large/5293/cruelpainter_1203_librivox_64kb_mp3/cruelpainter_3_macdonald_64kb_96
large/5293/cruelpainter_1203_librivox_64kb_mp3/cruelpainter_3_macdonald_64kb
English
5293
The next night was passed much after the same fashion. But the fear had begun to die away a little in the hearts of the women, who did not know what had taken place in the studio on the previous night. THE NEXT NIGHT WAS PASSED MUCH AFTER THE SAME FASHION BUT THEAR HAD BEGUN TO DIE AWAY A LITTLE IN THE HEARTS OF THE WOMEN WHO DID NOT KNOW WHAT HAD TAKEN PLACE IN THE STUDIO ON THE PREVIOUS NIGHT
d terror, that the face of one of the group was now turned towards that of the victim, regarding his revival with demoniac satisfaction, and taking pains to prevent the others from discovering it. The face of this prince of torturers was that of Teufelsbürst himself. Lilith had altogether vanished, and in her place stood the dim vampire reiteration of the body that lay extended on the table, staring greedily at the assembled company. With trembling hands the painter removed the picture from the easel, and turned its face to the wall. Of course this was the work of Lottchen. When he left the house, he took with him the key of a small private door, which was so seldom used that, while it remained closed, the key would not be missed, perhaps for many months. Watching the windows, he had chosen a safe time to enter, and had been hard at work all night on these alterations. Teufelsbürst attributed them to the vampire, and left the picture as he found it, not daring to put brush to it again. O HIS ASTONISHMENT AND TERROR THAT THE FACE OF ONE OF THE GROUP WAS NOW TURNED TOWARDS THAT OF THE VICTIM REGARDING HIS REVIVAL WITH DEMONIAC SATISFACTION AND TAKING PAINS TO PREVENT THE OTHERS FROM DISCOVERING IT THE FACE OF THIS PRINCE OF TORTURERS WAS THAT OF TEUFELSBUERST HIMSELF LILITH HAD ALTOGETHER VANISHED AND IN HER PLACE STOOD THE DIM VAMPIRE REITERATION OF THE BODY THAT LAY EXTENDED ON THE TABLE STARING GREEDILY AT THE ASSEMBLED COMPANY WITH TREMBLING HANDS THE PAINTER REMOVED THE PICTURE FROM THE EASEL AND TURNED ITS FACE TO THE WALL OF COURSE THIS WAS THE WORK OF LOTTCHEN WHEN HE LEFT THE HOUSE HE TOOK WITH HIM THE KEY OF A SMALL PRIVATE DOOR WHICH WAS SO SELDOM USED THAT WHILE IT REMAINED CLOSED THE KEY WOULD NOT BE MISSED PERHAPS FOR MANY MONTHS WATCHING THE WINDOWS HE HAD CHOSEN A SAFE TIME TO ENTER AND HAD BEEN HARD AT WORK ALL NIGHT ON THESE ALTERATIONS TEUFELSBUERST ATTRIBUTED THEM TO THE VAMPIRE AND LEFT THE PICTURE AS HE FOUND IT NOT DARING TO PUT BRUSH TO IT AGAIN
large/5293/cruelpainter_1203_librivox_64kb_mp3/cruelpainter_3_macdonald_64kb
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