title: Alfred Pal

abstract: Alfred Pal was a Croatian painter and graphic designer.

text:
# Alfred Pal

**Alfred Pal** (30 November 1920 – 30 June 2010) was a Croatian painter and graphic designer.

## Early life and education

Pal was born in Vienna on November 30, 1920, into a Jewish family of Stefan and Therese (née Deutsch) Pal. Before the First World War Stefan Pal had owned a small chemical factory in Vienna which prospered as a supplier of shoe polish for the Austro-Hungarian Army, while Therese Deutsch was known for her beauty and appeared in several silent films produced in Berlin. Following the war and the decay of Austria-Hungary, Pal senior moved his family to Poland, where he opened a new factory of chemical products called "Purus" near Kraków in 1921. Alfred had an older brother, Aleksandar, who was two years older than him.

In 1923, Theresa left Stefan and moved to Berlin, while Alfred and his brother continued to live with their father in Kraków. She would often visit her sons. A German governess from Katowice, Margareta "Greta" Petruschke took care of Alfred and his brother. In 1926 the boys enrolled into a private German-language elementary school in Grodska street in Kraków. Stefan Pal's business slowly deteriorated until 1929, when he, just before the Great Depression, sold his factory and moved back to Vienna to live in three-bedroom apartment with his sons. At that time Stefan and Aleksandar for the first time visited their father's sisters, Judita in Vukovar, and Gisela in Čakovci (both in present-day eastern Croatia). The Pal brothers continued their education in Vienna. With their father constantly on the road working as a traveling salesman, the family's housemaid Margareta took care of the brothers. In 1930, Alfred graduated from elementary school in Vienna. That same year he enrolled in high school, where for the first time he started drawing under professors Wimmer and Eisler. In 1931, Stefan Pal died while traveling to Kraków, where he was subsequently buried. Following their father's death, Alfred and his brother moved to Vukovar, where they lived with their aunt Judita and rest of their father's numerous family.

In 1932, Pal began to attend the high school in Vukovar, where one of his teachers was painter and designer Marijan Detoni. During his high school education, Pal often traveled to Čakovci where he helped his aunt Gisela. During the summer Pal earned pocket money by drawing caricatures across the Adriatic beaches, from Sušak to Dubrovnik. He also paid for his high school tuition by teaching German and mathematics. Meanwhile, Pal's mother's acting career in Berlin stalled as she failed to make a successful transition to talkies, and returned to Vienna. In 1938, because of the Anschluss she had to flee the country due to antisemitism, but without valid documents. In early 1940 she managed to enter the Kingdom of Yugoslavia and see their sons for the first time after 13 years. Pal graduated from high school in 1940, and that same year he enrolled at the Study of Architecture in Belgrade, but because of the numerus clausus he was sent on hold.

## World War II, later life and career

In 1941, with the invasion of Yugoslavia, Pal, his brother and their aunt Judita hide from the German army at their aunt Gisela estate in Čakovci. The winter of 1941–42 was the last winter they would spend together. From all surrounding areas, Vukovar, Vinkovci and Ilok, Jews from 14 to 60 years of age, were rounded up and taken to concentration camps. In 1942, Pal's aunt Gisela had a stroke, and aunt Judita severe hip fracture, which left them both immovable. Pal's mother was arrested in Nova Gradiška by the Croatian police, and was then taken by Ustaše to concentration camp in Đakovo where she had survived typhus. Later she was taken to Loborgrad camp in Hrvatsko Zagorje, where she was killed in August 1942.

In the summer of 1942, Pal and his brother decided to escape the Nazi and Ustaše persecution. His brother swam across the Danube near Opatovac to Hungary, never to be seen again. Alfred forged a travel pass for himself and managed to reach Crikvenica, which was at the time occupied by the Italians. In order to earn a living, Pal drew caricatures of local villagers, visitors and Italian soldiers in Crikvenica. On November 10, 1942, Pal was arrested and taken to a detention camp in Kraljevica and was later transferred to Rab concentration camp. After the 1943 capitulation of Italy and the liberation of the camp, Pal joined the Yugoslav Partisans as the member of the Jewish Rab battalion. In the Partisans he became a member of the war editorial board of ZAVNOH newspaper *Vjesnik*.

After the war, Pal returned to Vukovar to find out that all members of his family had been murdered in the Holocaust, except his cousin Heda Sinberger who survived Auschwitz. Pal's aunts Judita and Gisela, and his brother Aleksandar, were all murdered in concentration camps. In 1945 Pal moved to Zagreb, where he became the technical editor at the *Ilustrirani Vjesnik* weekly, and was one of the founders of the satirical newspaper *Kerempuh*, in 1945. He served as editor of *Kerempuh* from 1947 to 1949.

In 1949, Pal was one of the victims of the Informbiro period, an internal schism between Yugoslavia and Soviet Union which led to the Tito–Stalin split. Charged with being a sympathizer of Stalin and an enemy of the state, Pal was arrested and sent to Goli Otok, a prison and labour camp for political prisoners, where he served time from 1949 to 1950, and then again from 1951 to 1954.

Upon his release he returned to Zagreb, where he started working at various publishers, translating books from German and editing graphic design. Nevertheless, Pal continued to suffer discrimination, as he was denied travel documents and was kept under surveillance by the Yugoslav secret police UDBA. From 1970 to 1984, Pal worked as an art editor at the Matica hrvatska publishing house, and from 1985 he worked as an independent artist. Pal was also a long time member of the Croatian Association of Artists of Applied Arts (ULUPUH) and one of the initiators and founders of Zgraf, a prestigious exhibition of graphic design established in 1975 and held every three years in Zagreb.

## Work

Pal worked on graphic design from the very beginnings, practically on medieval hand carved wood graphics during the war. He was a master of book graphic design, in his long career he equipped a number of books from various libraries. Pal was the author of numerous posters which he made; he worked for various clients such as; Croatian National Theatre in Zagreb, Gavella Drama Theatre, Modern Gallery, Zagreb and others. As a painter, Pal had twelve solo exhibitions; in Zagreb (1961, 1964, 1969, 1982, 1989, 1999, 2001), Vukovar (1965, 1984), Rijeka (1966), Karlovac (1971) and Dubrovnik (1985). His painting was on the line of gestural abstraction and sarcastic fiction. Pal used encaustic technique in his painting, with which he got the surprising effects.

## Honors

In 2010, Pal received the Vladimir Nazor Award for lifetime achievement in the category of fine and applied arts. That same year, he also received the city of Zagreb award for lifetime achievement.

## Personal life

Pal was married to medical technician Branislava (née Žuvela) Pal, whom he meet in 1960. They married in 1962. Pal had two children, first born daughter Aleksandra (Saša) was named after Pal's late brother, and son Petar Samuel was named after his grandfathers. Pal was longtime member of the Jewish community in Zagreb. He died on 30 June 2010 in Zagreb and was buried at the Mirogoj Cemetery.

## Bibliography

* Snješka Knežević, Aleksander Laslo (2011). *Židovski Zagreb*. Zagreb: AGM, Židovska općina Zagreb. ISBN 978-953-174-393-8.
* Kraus, Ognjen (1998). *Dva stoljeća povijesti i kulture Židova u Zagrebu i Hrvatskoj*. Zagreb: Židovska općina Zagreb. ISBN 953-96836-2-9.
* Jelena Hekman, Tonko Maroević (2004). *Stratišta i po koje stablo*. Zagreb: Matica hrvatska. ISBN 953-150-720-1.

## InfoBox

| Alfred Pal | |
| --- | --- |
|  | |
| Born | (1920-11-30)30 November 1920
Vienna, Austria |
| Died | 30 June 2010(2010-06-30) (aged 89)
Zagreb, Croatia |
| Occupation(s) | Painter, graphic designer |
| Spouse | Branislava Žuvela (1962–2010) |


title: Doug Spowart

abstract: Doug Spowart is an Australian photographer. He has a Master of Photography and is an Honorary Fellow of the Australian Institute of Professional Photography (AIPP). His work has been exhibited in Australia and internationally. He is the author of numerous photography books and artist books. His artist books are held in gallery collections throughout Australia.

text:
# Doug Spowart

**Doug Spowart** (born 1953) is an Australian photographer. He has a Master of Photography and is an Honorary Fellow of the Australian Institute of Professional Photography (AIPP). His work has been exhibited in Australia and internationally. He is the author of numerous photography books and artist books. His artist books are held in gallery collections throughout Australia.

## Early life

Spowart was born in 1953 in Numurkah, Victoria, the son of Mervyn and Ruby Spowart. His mother Ruby is an art photographer.

Spowart completed his initial photographic training at the Queensland College of Art in the early 1970s. He has continued with his education throughout the years he has worked as a professional photographer. In 1995 he completed an Associate Diploma of Arts at the Southern Queensland Institute of TAFE. He followed this with a Graduate Diploma, Visual Art (Photography) at Monash University. In 2013 he was awarded a PhD in Visual Art from James Cook University.

## Career

Spowart worked for Kodak Australasia Pty Ltd for nine years where in the role of Literature and Technical Officer, he controlled the technical documents from motion picture X-ray through to graphic arts and consumer products.

From 1980 to 1995, Ruby and Doug Spowart established the Imagery Gallery in South Brisbane, which focussed on exhibitions of photography, conducting photographic workshops and tours, and the supply of specialised photographic products, such as Leica, Sinar and Metromedia NECO Superscan murals. Fromm 1980 to 1982, the Imagery Gallery was located in the heritage-listed former Queensland National Bank on the corner of Grey and Melbourne Streets. From 1985 to 1995, the gallery operated from the heritage-listed former Commonwealth Bank at 149 Melbourne Street.

From 1995 to 2013, Spowart taught photography at the Southern Queensland Institute of TAFE while concurrently conducting a professional partnership with Victoria Cooper creating artists' books, exhibitions and place-making project. *Nocturne Grafton* was a project connecting the community of Grafton, their stories contributed via social media, responding to photos of Grafton taken in dusk lighting conditions. Similar place-making projects have taken place in Muswellbrook, Bundaberg, and Miles.

Since 2013, Spowart has been an independent researcher in photo books and artists' books as a Siganto Foundation Artists' Book Research Fellow based at the State Library of Queensland.

## Selected works

* *Toowoomba water* 2011.
* *Fuzzy bookish images: a photobookwork* 2006.
* *Me & my shadow : putting one's self in the tourist picture / concepts and photo-images* 2003.
* *Sun Painting* 1990.

