large/7215/rameaus_nephew_bb3_librivox_64kb_mp3/rameausnephew_6_diderot_64kb_101
large/7215/rameaus_nephew_bb3_librivox_64kb_mp3/rameausnephew_6_diderot_64kb
English
7215
If he wasn't singing, he would speak to the earth in the same tones when he entrusts his gold to it, saying, O terre, reçois mon trésor. And that little girl who feels her heart beating, who blushes, who's confused, and who begs the gentleman to let her go  would she express herself any differently? In these works there are all sorts of characters, an infinite variety of declamations. That's sublime  I'm the one telling you this. IF HE WASN'T SINGING HE WOULD SPEAK TO THE EARTH IN THE SAME TONES WHEN HE INTRUSTS HIS GOLD TO IT SAYING O TERRE LAISOIS MO TRAILS HER HEART BEATING WHO BLUSHES WHO'S CONFUSED AND WHO BEGS THE GENTLEMAN TO LET HER GO WOULD SHE EXPRESS HERSELF ANY DIFFERENTLY IN THESE WORKS THERE ARE ALL SORTS OF CHARACTERS AN INFINITE VARIETY OF DECLAMATIONS THAT'S SUBLIME I'M THE ONE TELLING YOU THIS
ody is an imitation using the sounds of a scale invented by art or inspired by nature, whichever you like, either with the voice or with an instrument, an imitation of the physical sounds or accents of passion. You see that, by changing some things in this definition, it would fit exactly a definition of painting, oratory, sculpture, and poetry. Now, to get to your question. What's the musician's model or the model of a melody? It's declamation, if the model is alive and thinking; it's noise, if the model is inanimate. You must think of declamation as a line, and the melody as another line which winds along the first. The more this declamation, the basis of the melody, is strong and true, the more the melody which matches it will intersect it in a greater number of points. And the truer the melody, the more beautiful it will be. That's something our young musicians have understood really well. When one hears Je suis un pauvre diable, one thinks one can recognize the sad cry of a miser.  DECENCY SHAME RIDICULE HIM A MELODY IS AN IMITATION USING THE SOUNDS OF A SCALE INVENTED BY ART OR INSPIRED BY NATURE WHICHEVER YOU LIKE EITHER WITH A VOICE OR WITH AN INSTRUMENT AN IMITATION OF THE PHYSICAL SOUNDS OR ACCENTS OF PASSION YOU SEE THAT BY CHANGING SOME THINGS IN THIS DEFINITION IT WOULD FIT EXACTLY A DEFINITION OF PAINTING ORATORY SCULPTURE AND POETRY NOW TO GET TO YOUR QUESTION WHAT'S THE MUSICIAN'S MODEL OR THE MODEL OF A MELODY IT'S DECLAMATION IF THE MODEL IS ALIVE AND THINKING ITS NOISE IF THE MODEL IS INANIMATE YOU MUST THINK OF DECLAMATION AS A LINE AND THE MELODY IS ANOTHER LINE WHICH WINDS ALONG THE FIRST THE MORE THIS DECLAMATION THE BASIS OF THE MELODY IS STRONG AND TRUE THE MORE THE MELODY WHICH MATCHES IT WILL INTERSECT IT IN A GREATER NUMBER OF POINTS AND THE TRUER THE MELODY THE MORE BEAUTIFUL IT WILL BE THAT SOMETHING OUR YOUNG MUSICIANS HAVE UNDERSTOOD REALLY WELL WHEN ONE HEARS JES SUY OU POUVREE DIABE ONE THINKS ONE CAN RECOGNIZE THE SAD CRY OF A MISER
large/7215/rameaus_nephew_bb3_librivox_64kb_mp3/rameausnephew_6_diderot_64kb
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