This tendency may have been even stronger because Fauré was ambidextrous, and he was not always inclined to follow the convention that the melody is in the right hand and the accompaniment in the left.
Esta tendencia quizais exacerbábase debido ao feito de que era ambidextro e non sempre sentía a necesidade de seguir a convención de que a melodía estivera asignada á man dereita e o acompañamento á esquerda.