob. A!, with the production of the song helmed by Kennedy. The song was released as the third single from the reloaded edition of the album, and seventh overall. "Disturbia" was sent to US contemporary hit radio on June 17, 2008, and was released as a CD single in the United Kingdom on July 22, 2008. "Disturbia" is an uptempo dance-pop and electropop song with a "sizzling" beat. Lyrically, the song is about the experiences of depression, anxiety, anguish and confusion. The song received positive reviews from music critics, who generally praised its dark musical tone, lyrics and beat, and noted that it is reminiscent of Rihanna's previous single, "Don't Stop the Music" (2007). "Disturbia" earned Rihanna an award for Best International Song at the 2009 NRJ Music Awards and a nomination for Best Dance Recording at the 2009 Grammy Awards. "Disturbia" was a commercial success, and peaked at number one in Belgium (Flanders) and New Zealand and became a top-ten hit in more than twenty countries including Australia, Canada, and the United Kingdom. The song topped the US Billboard Hot 100 chart for two consecutive weeks, and became Rihanna's third number-one single from Good Girl Gone Bad and fourth overall on the Hot 100. The accompanying music video for "Disturbia" was directed by Anthony Mandler, which portrays Rihanna in various locations such as in a prison cell and gas chamber. "Disturbia" has regularly featured on the set lists of Rihanna's tours and live performances since its release.

text:
# Disturbia (song)

"**Disturbia**" is a song recorded by Barbadian singer Rihanna for *Good Girl Gone Bad: Reloaded* (2008), a re-release of her third studio album *Good Girl Gone Bad* (2007). It was written by Andre Merritt, Chris Brown, Brian Kennedy and Rob. A!, with the production of the song helmed by Kennedy. The song was released as the third single from the reloaded edition of the album, and seventh overall. "Disturbia" was sent to US contemporary hit radio on June 17, 2008, and was released as a CD single in the United Kingdom on July 22, 2008.

"Disturbia" is an uptempo dance-pop and electropop song with a "sizzling" beat. Lyrically, the song is about the experiences of depression, anxiety, anguish and confusion. The song received positive reviews from music critics, who generally praised its dark musical tone, lyrics and beat, and noted that it is reminiscent of Rihanna's previous single, "Don't Stop the Music" (2007). "Disturbia" earned Rihanna an award for Best International Song at the 2009 NRJ Music Awards and a nomination for Best Dance Recording at the 2009 Grammy Awards.

"Disturbia" was a commercial success, and peaked at number one in Belgium (Flanders) and New Zealand and became a top-ten hit in more than twenty countries including Australia, Canada, and the United Kingdom. The song topped the US *Billboard* Hot 100 chart for two consecutive weeks, and became Rihanna's third number-one single from *Good Girl Gone Bad* and fourth overall on the Hot 100. The accompanying music video for "Disturbia" was directed by Anthony Mandler, which portrays Rihanna in various locations such as in a prison cell and gas chamber. "Disturbia" has regularly featured on the set lists of Rihanna's tours and live performances since its release.

## Background

"Disturbia" was written by American recording artist Chris Brown and his team which included Brian Kennedy, Rob. A, and Andre Merritt, better known as the Graffiti Artizts. The track was originally considered to be part of the re-release edition of Brown's second studio album, *Exclusive* (2007). However, after finishing the song, he took preference to another song, "Forever", which later became the lead single from his re-released album, titled *Exclusive: The Forever Edition* (2008). He felt that "Disturbia" would be better suited for a female singer and instead forwarded the song to Rihanna. When writing the song, he was inspired "to go totally left and kind of weird". Speaking to *USA Today*, Brown described his feelings with regard to him giving the song to Rihanna: "It's fun being creative and even if you have a concept in your head to write about, you can write it and give it to someone else because it might not personally fit you, but it might be an idea you have."

"Disturbia" was recorded in April 2008 at Rocky Mountain Recorders in Denver, Colorado. Speaking to Nick Levine of Digital Spy, Rihanna explained: "I went into the studio making music my way. I found myself all at once." In an interview on *This Morning*, Rihanna said that the song is not necessarily about a specific personal experience, but rather the general feelings of mental anguish, anxiety and confusion. Rihanna further explained that she wanted to record the song because she felt that listeners would be able to relate to the subject matter. When *Good Girl Gone Bad* was repackaged, Rihanna approached L.A. Reid, boss of Def Jam, suggesting to release "Disturbia" as a single and follow-up to "Take a Bow". Speaking to MTV News, Reid said, "It was the first time Rihanna actually came to me and said, 'Here's the song I want to put out.' She played me the song. That was her taking control \[...\] She understands what hits are, and she knows what she wants to say. She's at that place where she can do that."

## Composition

Musically, "Disturbia" is an uptempo dance-pop and electropop song with a "sizzling" beat. The song is reminiscent of Rihanna's previous single "Don't Stop the Music" (2007). The rock-tinged song opens with a horror movie-like scream, followed by the hook "Bum-bum-be-dum-bum-bum-be-dum-bum" which has been likened to the "Ella-ella-ella-ey-ey" hook from "Umbrella" (2007). BBC News interpreted it as Rihanna singing about being frightened but felt that its lyrics made no sense.

Fraser McAlpine from BBC Music has claimed that the song's chorus can be likened to Eiffel 65's "Blue (Da Ba Dee)" (1999). According to digital music sheet published at Musicnotes.com by Sony/ATV Music Publishing, "Disturbia" is composed in a key of B minor and is set in common time with a moderate techno-pop groove. Rihanna's vocal range spans from the lower note of D3 to the high note of F5 and the track follows a chord progression of Bm-D-A-G in the verses and chorus. The song features various vocal effects, namely the use of Auto-Tune and a vocoder in contrast with the detached electronic bounce of the song and its weaving, winding melody.

## Reception and accolades

"Disturbia" received positive reviews from contemporary music critics. Josh Tyrangiel of *Time* complimented the song's "rubber-ball melodies that bounce around your head". Alex Fletcher of Digital Spy said that unlike the usual seventh single release by an artist, "Disturbia" is one of Rihanna's stronger releases and that it proves that she is ruling '08 much like she did '07. He went on to describe it as a "fun-packed electro treat filled with sizzling beats and crazy vocal effects." Fletcher further highlighted the song's strong intro hook and said that the chorus is her catchiest since "Umbrella". Spence D of IGN felt that the track has an infectious "Bum-bum-be-dum-bum-bum" hook that sucks you into the detached electronic bounce of the track. Jaime Gill from Yahoo! Music highlighted the song's "insistent hook, sturdy beat and weaving, winding melody." Fraser McAlpine from the BBC Music deemed the song's plus points to be Rihanna's icy whine, the frosty-rave chorus and the Eiffel 65-like refrain.

*Billboard* ranked the song at number nine on its list of "Songs of the Summer of 2008". *Time* magazine has named the song on number two on its list of '10 Best Songs of the Summer', only behind Kid Rock's "All Summer Long". According to Caryn Ganz of *Rolling Stone*, "Disturbia" was the second best song of 2008, only behind MGMT's "Kids". The song won the award for Best International Song at the 2009 NRJ Music Awards, however, after a miscommunication, Katy Perry accepted the award for her single "I Kissed a Girl". Later, it was revealed that originally Rihanna won the award. The song also earned Rihanna a nomination for Best Dance Recording at the 51st Annual Grammy Awards, but lost to Daft Punk's "Harder, Better, Faster, Stronger".

## Chart performance

"Disturbia" debuted on the US *Billboard* Hot 100 at number eighteen on June 26, 2008, becoming Rihanna's sixth top 20 from *Good Girl Gone Bad*. In the issue dated August 14, 2008 the song topped the chart, selling 148,000 downloads according to Nielsen SoundScan and replaced Katy Perry's "I Kissed a Girl" after seven weeks at the top. "Disturbia" became Rihanna's fourth number-one song on the chart only after "SOS", "Umbrella" and "Take a Bow", and tied her with Beyoncé and Mariah Carey for most number-one singles of the decade. The single topped the chart for two consecutive weeks. For the *Billboard* issue dated September 13, 2008, "Disturbia" also topped both the Hot Dance Club Play and Hot Dance Airplay charts. The song also peaked at number one on the US *Billboard* Pop Songs, becoming her third number one on the chart, after "Unfaithful" and "Take a Bow". "Disturbia" has been certified six-times platinum by the RIAA, having sold 4.8 million digital copies as of June 2015, marking Rihanna's third best-selling single in the country. The song was also successful in Canada, where it peaked at number two on the Canadian Hot 100, remaining at the position for five weeks.

In the United Kingdom, following the release of *Good Girl Gone Bad: Reloaded*, "Disturbia" debuted on the UK Singles Chart at number forty-seven due to strong digital sales. After the release of the music video, the song re-entered the chart at number forty-seven, ultimately peaking at number three from digital sales. The song remained within the top ten for eleven weeks, marking Rihanna's eighth top ten single in the country. "Disturbia" also became Rihanna's third longest charting single in the UK, having spent 36 weeks in the top 100, being passed only by "Don't Stop the Music" and the worldwide hit single "Umbrella". "Disturbia" has sold over 430,000 copies in the country as of 2010.

Elsewhere in Europe, "Disturbia" managed to reach the top ten in fifteen other countries. The song debuted on number three in France and stayed there for one week. Disturbia stayed on the French Singles Chart for 36 weeks, becoming Rihanna's second longest charting single on it, only after "Only Girl (In the World). The single was more successful in Belgium (Flanders) where it peaked at number one and managed to peak at number four in Belgium (Wallonia). It was later certified Gold by the Belgian Entertainment Association for selling over 10,000 copies. In Spain, "Disturbia" reached a peak of ten and was also certified Gold by the Productores de Música de España. The song managed to reach number two in Finland, number three in Norway, number four in Austria, Denmark, Hungary, the Republic of Ireland, Sweden and Switzerland, number five in Germany, number seven in Slovakia, and number ten in Czech Republic and Netherlands. It also reached number one in New Zealand, becoming Rihanna's third number one single, and her first since "Umbrella". On August 23, 2009 "Disturbia" was certified Platinum, for selling over 15,000 copies. In Australia, it managed to reach number six. It was certified Gold on the downloads alone, before the physical release several weeks later, when it was subsequently certified Platinum.

## Music video

### Background

The music video for "Disturbia" was filmed in Los Angeles, California. Originally, it was reported that the video was directed by American photographer and director, David LaChapelle, who previously directed Christina Aguilera's "Dirrty" (2002) and Gwen Stefani's "Rich Girl" (2004). However, later sources surfaced stating that the video was directed by Rihanna's long collaborator Anthony Mandler, who previously directed her music videos for "Shut Up and Drive" (2007), "Hate That I Love You" (2007) and "Take a Bow" (2008). Rihanna also co-directed the video, becoming her second work after the co-direction for the 2007 single "Don't Stop the Music". The "Disturbia" music video, was released exclusively on iTunes on July 22, 2008.

### Synopsis and reception

The music video for "Disturbia" begins in a surrealistic, circus-like torture chamber where Rihanna is seen dressed in black, wearing dark make-up and long black nails while she presses the keys of a big dark piano and looks into the camera. As the song starts different images of Rihanna are shown. In one of the scenes, she is seen imprisoned wearing lenses that make it look as if her eyes have rolled into the back of her head. Rihanna stays in the prison with two men watching on her from both sides. Other scenes include Rihanna sitting on a throne chair and singing the song, while two strange women (one is played by American drag queen Detox Icunt) surround her. Then, multiple people around her are holding her in front of a gas chamber. As the chorus starts, Rihanna is seen tied up in a bed from which she can't escape. During the song's bridge, Rihanna and her dancers perform a *Thriller*-esque dance routine. As the second verse starts, Rihanna is seen holding a column and fire is around her. As the song continues, Rihanna drags a man doll around a metal web. In the second chorus, she wears metal spines while tarantulas are all over her body. Also her hands are being stuck in the wall and her legs in the floor creating a disturbing and shocking image for the viewers. In the later scene, Rihanna is in a very tiny room, with her hands and legs being tied up. The video ends with Rihanna turning around in her chair.

