title: *82

abstract: This Vertical Service Code, *82, enables calling line identification regardless of subscriber preference, dialed to unblock withheld numbers in the U.S. on a per-call basis. If Caller ID is subscribed to or enabled on the line receiving the call, the unblocked phone number and registered name is displayed – unable to determine that the caller subscribes to outgoing callerID blocking or that *82 has been dialed to temporarily override that subscription. *82 can be dialed from U.S. land-line house phones and business lines, as well as most cell phones and mobile devices. Some mobile devices may alternatively offer or require a menu selection to override Caller ID blocking per call. To correctly unblock a number, listen for a dial tone, dial *82, and listen for the momentary flashing dial tone which confirms the override. Then establish the connection as usual by dialing 1, the area code, and the phone number to complete the call. Anonymous Call Rejection (*77) is offered to subscribers, so in some situations it is necessary to dial *82 in order to ring through and complete the call to those lines that subscribe to and enable anonymous call rejection. Notice is given to anonymous callers with an intervening recorded message from the phone company that rejected anonymous call may be completed when Caller ID is enabled and valid.

text:
# *82

This Vertical Service Code, **\*82**, enables calling line identification regardless of subscriber preference, dialed to unblock withheld numbers (private callers) in the U.S. on a per-call basis. If Caller ID is subscribed to or enabled on the line receiving the call, the unblocked phone number and registered name is displayed – unable to determine that the caller subscribes to outgoing callerID blocking or that \*82 has been dialed to temporarily override that subscription. \*82 can be dialed from U.S. land-line house phones and business lines, as well as most cell phones and mobile devices. Some mobile devices may alternatively offer or require a menu selection to override Caller ID blocking per call.

To correctly unblock a number, listen for a dial tone, dial \*82, and listen for the momentary flashing dial tone which confirms the override. Then establish the connection as usual by dialing 1, the area code, and the phone number to complete the call.

Anonymous Call Rejection (\*77) is offered to subscribers, so in some situations it is necessary to dial \*82 in order to ring through and complete the call to those lines that subscribe to and enable anonymous call rejection. Notice is given to anonymous callers with an intervening recorded message from the phone company that rejected anonymous call *may* be completed when Caller ID is enabled and valid.

*Star 82 Review* is a literary journal published since 2012 which is named after the \*82 function: "Star 82 is the code needed to unblock one's phone number. Tell us who you are. Someone will answer."


title: Angel (coin)

abstract: The angel was an English gold coin introduced by Edward IV in 1465. It was patterned after the French angelot or ange, which had been issued since 1340. The name derived from its representation of the archangel Michael slaying a dragon. As it was considered a new issue of the noble, it was also called the angel-noble. In 1472, the half-angel was introduced with a similar design weighing 40 grains with a diameter of 20 to 21 millimetres.

text:
# Angel (coin)

| Angel gold coin | |
| --- | --- |
|  | |
| The image of the Archangel Saint Michael slaying a dragon, the legend inscribed with *HENRIC VIII DI GRA REX AGL & FR* | The image of an English galley with the monogram 'H' and a rose set below the main topmast, the ship surmounted by a shield bering the King's arms, the legend inscribed **PER CRVCE TVA SALVA NOS XPC REDE**. |
| AV 29mm, 5.12 g, 8h. Mm: portcullis, London. First coinage, 1509-1526. | |

The **angel** was an English gold coin introduced by Edward IV in 1465. It was patterned after the French *angelot* or *ange*, which had been issued since 1340. The name derived from its representation of the archangel Michael slaying a dragon. As it was considered a new issue of the noble, it was also called the **angel-noble**.

In 1472, the **half-angel** was introduced with a similar design weighing 40 grains (2.6 grammes) with a diameter of 20 to 21 millimetres.

## Design

**Obverse** The Archangel Michael standing over a dragon (representing The Devil) and piercing it with a spear.

**Reverse:** Depicts a ship with the rays of the sun at the top of the cross-shaped masthead and an inescutcheon with the Royal Coat of Arms overall.
It was later replaced starting in the third coinage issue (1619-1624) of James I's reign with a galleon in a trian-aspect view (simulated three-dimensional rendering), a straight pillar-shaped masthead, and its sails decorated with the Stuart Royal Coat of Arms. It is also shown reversed, or depicted towards the *dexter* (i.e., facing the right-hand side of the heraldic field, or left-hand side of the coin).

Legend 1 (1344-1553): per cruce\[m\] tua\[m\] salva nos christe rede\[mptor\], Latin \> *"By Thy cross save us, Christ Redeemer."* Legend 2 (1553-1604): a domino factum est istud et est mirab\[ile in oculis nostrum\], Latin \> *"This was done by the Lord, and it is wondr\[ous in our eyes\]."* From Psalm 118; motto adopted by Mary I Tudor. Legend 3 (1604-1624): a domino factum est istud, Latin \> *"This was done by the Lord".* Truncated motto adopted by James I Stuart of England (James VI of Scotland). Legend 4 (1625-1642): amor populi praesidium regis, Latin \> *"The love of the people is the protection of the king."* Ironic motto adopted by Charles I Stuart. Legend 5 (1660-1807): soli deo gloria, Latin \> *"To God alone the glory."* Used on non-circulating gold-plated touchpieces by the reigning House of Stuart from 1660 to 1714 and the Jacobite pretenders in exile from 1689 to 1807.

## Value

The angel varied in value from 6 shillings 8 pence to 11 shillings between Edward's reign and the time of James I.

* In 1526 during the reign of Henry VIII, it increased to seven shillings and six pence (7/6) or 90 pence.
* In 1544, it increased again to eight shillings (8/-) or 96 pence.
* In 1550 during the reign of Edward VI it increased to ten shillings (10/-) or 120 pence or £12.
* In 1612 during the reign of James I it increased to eleven shillings (11/-) or 132 pence.
* In 1619 it decreased to ten shillings (10/-) and at that point in time it weighed 70 grains (4.5 g).

It was last minted during the reign of Charles I in 1642 before the English Civil War (1642–1651). It was not minted during the Commonwealth under the rule of the Cromwells as it was seen as impious and idolatrous. In 1663, Charles II replaced the existing coinage with entirely new designs struck by machine ("milled"). The standard gold coin then became the Guinea.

### Touch Pieces

In France and England there was a superstitious belief that the royal touch could cure scrofula, or "the king's evil". The kings of England often performed a ceremonial laying of hands on sufferers, and then gave each one a gold Angel coin.

After his execution in 1649, royalists believed that Angel coins that had been given to sufferers by the "martyred" King Charles I could miraculously cure scrofula. In 1660, Charles II began handing out gold-plated "touch-pieces" in the place of Angel coins. This was continued by his successors until the death of Queen Anne Stuart in 1714, though it was briefly halted from 1689 to 1702 by Queen Mary II Stuart and her co-regent William III of Orange.

It was also practised by the exiled James II Stuart and the other Jacobite pretenders after he was deposed in 1689. (The Jacobite touch pieces were plated in silver instead of gold as an economy measure.) They were last issued by the fourth and final direct Jacobite pretender, "Henry IX" Stuart (the *Cardinal King*) until his death in 1807.

## Social impact

The angel was such an iconic coin that many English pubs were named after it. The Angel Inn in Islington (after which the Angel tube station is named) was one of these.

The angel was traditionally given to people with the disease known as "king's evil", in a medieval ceremony intended to heal them with the "royal touch". After it was no longer minted, medals with the same device (called touch pieces) were given instead.

The 1610 General Assembly of the Church of Scotland in Glasgow was named after the coins. M'Crie wrote: "The bribery practised at this Assembly was shamefully notorious. Golden coins, called angels, were so plentifully distributed among the ministers, that it was called, by way of derision, the angelical Assembly."

* This article incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911), "Angel", *Encyclopædia Britannica*, vol. 2 (11th ed.), Cambridge University Press, p. 6
* M'Crie, Thomas (1875). *The story of the Scottish church : from the Reformation to the Disruption*. London: Blackie & Son. This article incorporates text from this source, which is in the public domain.


title: Aneurus borealis

abstract: Aneurus borealis is a species of flat bug in the family Aradidae. It is found in North America.

text:
# Aneurus borealis

***Aneurus borealis*** is a species of flat bug in the family Aradidae. It is found in North America.

## InfoBox

| *Aneurus borealis* | |
| --- | --- |
|
| Scientific classification | |
| Domain: | Eukaryota |
| Kingdom: | Animalia |
| Phylum: | Arthropoda |
| Class: | Insecta |
| Order: | Hemiptera |
| Suborder: | Heteroptera |
| Family: | Aradidae |
| Genus: | *Aneurus* |
| Species: | ***A. borealis*** |
| Binomial name | |
| ***Aneurus borealis***<br>Picchi, 1977 | |
|


title: Aneurops

abstract:
Aneurops is a genus of beetles in the family Monotomidae, containing the following species:
  - Aneurops championi Sharp, 1900
  - Aneurops convergens

text:
# Aneurops

***Aneurops*** is a genus of beetles in the family Monotomidae, containing the following species:

## InfoBox

| *Aneurops* | |
| --- | --- |
|
| Scientific classification | |
| Kingdom: | Animalia |
| Phylum: | Arthropoda |
| Class: | Insecta |
| Order: | Coleoptera |
| Suborder: | Polyphaga |
| Family: | Monotomidae |
| Genus: | ***Aneurops***<br>Sharp, 1900 |
|


title: Angadi (film)

abstract: Angadi is a 1980 Indian Malayalam-language action drama film directed by I. V. Sasi, written by T. Damodaran and produced by P. V, Gangadharan under the banner of Grihalakshmi Productions. The film stars Jayan as Babu in the lead role along with Sukumaran, Seema, Jose and Sankaradi, in supporting roles. The film revolves around the rivalry between a laborer, Babu and Beeran, an evil businessman. The music was composed by Shyam, with the cinematography done jointly by Chandramohan and C. E. Babu. Angadi was one of the major successes of the year 1980, running for 125 days in theatres. The film broke the box office record of Jayan's Sarapancharam (1979) and emerged the highest grossing Malayalam film of the year. The film was a milestone in the Malayalam film industry, achieving cult status in Kerala. The film was instrumental in establishing Jayan's macho hero image.

text:
# Angadi (film)

***Angadi*** (transl.*Market*) is a 1980 Indian Malayalam-language action drama film directed by I. V. Sasi, written by T. Damodaran and produced by P. V, Gangadharan under the banner of Grihalakshmi Productions. The film stars Jayan as Babu in the lead role along with Sukumaran, Seema, Jose and Sankaradi, in supporting roles. The film revolves around the rivalry between a laborer, Babu and Beeran (Balan K. Nair), an evil businessman. The music was composed by Shyam, with the cinematography done jointly by Chandramohan and C. E. Babu. *Angadi* was one of the major successes of the year 1980, running for 125 days in theatres. The film broke the box office record of Jayan's *Sarapancharam* (1979) and emerged the highest grossing Malayalam film of the year. The film was a milestone in the Malayalam film industry, achieving cult status in Kerala. The film was instrumental in establishing Jayan's macho hero image.

## Cast

Source:

## Soundtrack

The music was composed by Shyam and the lyrics were written by Bichu Thirumala.

| No. | Song | Singers | Lyrics | Length |
| --- | --- | --- | --- | --- |
| 1 | "Allaane Umma" (Bit) | K. J. Yesudas | Bichu Thirumala |  |
| 2 | "Kannippalunke Ponninkinaave" | P. Susheela, Chorus | Bichu Thirumala | 4:38 |
| 3 | "Kannum Kannum Thammil" | K. J. Yesudas, S. Janaki | Bichu Thirumala | 4:54 |
| 4 | "Life Is Just Like" | S. Janaki, Jomon | Bichu Thirumala |  |
| 5 | "Onavillin Thaalavum" | Vani Jairam | Bichu Thirumala | 4:40 |
| 6 | "Paavaada Venam Melaada Venam" | K. J. Yesudas | Bichu Thirumala | 3:58 |

## Reception

*Angadi* performed well at the box office. It was also noted for Jayan's acting. His dialogue "We are not beggars ..." became a catchphrase.

