large/7215/rameaus_nephew_bb3_librivox_64kb_mp3/rameausnephew_7_diderot_64kb_30
large/7215/rameaus_nephew_bb3_librivox_64kb_mp3/rameausnephew_7_diderot_64kb
English
7215
ME: So Quinault, La Motte, and Fontenelle didn't understand any of that? ME SO QUINAL LA MATER AND FONTENEL DIDN'T UNDERSTAND ANY OF THAT
 and a musician. However, gentlemen, we should not deprecate certain pieces of Lully. I defy anyone to improve on the scene 'Ah! j'attendrai' without changing the words. We should not criticize some places in Campra, the violin pieces of my uncle, his gavottes, his entries for soldiers, priests, those carrying out the sacrifice...."Pale torches, a night more frightening than shadows...God of Tartarus, God of Oblivion." At that point, his voice grew loud, he sustained the sounds. The neighbours came to their windows, and we stuffed our fingers in our ears. He added, "Here's where we need lungs, a great organ, plenty of air. But before long it will be time to say yours sincerely good bye to Assumption, Lent, and Epiphany. They still don't know what needs to be set to music and thus what's appropriate for a composer. Lyric poetry has yet to be born. But they'll get there, by hearing Pergolisi, the Saxon, Terradoglias, Trasetta and the rest--by reading Metastasio they'll have to get there. D NOW THAT'S WHAT PEOPLE SHOULD CALL MUSIC AND A MUSICIAN HOWEVER GENTLEMEN WE SHOULD NOT DEPRECATE CERTAIN PIECES OF LULU I DEFY ANY ONE TO IMPROVE ON THE SCENE AH JETTENDRY WITHOUT CHANGING THE WORDS WE SHOULD NOT CRITICIZE SOME PLACES IN COMPRA THE VIOLIN PIECES OF MY UNCLE HIS GAVOTUT HIS ENTRIES FOR SOLDIERS PRIESTS THOSE CARRYING OUT THE SACRIFICE PALE TORCHES A NIGHT MORE FRIGHTENING THAN SHADOWS GOD OF TARTARUS GOD OF OBLIVION AT THAT POINT HIS VOICE GREW LOUD HE SUSTAINED THE SOUNDS THE NEIGHBOURS CAME TO THEIR WINDOWS AND WE STUFFED OUR FINGERS IN OUR EARS HE ADDED HERE IS WHERE WE NEED LUNGS NO GREAT ORGAN PLENTY OF AIR BUT BEFORE LONG IT WILL BE TIME TO SAY YOURS SINCERELY GOOD BYE TO ASSUMPTION LENT AND EPIPHANY THEY STILL DON'T KNOW WHAT NEEDS TO BE SET TO MUSIC AND THUS WHAT'S APPROPRIATE FOR A COMPOSER LYRIC POETRY HAS YET TO BE BORNE BUT THEY'LL GET THERE BY HEARING PERGALAZI THE SAXON PTERODOGLIUS TRESSETTA AND THE REST BY READING METESTOSTIO THEY'LL HAVE TO GET THERE
large/7215/rameaus_nephew_bb3_librivox_64kb_mp3/rameausnephew_7_diderot_64kb
file
download/librilight/large/7215/rameaus_nephew_bb3_librivox_64kb_mp3/rameausnephew_7_diderot_64kb.flac