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+1
+00:00:01,360 --> 00:00:05,279
+for as long as i can remember i've loved
+
+2
+00:00:03,760 --> 00:00:07,040
+the murder mystery genre
+
+3
+00:00:05,279 --> 00:00:09,280
+and this obsession began when i bought
+
+4
+00:00:07,040 --> 00:00:09,920
+my first book murder on the orient
+
+5
+00:00:09,280 --> 00:00:12,080
+express
+
+6
+00:00:09,920 --> 00:00:14,400
+it has a simple story structure a
+
+7
+00:00:12,080 --> 00:00:15,440
+beautiful setting and of course for now
+
+8
+00:00:14,400 --> 00:00:18,560
+infamous twist
+
+9
+00:00:15,440 --> 00:00:20,160
+ending that got me absolutely hooked so
+
+10
+00:00:18,560 --> 00:00:22,320
+as you can imagine whenever there's a
+
+11
+00:00:20,160 --> 00:00:25,279
+new screen adaptation of this story
+
+12
+00:00:22,320 --> 00:00:27,920
+i am both really really excited and also
+
+13
+00:00:25,279 --> 00:00:30,080
+absolutely terrified
+
+14
+00:00:27,920 --> 00:00:31,679
+this was only amplified when i found out
+
+15
+00:00:30,080 --> 00:00:36,559
+that kenneth branagh was both
+
+16
+00:00:31,679 --> 00:00:36,559
+directing and starring in a 2017 version
+
+17
+00:00:36,960 --> 00:00:40,719
+now with the next film death on the nile
+
+18
+00:00:38,960 --> 00:00:42,719
+only a week away from release i think
+
+19
+00:00:40,719 --> 00:00:46,690
+it's finally time for me to explain
+
+20
+00:00:42,719 --> 00:00:56,539
+why i believe this was a bad book
+
+21
+00:00:46,690 --> 00:00:56,539
+[Music]
+
+22
+00:00:56,840 --> 00:00:59,840
+adaptation
+
+23
+00:01:00,000 --> 00:01:03,079
+[Music]
+
+24
+00:01:06,240 --> 00:01:10,720
+as i've already said this film was
+
+25
+00:01:07,840 --> 00:01:11,840
+directed by and stars kenneth branagh
+
+26
+00:01:10,720 --> 00:01:13,520
+now if you don't know who kenneth
+
+27
+00:01:11,840 --> 00:01:14,799
+branagh is he kind of formed his own
+
+28
+00:01:13,520 --> 00:01:17,039
+little niche for himself
+
+29
+00:01:14,799 --> 00:01:18,960
+of directing and starring in shakespeare
+
+30
+00:01:17,039 --> 00:01:21,119
+films let the doors be locked
+
+31
+00:01:18,960 --> 00:01:22,720
+i've always been in two minds about this
+
+32
+00:01:21,119 --> 00:01:24,640
+on one hand it always seemed a bit
+
+33
+00:01:22,720 --> 00:01:26,000
+egotistical to me like no one else
+
+34
+00:01:24,640 --> 00:01:28,320
+wanted to hire him so he just
+
+35
+00:01:26,000 --> 00:01:30,560
+thought he'd do it himself yeah i'm
+
+36
+00:01:28,320 --> 00:01:32,880
+gonna go direct my own movie
+
+37
+00:01:30,560 --> 00:01:34,720
+where's me playing the main character on
+
+38
+00:01:32,880 --> 00:01:36,479
+the other hand i really respect that he
+
+39
+00:01:34,720 --> 00:01:37,920
+gets to play the most interesting
+
+40
+00:01:36,479 --> 00:01:40,000
+complex and of course
+
+41
+00:01:37,920 --> 00:01:42,000
+famous characters but there are i
+
+42
+00:01:40,000 --> 00:01:44,000
+imagine this is what motivated him to
+
+43
+00:01:42,000 --> 00:01:45,360
+take on the character of puero so agatha
+
+44
+00:01:44,000 --> 00:01:47,280
+christie she's after
+
+45
+00:01:45,360 --> 00:01:48,399
+the the bible in shakespeare she's the
+
+46
+00:01:47,280 --> 00:01:50,320
+most read author in
+
+47
+00:01:48,399 --> 00:01:52,720
+on the entire planet that's pretty
+
+48
+00:01:50,320 --> 00:01:54,720
+impressive but unfortunately unlike with
+
+49
+00:01:52,720 --> 00:01:56,880
+shakespeare i just don't think he
+
+50
+00:01:54,720 --> 00:01:59,280
+understands the murder mystery genre
+
+51
+00:01:56,880 --> 00:02:01,200
+and he just really doesn't understand
+
+52
+00:01:59,280 --> 00:02:04,079
+the character of puero
+
+53
+00:02:01,200 --> 00:02:04,640
+i think christie i think has real relish
+
+54
+00:02:04,079 --> 00:02:07,200
+in
+
+55
+00:02:04,640 --> 00:02:07,680
+storytelling murder on the oint express
+
+56
+00:02:07,200 --> 00:02:09,679
+is a
+
+57
+00:02:07,680 --> 00:02:11,440
+relatively short book without much of a
+
+58
+00:02:09,679 --> 00:02:14,080
+way of extraneous detail
+
+59
+00:02:11,440 --> 00:02:15,680
+this makes it perfect for adaptation as
+
+60
+00:02:14,080 --> 00:02:17,440
+a screenwriter gets to take
+
+61
+00:02:15,680 --> 00:02:19,920
+lots of creative liberties within the
+
+62
+00:02:17,440 --> 00:02:22,079
+story among the countless adaptations
+
+63
+00:02:19,920 --> 00:02:23,920
+there was a version in 2010 starring
+
+64
+00:02:22,079 --> 00:02:26,000
+david suche who played the character of
+
+65
+00:02:23,920 --> 00:02:28,319
+poirot for over two decades
+
+66
+00:02:26,000 --> 00:02:30,319
+now this version to me is the perfect
+
+67
+00:02:28,319 --> 00:02:33,760
+example of how to do this story
+
+68
+00:02:30,319 --> 00:02:35,040
+yes it is incredibly dark and moody and
+
+69
+00:02:33,760 --> 00:02:36,879
+frankly depressing
+
+70
+00:02:35,040 --> 00:02:39,040
+but when you know the context of the
+
+71
+00:02:36,879 --> 00:02:41,920
+story that is entirely appropriate
+
+72
+00:02:39,040 --> 00:02:42,400
+takes the story to a very dark place i
+
+73
+00:02:41,920 --> 00:02:44,720
+think
+
+74
+00:02:42,400 --> 00:02:46,800
+it makes the story compelling engaging
+
+75
+00:02:44,720 --> 00:02:48,000
+and all together it makes it a brilliant
+
+76
+00:02:46,800 --> 00:02:50,000
+adaptation
+
+77
+00:02:48,000 --> 00:02:51,920
+they also allow david suchet to explore
+
+78
+00:02:50,000 --> 00:02:53,680
+the moral quandaries that puerto is
+
+79
+00:02:51,920 --> 00:02:55,680
+experiencing in this case
+
+80
+00:02:53,680 --> 00:02:57,360
+something that branagh wants to deal
+
+81
+00:02:55,680 --> 00:02:59,120
+with but really struggles to
+
+82
+00:02:57,360 --> 00:03:01,440
+i think partly due to the fact that he
+
+83
+00:02:59,120 --> 00:03:03,200
+chose to make this film a comedy
+
+84
+00:03:01,440 --> 00:03:04,800
+now if you're watching this video i'm
+
+85
+00:03:03,200 --> 00:03:06,720
+going to presume it means that you
+
+86
+00:03:04,800 --> 00:03:08,239
+already know the ending of the story
+
+87
+00:03:06,720 --> 00:03:10,159
+because you've either read the book or
+
+88
+00:03:08,239 --> 00:03:11,840
+watched one of the adaptations
+
+89
+00:03:10,159 --> 00:03:13,599
+but i'm going to quickly run through the
+
+90
+00:03:11,840 --> 00:03:15,519
+story in case you haven't seen it in a
+
+91
+00:03:13,599 --> 00:03:17,360
+while or want a refresher
+
+92
+00:03:15,519 --> 00:03:19,120
+the story begins with pyro having
+
+93
+00:03:17,360 --> 00:03:21,280
+finished a case in a foreign country
+
+94
+00:03:19,120 --> 00:03:23,280
+he's waiting at a train station about to
+
+95
+00:03:21,280 --> 00:03:24,959
+go on holiday for a few days
+
+96
+00:03:23,280 --> 00:03:27,040
+however once he gets to his next
+
+97
+00:03:24,959 --> 00:03:28,799
+destination he is informed that he has
+
+98
+00:03:27,040 --> 00:03:30,640
+to return back to england
+
+99
+00:03:28,799 --> 00:03:32,720
+so he wants to travel that night on the
+
+100
+00:03:30,640 --> 00:03:34,319
+orient express it turns out that the
+
+101
+00:03:32,720 --> 00:03:36,400
+train is fully booked
+
+102
+00:03:34,319 --> 00:03:37,680
+however luckily for paro he knows the
+
+103
+00:03:36,400 --> 00:03:40,000
+conductor of the line
+
+104
+00:03:37,680 --> 00:03:41,440
+and they managed to get him on board
+
+105
+00:03:40,000 --> 00:03:43,519
+whilst on the train he meets
+
+106
+00:03:41,440 --> 00:03:44,799
+multiple characters including a man
+
+107
+00:03:43,519 --> 00:03:47,599
+called ratchet
+
+108
+00:03:44,799 --> 00:03:48,799
+now ratchet is very shady and asks pari
+
+109
+00:03:47,599 --> 00:03:50,720
+to be his bodyguard
+
+110
+00:03:48,799 --> 00:03:52,640
+because he fears for his life para
+
+111
+00:03:50,720 --> 00:03:55,120
+declines and during that night
+
+112
+00:03:52,640 --> 00:03:57,200
+ratchet is killed also during the night
+
+113
+00:03:55,120 --> 00:03:59,680
+the train is hit by a snowstorm meaning
+
+114
+00:03:57,200 --> 00:04:01,680
+that all the passengers are stranded
+
+115
+00:03:59,680 --> 00:04:04,080
+and the killer could not get off the
+
+116
+00:04:01,680 --> 00:04:04,720
+train pari quickly discovers that
+
+117
+00:04:04,080 --> 00:04:07,120
+ratchet
+
+118
+00:04:04,720 --> 00:04:09,519
+was actually a kidnapper called cassetti
+
+119
+00:04:07,120 --> 00:04:11,439
+who kidnapped and killed a young child
+
+120
+00:04:09,519 --> 00:04:14,000
+called daisy armstrong a few years
+
+121
+00:04:11,439 --> 00:04:15,920
+earlier as his interviews continue he
+
+122
+00:04:14,000 --> 00:04:17,600
+discovers that everyone on the train
+
+123
+00:04:15,920 --> 00:04:19,680
+actually has a link to the armstrong
+
+124
+00:04:17,600 --> 00:04:21,839
+family whether being employed by them or
+
+125
+00:04:19,680 --> 00:04:23,520
+being a personal friend
+
+126
+00:04:21,839 --> 00:04:25,840