The songs from the film also made it big for their melodious renditions. With the music composed by Shyam, the film's duet, "Kannum Kannum Thammil Thammil", sung by K. J. Yesudas and S. Janaki and "Paavada Venam", sung by K. J Yesudas were instant hits. The lyrics by Bichu Thirumala was also very memorable.

## InfoBox

| Angadi | |
| --- | --- |
|  | |
| Directed by | I. V. Sasi |
| Written by | T. Damodaran |
| Produced by | P. V. Gangadharan |
| Starring |  |
| Cinematography | * Chandramohan * C. E. Babu |
| Edited by | K. Narayanan |
| Music by | Shyam |
| Production<br>company | Grihalakshmi Productions |
| Distributed by | Kalpaka Films Release |
| Release date | * 18 April 1980 (1980-04-18) |
| Running time | 165 minutes |
| Country | India |
| Language | Malayalam |


title: El Capitan (ferry)

abstract: El Capitan was a side-wheel steam-powered passenger ferry operated on San Francisco Bay. The ferry was built for the Central Pacific Railroad in 1868 in anticipation of completion of the First transcontinental railroad. The ferry offered connecting service to San Francisco for train passengers arriving in Oakland, California. El Capitan collided with the Central Pacific ferry Alameda in dense fog on 20 February 1879. The hull flooded from a hole forward of the port side paddle box, and the ferry sank onto a mud bar. She was towed to a shipyard for repair the following day. El Capitan spent its last decade crossing the Carquinez Strait between Crockett and Vallejo before being retired in 1925.

text:
# El Capitan (ferry)

***El Capitan*** was a side-wheel steam-powered passenger ferry operated on San Francisco Bay. The ferry was built for the Central Pacific Railroad in 1868 in anticipation of completion of the First transcontinental railroad. The ferry offered connecting service to San Francisco for train passengers arriving in Oakland, California. *El Capitan* collided with the Central Pacific ferry *Alameda* in dense fog on 20 February 1879. The hull flooded from a hole forward of the port side paddle box, and the ferry sank onto a mud bar. She was towed to a shipyard for repair the following day. *El Capitan* spent its last decade crossing the Carquinez Strait between Crockett and Vallejo before being retired in 1925.

## InfoBox

| *El Capitan* was the largest ferry on San Francisco Bay when built in 1868 | |
| --- | --- |
| History | |
| Name | *El Capitan* |
| Owner |  |
| Operator |  |
| Port of registry | San Francisco,  USA |
| Builder | Patrick Tiernan, San Francisco |
| Completed | 1868 |
| In service | 1868-1925 |
| Out of service | 1925 |
| Identification | Official Number: 8230 |
| General characteristics | |
| Type | Passenger ferry |
| Tonnage | 982 |
| Displacement | 669 |
| Length | 194 ft (59 m) |
| Beam | 33.6 ft (10.2 m) |
| Depth | 14.5 ft (4.4 m) |
| Installed power | Total 250 hp from 4 fire tube boilers |
| Propulsion | side wheels powered by a vertical beam engine steam engine |
| Crew | 14 |
| Notes |  |


title: El Adelanto

abstract: El Adelanto is a small town and municipality in the Jutiapa department of Guatemala. The population as of 2023 is 8,457.

text:
# El Adelanto

**El Adelanto** (Spanish pronunciation: \[el aðeˈlanto\]) is a small town and municipality in the Jutiapa department of Guatemala. The population as of 2023 is 8,457.

## Geography

El Adelanto is located in southeastern Guatemala, 150 km from Guatemala City and 32 km southeast of Jutiapa, departmental seat of Jutiapa.

It borders the municipality of Jutiapa to the north, Yupiltepeque to the east, Zapotitlán to the south, and Comapa to the southwest. The municipal seat is also known as El Adelanto.

## Demographics

According to the 2001 Census, the municipality had 6,398 inhabitants. However, the municipality's website also references to a total population of 5,313 inhabitants.

All the information in this page was retrieved from the following websites on September 12, 2009:

and

## InfoBox

| El Adelanto | |
| --- | --- |
| Municipality | |
| El AdelantoLocation in Guatemala | |
| Coordinates: 14°10′06″N 89°43′37″W / 14.16833°N 89.72694°W / 14.16833; -89.72694 | |
| Country | Guatemala |
| Department | Jutiapa |
| Government | |
| Mayor | Teofilio Sinohe Corado Azmitia |
| Area | |
| Municipality | 13.2 sq mi (34.1 km2) |
| Population (2018 census) | |
| Municipality | 6,500 |
| Density | 490/sq mi (190/km2) |
| Urban | 2,341 (36%) |
| Religions | 60% Catholic; 30% Evangelical; 10% other |
| Gender | 3,232 males and 3,268 females |
| Climate | Aw |
| Website | www.inforpressca.com/eladelanto/ (in Spanish) |


abstract: "(Are You) The One That I've Been Waiting For?" is the second single from the album The Boatman's Call by Nick Cave and the Bad Seeds. The single, released on 19 May 1997, was pressed on 7" and 12" vinyl, as well as a standard CD single, though the song failed to chart anywhere except the U.K., where it only made it to #67. A promotional music video for the song was also recorded.

text:
# (Are You) The One That I've Been Waiting For

"**(Are You) The One That I've Been Waiting For?**" is the second single from the album *The Boatman's Call* by Nick Cave and the Bad Seeds. The single, released on 19 May 1997, was pressed on 7" and 12" vinyl, as well as a standard CD single, though the song failed to chart anywhere except the U.K., where it only made it to #67. A promotional music video for the song was also recorded.

## Background and history

The song, like many on *The Boatman's Call*, seems to reflect on Nick Cave's personal relationships and spiritual yearnings at the time of writing. This song in particular is widely speculated to either be a love song or directed at either the mother of Cave's son Luke, Viviane Carneiro, or PJ Harvey, with whom Cave had a brief relationship prior to the album's recording and release.

A line from the song that states, "there's a man who spoke wonders / I've never met him / he said, 'he who seeks finds and who knocks will be let in'", which is an indirect quotation of *Matthew 7:8* from The Bible.

## Track listing

UK and Australian CD single (Liberation Records, D1626)

1. "(Are You) The One That I've Been Waiting For?" – 4:06
2. "Come Into My Sleep" – 3:48
3. "Black Hair" (band version) – 4:14
4. "Babe, I Got You Bad" – 3:49

UK 7" single (Mute Records, MUTE 206)

1. "(Are You) The One That I've Been Waiting For?" – 4:06
2. "Come Into My Sleep" – 3:48

## Music video

Before the single's release, a promotional music video for the song was recorded. The video features the band performing the song in a small church hall.

## Cover versions

A version in Swedish, (Är du) den som jag har väntat på? appears on album Vid Grinden by Georga.

## InfoBox

| "(Are You) The One That I've Been Waiting For?" | |
| --- | --- |
|  | |
| Single by Nick Cave and the Bad Seeds | |
| from the album  *The Boatman's Call* | |
| B-side | "Come Into My Sleep" |
| Released | 19 May 1997 |
| Recorded | July 1996 |
| Studio | Sarm West and Abbey Road Studios, London, United Kingdom |
| Genre | Alternative rock |
| Length | 4:05 |
| Label | Mute Records |
| Songwriter(s) | Nick Cave |
| Producer(s) | Nick Cave & the Bad Seeds, Mark Ellis |
| Nick Cave and the Bad Seeds singles chronology | |
| "Into My Arms"
(1997) "**(Are You) The One That I've Been Waiting For?**"
(1997) "As I Sat Sadly by Her Side"
(2001) | |


abstract: "(Ah, the Apple Trees) When the World Was Young" is a popular song composed by Philippe-Gérard, with lyrics by Angèle Vannier. The English lyrics were written by Johnny Mercer. The original French title was "Le Chevalier de Paris". Apart from a reference to apples, the English lyrics only have minor commonalities with the original French words. English lyrics were originally written by Carl Sigman, but these were rejected by the music publisher, Mickey Goldsen. Sigman suggested Mercer, and Mercer wrote the English lyrics in three days. The song is from the perspective of an aging Parisian "boulevardier"/"coquette", as they review their life.

text:
# (Ah, the Apple Trees) When the World Was Young

"**(Ah, the Apple Trees) When the World Was Young**" is a popular song composed by Philippe-Gérard, with lyrics by Angèle Vannier. The English lyrics were written by Johnny Mercer. The original French title was "Le Chevalier de Paris". Apart from a reference to apples, the English lyrics only have minor commonalities with the original French words.

English lyrics were originally written by Carl Sigman, but these were rejected by the music publisher, Mickey Goldsen. Sigman suggested Mercer, and Mercer wrote the English lyrics (three verses and three choruses) in three days.

The song is from the perspective of an aging Parisian "boulevardier"/"coquette", as they review their life.

## Notable recordings


title: Angela Maria Bottari

abstract: Angela Maria Bottari was an Italian politician. A member of the Italian Communist Party, she served in the Chamber of Deputies from 1976 to 1987. Bottari died in Messina on 14 November 2023, at the age of 78.

text:
# Angela Maria Bottari

**Angela Maria Bottari** (16 March 1945 – 14 November 2023) was an Italian politician. A member of the Italian Communist Party, she served in the Chamber of Deputies from 1976 to 1987.

Bottari died in Messina on 14 November 2023, at the age of 78.

## InfoBox

| Angela Maria Bottari | |
| --- | --- |
| Bottari in 1979 | |
|  | |
| Member of the Chamber of Deputies of Italy | |
| **In office**
5 July 1976  1 July 1987 | |
|  | |
| Personal details | |
| Born | (1945-03-16)16 March 1945
Messina, Italy |
| Died | 14 November 2023(2023-11-14) (aged 78)
Messina, Italy |
| Political party | PCI (1971–1991)
PDS (1991–1998)
DS (1998–2007)
PD (2007–2023) |
|  | |


title: Angela Maria Autsch

abstract: Angela Maria Autsch, baptized as Maria Cecilia Autsch, religious name Angela Maria of the Heart of Jesus, was a German Trinitarian Sister of Valencia. Her beatfication process was opened in 1992.

text:
# Angela Maria Autsch

**Angela Maria Autsch**, baptized as *Maria Cecilia Autsch*, religious name *Angela Maria of the Heart of Jesus* (26 March 1900 – 23 December 1944), was a German Trinitarian Sister of Valencia. Her beatfication process was opened in 1992.

## Early life

Maria Cecilia Autsch was born in Röllecken, part of Attendorn in the Olpe district of (Westphalia), German Empire on 26 March 1900. She was a member of a modest working-class family (her father was a quarry worker) that regularly practised the Catholic faith. She went to school in the village of Bamenohl. The terrible economic situation in the Weimar Republic meant that she had to go out to work in the clothing store Bischoff & Broegger in Finnentrop, where she was popular amongst both fellow workers and customers

Maria was thirty-three years old when she joined the Trinitarian Sisters of Valence in Mötz, Austria. She began the novitiate and was given the name Angela Maria of the Sacred Heart of Jesus. The novitiate ended with the first profession of vows on 16 August 1934. Her final profession took place on 28 September 1938, the year Hitler annexed Austria.

## Imprisonment

When the Nazi party tried to expropriate the Mötzer monastery, Angela Autsch succeeded in saving it by arguing that the Tyrolean monastery was Spanish property.

On the morning of 10 August 1940, Sr Angela went to buy some milk. She happened to meet some women she knew at the dairy and, conversing with them, she related that the Allies had sunk a German ship off Norway and many had died in that disaster. She ended saying, "Hitler is a calamity for Europe". One of the women, a known Nazi sympathizer, related to her son, also a Nazi sympathizer, what she had heard from Sr. Angela. He reported the fact to the chief of the Gestapo.