## Awards

* Winner AIPP Queensland Photographic Book Photographer of the Year (2010 & 2011).
* Finalist Libris Awards: The Australian Artists Book Prize (2006)
* Winner AIPP Queensland Professional Photographer of the Year (5 times: 1995, 1994, 1992, 1991 & 1990).
* Winner AIPP Queensland Landscape Photographer of the Year (4 times: 1999, 1998, 1996, 1995).

## InfoBox

| Doug Spowart | |
| --- | --- |
| Born | 1953 (age 7071)<br>Victoria, Australia |
| Nationality | Australian |
| Occupation(s) | Photographer, tafe teacher, author |
| Years active | since 1979 |
| Known for | landscape photography |
| Partner | Victoria Cooper |
| Website | cooperandspowart.com.au |
| Notes | |
| Doug Spowart CV | |


title: Doug Specht

abstract: Doug Specht was a Canadian football player who played for the Ottawa Rough Riders, with whom he won the Grey Cup in 1968 and 1969. Specht was voted Eastern Conference All-Star in 1966. He previously played college football at Brigham Young University on a football scholarship. In 2006, Specht was inducted into the Windsor-Essex County Sports Hall of Fame. He has remained an Ottawa resident since his playing career and is a long time respected Bailiff in the region.

text:
# Doug Specht

**Doug Specht** (born February 7, 1942) was a Canadian football player who played for the Ottawa Rough Riders, with whom he won the Grey Cup in 1968 and 1969. Specht was voted Eastern Conference All-Star in 1966. He previously played college football at Brigham Young University on a football scholarship. In 2006, Specht was inducted into the Windsor-Essex County Sports Hall of Fame. He has remained an Ottawa resident since his playing career and is a long time respected Bailiff in the region.

## InfoBox

Doug Specht
| Born: | (1942-02-07) February 7, 1942<br>Windsor, Ontario |
| --- | --- |
| Career information | |
| CFL status | National |
| Position(s) | , |
| Height | 6 ft 2 in (188 cm) |
| Weight | 236 lb (107 kg) |
| College | BYU |
| Career history | |
| As player | |
| 19651971 | Ottawa Rough Riders |
|  | |
| Career highlights and awards | |
|  | |
| CFL East All-Star | 1966 |


title: Alfie Mocelutu

abstract: Alfie Moceulutu is a Fijian former rugby union footballer who played for Ospreys regional team as a flanker. He won 34 caps for Fiji, scoring 4 tries. Moceulutu made his debut for the Ospreys regional team in 2003 having previously played for the Neath RFC, Caerphilly RFC and Honda Heat.

text:
# Alfie Mocelutu

**Alfie Moceulutu** (born 9 July 1971) is a Fijian former rugby union footballer who played for Ospreys regional team as a flanker. He won 34 caps for Fiji, scoring 4 tries.

Moceulutu made his debut for the Ospreys regional team in 2003 having previously played for the Neath RFC, Caerphilly RFC and Honda Heat.

## InfoBox

Alfie Mocelutu
| Full name | Alivereti Mocelutu Vuivau |
| --- | --- |
| Date of birth | (1971-07-09) 9 July 1971 |
| Place of birth | Fiji |
| Height | 190 cm (6 ft 3 in) |
| Weight | 110 kg (17 st 5 lb; 243 lb) |
| Rugby union career | |
| **Position(s)**  Flanker  **Current team** Ospreys  Senior career  **Years** **Team** **Apps** **(Points)**  1994–1999
2002–2003
2003–2005 Honda Heat
Neath
Ospreys  ?
6
?  (?)
(10)
(?)  International career  **Years** **Team** **Apps** **(Points)**  1994–2003 Fiji  34  (20)  Correct as of 19 February 2017 | |


title: Drymonia dodonaea

abstract:
Drymonia dodonaea, the marbled brown, is a moth of the family Notodontidae. The species was first described by Michael Denis and Ignaz Schiffermüller in 1775. It is found in Europe and in the area surrounding the Caucasus. The wingspan is 33–38 mm. Similar to Drymonia ruficornis, but the forewings are generally whiter; the crosslines are less straight, and there is no black crescent above the centre of the wings. The moth flies from May to July depending on the location.
The larva is naked and without any conspicuous outgrowths. It is yellow-green on the dorsum, has a red-edged yellow lateral stripe and it is bluish-green under this stripe. The larvae feed on various deciduous trees, primarily Quercus but also Fagus and Betula.
The male, but not the female comes to light. Females are rarely found at all, probably because they stay up in the tree crowns. After mating, the female lays 150 – 200 eggs in small groups on the underside of oak leaves, which hatch after eight to ten days. The newly hatched larvae usually live in small groups, older larvae live singly. They eat the leaves from the tip inwards so that only the middle nerve is left. When the larva is fully grown in August – September, it crawls down on the ground, spinning an oval, earthy cocoon and transforming into a pupa which overwinters. Sometimes the pupa can overwinter twice before hatching.

text:
# Drymonia dodonaea

***Drymonia dodonaea***, the **marbled brown**, is a moth of the family Notodontidae. The species was first described by Michael Denis and Ignaz Schiffermüller in 1775. It is found in Europe and in the area surrounding the Caucasus.

The wingspan is 33–38 mm. Similar to *Drymonia ruficornis*, but the forewings are generally whiter; the crosslines are less straight, and there is no black crescent above the centre of the wings. The moth flies from May to July depending on the location. The larva is naked and without any conspicuous outgrowths. It is yellow-green on the dorsum, has a red-edged yellow lateral stripe and it is bluish-green under this stripe.

The larvae feed on various deciduous trees, primarily *Quercus* but also *Fagus* and *Betula*. The male, but not the female comes to light. Females are rarely found at all, probably because they stay up in the tree crowns. After mating, the female lays 150 – 200 eggs in small groups on the underside of oak leaves, which hatch after eight to ten days. The newly hatched larvae usually live in small groups, older larvae live singly. They eat the leaves from the tip inwards so that only the middle nerve is left. When the larva is fully grown in August – September, it crawls down on the ground, spinning an oval, earthy cocoon and transforming into a pupa which overwinters. Sometimes the pupa can overwinter twice before hatching.

## InfoBox

| Marbled brown | |
| --- | --- |
|  | |
|
| Scientific classification | |
| Domain: | Eukaryota |
| Kingdom: | Animalia |
| Phylum: | Arthropoda |
| Class: | Insecta |
| Order: | Lepidoptera |
| Superfamily: | Noctuoidea |
| Family: | Notodontidae |
| Genus: | *Drymonia* |
| Species: | ***D. dodonaea*** |
| Binomial name | |
| ***Drymonia dodonaea***<br>(Denis & Schiffermüller, 1775) | |
|


title: Drymonia dodonides

abstract: Drymonia dodonides is a moth of the family Notodontidae. It is found in Japan. The wingspan is 32–35 mm.

text:
# Drymonia dodonides

***Drymonia dodonides*** is a moth of the family Notodontidae. It is found in Japan.

The wingspan is 32–35 mm.

## InfoBox

| *Drymonia dodonides* | |
| --- | --- |
|
| Scientific classification | |
| Domain: | Eukaryota |
| Kingdom: | Animalia |
| Phylum: | Arthropoda |
| Class: | Insecta |
| Order: | Lepidoptera |
| Superfamily: | Noctuoidea |
| Family: | Notodontidae |
| Genus: | *Drymonia* |
| Species: | ***D. dodonides*** |
| Binomial name | |
| ***Drymonia dodonides***<br>Staudinger, 1887 | |
|


title: Drymonema larsoni

abstract: Drymonema larsoni is a species of jellyfish belonging to the class Scyphozoa. Following a mass sighting in 2000 in the Gulf of Mexico, the species and the rest of its genus were put in their own family, a new subset of the true jellyfish. They were originally thought to be a member of the same family as the lion's mane jellyfish, Cyanea capillata Linnaeus, but they were shown to have morphological and molecular differences. Drymonema larsoni prey heavily upon jellyfish species belonging to the genus Aurelia, and they play an important role in controlling the population of these species.

text:
# Drymonema larsoni

***Drymonema larsoni*** (also known as the "pink meanie") is a species of jellyfish belonging to the class Scyphozoa. Following a mass sighting in 2000 in the Gulf of Mexico, the species and the rest of its genus were put in their own family, a new subset of the true jellyfish. They were originally thought to be a member of the same family as the lion's mane jellyfish, *Cyanea capillata* Linnaeus, but they were shown to have morphological and molecular differences. *Drymonema larsoni* prey heavily upon jellyfish species belonging to the genus *Aurelia*, and they play an important role in controlling the population of these species.

## InfoBox

| *Drymonema larsoni* | |
| --- | --- |
|  | |
|
| Scientific classification | |
| Domain: | Eukaryota |
| Kingdom: | Animalia |
| Phylum: | Cnidaria |
| Class: | Scyphozoa |
| Order: | Semaeostomeae |
| Family: | Drymonematidae |
| Genus: | *Drymonema* |
| Species: | ***D. larsoni*** |
| Binomial name | |
| ***Drymonema larsoni***<br>Bayha & Dawson, 2010 | |
|


title: Druid (video game)

abstract: Druid: Kyōfu no Tobira Druid is a hack and slash dungeon crawl developed by Electralyte Software and published by Firebird in 1986 for the Atari 8-bit computers, and Commodore 64. It was also ported to Amstrad CPC, ZX Spectrum, and by Nippon Dexter in 1988 for the MSX, although the MSX port was released in Japan only. Another Japanese port of Druid entitled Druid: Kyōfu no Tobira (ドルイド　恐怖の扉) was made for the Famicom Disk System by Jaleco in 1988. The game was followed by Druid II: Enlightenment and Warlock: The Avenger.

text:
# Druid (video game)

***Druid*** is a hack and slash dungeon crawl developed by Electralyte Software and published by Firebird in 1986 for the Atari 8-bit computers, and Commodore 64. It was also ported to Amstrad CPC, ZX Spectrum, and by Nippon Dexter in 1988 for the MSX, although the MSX port was released in Japan only. Another Japanese port of *Druid* entitled *Druid: Kyōfu no Tobira* (ドルイド 恐怖の扉) was made for the Famicom Disk System by Jaleco in 1988. The game was followed by *Druid II: Enlightenment* and *Warlock: The Avenger*.

## Gameplay

Inspired by the arcade game *Gauntlet*, *Druid* is a fantasy-themed dungeon crawl where the player plays the part of Hasrinaxx, a druid who is trying to rid the world of the dark mage Acamantor and his army of demons. To do this, Hasrinaxx must travel through several levels.