According to Tamar Anitai from MTV Buzzworthy, "Disturbia" is "yin to the yang of Chris Brown's 'Wall to Wall' which features creepy-crawly chicks climbing the walls in latex." He later, listed the video at number five on the "Buzzworthy's Top 5 Most Paranoid Music Videos" stating: "In Rihanna's 'Disturbia' video, obsession manifests itself in freaky-deaky tarantulas, wigs, wolves, and a creepy dude in an eye patch. And S&M-y corsets. Paranoia never looked so supernaturally sexy!". Simon Vozick-Levinson from *Entertainment Weekly* also reviewed the video commenting: "It looks like she accidentally wandered into Nine Inch Nails' 'Closer' video, or else some sort of freaky Victorian mental hospital". He later continued saying that the video is not what he expected from a dance-pop song, but that "it's also cool that Rihanna is trying something new." Jillian Mapes of *Billboard* wrote that in the video, Rihanna created "a memorable and edgy image akin more to Marilyn Manson than her Top 40 colleagues." The video was voted the sixth-best music video of the 2000s in a *Billboard* poll.

## Live performances

Rihanna performed "Disturbia" for first time at the 2008 MTV Video Music Awards. The song opened the show, and was performed after Britney Spears' opening speech. Rihanna performed it while revealing a leather "goth inspired" outfit. Together with the dancer troops, she performed a *Thriller* inspired dance, with glow sticks and leather props being used through the performance. About the performance, Brian Orloff from *People* commented that "after Britney left, the stage was ceded to a futuristic-looking Rihanna, who launched into her hit 'Disturbia' with a goth-theme." In 2011, according to poll made by *Billboard*, the performance was the tenth best ever on the MTV Video Music Awards. On September 19, 2008, Rihanna went to France, to perform "Disturbia" at *Star Academy France*. Following the performance of the song, *Good Girl Gone Bad: Reloaded* soared from number forty-three to number eleven and peaked at number eight the following week, becoming Rihanna's first album to reach the top ten in France. Rihanna also performed "Disturbia" at the NFL Pepsi Smash Super Bowl Bash in Tampa, Florida held the Thursday and Friday prior to the 2009 Super Bowl. It was the first song on the set-list that also featured other songs from her latest release *Good Girl Gone Bad*. The performance of the song featured a sample from White Stripes song "Seven Nation Army" and flames that shot up across the front of the stage.

Following the release of her fourth studio album *Rated R* (2009), Rihanna held a *Nokia* promotional concert at Brixton Academy in London. Rihanna performed the song as part of a set list, which included some songs from the new release: "Russian Roulette", "Wait Your Turn" and "Hard", the latter of which Rihanna was joined on stage by Young Jeezy, to perform the song together. However, during the set, Rihanna also performed other songs from *Good Girl Gone Bad*, including "Don't Stop the Music" and "Take a Bow". On February 5, 2010, Rihanna performed at the Pepsi Super Bowl in Miami, Florida, performing "Disturbia" in a medley with other songs including "Russian Roulette" and "Wait Your Turn". In February 2010 she also recorded an AOL Sessions, where she performed the song together with other tracks including "Hard", "Rude Boy" and "Take a Bow".

Rihanna performed "Disturbia" on her three major tours: Good Girl Gone Bad (2007—09), Last Girl on Earth (2010—11) and the Loud Tour (2011). The song was added on the Good Girl Gone Bad Tour set list during the Australasian leg of the tour. It was the opening song, performed only after the intro on the tour. Rihanna also performed "Disturbia" on her second major concert tour, Last Girl on Earth Tour. Rihanna performed a slower ballad remix tempo of the song, surrounded by three big four-legged insect monsters as she crawled on the floor to escape while singing it. About the performance Lisa Wilton from *Calgary Sun* commented that: "Rihanna's goth side came out – and by 'goth side' I mean she sang alongside dancers dressed as freaky, giant spiders – during the darker dancefloor anthem, 'Disturbia'." On her Loud Tour, Rihanna performed "Disturbia" as second track, only after the opening song "Only Girl (In the World)". Rihanna performed the song in a brightly colored sequined bikini, while partially been dragging on a moveable floor. Rob Williams from *Winnipeg Free Press* stated: "Rihanna dropped her blue coat to reveal a jewel-encrusted bikini for 'Disturbia'. It was the first of numerous costume changes that showed off her fashion sense and plenty of skin." Rihanna performed "Disturbia" at Radio 1's Hackney Weekend on May 24, 2012, as the second song on the setlist.

## Formats and track listing

## Credits and personnel

Credits are taken from *Good Girl Gone Bad: Reloaded* liner notes.

* Lead Vocals by Rihanna
* Backing vocals by Andre Meritt and Chris Brown
* Written and composed by Andre Meritt, Chris Brown, Brian Kennedy and Robert Allen
* Produced by Brian Kennedy
* Recorded at the Rocky Mountain Recorders in Denver, Colorado
* Recorded by Andrew Vastola
* Vocal Production by Makeba Ridick
* Mixed by Phil Tan
    + Assistant (s): Carlos Oyanedel

## Charts

## Certifications and sales

Certifications and sales for "Disturbia"
| Region | Certification | Certified units/sales |
| --- | --- | --- |
| Australia (ARIA) | 3× Platinum | 210,000^ |
| Belgium (BEA) | Gold |  |
| Brazil (Pro-Música Brasil) | 2× Platinum | 120,000 |
| Canada
*Digital downloads* |  | 145,000 |
| Denmark (IFPI Danmark) | Platinum | 15,000^ |
| Germany (BVMI) | 3× Gold | 450,000 |
| Italy (FIMI) | Gold | 35,000 |
| New Zealand (RMNZ) | Platinum | 15,000* |
| Spain (PROMUSICAE) | Gold | 30,000 |
| Spain (PROMUSICAE)
*Ringtone* | Platinum | 20,000* |
| Sweden (GLF) | Gold | 10,000 |
| United Kingdom (BPI) | 2× Platinum | 1,200,000 |
| United States (RIAA) | 7× Platinum | 7,000,000 |
| * Sales figures based on certification alone.
^ Shipments figures based on certification alone.
Sales+streaming figures based on certification alone.
 | | |

## Release history

Release dates and formats for "Disturbia"
| Region | Date | Format | Label | Ref. |
| --- | --- | --- | --- | --- |
| United States | June 17, 2008 | Contemporary hit radio | Def Jam |  |
| | June 24, 2008 | | | Rhythmic radio |
| United States | August 5, 2008 | | Digital download (Remixes) |  |
| Germany | September 26, 2008 | | Enhanced CD |  |
| Australia | September 29, 2008 | | Digital download |  |
| Germany | October 3, 2008 | | CD |  |
| France | | | October 20, 2008 |  |

## InfoBox

| "Disturbia" | |
| --- | --- |
|  | |
| Single by Rihanna | |
| from the album  *Good Girl Gone Bad: Reloaded* | |
| Released | June 17, 2008 (2008-06-17) |
| Recorded | April 2008 |
| Studio | Rocky Mountain Recorders (Denver, Colorado) |
| Genre |  |
| Length | 3:59 |
| Label |  |
| Songwriter(s) |  |
| Producer(s) |  |
| Rihanna singles chronology | |
| "If I Never See Your Face Again"
(2008) "**Disturbia**"
(2008) "Live Your Life"
(2008) | |
|  | |
| Music video | |
| "Disturbia" on YouTube | |
|  | |


title: Disturbia (EP)

abstract: Disturbia is the second EP by Australian metalcore band Void of Vision, released on 10 November 2017 by UNFD. It is their first EP released under label. It was self-produced by the band with assistance from Drew Fulk. The EP did not feature bassist Matt Thompson despite his last performance being after its release.

text:
# Disturbia (EP)

***Disturbia*** is the second EP by Australian metalcore band Void of Vision, released on 10 November 2017 by UNFD. It is their first EP released under label. It was self-produced by the band with assistance from Drew Fulk. The EP did not feature bassist Matt Thompson despite his last performance being after its release.

## Background and promotion

On 9 November 2017, the single "Ghost in the Machine" was released alongside an accompanying music video. The EP was then released the next day. From 17–25 November, Void of Vision co-headlined with Woolongong metalcore band Graves for their farewell tour. They performed at venues across Brisbane, Newcastle, Sydney, Wollongong, Adelaide and Melbourne.

On 12 January 2018, *Disturbia* received a limited physical release of 500 vinyl EPs.

## Writing and composition

"Spite" was described as being a statement of "Look what you’ve done to you and I" and as "is waves of aggression with a certain someone being dealt a brutal serve." "Ghost in the Machine" is described as being about one's personal demons trying to stay hidden and self-reflection. "You Will Bring Me Down" chronicles a relationship gone sour and the need to erase everything about them. "Grey Area" was likened to giving a "You’re going to watch what you’ve done to me" vibe.

Speaking on how all the song's connect, vocalist Jack Bergin said: "There is no particular theme for the EP, this was really for an experience I wanted myself to have, seeking the hopeful relief of facing my own demons. In the most unselfish way possible, I wrote this EP for myself, because I needed to." The EP's genre has been described as metalcore and hardcore.

## Critical reception

Professional ratings
| Review scores | |
| --- | --- |
| Source | Rating |
| *Beat* | 8/10 |
| *KillYourStereo* | 75/100 |
| *Metal Noise* | 8/10 |

The EP received positive reviews. Jonty Cornford from *KillYourStereo* in a mostly positive review said: "With two great tracks, one decent track and one disappointment, ‘Disturbia’ does fall short of expectations for me, but there is still a lot to be loved here." *Beat* magazine gave it a positive review and said: "Less surprising is that it meets these expectations with flying colours and manages to do so with just four songs." *Metal Noise* criticised it for being too short, however praising it: "at four songs it leaves you wanting more."

In a positive review from *Depth* magazine, Kel Burch said: "Void Of Vision have done an impressive job of keeping intensity high and messages sincere through the entire of *Disturbia*."

## Track listing

Track listing adapted from Spotify.

| No. | Title | Writer(s) | Length |
| --- | --- | --- | --- |
| 1. | "Spite" | Jack Bergin, James McKendrick | 1:29 |
| 2. | "Ghost in the Machine" | Bergin, McKendrick, Jon Deiley, Sam Bassal | 2:56 |
| 3. | "You Will Bring Me Down" | Drew Fulk, Bergin, McKendrick | 3:15 |
| 4. | "Grey Area" | Bergin, McKendrick, Deiley, Bassal | 3:37 |
| Total length: | | | 11:17 |

## Personnel

Credits adapted from Facebook.

Void of Vision Addition personnel * Drew Fulk – production, mixing, mastering
* Jon Deiley – additional production
* Sam Bassal – additional production, recording
* Darren Oorloff – album artwork

## InfoBox

| Disturbia | |
| --- | --- |
|  | |
| EP by Void of Vision | |
| Released | 10 November 2017 |
| Recorded | 2017 |
| Genre |  |
| Length | 11:17 |
| Label | UNFD |
| Producer |  |
| Void of Vision chronology | |
| *Children of Chrome*
(2016) ***Disturbia***
(2017) *Hyperdaze*
(2019) | |
|  | |
| Singles from  *Disturbia* | |
| 1. "Ghost in the Machine"
Released: 9 November 2017 | |
|  | |


abstract: Disturbia: Original Motion Picture Soundtrack is a soundtrack to the film of the same name directed by D. J. Caruso. It was released on March 4, 2007 in the United States and Canada by Lakeshore Records.

text:
# Disturbia: Original Motion Picture Soundtrack

***Disturbia: Original Motion Picture Soundtrack*** is a soundtrack to the film of the same name directed by D. J. Caruso. It was released on March 4, 2007 in the United States and Canada by Lakeshore Records.

## Reception

Professional ratings
| Review scores | |
| --- | --- |
| Source | Rating |
| AllMusic |  |
| *Empire* |  |
| Soundtrack.net |  |

*Disturbia: Original Motion Picture Soundtrack* received generally mixed reviews from most music critics. A review in *AllMusic* wrote: "For his score to the 2007 surprise hit thriller *Disturbia*, composer Geoff Zanelli created moody, nuanced orchestral pieces that both heighten the film's drama and reveal a delicate sensitivity. With its elegant and evocative tracks, this album marks Zanelli as a promising film-score composer, and works as an excellent counterpoint to the eclectic, pop-oriented *Disturbia* soundtrack."

Kat Brown of *Empire Online* gave the soundtrack three stars out of five, he wrote: "Crafted from the age-old frat-boy building blocks of alt-rock, rap and warbling balladry, Shia LaBeouf's suburban-hell ordeal threatens to infect its own soundtrack before being rescued by some last-minute class. The initial outlook is depressing: a cheery opener from beach-punks Nada Surf is squashed by soggy dirges from This World Fair and Guster, while Afroman's "Because I Got High" is so linked to Jay and Silent Bob that it sounds like we've temporarily jumped film. Some judicious use of the skip button improves matters considerably, with eerie reggae from Berlin producers Noiseshaper and the sweet tones of singer-songwriter Priscilla Ahn segueing perfectly into Thomas J. Mitchell's classic "Loving You", before Lou Rawls takes us far, far away from little white picket fences and into the big city with "You'll Never Find Another Love Like Mine".

