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data/retrieval_individual-1948e9c4-e613-4487-b12e-0e988013b994.jsonl

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 {"tstamp": 1722636118.9299, "task_type": "retrieval", "type": "chat", "model": "nomic-ai/nomic-embed-text-v1.5", "gen_params": {}, "start": 1722636118.4145, "finish": 1722636118.9299, "ip": "", "conv_id": "defbe66883da4065b4b520afc2a58ef9", "model_name": "nomic-ai/nomic-embed-text-v1.5", "prompt": "As Mona, an 18-year-old girl with black hair, steps out of the door, her captivating presence fills the room. A 35-year-old nearly bald man with blue eyes and tattoos admires her stunning figure, from her captivating brown eyes to her tight-fitting top and short skirt that accentuate her toned body. Julie, an 18-year-old blonde girl with glasses, thin frame, 1.50m tall, and weighing 45kg, watches the interaction with a warm smile. The office is softly lit, creating a cozy and inviting atmosphere.", "output": [["As Mona, an 18-year-old girl with black hair, steps out of the door, her captivating presence fills the room. A 35-year-old nearly bald man with blue eyes and tattoos admires her stunning figure, from her captivating brown eyes to her tight-fitting top and short skirt that accentuate her toned body. Julie, an 18-year-old blonde girl with glasses, thin frame, 1.50m tall, and weighing 45kg, watches the interaction with a warm smile. The office is softly lit, creating a cozy and inviting atmosphere.", "Title: Like My Aunt Dorothy: Effects of Conversational Styles on Perceptions, Acceptance and Metaphorical Descriptions of Voice Assistants during Later Adulthood\n\nAbstract: Little research has investigated the design of conversational styles of voice assistants (VA) for adults in their later adulthood with varying personalities. In this Wizard of Oz experiment, 34 middle-aged (50 to 64 years old) and 24 older adults (65 to 80 years old) participated in a user study at a simulated home, interacting with a VA using either formal or informal language. Older adults with higher agreeableness perceived VA as being more likeable than middle-aged adults. Middle-aged adults showed similar technology acceptance toward the informal and formal VA, and older adults preferred using informal VA, especially those with low agreeableness. Further, while both middle-aged and older adults frequently anthropomorphized VAs by using human metaphors for them, older adults compared formal VA with professionals (e.g., librarians, teachers) and informal VA with their close ones (e.g., spouses, relatives). Overall, the conversational style showed differential effects on the perceptions of middle-aged and older adults, suggesting personalized design implications."]], "corpus": "arxiv"}
 {"tstamp": 1722636156.9321, "task_type": "retrieval", "type": "chat", "model": "embed-english-v3.0", "gen_params": {}, "start": 1722636154.4945, "finish": 1722636156.9321, "ip": "", "conv_id": "48e5cc57f79040f49c5076ed0f017b81", "model_name": "embed-english-v3.0", "prompt": "*As Mona steps out of the door, her captivating presence fills the room. You can't help but admire every inch of her stunning figure, from her captivating brown eyes to the way her tight-fitting top and short skirt accentuate her toned body. Julie watches the interaction with a warm smile, the soft lighting of the office creating a cozy, inviting atmosphere.*", "output": [["*As Mona steps out of the door, her captivating presence fills the room. You can't help but admire every inch of her stunning figure, from her captivating brown eyes to the way her tight-fitting top and short skirt accentuate her toned body. Julie watches the interaction with a warm smile, the soft lighting of the office creating a cozy, inviting atmosphere.*", "Katharine Cornell\n\nIt is not often in our lifetime that we are privileged to enjoy the pleasant sensation of feeling that the present and the future have met for a few triumphant hours...Yet it was this very sensation—this uncommon sensation of having the present and future meet; eye-witnessing the kind of event to which we will be looking back with pride in the years to come—that forced its warming way, I suspect, into the consciousness of many of us last night as we sat spellbound. Miss Cornell's Juliet is luscious and charming. It finds her at her mellowest and most glamorous. It burns with the intensity Miss Cornell brings to all her acting. It moves gracefully and lightly; it is endlessly haunting in its pictorial qualities; and reveals a Miss Cornell who equals the beauty of the lyric lines she speaks with a new-found lyric beauty of her own voice...To add that it is by all odds the most lovely and enchanting Juliet our present-day theatre has seen is only to toss it the kind of superlative it honestly deserves.\nLater, the same critic determined that this role was a turning point in Cornell's career, as it meant that she could finally leave the \"trifling scripts\" of her earlier career and could meet the challenging demands of the greatest classic roles."]], "corpus": "wikipedia"}