+this then eventually leads him to
+
+127
+00:04:23,520 --> 00:04:28,240
+conclude that everyone on the train took
+
+128
+00:04:25,840 --> 00:04:31,120
+it upon themselves to murder cassetti
+
+129
+00:04:28,240 --> 00:04:33,120
+as 12 members of the jury finally taking
+
+130
+00:04:31,120 --> 00:04:35,759
+what they saw as just revenge
+
+131
+00:04:33,120 --> 00:04:37,680
+on cassetti now in the book this is
+
+132
+00:04:35,759 --> 00:04:39,520
+where the story pretty much just ends
+
+133
+00:04:37,680 --> 00:04:40,720
+we don't really find out what baro does
+
+134
+00:04:39,520 --> 00:04:42,800
+with this information
+
+135
+00:04:40,720 --> 00:04:44,960
+it just stops there however most
+
+136
+00:04:42,800 --> 00:04:46,880
+adaptations decide to carry on the story
+
+137
+00:04:44,960 --> 00:04:47,840
+in order to show us puero dealing with
+
+138
+00:04:46,880 --> 00:04:49,680
+this information
+
+139
+00:04:47,840 --> 00:04:51,840
+and deciding what he's going to do with
+
+140
+00:04:49,680 --> 00:04:53,600
+it okay now that we've recapped the
+
+141
+00:04:51,840 --> 00:04:54,479
+story i think it's finally time to get
+
+142
+00:04:53,600 --> 00:04:57,199
+into the film
+
+143
+00:04:54,479 --> 00:04:58,560
+and why i believe it is not a good book
+
+144
+00:04:57,199 --> 00:05:00,240
+adaptation
+
+145
+00:04:58,560 --> 00:05:01,919
+now although i'm talking about kenneth
+
+146
+00:05:00,240 --> 00:05:04,720
+branagh's film i do want to make some
+
+147
+00:05:01,919 --> 00:05:06,880
+references back to the 2010 adaptation
+
+148
+00:05:04,720 --> 00:05:08,800
+most notably how the two films begin and
+
+149
+00:05:06,880 --> 00:05:11,199
+what that tells us about the different
+
+150
+00:05:08,800 --> 00:05:14,720
+attitudes that the directors had
+
+151
+00:05:11,199 --> 00:05:17,440
+no lieutenant you lie
+
+152
+00:05:14,720 --> 00:05:19,440
+to bravo in david sushay's version we
+
+153
+00:05:17,440 --> 00:05:21,520
+begin with a close-up on someone's eyes
+
+154
+00:05:19,440 --> 00:05:23,280
+as pueri berates him for allowing
+
+155
+00:05:21,520 --> 00:05:25,360
+someone to die
+
+156
+00:05:23,280 --> 00:05:27,680
+this man then kills himself in front of
+
+157
+00:05:25,360 --> 00:05:29,600
+puerto and yet juarez still doesn't back
+
+158
+00:05:27,680 --> 00:05:31,840
+down or think he did anything wrong
+
+159
+00:05:29,600 --> 00:05:33,199
+a man like your friend lieutenant always
+
+160
+00:05:31,840 --> 00:05:35,360
+has choice
+
+161
+00:05:33,199 --> 00:05:37,919
+and it was his choice to lie that
+
+162
+00:05:35,360 --> 00:05:39,600
+brought him into difficulty with the law
+
+163
+00:05:37,919 --> 00:05:41,919
+this shows us a few things
+
+164
+00:05:39,600 --> 00:05:43,919
+one that pueri views everything as black
+
+165
+00:05:41,919 --> 00:05:44,479
+and white you are either guilty or not
+
+166
+00:05:43,919 --> 00:05:46,240
+guilty
+
+167
+00:05:44,479 --> 00:05:48,560
+and even though this man didn't murder
+
+168
+00:05:46,240 --> 00:05:50,080
+someone his negligence did lead to a
+
+169
+00:05:48,560 --> 00:05:50,720
+death and therefore he should be
+
+170
+00:05:50,080 --> 00:05:53,120
+punished
+
+171
+00:05:50,720 --> 00:05:54,479
+it also displays puero's hatred for
+
+172
+00:05:53,120 --> 00:05:56,560
+someone lying to him
+
+173
+00:05:54,479 --> 00:05:58,800
+and how furious that makes him this
+
+174
+00:05:56,560 --> 00:06:01,440
+comes up a lot at the end of the film
+
+175
+00:05:58,800 --> 00:06:02,560
+but most importantly we see the focus is
+
+176
+00:06:01,440 --> 00:06:04,240
+on characters
+
+177
+00:06:02,560 --> 00:06:06,000
+these close-up shots happen throughout
+
+178
+00:06:04,240 --> 00:06:07,440
+the film and really allow us to get
+
+179
+00:06:06,000 --> 00:06:09,919
+into the heads of what people are
+
+180
+00:06:07,440 --> 00:06:12,000
+thinking and feeling at any point
+
+181
+00:06:09,919 --> 00:06:13,440
+rana on the other hand begins the film
+
+182
+00:06:12,000 --> 00:06:15,919
+with a sweeping shot
+
+183
+00:06:13,440 --> 00:06:18,000
+of jerusalem this demonstrates not only
+
+184
+00:06:15,919 --> 00:06:18,560
+the film's higher budget but also the
+
+185
+00:06:18,000 --> 00:06:20,800
+focus
+
+186
+00:06:18,560 --> 00:06:23,360
+on aesthetics for our film there is
+
+187
+00:06:20,800 --> 00:06:24,080
+beautiful scenery large crowds and of
+
+188
+00:06:23,360 --> 00:06:26,880
+course
+
+189
+00:06:24,080 --> 00:06:28,800
+very famous people this of course makes
+
+190
+00:06:26,880 --> 00:06:31,120
+sense for a hollywood blockbuster and is
+
+191
+00:06:28,800 --> 00:06:34,080
+part of a reason why it was successful
+
+192
+00:06:31,120 --> 00:06:36,000
+due to the names tied to it however
+
+193
+00:06:34,080 --> 00:06:37,520
+without this focus on characters that
+
+194
+00:06:36,000 --> 00:06:39,680
+sushe's version has
+
+195
+00:06:37,520 --> 00:06:41,360
+everything just ends up feeling a little
+
+196
+00:06:39,680 --> 00:06:43,680
+bit shallow
+
+197
+00:06:41,360 --> 00:06:45,360
+this opening scene is technically not in
+
+198
+00:06:43,680 --> 00:06:47,039
+the book the book only gives a very
+
+199
+00:06:45,360 --> 00:06:48,000
+broad strokes about the incident but
+
+200
+00:06:47,039 --> 00:06:50,240
+puerio was sorting
+
+201
+00:06:48,000 --> 00:06:52,159
+out this means that a screenwriter gets
+
+202
+00:06:50,240 --> 00:06:52,880
+to take whatever creative liberties they
+
+203
+00:06:52,159 --> 00:06:54,800
+like
+
+204
+00:06:52,880 --> 00:06:57,199
+but what is most important from this
+
+205
+00:06:54,800 --> 00:06:58,560
+opening scene is for we know who paro is
+
+206
+00:06:57,199 --> 00:07:01,039
+and what he stands for
+
+207
+00:06:58,560 --> 00:07:03,039
+however unlike in the 2010 version this
+
+208
+00:07:01,039 --> 00:07:05,120
+isn't really what brana does
+
+209
+00:07:03,039 --> 00:07:07,280
+what we do see is branagh seriously
+
+210
+00:07:05,120 --> 00:07:10,400
+leaning in to paris character trait
+
+211
+00:07:07,280 --> 00:07:11,919
+of ocd-like tendencies and these lead to
+
+212
+00:07:10,400 --> 00:07:14,800
+his view of right and wrong
+
+213
+00:07:11,919 --> 00:07:16,960
+things being in balance i can only see
+
+214
+00:07:14,800 --> 00:07:19,120
+the world as it should be
+
+215
+00:07:16,960 --> 00:07:20,479
+and when it is not the imperfection
+
+216
+00:07:19,120 --> 00:07:24,960
+stands out like
+
+217
+00:07:20,479 --> 00:07:28,160
+the nose in the middle of the face it
+
+218
+00:07:24,960 --> 00:07:28,880
+it makes most of life unbearable but it
+
+219
+00:07:28,160 --> 00:07:31,440
+is useful
+
+220
+00:07:28,880 --> 00:07:33,440
+in the detection of crime now of course
+
+221
+00:07:31,440 --> 00:07:34,400
+this is one of puerto's classic
+
+222
+00:07:33,440 --> 00:07:36,240
+character traits
+
+223
+00:07:34,400 --> 00:07:38,000
+but it does mean that the decision he
+
+224
+00:07:36,240 --> 00:07:39,680
+makes at the end of the story holds
+
+225
+00:07:38,000 --> 00:07:40,240
+little weight when really all it comes
+
+226
+00:07:39,680 --> 00:07:42,319
+down to
+
+227
+00:07:40,240 --> 00:07:44,319
+is him wanting things to be in balance
+
+228
+00:07:42,319 --> 00:07:46,319
+because that's how he likes it
+
+229
+00:07:44,319 --> 00:07:48,159
+rather than the 2010 version where
+
+230
+00:07:46,319 --> 00:07:48,879
+puerto is dealing with his own religious
+
+231
+00:07:48,159 --> 00:07:51,840
+beliefs
+
+232
+00:07:48,879 --> 00:07:53,599
+and how that ties to his moral decisions
+
+233
+00:07:51,840 --> 00:07:55,520
+this is particularly frustrating because
+
+234
+00:07:53,599 --> 00:07:57,520
+branagh does make a big point about
+
+235
+00:07:55,520 --> 00:07:58,960
+wanting to focus on his moral dilemma
+
+236
+00:07:57,520 --> 00:08:02,639
+that pueri faces
+
+237
+00:07:58,960 --> 00:08:06,160
+it carries a much more grey
+
+238
+00:08:02,639 --> 00:08:07,360
+area of moral complexity and it just
+
+239
+00:08:06,160 --> 00:08:10,000
+could have been set up
+
+240
+00:08:07,360 --> 00:08:12,240
+so much better in this initial scene
+
+241
+00:08:10,000 --> 00:08:13,039
+instead all we really learn about puerto
+
+242
+00:08:12,240 --> 00:08:14,879
+is that he
+
+243
+00:08:13,039 --> 00:08:16,639
+likes his eggs for same size has a
+
+244
+00:08:14,879 --> 00:08:18,479
+ridiculous mustache and
+
+245
+00:08:16,639 --> 00:08:20,479
+doesn't need his cane for walking
+
+246
+00:08:18,479 --> 00:08:21,199
+because he's a beast in elderly but
+
+247
+00:08:20,479 --> 00:08:23,440
+actually just
+
+248
+00:08:21,199 --> 00:08:25,440
+uses it as a weapon in fight scenes but
+
+249
+00:08:23,440 --> 00:08:27,599
+you'll see more of throughout the film
+
+250
+00:08:25,440 --> 00:08:29,039
+as the film progresses we begin to meet
+
+251
+00:08:27,599 --> 00:08:30,879
+our cast of characters
+
+252
+00:08:29,039 --> 00:08:32,159
