If, for example, you want soft lighting and a range of middle-grays, an overcast day might work best (snow will also flatten the light), while a bright sunny one could be perfect for heavy contrast.
Because contrast and light are so critical for black and white photography, it helps to watch the forecast and plan your shoots accordingly. If, for example, you want soft lighting and a range of middle-grays, an overcast day might work best (snow will also flatten the light), while a bright sunny one could be perfect for heavy contrast. There’s no “right” or “wrong” weather for black and white photography, but any choice you make will determine the overall look and mood of your photo.