 And at her best, she's doing this kind of underground London rave scene, early 2000s thing that's really appealing. I think it's gritty club music is what she's really great at. And there's an element, her songwriting is very good when she's, you know, the vulnerability in a song like So I, where she's writing about losing a friend, a potential mentor, Sophie, you know, who's a great artist. She didn't value enough during her lifetime.