The absolutely good, judged subjectively according to the feeling it inspires, (the object of the moral feeling,) as the determinability of the powers of the subject by means of the representation of an absolutely necessitating law, is principally distinguished by the modality of a necessity resting upon concepts a priori, and involving not a mere claim, but a command upon everyone to assent, and belongs intrinsically not to the aesthetic, but to the pure intellectual judgement.