title: EVE/ZeBu

abstract: EVE/ZeBu is a provider of hardware-assisted verification tools for functional verification of Application-specific integrated circuits (ASICs) and system on chip (SOC) designs and for validation of embedded software ahead of implementation in silicon. EVE's hardware acceleration and hardware emulation products work in conjunction with Verilog, SystemVerilog, and VHDL-based simulators from Synopsys, Cadence Design Systems and Mentor Graphics. EVE's flagship product is ZeBu.

text:
# EVE/ZeBu

**EVE/ZeBu** is a provider of hardware-assisted verification tools for functional verification of Application-specific integrated circuits (ASICs) and system on chip (SOC) designs and for validation of embedded software (software driver, Operating System and Application software) ahead of implementation in silicon. EVE's hardware acceleration and hardware emulation products work in conjunction with Verilog, SystemVerilog, and VHDL-based simulators from Synopsys, Cadence Design Systems and Mentor Graphics. EVE's flagship product is ZeBu.

## History

In 2000, EVE was founded in France.

In 2002, EVE launched its flagship ZeBu's first emulation product and SystemC support.

In May 2006, EVE introduced a communication link to SystemVerilog simulation, SystemVerilog assertion support, and a register transfer level compiler for mapping an ASIC or System-on-a-chip (SOC) design into ZeBu's arrays of FPGAs.

In January 2007, EVE acquired Tharas, a microprocessor-based hardware acceleration systems supplier.

In July 2009, EVE announced their ZeBu-Server emulator could handle one billion logic gates.

In October 2012, EVE was acquired by Synopsys.

## Management team

* Luc Burgun - CEO President and CTO, Co-founder
* Ludovic Larzul - Engineering VP, Co-founder
* Lauro Rizzatti - EVE-USA General Manager and WW Marketing VP
* William Addi - Chief Financial Officer
* Ron Burns - Sales VP
* Christophe Ballan - Operations VP

## Products

EVE has a ZeBu family of hardware acceleration and FPGA-based hardware emulation products, which EVE claims has design capacity scalable from 10M to 1B ASIC gates and a top speed of 30 MHz.

## Features

The ZeBu emulator supports operational modes for hardware description language (HDL) acceleration, ANSI C++/SystemC/SystemVerilog transaction-based co-emulation, where the testbench described at high-level of abstraction drives the design mapped in ZeBu via communication protocol interfaces called transactors, and an in-circuit emulator mode.

The ZeBu compiler does automation chip division, where one SoC is divided into multiple FPGAs based on user specified parameters for input file paths, such as EDIF Netlist, number of FPGAs the ZeBu board has, and the number of CPUs used for compilation.

ZeBu has static, dynamic and flexible probes for retrieving and depositing data. Static and flexible probes are created during compilation, with speeds exceeding 10 MHz. Dynamic probes do not require compilation, and slow down the execution speed of the emulator to few kilohertz.

ZeBu can be used by up to 25 multiple concurrent users.

## InfoBox

EVE
|
|  |
| Company type | Subsidiary |
| Industry | Electronic Design Automation |
| Founded | 2000 |
| Headquarters | France and United States |
| Key people | Luc Burgun (CEO, President, CTO)<br>Lauro Rizzatti (EVE-USA General Manager) |
| Parent | Synopsys |
| Website | www.eve-usa.com |


title: 1812–1813 Massachusetts legislature

abstract: The 33rd Massachusetts General Court, consisting of the Massachusetts Senate and the Massachusetts House of Representatives, met in 1812 and 1813 during the governorship of Caleb Strong. Samuel Dana served as president of the Senate and Timothy Bigelow served as speaker of the House.

text:
# 1812–1813 Massachusetts legislature

The **33rd Massachusetts General Court**, consisting of the Massachusetts Senate and the Massachusetts House of Representatives, met in 1812 and 1813 during the governorship of Caleb Strong. Samuel Dana served as president of the Senate and Timothy Bigelow served as speaker of the House.

## Senators

## Representatives

* William Smith

## InfoBox

| 33rd<br>Massachusetts General Court | |
| --- | --- |
| 32nd 34th | |
| Overview | |
| Legislative body | General Court |
| Term | May 1812 (1812-05) – May 1813 (1813-05) |
| Senate | |
| Members | 40 |
| President | Samuel Dana |
| House | |
| Speaker | Timothy Bigelow |


title: 1755 in literature

abstract: This article contains information about the literary events and publications of 1755. LEXICOGRAPHER. A writer of dictionaries; a harmless drudge that busies himself in tracing the original, and detailing the signification of words.—Self-deprecating definition by Samuel Johnson from A Dictionary of the English Language

text:
# 1755 in literature

This article contains information about the literary events and publications of **1755**.

> LEXICOGRAPHER. A writer of dictionaries; a harmless drudge that busies himself in tracing the original, and detailing the signification of words.

—Self-deprecating definition by Samuel Johnson from *A Dictionary of the English Language*

## Events

## New Books

### Fiction

### Poetry

### Non-fiction

## Drama

## Births

## Deaths

## InfoBox

| List of years in literature (table) |
| --- |
|  |
| In poetry 1752 1753 1754 1755 1756 1757 1758 |
| *+...* |


title: 1756

abstract: 1756 (MDCCLVI) was a leap year starting on Thursday of the Gregorian calendar and a leap year starting on Monday of the Julian calendar, the 1756th year of the Common Era (CE) and Anno Domini (AD) designations, the 756th year of the 2nd millennium, the 56th year of the 18th century, and the 7th year of the 1750s decade. As of the start of 1756, the Gregorian calendar was 11 days ahead of the Julian calendar, which remained in localized use until 1923.

text:
# 1756

1756 in various calendars
| Gregorian calendar | 1756
*MDCCLVI* |
| --- | --- |
| Ab urbe condita | 2509 |
| Armenian calendar | 1205
ԹՎ ՌՄԵ |
| Assyrian calendar | 6506 |
| Balinese saka calendar | 1677–1678 |
| Bengali calendar | 1163 |
| Berber calendar | 2706 |
| British Regnal year | 29 Geo. 2  30 Geo. 2 |
| Buddhist calendar | 2300 |
| Burmese calendar | 1118 |
| Byzantine calendar | 7264–7265 |
| Chinese calendar | 乙亥年 (Wood Pig)
4453 or 4246
*to*
丙子年 (Fire Rat)
4454 or 4247 |
| Coptic calendar | 1472–1473 |
| Discordian calendar | 2922 |
| Ethiopian calendar | 1748–1749 |
| Hebrew calendar | 5516–5517 |
| Hindu calendars |  |
| \- *Vikram Samvat* | 1812–1813 |
| \- *Shaka Samvat* | 1677–1678 |
| \- *Kali Yuga* | 4856–4857 |
| Holocene calendar | 11756 |
| Igbo calendar | 756–757 |
| Iranian calendar | 1134–1135 |
| Islamic calendar | 1169–1170 |
| Japanese calendar | Hōreki 6
(宝暦６年) |
| Javanese calendar | 1681–1682 |
| Julian calendar | Gregorian minus 11 days |
| Korean calendar | 4089 |
| Minguo calendar | 156 before ROC
民前156年 |
| Nanakshahi calendar | 288 |
| Thai solar calendar | 2298–2299 |
| Tibetan calendar | 阴木猪年
(female Wood-Pig)
1882 or 1501 or 729
*to*
阳火鼠年
(male Fire-Rat)
1883 or 1502 or 730 |

**1756** (MDCCLVI) was a leap year starting on Thursday of the Gregorian calendar and a leap year starting on Monday of the Julian calendar, the 1756th year of the Common Era (CE) and *Anno Domini* (AD) designations, the 756th year of the 2nd millennium, the 56th year of the 18th century, and the 7th year of the 1750s decade. As of the start of 1756, the Gregorian calendar was 11 days ahead of the Julian calendar, which remained in localized use until 1923.

## Events

### JanuaryMarch

### AprilJune

### JulySeptember

### OctoberDecember

### Date unknown

## Births

## Deaths

## InfoBox

| Millennium: | 2nd millennium |
| --- | --- |
| Centuries: |  |
| Decades: |  |
| Years: |  |


title: 1756 Düren earthquake

abstract: The 1756 Düren earthquake occurred on the morning at 8 a.m. near the town of Düren with a magnitude of 6.4 on the Richter scale. It was one of the strongest earthquakes in Central Europe, and the strongest in Germany's recorded history. The depth of the hypocenter is estimated at 14–16 kilometres (8.7–9.9 mi). This earthquake may have been a remotely triggered event from the 1755 earthquake in Lisbon, but there is not enough evidence for this.

text:
# 1756 Düren earthquake

The **1756 Düren earthquake** occurred on the morning at 8 a.m. near the town of Düren with a magnitude of 6.4 on the Richter scale. It was one of the strongest earthquakes in Central Europe, and the strongest in Germany's recorded history. The depth of the hypocenter is estimated at 14–16 kilometres (8.7–9.9 mi). This earthquake may have been a remotely triggered event from the 1755 earthquake in Lisbon, but there is not enough evidence for this.

## Earthquake

The quake caused damage to buildings in the Cologne, Aachen, Jülich and Bad Münstereifel area. The earthquake was felt in Berlin, Stuttgart and as far away as London and Paris. Damage corresponded to intensity level VIII on the Medvedev–Sponheuer–Karnik scale. According to today's assessment, it reached a magnitude of 6.4 on the Richter scale; significantly stronger than the earthquake in Roermond in 1992, which reached a magnitude of 5.9.

## Damage and casualties

There were two deaths in Düren, where many buildings were badly damaged. Parts of the city walls of Düren and Bad Münstereifel collapsed or were heavily damaged. Some of the hot springs in Aachen ran dry, while others increased in strength. A spring at Breinigerberg also ran dry. The water table fell in open tin and lead mines and some became dry.

Two people were also killed and one man was seriously injured in Aachen. In addition, over 300 chimneys collapsed in Cologne. Damage was also reported in neighbouring countries.

## InfoBox

1756 Düren earthquake
|  | |
| --- | --- |
| Local date | 15 February 1756 |
| Local time | about 8 a.m. |
| Magnitude | 6.4 ML |
| Depth | 14–16 km |
| Epicenter | 50°29′N 6°28′E / 50.48°N 6.47°E / 50.48; 6.47 |
| Areas affected | Düren, North Rhine-Westphalia, Germany |
| Max. intensity | MSK-64 VIII (*Damaging*) |
| Casualties | 4 killed |


title: Ieronim (Ponyatsky)

abstract: Ieronim Ponyatskiy was a Russian clergyman and monastic, an archimandrite and igumen of several Russian monasteries. Ieronim came from a family of clergymen. He was educated at the Smolensk Spiritual Seminary, he then graduated from the Slavic Greek Latin Academy, and began service as a hieromonk in the navy. In 1790–1792 he was a teacher in the Kiev Theological Academy. From 1792 on he was the igumen of the Smolensk Holy Trinity Monastery; from 1794 on an archimandrite in the Pechersky Ascension Monastery in Nizhny Novgorod and the rector of the Nizhny Novgorod Spiritual Seminary; from January 17, 1799 on, he was an archimandrite in the New Jerusalem Monastery, where he eventually was buried. On the preserved cast-iron tombstone there are relief images and the inscription: "In this place was buried the body of the former igumen of this Stauropegial New Jerusalem Resurrection Monastery, Archimandrite Ieronim, who deceased in the Lord. This took place on 4 June 1802. He lived to be 52 years and 7 months old.

text:
# Ieronim (Ponyatsky)

**Ieronim Ponyatskiy** (1749 – 4 (16) July 1802) was a Russian clergyman and monastic, an archimandrite and igumen of several Russian monasteries.

