Color decisive for all, used in monochrome or saturated and varied compositions to convey a dreamy state, beyond the possible visual conditions.
Some painters, just like Ernst and Tanguy, Magritte, Delvaux and Dalí, chose to decontextualize recognizable elements to combine them together in their images, where reality was deformed or entirely reinvented, and where the use of academic painting practice was in the service of a personal magical vision (read an in-depth study on Surrealism and magic here); others like Masson and later Miró, aimed at a genuine psychic improvisation for an innovative abstraction of forms, through color. Color decisive for all, used in monochrome or saturated and varied compositions to convey a dreamy state, beyond the possible visual conditions.