+for the most part i'm okay with how
+
+253
+00:08:30,879 --> 00:08:34,240
+these are portrayed
+
+254
+00:08:32,159 --> 00:08:36,880
+however there are one or two who are
+
+255
+00:08:34,240 --> 00:08:38,559
+just so against the text but i find it
+
+256
+00:08:36,880 --> 00:08:40,399
+almost obnoxious
+
+257
+00:08:38,559 --> 00:08:42,559
+one of these characters is the first
+
+258
+00:08:40,399 --> 00:08:46,399
+person we meet mary debenham
+
+259
+00:08:42,559 --> 00:08:49,120
+god i am so sorry daisy but i absolutely
+
+260
+00:08:46,399 --> 00:08:49,760
+can't stand how this is played mary
+
+261
+00:08:49,120 --> 00:08:52,080
+debenham
+
+262
+00:08:49,760 --> 00:08:53,360
+is meant to be this really tough
+
+263
+00:08:52,080 --> 00:08:55,200
+character in the book
+
+264
+00:08:53,360 --> 00:08:57,360
+who brought everyone together to commit
+
+265
+00:08:55,200 --> 00:08:58,800
+this crime however here she's just
+
+266
+00:08:57,360 --> 00:09:02,480
+sickly sweet
+
+267
+00:08:58,800 --> 00:09:05,120
+i know your moustache from the papers
+
+268
+00:09:02,480 --> 00:09:06,880
+everything she says is just to make you
+
+269
+00:09:05,120 --> 00:09:08,800
+love her as an audience member
+
+270
+00:09:06,880 --> 00:09:10,399
+because at the end they try to trick you
+
+271
+00:09:08,800 --> 00:09:11,440
+into thinking she may have committed
+
+272
+00:09:10,399 --> 00:09:13,279
+this crime alone
+
+273
+00:09:11,440 --> 00:09:14,959
+however they do a really bad job of
+
+274
+00:09:13,279 --> 00:09:15,600
+making me like her and instead i just
+
+275
+00:09:14,959 --> 00:09:18,800
+find her
+
+276
+00:09:15,600 --> 00:09:19,279
+very annoying during the scene we also
+
+277
+00:09:18,800 --> 00:09:22,320
+meet
+
+278
+00:09:19,279 --> 00:09:24,160
+colonel slash doctor arbuthnot now this
+
+279
+00:09:22,320 --> 00:09:24,800
+character is a combination of two from
+
+280
+00:09:24,160 --> 00:09:26,880
+the book
+
+281
+00:09:24,800 --> 00:09:28,959
+and it makes complete sense for them to
+
+282
+00:09:26,880 --> 00:09:29,680
+do this they did it as well in the 2010
+
+283
+00:09:28,959 --> 00:09:31,120
+version
+
+284
+00:09:29,680 --> 00:09:33,120
+as in the book the character of the
+
+285
+00:09:31,120 --> 00:09:34,399
+doctor is really just there as a
+
+286
+00:09:33,120 --> 00:09:36,560
+sounding board for puero
+
+287
+00:09:34,399 --> 00:09:38,480
+and isn't particularly useful to the
+
+288
+00:09:36,560 --> 00:09:40,080
+plot therefore by combining him with
+
+289
+00:09:38,480 --> 00:09:43,440
+another character he can become
+
+290
+00:09:40,080 --> 00:09:45,360
+one of the 12 conspirators laro
+
+291
+00:09:43,440 --> 00:09:47,440
+we then meet book who was in charge of
+
+292
+00:09:45,360 --> 00:09:48,480
+the orient express now in this version
+
+293
+00:09:47,440 --> 00:09:51,040
+this character is an
+
+294
+00:09:48,480 --> 00:09:51,680
+absolute playboy this is a prostitute
+
+295
+00:09:51,040 --> 00:09:54,399
+she is i
+
+296
+00:09:51,680 --> 00:09:56,240
+am which he certainly isn't in the book
+
+297
+00:09:54,399 --> 00:09:56,880
+but there's no real reason why he
+
+298
+00:09:56,240 --> 00:09:59,040
+shouldn't be
+
+299
+00:09:56,880 --> 00:10:00,800
+i mean this film is meant to be a comedy
+
+300
+00:09:59,040 --> 00:10:02,800
+and honestly i feel like he goes through
+
+301
+00:10:00,800 --> 00:10:04,399
+a certain level of character development
+
+302
+00:10:02,800 --> 00:10:05,279
+than no other character displays
+
+303
+00:10:04,399 --> 00:10:07,519
+throughout the film
+
+304
+00:10:05,279 --> 00:10:08,800
+and i do respect that despite him being
+
+305
+00:10:07,519 --> 00:10:10,959
+slightly annoying
+
+306
+00:10:08,800 --> 00:10:12,880
+we see multiple people getting onto the
+
+307
+00:10:10,959 --> 00:10:15,920
+train and then we have
+
+308
+00:10:12,880 --> 00:10:18,000
+this stupid moment where the couch
+
+309
+00:10:15,920 --> 00:10:19,279
+jump kicks a guy in his face just for
+
+310
+00:10:18,000 --> 00:10:21,360
+taking his picture
+
+311
+00:10:19,279 --> 00:10:24,000
+in order to show us that in this version
+
+312
+00:10:21,360 --> 00:10:25,120
+the count is a dancer with serious anger
+
+313
+00:10:24,000 --> 00:10:27,200
+issues
+
+314
+00:10:25,120 --> 00:10:29,040
+now in the book the count is indeed
+
+315
+00:10:27,200 --> 00:10:30,800
+protective of his wife because she's
+
+316
+00:10:29,040 --> 00:10:33,600
+hiding a massive secret
+
+317
+00:10:30,800 --> 00:10:34,480
+however he is not this insanely
+
+318
+00:10:33,600 --> 00:10:36,720
+aggressive
+
+319
+00:10:34,480 --> 00:10:38,800
+animalistic character as they display
+
+320
+00:10:36,720 --> 00:10:41,040
+here i do think it takes away from what
+
+321
+00:10:38,800 --> 00:10:43,279
+i always viewed as a relatively sweet
+
+322
+00:10:41,040 --> 00:10:45,680
+relationship between them
+
+323
+00:10:43,279 --> 00:10:47,519
+we then see paro getting onto the train
+
+324
+00:10:45,680 --> 00:10:49,519
+and brandon decides to use this as a
+
+325
+00:10:47,519 --> 00:10:50,959
+chance to show his directing abilities
+
+326
+00:10:49,519 --> 00:10:52,480
+by creating a long shot that goes
+
+327
+00:10:50,959 --> 00:10:54,880
+throughout the train station and then
+
+328
+00:10:52,480 --> 00:10:56,320
+along the coach as he moves to his room
+
+329
+00:10:54,880 --> 00:10:57,920
+now this must have been incredibly
+
+330
+00:10:56,320 --> 00:10:58,480
+difficult to film with multiple moving
+
+331
+00:10:57,920 --> 00:11:00,959
+parts
+
+332
+00:10:58,480 --> 00:11:02,880
+extras all the actors and characters and
+
+333
+00:11:00,959 --> 00:11:04,800
+i do think they did a decent job but
+
+334
+00:11:02,880 --> 00:11:06,720
+brana does say that he basically let the
+
+335
+00:11:04,800 --> 00:11:07,360
+characters improv their parts in this
+
+336
+00:11:06,720 --> 00:11:10,000
+moment
+
+337
+00:11:07,360 --> 00:11:10,800
+in order to get a natural response which
+
+338
+00:11:10,000 --> 00:11:12,640
+normally i
+
+339
+00:11:10,800 --> 00:11:14,000
+would think is a great idea however i
+
+340
+00:11:12,640 --> 00:11:16,800
+don't think the actors
+
+341
+00:11:14,000 --> 00:11:18,320
+really understood the fact that puero is
+
+342
+00:11:16,800 --> 00:11:20,399
+not meant to be on this train
+
+343
+00:11:18,320 --> 00:11:22,320
+they booked an extra compartment just to
+
+344
+00:11:20,399 --> 00:11:24,959
+make sure they were completely alone
+
+345
+00:11:22,320 --> 00:11:26,560
+for this murder now seeing someone else
+
+346
+00:11:24,959 --> 00:11:28,959
+get on the train they should be
+
+347
+00:11:26,560 --> 00:11:30,480
+panicked freaking out as they are in the
+
+348
+00:11:28,959 --> 00:11:32,240
+2010 version
+
+349
+00:11:30,480 --> 00:11:33,519
+has anyone seen who's trying to get on
+
+350
+00:11:32,240 --> 00:11:35,440
+the train
+
+351
+00:11:33,519 --> 00:11:37,279
+secretly trying to communicate with each
+
+352
+00:11:35,440 --> 00:11:40,880
+other what's happening
+
+353
+00:11:37,279 --> 00:11:42,959
+oh no this is what has to happen so
+
+354
+00:11:40,880 --> 00:11:44,640
+this just what is happening and as an
+
+355
+00:11:42,959 --> 00:11:45,200
+audience member if i didn't know the
+
+356
+00:11:44,640 --> 00:11:47,360
+twist
+
+357
+00:11:45,200 --> 00:11:49,360
+there would be no indication or clues
+
+358
+00:11:47,360 --> 00:11:50,959
+here that i could potentially pick up on
+
+359
+00:11:49,360 --> 00:11:53,040
+and i've always found that a bit unfair
+
+360
+00:11:50,959 --> 00:11:54,880
+in a murder mystery as there's no chance
+
+361
+00:11:53,040 --> 00:11:56,880
+of me figuring things out alongside the
+
+362
+00:11:54,880 --> 00:11:58,959
+detective because the characters
+
+363
+00:11:56,880 --> 00:12:01,279
+aren't acting naturally and i think this
+
+364
+00:11:58,959 --> 00:12:03,040
+does come down to them not having clear
+
+365
+00:12:01,279 --> 00:12:05,120
+enough direction
+
+366
+00:12:03,040 --> 00:12:06,240
+once on the train they settle down for a
+
+367
+00:12:05,120 --> 00:12:08,959
+meal and then
+
+368
+00:12:06,240 --> 00:12:09,920
+we meet the most egregious character
+
+369
+00:12:08,959 --> 00:12:12,480
+adaptation there
+
+370
+00:12:09,920 --> 00:12:14,560
+is i would prefer it's a future to be
+
+371
+00:12:12,480 --> 00:12:17,680
+said not with that man
+
+372
+00:12:14,560 --> 00:12:18,240
+like should be seated with like oh my
+
+373
+00:12:17,680 --> 00:12:21,760
+god
+
+374
+00:12:18,240 --> 00:12:24,639
+why is he a nazi why on earth would they
+
+375
+00:12:21,760 --> 00:12:26,639
+make him a racist nazi just so you know
+
+376
+00:12:24,639 --> 00:12:27,920
+you're neither an austrian nor a german
+
+377
+00:12:26,639 --> 00:12:30,000
+or a professor
+
+378
+00:12:27,920 --> 00:12:30,959
+this character is actually an american
+
+379
+00:12:30,000 --> 00:12:33,040
+private eye
+
+380
