 So we had to go for it. We hired an editor, producer, Claire Scanlon, to come in and help us put the film together. Claire and I cut the first 30 minutes together and showed it to our friend, Grady Cooper, who looked at it and made a very stinging comment. His comment was, hey, it's good, but why are you making this story? What I just saw in this cut, any of us could do this. What he meant was I wasn't taking advantage of something I was avoiding, the connection to the film, my father.