Richard Serra had to let go of painting in order to embark on this playful exploration that led him to the work that he's known for today: huge curves of steel that require our time and motion to experience. In sculpture, Richard Serra is able to do what he couldn't do in painting.
Richard Serra måtte give slip på malerkunsten for at kunne påbegynde denne legesyge opdagelsesrejse, der førte ham til de værker, han er kendt for i dag: enorme stålkurver der skal kræver tid og bevægelse for at kunne opleves. I skulpturen kan Richard Serra gøre, hvad han ikke kunne i maleriet.