 I was compelled by the monoliths. I was compelled by the kind of narrative from slavery to mass incarceration. And I do think, despite my critiques of the project, that I think it does important work. And I also think that in activating the logic of never again, we see the ways that never again has always been a failure. That genocides have been ongoing while never again is supposed to be the logic that we live with, that we understand that these things should not happen.