who were the subjects of most roman sculptures
Roman sculpture Portraiture is a dominant genre of Roman sculpture, growing perhaps from the traditional Roman emphasis on family and ancestors; the entrance hall (atrium) of a Roman elite house displayed ancestral portrait busts. During the Roman Republic, it was considered a sign of character not to gloss over physical imperfections, and to depict men in particular as rugged and unconcerned with vanity: the portrait was a map of experience. During the Imperial era, more idealized statues of Roman emperors became ubiquitous, particularly in connection with the state religion of Rome. Tombstones of even the modestly rich middle class sometimes exhibit portraits of the otherwise unknown deceased carved in relief.