Susceptibility to pleasure arising from reﬂection on the forms of things (whether of nature or of art) betokens, however, not only a purposiveness on the part of objects in their relation to reﬂective judgement in the subject, in accordance with the concept of nature, but also, conversely, a purposiveness on the part of the subject, answering to the concept of freedom, in respect of the form, or even formlessness, of objects.