Specifically, he desired that notes should be approached by gliding from tone to tone: The finger may start slowly on its move, increase speed, and hit the next ratio exactly.
Описывая метод исполнительской интерпретации, он хотел, чтобы к нотам подходили скользя от тона к тону: The finger may start slowly on its move, increase speed, and hit the next ratio exactly.