large/3914/beast_in_jungle_1012_librivox_64kb_mp3/beastjungle_2_james_64kb_7
large/3914/beast_in_jungle_1012_librivox_64kb_mp3/beastjungle_2_james_64kb
English
3914
All this might be true, for she did look as if, unexpectedly to her, he had crossed some mystic line that she had secretly drawn round her. ALL THIS MIGHT BE TRUE FOR SHE DID LOOK AS IF UNEXPECTEDLY TO HER HE HAD CROSSED SOME MYSTIC LINE THAT SHE HAD SECRETLY DRAWN ROUND HER
f? I don't know _that_, you see. I don't focus it. I can't name it. I only know I'm exposed." "Yes, but exposed--how shall I say?--so directly. So intimately. That's surely enough." "Enough to make you feel then--as what we may call the end and the upshot of our watch--that I'm not afraid?" "You're not afraid. But it isn't," she said, "the end of our watch. That is it isn't the end of yours. You've everything still to see." "Then why haven't you?" he asked. He had had, all along, to-day, the sense of her keeping something back, and he still had it. As this was his first impression of that it quite made a date. The case was the more marked as she didn't at first answer; which in turn made him go on. "You know something I don't." Then his voice, for that of a man of courage, trembled a little. "You know what's to happen." Her silence, with the face she showed, was almost a confession--it made him sure. "You know, and you're afraid to tell me. It's so bad that you're afraid I'll find out. T DOESN'T THE MAN OF COURAGE KNOW WHAT HE'S AFRAID OF OR NOT AFRAID OF I DON'T KNOW THAT YOU SEE I DON'T FOCUS IT I CAN'T NAME IT I ONLY KNOW I'M EXPOSED YES BUT EXPOSED HOW SHALL I SAY SO DIRECTLY SO INTIMATELY THAT'S SURELY ENOUGH TO MAKE YOU FEEL THEN AS WHAT WE MAY CALL THE END AND THE UPSHOT OF OUR WATCH THAT I'M NOT AFRAID YOU'RE NOT AFRAID BUT IT ISN'T SHE SAID THE END OF OUR WATCH THAT IS IT ISN'T THE END OF YOURS YOU'VE EVERYTHING STILL TO SEE THEN WHY HAVEN'T YOU HE ASKED HE HAD HAD ALL ALONG TO DAY THE SENSE OF HER KEEPING SOMETHING BACK AND HE STILL HAD IT AS THIS WAS HIS FIRST IMPRESSION OF THAT IT MADE QUITE A DATE THE CASE WAS THE MORE MARKED AS SHE DIDN'T AT FIRST ANSWER WHICH IN TURN MADE HIM GO ON YOU KNOW SOMETHING I DON'T THEN HIS VOICE FOR THAT OF A MAN OF COURAGE TREMBLED A LITTLE YOU KNOW WHAT'S TO HAPPEN HER SILENCE WITH THE FACE SHE SHOWED WAS ALMOST A CONFESSION IT MADE HIM SURE YOU KNOW AND YOU'RE AFRAID TO TELL ME IT'S SO BAD THAT YOU'RE AFRAID I'LL FIND OUT
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