And that’s not even taking into account the fantastic story, which develops slowly over time as you talk with (and occasionally slaughter) your fellow citizens of hell; the narrative is unparalleled for the genre, presented with pitch-perfect voice acting and memorable character designs.
This is tops on every list of the best indie games of the past decade, and with good reason. You play as Zagreus, a child of Hades (yes, that one), on a hopeless quest to fight off the endless hordes of hell, escape the underworld, and reunite with your mother on Earth. And when I say hopeless, I mean it: By design, you’re going to die a lot playing this game (repeated failure being a hallmark of the “rogue lite” genre; each time you die, you’ll carry over some of your strength, loot, and experience to the next run). While a game designed to kill you over and over and over and over might sound like a slog, Hades makes it fun as, each time you set out to be slaughtered, you’ll suck a little less, and progress a little farther. And that’s not even taking into account the fantastic story, which develops slowly over time as you talk with (and occasionally slaughter) your fellow citizens of hell; the narrative is unparalleled for the genre, presented with pitch-perfect voice acting and memorable character designs.