The first level is a normal landscape, and the ones after that are underground, each one deeper than the previous. Each level is infested with various enemies such as ghosts, giant insects, witches, and the four demon princes. Hasrinaxx can shoot these enemies with three different weapons: water, fire, and electricity, but they all come in a finite supply and are not equally effective on all enemies. Using a Chaos spell will destroy all enemies in the player's vicinity as well as replenish energy. The four demon princes can only be defeated with a Chaos spell; common weapons are ineffective against them.

Hasrinaxx can also summon a golem to help him or turn invisible for a brief period. In both Atari 8-bit and Commodore 64 versions, a second player can take control of the golem using joystick port 2.

## InfoBox

| Druid | |
| --- | --- |
|  | |
| Developer(s) | Electralyte Software |
| Publisher(s) | Firebird |
| Designer(s) | Dene Carter |
| Programmer(s) | Andrew E. Bailey |
| Artist(s) | Dene Carter |
| Composer(s) | David M. Hanlon |
| Platform(s) | Amstrad CPC, Atari 8-bit, Commodore 64, ZX Spectrum, MSX2, Tatung Einstein, Famicom Disk System |
| Release | 1986 |
| Genre(s) | Dungeon crawl |


title: Alfred G. Allen

abstract: Alfred Gaither Allen was an American lawyer and politician who served three terms as a U.S. Representative from Ohio from 1911 to 1917.

text:
# Alfred G. Allen

**Alfred Gaither Allen** (July 23, 1867 – December 9, 1932) was an American lawyer and politician who served three terms as a U.S. Representative from Ohio from 1911 to 1917.

## Biography

Born on a farm near Wilmington, Ohio, Allen attended public schools there. He graduated from Wilmington High School in 1886 and from the Cincinnati Law School in 1890, where he was Phi Delta Phi. He was admitted to the bar in 1890 and commenced practice in Cincinnati, Ohio. He served as United States commissioner from 1896 to 1900 and as delegate to the Democratic State conventions in Columbus in 1901 and 1908. He was a member of the city council from 1906 to 1908, and a member of the board of the sinking-fund trustees of Cincinnati from 1908 to 1910.

Allen was elected as a Democrat to the Sixty-second, Sixty-third, and Sixty-fourth Congresses (March 4, 1911 - March 4, 1917). He declined renomination in 1916, and resumed his earlier profession in Cincinnati. He served as delegate to the Democratic National Convention in San Francisco in 1920. He served as president of the Cincinnati Bar Association in 1925 and 1926. He died in Cincinnati, Ohio, December 9, 1932. He remains are interred at the Sugar Grove Cemetery in Wilmington, Ohio.

On December 10, 1901, Allen married Clara B. Forbes at St. Louis, Missouri. She was the daughter of M. S. Forbes, president of Forbes Brothers' Tea and Spice Company. She graduated from Smith College. They had two children. They were members of the Methodist Episcopal Church.

## Sources

This article incorporates public domain material from the Biographical Directory of the United States Congress

## InfoBox

| Alfred Gaither Allen | |
| --- | --- |
|  | |
|  | |
| Member of the U.S. House of Representatives
from Ohio's 2nd district | |
| **In office**
March 4, 1911  March 3, 1917 | |
| Preceded by | Herman P. Goebel |
| Succeeded by | Victor Heintz |
|  | |
| Personal details | |
| Born | (1867-07-23)July 23, 1867
Wilmington, Ohio, U.S. |
| Died | December 9, 1932(1932-12-09) (aged 65)
Cincinnati, Ohio, U.S. |
| Resting place | Sugar Grove Cemetery, Wilmington |
| Political party | Democratic |
| Spouse | Clara B. Forbes |
| Children | 2 |
| Alma mater | Cincinnati Law School |
|  | |


title: Dudley Doust

abstract: Dudley Allen Doust was an American-born sports journalist and author who in addition to publishing a number of books wrote for The Kansas City Star, Time and The Sunday Times.

text:
# Dudley Doust

**Dudley Allen Doust** (17 January 1930 – 13 January 2008) was an American-born sports journalist and author who in addition to publishing a number of books wrote for *The Kansas City Star*, *Time* and *The Sunday Times*.

## Biography

Born in Syracuse, New York on 17 January 1930, the son of a paediatrician, Doust had no desire to enter into the medical profession like his father. He had his heart set on writing, and attended the University of Rochester and then spent a year studying journalism at Stanford University. His first job in journalism was with *The Kansas City Star*, before he later joined *Time* as a foreign correspondent. He was assigned to London to report on arts and theatre, and it was during this time that he met his wife, Jane Ingram. His next assignment was to Mexico City, but when this was completed, rather than return to base, he moved, along with his wife and daughter to a mud hut in Valle de Bravo in Mexico, with the aim of writing a novel. The stay did not last long, and an old colleague from *Time* enticed him to move to London to work as a sports writer for *The Sunday Times*. He began writing "Inside Track", a column in which he wrote sports diaries, writing about subjects which most writers would actively avoid. Upon the retirement of Henry Longhurst, he became golf correspondent for the paper, and worked for a short time in 1989 as sports editor of the *Sunday Correspondent*. When that paper ceased publication the year after, Doust became a freelance writer, which gave him more time to work on a number of sports books. He died from cancer aged 77 on 13 January 2008.

## Publications

* *The return of the Ashes*. London: Pelham Books. 1978. ISBN 0-7207-1066-9. OCLC 4640956. (with Mike Brearley)
* *The Ashes retained*. London: Hodder & Stoughton. 1979. ISBN 0-340-24191-8. OCLC 6329897. (with Mike Brearley)
* *Ian Botham, the great all-rounder*. St Albans, Hertfordshire: Granada. 1981. ISBN 0-583-13452-1. OCLC 7247566.
* *Seve: the Young Champion*. London: Hodder & Stoughton. 1989. ISBN 0-340-50888-4. OCLC 20565309.
* *221: Peter Scudamore's record season*. London: Hodder & Stoughton. 1992. ISBN 0-340-55900-4. OCLC 26720744.
* *Sports beat: headline-makers, then and now*. London: Hodder & Stoughton. 1992. ISBN 0-340-55900-4. OCLC 26720744.
* *Bradley Brook: an American walks down an English stream*. Bath, Somerset: Fairfield Books. 2009. ISBN 978-0-9560702-2-7. OCLC 318879892. (with Scyld Berry)


title: Alfred Welby

abstract: Lieutenant-Colonel Sir Alfred Cholmeley Earle Welby was a Conservative Party politician who served as the Member of Parliament (MP) for Taunton from 1895 until 1906. He had previously served in the British Army, rising to the rank of lieutenant-colonel in 1892. He stood unsuccessfully for the Conservatives in 1885, 1886 and 1892 prior to gaining his seat in Taunton. In 1906 he opted not to stand again in Taunton, but to contest the seat in East Finsbury, but was defeated. He was a London County Councillor from 1907 to 1910, and during the First World War, he was secretary of the Royal Patriotic Fund Corporation.

text:
# Alfred Welby

Lieutenant-Colonel **Sir Alfred Cholmeley Earle Welby** KBE JP (22 August 1849 – 18 May 1937) was a Conservative Party politician who served as the Member of Parliament (MP) for Taunton from 1895 until 1906. He had previously served in the British Army, rising to the rank of lieutenant-colonel in 1892. He stood unsuccessfully for the Conservatives in 1885, 1886 and 1892 prior to gaining his seat in Taunton. In 1906 he opted not to stand again in Taunton, but to contest the seat in East Finsbury, but was defeated. He was a London County Councillor from 1907 to 1910, and during the First World War, he was secretary of the Royal Patriotic Fund Corporation.

## Early and military life

Alfred Cholmeley Earle Welby was born on 22 August 1849 in Denton, Lincolnshire, the youngest son of Sir Glynne Welby, 3rd Baronet. He received his education at Eton College, and then entered the British Army in 1867, purchasing a commission in the 85th Regiment of Foot as an ensign. He shortly after transferred to the 56th Foot, and in 1870 purchased a promotion to lieutenant. The following year he transferred to the 90th Foot. He was promoted to captain in 1876, and transferred to the Royal Scots Greys later that year. He was raised to the rank of lieutenant colonel in 1892. In May 1896, he attended the coronation of Nicholas II of Russia, and two months later he retired from the army.

## Political career

While still serving in the army, Welby stood unsuccessfully for the Conservative Party in the 1885 general election, in his native constituency of Grantham, where his father had served as a Member of Parliament (MP). He subsequently lost two further elections in Poplar, London, in the general elections of 1886 and 1892. In 1895, he was finally elected, in the Conservative stronghold of Taunton, standing unopposed. The constituency was contested at the 1900 general election, in which he held his seat with a majority of 363 votes. In the 1906 election, he opted to stand in Finsbury East, a seat held by the Liberals, but despite a swing towards the Conservatives, he failed to win the seat. He was later elected onto the London County Council for the same area between 1907 and 1910, and then served as secretary of the Royal Patriotic Fund Corporation from 1914 to 1920. He died on 18 May 1937.

\]

## InfoBox

| Lieutenant-ColonelSir Alfred WelbyKBE JP | |
| --- | --- |
| Welby, photographed in 1897 | |
|  | |
| Member of Parliament
for Taunton | |
| **In office**
1895–1906 | |
| Preceded by | Alfred Percy Allsopp |
| Succeeded by | Sir Edward Boyle, Bt. |
|  | |
| Personal details | |
| Born | (1849-08-22)22 August 1849
Denton, Lincolnshire |
| Died | 18 May 1937(1937-05-18) (aged 87)
Ascot, Berkshire |
| Nationality | British |
| Political party | Conservative |
| Alma mater | Eton College |
|  | |


title: Alexei Simakov

abstract: Alexei Simakov is a Russian former professional ice hockey forward. He formerly played with Avtomobilist Yekaterinburg in the KHL. Simakov made his Kontinental Hockey League debut playing with Metallurg Magnitogorsk during the inaugural 2008–09 KHL season.

text:
# Alexei Simakov

**Alexei Simakov** (born April 7, 1979) is a Russian former professional ice hockey forward. He formerly played with Avtomobilist Yekaterinburg in the KHL.

Simakov made his Kontinental Hockey League debut playing with Metallurg Magnitogorsk during the inaugural 2008–09 KHL season.

