In French operas her pronunciation was poor, but the composer Delibes said that he did not care whether she sang in French, Italian, German, English or Chinese, as long as she sang.
En óperas francesas, a súa pronuncia foi pobre, mais o compositor Léo Delibes dixo que non lle importaba se cantaba en francés, italiano, alemán, inglés ou chinés, mentres ela cantase.