Less grandiosely than Harmony Korine in Julien Donkey-Boy , Soderbergh pores over every scene in search of its essential dramatic gesture.
Soderbergh is looking for the most dramatic gestures in each scene.
Soderbergh was only interested in scenes that were flat and lifeless, with minimal dramatic flare.
person in a orange hoodie lays on top of an entrance corridor
The people are eating salads.
R and D work is getting more difficult.
A person touches their face.
Two sights include the Milk Grotto and the Shepherds' Fields.
Men in canoes travel down white water rapids.