 It was both. It was best of both worlds. We thought Alex was amazingly talented, and we told Alex, we're going to come back and get you. If we make it, we're going to come back and get you. And the circumstance happened where Clarence Avon, who ran Taboo Records, had sent an artist to work with us, and the artist just wasn't cutting it. And we said, hey, Clarence, we got this guy, Alexander O'Neill. And he said, Alexander O'Neill, what kind of name is that for a black man?