 If you look at the history of African-American music, it's always had a rebellious hip-hop stance. Like, the first 10 years of gospel music really wasn't gospel music. The first 10 years of gospel music were escape codes. How to escape the slave plantation. Wade in the water. You know, it was code speak, like, oh, we're singing about God. No, we're trying to figure out how we can escape slavery. So it was that...