And of course this decoding of the flows of painting, these schizoid lines of escape that form desiringmachines on the horizon, are taken up again in scraps from the old code, or else introduced into new codes, and first of all into a properly pictorial axiomatic that chokes off the escapes, closes the whole constellation to the transversal relations between lines and colors, and reduces it to archaic or new territorialities (perspective, for example).