large/1823/stage_land_0803_librivox_64kb_mp3/stageland_01_jerome_64kb_43
large/1823/stage_land_0803_librivox_64kb_mp3/stageland_01_jerome_64kb
English
1823
He might raise at least three and sixpence on those boots, and when the baby is crying for food, it occurs to us that it would be better if, instead of praying to Heaven, he took off those boots and pawned them; but this does not seem to occur to him. He crosses the African desert in patent leather boots, does the stage hero. He takes a supply with him when he is wrecked on an uninhabited island. He arrives from long and trying journeys; his clothes are ragged and torn, but his boots are new and shiny. HE MIGHT RAISE AT LEAST THREE AND SIXPENCE ON THOSE BOOTS AND WHEN THE BABIES CRIME FOR FOOD IT OCCURS TO US IT WOULD BE BETTER OF IT INSTEAD OF PRAYING TO HEAVEN HE TOOK OFF THOSE BOOTS AND PAWNED THEM BUT THIS DOES NOT SEEM TO OCCUR TO HIM HE CROSSES THE AFRICAN DESERT IN PATENT LEATHER BOOTS DOES THE STAGE HERO HE TAKES A SUPPLY WITH HIM WHEN HE IS ERECT ON AN UNINHABITED ISLAND HE ARRIVED FROM LONG AND TRYING JOURNEY HIS CLOTHES ARE RAGGED AND TORN BUT HIS BOOTS ARE NEW AND SHINY
cal gallery. The early Christian martyrs were sinful and worldly compared with an Adelphi gallery. The stage hero is a very powerful man. You wouldn't think it to look at him, but you wait till the heroine cries "Help! Oh, George, save me!" or the police attempt to run him in. Then two villains, three extra hired ruffians and four detectives are about his fighting-weight. If he knocks down less than three men with one blow, he fears that he must be ill, and wonders "Why this strange weakness?" The hero has his own way of making love. He always does it from behind. The girl turns away from him when he begins (she being, as we have said, shy and timid), and he takes hold of her hands and breathes his attachment down her back. The stage hero always wears patent-leather boots, and they are always spotlessly clean. Sometimes he is rich and lives in a room with seven doors to it, and at other times he is starving in a garret; but in either event he still wears brand-new patent-leather boots. NNESS IN THE WORLD OR DEED AS A MODERN THEATRICAL GALLERY THE EARLY CHRISTIAN MARTYRS WERE SINFUL AND WORLDLY COMPARED WITH AN ADELPHI GALLERY THE STAGE HERO IS A POWERFUL MAN YOU WOULDN'T THINK IT TO LOOK AT HIM BUT YOU WAIT UNTIL THE HEROINE CRIES HELP O GEORGE SAVE ME OR THE POLICE ATTEMPT TO RUN HIM IN THEN TWO VILLAINS THREE EXTRA HIRED RUFFIANS AND FOUR DETECTIVES ARE ABOUT HIS FIGHTING WEIGHT IF HE KNOCKS DOWN LESS THAN THREE MEN WITH ONE BLOW HE FEARS HE MUST BE ILL AND WONDERS WHY THIS STRANGE WEAKNESS THE HERO HAS HIS OWN WAY OF MAKING LOVE HE ALWAYS DOES IT FROM BEHIND THE GIRL TURNS AWAY FROM HIM WHEN HE BEGINS SHE BEING AS WE HAVE SAID SHY AND TIMID AND HE TAKES HOLD OF HER HANDS AND BREATHES HIS ATTACHMENT DOWN HER BACK THE STAGE HERO ALWAYS WEARS PATENT LEATHER BOOTS AND THEY ARE ALWAYS SPOTLESSLY CLEAN SOMETIMES HE IS RICH AND LIVES IN A ROOM WITH SEVEN DOORS TO IT AT OTHER TIMES HE IS STARVING IN A GARRET BUT IN EITHER EVENT HE STILL WEARS BRAN NEW PATENT LEATHER BOOTS
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