 What O'Neill finally discovered, and what he gave to all of us, and it's in his work, is a glimpse into not only a character's soul, but also in the way they relate to this mythic dimension that he's interested in. It's not so prevalent in Antichristi as it is in, say, Morning Becomes Electra, which I think is really, you know, that's where he really, literally decided to take the Greeks and redo it his way.