 an earlier work of his and his symphony number 22 in E flat major, which has acquired the subtitle of the philosopher. I mentioned before how there's a theory that it acquired that, uh, subtitle the philosopher because of a question and answer sounding a dialogue between the horns and the strings in the first movement. But there's also the possibility. And I think it's a far more likely that the opening depicts a philosopher pensively walking back and forth. And, uh,