complementary colors
In his later years, Pissarro worked closely with Seurat and Signac, going on to become one of the earliest artists who experimented with color harmonies. His canvases were identified by his complementary colors, along with his broken, dashed, and choppy brushstrokes and abrupt dabs of paint. Unlike other Impressionist artists who lived in Paris, Pissarro chose to spend the majority of his time in the French countryside, where he taught younger artists who expressed an interest in his techniques.