Ieronim came from a family of clergymen. He was educated at the Smolensk Spiritual Seminary, he then (according to some sources) graduated from the Slavic Greek Latin Academy, and began service as a hieromonk in the navy. In 1790–1792 he was a teacher in the Kiev Theological Academy.

From 1792 on he was the igumen of the Smolensk Holy Trinity Monastery; from 1794 on an archimandrite in the Pechersky Ascension Monastery in Nizhny Novgorod and the rector of the Nizhny Novgorod Spiritual Seminary; from January 17, 1799 on, he was an archimandrite in the New Jerusalem Monastery, where he eventually was buried. On the preserved cast-iron tombstone there are relief images and the inscription: "In this place was buried the body of the former igumen of this Stauropegial New Jerusalem Resurrection Monastery, Archimandrite Ieronim, who deceased in the Lord. This took place on 4 June 1802. He lived to be 52 years and 7 months old.

## Translations from the German language

* *Guide to parents and caregivers*, St. Petersburg, 1798.
* Zollikofer: *Reliable guidance to parents, educators and teachers for sensible Christian children's upbringing*.
* *Harwood’s thoughts of the bliss of the pious*, Moscow, 1783.

From the sermons of Ieronim were only published:

* "On the day of the accession to the throne of Emperor Paul", St. Petersburg, 1797.
* "On the occasion of the consecration of the Church of Mary Magdalene", (M., 1801).

Also published were his poems and speeches in honor of General-in-chief Fyodor Ivanovich Glebov, St. Petersburg, 1776.

## Sources

* Simankov, V.I. (2010). "Из разысканий о журнале "Прибавление к Московским Ведомостям"…" \[‘From searches for the magazine "Addition to the Moscow Vedomosti" .... - Kharkov, 2010. - 134 p.’\] (PDF) (in Russian). Retrieved 9 November 2018.
* "Настоятели нижегородского Вознесенского Печерского и Воскресенского Ново-Иерусалимского монастырей архимандриты Иероним (Поняцкий) и Гедеон (Ильин)" \[‘’\]. *Нижегородская старина* (in Russian). 2005. Archived from the original on 8 November 2018. Retrieved 9 November 2018.


title: Earl C. Haag

abstract: Earl C. Haag is an American scholar and author in the Pennsylvania German language. His dialect pseudonym is Der Alt Professor. In 2010, his contributions to the field of German-American studies were recognized by The Society for German-American Studies with the publication of "The Language and Culture of the Pennsylvania Germans: A Festschrift for Earl C. Haag," in a supplemental issue of the Yearbook of German-American Studies.

text:
# Earl C. Haag

**Earl C. Haag** (born June 24, 1929) is an American scholar and author in the Pennsylvania German language. His dialect pseudonym is *Der Alt Professor.* In 2010, his contributions to the field of German-American studies were recognized by The Society for German-American Studies with the publication of "The Language and Culture of the Pennsylvania Germans: A Festschrift for Earl C. Haag," in a supplemental issue of the *Yearbook of German-American Studies*.

## Formative years

Born on June 24, 1929, Haag graduated from the University of Connecticut with a Bacehlor of Arts degree in German in 1952, earned his Master of Arts from Pennsylvania State University, and subsequently advanced to doctoral studies with Pennsylvania German expert Abbott Buffington. He then also pursued additional training in 1953 and 1954 at the University of Heidelberg, in Heidelberg, Germany, where he focused his studies on Palatinate dialects.

## Academic career

Haag began his long tenure with Pennsylvania State University in 1958. Initially employed by the university's Pottsville Penn State Center in Pottsville, Schuylkill County from 1958 through the early part of 1962, he transferred to the university's new Schuylkill campus when it opened later that year.

An assistant professor through the 1970s, Haag was promoted to associate professor of German and English Composition at Penn States's Schuylkill campus in May 1986. Since April 5, 1984, he has researched, written and published the weekly column, *Es Neinuhr Schtick*, which has been syndicated in multiple newspaper columns across Pennsylvania.

### Publications

Haag has written and edited numerous books and other publications throughout his career, including:

* *A Pennsylvania German Anthology* (1988) ISBN 9780941664295
* *A Pennsylvania German Reader and Grammar* (1982, 1985, 1997) ISBN 9780271003146
* *En Pennsylvaanisch Deitsch Yaahr: A Pennsylvania Dutch Year* (1990)
* *The First One Hundred Years: An Index of Publications of the Pennsylvania German Society (1891-1990) Including the Yearbooks of the Pennsylvania German Folklore Society (1936-1966)* (1998) ISBN 9780911122626
* *Die Pennsylvaanisch Deitsche: The Pennsylvania Germans*
* *Der Schtruwwelpitter gschpassiche Gschichde un lecherliche Pickders* (Tintenfaß, 2010) ISBN 9783937467894
* William Keel and C. Richard Beam, editors, *The Language and Culture of the Pennsylvania Germans: a Festschrift for Earl C. Haag* (2010)
* *Pennsylvaanisch Deitsch Schtoris: Pennsylvania Dutch Stories* (2016)

### Public service

From 1961 to 1987, Haag served as a judge for the Schuylkill County spelling bee for students in the county's K-12 schools. He was honored by the *Pottsville Republican* (now the *Republican Herald*) in 1987 for his longtime service to the community.

## InfoBox

| Earl C. Haag | |
| --- | --- |
| Born | June 24, 1929 |
| Occupation(s) | American scholar and author (German-American and Pennsylvania German studies) |


abstract: Eclectic is collaborative album between American guitarists Eric Johnson and Mike Stern. It was released on October 27, 2014. It was Johnson's first studio release since his 2010 album Up Close. The album features guest appearances by Malford Milligan and Christopher Cross.

text:
# Eclectic (Eric Johnson and Mike Stern album)

***Eclectic*** is collaborative album between American guitarists Eric Johnson and Mike Stern. It was released on October 27, 2014. It was Johnson's first studio release since his 2010 album *Up Close*. The album features guest appearances by Malford Milligan and Christopher Cross.

## Track listing

All songs written by Eric Johnson and Mike Stern, except where noted.

| No. | Title | Writer(s) | Length |
| --- | --- | --- | --- |
| 1. | "Roll With It" |  | 5:23 |
| 2. | "Remember" |  | 6:27 |
| 3. | "Benny Man's Blues" |  | 3:53 |
| 4. | "Wishing Well" |  | 6:02 |
| 5. | "Big Foot (With Intro)" | Chris Maresh | 7:07 |
| 6. | "Tidal" |  | 5:27 |
| 7. | "You Never Know" |  | 6:41 |
| 8. | "Dry ice" | Bill Maddox | 6:51 |
| 9. | "Sometimes" |  | 8:07 |
| 10. | "Hullabaloo" |  | 3:11 |
| 11. | "Wherever You Go (With Intro)" |  | 6:06 |
| 12. | "Red House" | Jimi Hendrix | 4:51 |

## Personnel

* Eric Johnson – guitar, vocals, synthesizer, piano, producer
* Mike Stern – guitar, vocals
* Chris Maresh – acoustic and electric bass guitar
* Anton Fig – drums, percussion
* Malford Milligan – vocals ("Roll With it")
* Christopher Cross – vocals ("Wishing Well")
* Leni Stern – ngoni, vocals ("Big Foot," "Wherever You Go")
* Wayne Salzmann II – percussion ("Remember")
* Guy Forsyth – harmonica ("Red House")
* James Fenner – percussion ("Remember")
* Mike Mordecai – trombone ("Hullabaloo")
* Andrew Johnson – trumpet ("Hullabaloo")
* John Mills – saxophone ("Hullabaloo")
* Kelly Donnelly – mixing
* Paul Blakemore – mastering
* Josh Johnson – assistant engineer

## InfoBox

| Eclectic | |
| --- | --- |
|  | |
| Studio album by Eric Johnson and Mike Stern | |
| Released | October 27, 2014 (2014-10-27) |
| Studio | Saucer Sound, Studio Plush, Austin, Texas |
| Genre | Rock, instrumental rock, jazz fusion |
| Length | 72:18 |
| Label | Concord, Vortexan, Heads Up |
| Producer | Eric Johnson |
| Eric Johnson chronology | |
| *Up Close*
(2010) ***Eclectic***
(2014) *EJ*
(2016) | |
|  | |
| Mike Stern chronology | |
| *All Over the Place*
(2012) ***Eclectic***
(2014) *Trip*
(2017) | |
|  | |


title: Ma Dai

abstract: Ma Dai was a Chinese military general of the state of Shu Han during the Three Kingdoms period of China. He previously served under his uncle Ma Teng, a warlord in northwestern China, during the late Eastern Han dynasty. After Ma Teng's death, he followed his cousin Ma Chao and they joined the warlord Zhang Lu in Hanzhong for a short period of time. Ma Chao later defected to another warlord Liu Bei, and Ma Dai accompanied him. Ma Dai served under Liu Bei and later in the state of Shu Han. Not much information on Ma Dai is found in historical records. It is known that in 234, he participated in the fifth Northern Expedition led by Shu's chancellor Zhuge Liang to attack the Shu's rival state Cao Wei. Ma Dai was also credited with slaying the Shu general Wei Yan, who was alleged to have turned against Shu after the death of Zhuge Liang.

text:
# Ma Dai

**Ma Dai** () (fl. 222–235) was a Chinese military general of the state of Shu Han during the Three Kingdoms period of China. He previously served under his uncle Ma Teng, a warlord in northwestern China, during the late Eastern Han dynasty. After Ma Teng's death, he followed his cousin Ma Chao (Ma Teng's eldest son) and they joined the warlord Zhang Lu in Hanzhong for a short period of time. Ma Chao later defected to another warlord Liu Bei, and Ma Dai accompanied him. Ma Dai served under Liu Bei and later in the state of Shu Han (founded by Liu Bei).

Not much information on Ma Dai is found in historical records. It is known that in 234, he participated in the fifth Northern Expedition led by Shu's chancellor Zhuge Liang to attack the Shu's rival state Cao Wei. Ma Dai was also credited with slaying the Shu general Wei Yan, who was alleged to have turned against Shu after the death of Zhuge Liang.

## Life

Ma Dai was a younger cousin of Ma Chao. He does not have a biography in the *Records of the Three Kingdoms* (*Sanguozhi*), the authoritative source for the history of the Three Kingdoms period; he is mentioned occasionally in the biographies of other people such as Ma Chao and Wei Yan. He is first mentioned in Ma Chao's biography in a letter written by Ma Chao to Liu Bei before his death. Ma Chao wrote: "Over 200 members of my family were killed by Cao Cao. I only have my cousin Ma Dai left with me. He will be the one to continue my family line. I entrust him to Your Majesty's care. That is all I have to say." Ma Dai served in the state of Shu Han as a military general. The highest position he attained was "General Who Pacifies the North" (平北將軍). He was also enfeoffed as the "Marquis of Chencang" (陳倉侯).

Ma Dai is mentioned in Wei Yan's biography. In 234, when conflict broke out between Yang Yi and Wei Yan after Zhuge Liang's death, Yang Yi ordered Ma Dai to attack Wei Yan. Ma Dai caught up with Wei Yan while the latter was fleeing towards Hanzhong, decapitated him, brought his head back, and threw it in front of Yang Yi.

Ma Dai is also briefly mentioned in Sima Yi's biography in the *Book of Jin*. In 235, he led Shu forces to attack Shu's rival state, Cao Wei, but was defeated and driven back by the Wei general Niu Jin. He lost about 1,000 troops in battle.