+00:12:30,959 --> 00:12:35,600
+in the book he goes undercover as this
+
+381
+00:12:33,040 --> 00:12:37,680
+boisterous american carpet salesman
+
+382
+00:12:35,600 --> 00:12:39,600
+but for some reason here they decide
+
+383
+00:12:37,680 --> 00:12:42,800
+that he should go undercover
+
+384
+00:12:39,600 --> 00:12:45,839
+as in racist nazi
+
+385
+00:12:42,800 --> 00:12:48,800
+i just i don't understand it he later on
+
+386
+00:12:45,839 --> 00:12:50,800
+apologizes about being racist i'm sorry
+
+387
+00:12:48,800 --> 00:12:53,120
+about the colored folks cracks
+
+388
+00:12:50,800 --> 00:12:54,240
+but like why would this character choose
+
+389
+00:12:53,120 --> 00:12:56,399
+to be anyway
+
+390
+00:12:54,240 --> 00:12:58,160
+why could he not just be german why
+
+391
+00:12:56,399 --> 00:13:01,360
+could he not be american
+
+392
+00:12:58,160 --> 00:13:03,440
+it makes it absolutely no sense
+
+393
+00:13:01,360 --> 00:13:04,639
+and the only reason it's in the script
+
+394
+00:13:03,440 --> 00:13:08,079
+is so that mary
+
+395
+00:13:04,639 --> 00:13:12,399
+can do this to mix your red wine
+
+396
+00:13:08,079 --> 00:13:12,399
+and the white would be to ruin them both
+
+397
+00:13:18,399 --> 00:13:22,240
+i like a good rosie again this is there
+
+398
+00:13:20,639 --> 00:13:24,880
+to make you like her more but
+
+399
+00:13:22,240 --> 00:13:26,160
+god do i find it annoying we then
+
+400
+00:13:24,880 --> 00:13:27,920
+properly meet ratchet
+
+401
+00:13:26,160 --> 00:13:30,560
+as he tries to ask prior to become his
+
+402
+00:13:27,920 --> 00:13:34,240
+bodyguard now ratchet is meant to be
+
+403
+00:13:30,560 --> 00:13:36,720
+creepy and old and super unnerving and i
+
+404
+00:13:34,240 --> 00:13:37,519
+guess johnny depp pulls that off but he
+
+405
+00:13:36,720 --> 00:13:39,600
+doesn't even
+
+406
+00:13:37,519 --> 00:13:40,800
+slightly meet the character description
+
+407
+00:13:39,600 --> 00:13:43,040
+that christy put down
+
+408
+00:13:40,800 --> 00:13:45,199
+he's meant to have a relatively bold
+
+409
+00:13:43,040 --> 00:13:48,480
+domed head and false teeth
+
+410
+00:13:45,199 --> 00:13:52,639
+this is who the 2010 version cast
+
+411
+00:13:48,480 --> 00:13:55,920
+what's your name why are you asking
+
+412
+00:13:52,639 --> 00:13:59,519
+well kelly is three days away
+
+413
+00:13:55,920 --> 00:14:01,120
+long trip god that is so creepy and he
+
+414
+00:13:59,519 --> 00:14:02,160
+fits the character's description
+
+415
+00:14:01,120 --> 00:14:04,639
+perfectly
+
+416
+00:14:02,160 --> 00:14:06,720
+however of course brana was focused on
+
+417
+00:14:04,639 --> 00:14:08,399
+getting the most famous people possible
+
+418
+00:14:06,720 --> 00:14:10,079
+and so we get johnny depp
+
+419
+00:14:08,399 --> 00:14:12,320
+and we even get mrs hubbard who is
+
+420
+00:14:10,079 --> 00:14:14,000
+actually lindararden the grandmother of
+
+421
+00:14:12,320 --> 00:14:17,440
+the child who this man
+
+422
+00:14:14,000 --> 00:14:19,440
+killed calling him hot some men have a
+
+423
+00:14:17,440 --> 00:14:21,920
+good look
+
+424
+00:14:19,440 --> 00:14:23,120
+all they have to do is keep their mouth
+
+425
+00:14:21,920 --> 00:14:26,000
+shut
+
+426
+00:14:23,120 --> 00:14:28,240
+okay anyway he asked prior to be his
+
+427
+00:14:26,000 --> 00:14:30,320
+bodyguard and para says no because
+
+428
+00:14:28,240 --> 00:14:32,480
+i do not like your face which is a
+
+429
+00:14:30,320 --> 00:14:34,399
+brilliant line from the book
+
+430
+00:14:32,480 --> 00:14:35,920
+foiro tries to tuck into bed but
+
+431
+00:14:34,399 --> 00:14:37,680
+unfortunately during the night there are
+
+432
+00:14:35,920 --> 00:14:38,480
+lots of knocking on doors and bells
+
+433
+00:14:37,680 --> 00:14:40,320
+going off
+
+434
+00:14:38,480 --> 00:14:43,120
+that make him wake up and stick his head
+
+435
+00:14:40,320 --> 00:14:45,199
+out now i would go over the timeline
+
+436
+00:14:43,120 --> 00:14:46,480
+in detail but honestly i feel like you
+
+437
+00:14:45,199 --> 00:14:48,959
+should get this from the book
+
+438
+00:14:46,480 --> 00:14:50,160
+and also branagh just doesn't really
+
+439
+00:14:48,959 --> 00:14:51,920
+talk about them much
+
+440
+00:14:50,160 --> 00:14:53,680
+and he certainly doesn't use them to
+
+441
+00:14:51,920 --> 00:14:55,360
+figure out people's alibis
+
+442
+00:14:53,680 --> 00:14:57,519
+the only thing that you really need to
+
+443
+00:14:55,360 --> 00:14:59,519
+remember is that at some point he sees a
+
+444
+00:14:57,519 --> 00:15:01,279
+woman in a red kimono
+
+445
+00:14:59,519 --> 00:15:03,199
+during the night we are also hit by a
+
+446
+00:15:01,279 --> 00:15:04,560
+massive avalanche of snow which knocks
+
+447
+00:15:03,199 --> 00:15:06,800
+everyone out of bed and
+
+448
+00:15:04,560 --> 00:15:08,720
+here we get a fun little continuity era
+
+449
+00:15:06,800 --> 00:15:09,920
+where twara goes to sleep without his
+
+450
+00:15:08,720 --> 00:15:11,519
+mustache holder on
+
+451
+00:15:09,920 --> 00:15:13,440
+it suddenly appears as he's falling out
+
+452
+00:15:11,519 --> 00:15:15,680
+of bed and then when he lands on the
+
+453
+00:15:13,440 --> 00:15:17,360
+floor it's gone again
+
+454
+00:15:15,680 --> 00:15:18,800
+anyway the next morning everyone is
+
+455
+00:15:17,360 --> 00:15:20,160
+complaining because they're not going to
+
+456
+00:15:18,800 --> 00:15:21,279
+make their connections and get where
+
+457
+00:15:20,160 --> 00:15:23,760
+they need to go
+
+458
+00:15:21,279 --> 00:15:24,560
+and then we finally get to the discovery
+
+459
+00:15:23,760 --> 00:15:28,160
+of the body
+
+460
+00:15:24,560 --> 00:15:31,120
+and i absolutely hate how this is filmed
+
+461
+00:15:28,160 --> 00:15:32,160
+they decide to do this god awful
+
+462
+00:15:31,120 --> 00:15:35,040
+overhead shot
+
+463
+00:15:32,160 --> 00:15:37,040
+which just looks terrible to me and they
+
+464
+00:15:35,040 --> 00:15:37,920
+also make it a long take even though
+
+465
+00:15:37,040 --> 00:15:40,000
+there's nothing
+
+466
+00:15:37,920 --> 00:15:42,160
+impressive about that due to the fact
+
+467
+00:15:40,000 --> 00:15:43,600
+that we can't even see their mouths move
+
+468
+00:15:42,160 --> 00:15:44,720
+we don't even know that they're getting
+
+469
+00:15:43,600 --> 00:15:46,480
+their lines right
+
+470
+00:15:44,720 --> 00:15:48,720
+in fact i'm pretty sure most of this is
+
+471
+00:15:46,480 --> 00:15:50,399
+adr in i feel if you're going to do a
+
+472
+00:15:48,720 --> 00:15:51,839
+long shot it needs to be like the one
+
+473
+00:15:50,399 --> 00:15:54,399
+earlier where it's actually impressive
+
+474
+00:15:51,839 --> 00:15:55,440
+that they did it in one take however
+
+475
+00:15:54,399 --> 00:15:57,680
+here the actions
+
+476
+00:15:55,440 --> 00:15:59,040
+aren't just not impressive they don't
+
+477
+00:15:57,680 --> 00:16:00,959
+make any sense
+
+478
+00:15:59,040 --> 00:16:02,959
+the doctor enters the room and without
+
+479
+00:16:00,959 --> 00:16:05,440
+even taking off ratchet's shirt he can
+
+480
+00:16:02,959 --> 00:16:06,880
+describe the wounds in detail and even
+
+481
+00:16:05,440 --> 00:16:10,240
+tell them time of death
+
+482
+00:16:06,880 --> 00:16:11,120
+within 10 seconds that's just completely
+
+483
+00:16:10,240 --> 00:16:14,320
+stupid
+
+484
+00:16:11,120 --> 00:16:17,040
+he was stabbed long straight edge knife
+
+485
+00:16:14,320 --> 00:16:18,639
+multiple stab wounds some shallow some
+
+486
+00:16:17,040 --> 00:16:19,759
+cut clean through muscle can you
+
+487
+00:16:18,639 --> 00:16:22,880
+estimate the
+
+488
+00:16:19,759 --> 00:16:25,360
+the time of death it's hard to say
+
+489
+00:16:22,880 --> 00:16:27,120
+with the window open but my best guess
+
+490
+00:16:25,360 --> 00:16:29,040
+is between midnight and two
+
+491
+00:16:27,120 --> 00:16:30,720
+now we break any sense of immersion i
+
+492
+00:16:29,040 --> 00:16:32,800
+may have had by going over the top of
+
+493
+00:16:30,720 --> 00:16:35,279
+the wall into paris compartment
+
+494
+00:16:32,800 --> 00:16:36,959
+making it painfully clear that we are on
+
+495
+00:16:35,279 --> 00:16:39,360
+a set and not at all
+
+496
+00:16:36,959 --> 00:16:41,120
+on a train book wants to convince prior
+
+497
+00:16:39,360 --> 00:16:44,320
+to take the case by saying this
+
+498
+00:16:41,120 --> 00:16:45,600
+you sit in a chair and you you you eat
+
+499
+00:16:44,320 --> 00:16:46,800
+your cake
+
+500
+00:16:45,600 --> 00:16:48,880
+and you think until the solution
+
+501
+00:16:46,800 --> 00:16:50,560
+presents itself and here we see brana
+
+502
+00:16:48,880 --> 00:16:52,399
+distancing himself from who the
+
+503
+00:16:50,560 --> 00:16:53,839
+character of puerto is meant to be by
+
+504
+00:16:52,399 --> 00:16:54,959
+saying this you think that is what i do
+
+505
+00:16:53,839 --> 00:16:56,000
+i sit in the chair and i have a little