## InfoBox

| Alexei Simakov | | | |
| --- | --- | --- | --- |
|  | | | |
| Born | (1979-04-07) April 7, 1979
Ekaterinburg, Russian SFSR | | |
| Height | 5 ft 6 in (168 cm) | | |
| Weight | 174 lb (79 kg; 12 st 6 lb) | | |
| Position | Right Wing | | |
| Shot | Left | | |
| Played for | Neftekhimik Nizhnekamsk
Ak Bars Kazan
CSKA Moscow
Avtomobilist Yekaterinburg
SKA Saint Petersburg
Metallurg Magnitogorsk
HC Ugra | | |
| Playing career | 19972019 | | |


title: Dublin Opinion

abstract: Dublin Opinion was an Irish satirical magazine, published monthly from 1922 to 1968. It was founded by cartoonists Arthur Booth and Charles E. Kelly and writer Thomas J. Collins. Booth was its first editor, and drew the covers of the early issues. The first issue was launched on 1 March 1922, and its entire print run of 3,000 sold out. The next issue sold poorly, but from the third issue the magazine was distributed by Eason & Son and sales improved, rising to 40,000 per issue within four years, and 60,000 at its peak. Launched on the eve of the Irish Civil War, the magazine's editorial stance was carefully balanced between Free Staters and Republicans, and its satire was generally gentle, albeit less so when it came to Britain and northern Unionists. Booth's cartoons were sombre, focusing on the destruction caused by the war and the unemployment that followed, while Kelly's were more playful. Collins wrote most of the text pieces under a variety of pseudonyms, including Paul Jones, Clement Molyneaux, Lycurgus and Epictetus. After Booth's death in 1928, Kelly and Collins took over as joint editors. Dublin Opinion was a showcase for Irish cartooning, including Bill Glenn's regular "Ballyscunnion" scraperboard cartoon, and work by W. H. Conn, Rowel Friers, Grace Gifford and many others, but by the mid-1960s, its popularity had begun to wane. Kelly and Collins wound up the magazine in 1967 and sold it to Louis O'Sullivan in 1968, under whose ownership it returned briefly, edited by Lelia Doolan and Joe Dowling.

text:
# Dublin Opinion

***Dublin Opinion*** was an Irish satirical magazine, published monthly from 1922 to 1968. It was founded by cartoonists Arthur Booth and Charles E. Kelly and writer Thomas J. Collins. Booth was its first editor, and drew the covers of the early issues. The first issue was launched on 1 March 1922, and its entire print run of 3,000 sold out. The next issue sold poorly, but from the third issue the magazine was distributed by Eason & Son and sales improved, rising to 40,000 per issue within four years, and 60,000 at its peak.

Launched on the eve of the Irish Civil War, the magazine's editorial stance was carefully balanced between Free Staters and Republicans, and its satire was generally gentle, albeit less so when it came to Britain and northern Unionists. Booth's cartoons were sombre, focusing on the destruction caused by the war and the unemployment that followed, while Kelly's were more playful. Collins wrote most of the text pieces under a variety of pseudonyms, including Paul Jones, Clement Molyneaux, Lycurgus and Epictetus. After Booth's death in 1928, Kelly and Collins took over as joint editors.

*Dublin Opinion* was a showcase for Irish cartooning, including Bill Glenn's regular "Ballyscunnion" scraperboard cartoon, and work by W. H. Conn, Rowel Friers, Grace Gifford and many others, but by the mid-1960s, its popularity had begun to wane. Kelly and Collins wound up the magazine in 1967 and sold it to Louis O'Sullivan in 1968, under whose ownership it returned briefly, edited by Lelia Doolan and Joe Dowling.

## InfoBox

*Dublin Opinion*
| Cover to *Dublin Opinion* Vol. IV No. 37, March 1926, caricaturing Éamon de Valera, by Arthur Booth | |
| --- | --- |
| Former editors | Arthur Booth
Charles E. Kelly
Thomas J. Collins
Lelia Doolan
Joe Dowling |
| Categories | Satire |
| Frequency | Monthly |
| Publisher | Dublin Opinion Ltd. |
| First issue | 1 March 1922 (1922-03-01) |
| Final issue | 1968 |
| Country | Ireland |
| Based in | Dublin |
| Language | English |


abstract: Pembroke, a division of County Dublin, was a parliamentary county constituency in Ireland. It returned one Member of Parliament (MP) to the House of Commons of the Parliament of the United Kingdom from 1918 to 1922. Prior to the 1918 United Kingdom general election the area was part of the South Dublin constituency, and extended west into territory formerly part of North Dublin. From 1922, shortly before the establishment of the Irish Free State, it was not represented at Westminster.

text:
# Dublin Pembroke (UK Parliament constituency)

**Pembroke**, a division of County Dublin, was a parliamentary county constituency in Ireland. It returned one Member of Parliament (MP) to the House of Commons of the Parliament of the United Kingdom from 1918 to 1922.

Prior to the 1918 United Kingdom general election the area was part of the South Dublin constituency, and extended west into territory formerly part of North Dublin. From 1922, shortly before the establishment of the Irish Free State, it was not represented at Westminster.

## History

Dublin Pembroke was created under the Redistribution of Seats (Ireland) Act 1918 following recommendations of the 1917 Boundary Commission, which increased the parliamentary representation of the administrative county of Dublin from two divisions to four. The 1918 general election was used by Sinn Féin as an election to Dáil Éireann. Desmond FitzGerald sat as a member of the First Dáil, abstaining from Westminster.

Under the Government of Ireland Act 1920, the area was combined with Dublin Rathmines, North Dublin and South Dublin as a 6-seat constituency for the Southern Ireland House of Commons and a two-seat constituency at Westminster. At the 1921 election for the Southern Ireland House of Commons, the six seats were won uncontested by Sinn Féin, who treated it as part of the election to the Second Dáil. Desmond FitzGerald was one of the six TDs for Dublin County. It was never used as a Westminster constituency; under s. 1(4) of the Irish Free State (Agreement) Act 1922, no writ was to be issued "for a constituency in Ireland other than a constituency in Northern Ireland". Therefore, no vote was held in Dublin County at the 1922 United Kingdom general election on 15 November 1922, shortly before the Irish Free State left the United Kingdom on 6 December 1922.

## Boundaries

The Pembroke Division was defined as:

> the urban district of Pembroke, the part of the rural district of Rathdown No. 1 which consists of the district electoral divisions of Dundrum and Milltown, and the part of the rural district of South Dublin which is not included in the North Dublin and Rathmines divisions.

## Members of Parliament

| Election | Member | Party | |
| --- | --- | --- | --- |
| 1918 | Desmond FitzGerald |  | Sinn Féin |
| 1922 | *constituency abolished* | | |

## Elections

General Election 14 December 1918: Dublin County, Pembroke
| Party | | Candidate | Votes | % | ±% |
| --- | --- | --- | --- | --- | --- |
|  | **Sinn Féin** | **Desmond Fitzgerald** | **6,114** | **47.47** |  |
|  | Irish Unionist | John P. Good | 4,138 | 32.12 |  |
|  | Irish Nationalist | Charles Paul O’Neill | 2,629 | 20.41 |  |
| Majority | | | 1,976 | 15.35 |  |
| Turnout | | | 12,881 | 72.78 |  |
|  | Sinn Féin **win** (new seat) | | | | |

## InfoBox

| Dublin Pembroke | |
| --- | --- |
| Former county constituency<br>for the House of Commons | |
|  | |
| 19181922 | |
| Seats | 1 |
| Created from | Dublin South |
| Replaced by | Dublin County |


title: Drag 'em Out

abstract: Drag 'em Out is an album by organist Shirley Scott recorded in 1963 and released on the Prestige label.

text:
# Drag 'em Out

Professional ratings
| Review scores | |
| --- | --- |
| Source | Rating |
| Allmusic |  |

***Drag 'em Out*** is an album by organist Shirley Scott recorded in 1963 and released on the Prestige label.

## Reception

The Allmusic site awarded the album 3 stars.

## Track listing

1. "Drag 'em Out" (Shirley Scott) – 15:46
2. "The Second Time Around" (Sammy Cahn, Jimmy Van Heusen) – 4:41
3. "Out of It" (Scott) – 3:39
4. "The Song Is Ended" (Irving Berlin) – 6:36

## Personnel

## InfoBox

| Drag 'em Out | |
| --- | --- |
|  | |
| Studio album by Shirley Scott | |
| Released | 1963 |
| Recorded | May 27, 1963 |
| Studio | Van Gelder Studio, Englewood Cliffs, NJ |
| Genre | Jazz |
| Length | 30:43 |
| Label | Prestige
PRLP 7305 |
| Producer | Ozzie Cadena |
| Shirley Scott chronology | |
| *The Soul Is Willing*
(1963) ***Drag 'em Out***
(1963) *For Members Only*
(1963) | |


title: Ali Ahmed S Kazi

abstract: Dr. Ali Ahmed S Kazi (1896–1970) was one of the few physicians in Sind Province when Sindh was created as a province in British India in 1936.

text:
# Ali Ahmed S Kazi

**Dr. Ali Ahmed S Kazi** (1896–1970) was one of the few physicians in Sind Province when Sindh was created as a province in British India in 1936.

## Family

He was born in 1896 and was a nephew of the great intellectual Allama I. I. Kazi and his illustrious wife Elsa Kazi. His father, Sharafuddin Kazi died when he was still quite young.

## Career

Kazi played a pioneering role initially in creating the Liaquat Medical College now the Liaquat University of Medical and Health Sciences from the existing medical school at Hyderabad. Subsequently, he directed his attention to the strengthening and consolidation of the Dow Medical College at Karachi. He was appointed as the first Medical Superintendent of Civil Hospital Karachi in 1949. Subsequently, in 1952, he was appointed Director \[presently Director General\] Health Services for the Sindh province. He retired from service in 1955.

## Life after retirement

He devoted his time to writing books on clinical subjects and psychology. One of his books on psychology is a textbook for the Masters in Psychology course at the University of Sindh.

## Death

Kazi died in 1970 leaving behind his widow Ayesha, a son - the late Ahmed Hussain A Kazi \- a civil servant who was a Secretary to the Government of Pakistan from 1974 to 1979, three grandchildren Nilofer Qureshi, Safdar Kazi and Ghulam Nabi Kazi.


title: Ammajan (song)

abstract: "Ammajan" is a Bengali film music released in 1999. This song was used in the 1999 film Ammajan, directed by Kazi Hayat. Ayub Bachchu was the singer, while Ahmed Imtiaz Bulbul composed the song. The song was picturized on Shabnam and Manna, with Manna lip-syncing to the song. Through this song, Bachchu became popular in Bengali films.

text:
# Ammajan (song)

"**Ammajan**" is a Bengali film music released in 1999. This song was used in the 1999 film *Ammajan*, directed by Kazi Hayat. Ayub Bachchu was the singer, while Ahmed Imtiaz Bulbul composed the song. The song was picturized on Shabnam and Manna, with Manna lip-syncing to the song. Through this song, Bachchu became popular in Bengali films.