## In *Romance of the Three Kingdoms*

Ma Dai is a character in the 14th-century historical novel *Romance of the Three Kingdoms*, which romanticises the historical events and figures of the late Eastern Han dynasty and Three Kingdoms period. In the novel, he follows Ma Teng to the capital on a summon from Cao Cao, and survives when Ma Teng and his sons are killed by Cao Cao's men in a trap. He joins his cousin Ma Chao in the Battle of Tong Pass against Cao Cao, and accompanies Ma Chao when the latter is defeated and has to seek refuge under Zhang Lu of Hanzhong. He follows Ma Chao and comes to serve Liu Bei when his cousin defects to Liu Bei's side during the takeover of Yi Province. Ma Dai participates actively in southern campaign against the Nanman and the Northern Expeditions against the rival state of Cao Wei. After Zhuge Liang's death, the Shu general Wei Yan rebels, and Ma Dai pretends to support him but kills him later.

Ma is sometimes venerated as a door god in Chinese and Taoist temples in Hebei, usually in partnership with Ma Chao.

Ma Dai is first introduced as a playable character in the seventh instalment of Koei's *Dynasty Warriors* video game series. He is characterized as Ma Chao's elder brother and keeper in the games. He, along with the rest of the Xiliang warriors of the time, appear alongside a unique cavalry unit in any level they are present, a reference to the Ma clan's namesake horsemanship.

### Citations

### Bibliography

## InfoBox

| Ma Dai | |
| --- | --- |
| 馬岱 | |
| A Qing dynasty illustration of Ma Dai | |
|  | |
| General Who Pacifies the North
(平北將軍) | |
| **In office**
? (?)–? (?) | |
| Monarch | Liu Shan |
|  | |
| Personal details | |
| Born | Unknown |
| Died | Unknown |
| Relatives | Ma Teng (uncle)
Ma Chao (cousin) |
| Occupation | Military general |
| Peerage | Marquis of Chencang (陳倉侯) |
|  | |


title: Englathauma

abstract: Englathauma is an extinct genus of scorpionfly. It is the only member of the family Englathaumatidae. It is known from two species, E. crabbi, and E. mellisha. Both species are known from the Weald Clay of the United Kingdom, dating to the Barremian stage of the Early Cretaceous. The family had been a nomen nudum since the death of the lead author of the paper Victor G. Novokshonov, in 2003, until the paper was published in 2016. The well sclerotized wings suggest that they were used as cover to protect the body rather than for flight, similar to the living Notiothauma.

text:
# Englathauma

***Englathauma*** is an extinct genus of scorpionfly. It is the only member of the family **Englathaumatidae**. It is known from two species, *E. crabbi*, and *E. mellisha.* Both species are known from the Weald Clay of the United Kingdom, dating to the Barremian stage of the Early Cretaceous. The family had been a *nomen nudum* since the death of the lead author of the paper Victor G. Novokshonov, in 2003, until the paper was published in 2016. The well sclerotized wings suggest that they were used as cover to protect the body rather than for flight, similar to the living *Notiothauma.*

## InfoBox

| *Englathauma*
Temporal range: | |
| --- | --- |
|
| Scientific classification | |
| Domain: | Eukaryota |
| Kingdom: | Animalia |
| Phylum: | Arthropoda |
| Class: | Insecta |
| Order: | Mecoptera |
| Family: | Englathaumatidae
Novokshonov *et al*, 2016 |
| Genus: | *Englathauma*
Novokshonov *et al*, 2016 |
|
| Species | |
| * *Englathauma crabbi* Novokshonov *et al*, 2016 * *Englathauma mellishae* Novokshonov *et al*, 2016 | |


title: Albert S. Humphrey

abstract: Albert S. Humphrey was an American business and management consultant who specialized in organizational management and cultural change. Initially earning degrees in chemical engineering in Illinois, he eventually moved to London.

text:
# Albert S. Humphrey

**Albert S. Humphrey** (2 June 1926 – 31 October 2005) was an American business and management consultant who specialized in organizational management and cultural change. Initially earning degrees in chemical engineering in Illinois, he eventually moved to London.

## Education

Albert Humphrey was educated at the University of Illinois, where he graduated with a B.Sc. in chemical engineering. After this he gained a master's degree in chemical engineering at M.I.T. and an MBA at Harvard University.

## Career

Humphrey said that while he worked at the Stanford Research Institute (later SRI International), he was involved with the team that came up with the "International Executive Seminar in Business Planning", which became known as TAM (Team Action Management), and also with a team led by Robert Stewart, who published the SOFT framework (as Humphrey described it: "What is good in the present is Satisfactory, good in the future is an Opportunity; bad in the present is a Fault, and bad in the future is a Threat"). For a summary of the relationship of SOFT to SWOT analysis, see SWOT analysis § History.

During his working life Humphrey acted as consultant to over 100 companies globally. In 2005 he was listed in:

In 2004 he was listed in the *Who's Who in Science and Engineering*, 7th Edition (2003–2004).

## InfoBox

| Albert S. Humphrey | |
| --- | --- |
|  | |
| Born | (1926-06-02)2 June 1926 |
| Died | 31 October 2005(2005-10-31) (aged 79) |
| Alma mater | University of Illinois (B.Sc.), M.I.T. (M.Sc.), Harvard University (MBA) |
| **Scientific career** | |
| Fields | Management |
| Institutions | Stanford Research Institute |
|  | |


title: Earth Omen

abstract: Earth Omen is the third album by American rock band Frijid Pink, released in 1972. The band, recently abandoned by their original singer and guitarist, shed their blues-based rock sound and picked up a more progressive rock sound, with added psychedelia. This was largely thanks to the addition of singer Jon Wearing, guitarist Craig Webb, and keyboardist Larry Zelanka. The German CD release features two bonus tracks.

text:
# Earth Omen

Professional ratings
| Review scores | |
| --- | --- |
| Source | Rating |
| AllMusic |  |

***Earth Omen*** is the third album by American rock band Frijid Pink, released in 1972.

The band, recently abandoned by their original singer and guitarist, shed their blues-based rock sound and picked up a more progressive rock sound (reminiscent of Uriah Heep), with added psychedelia. This was largely thanks to the addition of singer Jon Wearing, guitarist Craig Webb, and keyboardist Larry Zelanka (Zelanka was only considered a guest on the previous two albums).

The German CD release (Repertoire Records) features two bonus tracks.

## Track listing

1. "Miss Evil" – 6:24
2. "Sailor" – 4:21
3. "Earth Omen" – 3:32
4. "Lazy Day" – 4:38
5. "Train Woman" – 3:59
6. "Eternal Dream" – 4:18
7. "New Horizon" – 4:20
8. "Rainbow Rider" – 2:57
9. "Mr. Blood" – 4:39

## Bonus tracks

1. "Lazy Day" (Single Edit) – 3:07
2. "Go Now" (Non-Album Single) – 2:57

## Personnel

* Jon Wearing – lead vocals
* Richard Stevers – drums
* Tom Harris – bass
* Craig Webb – guitars

Additional:

* Larry Zelanka – keyboards

## InfoBox

| Earth Omen | |
| --- | --- |
|  | |
| Studio album by Frijid Pink | |
| Released | 1972 |
| Studio | Eastern Sound Studios |
| Length | 39:12 |
| Label | Lion Records |
| Frijid Pink chronology | |
| *Defrosted*
(1970) ***Earth Omen***
(1972) *The Beginning Vol. 5*
(1973) | |


title: Macalla chosenalis

abstract: Macalla chosenalis is a species of snout moth in the genus Macalla. It was described by Shibuya in 1927, and is known from Korea.

text:
# Macalla chosenalis

***Macalla chosenalis*** is a species of snout moth in the genus *Macalla*. It was described by Shibuya in 1927, and is known from Korea (including Shakuoji, the type location).

## InfoBox

| *Macalla chosenalis* | |
| --- | --- |
|
| Scientific classification | |
| Domain: | Eukaryota |
| Kingdom: | Animalia |
| Phylum: | Arthropoda |
| Class: | Insecta |
| Order: | Lepidoptera |
| Family: | Pyralidae |
| Genus: | *Macalla* |
| Species: | ***M. chosenalis*** |
| Binomial name | |
| ***Macalla chosenalis***<br>Shibuya, 1927 | |
|


title: Idarkopf

abstract: The Idarkopf near Stipshausen in the Hunsrück is a mountain, 745.7 m above sea level (NHN), within the Idar Forest in the German counties of Birkenfeld and Bernkastel-Wittlich. It is one of the highest mountains in the state of Rhineland-Palatinate.

text:
# Idarkopf

The **Idarkopf** near Stipshausen in the Hunsrück is a mountain, 745.7 m above sea level (NHN), within the Idar Forest in the German counties of Birkenfeld and Bernkastel-Wittlich. It is one of the highest mountains in the state of Rhineland-Palatinate.

## Geography

### Location

The Idarkopf lies in the northeastern part of the Idar Forest and within the Saar-Hunsrück Nature Park. Its summit rises around 2 km northwest of the village of Stipshausen (county of Birkenfeld) and 4 km southeast of the village of Hochscheid (Bernkastel-Wittlich). Whilst the summit and the southeastern flank of the mountain belong to Stipshausen, its western flanks up to the crest and northern to northeastern areas belong to the village of Weitersbach (county of Birkenfeld) which lies 3.5 km east-northeast of the summit (both distances as the crow flies). The Idarbach stream flows past the Idarkopf to the northeast.

## Towers

About 200 metres northwest of the summit of the Idarkopf at a height of 744.2 m stands the observation tower known as the Idarkopf Tower, from which there are views, for example, of the Taunus, the Donnersberg across the Hunsrück, to the Eifel and of the Westerwald. Around 300 metres northeast of the summit at a height of about 738 m stands a transmission tower.

## InfoBox

| Idarkopf | |
| --- | --- |
| The prominent Idarkopf dominates the Hunsrück | |
| Highest point | |
| Elevation | 745.7 m above sea level (NHN) (2,447 ft) |
| Coordinates | 49°51′40″N 7°16′18″E / 49.86125°N 7.271611°E / 49.86125; 7.271611 |
| Geography | |
| Idarkopfnear Stipshausen; Landkreis Birkenfeld and Bernkastel-Wittlich, Rhineland-Palatinate, Germany | |
| Parent range | Idar Forest (Hunsrück) |


title: Idas (bivalve)

abstract: Idas is a genus of saltwater clams, marine bivalve molluscs in the family Mytilidae, the mussels.

text:
# Idas (bivalve)

***Idas*** is a genus of saltwater clams, marine bivalve molluscs in the family Mytilidae, the mussels.

## Species

The World Register of Marine Species lists the following species:

* Bernard F.R. (1978). New bivalve Mollusca, subclass Pteriomorpha, from the Northeastern Pacific. Venus. 37: 61-75
* Nordsieck, F. (1969). Die europäischen Meeresmuscheln (Bivalvia). Vom Eismeer bis Kapverden, Mittelmeer und Schwarzes Meer. Stuttgart: Gustav Fischer. xiii + 256 pp.
* Giusti Fr., Mietto P. & Sbrana C., 2012. Il genere Idas (Mytilidae, Bathymodiolinae) in Mediterraneo, con la descrizione di quattro nuove specie. Bollettino Malacologico, 48(2): 122–135
* Coan, E. V.; Valentich-Scott, P. (2012). Bivalve seashells of tropical West America. Marine bivalve mollusks from Baja California to northern Peru. 2 vols, 1258 pp

## InfoBox

| *Idas* | |
| --- | --- |
|  | |
| Shell of *Idas cylindricus* (holotype at MNHN, Paris) | |
|
| Scientific classification | |
| Domain: | Eukaryota |
| Kingdom: | Animalia |
| Phylum: | Mollusca |
| Class: | Bivalvia |
| Order: | Mytilida |
| Family: | Mytilidae |
| Genus: | *Idas*
Jeffreys, 1876 |
|
| Type species | |
| *Idas argenteus* Jeffreys, 1876
 | |
| Synonyms | |
| * *Adipicola (Myrinopsis)* F. Nordsieck, 1969 * *Habepegris* F. R. Bernard, 1978 * *Idasola* Iredale, 1915 (Unnecessary replacement name for *Idas* Jeffreys, 1876) * *Miridas* Iredale, 1939 | |


title: Idtp

abstract: IDTP is a communication protocol to tracing messages of things identified by UTDIs (Utid), which adapt request/response model and like a hybrid of HTTP and Web Service but using JSON data format rather than XML format.

text:
# Idtp

**IDTP** (**Identifier Tracing Protocol**) is a communication protocol to tracing messages of things identified by UTDIs (Utid), which adapt request/response model and like a hybrid of HTTP and Web Service but using JSON data format rather than XML format.