Matt Millstein of *Soundtrack.net* gave the soundtrack two-and-a-half stars out of five, stating that "the song soundtrack to D. J. Caruso's recent suspense thriller *Disturbia* suffers the fate of many recent song soundtracks; it feels lackluster and thrown together. There's no flow, no common thread. It's like when your friend gives you a CD mix that is so eclectic that you can't get your head around; you find a few songs that you like and discard the rest. The *Disturbia* soundtrack is one of those confusing mixes. From the smooth soul sounds of Lou Rawls, to the college pop of Guster, to the whiskey drenched rock n' roll of Buckcherry, and the space funk of Cee-Lo Green's "Love Stink, this soundtrack is all over the map. The original song written for the film, "Don't Make Me Wait" by This Worlds Fair was co-written by the film's composer, Geoff Zanelli, and integrates the love theme from the film, but with a good album there needs to be some kind of focus or theme and a general flow from song to song, unfortunately there isn't one here."

## Track listing

| No. | Title | Performer | Length |
| --- | --- | --- | --- |
| 1. | "Always Love" | Nada Surf | 3:16 |
| 2. | "Don't Make Me Wait" | This World Fair | 3:47 |
| 3. | "One Man Wrecking Machine" | Guster | 4:13 |
| 4. | "Whoa Now" | Louque | 4:02 |
| 5. | "Gangsta Boogie" | Love Stink | 4:06 |
| 6. | "Next 2 You" | Buckcherry | 3:25 |
| 7. | "Because I Got High" | Afroman | 4:23 |
| 8. | "We Love Reggae" | Noiseshaper | 4:07 |
| 9. | "Dream" | Priscilla Ahn | 3:29 |
| 10. | "The Great American Napkin" | The Summer Skinny | 3:04 |
| 11. | "Lovin' You" | Minnie Riperton | 3:23 |
| 12. | "You'll Never Find Another Love Like Mine" | Lou Rawls | 4:25 |
| Total length: | | | 45:46 |

"Taper Jean Girl" by Kings Of Leon and "Lonely Day" by System of a Down are not featured on the soundtrack even though they are in the film.

## InfoBox

| Disturbia: Original Motion Picture Soundtrack | |
| --- | --- |
|  | |
| Soundtrack album by Various Artists | |
| Released | March 4, 2007 |
| Recorded | 2006–2007 |
| Genre | Pop, rock, rap |
| Length | 45:46 |
| Label | Lakeshore |
| Producer | Brian McNelis<br>Skip Williamson |


title: Agromyza pudica

abstract: Agromyza pudica is a species of leaf miner flies in the family Agromyzidae.

text:
# Agromyza pudica

***Agromyza pudica*** is a species of leaf miner flies in the family Agromyzidae.

## InfoBox

| *Agromyza pudica* | |
| --- | --- |
|
| Scientific classification | |
| Domain: | Eukaryota |
| Kingdom: | Animalia |
| Phylum: | Arthropoda |
| Class: | Insecta |
| Order: | Diptera |
| Family: | Agromyzidae |
| Genus: | *Agromyza* |
| Species: | ***A. pudica*** |
| Binomial name | |
| ***Agromyza pudica***<br>(G. B. Sowerby I, 1828) | |
|


title: Agustín Pardella

abstract: Agustín Pardella is an Argentine actor and singer. Pardella started his career in 2011, and has been nominated for and won several awards.

text:
# Agustín Pardella

**Agustín Pardella** (Buenos Aires, January 12, 1994) is an Argentine actor and singer. Pardella started his career in 2011, and has been nominated for and won several awards.

## Biography

Pardella's actorial debut was in 2011 as a teenager in the film *Un amor*, directed by Paula Hernández, alongside Diego Peretti, Elena Roger, and Luis Ziembrowski.

Pardella was nominated for the Silver Condor Award for Best New Actor (Revelación Masculina) 2017 for the film *Como una novia sin sexo*.

In 2017, he won three awards for the dramatic film *Pinamar* with Juan Grandinetti, directed by Federico Godfrid. He also acted in the film *Los olvidados*, which premiered in March 2018 in Argentina. It won four awards in several film festivals throughout the Americas and Europe.

He has won various awards for his work in Pinamar: Golden Kikito Award for Best Actor (Kikito de Ouro) at the August 2017 Festival de Gramado in Brazil, Patacon Award for Best Actor (Premio Patacón a Mejor Actor) at the 2017 Festival Tandil Cine, which was awarded by SAGAI. He got a special mention by a judge at the 2017 XV Tandil Cine. In 2019, he was a juror at the Mar del Plata International Film Festival

After many years in film and TV, he made his theatrical debut in *Fraternal*, in Método Kairos.

In 2018, he starred in Martín Deus's film *Los Enanos*, in the Porteño Theater. In 2020, he appeared in the film *Ámbar*.

### Society of the Snow

A breakthrough in Pardella's career was in 2023, when he portrayed Nando Parrado, one of the survivors of Uruguayan Air Force Flight 571 in the film *Society of the Snow* (*La sociedad de la nieve*). The film, directed by Juan Antonio Bayona, was nominated for the Academy Award for Best International Feature Film at the 96th Academy Awards. Pardella underwent intense physical and mental preparation, which was essential to give life to the drama experienced by the character. He explored an intimate relationship with Parrado in order to portray his extreme real-life experiences surviving 72 days in the snow. Further, he had to gain 10 kilos to start filming, and then lose 15 kilos, in order to show the physical deterioration suffered by Parrado.

Pardella and his co-stars described shooting the film as an emotional challenge. After meeting Parrado in person, Pardella stated: "What can I say about my favorite superhero? Oh, I know… he is made of flesh and blood, human, he does not have super powers and his name is Nando Parrado."

## Filmography

### Film

| **Year** | **Title** | **Role** | **Notes** |
| --- | --- | --- | --- |
| 2011 | *Un amor* | Lalo (adolescent) |  |
| 2012 | *It happens* |  | Short film |
| 2014 | *Abril* | Pablo | Short film |
| 2015 | *Francisco: El padre Jorge (Francis: Pray For Me)* | Cacho |  |
| 2016 | *Como una novia sin sexo (Bromance)* | Adrián Aued |  |
| 2017 | *Pinamar* | Miguel |  |
| | *Los olvidados* | Diego |  |
| 2018 | *La religiosa* |  | Short film |
| 2020 | *Ámbar* | Junior |  |
| 2023 | *La sociedad de la nieve (Society of the Snow)* | Nando Parrado |

### Television

| **Year** | **Titles** | Role | **Nates** |
| --- | --- | --- | --- |
| 2012-2013 | *Mi amor, mi amor* | Ariel Dalton |  |
| 2012 | *Condicionados* | Rodrigo |  |
| 2013 | *Los vecinos en guerra* | Nahuel |  |
| | *Esa mujer* | Manuel |  |
| 2014-2016 | *La casa del mar* | Martín Meléndez |  |
| 2015 | *Noche y día* | Manuel Pablo Otoño |  |
| 2016, 2022 | *Loco por vos* | Víctor Sarkissián |  |
| 2017 | *Las Estrellas* | Ciro |  |
| 2018 | *Simona* | Ambientalista |  |
| | *El lobista (The Lobbyist)* | Nicolás |  |
| 2018-2019 | *Todo por el juego* | Germán |  |
| 2022 | *Cielo grande (Secrets of Summer)* | Noda |  |

## Awards and nominations

| Year | Award | Category | Film | Result |
| --- | --- | --- | --- | --- |
| 2017 | Silver Condor Award | Best New Actor | *Bromance* | Nominated |
| 2017 | Festival de Gramado | Kikito de Ouro for Best New Actor | *Pinamar* | Won |
| 2017 | Tandil Cine Festival | Patacon Award for Best Actor | *Pinamar* | Won |
| | | Jury Special Mention | *Pinamar* | Won |
|


title: Agrilinus ater

abstract: Agrilinus ater is a species of beetle in family Scarabaeidae, found in the Palearctic. It is a mid-successional species of sheep and cattle dung This species was formerly a member of the genus Aphodius.

text:
# Agrilinus ater

***Agrilinus ater*** is a species of beetle in family Scarabaeidae, found in the Palearctic. It is a mid-successional species of sheep and cattle dung

This species was formerly a member of the genus *Aphodius*.

## InfoBox

| *Agrilinus ater* | |
| --- | --- |
|  | |
|
| Scientific classification | |
| Domain: | Eukaryota |
| Kingdom: | Animalia |
| Phylum: | Arthropoda |
| Class: | Insecta |
| Order: | Coleoptera |
| Family: | Scarabaeidae |
| Genus: | *Agrilinus* |
| Species: | ***A. ater*** |
| Binomial name | |
| ***Agrilinus ater***<br>(Degeer, 1774) | |
|
| Synonyms | |
| * *Aphodius ater* (De Geer, 1774) | |


title: Aion (Dead Can Dance album)

abstract: Aion is the fifth studio album by the Australian band Dead Can Dance, released on 11 June 1990 by 4AD. The first album Lisa Gerrard and Brendan Perry wrote after the end of their romantic partnership, it was recorded at Perry's new estate, Quivvy Church in Ireland, with additional recording on "The Arrival and the Reunion" and "The End of Words" taking place at Woodbine Street Recording Studios in Leamington Spa. On this album, Dead Can Dance explored early music to a greater degree, including medieval music and Renaissance music, as Perry noted, "synonymous with the Bosch period"; this included pieces like the 14th-century Italian dance instrumental ("Saltarello") and 16th-century Catalan ballad, lyrics from 17th-century Spanish baroque poet Luis de Góngora, and instrumentation such as hurdy-gurdy and viols. The male soprano David Navarro Sust contributed vocals to tracks 1 and 7. The album cover shows a detail from the Dutch painter Hieronymus Bosch's triptych The Garden of Earthly Delights.

text:
# Aion (Dead Can Dance album)

Professional ratings
| Review scores | |
| --- | --- |
| Source | Rating |
| AllMusic |  |
| *Chicago Tribune* |  |
| *Los Angeles Times* |  |
|  |  |
| *Select* | 4/5 |

***Aion*** is the fifth studio album by the Australian band Dead Can Dance, released on 11 June 1990 by 4AD. The first album Lisa Gerrard and Brendan Perry wrote after the end of their romantic partnership, it was recorded at Perry's new estate, Quivvy Church in Ireland, with additional recording on "The Arrival and the Reunion" and "The End of Words" taking place at Woodbine Street Recording Studios in Leamington Spa.

On this album, Dead Can Dance explored early music to a greater degree, including medieval music and Renaissance music, as Perry noted, "synonymous with the Bosch period"; this included pieces like the 14th-century Italian dance instrumental ("Saltarello") and 16th-century Catalan ballad ("The Song of the Sibyl"), lyrics from 17th-century Spanish baroque poet Luis de Góngora ("Fortune Presents Gifts Not According to the Book"), and instrumentation such as hurdy-gurdy and viols. The male soprano David Navarro Sust contributed vocals to tracks 1 and 7.

The album cover shows a detail from the Dutch painter Hieronymus Bosch's triptych *The Garden of Earthly Delights* (specifically, its central "Earth" panel).

## Track listing

| No. | Title | Length |
| --- | --- | --- |
| 1. | "The Arrival and the Reunion" | 1:38 |
| 2. | "Saltarello" | 2:33 |
| 3. | "Mephisto" | 0:54 |
| 4. | "The Song of the Sibyl" | 3:45 |
| 5. | "Fortune Presents Gifts Not According to the Book" | 6:03 |
| 6. | "As the Bell Rings the Maypole Spins" | 5:16 |
| 7. | "The End of Words" | 2:05 |
| 8. | "Black Sun" | 4:56 |
| 9. | "Wilderness" | 1:24 |
| 10. | "The Promised Womb" | 3:22 |
| 11. | "The Garden of Zephirus" | 1:20 |
| 12. | "Radharc" | 2:48 |

## Personnel

Personnel adapted from *Aion* liner notes.