## Background

### Concept

The song is part of a film named *Ammajan* directed by Kazi Hayat. The director asked Bulbul to write and compose a song about mothers for the film that no other mother-related song could compare to. Hayat told Bulbul the plot of the film in detail where the mother devotee hero would do anything for her. Taking everything into consideration, Bulbul wrote and composed the song.

### Inspiration

In the lyrics of the song, he adds several religious words. He made the song so that everyone can understand and sing it. The melody of the song was inspired from a Pashtun folk song.

### Artist

Bulbul wanted to sing the song to Bachchu, whom he had known since childhood.Bachchu initially refused to sing the song and had to be persuaded. While recording the song, Bachchu did not have to use any instruments or software to sing.

## Production

Ahmed Imtiaz Bulbul composed and wrote the lyrics of this song, and the singer was Ayub Bachchu. Bachchu's singing garnered a positive reception.

After the release of the film, the song was well received by the audience, and the song became a household name. The song is regularly aired on Bangladesh Betar's film music program. 19 years after the release of the film, the music video of the song was released on YouTube on June 25, 2018, under Anupam Recording Media.

## Awards

| Year | Award | Nomination | Category | Result | Ref |
| --- | --- | --- | --- | --- | --- |
| 1999 | Bachsas Awards | Ayub Bachchu | Best Male Playback Singer | Won |  |

## InfoBox

| "Ammajan" | |
| --- | --- |
| Song by Ayub Bachchu | |
| from the album  *Ammajan* | |
| Language | Bengali |
| Released | 1999 |
| Recorded | 1999 |
| Studio | Shruti Studio |
| Genre | Film score |
| Length | 5:54 |
| Label | Anupam Recording Media (2018–present) |
| Songwriter(s) | Ahmed Imtiaz Bulbul |
| Producer(s) | Ami Boni Kothachitro |
|  | |
| Music video | |
| "Ammajan" on YouTube | |
|  | |


title: Achille Vertunni

abstract: Achille Vertunni was an Italian painter.

text:
# Achille Vertunni

**Achille Vertunni** (Naples, March 1826 – 1897) was an Italian painter.

## Biography

Vertunni was a Neapolitan nobleman who initially studied law under Roberto Savarese, although his family had intended for him to become an architect, and enrolled him to study mathematics under Ferdinando de Luca. Vertunni however gravitated towards the visual arts, causing a rift with his father, who would not countenance his son working as a penniless artist and eventually disinherited Achille. He enrolled to study landscape painting under Salvatore Fergola, and after just eight months went on to serve his first apprenticeship under the historical painter Giuseppe Bonolis, and eventually with Francesco De Sanctis. He is said to have been influenced by Gabriele Smargiassi.

In 1851 Vertunni entered the yearly competition held by the Accademia di Belle Arti di Napoli (Naples Academy of Fine Arts), but the judges failed to agree on a single winner for the first prize, opting instead for awarding a silver medal each, *ex equo*, to Vertunni and Filippo Palizzi, a fellow pupil of Bonolis', rumoured to have been the judges' favourite, owing to his links with the academy.

As part of their prize, the two artists received a stipend to study in Rome and in 1853 Vertunni moved there, painting the *Santa Margherita da Cortona* for the *Esposizione di Firenze* of 1861. In the same year, he painted *La Pia de' Tolomei* and *Dante in the Forest*. He faced difficulty in selling the latter, as an innovative painting portraying Pia not in a classic portrait, but against a Maremman landscape; in spite of some financial difficulties, Vertunni persevered and became a prolific painter.

Later in life, he was named *Cavaliere dell* Ordine della Corona d'Italia (Order of the Crown of Italy), and honorary professor of the *Reale Istituto di Belle Arti di Napoli* and of the Brera Academy of Milan.

Vertunni had 13 children from his marriage and his *Atelier*, in the street best known for its painters, Via Margutta, became a fashionable destination for the nobility and wealthy patrons on their Grand Tour of Europe. Famous, as well as less known artists of the period gathered there, alongside nobility and protegés of the Papacy, in Rome. Gradually the profile of the domestic visitors to the Atelier morphed, and over the years between 1868 and 1870, Garibaldini and other supporters of Italian Unification began to frequent the regular banquets and soireés where the Baron entertained the crowned heads of Europe, renowned musicians as well as political figures such as General La Marmora.

Tragically, the constant use of lead-based pigments, which, like many painters he mixed by hand, gradually poisoned the artist, who suffered progressive paralysis over the final 20 years of his life. His wife Guendalina, and his two youngest daughters, Giuseppina and Pia, cared for the painter until his death, in 1897. Among his pupils were Pio Joris and Pietro Barucci.

Among Vertunni's works are:

* *Paludi Pontine*, (1861, Florence, Esposizione Nazionale)
* *La Torre d'Astura*, (1862, Milan, Esposizione Nazionale)
* *The Maremme, Kidnap of a Woman of Capri by Tunisian Corsairs*, (1866, Milan National Exposition)
* *Paestum*
* *Campagna Romana*
* *Encounter of Tasso with Marco Sciarra*
* *Manfredi con la sua famiglia ricoverati nel bosco dopo la presa di San Germano*
* *Un pensier mesto della madre cara*
* *Un desiderio di pace e di amore*
* *Beach of Baia*
* *Il torrente la Nera presso Borgo di Cerreto*
* *Storm in the Paludi Pontine*
* *Roma Vecchia*
* *Approach to Paestum*
* *Una Vetta degli Appenini*

* *Roma Artistica*, Pubblicazione Mensile, Illustrata; Volume 1, Number 11; Editor: Architetto Raffaello Ojetti, 1872 Tipografia Romana di C. Bartoli, Piazza Poli #7-13; page 81–84.


title: ...ish (audio drama)

abstract: ...ish is a Big Finish Productions audio drama based on the long-running British science fiction television series Doctor Who.

text:
# ...ish (audio drama)

***...ish*** is a Big Finish Productions audio drama based on the long-running British science fiction television series *Doctor Who*.

## Plot

The Sixth Doctor and Peri attend a conference of lexicographers at a college where an unfortunate murder has occurred. The victim was a perfectionist linguist compiling the galaxy's biggest dictionary, and also a personal friend of The Doctor, but the only suspect is her holographic assistant, named Book, who is also a repository for every word in the English language.

The Omniverbum is the mythical longest word in existence. According to records, no one who has found the Omniverbum, or its sentient affix "Ish", has lived to tell of it. Except one. Book found the Ish on an obscure world and accidentally brought back to the college as per his programming. But now it's escaped, and is out to cause havoc on the speech centers of the human brain unless The Doctor can stop it.

Peri is in a different kind of danger. Swiftly falling in with a so-called "word anarchist" named Warren, she might come face to face with the slowly degenerating Book, who is distraught and unhinged over his master's death by possibly his own hands. Distraught and unhinged enough to kill her....

## Cast

* The DoctorColin Baker
* PeriNicola Bryant
* Book – Moray Treadwell
* Professor Osefa de Palabra Hftzbrn – Marie Collett
* Symposiarch Cawdrey – Oliver Hume
* Warren – Chris Eley

## InfoBox

| ...ish | |
| --- | --- |
|  | |
| Big Finish Productions audio drama | |
| Series | *Doctor Who* |
| Release no. | 35 |
| Featuring | Sixth Doctor
Peri Brown |
| Written by | Phil Pascoe |
| Directed by | Nicholas Briggs |
| Produced by | Gary Russell
Jason Haigh-Ellery |
| Executive producer(s) | Jacqueline Rayner |
| Production code | 6Z/B |
| Length | 2 hr 10 mins |
| Release date | 29 August 2002 |
| Preceded by | "Spare Parts" |
| Followed by | "The Rapture" |


title: 1871 New England colonial by-election

text:
# 1871 New England colonial by-election

A by-election for the seat of New England in the New South Wales Legislative Assembly was held on 6 January 1871 because of the resignation of Charles Weaver to accept appointment as a police magistrate at Gosford.

## Dates

| Date | Event |
| --- | --- |
| 18 Jul 1871 | Charles Weaver resigned. |
| 29 July 1871 | Writ of election issued by the Speaker of the Legislative Assembly. |
| 1 August 1871 | Charles Weaver appointed as a police magistrate. |
| 21 August 1871 | Nominations at Armidale |
| 28 August 1871 | Polling day |
| 2 October 1871 | Return of writ |

## Result

1871 New England by-election
Monday 28 August
| Candidate | | Votes | % |
| --- | --- | --- | --- |
| Samuel Terry (elected) | | 578 | 54.0 |
| Robert Abbott | | 492 | 46.0 |
| Total formal votes | | 1,070 | 100.0 |
| Informal votes | | 0 | 0.00 |
| Turnout | | 1,070 | 40.4 |


title: 1927 Kenyan general election

text:
# 1927 Kenyan general election

General elections were held in Kenya Colony on 12 February 1927.

## Campaign

Reports before the election noted that of the eleven white seats, five were uncontested with the incumbent returned unopposed, one was likely to be uncontested and the remaining five would be contested. The Reform Party led by Hugh Cholmondeley issued an 18-point manifesto, which was approved by all the incumbent members of the Legislative Council except Hamilton Ward, who partly adhered to its programme, but reserved the right to vote independently. The manifesto included a call for an elected European majority on the Legislative Council. Reports that the mayor of Nairobi James Riddell would run against the Reform Party proved to be unfounded.

Following their boycott of the 1924 elections, the Indian population again failed to participate fully in the election, with only one candidate standing in the five-member Indian constituency. As a result, four Indian representatives were appointed to the council after it was opened on 8 March. By-elections for the four Indian seats were scheduled for the following year, but no candidates were nominated due to the ongoing boycott over the separate voting rolls for Whites and Indians.

