Clearly the aspect exhibitions of whatever body is appearing in perception, and the kinestheses, are not processes simply running alongside each other; rather, they work together in such a way that the aspects have the ontic meaning of, or the validity of, aspects of the body only through the fact that they are those aspects continually required by the kinestheses by the kinesthetic sensual total situation in each of its working variations of the total kinesthesis by setting in motion this or that particular kinesthesis and that they correspondingly fulfill the requirement.