The Gestapo opened a file on Sr. Angela and arrested her on 12 August 1940. She was jailed for seventeen days in Innsbruck before becoming prisoner no. 4651 in the concentration camp of Ravensbrück on 31 August 1940. There she was a light of hope and courage to her fellow inmates. She was frequently beaten by her captors but her contagious good humor was "a ray of sunshine in deepest Hell". Some prisoners who might have killed themselves were inspired by her, they said afterwards, even those who had no idea that she was a nun.

The Nazis sent Sr. Angela to Auschwitz concentration camp where she befriended a Jewish woman doctor from Slovakia, Margarita Schwalbova. Feeling depressed and less than human, she was deeply moved when the nun went up to her and gently stroked her hair. Although Schwalbova was an atheist, she and Sister Angela became friends, with the latter acting in a way that earned her the title *Angel of Auschwitz*. When Schwalbova was sick, she told her stories about the lives and miracles of the saints, and shared her meager rations with her and others even though this was strictly forbidden. In March 1943, Sister Angela was transferred to Birkenau, another camp, where she worked in the kitchen and infirmary, caring equally for inmates and persecutors. She died of a heart attack on 23 December 1944, during an Allied air raid, just a month before the Allies liberated the camp.

## Beatification process

Her cause for beatification was introduced by the Conference of Austrian Bishops on 26 March 1992. She was declared venerable by Pope Francis on 19 May 2018, upon the confirmation of her heroic virtue practiced during her life.

## Further reading

## InfoBox

| Venerable
Angela Maria Autsch
CSST | |
| --- | --- |
|  | |
| Born | (1900-03-26)26 March 1900
Röllecken, Attendorn, German Empire |
| Died | 23 December 1944(1944-12-23) (aged 44)
Auschwitz-Birkenau, German-occupied Poland |


title: El Chanal

abstract: El Chanal is an archaeological site located at El Chanal town, 4 kilometres (2.5 mi) north of the city of Colima, Mexico. Based on its extension, over 50 hectares, it is probable that it was the largest settlement of the state of Colima; it developed on both banks of the “Río Verde” or Río Colima. This archeological zone is maintained by the people of El Chanal. The area may have been inhabited by native groups around 1300 BC, achieving its maximum splendor between 1100 and 1400 CE. There is a Nahuatl connection shown by archaeological materials representing deities such as Tláloc and Ehécatl. Architectonically, the Chanal used the double temple concept, palaces with portals, ceremonial spaces with Mesoamerican ballgame, sidewalk-altar and altar-platform. Ceramics found indicates the massive use of braziers and “sahumerios”, associated with ceremonial rituals. Some polychromatic images recreate divine attributes, observed in stone reliefs which have made this site somewhat famous. Obviously there are many unknowns about the solemnity and majesty that surround the ceremonial spaces. But what we do know is that the whole town is and archeological zone that more treasures might found there. About the daily life in neighborhoods and community spaces, and all events that built this great city. A scientific investigation and formal exploration of this important site is indeed needed.

text:
# El Chanal

**El Chanal** is an archaeological site located at El Chanal town, 4 kilometres (2.5 mi) north of the city of Colima, Mexico. Based on its extension, over 50 hectares (120 acres), it is probable that it was the largest settlement of the state of Colima; it developed on both banks of the “Río Verde” or Río Colima. This archeological zone is maintained by the people of El Chanal. The area may have been inhabited by native groups around 1300 BC, achieving its maximum splendor between 1100 and 1400 CE. There is a Nahuatl connection shown by archaeological materials representing deities such as Tláloc and Ehécatl.

Architectonically, the Chanal used the double temple concept, palaces with portals, ceremonial spaces with Mesoamerican ballgame, sidewalk-altar and altar-platform. Ceramics found indicates the massive use of braziers and “sahumerios” (used to burn Copal resin), associated with ceremonial rituals.

Some polychromatic images recreate divine attributes, observed in stone reliefs which have made this site somewhat famous.

Obviously there are many unknowns about the solemnity and majesty that surround the ceremonial spaces. But what we do know is that the whole town is and archeological zone that more treasures might found there. About the daily life in neighborhoods and community spaces, and all events that built this great city. A scientific investigation and formal exploration of this important site is indeed needed.

## The name

The name of the site is related to folkloric beings known as "chanos" that inhabited water streams. From the many Tlaloc (rain god) representations in the region, it is likely that the El Chanal, was a remembrance of the myths probably associated with Tlaloc worship.

There is a version that relates El Chanal with “Place inhabited by water custodians”.

In the Mexican State of Chiapas, is a municipality with the same name, according to the municipalities encyclopedia of Mexico, the “Chanal” name means "wise man that teaches".

## Origins

The ethnic background of the site inhabitants has yet to be determined; ceramic materials found are not easily associated with the Colima ceramic tradition.

It is considered that site had artisan groups that knew metallurgical techniques. The presence of metal associated with plumbate vessels, used obsidian, manufactured clay sculptures with figures of “Xantiles” and Xipe Totec seem an indication that El Chanal was inhabited by a group, somehow related with Tula.

Unfortunately, the Colima prehispanic ceramic was subject of theft and illegal trade, some pieces are in museums abroad.

## The site

The site has ceremonial spaces, plazas, central altars, and ballgame courts. In 1945 the site was explored by archaeologist Vladimiro Rosado Ojeda, who discovered a pyramid with remains of a stairway and bas-relief engraved steps. The motifs had 36 tablets (Nine per step) that displayed Gods images such as Tlaloc and Ehécatl. Among the structures are the Ossuary, the Pyramid and the Great Platform

The north–south slope that characterizes the Colima valley was advantageously used by the Chanal constructors; the town was arranged following its contour.

The pyramidal structures were built using rounded stone from nearby rivers beds. Some of the stones have petroglyphs with animal figures, plants and possible deities.

El Chanal has six plazas or important ceremonial centers:

### Altars Plaza

Include two altars, one of rectangular shape, very deteriorated and other is circular, where several burials were found.

### Ballgame court

Located south of the “Plaza del Tiempo”, separated by a corridor, measures 38 by 13.5 meters.

The presence of a Mesoamerican ballgame court in the south of the archaeological site as part of ceremonial spaces is evidence of the strong religious life of the site. The cosmic sense of the town allowed battles by deities to culminate at the court, that fought day after day and allowed the reign of day and night and, hence the construction of the “Time Plaza”, include in the northeast the “Day and Night” Plaza and the “Water Plaza” at the northwest. The game deity was Xolotl that accompanied the sun in its passage through the underworld and announced its success over darkness by means of Venus, the morning star. The game rules, played by men, featured, a fundamental character for the world future. It is very probable that human sacrifice contemplated the magic that allowed supporting the fight of the light against the darkness.

### Plaza del Día y la Noche

“Day and Night Plaza” Represents a large open space 60 by 80 meters, delimited to the south by a retaining wall; to the west is structure 2 and to the east is structure1.

The acute El Chanal settler's religiosity is evident in the magnificent ritual and ceremonial spaces. There are two essential elements: The temples, represented by these native groups of western Mexico, are the home of gods on earth; and the plazas, as congregation spaces for the faithful masses. Some temples had public functions and were accessed by ample entrances. Others, however, had restricted entrances to which only the religious and civil authorities could enter. A way to describe and learn what their use was is by observing the type of materials used associated with the temples. In relation to the ample platform, it had on top two wooden rooms with roofs made of perishable materials, it is possible they used “sahumerios” and small incense dispensers. It is therefore probable, that the place was visited with the purpose of burning incense such as Copal, and render individual and simple tributes to the Gods.

### Plaza del Tiempo

The “Time Plaza” contains the most impressive site buildings: structures 1 and 3.

#### Structure 1

#### Structure 2

Composed by two bodies in the west side and three in the east.

### Plaza del Agua

The “Water Plaza” is made up of a series of low platforms with inner patios, corridors and open plazas.

### Patio alto

The “High Patio” corresponds to the residential housing area of the site.

### Plaza del Altar

The round “Altar Plaza” visually dominates the plazas of Altars and Time.

## How to get there

The El Chanal archaeological site is located at the present day town of El Chanal, 4 kilometres (2.5 mi) north of the City of Colima via a dirt road. Visits are Tuesday through Sunday from 9:00 to 17:00 hrs.

### References

## InfoBox

| **Archaeological Site in Colima** | | |
| --- | --- | --- |
|  | | |
|  | |
|  | |
| View of El Chanal archaeological site | |
|  | |
| **Name:** | El Chanal Archaeological Site |
| **Type** | Archaeology |
| **Location** | Colima City, Colima, Mexico |
| **Region** | Mesoamerica |
| **Coordinates** | 19°17′34″N 103°42′20″W / 19.29278°N 103.70556°W / 19.29278; -103.70556 |
| **Culture** | Unknown |
| **Chronology** | 1100 - 1400 CE maximum splendor |
| **Period** | Mesoamerican Postclassical |
| **INAH Web Page** | El Chanal archaeological site |


title: Angermeans

abstract: Angermeans is the third full-length album by the Californian hardcore band Strife. It was released in 2001 on Victory Records.

text:
# Angermeans

Professional ratings
| Review scores | |
| --- | --- |
| Source | Rating |
| AllMusic |  |
| *The Encyclopedia of Popular Music* |  |
| *Rock Hard* | 8.5/10 |

***Angermeans*** is the third full-length album by the Californian hardcore band Strife. It was released in 2001 on Victory Records.

## Critical reception

The *Daily Herald* called the album "vicious," writing that it "has as much Slayer as Agnostic Front in its lineage." AllMusic wrote that it "is not just a comeback for the band, it's a long-overdue kick in the butt for a whole \[hardcore\] movement as well."

## Track listing

All lyrics are written by Rick Rodney; all music is composed by Andrew Kline, except where noted

| No. | Title | Music | Length |
| --- | --- | --- | --- |
| 1. | "Rise Again" |  | 3:55 |
| 2. | "Life Stained Red" |  | 2:52 |
| 3. | "Spill No Blood" |  | 3:51 |
| 4. | "Angel Wings" |  | 4:23 |
| 5. | "Angermeans" |  | 5:31 |
| 6. | "From These Graves" |  | 4:22 |
| 7. | "Stareing at the Sky" |  | 3:21 |
| 8. | "Mine Alone" |  | 3:49 |
| 9. | "Everything Stripped Away" | Andrew Kline, Chad Peterson | 4:43 |
| 10. | "Mon Bel Ami" | Andrew Kline and Tom Bail | 2:11 |
| Total length: | | | 38:58 |

## Personnel

### Strife

* Rick Rodney – vocals and photography
* Chad Peterson – bass
* Sidney Niesen – drums
* Andrew Kline – guitar

### Additional musicians

* Tom Ball – additional guitar (on "Angermeans" and "From The Graves")
* Ellie Wyatt – additional violin (on "Angel Wings)
* Eric Bobo – percussion (on "From These Graves)
* Melody Rodney – piano (on "Angel Wings)

### Production

* Sean O'Dwyer – producing and engineering and mixing
* John Nelson – producing and engineering
* Rpgello Lozano – producing
* John Delaney – engineering
* Justina Powell – assistant engineering
* Josh Lynch – drum programming
* Nate Scott – art direction and design, photography

## InfoBox

| Angermeans | |
| --- | --- |
|  | |
| Studio album by Strife | |
| Released | 2001 |
| Studio | The Steakhouse, North Hollywood, CA. |
| Genre | Hardcore punk |
| Length | 38:58 |
| Label | Victory Records |
| Producer | Sean O'Dwyer, John Nelson, Strife, Rpgello Lozano |
| Strife chronology | |
| *In This Defiance*
(1997) ***Angermeans***
(2001) *Witness a Rebirth*
(2012) | |


title: Angelica Stacy

abstract: Angelica M. Stacy is the associate vice provost for the faculty, and professor of chemistry, at University of California, Berkeley. Stacy was one of the first women to receive tenure in the college of chemistry at UC Berkeley. At UC Berkeley, Stacy leads a research group that explores topics in materials science and chemistry education. Stacy is particularly well known in the community for her contributions to chemistry education research with a specific focus on strategies to increase diversity in the field and STEM more generally.

text:
# Angelica Stacy

**Angelica M. Stacy** is the associate vice provost for the faculty, and professor of chemistry, at University of California, Berkeley. Stacy was one of the first women to receive tenure in the college of chemistry at UC Berkeley.

