This is why the Hollywood master photographer’s pictures look so beautiful.
A lot of my more cinematic work features this type of lighting. Most of my early research into light as a student was from the Hollywood master photographers such as Sinclair Bull and George Hurrell. This particular lighting I absolutely love. When mixed with Film lighting or, better still, the older hot lights such as Blondes (2K Halogen) and Redheads (1K Halogen), the texture of the subject’s face literally looks like it emulsifies and has creamy looking skin and softens the skin. This is why the Hollywood master photographer’s pictures look so beautiful.