mixed together thirty arias, Italian, French, tragic, comic, of every sort; now with a deep bass he descended into hell, then, contracting his throat, he rent the vaults of heaven with a falsetto tone, frantic and soothed, imperious and mocking, by turns',l To the tranquil consciousnes which, in its honest way, takes the melody of the Good and the True to consist in the evenness of the notes, ie in unison, this talk appears as a 'rig.