Sawyer in the Universalist Union (1845),[xxii] "The Elopement" in Sharpe's London Magazine (1846),[xxiii] two in The Nymph of the Well and The Barber's Ghost (1848),[xxiv] Melechsala (1848),[xxv] a light-hearted free verse poem version of the "Chronicles of the Three Sisters" as The Arm! – the Sword! – and the Hour!
The 1840s saw a revival of interest in German traditions following the marriage of Queen Victoria to Prince Albert of Saxe-Coburg and Gotha in 1840, which may have led to the subsequent new translations of Musäus' work.[12] This included two of the "Legends of Rübezahl" in The Annualette (1841),[xv] the "Legendary Tale of the Graf von Gleichen" (a partial translation of "Melechsala") in Rambles and Researches in Thuringian Saxony (1842),[xvi] The Three Sisters: A Story (1842),[xvii] "Libussa" in Tales from the German (1844),[xviii] three stories in Legends of Rubezahl, and Other Tales (1845),[xix] two in The Enchanted Knights; or The Chronicle of the Three Sisters (1845),[xx] seven in Select Popular Tales from the German of Musaeus (1845),[xxi] one of the "Legends of Rübezahl" by Caroline M. Sawyer in the Universalist Union (1845),[xxii] "The Elopement" in Sharpe's London Magazine (1846),[xxiii] two in The Nymph of the Well and The Barber's Ghost (1848),[xxiv] Melechsala (1848),[xxv] a light-hearted free verse poem version of the "Chronicles of the Three Sisters" as The Arm! – the Sword! – and the Hour! Or, the Legend of the Enchanted Knights (1850),[xxvi] The Stolen Veil; or, the Tale à la Montgolfier (1850),[xxvii] two in Libussa, Duchess of Bohemia; also The Man Without a Name (1852),[xxviii] and three of the "Legends of Rübezahl" in Hutchings' California Magazine (1859–1860).[xxix][12][22][23][24][25][26]