 Absolutely. And, you know, having dealt with mythic characters in all his Westerns, all these archetypes of the Western movie, he decided with this final film to do a film about myth itself, about, you know, a certain kind of cinema of the 1930s, the classic Hollywood cinema, about his own childhood and seeing Hollywood movies when he was growing up in Mussolini's Italy. So American films were a kind of model of freedom.