At UC Berkeley, Stacy leads a research group that explores topics in materials science and chemistry education. Stacy is particularly well known in the community for her contributions to chemistry education research with a specific focus on strategies to increase diversity in the field and STEM more generally.

## Research, career, and service

Stacy received a B.A. in physics and chemistry magna cum laude at LaSalle College (1977). Stacy would then go on to receive her Ph.D. from Cornell University (1981) with Professor Michell J Sienko. She was a postdoctoral fellow at Northwestern University (1981–1983) with Professor Richard van Duyne and Professor Peter Stair prior to beginning her faculty position in the college of chemistry at the University of California, Berkeley. As a junior faculty member at Berkeley, Stacy was the first recipient of the Prytanean Faculty Award, which is an unrestricted grant awarded to distinguished female faculty members at UC Berkeley.

In the area of service, and as a senior member of the faculty at the University of California, Stacy has been outspoken about her commitment to issues surrounding diversity and equity in the sciences. Stacy has served as co-investigator and principal investigator of the University of California Faculty Family-Friendly Edge, which is a Sloan Foundation research project based at UC Berkeley. In these roles and that of associate vice provost of the faculty at the University of California, Berkeley, Stacy is particularly committed to promoting "data-driven initiatives to increase equity and inclusion in faculty recruitment, advancement, and retention".

In addition to her research in the area of chemistry education at the university level, Stacy has been outspoken on the importance of exposure to chemistry research (and research in the sciences more generally) at the high school level to help promote interest in career pathways in basic research, as a pathway to improve diversity in the field, and as a strategy to enhance student learning outcomes. She has spoken on the importance of high school educators as key to these endeavors:

**"**I have to come to the defense of my high school colleagues. Nothing is going to change until we respect them as professionals. They have a lot to offer. They have many ideas, but no time. They are in contact with students every hour of the day. There are no longer in-service days or professional days in many states. High school teachers know what they would like to do, but they have no time to do it. Yet we treat them as if we need to go and help them. In fact, I think we have much to learn from them. Until we come to the table with our high school colleagues, acknowledging them as the high-level professionals that they are, things are not going to change."

Stacy is also the author of the book *Living by Chemistry*, a research-based curriculum for students at the high school level.

## Awards

Stacy has been recognized for her contributions to chemistry education through numerous awards at the national and local level:

## Select publications

Prior to her independent academic career:

* Schneemeyer, Lynn F.; Stacy, Angelica; Sienko, M. J. (1980-09-01). "Effect of nonstoichiometry on the periodic lattice distortion in vanadium diselenide". *Inorganic Chemistry*. **19** (9): 2659–2662. doi:10.1021/ic50211a036. ISSN 0020-1669.
* Schneemeyer, Lynn F.; Wrighton, Mark S.; Stacy, Angelica; Sienko, Michell J. (1980-04-15). "n‐type molybdenum‐diselenide‐based liquid‐junction solar cells: A nonaqueous electrolyte system employing the chlorine/chloride couple". *Applied Physics Letters*. **36** (8): 701–703. Bibcode:1980ApPhL..36..701S. doi:10.1063/1.91598. ISSN 0003-6951.
* Landers, J. Steven; Dye, James L.; Stacy, Angelica; Sienko, M. J. (1981-04-01). "Temperature-dependent electron spin interactions in lithium \[2.1.1\] cryptate electride powders and films". *The Journal of Physical Chemistry*. **85** (9): 1096–1099. doi:10.1021/j150609a004. ISSN 0022-3654.

In the area of chemistry education:

## InfoBox

| Angelica Stacy | |
| --- | --- |
| Alma mater | LaSalle College, Cornell University, Northwestern University |
| Known for | Solid State Chemistry, Physical Chemistry, Inorganic Chemistry |
| Awards | Garvan-Olin Medal |
| **Scientific career** | |
| Fields | Chemistry |
| Institutions | University of California, Berkeley |
| Doctoral advisor | Michell J. Sienko |
| Notable students | Amy Prieto |
|  | |


title: 10th Army (RSFSR)

abstract: The 10th Army was a field army of the Red Army during the Russian Civil War which existed from October 3, 1918, until July 1920. It was formed from the troops operating in the area of Tsaritsyn and Kamyshin. On May 4, 1920, it was renamed the 10th Terek Army. It was dissolved in July 1920. It was part of the Southern Front, the South-Eastern Front and the Caucasian Front.

text:
# 10th Army (RSFSR)

The **10th Army** was a field army of the Red Army during the Russian Civil War which existed from October 3, 1918, until July 1920. It was formed from the troops operating in the area of Tsaritsyn and Kamyshin. On May 4, 1920, it was renamed the **10th Terek Army**. It was dissolved in July 1920. It was part of the Southern Front, the South-Eastern Front (from October 1, 1919) and the Caucasian Front (since January 16, 1920).

## History

In October 1918 - January 1919, the Army fought defensive battles against the Don White Cossacks near Tsaritsyn, opposing the offensive of the Don Army under General Pyotr Krasnov. Since mid-February 1919, it participated in the 1918-1919 Counteroffensive of the Southern Front, during which it defeated the Voronezh group of the Don Army in cooperation with the 9th Red Army. This forced the Tsaritsyn group of the Don Army to hastily retreat behind the Manych River.

Since May 1919, the 10th Army was attacked by numerically superior forces of the Caucasian Army under General Pyotr Wrangel. Under heavy pressure on its flanks, it was forced to withdraw to the Tsaritsyn area, and then further to Kamyshin where it took part in the defense of Tsaritsyn. On July 23, 1918, the 10th Army became part of the Special Group of Vasilii Shorin and fought in the August Counteroffensive of the Southern Front, defeating parts of the Caucasian Army of General Wrangel and entering the area around the middle reaches of the Don River.

In October 1919, as part of the Southeastern Front, it continued to conduct stubborn defensive battles against White troops in the Kamyshin region, making by its actions the counteroffensive of the Southern Front possible, which aimed to destroy the troops of General Anton Denikin. In the second half of November 1919 the 10th Army participated in the general offensive of Soviet troops in the south of the country, during which it defeated parts of the opposing Caucasian Army and reoccupied Tsaritsyn on January 3, 1920.

In January - March 1920, it participated in the North Caucasian operation.
In the spring and summer of 1920, it continued to lead a successful offensive South of the Don River and, in cooperation with the 9th and 11th Red Army, conquered the areas around Stavropol, completing the defeat of the White Guards in the Northern Caucasus.

Since May 4, 1920, the Army was renamed the **10th Terek Red Army** of the Caucasian Front. Since April 1920, it fought against anti-Soviet forces in the Terek region, until the Army was disbanded in July 1920.

### Commanders

* Kliment Voroshilov (October 3 - December 18, 1918)
* Nikolai Khudyakov (18 - 26 December 1918)
* Alexander Yegorov (December 26, 1918 - May 25, 1919)
* Leonid Klyuev (May 26 - December 28, 1919)
* Alexander Pavlov (December 28, 1919 - June 20, 1920)
* Vasily Glagolev (June 20 - July 8, 1920)

### Chief of Staff

### Members of the Revolutionary Military Council include

* Ernest Appoga
* Minin S.K. (October 21 - November 1918, July - September 23, 1919)
* Mezhlauk V.I. (October 28, 1918 - June 4, 1919)
* Okulov A.I. (October 26 - December 26, 1918)
* Shchadenko E.A. (November 1918 - January 1919)Legrand B.V. (December 26, 1918 - May 7, 1919)
* Efremov M.E. (January 28 - August 31, 1919)
* Somov O. I. (April 18 - October 20, 1919)
* Znamensky A.A. (June 11, 1919 - July 4, 1920)
* Mikhailov B.D. (18 August 1919 - 5 June 1920)
* Podvoisky N.I. (January 31 - March 18, 1920)
* Kvirkelia V.M. (May 30 - July 8, 1920)

## Sources


title: 1,2,3-Cyclohexatriene

abstract:
1,2,3-Cyclohexatriene is an unstable chemical compound with the molecular formula C6H6. It is an unusual isomer of benzene in which the three double bonds are cumulated. This highly strained compound was first prepared in 1990, by reacting a cyclohexadiene derivative with cesium fluoride. The product was too reactive to be isolated on its own, so its existence was confirmed by trapping via a cycloaddition reaction.
  - 1,2,3-Cyclohexatriene and its derivatives undergo a variety of reactions including cycloadditions, nucleophilic additions, and σ-bond insertions, and therefore they can be versatile reagents for organic synthesis.

text:
# 1,2,3-Cyclohexatriene

**1,2,3-Cyclohexatriene** is an unstable chemical compound with the molecular formula C6H6. It is an unusual isomer of benzene in which the three double bonds are cumulated.

This highly strained compound was first prepared in 1990, by reacting a cyclohexadiene derivative with cesium fluoride. The product was too reactive to be isolated on its own, so its existence was confirmed by trapping via a cycloaddition reaction.

1,2,3-Cyclohexatriene and its derivatives undergo a variety of reactions including cycloadditions, nucleophilic additions, and σ-bond insertions, and therefore they can be versatile reagents for organic synthesis.

## InfoBox

1,2,3-Cyclohexatriene
|  | |
| --- | --- |
| Names | |
| IUPAC name Cyclohexa-1,2,3-triene | |
| Identifiers | |
| CAS Number |  |
| 3D model (JSmol) |  |
| ChEBI |  |
| PubChem CID |  |
| CompTox Dashboard (EPA) |  |
| InChI * InChI=1S/C6H6/c1-2-4-6-5-3-1/h1,6H,2,4H2Key: LQABCMYNMHGWFU-UHFFFAOYSA-N | |
| SMILES * C1CC=C=C=C1 | |
| Properties | |
| Chemical formula | C6H6 |
| Molar mass | 78.114 g·mol−1 |
| Except where otherwise noted, data are given for materials in their standard state (at 25 °C \[77 °F\], 100 kPa).  Infobox references | |


title: 1,2,3-Benzothiadiazole

abstract: 1,2,3-Benzothiadiazole is a bicyclic aromatic chemical composed of a benzene ring that is fused to a 1,2,3-thiadiazole. A colorless solid, the compound is soluble in organic solvents.

text:
# 1,2,3-Benzothiadiazole

**1,2,3-Benzothiadiazole** is a bicyclic aromatic chemical composed of a benzene ring that is fused to a 1,2,3-thiadiazole. A colorless solid, the compound is soluble in organic solvents.

## Preparation

1,2,3-Benzothiadiazole is readily prepared by the diazotisation reaction of 2-aminothiophenol or its disulfide with sodium nitrite, as originally reported in 1887 and reviewed in several subsequent publications.

By the Herz reaction anilines can be converted to benzothiadiazole. The method is attractive since less elaborate precursors (merely anilines) are required. Upon treatment with disulfur dichloride, the anilines give the intermediate 1,3,2-benzothiazathiolium salt, which is diazotised to complete the formation of a 1,2,3-benzothiadiazole. The parent system cannot be made this way, since the use of aniline in this reaction leads to formation of the 6-chloro derivative.

## Structure and bonding

The molecule is planar. The N-N and S-N distances are respectively 128 and 171 picometers, indicative of multiple bond character. Like naphthalene, this heterocycle is a 10-electron system.

## Reactions

1,2,3-benzothiadiazole is much less nucleophilic than naphthalene. Nitration is slow. For that reason, many of its simple derivatives have been made from 2-aminothiophenols already having additional substituents.

1,2,3-benzothiadiazole is a very weak base and alkylation reactions give exclusively the 3-amino quaternary salt.

## Applications

1,2,3-benzothiadiazole has been claimed to synergise insecticides including dicrotophos but has not been commercialised for that application. The only derivative to have found significant use is the fungicide acibenzolar-*S*-methyl.

