After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models.
Logo da súa morte, a influencia do seu principal rival, Michelangelo, foi máis intensa ata os séculos XVIII e XIX, cando as calidades máis serenas e harmoniosas de Rafael foron consideradas de novo como un modelo superior.