+
+506
+00:16:54,959 --> 00:16:57,279
+piece of cake and then they come up with
+
+507
+00:16:56,000 --> 00:17:00,000
+a question
+
+508
+00:16:57,279 --> 00:17:00,480
+if you know puero you know that how he
+
+509
+00:17:00,000 --> 00:17:03,279
+worked
+
+510
+00:17:00,480 --> 00:17:04,480
+is by sitting back thinking using his
+
+511
+00:17:03,279 --> 00:17:06,720
+little grey cells
+
+512
+00:17:04,480 --> 00:17:09,119
+eating some cake and using the
+
+513
+00:17:06,720 --> 00:17:11,280
+psychology to solve the case
+
+514
+00:17:09,119 --> 00:17:12,559
+with this line branner is clearly saying
+
+515
+00:17:11,280 --> 00:17:14,799
+that's not who he's playing
+
+516
+00:17:12,559 --> 00:17:16,880
+because he wants to make paro an action
+
+517
+00:17:14,799 --> 00:17:18,000
+star and i just don't understand why
+
+518
+00:17:16,880 --> 00:17:19,599
+he'd choose to play
+
+519
+00:17:18,000 --> 00:17:21,520
+the character of puerto when he clearly
+
+520
+00:17:19,599 --> 00:17:22,799
+doesn't like the character of puero
+
+521
+00:17:21,520 --> 00:17:24,720
+because he doesn't like his
+
+522
+00:17:22,799 --> 00:17:26,079
+introspective nature
+
+523
+00:17:24,720 --> 00:17:27,919
+and now we're on to the interview part
+
+524
+00:17:26,079 --> 00:17:28,240
+of a film we start with mcqueen who we
+
+525
+00:17:27,919 --> 00:17:29,919
+learn
+
+526
+00:17:28,240 --> 00:17:31,919
+is a drunk is this really the time for
+
+527
+00:17:29,919 --> 00:17:33,440
+drinking and also the ratchet was
+
+528
+00:17:31,919 --> 00:17:35,200
+getting some threatening letters
+
+529
+00:17:33,440 --> 00:17:37,039
+we then go back to see the body and
+
+530
+00:17:35,200 --> 00:17:38,160
+brianna gets the most out of his set by
+
+531
+00:17:37,039 --> 00:17:40,799
+using the same
+
+532
+00:17:38,160 --> 00:17:42,640
+awful overhead shot he finds a pipe
+
+533
+00:17:40,799 --> 00:17:44,160
+cleaner and a handkerchief on the floor
+
+534
+00:17:42,640 --> 00:17:46,240
+and in the book these are really
+
+535
+00:17:44,160 --> 00:17:47,840
+important clues and he asks to everyone
+
+536
+00:17:46,240 --> 00:17:50,000
+he interviews about them
+
+537
+00:17:47,840 --> 00:17:51,760
+but again in this version we don't
+
+538
+00:17:50,000 --> 00:17:53,280
+really see prairie figuring things out
+
+539
+00:17:51,760 --> 00:17:55,200
+instead he doesn't really bring them up
+
+540
+00:17:53,280 --> 00:17:55,840
+until he knows who they actually belong
+
+541
+00:17:55,200 --> 00:17:57,840
+to
+
+542
+00:17:55,840 --> 00:17:59,679
+but one important clue we do find though
+
+543
+00:17:57,840 --> 00:18:02,080
+is a burnt up piece of paper
+
+544
+00:17:59,679 --> 00:18:04,160
+now as in the book he takes his paper
+
+545
+00:18:02,080 --> 00:18:06,080
+and sets it alight so that the ink
+
+546
+00:18:04,160 --> 00:18:08,640
+shines through for just a moment
+
+547
+00:18:06,080 --> 00:18:10,000
+in the book this message reads daisy
+
+548
+00:18:08,640 --> 00:18:12,640
+armstrong which is
+
+549
+00:18:10,000 --> 00:18:13,600
+incredibly on the nose and i've never
+
+550
+00:18:12,640 --> 00:18:16,080
+really liked that
+
+551
+00:18:13,600 --> 00:18:17,840
+in the 2010 version it reads easy arms
+
+552
+00:18:16,080 --> 00:18:19,360
+meaning that poirot needs a bit of time
+
+553
+00:18:17,840 --> 00:18:19,679
+to figure out what that could possibly
+
+554
+00:18:19,360 --> 00:18:22,160
+mean
+
+555
+00:18:19,679 --> 00:18:23,360
+until he finally makes the link here we
+
+556
+00:18:22,160 --> 00:18:26,000
+get this kind of long
+
+557
+00:18:23,360 --> 00:18:26,799
+cryptic message which is an interesting
+
+558
+00:18:26,000 --> 00:18:30,080
+decision
+
+559
+00:18:26,799 --> 00:18:31,039
+however puerto immediately knows exactly
+
+560
+00:18:30,080 --> 00:18:32,960
+what it means
+
+561
+00:18:31,039 --> 00:18:34,799
+i know the dead man's real name which
+
+562
+00:18:32,960 --> 00:18:36,799
+doesn't really make sense to me because
+
+563
+00:18:34,799 --> 00:18:38,640
+if it's going to be that obvious to him
+
+564
+00:18:36,799 --> 00:18:39,679
+it may as well have just said daisy
+
+565
+00:18:38,640 --> 00:18:41,520
+armstrong
+
+566
+00:18:39,679 --> 00:18:43,280
+even pueri would have needed a few
+
+567
+00:18:41,520 --> 00:18:45,280
+minutes of sitting back and thinking
+
+568
+00:18:43,280 --> 00:18:46,320
+in order to figure this out he wouldn't
+
+569
+00:18:45,280 --> 00:18:48,880
+have just been able to
+
+570
+00:18:46,320 --> 00:18:50,559
+magically know it immediately however of
+
+571
+00:18:48,880 --> 00:18:52,720
+course brannan doesn't want to show
+
+572
+00:18:50,559 --> 00:18:54,640
+prior thinking so instead we just
+
+573
+00:18:52,720 --> 00:18:57,360
+know what it means immediately as well
+
+574
+00:18:54,640 --> 00:18:59,840
+just straight up said daisy armstrong
+
+575
+00:18:57,360 --> 00:19:01,679
+so puero now knows that ratchet is
+
+576
+00:18:59,840 --> 00:19:02,720
+actually cassetti and the first person
+
+577
+00:19:01,679 --> 00:19:04,960
+he mentions this to
+
+578
+00:19:02,720 --> 00:19:05,840
+is mrs hubbard when she comes in in a
+
+579
+00:19:04,960 --> 00:19:07,760
+frantic state
+
+580
+00:19:05,840 --> 00:19:09,520
+saying that someone was in her room last
+
+581
+00:19:07,760 --> 00:19:11,600
+night once more this is
+
+582
+00:19:09,520 --> 00:19:13,600
+super important in the book but in the
+
+583
+00:19:11,600 --> 00:19:14,480
+film i honestly don't think it's brought
+
+584
+00:19:13,600 --> 00:19:16,000
+up again
+
+585
+00:19:14,480 --> 00:19:17,840
+it's just kind of a nod to the fact that
+
+586
+00:19:16,000 --> 00:19:19,679
+mrs hubbard says it in the book and
+
+587
+00:19:17,840 --> 00:19:22,080
+an opportunity for prior to gain another
+
+588
+00:19:19,679 --> 00:19:24,160
+piece of evidence the conductor's button
+
+589
+00:19:22,080 --> 00:19:25,919
+he then interviews masterman and this
+
+590
+00:19:24,160 --> 00:19:26,480
+character is played completely fine
+
+591
+00:19:25,919 --> 00:19:28,240
+although
+
+592
+00:19:26,480 --> 00:19:30,799
+for some reason they decide to give him
+
+593
+00:19:28,240 --> 00:19:32,559
+cancer in the book he just has a regular
+
+594
+00:19:30,799 --> 00:19:33,600
+old two fake but i guess they thought it
+
+595
+00:19:32,559 --> 00:19:36,559
+would give us some
+
+596
+00:19:33,600 --> 00:19:38,080
+emotional depth if he had cancer i'm
+
+597
+00:19:36,559 --> 00:19:39,919
+sorry about the toothache
+
+598
+00:19:38,080 --> 00:19:41,200
+but i don't see why we as an audience
+
+599
+00:19:39,919 --> 00:19:44,080
+should care but
+
+600
+00:19:41,200 --> 00:19:45,200
+sure why not we then get an intercut of
+
+601
+00:19:44,080 --> 00:19:48,880
+free interviews just
+
+602
+00:19:45,200 --> 00:19:51,440
+mashed together of the nazi vasquez
+
+603
+00:19:48,880 --> 00:19:52,000
+and pilar now in the book pilar is
+
+604
+00:19:51,440 --> 00:19:54,320
+described
+
+605
+00:19:52,000 --> 00:19:55,840
+as a sheep-faced swedish woman but of
+
+606
+00:19:54,320 --> 00:19:57,679
+course that description wouldn't have
+
+607
+00:19:55,840 --> 00:20:00,640
+aligned with very attractive and
+
+608
+00:19:57,679 --> 00:20:01,120
+more importantly very famous penelope
+
+609
+00:20:00,640 --> 00:20:03,039
+cruz
+
+610
+00:20:01,120 --> 00:20:04,159
+and therefore they shifted it in order
+
+611
+00:20:03,039 --> 00:20:06,320
+to fit her character
+
+612
+00:20:04,159 --> 00:20:08,559
+and gave her a new name her character
+
+613
+00:20:06,320 --> 00:20:08,960
+traits are relatively similar other than
+
+614
+00:20:08,559 --> 00:20:11,039
+this
+
+615
+00:20:08,960 --> 00:20:12,240
+weird violent streak they chose to give
+
+616
+00:20:11,039 --> 00:20:14,960
+her
+
+617
+00:20:12,240 --> 00:20:17,120
+so i suppose on the whole it's fine he
+
+618
+00:20:14,960 --> 00:20:17,760
+then interviews mary outside and it's
+
+619
+00:20:17,120 --> 00:20:19,919
+just so
+
+620
+00:20:17,760 --> 00:20:21,600
+obviously an excuse to get an aesthetic
+
+621
+00:20:19,919 --> 00:20:23,280
+shot of them out in the snow
+
+622
+00:20:21,600 --> 00:20:24,640
+she just sits there all smug doesn't
+
+623
+00:20:23,280 --> 00:20:27,280
+answer his questions
+
+624
+00:20:24,640 --> 00:20:29,520
+no progress is really made then he goes
+
+625
+00:20:27,280 --> 00:20:30,320
+back inside to interview hildegard and
+
+626
+00:20:29,520 --> 00:20:32,400
+schmidt
+
+627
+00:20:30,320 --> 00:20:34,080
+and we discover our first tangible link
+
+628
+00:20:32,400 --> 00:20:37,200
+to the armstrong family
+
+629
+00:20:34,080 --> 00:20:39,600
+daisy was my girl daughter now i
+
+630
+00:20:37,200 --> 00:20:41,360
+love olivia coleman but i am sure that
+
+631
+00:20:39,600 --> 00:20:44,400
+she was only cast in this film
+
+632
+00:20:41,360 --> 00:20:44,960
+because she's olivia coleman she acts it
+
+633
+00:20:44,400 --> 00:20:46,960
