Taking a cue from the 1946 French masterwork La Belle et La Bête, benefiting enormously from the songs of Ashman/Menken, this is a landmark.
The second film in the Disney Renaissance is an even more refined, dramatically punchy film than The Little Mermaid. Taking a cue from the 1946 French masterwork La Belle et La Bête, benefiting enormously from the songs of Ashman/Menken, this is a landmark.