Sherrill later said in the book, How Nashville Became Music City, that he was asked every year by the other Columbia executives, why he was keeping Mandrell, because she was not selling records.
Позднее Шеррилл писал в своей книге How Nashville Became Music City, что руководство Columbia каждый год спрашивало, зачем он держит Мандрелл, если её записи не продаются.