## Results

| European seats | | | | | |
| --- | --- | --- | --- | --- | --- |
| Constituency | Candidate | Party | Votes | % | Notes |
| Coast | Robert Robertson-Eustace | Reform Party | Unopposed | | Re-elected |
| Kenya | Edward Vaughan Kenealy | Reform Party |  |  | Re-elected |
| | Henry Beynon |  |  |  |  |
| Kikuyu | Corney Durham | Independent |  |  | Elected |
| | Monthermer Montagu |  |  |  |  |
| | Walter MacLellan Wilson | Reform Party |  |  | Defeated |
| Lake | Conway Harvey | Reform Party | Unopposed | | Re-elected |
| Mombasa | GG Atkinson | Reform Party | Unopposed | | Re-elected |
| Nairobi North | Hamilton Ward | Independent |  |  | Re-elected |
| | Charles Udall | Independent |  |  |  |
| Nairobi South | Helmuth Schwartze | Reform Party |  |  | Re-elected |
| | Olga Watkins | Independent |  |  |  |
| Plateau North | James Kirkwood | Independent |  |  | Elected |
| | John Coney | Reform Party |  |  | Defeated |
| Plateau South | Thomas O'Shea | Reform Party | Unopposed | | Re-elected |
| Rift Valley | Hugh Cholmondeley | Reform Party | Unopposed | | Re-elected |
| Ukamba | Francis Scott | Reform Party |  |  | Re-elected |
| Indian seats | | | | | |
| Ahmad Hussein Malik | |  |  |  | Elected |
| Arab seat | | | | | |
| Hamed Mohamed bin Issa | |  |  |  | Re-elected |
| Source: Colonial Reports, East Africa, Kenya Gazette | | | | | |

### Appointed members

| Position | Member |
| --- | --- |
| Ex officio members | |
| Attorney General | Walter Huggard |
| Chief Native Commissioner | Gerald Verner Maxwell |
| Colonial Secretary | Geoffrey Alexander Stafford Northcote |
| Commissioner of Customs | Edgar George Bale |
| Commissioner of Lands | Arthur George Baker |
| Director of Agriculture | Alexander Holm |
| Director of Education | Evan Ebenezer Biss |
| Director of Public Works | Howard Lecky Sikes |
| Kenya and Uganda Railway General Manager | Godfrey Dean Rhodes |
| Principal Medical Officer | John Langton Gilks |
| Treasurer | Reginald Clifton Grannum |
| Appointed officials | |
| Chief Veterinary Officer | Andrew Gahan Doherty |
| Lilawi for the Coast | Ali bin Salim |
| Officer Commanding Troops | C S Davies |
| Postmaster General | Thomas Fitzgerald |
| Senior Commissioner, Coast | Harold Robert Montgomery |
| Senior Commissioner, Kikuyu | Ruper William Hemsted |
| Senior Commissioner, Nyanza | Cecil Moore Dobbs |
| Senior Commissioner, Ukamba | Walter Francis Glencairn Campbell |
| Solicitor-General | Frederic Gordon Smith |
| Appointed unofficial members | |
| Member to represent African interests | John Britton |
| Source: Hansard | |


title: 1928–29 PCHL season

abstract: The 1928–29 PCHL season was the first season of the professional men's ice hockey Pacific Coast Hockey League, a minor professional league with teams in the western United States and western Canada. It consisted of four teams: Vancouver Lions, Seattle Eskimos, Portland Buckaroos and Victoria Cubs. It was followed by the 1929–30 PCHL season. The season ran 36 games and the two best teams in the league standings met in a best-of-five playoff format series for league championship honors.

text:
# 1928–29 PCHL season

The **1928–29 PCHL season** was the first season of the professional men's ice hockey Pacific Coast Hockey League, a minor professional league with teams in the western United States and western Canada. It consisted of four teams: Vancouver Lions, Seattle Eskimos, Portland Buckaroos and Victoria Cubs.

It was followed by the 1929–30 PCHL season.

The season ran 36 games and the two best teams in the league standings met in a best-of-five playoff format series for league championship honors.

## Teams

| **1928–29 Pacific Coast Hockey League** | | | | | |
| --- | --- | --- | --- | --- | --- |
| Team | City | Arena | Capacity |
| Portland Buckaroos | Portland, Oregon | Portland Ice Arena | 2,000 |
| Seattle Eskimos | Seattle, Washington | Civic Ice Arena | 4,000 |
| Vancouver Lions | Vancouver, British Columbia | Denman Arena | 10,500 |
| Victoria Cubs | Victoria, British Columbia | Patrick Arena | 4,000 |

### Map of teams

**Buckaroos****Eskimos****Lions****Cubs**    PCHL Teams

## Final standings

***Note:** W = Wins, L = Losses, T = Ties, GF= Goals For, GA = Goals Against*
*Teams that qualified for the playoffs are highlighted in **bold***

| Pacific Coast Hockey League | GP | W | L | T | GF | GA |
| --- | --- | --- | --- | --- | --- | --- |
| **Vancouver Lions** | 36 | 25 | 8 | 3 | 87 | 54 |
| **Seattle Eskimos** | 36 | 17 | 17 | 2 | 75 | 76 |
| Portland Buckaroos | 36 | 14 | 17 | 5 | 66 | 71 |
| Victoria Cubs | 36 | 8 | 22 | 6 | 60 | 87 |
|

**Source**:

## Playoffs

Vancouver Lions defeated Seattle Eskimos 3 games to 0 (2-0, 3–1, 4-2).

### Notes


title: Acropora pharaonis

abstract: Acropora pharaonis is a species of acroporid coral that was first described by Milne-Edwards and Haime in 1860. Found in marine, tropical, reefs on slopes sheltered from wave action, it occurs at depths of between 5 and 25 m. It is classed as a vulnerable species on the IUCN Red List, and it has a decreasing population. It is common and found over a large area and is classified under CITES Appendix II.

text:
# Acropora pharaonis

***Acropora pharaonis*** is a species of acroporid coral that was first described by Milne-Edwards and Haime in 1860. Found in marine, tropical, reefs on slopes sheltered from wave action, it occurs at depths of between 5 and 25 m (16 and 82 ft). It is classed as a vulnerable species on the IUCN Red List, and it has a decreasing population. It is common and found over a large area and is classified under CITES Appendix II.

## Description

*Acropora pharaonis* is found in colonies of flat table-like structures, or simply in structures of clumped vertical or horizontal twisted branches. Colonies can have heights over 2 metres (6 ft 7 in) and they are orderly and symmetrical. Branchlets are of lengths up to 250 millimetres (9.8 in) with diameters of 10 to 25 millimetres (0.39 to 0.98 in) and branchlets can reach 20 millimetres (0.79 in) long and have 3 to 8 millimetres (0.12 to 0.31 in) diameters. Brown-grey in colour with branches having pale tips, the branches become thinner towards the ends and contain many small branchlets, which contain axial, incipient axial, and radial corallites. The axial corallites, located on the ends of the branchlets, are small with outer diameters of between 1.5 and 2.6mm and inner diameters of 0.6-1.5mm. Incipient axial corallites frequently occur on the branchlets, giving them a spikey surface. The radial corallites are located in close proximity and contain small nose-shaped openings and randomly placed spinules. This species looks similar to *Acropora clathrata*, *Acropora parapharaonis*, and *Acropora plumosa*. It is found in a marine environment on the slopes of tropical reefs at depths between 5 and 25 m (16 and 82 ft). Its mineralised tissue is composed of aragonite (calcium carbonate).

## Distribution

*Acropora pharaonis* is common and found over a large range; the Indian Ocean, the Red Sea, the Persian Gulf, the Gulf of Aden, New Caledonia, Fiji, American Samoa, and potentially in Cocos-Keeling. It is threatened by climate change, coral disease, rising sea temperatures leading to bleaching, reef destruction, being prey to *Acanthaster planci*, and human activity. It is rated as a vulnerable species on the IUCN Red List, is listed CITES Appendix II, and could occur within Marine Protected Areas.

## Taxonomy

It was first described by Haime and Henri Milne-Edwards in 1860 in genus *Madrepora*.

## InfoBox

| *Acropora pharaonis* | |
| --- | --- |
| Conservation status | |
|
Vulnerable  (IUCN 3.1) | |
| Scientific classification | |
| Domain: | Eukaryota |
| Kingdom: | Animalia |
| Phylum: | Cnidaria |
| Class: | Hexacorallia |
| Order: | Scleractinia |
| Family: | Acroporidae |
| Genus: | *Acropora* |
| Species: | ***A. pharaonis*** |
| Binomial name | |
| ***Acropora pharaonis***
(Milne-Edwards & Haime, 1860) | |
|
| Synonyms | |
| List * *Acropora pustulosa* (Milne Edwards, 1960) * *Acropora scandens* (Klunzinger, 1879) * *Madrepora arabica* Milne Edwards, 1960 * *Madrepora ehrenbergi* Milne Edwards, 1960 * *Madrepora microcyathus* Klunzinger, 1879 * *Madrepora pharaonis* Milne Edwards, 1960 * *Madrepora pustulosa* Milne Edwards, 1960 * *Madrepora scandens* Klunzinger, 1879 * *Madrepora spinulosa* Klunzinger, 1879 * *Madrepora subtilis* Klunzinger, 1879 | |


title: Andrea Bowers

abstract: Andrea Bowers, is an American artist working in a variety of media including video, drawing, and installation. Her work has been exhibited around the world, including museums and galleries in Germany, Greece, and Tokyo. Her work was included in the 2004 Whitney Biennial and 2008 California Biennial. She is on the graduate faculty at Otis College of Art and Design, and is Los Angeles–based.

text:
# Andrea Bowers

**Andrea Bowers** (born 1965), is an American artist working in a variety of media including video, drawing, and installation. Her work has been exhibited around the world, including museums and galleries in Germany, Greece, and Tokyo. Her work was included in the 2004 Whitney Biennial and 2008 California Biennial. She is on the graduate faculty at Otis College of Art and Design, and is Los Angeles–based.

## Early life and education

Andrea was born in Wilmington, Ohio, and grew up in "an apolitical Republican family." Bowers holds an MFA degree from California Institute of the Arts where she got involved with a group of classmates and teachers which caused her to become more socially and politically active. She also holds a BFA degree from Bowling Green State University, Bowling Green, Ohio. By the early 1990s, the Feminist Art Program at California Institute of the Arts was diminishing during the same time Bowers was close to receiving her MFA in 1992. Bowers saw this motion as historically forgetting previous successful women in art. She decided to then maintain historical record of artistic and political movements through her own future art.

## Work

As a feminist and social activist, Bowers' work addresses contemporary political issues such as immigration, environmental activism, and women's and worker's rights, within the larger context of American history and protest movements. Bowers regularly invites people who have a stake in the issues that concern her to enter the gallery spaces where she exhibits and directly engage with art world regulars. Examples of this include a series of activist events that took place at Susanne Vielmetter, and her decision to link the opening reception for her show "Mercy Mercy Me" (2009) at Andrew Kreps with an international day of action proposed by climate activist organization 350.org. Bowers also continues to make a series of drawings based on photos of women taken at immigrant rights marches, feminist rallies, gay rights protests, and environmental activism in which the subjects are rendered in isolation on large sheets of otherwise blank paper. In *Girlfriends (May Day March, Los Angeles,* 2011*)* a feeling of isolation and vulnerability due to the subjects being out of context is particularly strong.

