 Right before you play, I think about the music that is around a certain excerpt, and then basically the air and the time that goes into it. You know, it's in major, it's in minor, it's lush, or it's perky, or it's aggressive, or it's angry. You've got sort of the story and the singing, and then you've got the groove, and then you've got the technique that you need to have in order to render it. You can say, I'll phrase to here, and I'll push on this note, and I'll come away on this note, and I'll color this, and I'll do this, and then go...