### Dead Can Dance

* Lisa Gerrard – vocals, instrumentation, production
* Brendan Perry – vocals, instrumentation, production, design

### Additional personnel

* David Navarro Sust – vocals (tracks 1 and 7)
* John Bonnar – keyboards (track 5), co-arrangements (tracks 2 and 5)
* Robert Perry – bagpipes (tracks 2 and 6)
* Andrew Robinson – bass viol (track 10)
* Anne Robinson – bass viol (track 10)
* Honor Carmody – tenor viol (track 10)
* Lucy Robinson – tenor viol (track 10)
* Luis de Góngora – words (track 5)

## Charts

Chart performance for *Aion*
| Chart (1990) | Peak
position |
| --- | --- |
| Dutch Albums (Album Top 100) | 64 |

## InfoBox

| Aion | |
| --- | --- |
|  | |
| Studio album by Dead Can Dance | |
| Released | 11 June 1990 (1990-06-11)
8 February 1994 (USA) |
| Genre | Neoclassical dark wave, medieval music |
| Length | 36:11 |
| Label | 4AD
4AD/Warner Bros. Records
45575 |
| Dead Can Dance chronology | |
| *The Serpent's Egg*
(1988) ***Aion***
(1990) *A Passage in Time*
(1991) | |


title: Agylla (moth)

abstract: Agylla, also formerly known as Churinga, is a genus of moths in the subfamily Arctiinae. The genus was erected by Francis Walker in 1854.

text:
# Agylla (moth)

***Agylla***, also formerly known as ***Churinga***, is a genus of moths in the subfamily Arctiinae. The genus was erected by Francis Walker in 1854.

## Species

## InfoBox

| *Agylla* | |
| --- | --- |
|  | |
| *Agylla pulchristriata* | |
|
| Scientific classification | |
| Domain: | Eukaryota |
| Kingdom: | Animalia |
| Phylum: | Arthropoda |
| Class: | Insecta |
| Order: | Lepidoptera |
| Superfamily: | Noctuoidea |
| Family: | Erebidae |
| Subfamily: | Arctiinae |
| Subtribe: | Lithosiina |
| Genus: | *Agylla*<br>Walker, 1854 |
|
| Synonyms | |
| * *Salapola* Walker, 1863 * *Crambomorpha* Felder, 1874 * *Macrocrambus* Kirby, 1892 | |


title: Agylla corcovada

abstract: Agylla corcovada is a moth of the family Erebidae. It was described by William Schaus in 1894. It is found in Rio de Janeiro and Bolivia.

text:
# Agylla corcovada

***Agylla corcovada*** is a moth of the family Erebidae. It was described by William Schaus in 1894. It is found in Rio de Janeiro and Bolivia.

## InfoBox

| *Agylla corcovada* | |
| --- | --- |
|
| Scientific classification | |
| Domain: | Eukaryota |
| Kingdom: | Animalia |
| Phylum: | Arthropoda |
| Class: | Insecta |
| Order: | Lepidoptera |
| Superfamily: | Noctuoidea |
| Family: | Erebidae |
| Subfamily: | Arctiinae |
| Genus: | *Agylla* |
| Species: | ***A. corcovada*** |
| Binomial name | |
| ***Agylla corcovada***<br>(Schaus, 1894) | |
|
| Synonyms | |
| * *Crambidia corcovada* Schaus, 1894 | |


title: Agrotis robustior

abstract: Agrotis robustior is a moth of the family Noctuidae first described by Smith in 1899. It is found on the northern Great Plains of North America, the Prairie Provinces of Canada southward to South Dakota and Colorado. The wingspan is about 40 mm.

text:
# Agrotis robustior

***Agrotis robustior*** is a moth of the family Noctuidae first described by Smith in 1899. It is found on the northern Great Plains of North America, the Prairie Provinces of Canada southward to South Dakota and Colorado.

The wingspan is about 40 mm.

* "Species Details *Agrotis robustior*". *University of Alberta Museums*. E.H. Strickland Entomological Museum. Retrieved November 15, 2020.
* "933514.00 – 10650 – *Agrotis robustior* – (Smith, 1899)". *North American Moth Photographers Group*. Mississippi State University. Retrieved November 15, 2020.
* "*Agrotis robustior* (Smith 1899)". *Moths of North Dakota*. Retrieved November 15, 2020.

## InfoBox

| *Agrotis robustior* | |
| --- | --- |
|  | |
|
| Scientific classification | |
| Domain: | Eukaryota |
| Kingdom: | Animalia |
| Phylum: | Arthropoda |
| Class: | Insecta |
| Order: | Lepidoptera |
| Superfamily: | Noctuoidea |
| Family: | Noctuidae |
| Genus: | *Agrotis* |
| Species: | ***A. robustior*** |
| Binomial name | |
| ***Agrotis robustior***<br>Smith, 1899 | |
|
| Synonyms | |
| * *Feltia robustior* | |


title: Djinn (novel)

abstract: Djinn is a novel by French writer Alain Robbe-Grillet. It was written as a French textbook with California State University, Dominguez Hills professor Yvone Lenard using a process of grammatical progression. Each chapter covers a specific element of French grammar which becomes increasingly difficult over the course of the novel. The first five chapters are written in the present tense from the first person point of view. The sixth chapter is written partially in the third person past and partially in the first person present. The eighth chapter is written in the first person point of view, but the narrator has changed from the masculine Simon Lecoeur to an unknown female narrator. The work was first released in the United States with the title Le Rendez-vous with Robbe-Grillet and Lenard as co-authors. As originally planned, Le Rendez-vous contained questions at the end of each chapter. The same year, Robbe-Grillet re-released the text, removing the questions and adding a prologue and an epilogue to frame the story. A year later, the novel was translated into English by Lenard and Walter Wells, also of California State University, Dominguez Hills.

text:
# Djinn (novel)

***Djinn*** is a novel by French writer Alain Robbe-Grillet. It was written as a French textbook with California State University, Dominguez Hills professor Yvone Lenard using a process of grammatical progression. Each chapter covers a specific element of French grammar which becomes increasingly difficult over the course of the novel. The first five chapters are written in the present tense from the first person point of view. The sixth chapter is written partially in the third person past and partially in the first person present. The eighth chapter is written in the first person point of view, but the narrator has changed from the masculine Simon Lecoeur to an unknown female narrator.

The work was first released in the United States with the title *Le Rendez-vous* (*The Meeting*) with Robbe-Grillet and Lenard as co-authors. As originally planned, *Le Rendez-vous (The Meeting)* contained questions at the end of each chapter. The same year, Robbe-Grillet re-released the text, removing the questions and adding a prologue and an epilogue to frame the story. A year later, the novel was translated into English by Lenard and Walter Wells, also of California State University, Dominguez Hills.

## Plot introduction

In many ways, *Djinn* resembles a detective fiction novel; yet at the same time, it is difficult to class as such. It tells the story of Simon Lecoeur, a thirty-year-old man, who allies himself with an American woman named Jean (Djinn) to act as a counteragent to technology. Djinn/Jean seems to lead Simon on a wild chase through Paris, but as with many of Robbe-Grillet's other works, all is not as it appears.

The plot of *Djinn* is surrounded by a frame story, a technique that Robbe-Grillet also employed in his novel *Dans le Labyrinthe* (1959). The police search the home of the narrator, supposed to be Simon Lecoeur, and find the manuscript lying on the desk. The manuscript is named *Le Rendez-vous* (*The Appointment*), which differs from the name of the novel.

### Explanation of the novel's title

While the title *Djinn* seems to allude to a Genie or mystical spirit, it instead refers to the lead woman of the novel, Jean. In French, the name spelled *Jean* is pronounced \[ʒɑ̃\] and is the equivalent of the male name "John". The English pronunciation of *Jean* might be written more like *djinn* in French.

The name also takes on a certain ambiguity in the work. One of Simon Lecoeur's aliases is "Yann" or "Jan", which is another form of "John" (French: *Jean*). Simon Lecoeur remarks that Djinn/Jean physically reminds him of a fictional actress "Jane Frank" ("Jane" being a feminine form of "John" or "*Jean*"). The young boy that Simon meets in the Rue Vercingetorix III is named "Jean." Little Marie's mother is named "Jeanne."

## Plot summary

The Prologue opens with what we assume to be a police report. Simon Lecoeur has been reported missing for several days, so the authorities break into his apartment where they find a manuscript lying on the table. The contents of the manuscript are revealed in the following chapters.

The narrator, responding to a newspaper ad, goes to a deserted industrial park to meet his potential boss, Jean. The narrator assumes that Jean is a man and sees him at the end of a building dressed in a coat, hat, and dark glasses. "Monsieur Jean" turns out to be an American woman. Djinn/Jean asks the narrator to join her social cause, and as proof of his fidelity, she asks him to meet someone at the Parisian train station, the Gare du Nord. The narrator stops at a café on his way to the train station. There, a young student tells him that he is going to be late and suggests a short-cut. The narrator assumes that this woman is one of Djinn/Jean's agents, as she seems to know who he is and where he is going.

He leaves and takes the short cut, which leads him through the Rue Vercingetorix III, a street name that cannot possibly exist. There, he sees a boy run into the street and fall down as if dead. The narrator decides to help, and he carries the boy into the nearest building. The narrator meets the boy's sister, Marie, who tells him that her brother Jean "dies" frequently. The narrator takes this to mean that the boy is subject to some kind of seizure. The narrator asks about the boy and the girl's parents, and the girl shows the narrator a photograph of a Russian sailor who died at sea and whom she claims is their father. Marie gives the narrator a letter written by Djinn/Jean. In it, he reads that the train station destination was in reality meant to be nothing more than a wild goose chase.

The boy wakes up, and the two children lead the narrator to a café. At the café, Marie asks the narrator to tell a story. When the narrator is unable to come up with a story that meets her specifications, she proceeds to tell her own tale. The time comes for the narrator to leave with Jean. He is made to wear dark glasses and carry a cane as if he were blind. Jean is his guide, and they get into a taxi. In the taxi, Jean gives the narrator a drug that makes him sleep. When he awakes, he is led into a large room with other people. He hears Djinn/Jean's voice explain their mission, which is to fight against machinery of all kinds. She warns that robots and computers will control the earth.

The narrator manages to move the glasses while scratching his nose, and he sees that there are many other young men just like him, with dark glasses, canes, and little boys as guides. He also realizes that Djinn/Jean is not present. They are listening to a tape recording of her voice. The man next to him attempts to communicate something, but the narrator is knocked unconscious. The narrator (who is finally revealed as Simon Lecoeur) wakes up and has no memory of what has happened, other than he knows he met with Djinn/Jean and needs to go to the Gare du Nord.

Again, he stops at the same café, which sparks some memory of which he is unsure. The server has changed to a lady named Marie. He notices a picture of a Russian sailor, and Marie remarks that this is her father, who died at sea. Simon notices a cane at the table next to him and decides to pretend like he is blind. He walks out of the café, where a young boy offers to help him on his way to the Gare du Nord. Realizing that they will miss the train from Amsterdam, the two start running, and Simon trips and falls on the boy, who looks as though he were dead.

Simon decides to take the boy into the nearest house. Inside the home, he places the boy on the bed and sees a young woman who looks like Djinn/Jean. She explains that the boy can see visions of the future, and that she and the narrator are not real. They exist only in the boy's dream. She is long-dead, having died in an accident involving machinery and computers. The narrator is alive, but his true self is currently in a meeting across town involving an anti-machinery terrorist organization. She reveals that the narrator will become the boy's father and that he will die at sea.

The narrator is now a woman. She answers a newspaper ad looking for a babysitter. Another applicant comes, and each mistakes the other for the potential employer. She and the other man Simon begin a friendly game where she pretends that she is the employer; and she makes up a story about an anti-industrial terrorist organization as a joke. They go to a café, where they tell stories. She takes a cab to the train station to meet her friend Caroline who is arriving from Amsterdam. Caroline comes with her niece Marie, whose father is a Russian sailor. In the background, the narrator notices the sinister cab driver as well as a blind man being led by a young boy. She feels that the cab driver is surveying her too closely, and she faints. When she awakes, she cannot remember anything other than the fact that she has a meeting with a potential employer in a deserted industrial park. She goes there and sees a man standing at the end of the corridor wearing a coat, a hat, and dark glasses...

In the epilogue, the police have discovered a body matching the description of Djinn/Jean. However, the agent that we assume to be the police in the prologue is revealed to belong to some other counter-organization working against the police investigation. Of all the characters in the manuscript, the only one whose existence can be verified is that of young Marie.

