There is no possibility of removing the conﬂict of the above principles, which underlie every judgement of taste (and which are only the two peculiarities of the judgement of taste previously set out in the Dialectic of Aesthetic Judgement Analytic) except by showing that the concept to which the object is referred in a judgement of this kind is not taken in the same sense in both maxims of the aesthetic judgement; that this double sense, or point of view, in our judging, is necessary for our power of transcendental judgement; and that nevertheless the false appearance arising from the confusion of one with the other is a natural illusion, and so unavoidable.