Bowers embraces her mediums such as drawings, video, photography, and sketches for them being seen as nontraditional. For example, vinyl and graphite were seen as lesser, economically cheaper, and more feminized art mediums. In the 1970s and 1980s, a feminist art movement spread amongst artists over the refusal to work with the medium of oil paints to portray their own political imagery. Bowers tediously seeks out information in older news articles, films and photos to create photorealistic pieces based upon historical events and people.

### *Vieja Gloria*

*Vieja Gloria* (2003) describes the clash between activist John Quigley and Los Angeles County authorities over the proposed removal of "Old Glory," a 400-year-old oak located in Valencia, California. Quigley later convinced Bowers to undergo training in tree climbing and occupation, which she documented in the video *Nonviolent Civil Disobedience Training-Tree Sitting Forest Defense* (2009). In 2011 she took part in a tree sit in Arcadia, which she also documented. The tree sitting protest helped Bowers to broaden her understanding of her own art and politics.

### *Sanctuary*

*Sanctuary* (2007) is a film that comments on the ways marginalized people create spaces of refuge against overwhelming cultural and political forces. The silent film features Elvira Arellano, an undocumented immigrant who sought refuge in Chicago's Adalberto United Methodist Church. (Arellano and her eight-year-old son were eventually arrested and deported just three weeks after Bowers met with her).

### *Circle*

*Circle* (2009) is a video that depicts four generations of women from the Native Alaskan Gwich’in people speak about their ambivalent relationship with other, non-local, activists against oil drilling in the Arctic National Wildlife Refuge. Shots of a vast Arctic landscape suggest that petty differences may mean little in the context of the immensity that unites them. Bowers' focus on individual voices humanizes what might otherwise read as petty squabbling in the face of enormous challenges.

### *Your Donations Do Our Work*

*Your Donations Do Our Work* (2009) was a two-month project created alongside feminist colleague Suzanne Lacy.*Your Donations Do Our Work* was an exhibition where a community thrift store located in University of California, Riverside Sweeney Art Gallery, aimed to collect undesired items from the members of the community. These donated items would then be refurbished by volunteers and distributed to a “barter-system like store” in Laton, California where Master of Fine Arts students attending Otis College exchanged these renovated items with consumers for community organization work. Bowers and Lacy stated that their real goal was to observe what “gender, labor, class, and race” seem like on a more personal community level. The idea of integration between multigenerational feminists lead to the construction of this collaboration.

### *The United States v. Tim DeChristopher*

In this video (2010) Bowers depicts environmental activist Tim DeChristopher speaking on camera about his sabotage of a 2008 government auction that was to make 150,000 acres of untouched Utah land available for oil and gas drilling. His account of deliberately fraudulent bidding is intercut with panoramic footage of the territory that was up for grabs; in each sequence, a tiny speck in the distance grows until the viewer can see that it is Bowers herself, carrying a slate on which she writes that location's parcel number.

### *Transformer: Display*

*Transformer Display for Community Fundraising* (2011) was created in collaboration with artist Olga Koumoundouros. Initially staged in Los Angeles, it consisted of a bricolage-based transient sculpture designed to raise money for and disseminate information about local activist organizations and neighborhood-based charities. A further incarnation at Art Basel Miami Beach (2011), titled *Transformer: Display of Community Information And Activation*, took the form of a cluster of activist kiosks and a replica of the semi-legendary Miami homeless camp Umoja Village, which burned down mysteriously in 2007 after the city's efforts to remove it via legal means proved ineffective.

### *#sweetjane*

*#sweetjane* (2014) explores the Steubenville, Ohio, rape case and the social media-driven activism that brought the young men responsible to trial. At the Pitzer College Art Galleries was installed a 70-foot-long drawing of the text messages sent between the teenagers in the 48 hours after the assault on the young woman, who is known in the media and throughout the trial as Jane Doe.

The Pomona College Museum of Art housed a video installation comprising appropriated media footage and billboard-size photographs of disguised Anonymous protestors at the trial. Taken together, the installations critique the events and the young men, who were depicted sympathetically by the media, and the tolerance in the United States toward sexual assault.

### *No Olvidado (Not Forgotten)*

*No Olvidado (Not Forgotten)* is the title of one of Andrea Bowers’ largest and most well-known works. Covering three walls of her 2010 exhibition “The Political Landscape” at Susanne Vielmetter Los Angeles Projects, the piece consisted of a massive 10-foot-tall drawing that stretched for almost 96 feet. Against a smudgy graphite background, it portrayed the white ghost of a chain-link fence topped with coiled barbed wire, through which shone hundreds of names; each represented someone who died while trying to cross the Mexico/U.S. border.

The list of names featured in the work was sourced from Border Angels, an organization that aims to protect those traveling through the Imperial Valley desert region, the mountains around San Diego County, and the border region itself. Although the format echoed that of Maya Lins Vietnam Veterans Memorial, the delicate materials and haunting imagery in Bowers’ piece evoked the shadowy lives of undocumented immigrants in the U.S. Like many of her works, *No Olvidado* served as a deliberately transient monument to the marginalized and forgotten.

### *Letters to an Army of Three*

Bowers was alerted to a collection of letters from women seeking abortions prior to Roe v. Wade addressed to the Army of Three, a group of three activist women who advocated for the legalization of abortion in the United States in the decade preceding the Supreme Court decision. The Army of Three had assembled a list of doctors who would provide abortions for women in need. Bowers employed what she describes as the “power of storytelling” in the video installation, Letters to an Army of Three, in which actors read the letters aloud. The letters were written by different women along with anyone that would be affected by not having reproductive rights. Writers expressed their thoughts as feelings of alienation, desperation, and in one letter, suicide. The video was installed in her solo show at REDCAT. Bowers work has been credited with influencing political debates regarding reproductive rights. Though her work originated in response to the Bush Administration's position against abortion, it continued to be cited afterward.

### *Open Secret*

*Open Secret* (2019) is a large-scale installation of draped printouts documenting the hundreds of men accused of sexual misconduct in the #MeToo era. The work became controversial when it was discovered that Bowers had used graphic photos of the bruised face and body of Helen Donahue, a sexual assault survivor, without Donahue's permission. Donahue was horrified to learn that images she had posted on Twitter in 2017 were being featured in an artwork that would be seen by tens of thousands of people and that reportedly had a price tag of $300,000. The offending images were removed by Art Basel and Bowers issued a formal apology.

### *My Name Means Future*

*My Name Means Future* (2020) is a video focusing on the 2014 proposal of the Dakota Access Pipeline which caused protests from both environmental activists and indigenous activists. Indigenous members from the Standing Rock Sioux tribe expressed concerns over the risk of their drinking water becoming polluted in case the pipeline that goes underneath the Missouri River were to break and spill oil. The documentary depicts these exact concerns for both environmental rights and indigenous rights in an interview with Takota Iron Eyes, a young female social activist and member of the Standing Rock Sioux tribe. Bowers met Iron Eyes when she came to South Dakota to take part in the protests opposing the Dakota Access Pipeline. Bowers chose Iron Eyes to be the spokesperson for the documentary because the teenager was a feminist, social and environmental activist, which relates to the video's material.

In the five-part video, Iron Eyes speaks freely of her indigenous heritage, as well as, explaining different sacred areas in her native land that symbolizes importance to the Standing Rock Sioux tribe. Film taken from the drone allows the viewers to see the wide landscapes and environment that surrounds Iron Eyes as she continues to narrate. The grand scenery emphasizes what Iron Eyes is explaining, in her philosophy, that all living things, including humans, are linked to the natural world. She advocates for native rights by noting the land is an important historical and current location where many indigenous peoples engage in keeping their rights over the territory. Iron Eyes uses examples from the historical event of Massacre at Wounded Knee and the current issue of indigenous rights over the water source. Throughout the entire video Iron Eyes seems allowed to be herself as she describes her identity as an indigenous woman which relates back to her feminist position. The teenager even expresses she is a social activist from her spiritual background and teachings of a linkage between all living things and the planet. *Think of Our Future* (2020) was an extra installation to the video where neon-lit pieces hung on the walls with various short phrases advocating for better environmental and human rights in the future. These pieces were secondary compared to the documentary *My Name Means Future* (2020).

## Bibliography

* Bowers, Andrea (2006). *Nothing is Neutral: Andrea Bowers*. Los Angeles: California Institute of the Arts: RED.
* Bowers, Andrea (2021). *Andrea Bowers*. Los Angeles: DelMonico Books.
* Howe, David Everitt (2020). "ANDREA BOWERS: Andrew Kreps \[Review of ANDREA BOWERS: Andrew Kreps\]". *Art in America*. **108** (3): 81.
* Myers, Holly (2006). "ART REVIEW; Balancing art, politics; 'Nothing Is Neutral' exhibit toes the fine line between activism and artistic integrity: HOME EDITION". *The Los Angeles Times.*
* Worland, Justin (2016). "The Fight Over the Dakota Access Pipeline Could Be the Next Keystone". *Time*.

## Exhibitions

She has exhibited at venues including:

### Solo Shows

Source:

### Group Shows

## Permanent collections

Bowers artworks and site specific projects are included in the permanent collections or museum institutions from around the world such as the Museum of Modern Art, New York; Pérez Art Museum Miami; the Whitney Museum of American Art, New York; Hirshhorn Museum and Sculpture Garden, Washington D.C.; the Museum of Contemporary Art, Los Angeles; and Museum Abteiberg, Germany; among others.

## Awards and grants

Andrea Bowers has been the recipient of numerous awards in the past decades, such as

**2009**

* Louis Comfort Tiffany Foundation Biennial Award

**2008**

* United States Artists Broad Fellow

**2003**

* City of Los Angeles (C.O.L.A.) Fellowship Recipient for Visual Arts

**1998**

* Nominee: *Fondazione Sandretto Re Rebaudengo per larte* Prize
* WESTAF/NEA, Regional Fellowship for Visual Arts in Sculpture

## InfoBox

| Andrea Bowers | |
| --- | --- |
| Born | 1965 (age 5859)
Wilmington, Ohio, United States |
| Alma mater | California Institute of the Arts,
Bowling Green State University |
|  | |
| Patron(s) | Otis College of Art and Design |
|  | |


title: Edite Fernandes

abstract: Edite Cristiana Fernandes is a Portuguese former footballer who most recently played for CF Benfica of the Campeonato Nacional de Futebol Feminino. She is a former captain of the Portugal women's national football team, who scored a national record 39 goals in the 132 caps she accumulated between 1997 and 2016.

text:
# Edite Fernandes

**Edite Cristiana Fernandes** (born 10 October 1979) is a Portuguese former footballer who most recently played for CF Benfica of the Campeonato Nacional de Futebol Feminino. She is a former captain of the Portugal women's national football team, who scored a national record 39 goals in the 132 caps she accumulated between 1997 and 2016.

