large/7215/rameaus_nephew_bb3_librivox_64kb_mp3/rameausnephew_7_diderot_64kb_125
large/7215/rameaus_nephew_bb3_librivox_64kb_mp3/rameausnephew_7_diderot_64kb
English
7215
He whistled for the piccolos, warbled for the flutes, shouting, singing, carrying on like a maniac, acting out, by himself, the male and female dancers and singers, an entire orchestra, the whole musical company, dividing himself into twenty different roles, running, stopping, looking like a man possessed, frothing at the mouth. HE WHISTLED FOR THE PICCOLOS WARBLED FOR THE FLUTES SHOUTING SINGING CARRYING ON LIKE A MANIAC ACTING OUT BY HIMSELF THE MALE AND FEMALE DANCERS AND SINGERS AN ENTIRE ORCHESTRA THE WHOLE MUSICAL COMPANY DIVIDING HIMSELF INTO TWENTY DIFFERENT ROLLS RUNNING STOPPING LOOKING LIKE A MAN POSSESSED FROTHING AT THE MOUTH
ssion, the sorrow. He stressed those places where the composer had particularly demonstrated his great mastery. If he stopped the singing part, it was to take up the part of the instruments, which he left suddenly to return to the vocals, moving from one to the other in such a way as to maintain the connections and the overall unity, taking hold of our souls and keeping them suspended in the most unusual situation which I've ever experienced. Did I admire him? Oh yes, I admired him! Was I touched with pity? I was touched with pity. But a tinge of ridicule was mixed in with these feelings and spoiled them. But you would've burst out laughing at the way in which he imitated the different instruments. With his cheeks swollen, all puffed out, and with harsh, dark sounds he delivered the horns and bassoons. For the oboes he produced a shrill nasal tone, and then accelerated his voice with an amazing speed for the stringed instruments, trying to find the best approximations for their sounds. G THE FORCE OF EXPRESSION THE SORROW HE STRESSED THOSE PLACES WHERE THE COMPOSER HAD PARTICULARLY DEMONSTRATED HIS GREAT MASTERY IF HE STOPPED THE SINGING PART IT WAS TO TAKE UP THE PART OF THE INSTRUMENTS WHICH HE LEFT SUDDENLY TO RETURN TO THE VOCALS MOVING FROM ONE TO THE OTHER IN SUCH A WAY AS TO MAINTAIN THE CONNECTIONS AND THE OVERALL UNITY TAKING HOLD OF OUR SOULS AND KEEPING THEM SUSPENDED IN THE MOST UNUSUAL SITUATION WHICH I'VE EVER EXPERIENCED DID I ADMIRE HIM OH YES I ADMIRED HIM WAS I TOUCHED WITH PITY I WAS TOUCHED WITH PITY BUT A TINGE OF RIDICULE WAS MIXED IN WITH THESE FEELINGS AND SPOILED THEM BUT YOU WOULD HAVE BURST OUT LAUGHING AT THE WAY IN WHICH HE IMITATED THE DIFFERENT INSTRUMENTS WITH HIS CHEEKS SWOLLEN ALL PUFFED OUT AND WITH HARSH DARK SOUNDS HE DELIVERED THE HORNS AND BASSOONS FOR THE OBOES HE PRODUCED A SHRILL NASAL TONE AND THEN ACCELERATED HIS VOICE WITH AN AMAZING SPEED FOR THE STRINGED INSTRUMENTS TRYING TO FIND THE BEST APPROXIMATIONS FOR THEIR SOUNDS
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