+great
+
+634
+00:20:44,960 --> 00:20:50,480
+and i guess she's probably doing the
+
+635
+00:20:46,960 --> 00:20:52,480
+accent well probably your excellence
+
+636
+00:20:50,480 --> 00:20:54,400
+but i just keep on hearing her british
+
+637
+00:20:52,480 --> 00:20:56,480
+voice coming through so
+
+638
+00:20:54,400 --> 00:20:58,400
+i don't know schmidt reveals that she
+
+639
+00:20:56,480 --> 00:21:00,400
+saw a conductor out last night and it
+
+640
+00:20:58,400 --> 00:21:01,919
+wasn't the one we know michelle
+
+641
+00:21:00,400 --> 00:21:03,600
+therefore they go running around the
+
+642
+00:21:01,919 --> 00:21:05,440
+train and look through everyone's
+
+643
+00:21:03,600 --> 00:21:06,480
+suitcases to see if they can find the
+
+644
+00:21:05,440 --> 00:21:09,200
+conductor's outfit
+
+645
+00:21:06,480 --> 00:21:11,440
+and also the red kimono they soon find
+
+646
+00:21:09,200 --> 00:21:13,440
+the red kimono in puerto suitcase
+
+647
+00:21:11,440 --> 00:21:16,000
+and the conductor's outfit in schmidt's
+
+648
+00:21:13,440 --> 00:21:17,840
+room they smell the outfit and see that
+
+649
+00:21:16,000 --> 00:21:19,360
+it smells like alcohol and if you
+
+650
+00:21:17,840 --> 00:21:19,919
+remember earlier they gave us that
+
+651
+00:21:19,360 --> 00:21:22,400
+little
+
+652
+00:21:19,919 --> 00:21:24,799
+nudge about mcqueen being an alcoholic
+
+653
+00:21:22,400 --> 00:21:26,240
+so i guess this is the payoff for that
+
+654
+00:21:24,799 --> 00:21:27,840
+they go through some financials and
+
+655
+00:21:26,240 --> 00:21:28,559
+discover mcqueen was stealing from
+
+656
+00:21:27,840 --> 00:21:30,480
+ratchet
+
+657
+00:21:28,559 --> 00:21:31,760
+somehow mcqueen knows they're doing this
+
+658
+00:21:30,480 --> 00:21:35,440
+and decides to just
+
+659
+00:21:31,760 --> 00:21:37,440
+start running for no reason
+
+660
+00:21:35,440 --> 00:21:39,120
+like he burns some papers i guess but
+
+661
+00:21:37,440 --> 00:21:40,960
+there's nowhere he can go to
+
+662
+00:21:39,120 --> 00:21:42,480
+and it's just such a bizarre thing for
+
+663
+00:21:40,960 --> 00:21:44,640
+his character to do
+
+664
+00:21:42,480 --> 00:21:46,720
+the only reason it is in this film is
+
+665
+00:21:44,640 --> 00:21:48,559
+that brano wanted another action scene
+
+666
+00:21:46,720 --> 00:21:50,240
+where he gets to run around and jump
+
+667
+00:21:48,559 --> 00:21:52,640
+even though he's meant to be playing an
+
+668
+00:21:50,240 --> 00:21:54,640
+elderly man who walks with a cane
+
+669
+00:21:52,640 --> 00:21:56,799
+apparently he doesn't even get hurt when
+
+670
+00:21:54,640 --> 00:21:57,600
+he falls several feet onto planks of
+
+671
+00:21:56,799 --> 00:21:59,679
+wood
+
+672
+00:21:57,600 --> 00:22:01,600
+to prove that chase scene was entirely
+
+673
+00:21:59,679 --> 00:22:02,240
+pointless as soon as we get back on the
+
+674
+00:22:01,600 --> 00:22:04,080
+train
+
+675
+00:22:02,240 --> 00:22:05,919
+our buff knock comes in and gives him an
+
+676
+00:22:04,080 --> 00:22:08,240
+alibi so it was just an
+
+677
+00:22:05,919 --> 00:22:10,400
+absolute waste of our time their
+
+678
+00:22:08,240 --> 00:22:13,520
+interrogation is then cut off because
+
+679
+00:22:10,400 --> 00:22:15,840
+mrs hubbard is literally stabbed in the
+
+680
+00:22:13,520 --> 00:22:19,600
+back
+
+681
+00:22:15,840 --> 00:22:21,039
+what this makes no sense for them to do
+
+682
+00:22:19,600 --> 00:22:22,960
+any chance of them saying that the
+
+683
+00:22:21,039 --> 00:22:24,159
+killer has left the train has just gone
+
+684
+00:22:22,960 --> 00:22:26,880
+out the window
+
+685
+00:22:24,159 --> 00:22:27,840
+which by the way is where the killer was
+
+686
+00:22:26,880 --> 00:22:30,000
+meant to have gone
+
+687
+00:22:27,840 --> 00:22:31,600
+in the book they don't even mention that
+
+688
+00:22:30,000 --> 00:22:33,840
+possibility in the film
+
+689
+00:22:31,600 --> 00:22:35,919
+thistle makes it near impossible for
+
+690
+00:22:33,840 --> 00:22:36,880
+their fake story to be believed at the
+
+691
+00:22:35,919 --> 00:22:40,000
+end of a film
+
+692
+00:22:36,880 --> 00:22:42,960
+no no no no no it doesn't
+
+693
+00:22:40,000 --> 00:22:44,720
+work or stabs mrs hubbard so it's
+
+694
+00:22:42,960 --> 00:22:46,559
+completely illogical for these
+
+695
+00:22:44,720 --> 00:22:48,400
+characters to have done this
+
+696
+00:22:46,559 --> 00:22:50,400
+and once more is only there to get a bit
+
+697
+00:22:48,400 --> 00:22:51,840
+more action and a bit more blood in the
+
+698
+00:22:50,400 --> 00:22:53,600
+film
+
+699
+00:22:51,840 --> 00:22:54,960
+pyro then interviews the count and
+
+700
+00:22:53,600 --> 00:22:56,960
+countess and pretty much
+
+701
+00:22:54,960 --> 00:22:59,200
+immediately discovers that the countess
+
+702
+00:22:56,960 --> 00:23:02,159
+is the sister
+
+703
+00:22:59,200 --> 00:23:03,840
+of sonia armstrong how does he figure it
+
+704
+00:23:02,159 --> 00:23:05,360
+out well it's because she said she's
+
+705
+00:23:03,840 --> 00:23:07,280
+good at geography i'm particularly good
+
+706
+00:23:05,360 --> 00:23:08,320
+at capitals my governance was a stickler
+
+707
+00:23:07,280 --> 00:23:10,480
+for geography
+
+708
+00:23:08,320 --> 00:23:12,480
+and earlier in the film mary said she
+
+709
+00:23:10,480 --> 00:23:14,080
+was a governess who taught geography
+
+710
+00:23:12,480 --> 00:23:15,360
+i always begin them with geography and
+
+711
+00:23:14,080 --> 00:23:16,080
+monster them till they have the world
+
+712
+00:23:15,360 --> 00:23:18,720
+down cold
+
+713
+00:23:16,080 --> 00:23:20,400
+even though we have had no indication
+
+714
+00:23:18,720 --> 00:23:23,760
+that mary was for governess
+
+715
+00:23:20,400 --> 00:23:25,039
+for the armstrong family oh this makes
+
+716
+00:23:23,760 --> 00:23:26,960
+no sense
+
+717
+00:23:25,039 --> 00:23:28,720
+i'm also not even going to get into how
+
+718
+00:23:26,960 --> 00:23:29,679
+dirty they did the character of helena
+
+719
+00:23:28,720 --> 00:23:31,120
+armstrong here
+
+720
+00:23:29,679 --> 00:23:32,799
+let's just say she's meant to be using
+
+721
+00:23:31,120 --> 00:23:33,280
+the acting skills inherited from her
+
+722
+00:23:32,799 --> 00:23:35,280
+mother
+
+723
+00:23:33,280 --> 00:23:36,960
+to pretend to be a foreign diplomat
+
+724
+00:23:35,280 --> 00:23:41,919
+she's not meant to be
+
+725
+00:23:36,960 --> 00:23:45,120
+a drug addled mess addicted to bentos
+
+726
+00:23:41,919 --> 00:23:47,679
+oh it's so stupid
+
+727
+00:23:45,120 --> 00:23:49,679
+anyway the nazi now admits that he's
+
+728
+00:23:47,679 --> 00:23:50,799
+actually a man called hardman and as the
+
+729
+00:23:49,679 --> 00:23:53,279
+private eye
+
+730
+00:23:50,799 --> 00:23:54,880
+great we also then quickly find out
+
+731
+00:23:53,279 --> 00:23:56,240
+something that as an audience member
+
+732
+00:23:54,880 --> 00:23:59,360
+would have no way of knowing
+
+733
+00:23:56,240 --> 00:24:02,080
+you were in fact a policeman first okay
+
+734
+00:23:59,360 --> 00:24:04,400
+whatever prior then has another lovely
+
+735
+00:24:02,080 --> 00:24:06,559
+aesthetic shot of him interviewing mary
+
+736
+00:24:04,400 --> 00:24:08,400
+once more and he gets mary to read out
+
+737
+00:24:06,559 --> 00:24:09,200
+the 10 questions which are actually in
+
+738
+00:24:08,400 --> 00:24:12,480
+the book
+
+739
+00:24:09,200 --> 00:24:16,320
+the handkerchief the pipe cleaner
+
+740
+00:24:12,480 --> 00:24:19,440
+the scarlet kimono the uniform
+
+741
+00:24:16,320 --> 00:24:20,640
+the time on the watch was he murdered
+
+742
+00:24:19,440 --> 00:24:25,360
+then
+
+743
+00:24:20,640 --> 00:24:27,520
+earlier or later by one person or more
+
+744
+00:24:25,360 --> 00:24:29,360
+which of them however they don't try to
+
+745
+00:24:27,520 --> 00:24:31,360
+answer them here they just kind of throw
+
+746
+00:24:29,360 --> 00:24:32,240
+them out there to show that brana did
+
+747
+00:24:31,360 --> 00:24:34,640
+read the book
+
+748
+00:24:32,240 --> 00:24:36,159
+even if he kind of just disregarded it
+
+749
+00:24:34,640 --> 00:24:38,640
+when writing the screenplay
+
+750
+00:24:36,159 --> 00:24:40,480
+juaro then accuses mary of having
+
+751
+00:24:38,640 --> 00:24:42,240
+committed this crime by herself
+
+752
+00:24:40,480 --> 00:24:44,720
+miss stephnam you planned ratchet's
+
+753
+00:24:42,240 --> 00:24:45,760
+murder and at first i thought this was
+
+754
+00:24:44,720 --> 00:24:47,679
+meant to be some
+
+755
+00:24:45,760 --> 00:24:49,120
+weird fake out but he was trying to get
+
+756
+00:24:47,679 --> 00:24:51,840
+mary to admit something
+
+757
+00:24:49,120 --> 00:24:52,400
+but he never says that at any point and
+
+758
+00:24:51,840 --> 00:24:54,240
+it's never
+
+759
+00:24:52,400 --> 00:24:55,679
+shown that that's what he's doing so
+
+760
+00:24:54,240 --> 00:24:57,360
