That one must not be doubtful about the rhythm determining syllables, that one should feel the breaking of the too rigid symmetry as intentional and as a charm, that one should lend a fine and patient ear to every and every that one should divine the sense in the sequence of the vowels and diphthongs, and how delicately and richly they can be tinted and retinted in the order of their arrangement who among book reading Germans is complaisant enough to recognize such duties and requirements, and to listen to so much art and intention in language?