large/7215/rameaus_nephew_bb3_librivox_64kb_mp3/rameausnephew_6_diderot_64kb_112
large/7215/rameaus_nephew_bb3_librivox_64kb_mp3/rameausnephew_6_diderot_64kb
English
7215
Yes, yes. They've persuaded themselves that after having mixed their tears in with the crying of a mother who is desolated over the death of her son, after having trembled at the orders of a tyrant commanding a murder, they wouldn't be bored with their fairy land, their insipid mythology, their sugary little madrigals which display the bad taste of the poet as much as the poverty of the art which puts up with them. Such good people! It's not so and can't be. YES YES THEY'VE PERSUADED THEMSELVES THAT AFTER HAVING MIXED THEIR TEARS IN WITH THE CRYING OF A MOTHER WHO IS DESOLATED OVER THE DEATH OF HER SON AFTER HAVING TREMBLED AT THE ORDERS OF A TYRANT COMMANDING A MURDER THEY WOULDN'T BE BORED WITH THEIR FAIRYLAND THEIR INSIPID MYTHOLOGY THEIR SUGARY LITTLE MADRIGALS WHICH DISPLAY THE BAD TASTE OF THE POET AS MUCH AS THE POVERTY OF THE ART WHICH PUTS UP WITH THEM SUCH GOOD PEOPLE IT'S NOT SO AND CAN'T BE
ll get accustomed to the imitation of the accents of passion or of natural phenomena by melody and voice, by instruments, because that's the whole extent and purpose of music. And will we retain our taste for robbery, lances, glories, triumphs, and victories? "Go and see if they come, Jean." They imagined that they would laugh or cry at scenes from tragedy or comedy set to music, that the accents of fury, hate, jealousy, the true sorrows of love, the ironies, the jokes of the Italian or French theatre could be presented to their ears and they'd remain admirers of Ragonde and Platée. I tell you in reply taradiddle, boom boom. Even if they sensed, without interruption, with what ease, what flexibility, what tenderness the harmony, prosody, ellipses, and inversions of the Italian language lend themselves to art, movement, expression, turns of melody, and the measured value of sounds, they'd still remain ignorant of how their music is stiff, dead, heavy, ungainly, pedantic, and monotonous. LE OF THE NEW MUSIC THAT'S SO TYPICAL WE'LL GET ACCUSTOMED TO THE IMITATION OF THE ACCENTS OF PASSION OR OF NATURAL PHENOMENA BY MELODY AND VOICE BY INSTRUMENTS BECAUSE THAT'S THE WHOLE EXTENT AND PURPOSE OF MUSIC AND WILL WE RETAIN OUR TASTE FOR ROBBERY LANCES GLORIES TRIUMPHS AND VICTORIES GO AND SEE IF THEY COME JEAN THEY IMAGINED THAT THEY WOULD LAUGH OR CRY AT SCENES FROM TRAGEDY OR COMEDY SET TO MUSIC THAT THE ACCENTS OF FURY HATE JEALOUSY THE TRUE SORROWS OF LOVE THE IRONIES THE JOKES OF THE ITALIAN OR FRENCH THEATER COULD BE PRESENTED TO THEIR EARS AND THEY'D REMAIN ADMIRERS OF RAGONDE AND PLATE I TELL YOU IN REPLY TARADIDEL BOOM BOOM EVEN IF THEY SENSED WITHOUT INTERRUPTION WITH WHAT EASE WHAT FLEXIBILITY WHAT TENDERNESS THE HARMONY PROSODY ELLIPSES AND INVERSIONS OF THE ITALIAN LANGUAGE LEND THEMSELVES TO ART MOVEMENT EXPRESSION TURNS OF MELODY AND THE MEASURED VALUE OF SOUNDS THEY'D STILL REMAIN IGNORANT OF HOW THEIR MUSIC IS STIFF DEAD HEAVY UNGAINLY PEDANTIC AND MONOTONOUS
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