## Characters in "Djinn"

* '**Simon Lecoeur'** \- the primary narrator of chapters 1-7. He is a thirty-something man, revealed in the prologue to be an English teacher at a school in the Rue du Passy in Paris. He is blond with pale colored eyes. He goes by "Yann," "Jan," "Robin Körsimos," and "Boris Koershimen"
* '**Djinn'**/'**Jean'** \- a young American woman from Boston who engages the narrator in her fight against machines. She may also be the narrator of chapter 8. She is tall, blond, and attractive. She may also be androgynous-looking, as the frame story mentions a physical similarity between Djinn/Jean and Simon Lecoeur.
* '**Jean'** \- a boy of about ten. He is first seen in the vacant house with his sister, Marie. He appears again later in the book to guide the narrator to the clandestine meeting with Djinn/Jean's organisation.
* '**Marie'** \- a seven-year-old girl. She is first seen in the vacant house with her brother Jean. She appears later in the book at the Gare du Nord with her aunt, Caroline.
* '**Marie'** \- an older woman who serves at the cafe.
* '**Caroline'** \- a friend of the narrator of chapter 8, possibly Djinn/Jean
* '**Doctor Morgan'** \- a made-up person in a story that Simon Lecoeur tells the female narrator in chapter 8. In the epilogue, Doctor Morgan is revealed to be the doctor at the school where Simon Lecoeur works.
* '**Jeanne'** \- the young Marie's mother. She is only referred to in the text.
* '**Joseph'** \- the young Marie's father. He is only referred to in the text.
* '**Laura'** \- a woman (possibly a mannequin) who appears with Djinn/Jean in the opening chapter of the book.

## Literary significance and reception

Perhaps because of its initial role as a textbook, *Djinn* has been largely disregarded by critics. In particular, critics complain about its artificial means of generating grammatical points and cultural contexts. For example, young Marie specifically asks Simon Lecoeur to tell her a story using the historical past tense. The fact that Djinn/Jean is American also creates opportunities to point out cultural differences that exist between the English and French languages. One example is the difference between the American English first floor (*rez-de-chaussée* in French) and a French *premier étage* (second floor in American English). The usage of formal and informal voice is also explored at length in the narrative.

The Australian composer Lindsay Vickery has written an opera based on the novel.

## Publication history

## Sources, references, external links, quotations

### References

## InfoBox

Djinn
| First edition book cover for *Djinn* (1981) | |
| --- | --- |
| Author | Alain Robbe-Grillet |
| Translator | Yvone Lenard and Walter Wells |
| Language | French |
| Genre | Nouveau Roman |
| Publisher | Editions de Minuit |
| Publication date | March 1981 |
| Publication place | France |
| Published in English | May 1982 |
| Media type | Print |
| ISBN | 978-2-7073-0328-8 (first edition, hardback) |
| OCLC | 11519139 |
| Dewey Decimal | 843/.914 19 |
| LC Class | PQ2635.O117 D54 1981 |


title: Djinn chair

abstract: The Djinn chair is a piece of furniture in the Modernist style, created by French designer Olivier Mourgue in the 1960s. Originally called the "Low fireside chair", it is also commonly referred to as the "2001 chair", because of its prominent appearance in the film 2001: A Space Odyssey.

text:
# Djinn chair

The **Djinn chair** is a piece of furniture in the Modernist style, created by French designer Olivier Mourgue in the 1960s. Originally called the "Low fireside chair", it is also commonly referred to as the "*2001* chair", because of its prominent appearance in the film *2001: A Space Odyssey*.

## History

The Djinn chair is one element of a series of Djinn furniture designed by noted French designer Olivier Mourgue. In 1964 the first piece of the series, a chaise longue, was introduced by *Airborne* in Merignac Cedex, France. The rest of the series was released in 1965, and includes the iconic "Low fireside chair", a two-seat sofa, and a foot stool. The set remained in production until 1976.

The name "Djinn" refers to an Islamic spirit capable of changing shape. The design's low profile was an attempt to emulate the informal lifestyle of the time. The set was introduced during a time when growing interest in Eastern mysticism was influencing Western decorative arts.

## Survivors

The stretch jersey covering used for the Djinn series did not wear well. Worse yet, the polyether foam used in construction of Djinn chairs has a tendency to degrade over time, causing the pieces to become unusable. "Things should have a short life," Mourgue said in 1965, when he was 26.

Djinn chairs were sold worldwide, and in Europe they have become valuable designer collectibles. Values in Europe remain varied depending on condition, with professionally restored chairs selling for $1,000 or more, and sofas for more than $1,800. In the United States the chairs remain largely forgotten, and little effort at restoration has occurred.

A 1964–1965 green Djinn Chaise Longue is in the permanent collection of the Museum of Modern Art in New York City. It was donated by George Tanier, Inc. in 1966.

## InfoBox

Djinn chair
| Djinn chair (left) and sofa | |
| --- | --- |
| Designer | Olivier Mourgue |
| Date | 1964–1965 |
| Materials | Tubular Steel frame. Polyether foam covered in removable nylon jersey. |


title: Djiratawa

abstract: Djiratawa is a village and rural commune in Niger. As of 2012, it had a population of 85,976.

text:
# Djiratawa

**Djiratawa** is a village and rural commune in Niger. As of 2012, it had a population of 85,976.

13°24′N 7°08′E / 13.400°N 7.133°E / 13.400; 7.133

## InfoBox

| Djiratawa | |
| --- | --- |
| Commune and village | |
| Country | Niger |
| Area | |
| Total | 203.5 sq mi (527.1 km2) |
| Population (2012 census) | |
| Total | 85,976 |
| Density | 420/sq mi (160/km2) |
| Time zone | UTC+1 (WAT) |


abstract: Ahja River Valley Landscape Conservation Area is a nature park situated in Põlva County, Estonia. Its area is 11150 ha. The protected area was designated in 1957 to protect the central course of Ahja River and its surrounding areas. In 2014, the protected area was redesigned to the landscape conservation area.

text:
# Ahja River Valley Landscape Conservation Area

**Ahja River Valley Landscape Conservation Area** is a nature park situated in Põlva County, Estonia.

Its area is 11150 ha.

The protected area was designated in 1957 to protect the central course of Ahja River and its surrounding areas. In 2014, the protected area was redesigned to the landscape conservation area.

## InfoBox

| Ahja River Valley Landscape Conservation Area | |
| --- | --- |
|  | |
|  | |
| Location | Estonia |
| Coordinates | 58°07′N 27°03′E / 58.12°N 27.05°E / 58.12; 27.05 |
| Area | 11150 ha |
| Established | 1957 (2014) |


title: Ahkawhtawng

abstract: Ahkawhtawng is a village in Hsawlaw Township in Myitkyina District in the Kachin State of north-eastern Burma.

text:
# Ahkawhtawng

**Ahkawhtawng**  is a village in Hsawlaw Township in Myitkyina District in the Kachin State of north-eastern Burma.

1. Maplandia world gazetteer

## InfoBox

| Ahkawhtawng | |
| --- | --- |
| AhkawhtawngLocation in Burma | |
| Coordinates: 26°42′N 98°26′E / 26.700°N 98.433°E / 26.700; 98.433 | |
| Country | Burma |
| State | Kachin State |
| District | Myitkyina District |
| Township | Hsawlaw Township |
| Population (2005) | |
| Religions | Buddhism |
| Time zone | UTC+6.30 (UTC \+ 6:30) |


title: Anna Henryka Pustowójtówna

abstract: Anna Henryka Pustowójtówna was a Polish activist and soldier, famed for her participation in the January Uprising. She was the daughter of a Polish noblewoman, Marianna Kossakowska, and of a Russian officer, Teofil Pustaya, of Hungarian origin. He later became a general. After convent schooling in Lublin, she attended a finishing school in Pulawy. Despite her mixed parentage, she thought of herself as a Pole. Already in her early twenties she was arrested in 1861 for civil disobedience. She was sentenced to detention in an Orthodox convent in Russia, but she escaped. She made her way to Moldova, where she joined Polish partisans who were forming into units. She became an activist in the Polish independence movement and fought in the January Uprising as adjutant to Commander Marian Langiewicz. She disguised herself as a male soldier and went by the alias "Michał Smok". She was captured and imprisoned by the Austrian authorities and upon release she moved first to Prague, then Switzerland and finally France, where she worked as a nurse in the Paris Commune of 1870. In 1873 she married a physician, Dr. Loewenhardt, whom she had known during the Uprising in Poland. They had four children. After the death of her sister-in-law, she took over the care of the two orphaned children. She died in her sleep in Paris.

text:
# Anna Henryka Pustowójtówna

**Anna Henryka Pustowójtówna** (1838 in Stare Wierzchowiska – 1881 in Paris) was a Polish activist and soldier, famed for her participation in the January Uprising.

She was the daughter of a Polish noblewoman, Marianna Kossakowska, and of a Russian officer, Teofil Pustaya, of Hungarian origin. He later became a general. After convent schooling in Lublin, she attended a finishing school in Pulawy. Despite her mixed parentage, she thought of herself as a Pole. Already in her early twenties she was arrested in 1861 for civil disobedience (singing religious hymns in public). She was sentenced to detention in an Orthodox convent in Russia, but she escaped. She made her way to Moldova, where she joined Polish partisans who were forming into units.

She became an activist in the Polish independence movement and fought in the January Uprising as adjutant to Commander Marian Langiewicz. She disguised herself as a male soldier and went by the alias "Michał Smok".

She was captured and imprisoned by the Austrian authorities and upon release she moved first to Prague, then Switzerland and finally France, where she worked as a nurse in the Paris Commune of 1870. In 1873 she married a physician, Dr. Loewenhardt, whom she had known during the Uprising in Poland. They had four children. After the death of her sister-in-law, she took over the care of the two orphaned children. She died in her sleep in Paris.

## InfoBox

| Anna Henryka Pustowójtówna, Henriette Lovenhardt, "Michał Smok" | |
| --- | --- |
| Anna Henryka Pustowójtówna | |
| Nickname(s) | Michał Smok |
| Born | (1838-07-26)26 July 1838
Stare Wierzchowiska |
| Died | 2 May 1881(1881-05-02) (aged 42)
Paris |
| Montparnasse Cemetery | Paris, France |
| Allegiance | Congress Poland |
| Service/branch | Polish Partisan Army |
| Years of service | 1861 – 1871 |
| Rank | Adjutant |
| Battles/wars | January Uprising: Battle of Małogoszcz, Battle of Pieskowa Skała, Battle of Chroberz, Battle of Grochowiska, Franco-Prussian War, Paris Commune |
| Other work | Nurse in Paris Commune |


title: AfterStep

abstract: AfterStep is a stacking window manager for the X Window System. The goal of AfterStep's development is to provide for flexibility of desktop configuration, improved aesthetics and efficient use of system resources, and was used in such distributions as MachTen. AfterStep originally was a variant of FVWM modified to resemble NeXTSTEP, but as the development cycle progressed, it diverged from its FVWM roots. In 2000, Linux website TuxRadar selected AfterStep as one of the year's best window managers, praising it as "fast and reliable, with a huge range of configuration options and the ability to create some spectacular themes".

text:
# AfterStep

**AfterStep** is a stacking window manager for the X Window System. The goal of AfterStep's development is to provide for flexibility of desktop configuration, improved aesthetics and efficient use of system resources, and was used in such distributions as MachTen. AfterStep originally was a variant of FVWM modified to resemble NeXTSTEP, but as the development cycle progressed, it diverged from its FVWM roots. In 2000, Linux website TuxRadar selected AfterStep as one of the year's best window managers, praising it as "fast and reliable, with a huge range of configuration options and the ability to create some spectacular themes".

## Features

Features of the AfterStep window manager include:

* Stacking windows
* Written in C
* Window decorations include borders and titlebars
* Titlebars have buttons for menu, minimize, maximize and close
* Active applications can be displayed in a taskbar via the winlist module
* Uses the GTK+ toolkit
* Support for modules
* Support for multiple desktops
* Desktop switching via a pager module
* Dependent on Perl and ImageMagick

## Modules

AfterStep includes several modules such as:

AfterStep also supports virtual screens, and relies on a set of text-based configuration files for customizing its appearance.

AfterStep is maintained by a small community of developers with Sasha Vasko serving as project manager.

## InfoBox

AfterStep
|
|  |
|  | |
| Stable release | 2.2.12  / 10 June 2013 |
|  | |
| Repository |  |
| Written in |  |
| Operating system | Unix-like |
| Type | Window manager |
| License | 2.x: MIT<br>1.x: GPL-2.0-or-later |
| Website | www.afterstep.org |


title: 1964 Star World Championship

abstract: The 1964 Star World Championship was held in Boston, USA in 1964, organised by the Cottage Park Yacht Club.

text:
# 1964 Star World Championship

The **1964 Star World Championship** was held in Boston, USA in 1964, organised by the Cottage Park Yacht Club.

