In the following years along with other publications, the first nucleus of Surrealism nurtured a considerable stream of theoretical and literary production, concerned with explaining the reasons for its ethical positions and aesthetic choices albeit amid differences, dissent and approaches between one and another artist.
The movement had its origins with the journal Littérature in which matured the energies that later gave birth to La Révolution Surréaliste, the official organ of the group from 1924 until 1929, in which in addition to discussing writing there was an interest in works by de Chirico, Max Ernst, André Masson and Man Ray, among others, whose reproductions were in this way widely circulated. In the following years along with other publications, the first nucleus of Surrealism nurtured a considerable stream of theoretical and literary production, concerned with explaining the reasons for its ethical positions and aesthetic choices albeit amid differences, dissent and approaches between one and another artist.