In our day, and once again Nietzsche indicated the turningpoint from a long way off, it is not so much the absence or the death of God that is affirmed as the end of man (that narrow, imperceptible displacement, that recession in the form of identity, which are the reason why man's finitude has become his end); it becomes apparent, then, that the death of God and the last man are engaged in a contest with more than one round: is it not the last man who announces that he has killed God, thus situating his language, his thought, his laughter in the space of that already dead God, yet positing himself also as he who has killed God and whose existence includes the freedom and the decision of that murder?