## InfoBox

1,2,3-Benzothiadiazole
|  | |
| --- | --- |
| Names | |
| Preferred IUPAC name 1,2,3-Benzothiadiazole | |
| Other names * Benzothiadiazole * Benzthiadiazole * Azabenzothiadiazole * benzo-1,2,3-thiadiazole | |
| Identifiers | |
| CAS Number |  |
| 3D model (JSmol) |  |
| ChemSpider |  |
| EC Number | * 205-989-4 |
| MeSH | benzo-1,2,3-thiadiazole |
| PubChem CID |  |
| UNII |  |
| CompTox Dashboard (EPA) |  |
| InChI * InChI=1S/C6H4N2S/c1-2-4-6-5(3-1)7-8-9-6/h1-4HKey: FNQJDLTXOVEEFB-UHFFFAOYSA-N | |
| SMILES * C1=CC=C2C(=C1)N=NS2 | |
| Properties | |
| Chemical formula | C6H4N2S |
| Molar mass | 136.17 g·mol−1 |
| Appearance | colorless solid |
| Density | 1.499 g/cm3 |
| Melting point | 36–37 °C (97–99 °F; 309–310 K) |
| Boiling point | 220.5 °C (428.9 °F; 493.6 K) |
| Related compounds | |
| Related compounds | 2,1,3-Benzothiadiazole |
| Except where otherwise noted, data are given for materials in their standard state (at 25 °C \[77 °F\], 100 kPa).  Infobox references | |


abstract: Angola competed at the 2024 World Aquatics Championships in Doha, Qatar from 2 to 18 February.

text:
# Angola at the 2024 World Aquatics Championships

**Angola** competed at the 2024 World Aquatics Championships in Doha, Qatar from 2 to 18 February.

## Competitors

The following is the list of competitors in the Championships.

| Sport | Men | Women | Total |
| --- | --- | --- | --- |
| Open water swimming | 1 | 1 | 2 |
| Swimming | 1 | 2 | 3 |
| Total | 2 | 3 | 5 |

## Open water swimming

Men

| Athlete | Event | Points | Rank |
| --- | --- | --- | --- |
|

Women

| Athlete | Event | Points | Rank |
| --- | --- | --- | --- |
|

## Swimming

Angola entered 3 swimmers.

Men

| Athlete | Event | Heat | | Semifinal | | Final | |
| --- | --- | --- | --- | --- | --- | --- | --- |
| | | Time | Rank | Time | Rank | Time | Rank |
|

Women

| Athlete | Event | Heat | | Final | |
| --- | --- | --- | --- | --- | --- |
| | | Time | Rank | Time | Rank |
|

## InfoBox

| Angola at the<br>2024 World Aquatics Championships | |
| --- | --- |
| Flag of Angola | |
| FINA code | ANG |
| National federation | Angolan Swimming Federation |
| Website | fan.lagodeideias.com |
| in Doha, Qatar | |
| Competitors | 5 in 2 sports |
| Medals | Gold 0 Silver 0 Bronze 0 Total 0 |
| World Aquatics Championships appearances | |
|  | |


title: Eidolon Publications

abstract: Eidolon Publications was a small press publisher based in North Perth, Western Australia. The company previously published the speculative fiction magazine Eidolon which ran from 1990 to 2000 and published books under the name of Eidolon Books.

text:
# Eidolon Publications

**Eidolon Publications** was a small press publisher based in North Perth, Western Australia. The company previously published the speculative fiction magazine *Eidolon* which ran from 1990 to 2000 and published books under the name of **Eidolon Books**.

## History

Eidolon Publications begun in 1990 and started publishing the *Eidolon* magazine. In 1992 the company expanded into non-magazine publishing, releasing Terry Dowling's "The Mars You Have in Me" as a chapbook. In 1996 Eidolon begun a book-line with Robin Pen's *The Secret Life of Rubber-Suit Monsters*. They then signed with HarperCollins to edit *The Year's best Australian Science Fiction and Fantasy* anthology series which began in 1997. In 2000 Eidolon put their magazine on hiatus but continued to accept submissions. In 2002 an editorial committee attempted to restart the magazine but it proved unsuccessful. The company published Terry Dowling's *Blackwater Days* which won the 2001 Ditmar Award for best collected work and the story within the book "The Saltimbanques" won the best short fiction award.

## *Eidolon* magazine

*Eidolon: The Journal of Australian Science Fiction and Fantasy* was first released in Autumn 1990 and was released quarterly until 1996. It was reduced to two issues a year until 1998 when it was reduced to one issue a year. The magazine was put on hiatus in 2000. In total it ran for 26 issues finishing on issue #29/30. In 1992, it won the Ditmar Award for best fanzine, and in 1993 it won the Ditmar Award for best periodical. It won the Ditmar Award for best publication/fanzine/periodical in 1996, and in 1998 it won best fanzine award again. The magazine has featured short stories which have been short-listed and won literary awards. Three authors won the Aurealis Award for their story, Karen Attard's "Harvest Bay" won 1995 Aurealis Award for best fantasy short story, Sean Williams' "Passing the Bone" won 1996 Aurealis Award for best horror short story, Damien Broderick's "Infinite Monkey" won the 2000 Aurealis Award for best science fiction short story and Stephen Dedman's "The Devotee" won the 2001 Ditmar Ward for best short fiction and other various authors have been finalists for both the Ditmar Award and the Aurealis Award. Artwork featured on the magazine by Shaun Tan has also won awards; in 1995 he won the Ditmar Award for best professional Artwork and the 1996 Ditmar Award for best Artwork on the cover of the issue #19.

## Eidolon Books

Eidolon Books is the book publishing arm of Eidolon Publications. In 2006 they released the anthology *Eidolon I*. It was nominated for best collected work at the 2007 Ditmar Awards. It also featured six stories that were nominated for various Aurealis Awards, with Margo Lanagan's "A Fine Magic" winning the award for best fantasy short story and other stories also were nominees for other awards.

## InfoBox

Eidolon Publications
|  | |
| --- | --- |
| Founded | 1990 |
| Country of origin | Australia |
| Headquarters location | North Perth, Western Australia |
| Fiction genres | Speculative fiction |
| Official website | eidolon.net |


title: Eidolosaurus

abstract: Eidolosaurus was a genus of mosasauroid from the Late Cretaceous period of Slovenia.

text:
# Eidolosaurus

***Eidolosaurus*** was a genus of mosasauroid from the Late Cretaceous period of Slovenia.

## InfoBox

| *Eidolosaurus*<br>Temporal range: Late Cretaceous | |
| --- | --- |
|
| Scientific classification | |
| Domain: | Eukaryota |
| Kingdom: | Animalia |
| Phylum: | Chordata |
| Class: | Reptilia |
| Order: | Squamata |
| *Clade*: | Mosasauria |
| Superfamily: | Mosasauroidea |
| Genus: | *Eidolosaurus* |
|


title: Eidophasia vanella

abstract: Eidophasia vanella is a moth of the family Plutellidae. It is found in North America from Alberta to California. The length of the forewings is 7.5–8.5 mm. The larvae feed on various plants, including Vicia gigantea and Osmorhiza species.

text:
# Eidophasia vanella

***Eidophasia vanella*** is a moth of the family Plutellidae. It is found in North America from Alberta to California.

The length of the forewings is 7.5–8.5 mm.

The larvae feed on various plants, including *Vicia gigantea* and *Osmorhiza* species.

## InfoBox

| *Eidophasia vanella* | |
| --- | --- |
|  | |
|
| Scientific classification | |
| Domain: | Eukaryota |
| Kingdom: | Animalia |
| Phylum: | Arthropoda |
| Class: | Insecta |
| Order: | Lepidoptera |
| Family: | Plutellidae |
| Genus: | *Eidophasia* |
| Species: | ***E. vanella*** |
| Binomial name | |
| ***Eidophasia vanella***<br>(Walsingham, 1881) | |
|
| Synonyms | |
| * *Plutella vanella* Walsingham, 1881 | |


title: Andrachne telephioides

abstract: Andrachne telephioides is a species of shrub in the family Phyllanthaceae. They have a self-supporting growth form and simple, broad leaves. Individuals can grow to 12 cm.

text:
# Andrachne telephioides

***Andrachne telephioides*** is a species of shrub in the family Phyllanthaceae. They have a self-supporting growth form and simple, broad leaves. Individuals can grow to 12 cm.

## Sources

This article incorporates text from a free content work. Licensed under CC0 (license statement/permission). Text taken from *Andrachne telephioides*. Encyclopedia of Life.

## InfoBox

| *Andrachne telephioides* | |
| --- | --- |
|  | |
|
| Scientific classification | |
| Kingdom: | Plantae |
| *Clade*: | Tracheophytes |
| *Clade*: | Angiosperms |
| *Clade*: | Eudicots |
| *Clade*: | Rosids |
| Order: | Malpighiales |
| Family: | Phyllanthaceae |
| Genus: | *Andrachne* |
| Species: | ***A. telephioides*** |
| Binomial name | |
| ***Andrachne telephioides***<br>L. | |
|


title: Edwin Markham

abstract: Edwin Markham was an American poet. From 1923 to 1931 he was Poet Laureate of Oregon.

text:
# Edwin Markham

**Edwin Markham** (born **Charles Edward Anson Markham**; April 23, 1852 – March 7, 1940) was an American poet. From 1923 to 1931 he was Poet Laureate of Oregon.

## Early life and education

Edwin Markham was born in Oregon City, Oregon, and was the youngest of 10 children; his parents divorced shortly after his birth. At the age of four, he moved with his mother to Lagoon Valley in Solano County, California. He obtained a teaching certificate in 1870 from Pacific Methodist College in Vacaville. Markham then attended San Jose Normal School (now San Jose State University) graduating in 1872, and wrote the poem "The Man with the Hoe". The house in which he wrote the poem was preserved and moved to the city's History Park, and now serves as a poetry center. He went by "Charles" until about 1895, when he was about 43, when he started using "Edwin." He also studied at Christian College in Santa Rosa, California, in 1873.

## Career

Markham taught literature in El Dorado County until 1879, when he became education superintendent of the county. While residing in El Dorado County, Markham became a member of Placerville Masonic Lodge. He also accepted a job as principal of Tompkins Observation School in Oakland, California, in 1890. While in Oakland, he became well acquainted with many other famous contemporary writers and poets, such as Joaquin Miller, Ina Coolbrith,and Charles Warren Stoddard.

Markham's most famous poem, "The Man with the Hoe," which accented laborers' hardships, was first presented at a public poetry reading in 1898. His main inspiration was a French painting of the same name (in French, *L'homme à la houe*) by Jean-François Millet. Markham's poem was published, and it became quite popular very soon. In New York, he gave many lectures to labor groups. These happened as often as his poetry readings.

His 1904 edition of the works of Edgar Allan Poe was followed by multiple volumes of *The Real America in Romance*, issued from 1909 through 1927 by New York publisher W. H. Wise. His edited works included several collections of British and American poetry. An accomplished and popular lecturer, Markham also wrote essays, popular articles that discussed his own compositional approaches, and introductions to the works of others. Among the latter, his subjects included John Keats, John Greenleaf Whittier, and Henry Wadsworth Longfellow. His efforts to raise public awareness of social ills were capped by contributions to a major volume examining child labor, *Children in Bondage*, in 1914.

In 1922, Markham's poem "Lincoln, the Man of the People" was selected from 250 entries to be presented at the dedication of the Lincoln Memorial. The author himself read the poem. Dr. Henry Van Dyke of Princeton said of the poem, "Edwin Markham's Lincoln is the greatest poem ever written on the immortal martyr, and the greatest that ever will be written." Later that year, Markham was filmed reciting the poem by Lee De Forest in his Phonofilm sound-on-film process.

As recounted by literary biographer William R. Nash, "'\['b\]etween publications, Markham lectured and wrote in other genres, including essays and nonfiction prose. He also gave much of his time to organizations such as the Poetry Society of America, which he established in 1910. In 1922, at the conclusion to the dedication of the Lincoln Memorial, Markham read a revised version of his poem, "Lincoln the Man of the People." Markham also wrote a number of epigrams, of which the best known is *Outwitted*.

