 I couldn't put it down, and there was something about the kind of quietness of being drawn into this simple story in the beginning, and then as it unfolds, it gets much more complicated, and I felt totally gripped by the end of it. How closely did you work with the novelist, Olafur Johan, Olaf's son, on the screenplay? Very close. You know, it's said in the industry that you should never work with a novelist on a film script. Oh, really? Yeah, it's like no children, no animals, and don't work with a novelist.