For those of us who used to or still shoot B&W film, one thing that became necessary was to see in color and think in black and white.
For those of us who used to or still shoot B&W film, one thing that became necessary was to see in color and think in black and white. You had to, because once you loaded up your camera, for the next 24 exposures, you were shooting what many digital photographers today would think of as ‘blind.’ You were looking at the world in technicolor and had to mentally visualize how that all would transpose into something devoid of saturation. There was no chimping.