Throughout Markham's later life, many readers viewed him as an important voice in American poetry, a position signified by honors such as his election in 1908 to the National Institute of Arts and Letters. Despite his numerous accolades, however, none of his later books achieved the success of the first two.

American etiquette expert Amy Vanderbilt has said that Markham's single verse poem "Circles of Love" was written while Markham was a guest at her family home on Staten Island.

## Personal life

In 1898, Markham married his third wife, Anna Catherine Murphy (1859–1938), and in 1899 their son Virgil Markham was born. They moved to Rio de Janeiro in 1900 to study natives and their appeasement, then to New York City, where they lived in Brooklyn and then Staten Island.

## Legacy

By the time of his death, Markham had amassed a huge library of over 15,000 books. This collection was bequeathed to Wagner College's Horrmann Library on Staten Island. Markham also willed his personal papers to the library. His correspondents included Franklin D. Roosevelt, Ambrose Bierce, Aleister Crowley, Jack and Charmian London, Zoe Anderson Norris, Carl Sandburg, Florence Earle Coates and Amy Lowell.

Six schools in California were named in honor of Markham. Three schools, all named Edwin Markham Elementary School, are in Oakland, Vacaville and Hayward, and three more are Markham Middle School in the Los Angeles neighborhood of Watts, Edwin Markham Middle School in Placerville, and Edwin Markham Junior High School in San Jose, the last since renamed Willow Glen Middle School.

Schools in other states named in his honor include Edwin Markham Intermediate School 51 in Staten Island, Edwin Markham Elementary north of Pasco, Washington, Edwin Markham Elementary School in Mt. Lebanon, Pennsylvania, and Markham Elementary in Portland, Oregon.

In 1916, American composer Alice Marion Shaw set Markham’s text to music in her song “To Go and Forget.”

The Liberty Ship *Edwin Markham* was launched on May 5, 1942.

A street in the Palomares Hills neighborhood of Castro Valley, California bears his name (Edwin Markham Drive).

The Markham Houses is a complex on Staten Island, as is a street there.

Markham House, his residence until 1889, is now in History Park in San Jose, California and houses the Poetry Center San José.

A historical marker in Peña Adobe Park in Vacaville, California bears an engraving of Markham.

## Bibliography

**Poetry collections**

* *The Man With the Hoe and Other Poems* (1899)
* *Lincoln and Other Poems* (1901)
* *The Real America in Romance, issued from 1909 through 1927 by New York publisher W. H. Wise* (1909 through 1927)
* *The Shoes of Happiness and Other Poems* (1913)
* *Gates of Paradise* (1920)
* *Eighty Poems at Eighty* (1932)
* *The Ballad of the Gallows Bird* (published 1960)

**Prose**

* *Children in Bondage* (1914)
* *California the Wonderful* (1914)

## Footnotes

## Further reading

* Peter J. Frederick, *Knights of the Golden Rule: The Intellectual As Christian Social Reformer in the 1890s.* Lexington, KY: University Press Of Kentucky, 1976.

## InfoBox

| Edwin Markham | |
| --- | --- |
|  | |
| Born | (1852-04-23)April 23, 1852
Oregon City, Oregon, U.S. |
| Died | March 7, 1940(1940-03-07) (aged 87)
Staten Island, New York, U.S. |
| Occupation | Poet |
| Nationality | American |
| Signature | |
|  | |


title: Andraca theae

abstract: Andraca theae is a moth of the family Endromidae. It is widely distributed in Taiwan and Southern China. The wingspan is 35–37 mm. The head is densely covered with dark brown hairs. The forewing apex is inconspicuously falcate and the exterior margin is straight. The forewings and hindwings each have a dark discal spot. The larvae feed on the leaves of Camellia tenuifolia and Camellia sinensis.

text:
# Andraca theae

***Andraca theae*** is a moth of the family Endromidae. It is widely distributed in Taiwan and Southern China.

The wingspan is 35–37 mm. The head is densely covered with dark brown hairs. The forewing apex is inconspicuously falcate and the exterior margin is straight. The forewings and hindwings each have a dark discal spot.

The larvae feed on the leaves of *Camellia tenuifolia* and *Camellia sinensis*.

## InfoBox

| *Andraca theae* | |
| --- | --- |
|  | |
|  | |
|
| Scientific classification | |
| Domain: | Eukaryota |
| Kingdom: | Animalia |
| Phylum: | Arthropoda |
| Class: | Insecta |
| Order: | Lepidoptera |
| Family: | Endromidae |
| Genus: | *Andraca* |
| Species: | ***A. theae*** |
| Binomial name | |
| ***Andraca theae***<br>(Matsumura, 1909) | |
|
| Synonyms | |
| * *Oreta theae* Matsumura, 1909 | |


title: 1934 Australian Championships

abstract: The 1934 Australian Championships was a tennis tournament that took place on outdoor Grass courts at the White City Tennis Club, Sydney, Australia from 18 January to 27 January. It was the 27th edition of the Australian Championships, the 7th held in Sydney, and the first Grand Slam tournament of the year. The singles titles were won by Briton Fred Perry and Australian Joan Hartigan.

text:
# 1934 Australian Championships

The **1934 Australian Championships** was a tennis tournament that took place on outdoor Grass courts at the White City Tennis Club, Sydney, Australia from 18 January to 27 January. It was the 27th edition of the Australian Championships (now known as the Australian Open), the 7th held in Sydney, and the first Grand Slam tournament of the year. The singles titles were won by Briton Fred Perry and Australian Joan Hartigan.

## Finals

### Men's singles

Fred Perry defeated  Jack Crawford 6–3, 7–5, 6–1

### Women's singles

Joan Hartigan defeated  Mall Molesworth 6–1, 6–4

### Men's doubles

Pat Hughes /  Fred Perry defeated  Adrian Quist /  Don Turnbull 6–8, 6–3, 6–4, 3–6, 6–3

### Women's doubles

Mall Molesworth /  Emily Hood Westacott defeated  Joan Hartigan /  Ula Valkenburg 6–8, 6–4, 6–4

### Mixed doubles

Joan Hartigan /  Edgar Moon defeated  Emily Hood Westacott /  Roy Dunlop 6–3, 6–4

## InfoBox

| 1934 Australian Championships | |
| --- | --- |
| Date | 18–27 January 1934 |
| Edition | 27th |
| Category | Grand Slam (ITF) |
| Surface | Grass |
| Location | Sydney, Australia |
| Venue | White City Tennis Club |
| Champions | |
| Men's singles | |
| Fred Perry | |
| Women's singles | |
| Joan Hartigan | |
| Men's doubles | |
| Pat Hughes /  Fred Perry | |
| Women's doubles | |
| Mall Molesworth /  Emily Hood Westacott | |
| Mixed doubles | |
| Joan Hartigan /  Edgar Moon | |
| Boys' singles | |
| Neil Ennis | |
| Girls' singles | |
| May Blick | |
| Boys' doubles | |
| Neil Ennis /  Colin McKenzie | |
| Girls' doubles | |
| Ethyl Chrystal /  Edna McColl | |
|  | |


title: Edwards Davis

abstract: Cader Edwards Davis was an American actor, producer, and playwright of vaudeville and the silent film era, known as a character actor. Born and raised in the San Francisco Bay Area, he was an ordained Christian minister and first achieved prominence as a sensational orator and lecturer, becoming known as the "poet-preacher" and the "Talmage of the West", before leaving the pulpit for an acting career. He wrote and starred in several original plays and vaudeville sketches, and appeared in over 50 films. In New York he was a president of the National Vaudeville Artists Association and the Green Room Club. In Hollywood he was a founder and president of the Masonic 233 Club. He was married to several actresses, including Adele Blood, who also appeared in some of his productions.

text:
# Edwards Davis

**Cader Edwards Davis** (June 17, 1873 – May 16, 1936) was an American actor, producer, and playwright of vaudeville and the silent film era, known as a character actor. Born and raised in the San Francisco Bay Area, he was an ordained Christian minister and first achieved prominence as a sensational orator and lecturer, becoming known as the "poet-preacher" and the "Talmage of the West", before leaving the pulpit for an acting career. He wrote and starred in several original plays and vaudeville sketches, and appeared in over 50 films. In New York he was a president of the National Vaudeville Artists Association and the Green Room Club. In Hollywood he was a founder and president of the Masonic 233 Club. He was married to several actresses, including Adele Blood, who also appeared in some of his productions.

## Early years and ministry

Cader Edwards Davis was born June 17, 1873, in Santa Clara, California, and raised in nearby Oakland. His father, William Wallace Davis, was a noted agriculturalist, and his brother Gideon became an advertising executive and editor of the *Oakland Herald*. He attended Washington College before earning an M.A. at the University of Kentucky.

He began his ministry with short pastorates in Sullivan and Mattoon, Illinois, before returning to California, where he was pastor at Oakland's Central Christian Church for four years. He gained a reputation as an orator and lecturer, and was known as the "poet-preacher" and the "Talmage of the West". In less than two years membership in his congregation tripled and audiences swelled to see the minister dubbed by the *New York Tribune*: "actor-preacher, a word-painter, a patron of the waltz... and the most popular preacher in the city." He enacted scenes from *Richard III* in sermon to an audience of fifteen hundred people, and on another occasion sought to illustrate the innocence of dancing by giving representations of the waltz. He added footlights to his pulpit. A writer for the San Francisco *Town Talk* recalled: "as a clergyman Edwards Davis was skilled in the arts of advertising. He was always doing something to attract attention to himself. He rode a wheel before bicycling became common, he wore a claw-hammer in the pulpit, he waltzed for his congregation." He was an admirer of Irish author Oscar Wilde, and often billed himself as "the American Oscar Wilde" (a moniker originated by newspapers), but dropped the nickname after Wilde's arrest for gross indecency. He defended agnostic orator Robert G. Ingersoll. He offered to officiate a wedding in a lion cage at San Francisco's Chutes amusement park. The *Oregonian* wrote: "Davis' preaching ever bordered on the spectacular. His enemies said he did more harm to the church than good; his friends said he was one of the mainstays of the denomination".

In early 1898, Davis became involved in a case involving convicted murderer Theodore Durrant that eventually led to Davis resigning from his church. Davis visited Durrant in prison on January 6, the night before his execution, ostensibly to offer spiritual council, but was later suspected of being sent by the *San Francisco Examiner* to obtain an interview. As reported by the *San Francisco Evening Bulletin* the next day, Davis had come in the service of a morning newspaper, and as he left Durrant's cell a scrimmage broke out in which Davis was very frightened. Durrant's father shouted "God! Haven't you any respect for a minister of the gospel?" A prizefighter who had been accompanying Davis attempted to intervene, was thwarted by a guard with a gun, and Davis was escorted to his carriage. The prizefighter was thought to be a bodyguard hired by the *Examiner.* Davis claimed libel, and sued the *Bulletin* for $50,000. The affair arose controversy within his church and the public, and he resigned from his ministry on January 23, 1898. One week later, he married Alta Margaret ("Alice") Kingore, a choir singer from his congregation.

In May 1898, Davis was accused of a variety of misconducts, including drunkenness and associating with "loose characters". In August, a group of California ministers issued a proclamation stating he was no longer allowed to preach in the state.

## Vaudeville and Broadway

Davis and his wife, Kingore, moved to New York, where after secular business plans failed they found themselves stranded. His New York stage debut was in January 1889, with a one-line role as the Viceroy of India in *The Cherry Pickers*. He toured with Charles Coghlan's company in *The Royal Box* until Coghlan's November 1899 death, and with Charles Frohman's *The Adventures of Lady Ursula* in 1900. Kingore also went into theatre, after Davis was incapacitated for several weeks with a broken foot. In April 1900 Kingore filed for divorce while Davis was on tour, and by December of that year he was stage manager for a Chicago production of *The Devil and a Swede*.

His first play, *The Seventh Commandment*, premiered in 1901 starring Robert Downing with Davis in a supporting role. He spent the next few years with various companies, including Belasco and Mayer's *The Dairy Farm*, which premiered at San Francisco's Alcazar Theatre in August 1903.

