Much like how Nolan’s vision needed a new director of photography to capture it, so too do Nolan’s worlds need a fresh pair of eyes to cut it into thrilling, frenetic and breathless chunks.
Much like how Nolan’s vision needed a new director of photography to capture it, so too do Nolan’s worlds need a fresh pair of eyes to cut it into thrilling, frenetic and breathless chunks. Enter Jennifer Lame, who has successfully grabbed the torch from Lee Smith and made Nolan’s last two films feel like compact 80-minute heist films from the French New Wave.