The stylised realism of his writing was reflected in the training given at the theatre's school of acting, and plays of peasant life were the main staple of the repertoire until the end of the 1950s.
O estilizado realismo da súa escritura reflectíase no sistema de interpretación ensinado na escola do teatro, e as obras sobre a vida campesiña foron o principal ingrediente do repertorio ata finais da década de 1950.