 And he's hearing Louis Armstrong. He's hearing Duke Ellington. He's hearing all these different sounds and reacting to it as someone who grew up in Europe playing mostly kind of folk music. So he hears all of this. He hears the sounds of jazz. He hears the note choice and he just kind of goes off and does his own thing. So that kind of sound world, plus once you add in stuff on Grappelli, like the interplay of an instrument that has sustained like a violin or an accordion, plus what we're doing with the guitars really ends up kind of completing the picture.