## Features

* It uses UTID rather than URL to indicate the destination address.
* It uses built-in forward mechanism to trace the messages of UTIDs.

## Tracing

The forward rules are UTID suffix match (called tracing rule in this paper) and namespace match (called tracing track in this paper). The underlying protocol of IDTP may be TCP, UDP, UDP multicast, HTTP, HTTPS, Web Service, or local handling without forwarding.

## Request and Response

Example of IDTP request:

`idtp:0.9/1
utid:125.product~db$com1.test
ns:u.iot.db
name:UtidEcho
len:39
{"refUtid":"312.purchase~db$com2.test"}`

Example of IDTP response:

`idtp:0.9/1
code:200 OK
len:17
{"msg":"success"}`

### Header Data

```
+-----------------------------------------------------------------+
|  Field Description                            Request   Response|
+-----------------------------------------------------------------+
|  idtp  Idtp version,request/response version  yes       yes     |
|  utid  Request UTID by client                 yes       no      |
|  ns    Namespace (package) of a request       yes       no      |
|  name  Name of a request                      yes       no      |
|  code  Response status code                   no        yes     |
|  len   User's data length                     yes       yes     |
|  hop   Count of hops, maximum is 8            yes       yes     |
|  hops  List of hops for loop checking         yes       yes     |
|  enc   Encryption parameters                  optional  optional|
+-----------------------------------------------------------------+
```

Note: The "yes" or "no" in the third and fourth column indicates whether the field exists in request or response header data.

### User's Data

The user's data is a JSON string or an XML string in one or more lines, which represents serialized data of an object in Object Oriented Languages.

For the consideration of performance and simplicity, the JSON format is recommended.

There is no format type field in header data to indicate that the user's data is in JSON string or in XML string. The format type is easy to determine by checking the first character of the user's data, where '{' stands for JSON string and '\<' stand for XML string.

## Reference implementation

http://sourceforge.net/p/busilet

http://www.utid.org

https://datatracker.ietf.org/doc/draft-huangng-utid/

https://datatracker.ietf.org/doc/draft-huangng-idtp/


title: MGC Asian Traditional Textiles Museum

abstract: The Mekong Ganga Cooperation (MGC) Asian Traditional Textiles Museum is a museum located in Siem Reap, Cambodia. The aims of the museum are to facilitate the communication of the people living along the Mekong and Ganga rivers to show the civilization, culture and trade relations of the member countries such as Cambodia, India, Laos, Myanmar, Thailand and Vietnam.

text:
# MGC Asian Traditional Textiles Museum

The **Mekong Ganga Cooperation (MGC) Asian Traditional Textiles Museum** (Khmer: សារៈមន្ទីរវាយនភណ្ឌប្រពៃណីអាស៊ី) is a museum located in Siem Reap, Cambodia. The aims of the museum are to facilitate the communication of the people living along the Mekong and Ganga rivers to show the civilization, culture and trade relations of the member countries such as Cambodia, India, Laos, Myanmar, Thailand and Vietnam.

## InfoBox

MGC Asian Traditional Textiles Museum
| សារមន្ទីរវាយនភណ្ឌប្រពៃណីអាស៊ី | |
| --- | --- |
|  | |
|  | |
| Established | April 7, 2014 (2014-04-07) |
| Location | 60m Avenue, Phum Boeung Daun Pa, Sangkat Slorkram, Siem Reap, Cambodia. |
| Coordinates | 13°22′31″N 103°52′49″E / 13.375373°N 103.880242°E / 13.375373; 103.880242 |


title: Mac Amhalghaidh

abstract: Mac Amhalghaidh is an Irish masculine surname. The name translates into English as "son of Amhalghadh". The surname originated as a patronym, however it no longer refers to the actual name of the bearer's father. The form of the surname for unmarried females is Nic Amhalghaidh. The forms for married females are Bean Mhic Amhalghaidh and Mhic Amhalghaidh. The Irish Mac Amhalghaidh has numerous Anglicised forms. The surname has been borne by at least one notable Irish family. A cognate of Mac Amhalghaidh is the Scottish Gaelic MacAmhalghaidh; the feminine form of which is NicAmhalghaidh. There are several variant forms of the name. A modern variant is Mac Amhalaí. Another is Mac Amhalaidh. Another variant is Mac Amhalghadha. Variant forms of Mac Amhalghaidh and Mac Amhalghadha include Mag Amhalghaidh and Mag Amhalghadha.

text:
# Mac Amhalghaidh

***Mac Amhalghaidh*** is an Irish masculine surname. The name translates into English as "son of *Amhalghadh*". The surname originated as a patronym, however it no longer refers to the actual name of the bearer's father. The form of the surname for unmarried females is ***Nic Amhalghaidh***. The forms for married females are ***Bean Mhic Amhalghaidh*** and ***Mhic Amhalghaidh***. The Irish *Mac Amhalghaidh* has numerous Anglicised forms. The surname has been borne by at least one notable Irish family.

A cognate of *Mac Amhalghaidh* is the Scottish Gaelic ***MacAmhalghaidh***; the feminine form of which is ***NicAmhalghaidh***.

There are several variant forms of the name. A modern variant is ***Mac Amhalaí***. Another is ***Mac Amhalaidh***. Another variant is ***Mac Amhalghadha***. Variant forms of *Mac Amhalghaidh* and *Mac Amhalghadha* include ***Mag Amhalghaidh*** and ***Mag Amhalghadha***.

## Etymology

*Mac Amhalghaidh* translates into English as "son of *Amhalghaidh*", or "son of *Amhalghadh*". The surname originated as a patronym, however it no longer refers to the actual name of the bearer's father. The personal name *Amhalghaidh*, also spelt *Amhalghadh*, is an old Gaelic name, and is of uncertain origin and meaning.

## Feminine forms

*Mac Amhalghaidh* is a masculine surname. The form of this surname for unmarried females is *Nic Amhalghaidh*. This feminine surname is actually a contracted form of *iníon Mhic Amhalghaidh*, which translates into English as "daughter of *Mac Amhalghaidh*". The form of the surname for married females is *Bean Mhic Amhalghaidh*, which translates into English as "wife of *Mac Amhalghaidh*"; this feminine surname can also be represented in the contracted form *Mhic Amhalghaidh*.

## Gaelic cognate

A cognate of the Irish *Mac Amhalghaidh* is the Scottish Gaelic *MacAmhalghaidh*. The feminine form of this Scottish Gaelic surname is *NicAmhalghaidh*. This feminine name is composed of the prefix *Nic-*, which is an abbreviated form of the Scottish Gaelic *nighean mhic* or *nì mhic*, which translates into English as "daughter of the son"; thus *NicAmhalghaidh* translates as "daughter of *MacAmhalghaidh*".

## Variant forms

*Mac Amhalaí*

A modern variant form of *Mac Amhalghaidh* is *Mac Amhalaí*. This surname is rendered for unmarried females as *Nic Amhalaí*. The form for married females is *Bean Mhic Amhalaí*, or simply *Mhic Amhalaí*.

*Mac Amhalaidh*

Another variant is *Mac Amhalaidh*. This surname is rendered for unmarried females as *Nic Amhalaidh*. The form for married females is *Bean Mhic Amhalaidh*, or simply *Mhic Amhalaidh*.

*Mac Amhalghadha*

Another variant of the surname is *Mac Amhalghadha*. This surname is rendered for unmarried females as *Nic Amhalghadha*. The form for married females is *Bean Mhic Amhalghadha*, or simply *Mhic Amhalghadha*.

*Mag Amhalghaidh*, *Mag Amhalghadha*

Variant forms of *Mac Amhalghaidh* and *Mac Amhalghadha* are *Mag Amhalghaidh* and *Mag Amhalghadha*. These surnames are rendered for unmarried females as *Nig Amhalghaidh* and *Nig Amhalghadha*. The form for married females are *Bean Mhig Amhalghaidh* and *Bean Mhig Amhalghadha*; or simply *Mhig Amhalghaidh* and *Mhig Amhalghadha*.

## Anglicised forms

There are numerous Anglicised forms of the surname. Anglicisations in use today include *Cauley*, *Cawley*, *Macally*, *MacAlley*, *MacAulay*, *MacAuley*, *MacAuliffe*, *Maccally*, *MacCauley*, *MacCawley*, and *MacCowley*, *MacGawley*, and *Magawley*. Many of these English-language surnames also have unrelated origins. For example, in many cases the Irish *Mac Amhlaoibh* has been Anglicised into identical forms. Anglicised forms of *Mag Amhalghaidh* and *Mag Amhalghadha* include *Gawley*, *MacGaulay*, *MacGawlay*, *MacGawley*, and *Magawley*. An Anglicised form of the Irish *Mac Amhalaidh* is *MacGauley*.

## Families

The surname has been borne by several Irish families. The most notable of these was a particular family that was historically seated in what is today County Westmeath, Republic of Ireland. The leadership of the family had once been the powerful lords of Calraighe. According to Edward MacLysaght, this family's eponymous ancestor of this family lived in the 13th century. A pedigree of the family is recorded stretching back to Niall of the Nine Hostages, a semi-legendary High King of Ireland.

In Scotland, the unrelated MacAulays of Ardincaple (also known as "Clan MacAulay") derived their surname from *MacAmhalghaidh*, the Scottish Gaelic form of the surname. The early ancestry of the MacAulays is uncertain, although their surname may ultimately be linked to members of the original family of the Earls of Lennox, who bore the name *Amhalghaidh* / *Amhalghadh*. The MacAulays of Ardincaple were historically seated at Ardincaple Castle, within territory dominated by the early Earls of Lennox.

## InfoBox

Mac Amhalghaidh
| *Mac Amhalghaidh* in Gaelic script | |
| --- | --- |
| Gender | Masculine |
| Language(s) | Irish |
| Other gender | |
| Feminine | Nic Amhalghaidh, Bean Mhic Amhalghaidh, Mhic Amhalghaidh |
| Origin | |
| Language(s) | Irish |
| Meaning | "son of *Amhalghaidh*", "son of *Amhalghadh*" |
| Other names | |
| Variant form(s) | Mac Amhalaí, Mac Amhalaidh, Mac Amhalghadha, Mag Amhalghaidh, Mag Amhalghadha |
| Cognate(s) | MacAmhalghaidh |
| See also | Mac Amhlaoibh |


title: Ignatius Abded Aloho II

abstract: Mor Ignatius Abded Aloho II Sattuf also Ignatius Abdullah ll Stephan was the Patriarch of Antioch, and head of the Syriac Orthodox Church from 1906 until his death in 1915.

text:
# Ignatius Abded Aloho II

**Mor** **Ignatius Abded Aloho II Sattuf** also Ignatius Abdullah ll Stephan (June 7, 1833 November 26, 1915) was the Patriarch of Antioch, and head of the Syriac Orthodox Church from 1906 until his death in 1915.

## Biography

Abded was born on June 7, 1833, in the village of Sadad, a predominantly Syriac Orthodox village, south of Homs. He became a monk at an early age, and was later ordained priest. In 1870, he toured the Tur Abdin region and recorded the names of villages, monasteries, churches, clergy and the families living in the area.

