large/3914/beast_in_jungle_1012_librivox_64kb_mp3/beastjungle_4_james_64kb_15
large/3914/beast_in_jungle_1012_librivox_64kb_mp3/beastjungle_4_james_64kb
English
3914
His divination drew breath then; only her correction might be wrong. "It isn't that I _am_ a blockhead?" he asked between faintness and grimness. "It isn't that it's all a mistake?" HIS DIVINATION DREW BREATH THEN ONLY HER CORRECTION MIGHT BE WRONG IT ISN'T THAT I AM A BLOCKHEAD HE ASKED BETWEEN FAINTNESS AND GRIMNESS IT ISN'T THAT IT'S ALL A MISTAKE
roduced on him an extraordinary effect. "Well, what's better than that? Do you call that the worst?" "You think nothing is better?" she asked. She seemed to mean something so special that he again sharply wondered, though still with the dawn of a prospect of relief. "Why not, if one doesn't _know_?" After which, as their eyes, over his question, met in a silence, the dawn deepened, and something to his purpose came prodigiously out of her very face. His own, as he took it in, suddenly flushed to the forehead, and he gasped with the force of a perception to which, on the instant, everything fitted. The sound of his gasp filled the air; then he became articulate. "I see--if I don't suffer!" In her own look, however, was doubt. "You see what?" "Why what you mean--what you've always meant." She again shook her head. "What I mean isn't what I've always meant. It's different." "It's something new?" She hung back from it a little. "Something new. It's not what you think. I see what you think. NEVER IT CONFIRMED THE AUTHORITY HE IMPUTED TO HER AND IT PRODUCED ON HIM AN EXTRAORDINARY EFFECT WELL WHAT'S BETTER THAN THAT DO YOU CALL THAT THE WORST YOU THINK NOTHING IS BETTER SHE ASKED SHE SEEMED TO MEAN SOMETHING SO SPECIAL THAT HE AGAIN SHARPLY WONDERED THOUGH STILL WITH THE DAWN OF A PROSPECT OF RELIEF WHY NOT IF ONE DOESN'T KNOW AFTER WHICH AS THEIR EYES OVER HIS QUESTION MET IN A SILENCE THE DAWN DEEPENED AND SOMETHING TO HIS PURPOSE CAME PRODIGIOUSLY OUT OF HER VERY FACE HIS OWN AS HE TOOK IT IN SUDDENLY FLUSHED TO THE FOREHEAD AND HE GASPED WITH THE FORCE OF A PERCEPTION TO WHICH ON THE INSTANT EVERYTHING FITTED THE SOUND OF HIS GASP FILLED THE AIR THEN HE BECAME ARTICULATE I SEE IF I DON'T SUFFER IN HER OWN LOOK HOWEVER WAS DOUBT YOU SEE WHAT WHY WHAT YOU MEAN WHAT YOU'VE ALWAYS MEANT SHE AGAIN SHOOK HER HEAD WHAT I MEAN ISN'T WHAT I'VE ALWAYS MEANT IT'S DIFFERENT IT'S SOMETHING NEW SHE HUNG BACK FROM IT A LITTLE SOMETHING NEW IT'S NOT WHAT YOU THINK I SEE WHAT YOU THINK
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