Titian has a superbly sensual Venus of Urbino (1538), less Greek goddess than the prince's mistress she probably was, and an equally disturbing Flora (1515; more works by Raphael and Titian can be found in the Palazzo Pitti).
Titian depicted the Venus of Urbino in a sensual light, showing her less as a goddess, and more as a human being.
In his Venus of Urbino of 1538, Titian emphasises the untouchable and goddess-like attributes of Venus.
A group of people in costumes are gathered around a structure.
We judge from a distance but it is shocking to think that could happen.
A man is playing the violin on the street.
A girl holding an animal.
The old man is reading in his garden.
The race cars are not running at optimum speeds.