He was appointed bishop of Jerusalem in 1872 by Patriarch Ignatius Peter IV, taking the name Gregorios, and in August 1874 accompanied him to Britain to persuade the British government to assist the church in India. They stayed here until April 1875, when they left for India to reorganise the church in India with the help of the British governor. Whilst in India, Abded fraternised with Protestant missionaries. After returning to Syria he spread Protestant ideas.

They left India in May 1877 and remained in Syria before returning to London in 1879, where he secured a printing press for the Monastery of Mor Hananyo. Upon his return, Abded was ordained Bishop of Homs and Hama and left to attend the 1888 Lambeth Conference, and secured a second printing press.

After the death of Ignatius Peter IV in 1894, a rivalry began between Abded and Abded Mshiho to be elected to the patriarchal throne. According to American missionaries operating in Syria at the time, the Ottoman government interfered and intimidated bishops based on the highest bidder. However, in 1895, Abded Mshiho was elected and consecrated patriarch.

The following year, in 1896, Abded joined the Syriac Catholic Church . He was a Syrian Uniate for 9 years. In 1905, Abded renounced the church and took up his position as Syriac Orthodox Metropolitan of Amid again, under the promise of becoming the Patriarch upon its vacancy.

## Patriarch of Antioch

The Patriarch, Ignatius Abdul Masih II, was deposed in 1903 by the Ottoman government, and Metropolitan Abded was elected as new Patriarch of Antioch as Ignatius Abded Aloho II effective 1906. The circumstances of how Patriarch Ignatius Abded Mshiho II was deposed and why is highly controversial within the Syriac Orthodox church. Supporters of Abded Sattuf claim the patriarch Abded Msiho had converted to Catholicism and was excommunicated by the Holy Synod as a result . Some others claimed that the Patriarch had developed serious drinking problems particularly after the 1895 Massacres of Diyarbakir that his indigent Ottoman Sultan took him to visit the seen of his disciples are beheaded and raped,then forcefully fed with booze and opium through a funnel placed in his mouth while retaining him in a pole , then they left him near a Christian village mounting him in a donkey to intimidate his followers , so that his own people will think bad about him and that's why a number of Syriac bishops demanded he be deposed. Whereas supporters of Abded Mshiho claim Abded Sattuf bribed the Ottoman Government to issue a firman deposing Abded 0Mshiho as Patriarch and that he was not excommunicated by the Holy Synod. Supporters of Abded Mshiho claimed that Abded Sattuf claimed the patriarchal throne by paying 500 to secure his election and was enthroned on August 15, 1906, as an exception that he was never been a Maphrian and left for London shortly after.

Whilst in London, Abded Sattuf met with King Edward VII twice and received a medal. He travelled to India in 1908 and began ordaining Indian bishops much to the chagrin of the local church. This led to the demand of a Maphrian or Catholicos to prevent the Malankara Church coming under Abded's control. In 1910, Abded established the Knanaya (Autonomous Archdioceses) and consecrated Geevarghese Mor Severios on August 28, 1910. In 1912, the dispute over authority between supporters of the Metropolitan and supporters of the Patriarch finally divided the Malankara Church, with the former group becoming the essentially independent Malankara Orthodox Syrian Church headed by the Catholicos of the East and the latter maintaining ties with the Patriarch of Antioch as the Malankara Jacobite Syrian Christian Church. Motions by the church leaders and two Supreme Court decisions in the 20th century failed to heal the rift due to uncanonical ordination of Fr C M Thomas Baselios Thomas I who was the priest of Malankara Orthodox Syrian Church after the peace of 1958.

He also travelled to Jerusalem in 1912.

Abded resided at the Monastery of Saint Mark from March 17, 1912, until his death on November 26, 1915, where he was also buried.

## InfoBox

| Ignatius Abded Aloho II Sattuf | |
| --- | --- |
| Syriac Orthodox Patriarch of Antioch and All the East | |
|  | |
| Church | Syriac Orthodox Church |
| See | Antioch |
| Installed | 1906 |
| Term ended | 1915 |
| Predecessor | Ignatius Abded Mshiho II |
| Successor | Ignatius Elias III |
| Personal details | |
| Born | Abded Sattuf
June 7, 1833
Sadad, Syria Vilayet, Ottoman Empire |
| Died | November 26, 1915 (aged 82)
Jerusalem, Mutasarrifate of Jerusalem, Ottoman Empire |
| Residence | Monastery of Saint Mark |


title: Iga formicina

abstract: Iga is a genus of ground beetles in the family Carabidae. This genus has a single species, Iga formicina. It is found in Japan.

text:
# Iga formicina

***Iga*** is a genus of ground beetles in the family Carabidae. This genus has a single species, *Iga formicina*. It is found in Japan.

## InfoBox

| *Iga formicina* | |
| --- | --- |
|
| Scientific classification | |
| Domain: | Eukaryota |
| Kingdom: | Animalia |
| Phylum: | Arthropoda |
| Class: | Insecta |
| Order: | Coleoptera |
| Family: | Carabidae |
| Tribe: | Trechini |
| Subtribe: | Trechina |
| Genus: | *Iga*
Ueno, 1953 |
| Species: | ***I. formicina*** |
| Binomial name | |
| ***Iga formicina***
Ueno, 1953 | |
|


title: Iga Ueno Ninja Festa

abstract: Iga Ueno NINJA Festa is the annual five-week ninja-themed festival in the Japanese city of Iga, from April 1 to May 6. Tens of thousands of ninja fans travel to Iga for ninja-inspired performances, competitions, and opportunities to practice ninja skills, organized to promote the city. During the family-friendly festival, passengers on Iga train lines dressed in ninja costumes are given free rides. Since 2001, the mayor of Iga and the city council also hold an annual session while dressed up as ninja, called the Ninja Congress (忍者議会).

text:
# Iga Ueno Ninja Festa

**Iga Ueno NINJA Festa** (Jap. 伊賀上野 NINJA フェスタ) is the annual five-week ninja-themed festival in the Japanese city of Iga (in the former province of Iga), from April 1 to May 6. Tens of thousands of ninja fans travel to Iga for ninja-inspired performances, competitions, and opportunities to practice ninja skills, organized to promote the city. During the family-friendly festival, passengers on Iga train lines dressed in ninja costumes are given free rides. Since 2001, the mayor of Iga and the city council also hold an annual session while dressed up as ninja, called the Ninja Congress (忍者議会).


title: Iga ware

abstract: Iga ware is a style of Japanese pottery traditionally produced in Iga, Mie, former Iga Province, central Japan.

text:
# Iga ware

**Iga ware** (伊賀焼, *Iga-yaki*) is a style of Japanese pottery traditionally produced in Iga, Mie, former Iga Province, central Japan.

## History

Iga ware's origins are believed to date to the second half of the 7th century and 8th century CE. The area has long produced a clay known for its high resistance to fire. In the early phase it did not differ from nearby Shigaraki ware.

The kilns are thought to have been established during the Keichō era (1596–1615) under the rule of Lords Tsutsui Sadatsugu (1562–1615) and later Tōdō Takatora (1556–1630) and Tōdō Takatsugu (1602–1676) of Iga Province. The most well-known kilns were at Makiyama and Marubashira, in the Ayama district of Iga city.

Historically, in a Japanese tea ceremony room, vases used to be made out of cut bamboo in order to match the ambiance of the room. Precious vases were offered as gifts to feudal *daimyō* lords. Starting in the late 16th century Momoyama period, Iga ware water vases with characteristic "ear" lugs appeared. The ear lugs added prestige to a vessel and thus became the popular norm. Since then the ears have become a mark of not only Iga flower vessels but also *mizusashi* water jars. They were used as Japanese tea utensils under master Sen no Rikkyu and others. Old Iga ware, which is known as *Ko-Iga*, generally reflects *wabi-sabi* aesthetics with a rustic appearance and purposefully deformed shapes, given extra character by the addition of "ear" lugs (*katamimi*) and intentional gouges and dents (*herame*). Many pieces are finished with the classic, glass-like *bidoro* glaze formed by ash. A number of pieces from this period have been registered by the government. The *mizusashi* called "Broken Pouch" (破袋, *yabure-bukuro*) has been registered as an Important Cultural Property.

Kishimoto Kennin (b. 1934) is an artist who makes Oribe and Shino ware; it is, however, his Iga ware that is considered some of his most outstanding work. Tanimoto Kei (谷本景) (b. 1948) and Tanimoto Yoh (谷本洋) (b. 1958) are traditional artists who specialise in Iga ware water jars and vases. Other artists are Fujioka Shuhei (藤岡周平) (b. 1947) who studied in the 1970s under master potter Tanimoto Mitsuo, Takemura Osamu, and Hasu Yoshitaka (蓮善隆) (b. 1949). Furutani Michio (古谷道生) (1946-2000) was an artist who made works not only in Iga but also Shigaraki ware, which has similarities. He was succeeded by his son Furutani Kazuya (古谷様和也) (b. 1976).

Modern Iga ware is known for earthen pots with a distinctive shape used in kitchens and households. One of the known kilns is the Iga Mono kiln, which has been in operation since the Edo period. Also well-known is the Doraku kiln (土楽窯, *Doraku-gama*) in Marubashira, which has been in operation since seven generations and specialises in the production of *donabe* pots. One of the artists who works at Doraku is Fukumori Masatake (福森雅武).

## Characteristics

Iga ware uses local clay which is extremely resistant to heat, reacts well to repeated firing, and is fired over three days in a kiln dug into the ground.

The clay tends to have a high level of hardness and is created on a pottery wheel. The potter delicately uses a spatula to give curvature. This distinctive curve lets the flames lick over the round edge. Furthermore, tiny pebbles in the clay give it additional surface texture.

The lugs on an Iga ware vase are called "ears" (耳付, *mimitsuki*). Vases tend to be made out of rough clay, sometimes with tiny white stones added. In the past these were kneaded by hand, which gave it a distorted form and thus character, but later production by wheel also developed. The ear lugs at the end of the production are what define the quality of a vase. They are shaped and formed to balance the vessel; they express the strength and energy of the piece.

Iga ware does not use applied glaze. Instead it is fired at a very high temperature in a kiln causing it to crystallize in a reddish hue, often with brown-grey scorch marks caused by log ashes called *koge*, and a translucent green ash glaze from the burning wood forms. This occurs when firewood ash melts at 1400 Celsius. Since they are free of impurities, a clear jade translucent feldspathic glass called *biidoro*, after the Portuguese word for glass *vidro*, results. Sometimes the *biidoro* glass coagulates to form a globule called a "dragonfly eye." The clay's durability means it can be fired multiple times without cracking, sometimes up to three times. The ash glaze builds up in layers and produces a translucence. It does not form in modern gas-fired kilns.

Modern artists like Tsuneoka Mitsuoki (恒岡光興) (b. 1939) have developed a glaze that produces the same colours as the natural jade green ash wood glaze when fired in a gas kiln. This is sprayed on the pottery to make a base coat, and then poured with more glaze in layers. The thicker the coat is the darker green the glaze that will result.

Iga pots have a high level of functionality for everyday use. A *donabe* pot has high heat capacity retention due to the quality of the clay and the thick walls.

## Further reading

Media related to Iga ware at Wikimedia Commons


title: Ma Dear's Aprons

abstract: Ma Dear's Aprons is a 1997 book by Patricia McKissack about the relationship between a son, David Earl, and his mother, Ma dear.

text:
# Ma Dear's Aprons

***Ma Dear's Aprons*** is a 1997 book by Patricia McKissack about the relationship between a son, David Earl, and his mother, Ma dear.

