In both films I tried to reopen up the past, truly reopen, not just recall, but really jump into that past moment when the tattoo was made and people were in the gas chambers."
Mõlema filmi puhul soovisin ma minevikku avada, tõeliselt avada, mitte lihtsalt mälestada, vaid tõesti hüpata sellesse mineviku hetke, kui tehti see tätoveering ja kui inimesed olid gaasikambris."