large/7215/rameaus_nephew_bb3_librivox_64kb_mp3/rameausnephew_7_diderot_64kb_82
large/7215/rameaus_nephew_bb3_librivox_64kb_mp3/rameausnephew_7_diderot_64kb
English
7215
But a tinge of ridicule was mixed in with these feelings and spoiled them. But you would've burst out laughing at the way in which he imitated the different instruments. With his cheeks swollen, all puffed out, and with harsh, dark sounds he delivered the horns and bassoons. BUT A TINGE OF RIDICULE WAS MIXED IN WITH THESE FEELINGS AND SPOILED THEM BUT YOU WOULD HAVE BURST OUT LAUGHING AT THE WAY IN WHICH HE IMITATED THE DIFFERENT INSTRUMENTS WITH HIS CHEEKS SWOLLEN ALL PUFFED OUT AND WITH HARSH DARK SOUNDS HE DELIVERED THE HORNS AND BASSOONS
be necessary to throw him into a cab and take him straight to the lunatic asylum. As he was singing snatches from Lamentations by Jomelli, he brought out the most beautiful parts of each piece with precision, truth, and an incredible warmth. That beautiful recitative in which the prophet describes the desolation of Jerusalem he bathed in a flood of tears which brought tears to everyone's eyes. Everything was there--the delicacy of the song, the force of expression, the sorrow. He stressed those places where the composer had particularly demonstrated his great mastery. If he stopped the singing part, it was to take up the part of the instruments, which he left suddenly to return to the vocals, moving from one to the other in such a way as to maintain the connections and the overall unity, taking hold of our souls and keeping them suspended in the most unusual situation which I've ever experienced. Did I admire him? Oh yes, I admired him! Was I touched with pity? I was touched with pity. E OUT OF IT IT MIGHT BE NECESSARY TO THROW HIM INTO A CAB AND TAKE HIM STRAIGHT TO THE LUNATIC ASYLUM AS HE WAS SINGING SNATCHES FROM LAMENTATIONS BY JOMELLI HE BROUGHT OUT THE MOST BEAUTIFUL PARTS OF EACH PIECE WITH PRECISION TRUTH AND AN INCREDIBLE WARMTH THAT BEAUTIFUL RECITATIVE IN WHICH THE PROPHET DESCRIBES THE DESOLATION OF JERUSALEM HE BATHED IN A FLOOD OF TEARS WHICH BROUGHT TEARS TO EVERYONE'S EYES EVERYTHING WAS THERE THE DELICACY OF THE SONG THE FORCE OF EXPRESSION THE SORROW HE STRESSED THOSE PLACES WHERE THE COMPOSER HAD PARTICULARLY DEMONSTRATED HIS GREAT MASTERY IF HE STOPPED THE SINGING PART IT WAS TO TAKE UP THE PART OF THE INSTRUMENTS WHICH HE LEFT SUDDENLY TO RETURN TO THE VOCALS MOVING FROM ONE TO THE OTHER IN SUCH A WAY AS TO MAINTAIN THE CONNECTIONS AND THE OVERALL UNITY TAKING HOLD OF OUR SOULS AND KEEPING THEM SUSPENDED IN THE MOST UNUSUAL SITUATION WHICH I'VE EVER EXPERIENCED DID I ADMIRE HIM OH YES I ADMIRED HIM WAS I TOUCHED WITH PITY I WAS TOUCHED WITH PITY
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