## Reception

*Booklist*, reviewing *Ma Dear's Aprons*, wrote "As with most loving memories, there is a softening of the harsh edges, but McKissack's words and Cooper's warm double-spread oil-wash paintings are true to the period. They show the exhausting work as well as the proud and loving bonds of family." The *School Library Journal* stated "The real story is Ma Dear's. Children who have this book read to them will see an African-American woman whose life in the rural south of the early 1900s was difficult but lived with dignity and joy."

*The Horn Book Magazine* found "There is little plot, but there is plenty of emotion and many details to attract a child. .. Text and illustrations together create a portrait of a family working hard to survive but also finding much to be joyful about."

*Ma Dear's Aprons* has also been reviewed by *Kirkus Reviews*, *Publishers Weekly*, and the *Journal of Reading Education*.

## Awards

## InfoBox

Ma Dear's Aprons
|  | |
| --- | --- |
| Author | Patricia McKissack |
| Illustrator | Floyd Cooper |
| Language | English |
| Subject | Children's literature |
| Published | 1997 (Atheneum Books for Young Readers) |
| Publication place | United States |
| Media type | Print (hardback, paperback) |
| Pages | 32 |
| ISBN | 9780689810510 |
| OCLC | 31938515 |


title: If You Should Ever Be Lonely

abstract: "If You Should Ever Be Lonely" is a song by American singer Val Young, it was released in 1985 as the first single from her album Seduction issued by label Motown. The single peaked at number twenty-one on the U.S. Billboard R&B Songs chart. "If You Should Ever Be Lonely" was more successful on the US Dance Songs chart, hitting number-one for three weeks.

text:
# If You Should Ever Be Lonely

"**If You Should Ever Be Lonely**" is a song by American singer Val Young, it was released in 1985 as the first single from her album *Seduction* issued by label Motown. The single peaked at number twenty-one on the U.S. Billboard R&B Songs chart. "If You Should Ever Be Lonely" was more successful on the US Dance Songs chart, hitting number-one for three weeks.

## Covers

Real McCoy covered the song for their 1995 album *Another Night*.

American pop/R&B singer-songwriter and producer Mariah Carey's 1999 US Billboard Hot 100 number one song "Heartbreaker" interpolates Young's composition in its Junior Vasquez club mixes.

## Track listings and formats

* **US and UK 7" Vinyl single**

A. "If You Should Ever Be Lonely" (Remix) – 4:00 B. "If You Should Ever Be Lonely" (Instrumental) – 3:54 * **US and UK 12" Vinyl single**

A1. "If You Should Ever Be Lonely" (Club Mix) – 6:32 A2. "If You Should Ever Be Lonely" (Club Mix Radio Edit) – 4:15 B. "If You Should Ever Be Lonely" (Street Mix) – 7:23 * **US 7" Vinyl promo single**

A. "If You Should Ever Be Lonely" (Radio Edit) – 3:54

## Charts

| Chart (1986) | Peak
position |
| --- | --- |
| US *Billboard* Hot Black Singles | 21 |
| US *Billboard* Hot Dance Club Songs | 1 |
|

1. Whitburn, Joel (2004). *Top R&B/Hip-Hop Singles: 1942-2004*. Record Research. p. 643.
2. Whitburn, Joel (2004). *Hot Dance/Disco: 1974-2003*. Record Research. p. 286.
3. "Mariah Carey - Heartbreaker / If You Should Ever be Lonely (Junior's Heartbreaker Club Dub) の歌詞".
4. "Val Young - If You Should Ever Be Lonely (Vinyl)". discogs.com.
5. "Val Young - If You Should Ever Be Lonely (12", Vinyl)". discogs.com.

## InfoBox

| "If You Should Ever Be Lonely" | |
| --- | --- |
| US sleeve | |
| Single by Val Young | |
| from the album  *Seduction* | |
| Released | February 10, 1986 (1986-02-10) |
| Recorded | 1984 |
| Genre |  |
| Length | 4:15 |
| Label | Motown |
| Songwriter(s) | * Fred Jenkins * Valaria Young |
| Producer(s) | * Fred Jenkins * Levi Ruffin, Jr. |
| Val Young singles chronology | |
| "Seduction"
(1985) "**If You Should Ever Be Lonely**"
(1986) "Piece of my Heart"
(1986) | |


abstract: The Macedonia Baptist Church is a historic former Baptist church building near the community of Burlington at the southern point of the U.S. state of Ohio. Constructed in the middle of the nineteenth century, it held a significant place in the culture of the local black population, and it has been named a historic site. Situated at Ohio's southernmost point, the Burlington vicinity saw large numbers of runaway slaves and free Negroes in the decades before the Civil War. Into such a context, a group of Baptists settled and founded a church at some point between 1811 and 1813; after a period of worshipping in their homes, the congregation constructed a small and primitive church building. Late 1849 was the church's watershed moment: Virginia landowner James Twyman freed many of his slaves at his death and provided for them to be given land near Burlington, and thirty-two of them settled near the church on land that they officially owned, beginning at the end of October. Joining with the existing Baptist congregation, they helped build a replacement church building on Macedonia Ridge, from which the congregation took its name of "Macedonia Missionary Baptist Church". With such a large group of black immigrants, the church began to occupy a prominent place for local blacks, both religious and cultural, and as the years passed, numerous groups of members were sent out to found daughter churches; eight such churches, both in Ohio and in present-day West Virginia, remained active into the late twentieth century. Macedonia Baptist Church is a simple building, constructed without an architectural style. Its plain gable-front plan features three side windows but no openings in the front gable per se; one enters through double doors at the base of a short bell tower, which is itself set into the front gable. Simple weatherboarding covers the walls, which rest on a stone foundation and are topped with a tin roof; the main body of the building has a plain roof with a steep pitch, although the tower's roughly square shape necessitates a pyramidal roof. In 1978, Macedonia Baptist Church was listed on the National Register of Historic Places, qualifying both because of its historically significant architecture and because of its important place in local history. It is one of four Register-listed locations in and around Burlington, along with the old county jail, the local black cemetery, and the William C. Johnston House and General Store, and one of nineteen countywide. The Ohio Historical Society placed a state historical marker at the church in 2003.

text:
# Macedonia Baptist Church (Burlington, Ohio)

The **Macedonia Baptist Church** is a historic former Baptist church building near the community of Burlington at the southern point of the U.S. state of Ohio. Constructed in the middle of the nineteenth century, it held a significant place in the culture of the local black population, and it has been named a historic site.

Situated at Ohio's southernmost point, the Burlington vicinity saw large numbers of runaway slaves and free Negroes in the decades before the Civil War. Into such a context, a group of Baptists settled and founded a church at some point between 1811 and 1813; after a period of worshipping in their homes, the congregation constructed a small and primitive church building. Late 1849 was the church's watershed moment: Virginia landowner James Twyman freed many of his slaves at his death and provided for them to be given land near Burlington, and thirty-two of them settled near the church on land that they officially owned, beginning at the end of October. Joining with the existing Baptist congregation, they helped build a replacement church building on Macedonia Ridge, from which the congregation took its name of "Macedonia Missionary Baptist Church". With such a large group of black immigrants, the church began to occupy a prominent place for local blacks, both religious and cultural, and as the years passed, numerous groups of members were sent out to found daughter churches; eight such churches, both in Ohio and in present-day West Virginia, remained active into the late twentieth century.

Macedonia Baptist Church is a simple building, constructed without an architectural style. Its plain gable-front plan features three side windows but no openings in the front gable per se; one enters through double doors at the base of a short bell tower, which is itself set into the front gable. Simple weatherboarding covers the walls, which rest on a stone foundation and are topped with a tin roof; the main body of the building has a plain roof with a steep pitch, although the tower's roughly square shape necessitates a pyramidal roof.

In 1978, Macedonia Baptist Church was listed on the National Register of Historic Places, qualifying both because of its historically significant architecture and because of its important place in local history. It is one of four Register-listed locations in and around Burlington, along with the old county jail, the local black cemetery, and the William C. Johnston House and General Store, and one of nineteen countywide. The Ohio Historical Society placed a state historical marker at the church in 2003.

## InfoBox

|  | |
| --- | --- |
| Macedonia Church | |
| U.S. National Register of Historic Places | |
|  | |
| Front of the church | |
|  | |
| Nearest city | Burlington, Ohio |
| Coordinates | 38°26′22.5″N 82°31′46″W / 38.439583°N 82.52944°W / 38.439583; -82.52944 |
| Area | 0.8 acres (0.32 ha) |
| Built | 1849 (1849) |
| NRHP reference No. | 78002096 |
| Added to NRHP | February 7, 1978 |


title: Ideal College Senior High School

abstract: Ideal College Senior High School is a coeducational second-cycle private institution in the Greater Accra Region of Ghana.

text:
# Ideal College Senior High School

**Ideal College Senior High School** is a coeducational second-cycle private institution in the Greater Accra Region of Ghana.

## Campuses

There are two campuses, one at Tema and the other at Legon.

## Notable alumni

## InfoBox

| Ideal College Senior High School | |
| --- | --- |
| Location | |
| P. O. Box L40 Legon Accra
Greater Accra Region
Ghana
Ghana | |
| Information | |
| Type | Private high school |
| Status | Active |
| Oversight | Ministry of Education |
| Headteacher | Mr. Emmanuel Addo |
| Gender | Co-educational |
| Age | 14 to 18 |
| Classes offered | Home Economics, Science, General arts, Business |
| Language | English |
| Affiliation | Seventh-day Adventist Church, Ghana |


title: Ideal Clothiers Ground

abstract: Ideal Clothiers Ground was a cricket ground in Wellingborough, Northamptonshire. The ground was constructed by Ideal Clothiers, a clothes making company based in Wellingborough. The first and only first-class match on the ground was in 1929, when Northamptonshire played Oxford University. The ground fell out of use in the 1970s.

text:
# Ideal Clothiers Ground

**Ideal Clothiers Ground** was a cricket ground in Wellingborough, Northamptonshire. The ground was constructed by Ideal Clothiers, a clothes making company based in Wellingborough. The first and only first-class match on the ground was in 1929, when Northamptonshire played Oxford University.

The ground fell out of use in the 1970s.

## InfoBox

Ideal Clothiers Ground
| Ground information | |
| --- | --- |
| Location | Wellingborough, Northamptonshire |
| Establishment | 1929 (first recorded match) |
| Team information | |
| Northamptonshire (1929) | |
| As of 1 September 2010<br>Source: Ground profile | |


title: Macolod Corridor

abstract: The Macolod Corridor is a northeast-trending zone of active volcanism situated at the junction of different tectonic elements in southwestern Luzon, Philippines. It is approximately 40 km wide and perpendicularly bisects the Luzon Volcanic Arc. The corridor is bounded by two major faults, the Philippine Fault to the west and the Sibuyan-Verde Passage Fault to the east. The Macolod Corridor is a relatively young feature, with volcanic activity dating back to the Quaternary. The corridor is home to several active volcanoes, including Taal Volcano, one of the most active volcanoes in the Philippines. The tectonic setting of the Macolod Corridor is complex and not fully understood. Several models have been proposed to explain its formation, but no single model is universally accepted. One model suggests that the corridor is a rift zone formed by crustal extension. Another model suggests that the corridor is a pull-apart zone formed by the interaction of the Philippine Fault and the Sibuyan-Verde Passage Fault. The Macolod Corridor is an important geological feature for several reasons. First, it is a zone of active volcanism, which poses a significant hazard to the surrounding population. Second, the corridor is located at the junction of several tectonic elements, which makes it an ideal place to study the tectonic processes that affect the Philippines. Third, the corridor is home to a variety of unique geological features, such as maars, tuff cones, and lava flows.

text:
# Macolod Corridor

The **Macolod Corridor** is a northeast-trending zone of active volcanism situated at the junction of different tectonic elements in southwestern Luzon, Philippines. It is approximately 40 km wide and perpendicularly bisects the Luzon Volcanic Arc. The corridor is bounded by two major faults, the Philippine Fault to the west and the Sibuyan-Verde Passage Fault to the east.

