When the form of an object (as opposed to the matter of its representation, as sensation) is, in the mere act of reﬂecting upon it, without regard to any concept to be obtained from it, judged as the ground of a pleasure in the representation of such an object, then this pleasure is also judged to be combined necessarily with the representation of it, and so not merely for the subject apprehending this form, but for all in general who pass judgement.