And the way the three elements coexisted: the exploratory, pioneering, revolutionary element, whereby desiring production was discovered; the classical cultural element, which reduces everything to a scene from Oedipal theatrical representation (the return to myth!); and finally the third element, the most disturbing, a sort of racket thirsting after respectability, which will never have done with getting itself recognized and institutionalized a formidable enterprise of absorption of surplus value, with its codification of the interminable cure, its cynical justification of the role of money, and all the pledges it makes to the established order.