The Macolod Corridor is a relatively young feature, with volcanic activity dating back to the Quaternary (less than 2.58 million years ago). The corridor is home to several active volcanoes, including Taal Volcano, one of the most active volcanoes in the Philippines.

The tectonic setting of the Macolod Corridor is complex and not fully understood. Several models have been proposed to explain its formation, but no single model is universally accepted. One model suggests that the corridor is a rift zone formed by crustal extension. Another model suggests that the corridor is a pull-apart zone formed by the interaction of the Philippine Fault and the Sibuyan-Verde Passage Fault.

The Macolod Corridor is an important geological feature for several reasons. First, it is a zone of active volcanism, which poses a significant hazard to the surrounding population. Second, the corridor is located at the junction of several tectonic elements, which makes it an ideal place to study the tectonic processes that affect the Philippines. Third, the corridor is home to a variety of unique geological features, such as maars, tuff cones, and lava flows.


title: Igor Jovićević

abstract: Igor Jovićević is a Croatian football manager and former professional footballer.

text:
# Igor Jovićević

**Igor Jovićević** (Croatian pronunciation: \[îgor jovǐːtɕevitɕ\]; born 30 November 1973) is a Croatian football manager and former professional footballer.

## Playing career

After being labeled as the new Zvonimir Boban while playing in the youth team of the most successful Croatian club, Dinamo Zagreb, with only 17 years he signed, in summer of 1991, a contract with Real Madrid. His transfer cost was one million dollars, however, the contract was based on the fact that the Merengues, in case of lining him in the first team, would have to pay a total of five million, being that the probable cause of having him playing in the B squad. There, he was trained by Rafael Benítez, among others, and had an opportunity of playing along some youngsters, like Raúl and Guti.

On 11 June 1995, he gets injured while playing against Ukraine with the Croatia national under-21 team. After having a one-year pause due to injury, he returned to Croatia to play with another club from the Croatian capital, NK Zagreb. After that, he played with J. League Division 1 club Yokohama F. Marinos, Brazilian club Guarani Futebol Clube and a short spell in France with FC Metz before moving to China to play with Shenyang Dongjin, a discrete passage in Ukraine with Karpaty Lviv before finishing his career in China, again, with a new knee ligaments injury, aged 32. After retiring, he returned to Spain, this time to Marbella, where he owns a bar.

## Managerial career

### Karpaty Lviv

In 2010, Jovićević was named the transfer director of Karpaty Lviv. In the 2012–13 season, he managed the U21 squad, and in the 2013–14 season, he led the U19 squad. Following the dismissal of Oleksandr Sevidov in the summer of 2014, he was appointed, initially as caretaker manager, of the senior squad of the club, while in 2015, he was named the head coach.

### Celje

On 10 October 2016, Jovićević took over Slovenian PrvaLiga club Celje. On 19 June 2017, he terminated the contract.

### Dinamo Zagreb

On 20 July 2017, Jovićević took over Dinamo Zagreb II as the head coach, while on 1 July 2018, he was named the head coach of Dinamo Zagreb U19. Managing the U19 squad, he won two Croatian league championships, the FIFA Youth Cup, and led the team in the final of the Premier League International Cup, which they lost to Bayern Munich. He also led the team to the quarter-finals in the UEFA Youth League twice.

On 22 April 2020, following the dismissal of Nenad Bjelica, Jovićević was announced as the new head coach of Dinamo Zagreb. He debuted as Dinamo manager in the 3–1 away win against Varaždin. On 6 July 2020, following the 0–2 away defeat against Rijeka, Jovićević and Dinamo came to a mutual agreement on the early termination of his contract.

### Dnipro-1

On 22 September 2020, following the dismissal of Dmytro Mykhailenko, Jovićević was announced as the new head coach of Dnipro-1. He debuted as manager in the 4-1 defeat away against FC Oleksandriya.

### Shakhtar Donetsk

On 14 July 2022, Jovićević was announced as the new head coach of Shakhtar Donetsk.

### Al-Raed

On 9 July 2023, Jovićević was appointed as the manager of Saudi Pro League club Al-Raed.

## Personal life

His father, Čedomir "Čedo" Jovićević (1952–2020) born in Žabljak, Montenegro, was the famous defender of Dinamo Zagreb, playing ten years with the most successful Croatian club. His mother, Sanja, is from Zagreb.

Igor is married and has two sons: Filip and Marcos, both players of the Dinamo Zagreb Academy.

## Career statistics

| Club performance | | | League | | Cup | | League Cup | | Total | |
| --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- |
| Season | Club | League | Apps | Goals | Apps | Goals | Apps | Goals | Apps | Goals |
| Japan | | | League | | Emperor's Cup | | J.League Cup | | Total | |
| 1999 | Yokohama F. Marinos | J1 League | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 |
| Total | | | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 |

## Managerial statistics

*As of 27 May 2024*

Managerial record by team and tenure
| Team | From | To | Record | | | | |
| --- | --- | --- | --- | --- | --- | --- | --- |
| | | | G | W | D | L | Win % |
| Karpaty Lviv | 18 June 2014 | 31 December 2015 | 46 | 12 | 12 | 22 | 026.09 |
| NK Celje | 10 October 2016 | 19 June 2017 | 19 | 7 | 8 | 4 | 036.84 |
| Dinamo Zagreb II | 20 July 2017 | 22 April 2020 | 78 | 35 | 19 | 24 | 044.87 |
| Dinamo Zagreb U19 | 1 July 2018 | 22 April 2020 | 15 | 10 | 3 | 2 | 066.67 |
| Dinamo Zagreb | 22 April 2020 | 6 July 2020 | 7 | 3 | 2 | 2 | 042.86 |
| Dnipro-1 | 22 September 2020 | 14 July 2022 | 46 | 25 | 6 | 15 | 054.35 |
| Shakhtar Donetsk | 14 July 2022 | 30 June 2023 | 40 | 24 | 10 | 6 | 060.00 |
| Al Raed | 1 July 2023 | 1 June 2024 | 35 | 9 | 10 | 16 | 025.71 |
| Total | | | 265 | 118 | 63 | 84 | 044.53 |

## Honours

### Manager

**Shakhtar Donetsk**

**Dinamo Zagreb U19**

**Individual**

## Further reading

* *Tempo* (Serbia magazine) (16 October 1991). "Tempo magazine #1338, pgs. 2-3" (in Serbo-Croatian).

## InfoBox

Igor Jovićević
| Jovićević in 2015 | | | |
| --- | --- | --- | --- |
| Personal information | | | |
| Full name | Igor Jovićević | | |
| Date of birth | (1973-11-30) 30 November 1973 | | |
| Place of birth | Zagreb, SR Croatia, Yugoslavia | | |
| Height | 1.78 m (5 ft 10 in) | | |
| Position(s) | Forward | | |
| Team information | | | |
| Current team | Ludogorets Razgrad (manager) | | |
| Youth career | | | |
| 1988–1991 | Dinamo Zagreb | | |
| Senior career\* | | | |
| Years | **Team** | **Apps** | **(Gls)** |
| 1991–1995 | Real Madrid Castilla | 79 | (15) |
| 1996–1999 | NK Zagreb | 10 | (0) |
| 1999 | Yokohama F. Marinos | 1 | (0) |
| 2000 | Guarani | 4 | (0) |
| 2000–2001 | NK Zagreb | 0 | (0) |
| 2001–2002 | Metz | 0 | (0) |
| 2002 | Shenyang Dongjin | 24 | (2) |
| 2003 | Karpaty Lviv | 26 | (2) |
| 2003 | Karpaty-2 Lviv | 1 | (0) |
| 2004 | Zhuhai |  |  |
| Total |  | **145** | **(19)** |
| International career | | | |
| 1994–1995 | Croatia U21 | 8 | (0) |
| Managerial career | | | |
| 2014–2015 | Karpaty Lviv (caretaker) | | |
| 2015–2016 | Karpaty Lviv | | |
| 2016–2017 | Celje | | |
| 2017–2020 | Dinamo Zagreb II | | |
| 2018–2020 | Dinamo Zagreb U19 | | |
| 2020 | Dinamo Zagreb | | |
| 2020–2022 | Dnipro-1 | | |
| 2022–2023 | Shakhtar Donetsk | | |
| 2023–2024 | Al-Raed | | |
| 2024– | Ludogorets Razgrad | | |
| \*Club domestic league appearances and goals | | | |


abstract: A Word of Science is the debut studio album by British electronic producers Nightmares on Wax. Released by Warp Records in September 1991, it is the act's only album as a group before it became a solo vehicle for George Evelyn. Evelyn nonetheless recorded and produced the album alone, incorporating samples and elements from demo tapes he made in the late 1980s. Although Nightmares on Wax debuted with two well-received techno singles in 1989-1990, A Word of Science is eclectic and largely moves the act towards a more mellow style influenced by funk, soul and hip hop, while still incorporating techno, drum and bass, and house styles. Upon release, A Word of Science failed to chart, but received acclaim for its fusion of disparate styles, despite alienating several listeners expecting more of the group's straightforward techno style. The album has gone on to be considered an important blueprint for the trip hop and downtempo genres that emerged in the 1990s, as well as an important milestone in electronic music intended for home listening.

text:
# A Word of Science: The First and Final Chapter

***A Word of Science*** (subtitled ***The First and Final Chapter***) is the debut studio album by British electronic producers Nightmares on Wax. Released by Warp Records in September 1991, it is the act's only album as a group before it became a solo vehicle for George Evelyn. Evelyn nonetheless recorded and produced the album alone, incorporating samples and elements from demo tapes he made in the late 1980s. Although Nightmares on Wax debuted with two well-received techno singles in 1989-1990, *A Word of Science* is eclectic and largely moves the act towards a more mellow style influenced by funk, soul and hip hop, while still incorporating techno, drum and bass, and house styles.

Upon release, *A Word of Science* failed to chart, but received acclaim for its fusion of disparate styles, despite alienating several listeners expecting more of the group's straightforward techno style. The album has gone on to be considered an important blueprint for the trip hop and downtempo genres that emerged in the 1990s, as well as an important milestone in electronic music intended for home listening.

## Background and production

Nightmares on Wax formed in the late 1980s as a DJ-based rave act inspired by hip hop. They were originally an extension of group leader George Evelyn's b-boy crew the Soul City Rockers, and featured Kevin "Boywonder" Harper. The act's first singles, "Dextrous" and "Aftermath", were highly regarded. Both released on Warp Records, the former reached number 91 on the UK Singles Chart in December 1989, whereas the latter reached number 38 in November 1990. "Aftermath" was hailed as one of the finest examples of the propulsive style of techno recorded for Warp by Yorkshire-based acts, alongside material by LFO, Sweet Exorcist and Rob Gordon. The style became known as "Yorkshire bleep," and the single is today regarded as "an iconic British chart hit."

*A Word of Science* was Nightmares on Wax's first album. Harper and third member Jon Halnon were not present for the production of the record, but nonetheless exerted what *Electronic Beats* described as "a significant influence on its composition." Evelyn has commented that he began work on the album in 1984 at age 14, a period when he began creating mixtapes with a friend. He told the *Detroit Metro Times* in 2014: "We'd make these mega-mixes, and use some film dialogue. We did one particular mega-mix, and somebody said that it sounds like a nightmare. That's where the name \[Nightmares on Wax\] came from." From 1987, Evelyn began working with a Leeds crew recording demo tapes using a 4-track recorder and sampler in his mother's living room. Elements from these demo tapes went on to appear on *A Word of Science*, and a compilation of tracks from the demos were later released on the compilation *The NOW Experience* (2016). Unlike later Nightmares on Wax albums, none of the samples on *A Word of Science* were officially cleared.

