large/1823/stage_land_0803_librivox_64kb_mp3/stageland_12_jerome_64kb_21
large/1823/stage_land_0803_librivox_64kb_mp3/stageland_12_jerome_64kb
English
1823
He says "Shure" and "Bedad" and in moments of exultation "Beghorra." That is all the Irish he knows. He is very poor, but scrupulously honest. HE SAYS SURE AND BEDAD AND IN MOMENTS OF EXULTATION BEGARRER THAT IS ALL THE IRISH KNOWS HE IS VERY POOR BUT SCRUPULOUSLY HONEST
dle and regard him generally as a precious old fraud. This idea quite troubles the good old man. But the world really ought not to blame him. No one, we are sure, could be more ready and willing to make amends (when found out); and to put matters right he will cheerfully sacrifice his daughter's happiness and marry her to the villain. The villain, by the way, has never a penny to bless himself with, and cannot even pay his own debts, let alone helping anybody else out of a scrape. But the good old man does not think of this. Our own personal theory, based upon a careful comparison of similarities, is that the good old man is in reality the stage hero grown old. There is something about the good old man's chuckle-headed simplicity, about his helpless imbecility, and his irritating damtom foolishness that is strangely suggestive of the hero. He is just the sort of old man that we should imagine the hero would develop into. We may, of course, be wrong; but that is our idea. THE IRISHMAN.   THIS IS A LIBER OF OX RECORDING ALL LIBERVOX RECORDINGS ARE IN THE PUBLIC DOMAIN FOR MORE INFORMATION OR TO VOLUNTEER PLEASE VISIT W DOT LIBERVOX DOT HAWKE THE IRISHMAN IN STAGELAND BY JEROME K TO ROME 
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