These are artists who have exhibited in the most diverse contexts, training, after their first apprenticeships in the workshops of local masters, at Art Schools and Academies all over the world, also participating in relevant international events, forging friendships with other great artists, working with the most prestigious galleries.
These are artists who have exhibited in the most diverse contexts, training, after their first apprenticeships in the workshops of local masters, at Art Schools and Academies all over the world, also participating in relevant international events, forging friendships with other great artists, working with the most prestigious galleries. Each work has its own soul and its own way of reaching the viewer: an interesting operation that, we read again from the presentation, “raises questions about the genre and the very practices of figuration; it explores as much the ancient, traditional character of identity in the history of Western art, as it does questions about becoming, transformations, accommodations,” and again “contains and proposes, as an inescapable element of investigation, the question of the viewer’s gaze in its relational, self-catalytic and mythopoietic meaning.”