large/3914/beast_in_jungle_1012_librivox_64kb_mp3/beastjungle_2_james_64kb_52
large/3914/beast_in_jungle_1012_librivox_64kb_mp3/beastjungle_2_james_64kb
English
3914
"Then why haven't you?" he asked. He had had, all along, to day, the sense of her keeping something back, and he still had it. THEN WHY HAVEN'T YOU HE ASKED HE HAD HAD ALL ALONG TO DAY THE SENSE OF HER KEEPING SOMETHING BACK AND HE STILL HAD IT
ng and so closely you've lost your sense of it; you know it's there, but you're indifferent, and you cease even, as of old, to have to whistle in the dark. Considering what the danger is," May Bartram wound up, "I'm bound to say I don't think your attitude could well be surpassed." John Marcher faintly smiled. "It's heroic?" "Certainly--call it that." It was what he would have liked indeed to call it. "I _am_ then a man of courage?" "That's what you were to show me." He still, however, wondered. "But doesn't the man of courage know what he's afraid of--or not afraid of? I don't know _that_, you see. I don't focus it. I can't name it. I only know I'm exposed." "Yes, but exposed--how shall I say?--so directly. So intimately. That's surely enough." "Enough to make you feel then--as what we may call the end and the upshot of our watch--that I'm not afraid?" "You're not afraid. But it isn't," she said, "the end of our watch. That is it isn't the end of yours. You've everything still to see. T UNPRECEDENTED IN THE WAY OF GETTING USED TO DANGER LIVING WITH IT SO LONG AND SO CLOSELY YOU'VE LOST YOUR SENSE OF IT YOU KNOW IT'S THERE BUT YOU'RE INDIFFERENT AND YOU CEASE EVEN AS OF OLD TO HAVE TO WHISTLE IN THE DARK CONSIDERING WHAT THE DANGER IS MAY BARTRAM WOUND UP I'M BOUND TO SAY I DON'T THINK YOUR ATTITUDE COULD WELL BE SURPASSED JOHN MARCHER FAINTLY SMILED IT'S HEROIC CERTAINLY CALL IT THAT IT WAS WHAT HE WOULD HAVE LIKED INDEED TO CALL IT I AM THEN A MAN OF COURAGE THAT'S WHAT YOU WERE TO SHOW ME HE STILL HOWEVER WONDERED BUT DOESN'T THE MAN OF COURAGE KNOW WHAT HE'S AFRAID OF OR NOT AFRAID OF I DON'T KNOW THAT YOU SEE I DON'T FOCUS IT I CAN'T NAME IT I ONLY KNOW I'M EXPOSED YES BUT EXPOSED HOW SHALL I SAY SO DIRECTLY SO INTIMATELY THAT'S SURELY ENOUGH TO MAKE YOU FEEL THEN AS WHAT WE MAY CALL THE END AND THE UPSHOT OF OUR WATCH THAT I'M NOT AFRAID YOU'RE NOT AFRAID BUT IT ISN'T SHE SAID THE END OF OUR WATCH THAT IS IT ISN'T THE END OF YOURS YOU'VE EVERYTHING STILL TO SEE
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