 And Strindberg and stuff like that. O'Neill. I mean, the great plays, the great, capital G, great plays are very, very freaking intense plays. They go to the bottom. And I think most playwrights don't have the courage to do it or they don't have it in their genetic material. They don't have it in them. And I always did. And I always felt like a weirdo because in the end, that stuff is really scary and it does scare away people.