In the summer of 1903, Davis premiered and starred in a play of his own writing, a tragedy called *The Unmasking* which debuted in Oakland. The play was panned by the *Oakland Enquirer*, which called it "simply gross, unredeemed by the spurious and shallow sentimentality with which it reeks". He would perform *The Unmasking* over 1,000 times, which gained the distinction of being the first successful tragedy to be performed in vaudeville. Davis and his company brought *The Unmasking* onto the vaudeville circuit in 1905, touring the Orpheum Chain before making a New York City premiere in August 1906 at Keith's Union Square Theatre. A reviewer for *Goodwin's Weekly* called it "a great piece of work, uniquely modeled and beautifully finished... cannot be too highly commended," while reviews in *Variety* included "it requires attention and trimming", and "Suffers from being overacted. It was beautifully staged."

Other original works by Davis included *All Rivers Meet at Sea*, *The Kingdom of Destiny,* and a dramatization of the Oscar Wilde novel *The Picture of Dorian Gray,* which is among the book's earliest adaptations. Another play, *The Blessed and The Damned*, premiered at the Newark Theatre, New Jersey, in May 1915.

In New York City, his Broadway appearances included *Daddies* (1918–19) produced by David Belasco. He was a three-term president ("prompter") of the Green Room Club, and was elected president of the National Vaudeville Artists Association in 1919.

## Film

Davis appeared in over 50 films, from the silent era into early talkies, and was known as a character actor. He had early film roles in Frederick Thomson's *Her Mother's Secret* (1915) and Lucius Henderson's *The Strength of the Weak* (1916). His performance in the latter was described as "too artificial and melodramatic to be convincing" by *The Moving Picture World*, while *Wid's Films and Film Folk* called Davis "a splendid type" who "gave a smooth performance, with the exception of a number of places where he was inclined to register his gestures with a little too much of the theatrical touch." By 1918 his film appearances included *A Circus Romance*, *Who's Guilty*, *The Daughter of MacGregor*, *Transgression*, *The Victim*, *Bab's Matinee Idol*, *Dodging a Million,* and *De Luxe Annie.*

Davis' film roles in the 1920s included *The New York Idea* (1920), *The Plaything of Broadway* (1921), *Hook and Ladder* (1924), and *The Woman on the Jury* (1924). The second half of the decade saw Davis in *A Hero on Horseback* (1927), *A Reno Divorce* (1927), *The Life of Riley* (1928), *Happiness Ahead* (1928), *The Sporting Age* (1928), *A Song of Kentucky* (1929), and *Madam Satan* (1930).

Margaret KingoreAdele BloodJule PowerDavis was married to three actresses.

In Hollywood, Davis was a founder and president of the 233 Club, a Masonic organization of actors and motion picture workers. In his later years he wrote a book entitled *Lovers of Life: An Epic Biography of a Soul*.

On November 25, 1906, Davis married the actress Adele Blood, who was a lead in *The Unmasking*. They divorced in 1914, and he was later married to the actress Jule Power, who was named in his divorce from Blood. Power died in 1932, and Davis died in Hollywood on May 16, 1936, after a two-year illness.

## Partial filmography

1. "Edward Davis Was at One Time a Western Minister". *The Moving Picture World*. May 31, 1919. p. 1328.
2. "Edwards Davis". *Internet Broadway Database*. Retrieved May 31, 2021.
3. "Preacher is Accused by Actress Wife of Being too Indecent, Asks Divorce". *The Morning Press*. Santa Barbara, CA. January 18, 1914. p. 1.
4. "Adele Blood Sues Actor-Clergyman for Divorce". *The San Francisco Dramatic Review*. January 17, 1914. p. 8.
5. "Acceptable Production of Rather Messy Sex Theme". *Wid's Films and Film Folks*. March 23, 1916. p. 452.
6. ""The Woman on the Jury" is Feaure Tonight on National Program; Presented by Fine Cast". *Madera Mercury*. June 23, 1925.
7. Hammerton, Cecil (June 1896). "The City of Oaks". *The Overland Monthly*. Vol. 26, no. 162. pp. 700–701.
8. Hines, Dixie; Hanaford, Harry Prescott (1914). *Who's Who in Music and Drama*. H.P. Hanaford. pp. 85–86.
9. Bryan, George B., ed. (1991). *Stage Deaths: A Biographical Guide to International Theatrical Obituaries, 1850 to 1990*. New York: Greenwood Press. p. 334. ISBN 978-0-313-27593-7.
10. Vazzana, Eugene Michael (1995). *Silent Film Necrology*. Jefferson, N.C.: McFarland. p. 82. ISBN 9780786401321.
11. "Character Actor Dies". *The Los Angeles Times*. May 18, 1936. p. 28.
12. "Edwards Davis". *Variety*. May 20, 1936. p. 54.
13. "United States Census, 1880," database with images, FamilySearch (https://familysearch.org/ark:/61903/1:1:M6PM-Q1L : February 19, 2021), Cader Davis in household of W W Davis, Snelling, Merced, California, United States; citing enumeration district ED 42, sheet 333C, NARA microfilm publication T9 (Washington, D.C.: National Archives and Records Administration, n.d.), FHL microfilm 1,254,068.
14. "Once Loved Her. Strange Confession of the Rev. Edwards Davis". *Evening Sentinel*. January 4, 1899. p. 1.
15. "Edwards Davis Tells Why He Left the Puplit for a Mask". *The Spokane Press*. October 24, 1903. p. 4.
16. "Personal". *Colusa Daily Sun*. September 20, 1897. W. W. Davis returned to Oakland today... His son, Rev. Edwards Davis, so well known both here and there, is pastor of the First Christian church of Oakland.
17. "William Wallace Davis is Stricken by Death". *The San Francisco Call*. June 10, 1907. He is survived by three sons: Charles W. Davis of Portland, Ore., Gideon Davis, president of the Oakland Herald...and Edwards Davis of New York.
18. "Last Rites Held for Gideon Davis". *Oakland Tribune*. December 25, 1946. p. 7.
19. "A Newspaper Man Weded". *The San Francisco Call*. May 19, 1897. The ceremony was performed by Rev. Edwards Davis, brother of the groom
20. "Actors and Clergy". *The Sunday Star*. Washington, D.C. June 15, 1924.
21. *Annual Catalogue of the College of the Bible, 1891–92*. Lexington, KY. 1892. p. 4.`{{cite book}}`: CS1 maint: location missing publisher (link)
22. *Catalogue of Kentucky University, 1892–93*. Lexington, KY. 1893. p. 31.`{{cite book}}`: CS1 maint: location missing publisher (link)
23. "The Local News". *Colusa Daily Sun*. December 16, 1895. Edwards Davis, widely known as the poet-preacher...
24. "How He Draws the Crowd; A Young Preacher Poses as Oscar Wilde and Recites Shakespeare in the Pulpit". *The Islander*. Friday Harbor, WA. March 28, 1895.
25. "Echoes from the Green Room". *The Theatre*. London. December 1, 1896. p. 358.
26. "Edwards Davis Reappears". *Town Talk*. San Francisco. July 16, 1910. pp. 14–15.
27. "The Reverend Mr. Davis Does Not Desire to Carry Out His Programme". *Los Angeles Herald*. May 5, 1895. p. 2.
28. ""Pope Bob" is Defended". *The San Francisco Call*. June 6, 1898. p. 5.
29. McConnell, Virginia A. (2001). *Sympathy for the Devil: The Emmanuel Baptist Murders of old San Francisco*. Westport, Conn: Praeger. pp. 246–247. ISBN 978-0-275-97054-3.
30. "Not Afraid of Lions". *The San Francisco Call*. November 28, 1897. p. 2.
31. "Married by a Justice". *The San Francisco Call*. November 30, 1897. p. 5.
32. "Former Minister Will be Seen at Orpheum". *The Sunday Oregonian*. June 26, 1910. p. 9.
33. "A Durrant Echo". *Los Angeles Herald*. January 23, 1898. p. 2.
34. Diogenes (January 15, 1898). "Plain Talks to Public Characters". *The Wasp*. Vol. 39, no. 3. pp. 8–9.
35. "Bulletin must go to court". *The San Francisco Call*. January 9, 1898. p. 11. Retrieved January 31, 2021  via Newspapers.com.
36. "Rev. Edwards Davis May be Expelled". *San Francisco Call*. January 8, 1898.
37. "Left the Pulpit". *San Francisco Call*. January 24, 1898.
38. "A Bride From the Choir". *The San Francisco Examiner*. January 30, 1898.
39. "Pulpit and Choir to be United". *The San Francisco Call*. January 11, 1898. p. 11.
40. "The Actor Preacher Ousted". *The San Francisco Call*. May 2, 1898. p. 9.
41. "Edwards Davis Under the Ban". *The San Francisco Call*. August 3, 1898. p. 10.
42. "Life Troubles of Three Prominent Ministers". *The San Francisco Call*. April 18, 1900. p. 12.
43. "Topics in California". *The New-York Tribune*. April 22, 1900. p. 10. Davis, after his retirement from the church, joined Charles Coghlan's company and remained with it till Coghlan's death. His wife also went on the stage, but illness compelled her to return to the home of her parents, in Oakland.
44. "Rev. Edwards is in New York". *Oakland Tribune*. May 14, 1900. p. 4.
45. "Rev. Davis' Mad Love For His Pretty Wife". *Oakland Tribune*. April 19, 1900. p. 1.
46. "Love's Fire in Davis' Letters". *San Francisco Call*. April 20, 1900. p. 9.
47. "Edwards James as a Stage Manager. The Oakland Preacher Who Used to Dance in His Pulpit is Heard from Again". *Colusa Daily Sun*. December 29, 1900.
48. "Downing's New Play". *The Topeka State Journal*. February 2, 1901. p. 11.
49. "Edwards Davis Engages to Play at the Alcazar". *The San Francisco Call*. August 12, 1903.
50. Fischer, Will H. (October 21, 1903). "Actor Edwards Davis Once Dancing Preacher". *The Spokane Press*. p. 5.
51. "Edwards Signs Contract to Tread Boards in Home City". *The San Francisco Call*. July 7, 1903. p. 9.
52. "Edwards Davis is Roasted. The Oakland Enquirer Does Not Like the Tragedy Written by the Preacher". *Colusa Daily Sun*. July 28, 1903. p. 1.
53. "Edwards Davis". *The Moving Picture World*. November 1915. p. 1643.
54. Silverman, Sime (August 25, 1906). "Edwards Davis and Company. "The Unmasking." Keith's". *Variety*. p. 8.
55. Young, George M. (September 22, 1906). "Correspondence: Philadelphia, PA". *Variety*. p. 11.
56. "Poetry Invades Vaudeville". *Goodwin's Weekly*. July 19, 1913. p. 10. ISSN 2163-6737.
57. Tanitch, Robert (1999). *Oscar Wilde on Stage and Screen*. London: Methuen. p. 371. ISBN 978-0-413-72610-0.
58. "The Two Hours Traffic of the Stage". *Newark evening Star and Newark Advertiser*. June 1, 1915. p. 10.
59. ""Daddies" Charms First Nighters at Belasco Theatre". *The New York Clipper*. September 11, 1918. p. 10.
60. "One of the Daddies". *The Sun*. New York. February 23, 1919. p. 4.
61. "Edwards Davis Heads N.V.A." *The New York Clipper*. May 21, 1919.
62. "Edwards Davis". *The New York Times*. Associated Press. May 18, 1936. p. 17. ProQuest 101885695. Retrieved January 30, 2021  via ProQuest.
63. "Edward Davis Elected Pres. of Nat'l Vaudeville Artists". *Variety*. May 16, 1919. p. 7.
64. Foster, Charles (2000). *Stardust and Shadows: Canadians in Early Hollywood*. Toronto: Dundurn Press. p. 235. ISBN 978-1-55002-348-0.
65. "Four Fox Pictures Released This Month from the 5th". *Motion Picture News*. December 18, 1915. p. 55.
66. Denig, Lynde (March 11, 1916). "The Strength of the Weak". *The Moving Picture World*. p. 1659.
67. *Motion Picture Studio Directory and Trade Annual*. New York: Motion Picture News, Inc. 1918. p. 197.
68. "Preacher Forsakes Pulpit for Movies". *Madera Mercury*. June 27, 1924.
69. *Motion Picture News Blue Book*. New York: Motion Picture News, Inc. 1930. p. 60.
70. Wilk, Ralph (June 16, 1930). "A Little from "Lots"". *The Film Daily*. p. 39.
71. "Fraternities of the Screen". *The Motion Picture Director*. Vol. 11, no. 7. February 1926. pp. 58+60.
72. Davis, Edwards (1934). *Lovers of Life: An Epic Biography of a Soul*. New York: The Baker and Taylor Co. OCLC 4425545.
73. *Motion Picture Studio Directory and Trade Annual*. New York: Motion Picture News, Inc. 1920. p. 278.
74. "Film-Stage Star Dead". *Evening Star*. AP. February 15, 1932. p. B-7.
75. Davis, Edwards (October 1932). "(Untitled)" (PDF). *The Whisper*. Vol. 1, no. 5. Montague, MI. pp. 4–6.

