 That's very true. And of course it happened because all Italian movies at that time were post-synchronized, were dubbed in retrospect. You know, they were shot silent or shot with a wild track. And then you could actually put the layers of sound on afterwards and sound design became an art form in itself. I remember about 1969, I wrote to the National Film Theater in London and asked if they could do a season of Italian Westerns. And they wrote back and said, we don't do dubbed movies.