 and I'm married to a conductor and, you know, I have dipped my toes in sort of the pseudo-classical waters, if you will. But the idea that I would write, you know, 20, as they say, like 20 to 25 minutes of music. And, you know, it's like, it's very specific. It's a lot. What an orchestra. Yeah, it's a lot. It's what people are looking for. But I guess I rose to it. I tried to get out of it.