At which point I called over a few of my clients and suggested they do the same.
My camera was set to color when I first brought it up to my eye at this hot spring in Yellowstone, and I thought, “Nothing special here.” Then I switched the camera to monochrome. At which point I called over a few of my clients and suggested they do the same. It was MUCH better as a black-and-white, and we could see that right away with our mirrorless cameras. Nikon Z 8, Aperture Priority, Sunny white balance, ISO 64, 1/640 at f/13 in Matrix metering, -1.7 EV, Nikkor Z 24-200mm f/4-6.3 VR lens at 44mm.