The dialogue moves ahead--there are great gobs of exposition--but the images continually double  to Stamp and Lesley Ann Warren, as his daughter's acting teacher, simply gazing at each other; or to Stamp sitting on a plane, remembering his daughter as a girl on the beach, the lens of his home movie camera creating an eerily bright--almost supernatural--spot that dances over her face.
The dialogue contains a large amount of exposition.
The dialogue contains almost zero exposition.
There are people sitting and walking on the stairs.
Three woman are playing bridge.
If you have particular religious beliefs, they keep an eye on that.
Neil Simon had more important things to do than to attend the opening night of the Menchen dinner theater production.
Schools of law need to specifically convey the debt burdens that students will assume.
A dog is out in the snow.