## Club career

Edite began her career with local club Boavista, before moving to Lisbon side 1º Dezembro at age 19. She would win nine Portuguese Liga titles and three Portugal Cups at the two clubs before moving abroad to play in China and Spain.

In August 2002 Edite was the Player of the Match as Beijing Chengjian beat Shanghai SVA on penalties in the Chinese Women's Super League final.

She has played for several clubs in Spain, and joined Arsenal Ladies F.C. for pre-season training but did not sign a permanent deal with the club. She also played in Norway's Toppserien with Donn during 2010.

Veteran Edite transferred from SC Braga to CF Benfica in July 2018. In April 2021, 41-year-old Edite announced her departure from CF Benfica and her retirement as a footballer.

## International career

Edite made her Portugal national team debut in a friendly match against Belgium at Cantanhede in 1997. In November 2011 she made her 100th appearance for the national team, having scored 31 goals. In March 2016 she moved level with Luís Figo's total of 129 caps.

## International goals

*Scores and results list Portugal's goal tally first.*

| No. | Date | Venue | Opponent | Score | Result | Competition |
| --- | --- | --- | --- | --- | --- | --- |
| 1. | 15 March 2001 | Albufeira, Portugal | Canada | **1**–1 | 1–2 | 2001 Algarve Cup |
| 2. | 18 March 2003 | Quarteira, Portugal | Republic of Ireland | **2**–2 | 3–2 | 2003 Algarve Cup |
| 3. | 1 November 2005 | Alcochete, Portugal | Sweden | **1**–3 | 1–4 | 2007 FIFA Women's World Cup qualification |
| 4. | 7 May 2006 | Trelleborg, Sweden | Sweden | **1**–1 | 1–5 | |
| 5. | 27 October 2007 | Viborg, Denmark | Denmark | **1**–1 | 1–5 | UEFA Women's Euro 2009 qualifying |
| 6. | 5 March 2008 | Faro, Portugal | Republic of Ireland | **1**–0 | 2–0 | 2008 Algarve Cup |
| 7. | 7 March 2008 | | Poland | **2**–1 | 3–1 | |
| 8. | 12 March 2008 | Albufeira, Portugal | China | **1**–1 | 1–1 (5–4 ) | |
| 9. | 3 May 2008 | Póvoa de Varzim, Portugal | Scotland | **1**–4 | 1–4 | UEFA Women's Euro 2009 qualifying |
| 10. | 27 September 2008 | Chernihiv, Ukraine | Ukraine | **1**–1 | 1–1 | |
| 11. | 4 March 2009 | Albufeira, Portugal | Poland | **2**–1 | 2–1 | 2009 Algarve Cup |
| 12. | 6 March 2009 | | Wales | **1**–0 | 2–1 | |
| 13. | 21 November 2009 | Nova Gorica, Slovenia | Slovenia | **4**–0 | 4–0 | 2011 FIFA Women's World Cup qualification |
| 14. | 24 February 2010 | Parchal, Portugal | Faroe Islands | **3**–0 | 5–0 | 2010 Algarve Cup |
| 15. | | | | **4**–0 | | |
| 16. | | | | **5**–0 | | |
| 17. | 31 March 2010 | Tocha, Portugal | Armenia | **1**–0 | 7–0 | 2011 FIFA Women's World Cup qualification |
| 18. | | | | **6**–0 | | |
| 19. | | | | **7**–0 | | |
| 20. | 19 June 2010 | Vantaa, Finland | Finland | **1**–0 | 1–4 | |
| 21. | 2 March 2011 | Vila Real de Santo António, Portugal | Wales | **2**–0 | 3–1 | 2011 Algarve Cup |
| 22. | 7 March 2011 | Parchal, Portugal | Romania | **1**–0 | 1–1 | |
| 23. | 9 March 2011 | Loulé, Portugal | Finland | **1**–0 | 2–1 | |
| 24. | 17 September 2011 | Yerevan, Armenia | Armenia | **3**–0 | 8–0 | UEFA Women's Euro 2013 qualifying |
| 25. | | | | **4**–0 | | |
| 26. | 16 December 2012 | São Paulo, Brazil | Mexico | **1**–0 | 1–0 | 2012 International Women's Football Tournament |
| 27. | 6 March 2013 | Vila Real de Santo António, Portugal | Wales | **1**–0 | 2–0 | 2013 Algarve Cup |
| 28. | | | | **2**–0 | | |
| 29. | 26 September 2013 | Fyli, Greece | Greece | **4**–1 | 5–1 | 2015 FIFA Women's World Cup qualification |
| 30. | 26 November 2015 | Estoril, Portugal | Montenegro | **6**–1 | 6–1 | UEFA Women's Euro 2017 qualifying |
| 31. | 3 June 2016 | Petrovac, Montenegro | Montenegro | **1**–0 | 3–0 | |
| 32. | | | | **2**–0 | | |
| 33. | | | | **3**–0 | | |
|

## InfoBox

Edite Fernandes
| Personal information | | | |
| --- | --- | --- | --- |
| Full name | Edite Cristiana Fernandes | | |
| Date of birth | (1979-10-10) 10 October 1979 | | |
| Place of birth | Vila do Conde, Portugal | | |
| Height | 1.57 m (5 ft 2 in) | | |
| Position(s) | Forward | | |
| Youth career | | | |
|  | Boavista | | |
| Senior career\* | | | |
| Years | **Team** | **Apps** | **(Gls)** |
| 1996–1998 | Boavista |  |  |
| 1998–2003 | 1º Dezembro |  |  |
| 2003–2004 | Peña NS Antigua |  |  |
| 2004–2005 | Estudiantes Huelva | 14 | (3) |
|  | Team Beijing |  |  |
| 2008–2009 | Prainsa Zaragoza | 29 | (8) |
| 2009–2010 | Atlético Madrid | 19 | (3) |
| 2010 | Donn | 7 | (4) |
| 2010–2012 | Prainsa Zaragoza | 39 | (13) |
| 2011 | Santa Clarita Blue Heat | 12 | (9) |
| 2012–2016 | Valadares Gaia |  |  |
| 2016–2018 | SC Braga |  |  |
| 2018–2021 | CF Benfica |  |  |
| International career | | | |
| 1997–2016 | Portugal | 132 | (39) |
| \*Club domestic league appearances and goals<br>‡ National team caps and goals, correct as of 16:38, 25 September 2016 (UTC) | | | |


title: Edith's Diary (film)

abstract: Edith's Diary is a 1983 German thriller-drama film written and directed by Hans W. Geißendörfer. It was entered into the main competition at the 40th edition of the Venice Film Festival. The film is based on the novel with the same name by Patricia Highsmith.

text:
# Edith's Diary (film)

***Edith's Diary*** (German: ***Ediths Tagebuch***) is a 1983 German thriller-drama film written and directed by Hans W. Geißendörfer. It was entered into the main competition at the 40th edition of the Venice Film Festival.

The film is based on the novel with the same name by Patricia Highsmith.

## Plot

## Cast

## InfoBox

| Edith's Diary | |
| --- | --- |
|  | |
| Ediths Tagebuch | |
| Directed by | Hans W. Geißendörfer |
| Written by | Hans W. Geißendörfer |
| Starring | Angela Winkler |
| Cinematography | Michael Ballhaus |
| Edited by | Helga Borsche |
| Music by | Jürgen Knieper |
| Release date | * 1983 (1983) |
| Language | German |


title: 1935 Tour de Hongrie

abstract: The 1935 Tour de Hongrie was the 10th edition of the Tour de Hongrie cycle race and was held from 26 to 30 June 1935. The race started and finished in Budapest. The race was won by Károly Németh.

text:
# 1935 Tour de Hongrie

The **1935 Tour de Hongrie** was the 10th edition of the Tour de Hongrie cycle race and was held from 26 to 30 June 1935. The race started and finished in Budapest. The race was won by Károly Németh.

## Route

Stages of the 1935 Tour de Hongrie
| Stage | Date | Route | Distance | Winner |
| --- | --- | --- | --- | --- |
| 1 | 26 June | Budapest to Eger | 174 km (108 mi) | Károly Németh (HUN) |
| 2 | 27 June | Eger to Békéscsaba | 240 km (149 mi) | Károly Németh (HUN) |
| 3 | 28 June | Békéscsaba to Budapest | 213 km (132 mi) | Károly Németh (HUN) |
| 4 | 29 June | Budapest to Kaposvár | 220 km (137 mi) | Károly Németh (HUN) |
| 5 | 30 June | Kaposvár to Budapest | 190 km (118 mi) | István Liszkay (HUN) |
| **Total** | | | **1,037 km (644 mi)** | |

## General classification

| **Final general classification**  Rank Rider Team Time  1  Károly Németh (HUN) BSE 40h 26' 37"  2  Ferenc Éles (HUN) Hungary (*national team*) \+ 9' 51"  3  István Adorján (HUN) Székesfehérvári MÁV Előre \+ 10' 47" |
| --- |

## InfoBox

1935 Tour de Hongrie
| Race details | |
| --- | --- |
| Dates | 26–30 June |
| Stages | 5 |
| Distance | 1,037 km (644.4 mi) |
| Winning time | 40h 26' 37" |
| Results | |
| Winner  Károly Németh (HUN)  Second  Ferenc Éles (HUN)  Third  István Adorján (HUN)   ---  Team  BSE | |
|


title: Andiagana-Na

abstract: Andiagana-Na is a village and seat of the commune of Dougoutene II in the Cercle of Koro in the Mopti Region of southern-central Mali.

text:
# Andiagana-Na

**Andiagana-Na** is a village and seat of the commune of Dougoutene II in the Cercle of Koro in the Mopti Region of southern-central Mali.

## InfoBox

| Andiagana-Na | |
| --- | --- |
| Village | |
| Andiagana-NaLocation in Mali | |
| Coordinates: 13°56′3″N 2°59′50″W / 13.93417°N 2.99722°W / 13.93417; -2.99722 | |
| Country | Mali |
| Region | Mopti Region |
| Cercle | Koro Cercle |
| Commune | Dougoutene II |
| Time zone | UTC+0 (GMT) |