large/7215/rameaus_nephew_bb3_librivox_64kb_mp3/rameausnephew_6_diderot_64kb_106
large/7215/rameaus_nephew_bb3_librivox_64kb_mp3/rameausnephew_6_diderot_64kb
English
7215
At one point, he's a young girl crying  portraying all her mannerisms  at another point he's a priest, he's a king, he's a tyrant  he threatens, commands, loses his temper. He's a slave. He obeys. AT ONE POINT HE'S A YOUNG GIRL CRYING PORTRAYING ALL HER MANNERISMS AT ANOTHER POINT HE'S A PRIEST HE'S A KING HE'S A TYRANT HE THREATENS COMMANDS LOSES HIS TEMPER HE'S A SLAVE HE OBEYS
 get worked up and to sing very softly. As he grew even more impassioned, he raised his voice, and then there followed gestures, facial grimaces, and bodily contortions. I say, "All right, there he is off his head, getting some new scene ready." Then, in fact, he set off with a loud shout, "I am a poor wretch...Monseigneur, Monseigneur, let me go...O earth, take my gold. Keep my treasure safe...My soul, my soul, my life, O earth!...There it is, my little friend. There's my little friend! Aspettare e non venire...A Zerbina penserete...Sempre in contrasti con te si sta..." He crammed together and jumbled up together thirty songs--Italian, French, tragic, comic--in all sorts of different styles. Sometimes in a bass voice he went down all the way to hell, and sometimes he'd feign a falsetto and sing at the top of his voice, tearing into the high points of some songs, imitating the walk, deportment, gestures of the different singing characters, by turns furious, soft, imperious, sniggering. S ON HIS HEAD AND EVEN RAISE SUCH A QUESTION HE BEGAN TO GET WORKED UP AND TO SING VERY SOFTLY AS HE GREW EVEN MORE IMPASSIONED HE RAISED HIS VOICE AND THEN THERE FOLLOWED GESTURES FACIAL GRIMACES AND BODILY CONTORTIONS I SAY ALL RIGHT THERE HE IS OFF HIS HEAD GETTING SOME NEW SCENE READY THEN IN FACT HE SET OFF WITH A LOUD SHOUT AH YO'M A POOR WRETCH MONSEIGNEUR MONSEIGNEUR LET ME GO OH WORTH TAKE MY GOLD KEEP MY TREASURE SAFE MY SOUL MY SOUL MY LIFE OH EARTH THERE IT IS MY LITTLE FRIEND THERE'S MY LITTLE FRIEND ESPITORE I NON VENERE AZZURPINA PENSERATE SEMPERE INCONTRASTIC CONTE SISTA HE CRAMPED TOGETHER AND JUMBLED UP TOGETHER THIRTY SONGS ITALIAN FRENCH TRAGIC COMIC IN ALL SORTS OF DIFFERENT STYLES SOMETIMES IN A BASE VOICE HE WENT DOWN ALL THE WAY TO HELL AND SOMETIMES HE'D FEIGN A FALSETTO AND SING AT THE TOP OF HIS VOICE TEARING INTO THE HIGH POINTS OF SONG SONGS IMITATING THE WALK DEPORTMENT GESTURES OF THE DIFFERENT SINGING CHARACTERS BY TURNS FURIOUS SOFT IMPERIOUS SNIGGERING
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