For this one, you’ll want to bring your key light somewhere in between where you had it for the Rembrandt (approximately 45 degrees from your subject) and where you had it for your butterfly (directly in front of your subject).
This pattern also occurs when the shadow from the nose is cast down onto the face, but unlike with Rembrandt lighting, it never completes that closed triangle of light by meeting up with the shadow on the cheek. For this one, you’ll want to bring your key light somewhere in between where you had it for the Rembrandt (approximately 45 degrees from your subject) and where you had it for your butterfly (directly in front of your subject).