the forms and composition of titian's venus of urbino were evolved primarily from ____
Venus of Urbino The figure's pose is based on the Dresden Venus, traditionally attributed to Giorgione but which Titian at least completed. In this depiction, Titian has domesticated Venus by moving her to an indoor setting, engaging her with the viewer, and making her sensuality explicit. Devoid as it is of any classical or allegorical trappings – Venus displays none of the attributes of the goddess she is supposed to represent – the painting is sensual and unapologetically erotic.