## Results

Results of individual races
| Pos | Boat name | Crew | Country | I | II | III | IV | V | Tot |
| --- | --- | --- | --- | --- | --- | --- | --- | --- | --- |
|  | *Big Daddy* | **Donald K. Edler**
Kent D. Edler | United States | 1 | 2 | 3 | 6 | 6 | **262** |
|  | *Star of the Sea* | **Joe Duplin**
Francis Dolan | United States | 2 | 7 | 13 | 3 | 1 | **254** |
|  | *Chatterbox* | **Malin Burnham**
Charles Lewsadder | United States | 16 | 1 | 1 | 5 | 3 | **254** |
| 4 | *Turmoil* | **Gary Comer**
William Bennett | United States | 7 | 25 | 2 | 1 | 5 | **240** |
| 5 | *Mache* | **Donald Bever**
J. Sharpnack | United States | 3 | 9 | 28 | 4 | 10 | **226** |
| 6 | *Tranquilizer* | **John W. Bennett**
Mickey Shanahan | United States | 5 | 15 | 9 | 23 | 2 | **226** |
| 7 | *Cirrus* | **Howard Lippincott**
Tupper Hale | United States | 26 | 3 | 8 | 15 | 7 | **221** |
| 8 | *Shanachie* | **E. W. Etchells**
Anson Beard Jr. | United States | 10 | 10 | 5 | 26 | 11 | **218** |
| 9 | *North Star* | **Lowell North**
Barton S. Beek | United States | 6 | 11 | 21 | 13 | 13 | **217** |
| 10 | *Creepy III* | **Foster Clarke**
Gerald Donovan | Bahamas | 4 | 12 | 6 | 14 | 28 | **216** |
| 11 | *Bergerac* | **Joseph Burbeck**
Nick Orr | United States | 13 | 14 | 24 | 10 | 4 | **215** |
| 12 | *Puck IV* | **Gerd Fischer**
Dirk Springorum | West Germany | 12 | 17 | 7 | 16 | 18 | **210** |
| 13 | *Blade* | **Robert Lippincott**
Walter Flynn | United States | 8 | 8 | 18 | 17 | 19 | **210** |
| 14 | *October* | **Eugene T. McCarthy**
Carl F. Morey | United States | 11 | 19 | 19 | 7 | 17 | **207** |
| 15 | *Desiree* | **Herbert Hild**
James Egan | United States | 24 | 22 | 11 | 8 | 9 | **206** |
| 16 | *Blott VII* | **Stig Wennerström**
Bernt Larsson | Sweden | 15 | 5 | 4 | 27 | 30 | **199** |
| 17 | *Tackless* | **John Goddard**
Paul Woodbury | United States | 9 | 6 | 14 | 31 | 31 | **189** |
| 18 | *Big Blue* | **Richard Stearns**
Robert Halperin | United States | 28 | 4 | WDR | 2 | 14 | **176** |
| 19 | *Magic* | **Robert Rodgers**
Allan J. MacKay | United States | 19 | 30 | 15 | 11 | 37 | **168** |
| 20 | *Lucky Liz II* | **Fritz Riess**
Eberhard Hoenigl | West Germany | 17 | 36 | 25 | 29 | 12 | **161** |
| 21 | *Flapper* | **W. Shehan**
Tom Stevens | United States | 18 | 47 | 12 | 25 | 20 | **158** |
| 22 | *Flame* | **Stan Ogilvy**
Peter Levinson | United States | 23 | 21 | 35 | 18 | 25 | **158** |
| 23 | *Wolf II* | **Robert Wilson**
Robert Sexauer | United States | 14 | 46 | 22 | 24 | 22 | **152** |
| 24 | *Pirate* | **Jack Stewart**
Dan Lee | United States | 53 | 13 | 10 | 45 | 8 | **151** |
| 25 | *Super Rat* | **Read Ruggles**
David Dickey | United States | 37 | 16 | 16 | 34 | 26 | **151** |
| 26 | *Crackerjack* | **Alfred Jaretzki III**
Alfred Jaretzki IV | United States | 25 | 18 | 39 | 9 | 38 | **151** |
| 27 | *Pink Lady* | **Robert O'Neil**
Jerome Leterman | United States | 20 | 20 | 27 | 40 | 29 | **144** |
| 28 | *Snow Goose* | **W. Castle Jr.**
Robert Castle | United States | 35 | 39 | 33 | 21 | 21 | **131** |
| 29 | *Vengeance* | **Wm. Gentzlinger**
W. Blackman | United States | 21 | WDR | 20 | 28 | 27 | **128** |
| 30 | *Scotch* | **Thomas Hislop**
Asa L. Colson | United States | 34 | DNS | 23 | 19 | 24 | **124** |
| 31 | *Jan* | **Florus Black**
Robert Black | United States | 44 | 26 | 26 | 37 | 23 | **124** |
| 32 | *Tijuca* | **Charles W. Lyon Jr.**
Frank Lyon | United States | 27 | 23 | DNF | 12 | 46 | **120** |
| 33 | *Mate* | **Willard Hodges**
David V. Black | United States | 33 | 31 | 32 | 22 | 45 | **116** |
| 34 | *Chuckle* | **Harold Halsted**
Peter Rankin | United States | 50 | 28 | 31 | 41 | 15 | **115** |
| 35 | *Blue Chip II* | **David Gaillard**
Harvey Lekson | United States | 42 | 27 | 41 | 20 | 36 | **114** |
| 36 | *Aquarius* | **Mead Batchelor**
William Sumner | United States | 41 | 24 | 17 | 30 | DNF | **112** |
| 37 | *Finale* | **Richard Miller**
Joseph L. Ehle | United States | 31 | 33 | 40 | 39 | 35 | **102** |
| 38 | *Finesse* | **Michael Flynn**
G. Flynn | United States | 30 | 32 | 30 | 36 | WDR | **96** |
| 39 | *Lynx* | **Ernest Hanmer**
Lois K. Hanmer | United States | 40 | 34 | 38 | 38 | 34 | **96** |
| 40 | *White Star* | **Max Kastinger**
H. Kastinger | Austria | 36 | 35 | 46 | 35 | 33 | **95** |
| 41 | *Surprise* | **Jack T. Rickard**
Mark Swartout | United States | 43 | DNF | 34 | 33 | 32 | **82** |
| 42 | *Warhawk IV* | **William Seaman**
W. Brandstatter | United States | 39 | 45 | 43 | 32 | 44 | **77** |
| 43 | *Daemon* | **David Millar**
P. van Buskirk | Canada | 38 | 29 | DSQ | 42 | 39 | **76** |
| 44 | *Candide* | **Albert Debarge**
J. de Bokay | France | 47 | 38 | 29 | WDR | 41 | **69** |
| 45 | *Alvo* | **Charles H. Dole**
William Froome | United States | 49 | 41 | DNF | 49 | 16 | **69** |
| 46 | *Cirrus* | **P. Sullivan Jr.**
E. C. Mosmann | United States | 32 | 37 | 42 | 46 | WDR | **67** |
| 47 | *Northern Light* | **Michael Purtell**
Wade Badger | United States | 22 | DNS | 50 | 44 | 45 | **63** |
| 48 | *Caramba* | **William Kieser Jr.**
Carolyn Kieser | United States | 46 | 43 | 37 | 50 | 48 | **56** |
| 49 | *Wham Bam II* | **C. McCormick**
John McCormick | United States | 51 | 48 | 44 | 43 | 40 | **54** |
| 50 | *Bobolink II* | **Edward Braddock**
L. Nelson Jr. | United States | 48 | 40 | 45 | 51 | 43 | **53** |
| 51 | *Patricia* | **R. Hutchinson**
R. Hutchinson | United States | 45 | 51 | 48 | 47 | 47 | **53** |
| 52 | *Astronaut* | **Ralph W. Earl**
Susan Earl | United States | 54 | 44 | 36 | 48 | WDR | **42** |
| 53 | *Gee Whiz* | **Stephen Warren**
Anne C. Warren | United States | 52 | 50 | 48 | 52 | 49 | **29** |
| 54 | *Sunba* | **David Miller**
William Mahy | Canada | 29 | DSA | DNS | DNS | DNS | **27** |
| 55 | *Scamper* | **Rob McGoldrick**
Kenneth Adams | United States | 55 | 49 | 49 | DSA | DNS | **15** |

Source:
Legend: **DNF** – Did not finish; **DSA** – Disabled; **DSQ** – Disqualified; **WDR** – Withdrew;

*
*

1. "1964 World Championship".
2. "Star Class World Championship Results".
3. "World Sailing - Star World Championship".

## InfoBox

1964 Star World Championship
| Event title | |
| --- | --- |
| Edition | 42nd |
| Host | Cottage Park Yacht Club |
| Event details | |
| Venue | Boston, United States |
| Yachts | Star |
| Titles | 1 |
| Competitors | |
| Competitors | 110 |
| Competing nations | 7 |
| Results | |
| Gold | Edler & Edler |
| Silver | Duplin & Dolan |
| Bronze | Burnham & Lewsadder |
| 19631965 | |


title: Dwarka Courts Complex

abstract: Dwarka District Court is one of the seven District Courts in the National Capital Territory of Delhi that function under the Delhi High Court. The Dwarka District Courts Complex is situated at Sector- 10, Dwarka, New Delhi Near by Dwarka Sector 10 Metro Station.

text:
# Dwarka Courts Complex

**Dwarka District Court (South West Delhi)** is one of the seven District Courts in the National Capital Territory of Delhi that function under the Delhi High Court. The Dwarka District Courts Complex is situated at Sector- 10, Dwarka, New Delhi Near by Dwarka Sector 10 Metro Station.

## Information

The Dwarka District Courts Complex was inaugurated by the Hon’ble Chief Justice of India, Sh. K.G. Balakrishanan in the year of the 2008 on 6 September. Its functioning started since 08.09.2008 with its first district judge Sh.Inder Singh Mehta (I.S. Mehta). Apart from various Civil, Criminal, Motor accident and family Courts the functioning of 8 evening court is also operational. The Dwarka District Courts Complex includes two seven storied court room blocks building and one admin block building which are interconnected it also includes one 8 storied lawyers chamber block building.


abstract: The 1998–99 Duke Blue Devils men's basketball team represented Duke University. The head coach was Mike Krzyzewski. The team played its home games in the Cameron Indoor Stadium in Durham, North Carolina, and was a member of the Atlantic Coast Conference.

text:
# 1998–99 Duke Blue Devils men's basketball team

1998–99 ACC men's basketball standings
|  | Conf | | | | |  |  | Overall | | | | |
| --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- |
| Team | W |  | L |  | PCT |  |  | W |  | L |  | PCT |
| No. 1 Duke | 16 |  | 0 |  | 1.000 |  |  | 37 |  | 2 |  | .949 |
| No. 5 Maryland | 13 |  | 3 |  | .813 |  |  | 28 |  | 6 |  | .824 |
| No. 13 North Carolina | 10 |  | 6 |  | .625 |  |  | 24 |  | 10 |  | .706 |
| Wake Forest | 7 |  | 9 |  | .438 |  |  | 17 |  | 14 |  | .548 |
| NC State | 6 |  | 10 |  | .375 |  |  | 19 |  | 14 |  | .576 |
| Georgia Tech | 6 |  | 10 |  | .375 |  |  | 15 |  | 16 |  | .484 |
| Clemson | 5 |  | 11 |  | .313 |  |  | 20 |  | 15 |  | .571 |
| Florida State | 5 |  | 11 |  | .313 |  |  | 13 |  | 17 |  | .433 |
| Virginia | 4 |  | 12 |  | .250 |  |  | 14 |  | 16 |  | .467 |
|  | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |
| 1999 ACC tournament winner
Rankings from AP Poll | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |

The **1998–99 Duke Blue Devils men's basketball team** represented Duke University. The head coach was Mike Krzyzewski. The team played its home games in the Cameron Indoor Stadium in Durham, North Carolina, and was a member of the Atlantic Coast Conference.