## Composition

*A Word of Science* largely abandons the "bleeps and clonks" of the group's previous material in favour of mellow grooves influenced by 1970s funk, resulting in a combination of soul, funk and hip hop. Nonetheless, the group's dark, bleep techno origins surface on the bass-heavy "A Case of Funk" and the reused singles "Aftermath" and "Dextrous." Writer John Bush writes that the other tracks "expand the sound of bleep into several intriguing directions." According to Andrew Harrison of *Select*, the album maintains the minimalist aspect of the group's "Brit-techno" but enriches it with the funk elements and "a perverse sense of what's now possible." According to AllMusic's Sean Cooper, the record bridges electro, New York house, acid house, Detroit techno, London rave and soul with "the burgeoning eclecticism of the years to come." The record regularly changes between musical styles and tempos, and also features a heavy emphasis on bass. Although regarded as a techno album, the sound of *A Word of Science* has been described as a precursor to trip hop music. In *Drum 'n' Bass: The Rough Guide*, writer Peter Shapiro writes of the innovative style:

> Eveleyn and Harper would continue to influence the future course of British dance music with their debut album, *A Word of Science - The First and Final Chapter* (1991). Tracks like 'Nights Interlude', 'Playtime' and the Steve Miller-sampling 'Back Into Time' were little more than audio scribbles, but their intensely doped-out atmospheres and breakbeat foundations mark them out as the foundations of Down Tempo beat collage.

"Nights Interlude" and "Biofeedback" are examples of the funk-styled downtempo style of the album, with the former track experimenting with a chill-out style, and sampling the music of Quincy Jones. Harrison described it as "smoky microfunk." "Biofeedback" and "A Case of Funk" largely consist of rhythm lines over drum tracks. The latter song was described by Shapiro as an example of Detroit techno inheriting the spirit of disco music. "Coming Down" features paranoid breakbeats and a minimalist structure. "Mega Donutz" has been described as delivering a "British spin" to the playful American hip hop style of De La Soul. "Playtime" was compared to Soul II Soul by AllMusic writer John Bush. "Back Into Time (Tick Tom)" applies dub dynamics to techno music, and samples Steve Miller. "B.W.T.M." merges the styles of human beatboxing with the techno drums of a Roland TR-808. "How Ya' Doin'" has been described as an "old-school shout-out track," and is cited by Shapiro as one of the earliest instances of jazz influencing electronic music.

## Release and reception

Professional ratings
| Review scores | |
| --- | --- |
| Source | Rating |
| AllMusic |  |
| *Encyclopedia of Popular Music* |  |
| *Select* |  |

*A Word of Science* was released by Warp Records on 16 September 1991, with packaging designed by The Designer's Republic. Despite not entering the UK Albums Chart, the album was nonetheless deemed successful, and received critical acclaim for its fusion of funk, soul and hip hop. It nonetheless puzzled listeners expecting more straightforward dance music like the project's prior singles. In a contemporary review, Andrew Harrison of *Select* warned fans of the group's "post-Northern techno house" that the album was "about as far as you can get from the muddying techno without selling your sampler." Although he found the album to be "patchy," deriding the rap songs "Mega Donutz" and "How You Doin'", he praised how the record saw Nightmares on Wax join labelmates LFO in moving techno in "another whiplash-inducing tangent."

In a retrospective review, John Bush of AllMusic wrote that *A Word of Science* "rivalled any other techno debuts of the time, excepting only its immediate predecessor in the Warp catalog -- LFO's *Frequencies* (1991)". He felt the album was "\[u\]njustly relegated to the history bins (and even more of a relic because of its radical differences from the later NoW catalog)," concluding that it remains "much more than just the other great early Warp LP." *The Line of Best Fit* noted the album's "sharp techno apexes and sudden hip-hop divots." Paul Cooper of *Pitchfork* reflected that the album "reveled in a warped aesthetic" and highlighted "Aftermath" as its best track, "a track so twisted and evilly looped that Second Summer of Love casualties are known to wander throughout Greater London muttering the thought-crimping vocal refrain."

## Legacy

> "NoW's debut album, *A Word of Science*, was -- along with early tracks by LFO, Tuff Little Unit, and Tricky Disco -- a crucial bridge between the competing influences of New York house and electro, Detroit techno and soul, London rave and acid, and the burgeoning eclecticism of the years to come."

—Sean Cooper, AllMusic

*A Word of Science* earned Nightmares on Wax a reputation among techno's forward-looking innovators, and is widely regarded as creating a blueprint for 1990s trip hop music in its combination of stark rhythms with funk and hip hop rhythms. The experimental-styled downtempo hip hop and electro funk of Mike Paradinas, Spacer, Luke Vibert and others have been described by Cooper as descendants of *A Word of Science*. *Vibe* contributor Aidin Vaziri regards the album as a landmark release that "changed the face of downtempo electronica," while *The Fader* describes the record as a "tripped-out" precursor to the "downtempo eclecticism" characteristic of record labels Mo'Wax and Ninja Tune. Colin Helms of *CMJ New Music Monthly* considers the album innovative for its "hip-hop-by-way-of-techno" style. Writer Colin Larkin also cites both *A Word of Science* and LFO's *Frequencies* as the first albums to view dance music as an unexplored format for home listening, a style he felt was soon crystallised by the compilation *Artificial Intelligence* (1992).

Following the release, Kevin Harper left the Nightmares on Wax project to prioritise his disc jockey work. Jon Halnon also did not appear on future albums by Nightmares on Wax, rendering *A Word of Science* the only record by the project when it was a trio, despite neither Harper or Halnon appearing on it or touring with Nightmares on Wax in promotion of the album. The group disbanded and Evelyn began making house music for Warp subsidiary Nucleus before creating bedroom productions with Nightmares on Wax contributor Robin Taylor-Firth. Evelyn revived Nightmares on Wax as a solo act in 1995. The subsequent album *Smokers Delight* (1995) built upon the chill-out style of "Nights Interlude" from *A Word of Science*."

## Track listing

All tracks written by George Evelyn and Kevin Harper.

| No. | Title | Length |
| --- | --- | --- |
| 1. | "Nights Interlude" | 3:25 |
| 2. | "A Case of Funk" | 5:19 |
| 3. | "Coming Down" | 5:15 |
| 4. | "Stop (Crack)" | 0:44 |
| 5. | "Biofeedback" | 5:22 |
| 6. | "Mega Donutz" | 5:12 |
| 7. | "Playtime" | 4:26 |
| 8. | "Aftermath" | 3:22 |
| 9. | "Fun" | 4:13 |
| 10. | "Back into Time" | 4:40 |
| 11. | "Dextrous" | 4:04 |
| 12. | "B.W.T.M." | 2:20 |
| 13. | "Sal" | 6:04 |
| 14. | "E.A.S.E." | 3:00 |
| 15. | "How Ya Doin'" | 3:14 |

## Personnel

## InfoBox

| A Word of Science: The First and Final Chapter | |
| --- | --- |
|  | |
| Studio album by Nightmares on Wax | |
| Released | 16 September 1991 |
| Genre |  |
| Length | 60:33 |
| Label | Warp Records |
| Producer | Nightmares on Wax |
| Nightmares on Wax chronology | |
| ***A Word of Science: The First and Final Chapter***
(1991) *Smokers Delight*
(1995) | |


title: A Word Is Also a Picture of a Word

abstract: A Word Is Also a Picture of a Word is 31Knots' third album. It was released on April 22, 2002. The title of the album is derived from a phrase written by Don DeLillo in his book Libra.

text:
# A Word Is Also a Picture of a Word

***A Word Is Also a Picture of a Word*** is 31Knots' third album. It was released on April 22, 2002. The title of the album is derived from a phrase written by Don DeLillo in his book Libra.

Professional ratings
| Review scores | |
| --- | --- |
| Source | Rating |
| Allmusic | link |

## Track listing

1. Preface – 0:41
2. Tower of the Middle of the Month – 3:29
3. E for Alpha – 4:56
4. Buy High Sell Low – 2:39
5. Breathe to Please Them – 5:14
6. Flight of the Moron – 1:16
7. Frozen Found Fire – 5:11
8. Myopic Fights – 4:04
9. Pity Has No Power – 3:51
10. Era of Artillery – 6:30
11. Surface Learning – 3:18

## Credits

* 31Knots – Main performer, Mixing
* Adam Selzer – Mixing
* Amy Annelle – Vocals
* Jason Powers – Mixing
* Kevin Nettleingham – Mastering
* Pat Kenneally – Engineer, Mixing
* Shane Deleon – Trumpet

1. A Word Is Also a Picture of a Word. Allmusic.com. Accessed April 15, 2012.

## InfoBox

| A Word Is Also a Picture of a Word | |
| --- | --- |
|  | |
| Studio album by 31Knots | |
| Released | April 2, 2002 |
| Recorded | September, 2000 – September, 2001 |
| Genre | Math rock |
| Label | 54º40' or Fight! |
| 31Knots chronology | |
| ***A Word Is Also a Picture of a Word***
(2002) *It Was High Time To Escape*
(2003) | |


title: Abacetus ennedianus

abstract: Abacetus ennedianus is a species of ground beetle in the subfamily Pterostichinae. It was described by Mateu in 1966.

text:
# Abacetus ennedianus

***Abacetus ennedianus*** is a species of ground beetle in the subfamily Pterostichinae. It was described by Mateu in 1966.

## InfoBox

| *Abacetus ennedianus* | |
| --- | --- |
|
| Scientific classification | |
| Domain: | Eukaryota |
| Kingdom: | Animalia |
| Phylum: | Arthropoda |
| Class: | Insecta |
| Order: | Coleoptera |
| Family: | Carabidae |
| Genus: | *Abacetus* |
| Species: | ***A. ennedianus*** |
| Binomial name | |
| ***Abacetus ennedianus***<br>Mateu, 1966 | |
|


title: Delphinium gracilentum

abstract: Delphinium gracilentum is a species of larkspur known by the common name pine forest larkspur. It is endemic to California, where it grows throughout the Sierra Nevada. This wildflower is usually around half a meter in maximum height, with leaves growing from the lowest third of the stem. The leaves usually have five lobes. The upper part of the stem is occupied by widely spaced flowers, which each grow at the end of a pedicel a few centimeters long. The flower color may be any shade of blue, or occasionally white or pinkish. The sepals often curl backwards. The spur is usually between 1 and 1.5 centimeters long.

text:
# Delphinium gracilentum

***Delphinium gracilentum*** is a species of larkspur known by the common name **pine forest larkspur**. It is endemic to California, where it grows throughout the Sierra Nevada. This wildflower is usually around half a meter in maximum height, with leaves growing from the lowest third of the stem. The leaves usually have five lobes. The upper part of the stem is occupied by widely spaced flowers, which each grow at the end of a pedicel a few centimeters long. The flower color may be any shade of blue, or occasionally white or pinkish. The sepals often curl backwards. The spur is usually between 1 and 1.5 centimeters (0.39 and 0.59 in) long.

## InfoBox

| *Delphinium gracilentum* | |
| --- | --- |
|
| Scientific classification | |
| Kingdom: | Plantae |
| *Clade*: | Tracheophytes |
| *Clade*: | Angiosperms |
| *Clade*: | Eudicots |
| Order: | Ranunculales |
| Family: | Ranunculaceae |
| Genus: | *Delphinium* |
| Species: | ***D. gracilentum*** |
| Binomial name | |
| ***Delphinium gracilentum***
S.Wats. | |
|
| Synonyms | |
| *Delphinium greenei*
*Delphinium pratense* | |