In the Netherlands the advocacy of Willem Mengelberg ensured that Mahler remained popular there, and Mengelberg's engagement with the New York Philharmonic from 1922 to 1928 brought Mahler regularly to American audiences.
Nos Países Baixos a defensa de Willem Mengelberg asegurou que Mahler seguira a ser popular alí, e o compromiso de Mengelberg coa New York Philharmonic dende 1922 ata 1928 levou a Mahler ás audiencias americanas con regularidade.