+instead i'm left to believe that he
+
+761
+00:24:55,679 --> 00:24:58,880
+actually did believe that she committed
+
+762
+00:24:57,360 --> 00:25:01,520
+this crime by herself
+
+763
+00:24:58,880 --> 00:25:03,279
+which makes zero sense there's barely
+
+764
+00:25:01,520 --> 00:25:05,760
+any evidence suggesting it and
+
+765
+00:25:03,279 --> 00:25:06,480
+plenty to show that it wasn't just her
+
+766
+00:25:05,760 --> 00:25:08,400
+parrot
+
+767
+00:25:06,480 --> 00:25:10,080
+just wouldn't ever think this this is
+
+768
+00:25:08,400 --> 00:25:11,039
+just a fake out for the sake of the
+
+769
+00:25:10,080 --> 00:25:13,120
+audience
+
+770
+00:25:11,039 --> 00:25:15,440
+however it doesn't matter anyway because
+
+771
+00:25:13,120 --> 00:25:16,080
+once more our deus ex machina of our
+
+772
+00:25:15,440 --> 00:25:20,559
+buff knot
+
+773
+00:25:16,080 --> 00:25:23,360
+shows up and shoots fuero
+
+774
+00:25:20,559 --> 00:25:23,840
+what the hell is he doing they get into
+
+775
+00:25:23,360 --> 00:25:26,559
+this
+
+776
+00:25:23,840 --> 00:25:27,120
+stupid fight scene in which above not
+
+777
+00:25:26,559 --> 00:25:30,480
+says
+
+778
+00:25:27,120 --> 00:25:32,559
+why aren't you dead yet even though
+
+779
+00:25:30,480 --> 00:25:33,840
+later on paris says that he knows that
+
+780
+00:25:32,559 --> 00:25:36,159
+our buffnut didn't actually
+
+781
+00:25:33,840 --> 00:25:37,360
+really want to kill him in which case
+
+782
+00:25:36,159 --> 00:25:40,000
+why did he do
+
+783
+00:25:37,360 --> 00:25:40,640
+any of this why not just come out and
+
+784
+00:25:40,000 --> 00:25:43,360
+say
+
+785
+00:25:40,640 --> 00:25:45,600
+oh no it wasn't mary it was me and i'm
+
+786
+00:25:43,360 --> 00:25:48,880
+admitting it in order to protect her
+
+787
+00:25:45,600 --> 00:25:51,200
+why did you have to try to kill him now
+
+788
+00:25:48,880 --> 00:25:51,919
+even though 20 seconds ago para was
+
+789
+00:25:51,200 --> 00:25:54,640
+sitting there
+
+790
+00:25:51,919 --> 00:25:55,200
+accusing mary of having killed ratchet
+
+791
+00:25:54,640 --> 00:25:57,200
+now
+
+792
+00:25:55,200 --> 00:25:59,919
+he apparently knows but it wasn't just
+
+793
+00:25:57,200 --> 00:26:02,799
+her and has realized that it was
+
+794
+00:25:59,919 --> 00:26:04,559
+all 12 people on the train we then find
+
+795
+00:26:02,799 --> 00:26:04,880
+out how the murder was committed and
+
+796
+00:26:04,559 --> 00:26:07,120
+it's
+
+797
+00:26:04,880 --> 00:26:08,799
+pretty similar to in the book but there
+
+798
+00:26:07,120 --> 00:26:09,679
+are one or two things i just want to
+
+799
+00:26:08,799 --> 00:26:11,679
+point out
+
+800
+00:26:09,679 --> 00:26:13,679
+one point is the events that happen
+
+801
+00:26:11,679 --> 00:26:14,480
+during the night are all done for paris
+
+802
+00:26:13,679 --> 00:26:16,400
+benefits
+
+803
+00:26:14,480 --> 00:26:17,840
+so they want him to wake up and stick
+
+804
+00:26:16,400 --> 00:26:18,799
+his head out and see the things they're
+
+805
+00:26:17,840 --> 00:26:21,039
+trying to show him
+
+806
+00:26:18,799 --> 00:26:23,039
+in order to mislead him now keep that in
+
+807
+00:26:21,039 --> 00:26:24,799
+mind and then see what the problem is
+
+808
+00:26:23,039 --> 00:26:27,120
+with this moment
+
+809
+00:26:24,799 --> 00:26:28,000
+do you notice it michelle is going down
+
+810
+00:26:27,120 --> 00:26:30,159
+the corridor
+
+811
+00:26:28,000 --> 00:26:31,279
+knocking on all the doors we've seen
+
+812
+00:26:30,159 --> 00:26:33,520
+puerto wake
+
+813
+00:26:31,279 --> 00:26:35,760
+up to sound smaller than this throughout
+
+814
+00:26:33,520 --> 00:26:37,600
+the night in fact they wanted him to
+
+815
+00:26:35,760 --> 00:26:40,080
+but now michelle is just going around
+
+816
+00:26:37,600 --> 00:26:42,640
+making noise and i guess they just got
+
+817
+00:26:40,080 --> 00:26:44,640
+lucky that pueri didn't wake up we also
+
+818
+00:26:42,640 --> 00:26:47,120
+see that when they stab ratchet
+
+819
+00:26:44,640 --> 00:26:48,480
+he is very clearly able to cry out
+
+820
+00:26:47,120 --> 00:26:48,799
+something that he shouldn't be able to
+
+821
+00:26:48,480 --> 00:26:51,039
+do
+
+822
+00:26:48,799 --> 00:26:52,799
+due to the drugs they gave him this one
+
+823
+00:26:51,039 --> 00:26:54,240
+little shot of them covering his mouth
+
+824
+00:26:52,799 --> 00:26:56,159
+as he tries to scream out
+
+825
+00:26:54,240 --> 00:26:57,919
+goes against the idea that they drugged
+
+826
+00:26:56,159 --> 00:26:59,200
+and paralyzed him which is what they
+
+827
+00:26:57,919 --> 00:27:01,360
+were meant to have done
+
+828
+00:26:59,200 --> 00:27:03,520
+however the most egregious problem is
+
+829
+00:27:01,360 --> 00:27:04,960
+the kimono shot which is so clearly
+
+830
+00:27:03,520 --> 00:27:06,159
+different to the one they showed us
+
+831
+00:27:04,960 --> 00:27:08,159
+earlier in the film
+
+832
+00:27:06,159 --> 00:27:09,919
+the issue with it is that poirot would
+
+833
+00:27:08,159 --> 00:27:11,840
+have been able to see her face
+
+834
+00:27:09,919 --> 00:27:14,159
+and i realized this straight away whilst
+
+835
+00:27:11,840 --> 00:27:15,600
+watching i'm not sure why they chose to
+
+836
+00:27:14,159 --> 00:27:17,279
+have her turn around but it just
+
+837
+00:27:15,600 --> 00:27:19,279
+bothered me that it was another example
+
+838
+00:27:17,279 --> 00:27:20,080
+of rana putting aesthetics and things
+
+839
+00:27:19,279 --> 00:27:22,960
+looking cool
+
+840
+00:27:20,080 --> 00:27:24,559
+over it actually making sense now as i
+
+841
+00:27:22,960 --> 00:27:26,399
+said the book pretty much just ends
+
+842
+00:27:24,559 --> 00:27:28,399
+after we discover all the facts
+
+843
+00:27:26,399 --> 00:27:30,399
+but rana obviously chooses not to in
+
+844
+00:27:28,399 --> 00:27:32,559
+order to give us a more impactful ending
+
+845
+00:27:30,399 --> 00:27:34,799
+and i actually really like the choice he
+
+846
+00:27:32,559 --> 00:27:36,559
+made here he wants to discover
+
+847
+00:27:34,799 --> 00:27:38,559
+whether or not these people are truly
+
+848
+00:27:36,559 --> 00:27:40,240
+killers so he tells them that the only
+
+849
+00:27:38,559 --> 00:27:42,000
+way they're going to get away with it is
+
+850
+00:27:40,240 --> 00:27:42,640
+if they shoot him and he gives them a
+
+851
+00:27:42,000 --> 00:27:44,640
+gun
+
+852
+00:27:42,640 --> 00:27:47,039
+mrs hubbard instead tries to kill
+
+853
+00:27:44,640 --> 00:27:50,159
+herself the gun isn't loaded
+
+854
+00:27:47,039 --> 00:27:53,440
+it's a really nice moment unfortunately
+
+855
+00:27:50,159 --> 00:27:54,559
+the film doesn't end there and instead
+
+856
+00:27:53,440 --> 00:27:56,960
+we are treated to
+
+857
+00:27:54,559 --> 00:27:58,240
+another boring long shot of him walking
+
+858
+00:27:56,960 --> 00:28:00,880
+down a corridor for
+
+859
+00:27:58,240 --> 00:28:02,000
+well over a minute and over the top of
+
+860
+00:28:00,880 --> 00:28:04,480
+it there is a really
+
+861
+00:28:02,000 --> 00:28:06,159
+out of place narration of him writing a
+
+862
+00:28:04,480 --> 00:28:10,399
+letter to carl armstrong
+
+863
+00:28:06,159 --> 00:28:10,399
+my dear colonel armstrong
+
+864
+00:28:10,480 --> 00:28:16,080
+finally i can answer your letter as well
+
+865
+00:28:13,440 --> 00:28:16,559
+we just finished a nancy drew game dear
+
+866
+00:28:16,080 --> 00:28:18,080
+ned
+
+867
+00:28:16,559 --> 00:28:19,840
+i know you'll be home from school in a
+
+868
+00:28:18,080 --> 00:28:20,480
+couple of days but i couldn't wait to
+
+869
+00:28:19,840 --> 00:28:22,640
+tell you
+
+870
+00:28:20,480 --> 00:28:24,399
+i just solved a mystery i just find this
+
+871
+00:28:22,640 --> 00:28:26,720
+really silly and it takes away from any
+
+872
+00:28:24,399 --> 00:28:28,080
+excitement or emotion that i had built
+
+873
+00:28:26,720 --> 00:28:29,679
+up in the last scene
+
+874
+00:28:28,080 --> 00:28:30,960
+he tells everyone that he didn't tell
+
+875
+00:28:29,679 --> 00:28:32,399
+the police and they're just going to
+
+876
+00:28:30,960 --> 00:28:33,120
+have to learn to live with what they've
+
+877
+00:28:32,399 --> 00:28:35,840
+done which
+
+878
+00:28:33,120 --> 00:28:37,440
+you know they already knew that so it's
+
+879
+00:28:35,840 --> 00:28:40,640
+a bit of a pointless monologue
+
+880
+00:28:37,440 --> 00:28:42,480
+there are no killers here only people
+
+881
+00:28:40,640 --> 00:28:44,480
+who deserve a chance to heal
+
+882
+00:28:42,480 --> 00:28:46,480
+i want to quickly refer back to the 2010
+
+883
+00:28:44,480 --> 00:28:47,120
+version to show you how they decided to
+
+884
+00:28:46,480 --> 00:28:49,600
+end it
+
+885
+00:28:47,120 --> 00:28:51,360
+now in this version they have been 24
+
+886
+00:28:49,600 --> 00:28:52,880
+hours without heat on this train
+
+887
+00:28:51,360 --> 00:28:55,279
+so they are both physically and
+
+888
