large/5293/cruelpainter_1203_librivox_64kb_mp3/cruelpainter_2_macdonald_64kb_10
large/5293/cruelpainter_1203_librivox_64kb_mp3/cruelpainter_2_macdonald_64kb
English
5293
He then left everything else as nearly undisturbed as he could; and, knowing all the ways of the house, was soon in the street, without leaving any signs of his exit. HE THEN LEFT EVERYTHING ELSE AS NEARLY UNDISTURBED AS HE COULD AND KNOWING ALL THE WAYS OF THE HOUSE WAS SOON IN THE STREET WITHOUT LEAVING ANY SIGNS OF HIS EXIT
 filling it with her steady shine. In the corner lay in all directions the fragments of the mould which his own body had formed and filled. The bag of plaster and the bucket of water which the painter had been using stood beside. Lottchen gathered all the pieces together, and then making his way to an outhouse where he had seen various odds and ends of rubbish lying, chose from the heap as many pieces of old iron and other metal as he could find. To these he added a few large stones from the garden. When he had got all into the studio, he locked the door, and proceeded to fit together the parts of the mould, filling up the hollow as he went on with the heaviest things he could get into it, and solidifying the whole by pouring in plaster; till, having at length completed it, and obliterated, as much as possible, the marks of joining, he left it to harden, with the conviction that now it would make a considerable impression on Teufelsbürst’s imagination, as well as on his muscular sense. EING OVER AND THE MOON FILLING IT WITH HER STEADY SHINE IN THE CORNER LAY IN ALL DIRECTIONS THE FRAGMENTS OF THE MOULD WHICH HIS OWN BODY HAD FORMED AND FILLED THE BAG OF PLASTER AND THE BUCKET OF WATER WHICH THE PAINTER HAD BEEN USING STOOD BESIDE LOTTCHEN GATHERED ALL THE PIECES TOGETHER AND THEN MAKING HIS WAY TO AN OUTHOUSE WHERE HE HAD SEEN VARIOUS ODDS AND ENDS OF RUBBISH LYING CHOSE FROM THE HEAP AS MANY PIECES OF OLD IRON AND OTHER METAL AS HE COULD FIND TO THESE HE ADDED A FEW LARGE STONES FROM THE GARDEN WHEN HE HAD GOT ALL INTO THE STUDIO HE LOCKED THE DOOR AND PROCEEDED TO FIT TOGETHER THE PARTS OF THE MOULD FILLING UP THE HOLLOW AS HE WENT WITH THE HEAVIEST THINGS HE COULD GET INTO IT AND SOLIDIFYING THE WHOLE BY POURING IN PLASTER TILL HAVING AT LENGTH COMPLETED IT AND OBLITERATED AS MUCH AS POSSIBLE THE MARKS OF JOINING HE LEFT IT TO HARDEN WITH THE CONVICTION THAT NOW IT WOULD MAKE A CONSIDERABLE IMPRESSION ON TEUFELSBUERST'S IMAGINATION AS WELL AS ON HIS MUSCULAR SENSE
large/5293/cruelpainter_1203_librivox_64kb_mp3/cruelpainter_2_macdonald_64kb
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