The problem is that when a documentary filmmaker seems too scared or cool or arty to violate his own immaculate aesthetic, he ends up weakening his case.
Documentary filmmakers are afraid to take risks that would end up strengthening their film.
Staying true to your art aesthetic is the best way to make a persuasive documentary.
There is a man and a lady sitting on the back of the deck.
dog plays in field
He and I are nothing alike.
The guy is right here in Kentucky.
The surfer is sleeping inside.
I don't know what the place is called.