large/5293/cruelpainter_1203_librivox_64kb_mp3/cruelpainter_2_macdonald_64kb_117
large/5293/cruelpainter_1203_librivox_64kb_mp3/cruelpainter_2_macdonald_64kb
English
5293
I must now interrupt the course of my story to introduce another element. I MUST NOW INTERRUPT THE COURSE OF MY STORY TO INTRODUCE ANOTHER ELEMENT
n of Teufelsbürst’s art. Yet he had to fetter himself with all the restraints that self-exhortation could load him with, to refrain from falling at the feet of Lilith and kissing the hem of her garment. For that, as the lowliest part of all that surrounded her, itself kissing the earth, seemed to come nearest within the reach of his ambition, and therefore to draw him the most. No doubt the painter had experience and penetration enough to perceive that he was suffering intensely; but he wanted to see the suffering embodied in outward signs, bringing it within the region over which his pencil held sway. He kept on, therefore, trying one thing after another, and rousing the poor youth to agony; till to his other sufferings were added, at length, those of failing health; a fact which notified itself evidently enough even for Teufelsbürst, though its signs were not of the sort he chiefly desired. But Karl endured all bravely. Meantime, for various reasons, he scarcely ever left the house.   SECTION TWO OF THE CRUEL PAINTER THIS IS A LIVERPOX RECORDING ALL LIVERPOX RECORDINGS ARE IN THE PUBLIC DOMAIN FOR MORE INFORMATION OR TO VOLUNTEER PLEASE VISIT LIBERVOX DOT ORG RECORDING BY NED TROXLE THE CRUEL PAINTER BY GEORGE MAC DONALD SECTION TWO 
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