I have adapted the Rembrandt style to work for me and my studio/location work.
I have adapted the Rembrandt style to work for me and my studio/location work. I place the light slightly higher and not at 45 degrees. The light becomes a little top-heavy and shadowy on the face and only some faces suit this. Men and Androgenous Females. I don’t use it all of the time but I would say that for my theatrical on-location look this works well to increase the overall cinematic effect. You have to be careful with shadows in the eye sockets or deep shadows around the eyes.