As telling against this explanation, the instance may be adduced, that there are things in which we see a form suggesting adaptation to an end, without any end being cognized in them as, for example, the stone implements frequently obtained from fourth moment of the judgement of taste: moment of the modality of the delight in the object Character of the modality in a judgement of taste I may assert in the case of every representation that the connection of a pleasure with the representation (as a cognition) is at least possible.