## Roster

| 1998–99 Duke Blue Devils men's basketball team | |
| --- | --- |
| Players | Coaches |
| Pos. # Name Height Weight Year Previous school Hometown  31 Shane Battier 6 ft 8 in (2.03 m) 220 lb (100 kg) So Country Day Birmingham, MI  42 Elton Brand 6 ft 9 in (2.06 m) 254 lb (115 kg) So Peekskill Peekskill, NY  22 Jay Heaps 5 ft 9 in (1.75 m) 155 lb (70 kg) Sr Longmeadow Longmeadow, MA  - Ryan Caldbeck 6 ft 3 in (1.91 m) 190 lb (86 kg) So Rice Memorial Shelburne, VT  3 Justin Caldbeck 6 ft 3 in (1.91 m) 180 lb (82 kg) Sr Rice Memorial Shelburne, VT  5 William Avery 6 ft 2 in (1.88 m) 190 lb (86 kg) So Oak Hill Augusta, GA  - D. Bryant 6 ft 2 in (1.88 m) 215 lb (98 kg) Fr Cass Technical Detroit, MI  F/C 41 Taymon Domzalski 6 ft 10 in (2.08 m) 240 lb (109 kg) Sr New Mexico Military Lovington, NM  G/F 14 Nate James 6 ft 6 in (1.98 m) 205 lb (93 kg) So St. John Washington, DC  F/C 34 Chris Burgess 6 ft 10 in (2.08 m) 244 lb (111 kg) So Woodbridge Irvine, CA  21 Trajan Langdon 6 ft 4 in (1.93 m) 211 lb (96 kg) RS Sr East Anchorage Anchorage, AK  13 J.D. Simpson 6 ft 4 in (1.93 m) 200 lb (91 kg) So St. Francis Woodside, CA  G/F 50 Corey Maggette 6 ft 6 in (1.98 m) 225 lb (102 kg) Fr Fenwick Oak Park, IL  G/F 23 Chris Carrawell 6 ft 6 in (1.98 m) 220 lb (100 kg) Jr Cardinal Ritter St. Louis, MO | Head coach Assistant coach(es)   ---  Legend* **(C)** Team captain * **(S)** Suspended * **(I)** Ineligible * **(W)** Walk-on  ---  Roster
Last update: 2017-05-13 |

## Schedule

| Date
time, TV | Rank# | Opponent# | Result | Record | Site
city, state |
| --- | --- | --- | --- | --- | --- |
| Regular season | | | | | | | | |
| November 14*
5:00 p.m., HTS | No. 1 | Fairfield | **W** 98–66 | 1–0
 | Cameron Indoor Stadium (9,314)
Durham, NC |
| November 17*
8:00 p.m., ESPN2 | No. 1 | vs. Davidson | **W** 94–61 | 2–0
 | Charlotte Coliseum (10,136)
Charlotte, NC |
| November 21*
7:00 p.m. | No. 1 | South Carolina State | **W** 120–56 | 3–0
 | Cameron Indoor Stadium (9,314)
Durham, NC |
| November 26*
12:00 a.m., ESPN | No. 1 | vs. Notre Dame
*Great Alaska Shootout* | **W** 111–82 | 4–0
 | Sullivan Arena (8,700)
Anchorage, AK |
| November 27*
12:00 a.m., ESPN | No. 1 | vs. Fresno State
*Great Alaska Shootout* | **W** 93–82 | 5–0
 | Sullivan Arena (8,700)
Anchorage, AK |
| November 28*
12:00 a.m., ESPN | No. 1 | vs. No. 15 Cincinnati
*Great Alaska Shootout* | **L** 75–77 | 5–1
 | Sullivan Stadium (8,700)
Anchorage, AK |
| December 2*
9:30 p.m., ESPN | No. 4 | vs. No. 9 Michigan State
*Great Eight* | **W** 73–67 | 6–1
 | United Center (19,412)
Chicago, IL |
| December 5
7:00 p.m., ESPN | No. 4 | NC State | **W** 89–69 | 7–1
(1–0) | Cameron Indoor Stadium (9,314)
Durham, NC |
| December 9*
7:30 p.m., ESPN | No. 3 | Florida | **W** 116–86 | 8–1
 | Cameron Indoor Stadium (9,314)
Durham, NC |
| December 12*
9:00 p.m., ESPN2 | No. 3 | Michigan
*Rivalry* | **W** 108–64 | 9–1
 | Cameron Indoor Stadium (9,314)
Durham, NC |
| December 20*
1:00 p.m. | No. 2 | North Carolina A&T | **W** 88–53 | 10–1
 | Cameron Indoor Stadium (9,314)
Durham, NC |
| December 22*
9:00 p.m., ESPN | No. 2 | vs. No. 3 Kentucky
*Jimmy V Classic* | **W** 71–60 | 11–1
 | Continental Airlines Arena (20,029)
East Rutherford, NJ |
| December 30*
7:30 p.m., FSS | No. 2 | UNC Greensboro | **W** 104–58 | 12–1
 | Cameron Indoor Stadium (9,314)
Durham, NC |
| January 3
1:30 p.m., ESPN2 | No. 2 | at No. 4 Maryland
*Rivalry* | **W** 82–64 | 13–1
(2–0) | Cole Field House (14,500)
College Park, MD |
| January 6
9:00 p.m., ESPN | No. 2 | Georgia Tech | **W** 99–58 | 14–1
(3–0) | Cameron Indoor Stadium (9,314)
Durham, NC |
| January 10
4:00 p.m., RJ | No. 2 | Virginia | **W** 115–69 | 15–1
(4–0) | Cameron Indoor Stadium (9,314)
Durham, NC |
| January 13
7:00 p.m., ESPN | No. 2 | at Wake Forest | **W** 82–72 | 16–1
(5–0) | LJVM Coliseum (14,369)
Winston-Salem, NC |
| January 16
1:00 p.m., ABC | No. 2 | Florida State | **W** 98–73 | 17–1
(6–0) | Cameron Indoor Stadium (9,314)
Durham, NC |
| January 20
9:00 p.m., ESPN | No. 2 | at Clemson | **W** 82–60 | 18–1
(7–0) | Littlejohn Coliseum (11,200)
Clemson, SC |
| January 24*
12:00 p.m., CBS | No. 2 | at No. 8 St. John's | **W** 92–88 | 19–1
 | Madison Square Garden (19,528)
New York City, New York |
| January 27
9:00 p.m., ESPN | No. 2 | No. 10 North Carolina
*Rivalry* | **W** 89–77 | 20–1
(8–0) | Cameron Indoor Stadium (9,314)
Durham, NC |
| January 30
4:00 p.m., ESPN2 | No. 2 | at NC State | **W** 80–61 | 21–1
(9–0) | Reynolds Coliseum (12,400)
Raleigh, NC |
| February 3
9:00 p.m., ESPN | No. 2 | No. 7 Maryland | **W** 95–77 | 22–1
(10–0) | Cameron Indoor Stadium (9,314)
Durham, NC |
| February 6
1:00 p.m., ESPN2 | No. 2 | at Georgia Tech | **W** 87–79 | 23–1
(11–0) | Alexander Memorial Coliseum
Atlanta, GA |
| February 11
8:00 p.m., RJ | No. 1 | at Virginia | **W** 100–54 | 24–1
(12–0) | University Hall (8,394)
Charlottesville, VA |
| February 13
1:30 p.m., ABC | No. 1 | Wake Forest | **W** 102–71 | 25–1
(13–0) | Cameron Indoor Stadium (9,314)
Durham, NC |
| February 17
7:00 p.m., ESPN | No. 1 | at Florida State | **W** 85–59 | 26–1
(14–0) | Leon County Civic Center (8,704)
Tallahassee, FL |
| February 20
1:00 p.m., ESPN2 | No. 1 | Clemson | **W** 92–65 | 27–1
(15–0) | Cameron Indoor Stadium (9,314)
Durham, NC |
| February 24*
ESPN, 9:00 p.m. | No. 1 | at DePaul | **W** 96–64 | 28–1
 | United Center (22,180)
Chicago, IL |
| February 27
8:00 p.m., ESPN2 | No. 1 | at No. 14 North Carolina | **W** 81–61 | 29–1
(16–0) | Dean Smith Center (21,572)
Chapel Hill, NC |
| ACC Tournament | | | | | | | | |
| March 4*
9:30 p.m., RJ | (1)  No. 1 | vs. (9) Virginia
*First Round* | **W** 104–67 | 30–1
 | Charlotte Coliseum (23,895)
Charlotte, NC |
| March 6*
1:30 p.m., ESPN | (1)  No. 1 | vs. (5) NC State
*Semifinal* | **W** 83–68 | 31–1
 | Charlotte Coliseum (23,895)
Charlotte, NC |
| March 7*
1:00 p.m., ESPN | (1)  No. 1 | vs. (3) No. 15 North Carolina
*Championship* | **W** 96–73 | 32–1
 | Charlotte Coliseum (23,895)
Charlotte, NC |
| NCAA tournament | | | | | | | | |
| March 12*
1:45 p.m., CBS | (1 E)  No. 1 | vs. (16 E) Florida A&M
*First Round* | **W** 99–58 | 33–1
 | Charlotte Coliseum (19,872)
Charlotte, NC |
| March 14*
1:45 p.m., CBS | (1 E)  No. 1 | vs. (9 E) Tulsa
*Second Round* | **W** 97–56 | 34–1
 | Charlotte Coliseum (20,172)
Charlotte, NC |
| March 19*
CBS | (1 E)  No. 1 | vs. (12 E) Southwest Missouri State
*Sweet Sixteen* | **W** 78–61 | 35–1
 | Meadowlands Arena (19,233)
East Rutherford, NJ |
| March 21*
CBS | (1 E)  No. 1 | vs. (6 E) Temple
*Elite Eight* | **W** 85–64 | 36–1
 | Meadowlands Arena (19,557)
East Rutherford, NJ |
| March 27*
8:15 p.m., CBS | (1 E)  No. 1 | vs. (1 M) No. 2 Michigan State
*National Semifinal* | **W** 68–62 | 37–1
 | Tropicana Field (41,340)
St. Petersburg, FL |
| March 29*
9:15 p.m., CBS | (1 E)  No. 1 | vs. (1 W) No. 3 Connecticut
*National Championship* | **L** 74–77 | 37–2
 | Tropicana Field (41,340)
St. Petersburg, FL |
| *Non-conference game. #Rankings from AP Poll. (#) Tournament seedings in parentheses.
E=East. | | | | | | | | | | | |

## Awards and honors

* Mike Krzyzewski, Naismith College Coach of the Year
* Mike Krzyzewski, ACC Coach of the Year
* Elton Brand, ACC Player of the Year, Adolph Rupp Trophy, Oscar Robertson Trophy, Naismith College Player of the Year, John R. Wooden Award

## Team players drafted into the NBA

| **Round** | **Pick** | **Player** | **NBA Club** |
| --- | --- | --- | --- |
| 1 | 1 | Elton Brand | Chicago Bulls |
| 1 | 11 | Trajan Langdon | Cleveland Cavaliers |
| 1 | 13 | Corey Maggette | Seattle SuperSonics |
| 1 | 14 | William Avery | Minnesota Timberwolves |
|

## InfoBox

| 1998–99 Duke Blue Devils men's basketball | |
| --- | --- |
|  | |
| NCAA tournament
ACC tournament champions
ACC regular season champions | |
| National Championship Game,
L 74-77 vs. Connecticut | |
| Conference | Atlantic Coast Conference |
| Ranking | |
| Coaches | No. 2 |
| AP | No. 1 |
| Record | 37–2 (16–0 ACC) |
| Head coach |  |
| Assistant coaches |  |
| Home arena | Cameron Indoor Stadium |
|


title: And No Matches

abstract: "And No Matches" is a single by German techno group Scooter. It was released as the second single from their 2007 album Jumping All Over the World.

text:
# And No Matches

"**And No Matches**" is a single by German techno group Scooter. It was released as the second single from their 2007 album *Jumping All Over the World*.

## Music video

The "And No Matches" music video features the Sheffield Jumpers performing Jumpstyle to the chorus while shots of H.P. Baxxter comprise the lyrical parts of the music video.

## Samples

## Track listings

**CD maxi**

1. "And No Matches" (Radio Version) – 3:32
2. "And No Matches" ('Fresh Off The Plane' Club Mix) – 6:33
3. "And No Matches" (Extended Version) – 5:35)
4. "Up in Smoke" – 5:07
5. "And No Matches" (The Video) – 3:32

**12"**

1. "And No Matches" (Extended Version) – 5:35
2. "And No Matches" ('Fresh Off the Plane' Club Mix) – 6:33

**Download**

1. "And No Matches" (Radio Version) – 3:32
2. "And No Matches" ('Fresh Off the Plane' Club Mix) – 6:33
3. "And No Matches" (Extended Version) – 5:35
4. "Up in Smoke" – 5:07

## Charts

Chart performance for "And No Matches"
| Chart (2007–2008) | Peak
position |
| --- | --- |
| Austria (Ö3 Austria Top 40) | 20 |
| European Hot 100 Singles (*Billboard*) | 43 |
| Germany (Official German Charts) | 9 |
| Netherlands (Single Top 100) | 62 |
| Romania (Romanian Top 100) | 59 |
|

## InfoBox

| "And No Matches" | |
| --- | --- |
|  | |
| Single by Scooter | |
| from the album  *Jumping All Over the World* | |
| B-side | "Up In Smoke" |
| Released | 23 November 2007 |
| Recorded | 2007 |
| Genre | Jumpstyle |
| Length | 3:32 |
| Label | Sheffield Tunes |
| Songwriter(s) |  |
| Producer(s) | Rick J. Jordan, Michael Simon |
| Scooter singles chronology | |
| "The Question Is What Is the Question?"
(2007) "**And No Matches**"
(2007) "Jumping All Over the World"
(2008) | |


abstract: The 1944 U.S. National Championships was a tennis tournament that took place on the outdoor grass courts at the West Side Tennis Club, Forest Hills in New York City, United States. The tournament ran from August 30 until September 4. It was the 64th staging of the U.S. National Championships and due to World War II it was the only Grand Slam tennis event of the year.

text:
# 1944 U.S. National Championships (tennis)

The **1944 U.S. National Championships** (now known as the US Open) was a tennis tournament that took place on the outdoor grass courts at the West Side Tennis Club, Forest Hills in New York City, United States. The tournament ran from August 30 until September 4. It was the 64th staging of the U.S. National Championships and due to World War II it was the only Grand Slam tennis event of the year.

