 But it was mostly to do with the isolation, being able to completely immerse ourselves in the recording process of the album, to completely remove ourselves from Dublin and distractions and immerse ourselves in the music, but then also the literal wealth of time and space that we had and gear available. We were able to play with textures and rooms and recording equipment and pedals and instruments and amps that I think you're often more times restricted with in very city-centred-based studios.