large/7215/rameaus_nephew_bb3_librivox_64kb_mp3/rameausnephew_6_diderot_64kb_87
large/7215/rameaus_nephew_bb3_librivox_64kb_mp3/rameausnephew_6_diderot_64kb
English
7215
They imagined that they would laugh or cry at scenes from tragedy or comedy set to music, that the accents of fury, hate, jealousy, the true sorrows of love, the ironies, the jokes of the Italian or French theatre could be presented to their ears and they'd remain admirers of Ragonde and Platée. THEY IMAGINED THAT THEY WOULD LAUGH OR CRY AT SCENES FROM TRAGEDY OR COMEDY SET TO MUSIC THAT THE ACCENTS OF FURY HATE JEALOUSY THE TRUE SORROWS OF LOVE THE IRONIES THE JOKES OF THE ITALIAN OR FRENCH THEATER COULD BE PRESENTED TO THEIR EARS AND THEY'D REMAIN ADMIRERS OF RAGONDE AND PLATE
n Modèle, there's a cat left to kick in the celebrated Impasse. Those good people, they've turned their backs on their own symphonies to play Italian symphonies. They thought they could train their ears for these without having any effect on their own vocal music, as if, except for the greater freedom afforded by the reach of the instrument and the mobility of the fingers, the symphony was not related to singing as singing is to real declamation. As if the violin were not the mimic of the singer, who one day will become the imitator of the violin, when what's difficult takes the place of what's beautiful. The first musician who played Locatelli was the apostle of the new music. That's so typical! We'll get accustomed to the imitation of the accents of passion or of natural phenomena by melody and voice, by instruments, because that's the whole extent and purpose of music. And will we retain our taste for robbery, lances, glories, triumphs, and victories? "Go and see if they come, Jean. TRES A MARE DES SAMOS DELLES THERE'S A CAT LEFT TO KICK IN THE CELEBRATED IMPASSE THOSE GOOD PEOPLE THEY'VE TURNED THEIR BACKS ON THEIR OWN SYMPHONIES TO PLAY ITALIAN SYMPHONIES THEY THOUGHT THEY COULD TRAIN THEIR EARS FOR THESE WITHOUT HAVING ANY EFFECT ON THEIR OWN VOCAL MUSIC AS IF EXCEPT FOR THE GREATER FREEDOM AFFORDED BY THE REACH OF THE INSTRUMENT AND THE MOBILITY OF THE FINGERS THE SYMPHONY WAS NOT RELATED TO SINGING AS SINGING IS TO REAL DECLAMATION AS IF THE VIOLIN WERE NOT THE MIMIC OF THE SINGER WHO ONE DAY WILL BECOME THE IMITATOR OF THE VIOLIN WHEN WHAT'S DIFFICULT TAKES THE PLACE OF WATS TO BE BEAUTIFUL THE FIRST MUSICIAN WHO PLAYED LOCATELLI WAS THE APOSTLE OF THE NEW MUSIC THAT'S SO TYPICAL WE'LL GET ACCUSTOMED TO THE IMITATION OF THE ACCENTS OF PASSION OR OF NATURAL PHENOMENA BY MELODY AND VOICE BY INSTRUMENTS BECAUSE THAT'S THE WHOLE EXTENT AND PURPOSE OF MUSIC AND WILL WE RETAIN OUR TASTE FOR ROBBERY LANCES GLORIES TRIUMPHS AND VICTORIES GO AND SEE IF THEY COME JEAN
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