 Absolutely. And I think what the point the movie makes that you make in the movie about appropriation or obliteration, we see it constantly in Chicago. I saw it when I was interviewing the house music artists from Chicago who talked about how England sort of took, you know, this culture, house music, and turned it into this worldwide phenomenon. And I actually talked to a record company executive around that time. He says, oh, you know, house music. Oh, yeah, that English thing.