## InfoBox

| Edwards Davis | |
| --- | --- |
|  | |
| Born | Cader Edwards Davis
(1873-06-17)June 17, 1873
Santa Clara, California, U.S. |
| Died | May 16, 1936(1936-05-16) (aged 62)
Hollywood, California, U.S. |
| Occupation | Actor |
| Spouses | *   Magaret Kingore  (m. 1898; div. 1900) *   Adele Blood  (m. 1906; div. 1914) *   Jule Power (died 1932) |
| Signature | |
|  | |


title: Edythe Meserand

abstract: Edythe Meserand (1908-1997) was a pioneer in broadcast journalism for women and founding member of the American Women in Radio and Television (AWRT), the oldest established professional association dedicated to advancing women in broadcasting.

text:
# Edythe Meserand

**Edythe Meserand** (1908-1997) was a pioneer in broadcast journalism for women and founding member of the American Women in Radio and Television (AWRT), the oldest established professional association dedicated to advancing women in broadcasting.

## Biography

Edythe Meserand was born in Philadelphia, Pennsylvania in 1908 but grew up in the Bronx and Long Island, New York. She began her career at the National Broadcasting Company in 1926 in their press office. From 1931-37 Meserand worked for the Hearst radio stations as the director of promotions and the ''Musical Clock Girl'' on WGBS, the forerunner of WINS in New York City.

Meserand left and became assistant news director of WOR, making her one of the first women in radio to assign reporters and shape the news broadcast. She helped design what is considered today the modern radio newsroom and produced some of the first radio news documentaries that used authentic background sounds. She took over the department when her supervisor, David Driscoll, became a war correspondent in WWII.

In 1951 she became a founder of American Women in Radio and Television, and served as its first president. Throughout her career, Meserand collected many accolades, including Peabody and Freedom Foundation awards for her radio documentary work, she was also honored by the Northeast Area Conference of American Women in Radio and Television for her 50 years in the industry.

She retired from WOR in 1952 and moved to a Christmas tree farm in Windy Hill, Charleston, New York with her partner, Jane Barton. In her retirement she continued to lead an active life, starting an advertising agency where she managed radio and television campaigns for Mary Anne Krupsak, the former Lieutenant Governor of New York. In the 1970s, Meserand became her town historian and the founding chairman of the Charleston Historical Society in 1978 where she helped to save the town's first Baptist church.

Edythe Meserand died at age 88 on June 2, 1997.


title: Edythe Harrison

abstract: Edythe "Edie" Colton Harrison is an American politician who served as a member of the Virginia House of Delegates from 1980 to 1983. She lost renomination to Tom Moss in 1982 after the state's House district maps were redrawn. In 1984, she ran for United States Senate, losing to the Republican incumbent, John Warner. She was the first woman nominated for statewide office by the Virginia Democratic Party. In 1974, Harrison worked to found the Virginia Opera Association and led a fundraising campaign to restore the Norfolk Municipal Auditorium for the company's new home, the Harrison Opera House.

text:
# Edythe Harrison

**Edythe "Edie" Colton Harrison** (born September 17, 1934) is an American politician who served as a member of the Virginia House of Delegates from 1980 to 1983. She lost renomination to Tom Moss in 1982 after the state's House district maps were redrawn. In 1984, she ran for United States Senate, losing to the Republican incumbent, John Warner. She was the first woman nominated for statewide office by the Virginia Democratic Party.

In 1974, Harrison worked to found the Virginia Opera Association and led a fundraising campaign to restore the Norfolk Municipal Auditorium for the company's new home, the Harrison Opera House.

* Edythe Harrison at *The Virginia Elections and State Elected Officials Database Project, 1776-2007*

## InfoBox

| Edythe Harrison | |
| --- | --- |
|  | |
| Member of the Virginia House of Delegates | |
| **In office**
January 9, 1980  January 12, 1983 | |
| Preceded by | Albert Teich |
| Succeeded by | Stephen E. Gordy |
| Constituency | 39th district (1980–82)
37th district (1982–83) |
|  | |
| Personal details | |
| Born | Edythe Joyce Colton
(1934-09-17) September 17, 1934
Detroit, Michigan, U.S. |
| Political party | Democratic |
| Spouse | Stanley Harrison |
| Education | Stephens College
Marymount Manhattan College
Wayne State University (BA) |
|  | |


title: Edmund Stockdale

abstract: Sir Edmund Villiers Minshull Stockdale, 1st Baronet was an English banker who served as the 632nd Lord Mayor of London from 1959 to 1960.

text:
# Edmund Stockdale

**Sir Edmund Villiers Minshull Stockdale, 1st Baronet** (16 April 1903  24 March 1989) was an English banker who served as the 632nd Lord Mayor of London from 1959 to 1960.

## Life

Edmund Stockdale was born on 16 April 1903, the son of Major Henry Stockdale and Florence (née Villiers). Stockdale was raised at Mears Ashby Hall which had been in the possession of the family since the mid-1600s. He was educated at Wellington College in Berkshire. Edmund Stockdale married the Hon. Louise Fermor-Hesketh daughter of Sir Thomas Fermor-Hesketh, Baron Hesketh in 1937.

Stockdale began his career with the Bank of England in 1921, serving as deputy principal of the bank in 1948. In 1948, Stockdale held the office of Justice of the Peace for the City of London. In 1955 he was knighted for services to banking and in 1959 he was elected Lord Mayor of London.

He purchased the Hoddington House Estate in Upton Grey in c1945, which upon the death of his wife in 1994 was inherited by the 3rd Baronet, who sold the house with 809 acres in c2012 asking £20m (keeping 1,000 acres).

On 5 December 1960, Stockdale was created Baronet of Hoddington in the County of Southampton by the Queen.


title: Ancylosis costistrigella

abstract: Ancylosis costistrigella is a species of snout moth in the genus Ancylosis. It was described by Ragonot, in 1890, and is known from the Canary Islands., Algeria, Tunisia, Morocco, Israel, Iran, Afghanistan, Bahrain, the United Arab Emirates and Sudan. The larvae feed on Salvia aegyptiaca.

text:
# Ancylosis costistrigella

***Ancylosis costistrigella*** is a species of snout moth in the genus *Ancylosis*. It was described by Ragonot, in 1890, and is known from the Canary Islands., Algeria, Tunisia, Morocco, Israel, Iran, Afghanistan, Bahrain, the United Arab Emirates and Sudan.

The larvae feed on *Salvia aegyptiaca*.

## InfoBox

| *Ancylosis costistrigella* | |
| --- | --- |
|
| Scientific classification | |
| Domain: | Eukaryota |
| Kingdom: | Animalia |
| Phylum: | Arthropoda |
| Class: | Insecta |
| Order: | Lepidoptera |
| Family: | Pyralidae |
| Genus: | *Ancylosis* |
| Species: | ***A. costistrigella*** |
| Binomial name | |
| ***Ancylosis costistrigella***<br>(Ragonot, 1890) | |
|
| Synonyms | |
| * *Heterographis costistrigella* Ragonot, 1890 | |


title: Andrea Alföldi

abstract: Andrea Alföldi Rejtő is a retired female race walker from Hungary, who competed for her native country at the 1992 Summer Olympics in Barcelona, Spain. She set her personal best (43.41) in the women's 10 km event in 1992.

text:
# Andrea Alföldi

**Andrea Alföldi Rejtő** (born September 22, 1964 in Komló, Baranya) is a retired female race walker from Hungary, who competed for her native country at the 1992 Summer Olympics in Barcelona, Spain. She set her personal best (43.41) in the women's 10 km event in 1992.

## Achievements

| Year | Competition | Venue | Position | Event | Notes |
| --- | --- | --- | --- | --- | --- |
| Representing  Hungary | | | | | |
| 1989 | World Indoor Championships | Budapest, Hungary | 6th | 3000 m | 12:31.66 |
| | World Race Walking Cup | L'Hospitalet, Spain | 22nd | 10 km | 46:43 |
| 1991 | World Race Walking Cup | San Jose, United States | 11th | 10 km | 45:42 |
| | Universiade | Sheffield, United Kingdom | 8th | 10 km | 46:41 |
| | World Championships | Tokyo, Japan | 14th | 10 km | 45:22 |
| 1992 | Olympic Games | Barcelona, Spain | 18th | 10 km | 46:35 |
| 1993 | World Race Walking Cup | Monterrey, Mexico | 19th | 10 km | 47:59 |
| | World Championships | Stuttgart, Germany | 14th | 10 km | 45:57 |
| 1995 | World Race Walking Cup | Beijing, PR China | 61st | 10 km | 48:20 |

1. Evans, Hilary; Gjerde, Arild; Heijmans, Jeroen; Mallon, Bill; et al. "Andrea Alföldi". *Olympics at Sports-Reference.com*. Sports Reference LLC. Archived from the original on 2016-12-02. Full name: Andrea Alföldi (-Rejtő)


title: Edgar O. Campbell

abstract: Edgar Omer Campbell served in the California State Assembly for the 59th district from 1925 to 1927 and during World War I he served in the United States Army.

text:
# Edgar O. Campbell

**Edgar Omer Campbell** (September 12, 1867 - December 31, 1947) served in the California State Assembly for the 59th district from 1925 to 1927 and during World War I he served in the United States Army.

1. "Edgar Campbell Family Tree". *familysearch.org*.
2. "Join California - Edgar O. Campbell". *joincalifornia.com*.
3. Vassar, Alexander C. (2011). *Legislators of California* (PDF). Retrieved 23 November 2016.

## InfoBox

| Edgar O. Campbell | |
| --- | --- |
|  | |
| Member of the California State Assembly
from the 59th district | |
| **In office**
January 5, 1925 - January 3, 1927 | |
| Preceded by | Edgar W. Stow |
| Succeeded by | Theodore Randolph Finley, Sr. |
|  | |
| Personal details | |
| Born | (1867-09-12)September 12, 1867
Carrollton, Illinois, US |
| Died | December 31, 1947(1947-12-31) (aged 80)
Santa Barbara, California, US |
| Political party | Republican |
| Spouse | Frances Louisa Campbell  (m. 1900) |
| Children | 2 |
| Military service | |
| Branch/service | United States Army |
| Battles/wars | World War I |
|  | |


title: Anemosa

abstract: Anemosa is a genus of snout moths. It was described by Francis Walker, in 1859, and is known from Australia.

text:
# Anemosa

***Anemosa*** is a genus of snout moths. It was described by Francis Walker, in 1859, and is known from Australia.

## Species

## InfoBox

| *Anemosa* | |
| --- | --- |
|  | |
|
| Scientific classification | |
| Domain: | Eukaryota |
| Kingdom: | Animalia |
| Phylum: | Arthropoda |
| Class: | Insecta |
| Order: | Lepidoptera |
| Family: | Pyralidae |
| Subfamily: | Chrysauginae |
| Genus: | *Anemosa*<br>Walker, 1859 |
|
| Synonyms | |
| * *Drymiarcha* Meyrick, 1885 | |