From Beethoven, Liszt and (from a different musical tradition) Berlioz came the concept of writing music with an inherent narrative or "programme," and of breaking away from the traditional four-movement symphony format.
De Beethoven, Liszt e (a partir dunha tradición musical diferente) Berlioz, provén o concepto de escribir música cunha narrativa inherente ou «programa» e de ruptura co formato tradicional da sinfonía de catro movementos.