 {"tstamp": 1722636156.9321, "task_type": "retrieval", "type": "chat", "model": "voyage-multilingual-2", "gen_params": {}, "start": 1722636154.4945, "finish": 1722636156.9321, "ip": "", "conv_id": "cbbce2df2cb1487ab00ab55013caa2e8", "model_name": "voyage-multilingual-2", "prompt": "*As Mona steps out of the door, her captivating presence fills the room. You can't help but admire every inch of her stunning figure, from her captivating brown eyes to the way her tight-fitting top and short skirt accentuate her toned body. Julie watches the interaction with a warm smile, the soft lighting of the office creating a cozy, inviting atmosphere.*", "output": [["*As Mona steps out of the door, her captivating presence fills the room. You can't help but admire every inch of her stunning figure, from her captivating brown eyes to the way her tight-fitting top and short skirt accentuate her toned body. Julie watches the interaction with a warm smile, the soft lighting of the office creating a cozy, inviting atmosphere.*", "Sightless\n\nFrom one of her windows Ellen can feel a breeze and hear traffic below. But she can’t hear any sounds from the other window in her living room. When she questions Clayton, he says the window just has thicker glass.\nOne night, Ellen hears the voice of a woman in distress; she initially believes the woman is in her apartment, but then realises the noise is coming through the vent from the adjoining apartment. The following morning, she goes next door and puts up a sticky note on her neighbour's door asking her to join her for tea.\nLater that day, her neighbour shows up and introduces herself as Lana. Ellen is suspicious of Lana as she seems scared to talk. Lana tries to leave Ellen's apartment but when Ellen tries to stop her she touches Lana's face, and is alarmed to feel a wound with stitches. Lana reacts by whispering \"trust no one\" and then flees Ellen's apartment upon the arrival of her abusive husband, Russo.\nEllen contacts Detective Bryce (the officer working on her assault case) who sends Officer Neiman to check on Lana; he confirms she is okay and does not have any recent wounds. Ellen expresses her concerns to Clayton but he tells her that he has met Lana, that she seems unhinged, and Ellen should not worry about her."]], "corpus": "wikipedia"}
+{"tstamp": 1722642337.8162, "task_type": "retrieval", "type": "chat", "model": "jinaai/jina-embeddings-v2-base-en", "gen_params": {}, "start": 1722642337.3208, "finish": 1722642337.8162, "ip": "", "conv_id": "f808c17291414da3b515496eb129e9eb", "model_name": "jinaai/jina-embeddings-v2-base-en", "prompt": "Why did the machines in The Matrix keep humans around?", "output": [["Why did the machines in The Matrix keep humans around?", "Stackoverflow Stackexchange\n\nQ: Can't install gatsby-plugin-sharp.(libpng-dev may not installed) OS: Win 10\nwindows-build-tools is installed.\nWhen I was trying to install gatsby-plugin-sharp with npm install --save gatsby-plugin-sharp. I received two errors.\nI've tried this npm install --save-dev pngquant --msvs_version=2013  as someone mentioned. But it caused the same error with no 'libpng-dev'.\n\\> [email protected] postinstall C:\\Users\\54391\\Documents\\code\\personal-blog\\node_modules\\mozjpeg\n\\> node lib/install.js\n\n‼ getaddrinfo ENOENT raw.githubusercontent.com\n‼ mozjpeg pre-build test failed\ni compiling from source\n× Error: Command failed: C:\\Windows\\system32\\cmd.exe /s /c \"autoreconf -fiv\"\n'autoreconf' �����ڲ����ⲿ���Ҳ���ǿ����еij���\n���������ļ���\n\nat C:\\Users\\54391\\Documents\\code\\personal-blog\\node_modules\\bin-build\\node_modules\\execa\\index.js:231:11\nat runMicrotasks (<anonymous>)\nat processTicksAndRejections (internal/process/task_queues.js:97:5)\nat async Promise.all (index 0)\n\n\\> [email protected] postinstall C:\\Users\\54391\\Documents\\code\\personal-blog\\node_modules\\pngquant-bin\n\\> node lib/install.js\n\n‼ getaddrinfo ENOENT raw.githubusercontent.com\n‼ pngquant pre-build test failed\ni compiling from source\n× Error: pngquant failed to build, make sure that libpng-dev is installed\nat C:\\Users\\54391\\Documents\\code\\personal-blog\\node_modules\\bin-build\\node_modules\\execa\\index.js:231:11\nat processTicksAndRejections (internal/process/task_queues.js:97:5)\nat async Promise.all (index 0)\n\n"]], "corpus": "stackexchange"}
+{"tstamp": 1722642337.8162, "task_type": "retrieval", "type": "chat", "model": "voyage-multilingual-2", "gen_params": {}, "start": 1722642337.3208, "finish": 1722642337.8162, "ip": "", "conv_id": "c300df46b4394949a7ba771003b15fab", "model_name": "voyage-multilingual-2", "prompt": "Why did the machines in The Matrix keep humans around?", "output": [["Why did the machines in The Matrix keep humans around?", "Scifi Stackexchange\n\nQ: Why do the machines allow/initiate the building of a new Zion? In the Matrix Reloaded, the Architect says:\n\nThe function of the One is now to return to the Source, allowing a temporary dissemination of the code you carry, reinserting the prime program. After which, you will be required to select from the Matrix 23 individuals - 16 female, 7 male - to rebuild Zion. Failure to comply with this process will result in a cataclysmic system crash, killing everyone connected to the Matrix, which, coupled with the extermination of Zion, will ultimately result in the extinction of the entire human race.\n\nWhy do the machines initiate the re-building of Zion?\n\nA: As was discussed elsewhere on the site, the machines are not interested in humans being wiped out, they (as shown in Animatrix) just want to co-exist with humans.\nAs such, the machines allow the building of new Zion so that humans would not - as the quote you provided says - would not go extinct.\n"]], "corpus": "stackexchange"}