## Finals

### Men's singles

Frank Parker defeated  William Talbert 6–4, 3–6, 6–3, 6–3

### Women's singles

Pauline Betz defeated  Margaret Osborne 6–3, 8–6

### Men's doubles

Don McNeill /  Bob Falkenburg defeated  Bill Talbert /  Pancho Segura 7–5, 6–4, 3–6, 6–1

### Women's doubles

Louise Brough /  Margaret Osborne defeated  Pauline Betz /  Doris Hart 4–6, 6–4, 6–3

### Mixed doubles

Margaret Osborne /  Bill Talbert defeated  Dorothy Bundy /  Don McNeill 6–2, 6–3

## InfoBox

| 1944 U.S. National Championships | |
| --- | --- |
| Date | August 30 – September 4 |
| Edition | 64th |
| Category | Grand Slam (ITF) |
| Surface | Grass |
| Location | Forest Hills, Queens<br>New York City, United States |
| Venue | West Side Tennis Club |
| Champions | |
| Men's singles | |
| Frank Parker | |
| Women's singles | |
| Pauline Betz | |
| Men's doubles | |
| Don McNeill /  Bob Falkenburg | |
| Women's doubles | |
| Louise Brough /  Margaret Osborne | |
| Mixed doubles | |
| Margaret Osborne /  Bill Talbert | |
|  | |


title: Edmund Ezra Day

abstract: Edmund Ezra Day was an American educator.

text:
# Edmund Ezra Day

**Edmund Ezra Day** (December 7, 1883  March 23, 1951) was an American educator.

## Biography

Day received his undergraduate and master's degrees from Dartmouth College and his doctorate in economics from Harvard. While at Dartmouth, he became a brother of Theta Delta Chi. In 1921 he was elected as a Fellow of the American Statistical Association. In 1923 he went to the University of Michigan, where he served as professor of economics, organizer and first dean of the School of Business Administration, and Dean of the University. He went on to serve as the fifth president of Cornell University from 1937 to 1949. While in office, he helped establish the School of Industrial and Labor Relations at Cornell.

## Legacy and honors

The main administrative building at Cornell was built in 1947 and named **Day Hall** in his honor. Day is one of only fifteen people whose remains are interred in Cornell's Sage Chapel, a list which includes founders Ezra Cornell and Andrew Dickson White, as well as "third founder" Henry W. Sage.

## InfoBox

| Edmund Ezra Day | |
| --- | --- |
| Day in 1947 | |
|  | |
| 5th President of Cornell University | |
| **In office**
1937–1949 | |
| Preceded by | Livingston Farrand |
| Succeeded by | Cornelis de Kiewiet *acting* |
|  | |
| Personal details | |
| Born | (1883-12-07)December 7, 1883
Manchester, New Hampshire |
| Died | March 23, 1951(1951-03-23) (aged 67)
Ithaca, New York |
| Alma mater | Dartmouth College (A.B., M.A.)
Harvard University (Ph.D.) |
|  | |


title: 1932–33 French Division 1

abstract: Olympique Lillois won Division 1 season 1932-1933 of the French Association Football League, the first professional football season in France, defeating AS Cannes in the final.

text:
# 1932–33 French Division 1

Olympique Lillois won **Division 1 season 1932-1933** of the French Association Football League, the first professional football season in France, defeating AS Cannes in the final.

## 20 participating teams

**Group A**

**Group B**

Club FrançaisHyèresO. LilloisMarseilleMulhouseNiceNîmesRC ParisE. AC RoubaixSèteclass=notpageimage|Location of teams in **1932–33 Division 1 Group A** AlèsAntibesCannesSC FivesMetzMontpellierCA ParisRed StarRennesSochauxclass=notpageimage|Location of teams in **1932–33 Division 1 Group B**

## Final table

### Group A

| Pos | Team | Pld | W | D | L | GF | GA | GD | Pts | Qualification or relegation |
| --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- |
| 1 | Olympique Lillois (Q) | 18 | 14 | 0 | 4 | 41 | 23 | +18 | 28 | Winner of group A qualified for the final |
| 2 | Marseille | 18 | 10 | 3 | 5 | 40 | 24 | +16 | 23 |  |
| 3 | RC Paris | 18 | 8 | 5 | 5 | 40 | 36 | +4 | | 21 |
| 4 | FC Sète | 18 | 8 | 4 | 6 | 32 | 32 | 0 | | 20 |
| 5 | Nîmes | 18 | 8 | 3 | 7 | 37 | 38 | 1 | | 19 |
| 6 | Excelsior AC Roubaix | 18 | 5 | 8 | 5 | 32 | 37 | 5 | 18 | Winner of Coupe de France |
| 7 | Nice | 18 | 5 | 5 | 8 | 26 | 32 | 6 | 15 |  |
| 8 | Club Français (R) | 18 | 5 | 3 | 10 | 43 | 50 | 7 | 13 | Relegated to Division 2 |
| 9 | Hyères FC (R) | 18 | 4 | 4 | 10 | 22 | 29 | 7 | | 12 |
| 10 | FC Mulhouse (R) | 18 | 4 | 3 | 11 | 36 | 48 | 12 | | 11 |

Source: Footballdatabase.eu
Rules for classification: Victory: 2 points, Draw: 1 point, Defeat: 0 points
(Q) Qualified for the phase indicated; (R) Relegated

### Group B

| Pos | Team | Pld | W | D | L | GF | GA | GD | Pts | Qualification or relegation |
| --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- |
| 1 | FC Antibes | 18 | 10 | 4 | 4 | 39 | 21 | +18 | 24 | Disqualified |
| 2 | Cannes (Q) | 18 | 8 | 6 | 4 | 37 | 24 | +13 | 22 | Winner of group B qualified for the final |
| 3 | Sochaux | 18 | 9 | 4 | 5 | 40 | 31 | +9 | 22 |  |
| 4 | SO Montpellier | 18 | 9 | 3 | 6 | 37 | 36 | +1 | | 21 |
| 5 | CA Paris | 18 | 8 | 4 | 6 | 38 | 37 | +1 | | 20 |
| 6 | Rennes | 18 | 7 | 4 | 7 | 41 | 36 | +5 | | 18 |
| 7 | SC Fives | 18 | 6 | 5 | 7 | 42 | 48 | 6 | | 17 |
| 8 | Red Star (R) | 18 | 4 | 6 | 8 | 38 | 29 | +9 | 14 | Relegated to Division 2 |
| 9 | Metz (R) | 18 | 5 | 3 | 10 | 25 | 51 | 26 | | 13 |
| 10 | Olympique Alès (R) | 18 | 2 | 5 | 11 | 25 | 49 | 24 | | 9 |

Source: Footballdatabase.eu
Rules for classification: Victory: 2 points, Draw: 1 point, Defeat: 0 points
(Q) Qualified for the phase indicated; (R) Relegated
Notes:

## Results

### Group A

| Home \ Away | CF | EAR | HFC | OL | OM | MUL | NIC | NMS | RCP | SÈT |
| --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- |
| Club Français |  | 2–2 | 2–2 | 1–3 | 6–2 | 5–0 | 2–0 | 5–2 | 5–5 | 2–3 |
| Excelsior Roubaix | 4–1 |  | 2–1 | 2–1 | 2–1 | 2–2 | 2–2 | 4–4 | 1–1 | 0–3 |
| Hyères | 3–1 | 3–1 |  | 0–1 | 1–1 | 1–1 | 1–0 | 2–2 | 1–2 | 1–2 |
| Olympique Lillois | 5–3 | 2–0 | 2–1 |  | 1–2 | 2–0 | 3–0 | 4–0 | 4–1 | 4–2 |
| Marseille | 5–1 | 2–2 | 1–2 | 7–0 |  | 3–1 | 1–0 | 2–0 | 1–0 | 3–1 |
| Mulhouse | 2–3 | 6–2 | 3–1 | 1–2 | 1–4 |  | 5–2 | 3–4 | 3–5 | 3–1 |
| Nice | 2–0 | 2–2 | 2–1 | 2–3 | 1–0 | 5–2 |  | 2–3 | 0–0 | 2–2 |
| SC Nîmes | 3–1 | 2–0 | 3–0 | 0–3 | 1–3 | 3–1 | 2–0 |  | 5–1 | 1–3 |
| Racing Paris | 4–1 | 2–2 | 2–1 | 0–1 | 3–1 | 2–1 | 2–2 | 3–1 |  | 5–3 |
| Sète | 3–2 | 0–2 | 1–0 | 1–0 | 1–1 | 1–1 | 1–2 | 1–1 | 3–2 |  |

Source: Footballdatabase.eu
Legend: Blue = home team win; Yellow = draw; Red = away team win.

### Group B

| Home \ Away | ALÈ | FCA | CAN | CAP | SCF | MET | SOM | RSO | REN | SOC |
| --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- |
| Alès |  | 3–3 | 2–4 | 2–1 | 7–4 | 2–3 | 2–2 | 0–0 | 4–4 | 0–1 |
| Antibes | 0–0 |  | 1–0 | 3–0 | 5–0 | 1–1 | 0–2 | 2–0 | 3–1 | 4–1 |
| Cannes | 2–0 | 3–0 |  | 2–2 | 5–5 | 0–1 | 3–0 | 2–1 | 3–0 | 1–1 |
| CA Paris | 2–1 | 2–3 | 1–1 |  | 1–2 | 2–1 | 2–2 | 2–2 | 3–1 | 3–5 |
| Fives | 3–0 | 0–5 | 1–1 | 0–2 |  | 8–1 | 2–3 | 3–2 | 4–4 | 2–2 |
| Metz | 4–0 | 3–2 | 0–2 | 2–3 | 0–0 |  | 2–1 | 1–7 | 1–2 | 0–3 |
| Montpellier | 2–0 | 2–1 | 1–2 | 3–4 | 4–2 | 7–3 |  | 1–1 | 1–0 | 2–0 |
| Red Star | 5–0 | 2–3 | 1–1 | 3–4 | 0–1 | 2–2 | 4–0 |  | 6–2 | 0–1 |
| Rennes | 4–0 | 0–0 | 5–4 | 3–1 | 0–1 | 4–0 | 6–1 | 3–1 |  | 1–1 |
| Sochaux | 5–2 | 1–3 | 2–1 | 1–3 | 6–4 | 5–0 | 2–3 | 1–1 | 2–1 |  |

Source: Footballdatabase.eu
Legend: Blue = home team win; Yellow = draw; Red = away team win.

## Final

| Olympique Lillois | 4–3 | Cannes |
| --- | --- | --- |
| Barrett  25'
Varga  30'
Winckelmans  75', 86' |  | Fecchino  59'
Calecca  78'
Tourniaire  82' |

Stade Olympique Yves-du-Manoir, ColombesAttendance: 16,000

## Top goalscorers

| Rank | Player | Club | Goals |
| --- | --- | --- | --- |
| 1 | Robert Mercier | Club Français | 15 |
| | Walter Kaiser | Rennes | |
| 3 | Joseph Alcazar | Marseille | 14 |
| | Pierre Fecchino | Cannes | |
| 5 | Karl Klima | Antibes | 13 |
| | Horacio Finamore | Red Star | |
| 7 | Robert Saint-Pé | Fives | 12 |
| | Istvan Zavadsky | Montpellier | |
| | Pierre Bertrand | Red Star | |
| 10 | André Cheuva | Fives | 11 |
| | Ernest Libérati | Fives | |
| | Julien Dominique | Rennes | |

## InfoBox

Division Nationale
| Season | 1932–33 |
| --- | --- |
| Champions | Olympique Lillois |
| Relegated | Club Français
Hyères
Mulhouse
Red Star Olympique
Metz
Olympique Alès |
| 1933–34 | |