+00:28:52,880 --> 00:28:57,039
+emotionally wrought puerto is at the end
+
+889
+00:28:55,279 --> 00:28:59,200
+of his rope having been lied to and
+
+890
+00:28:57,039 --> 00:28:59,919
+manipulated the entire time he's been on
+
+891
+00:28:59,200 --> 00:29:04,240
+the train
+
+892
+00:28:59,919 --> 00:29:07,679
+and he is furious no it is medieval
+
+893
+00:29:04,240 --> 00:29:09,760
+the rule of law it must be held high
+
+894
+00:29:07,679 --> 00:29:11,440
+and if it falls you pick it up and hold
+
+895
+00:29:09,760 --> 00:29:13,919
+it even higher
+
+896
+00:29:11,440 --> 00:29:15,360
+for all society all civilized people
+
+897
+00:29:13,919 --> 00:29:17,200
+will have
+
+898
+00:29:15,360 --> 00:29:19,279
+nothing to shelter them if it is
+
+899
+00:29:17,200 --> 00:29:22,399
+destroyed it's a higher
+
+900
+00:29:19,279 --> 00:29:25,039
+justice than the rule of law can you let
+
+901
+00:29:22,399 --> 00:29:26,640
+god administering not you
+
+902
+00:29:25,039 --> 00:29:28,799
+the foreshadowing at the beginning of
+
+903
+00:29:26,640 --> 00:29:31,279
+the film finally pays off as we see
+
+904
+00:29:28,799 --> 00:29:33,120
+how strongly pueri believes that all
+
+905
+00:29:31,279 --> 00:29:35,279
+murder is murder and deserves to be
+
+906
+00:29:33,120 --> 00:29:36,799
+punished there is no excuse for it
+
+907
+00:29:35,279 --> 00:29:39,200
+you can't tell these people are good
+
+908
+00:29:36,799 --> 00:29:39,200
+people
+
+909
+00:29:39,390 --> 00:29:43,679
+[Music]
+
+910
+00:29:41,600 --> 00:29:45,200
+said he deserved to be executed for what
+
+911
+00:29:43,679 --> 00:29:48,399
+he did and the world knows
+
+912
+00:29:45,200 --> 00:29:50,399
+it was a prophecy that he was not lock
+
+913
+00:29:48,399 --> 00:29:52,080
+the door
+
+914
+00:29:50,399 --> 00:29:53,919
+however when it comes to telling the
+
+915
+00:29:52,080 --> 00:29:55,440
+police he actually decided to go with
+
+916
+00:29:53,919 --> 00:29:57,360
+their version of events
+
+917
+00:29:55,440 --> 00:29:59,120
+but someone snuck onto the train in a
+
+918
+00:29:57,360 --> 00:30:00,399
+conductor's outfit and then escaped
+
+919
+00:29:59,120 --> 00:30:01,120
+through the window when the train was
+
+920
+00:30:00,399 --> 00:30:02,960
+stopped
+
+921
+00:30:01,120 --> 00:30:04,159
+instead of him then having a cheesy
+
+922
+00:30:02,960 --> 00:30:05,679
+speech to them about
+
+923
+00:30:04,159 --> 00:30:07,200
+how they need to move on with their
+
+924
+00:30:05,679 --> 00:30:09,760
+lives after this event
+
+925
+00:30:07,200 --> 00:30:11,840
+we see him silently look back at them
+
+926
+00:30:09,760 --> 00:30:13,600
+and then walk away through the snow
+
+927
+00:30:11,840 --> 00:30:16,159
+whilst holding back tears
+
+928
+00:30:13,600 --> 00:30:18,480
+and clutching his rosary begging for
+
+929
+00:30:16,159 --> 00:30:20,559
+forgiveness as he's still not sure if
+
+930
+00:30:18,480 --> 00:30:24,320
+what he did was morally right
+
+931
+00:30:20,559 --> 00:30:25,120
+or not it's an incredibly powerful and
+
+932
+00:30:24,320 --> 00:30:27,760
+emotional
+
+933
+00:30:25,120 --> 00:30:29,919
+ending and this is why branagh's ending
+
+934
+00:30:27,760 --> 00:30:32,799
+was so disappointing as there was
+
+935
+00:30:29,919 --> 00:30:33,440
+no moral quandary there was no emotion
+
+936
+00:30:32,799 --> 00:30:36,080
+which he
+
+937
+00:30:33,440 --> 00:30:37,760
+claimed he really wanted to focus on i
+
+938
+00:30:36,080 --> 00:30:39,120
+think that was just lost for the sake of
+
+939
+00:30:37,760 --> 00:30:41,520
+comedy and a feel-good
+
+940
+00:30:39,120 --> 00:30:44,000
+aspect of a film or at the very least
+
+941
+00:30:41,520 --> 00:30:45,200
+their ending was in no way as impactful
+
+942
+00:30:44,000 --> 00:30:47,440
+as the virgin done
+
+943
+00:30:45,200 --> 00:30:49,200
+seven years before pyro gets off the
+
+944
+00:30:47,440 --> 00:30:50,720
+train and watches as it goes and we get
+
+945
+00:30:49,200 --> 00:30:52,480
+a little wink to the camera about the
+
+946
+00:30:50,720 --> 00:30:54,000
+death on the nile adaptation there's
+
+947
+00:30:52,480 --> 00:30:55,919
+been a murder sir
+
+948
+00:30:54,000 --> 00:30:57,600
+right on the bloody nile and then that's
+
+949
+00:30:55,919 --> 00:30:59,200
+the end of the film
+
+950
+00:30:57,600 --> 00:31:02,000
+now i know i've rushed through this plot
+
+951
+00:30:59,200 --> 00:31:04,320
+but honestly so does brana
+
+952
+00:31:02,000 --> 00:31:06,240
+the evidence for timeline the interviews
+
+953
+00:31:04,320 --> 00:31:06,559
+he doesn't go into detail about any of
+
+954
+00:31:06,240 --> 00:31:08,799
+it
+
+955
+00:31:06,559 --> 00:31:10,080
+and honestly that's what makes it a bad
+
+956
+00:31:08,799 --> 00:31:12,240
+adaptation for me
+
+957
+00:31:10,080 --> 00:31:14,480
+i could forgive the weird characters for
+
+958
+00:31:12,240 --> 00:31:16,080
+changes for the sake of hollywoodizing
+
+959
+00:31:14,480 --> 00:31:17,760
+it but i can't forgive
+
+960
+00:31:16,080 --> 00:31:19,200
+them not giving the information to the
+
+961
+00:31:17,760 --> 00:31:22,960
+audience to figure it out
+
+962
+00:31:19,200 --> 00:31:25,760
+just for the sake of the twist no
+
+963
+00:31:22,960 --> 00:31:26,720
+no no no no it doesn't work the idea of
+
+964
+00:31:25,760 --> 00:31:29,279
+a mystery
+
+965
+00:31:26,720 --> 00:31:30,640
+is that we can figure it out is that the
+
+966
+00:31:29,279 --> 00:31:33,120
+characters act natural
+
+967
+00:31:30,640 --> 00:31:34,000
+is that the information that puerto has
+
+968
+00:31:33,120 --> 00:31:36,640
+is also
+
+969
+00:31:34,000 --> 00:31:37,200
+given to us and set down for us so that
+
+970
+00:31:36,640 --> 00:31:39,039
+we can
+
+971
+00:31:37,200 --> 00:31:40,559
+work it out and i just don't think
+
+972
+00:31:39,039 --> 00:31:42,640
+that's done well here
+
+973
+00:31:40,559 --> 00:31:44,559
+i also truly feel that brana was not
+
+974
+00:31:42,640 --> 00:31:46,640
+playing the character of paro
+
+975
+00:31:44,559 --> 00:31:49,039
+if i viewed him as another detective i
+
+976
+00:31:46,640 --> 00:31:51,200
+actually didn't mind this film too much
+
+977
+00:31:49,039 --> 00:31:52,320
+but unfortunately my name is jerkil
+
+978
+00:31:51,200 --> 00:31:54,000
+parko
+
+979
+00:31:52,320 --> 00:31:55,840
+and i am probably the greatest detective
+
+980
+00:31:54,000 --> 00:31:56,799
+in the world but this character is
+
+981
+00:31:55,840 --> 00:31:59,519
+simply not
+
+982
+00:31:56,799 --> 00:32:00,080
+puero he's an action star who doesn't
+
+983
+00:31:59,519 --> 00:32:02,320
+think about
+
+984
+00:32:00,080 --> 00:32:04,720
+anything and just does not act in the
+
+985
+00:32:02,320 --> 00:32:06,640
+way that agatha christie wrote him
+
+986
+00:32:04,720 --> 00:32:08,559
+all i can say is but i really hope that
+
+987
+00:32:06,640 --> 00:32:09,679
+brana did some further research on the
+
+988
+00:32:08,559 --> 00:32:11,760
+character of huaro
+
+989
+00:32:09,679 --> 00:32:13,039
+and how to write an engaging murder
+
+990
+00:32:11,760 --> 00:32:15,519
+mystery story
+
+991
+00:32:13,039 --> 00:32:17,919
+rather than just an action film before
+
+992
+00:32:15,519 --> 00:32:19,440
+he worked on death on the nile
+
+993
+00:32:17,919 --> 00:32:21,600
+thank you for watching if you made it
+
+994
+00:32:19,440 --> 00:32:23,919
+this far i know this is a weirdly
+
+995
+00:32:21,600 --> 00:32:24,640
+niche topic and a very late review of
+
+996
+00:32:23,919 --> 00:32:26,159
+this film
+
+997
+00:32:24,640 --> 00:32:28,000
+but throughout lockdown it was really
+
+998
+00:32:26,159 --> 00:32:29,039
+bothering me and i just wanted to talk
+
+999
+00:32:28,000 --> 00:32:30,480
+about it
+
+1000
+00:32:29,039 --> 00:32:32,640
+if you have any opinions about this
+
+1001
+00:32:30,480 --> 00:32:34,000
+topic whether you love this film or you
+
+1002
+00:32:32,640 --> 00:32:36,000
+absolutely hated it
+
+1003
+00:32:34,000 --> 00:32:37,919
+do let me know as i would really enjoy
+
+1004
+00:32:36,000 --> 00:32:40,159
+talking about it and it would be great
+
+1005
+00:32:37,919 --> 00:32:41,279
+to find other people who find this topic
+
+1006
+00:32:40,159 --> 00:32:42,640
+interesting
+
+1007
+00:32:41,279 --> 00:32:44,640
+maybe i would talk about death on the
+
+1008
+00:32:42,640 --> 00:32:47,679
+nile if it is surprisingly good
+
+1009
+00:32:44,640 --> 00:32:50,000
+or incredibly awful uh but we'll see
+
+1010
+00:32:47,679 --> 00:32:52,080
+this video took me weirdly long to
+
+1011
+00:32:50,000 --> 00:32:52,960
+create because i am not someone who is
+
+1012
+00:32:52,080 --> 00:32:55,120
+adept at
+
+1013
+00:32:52,960 --> 00:32:56,799
+filming recording or editing as i'm sure
+
+1014
+00:32:55,120 --> 00:32:59,200
+you can notice
+
+1015
+00:32:56,799 --> 00:33:00,480
+thank you so much for watching and maybe
+
+1016
+00:32:59,200 --> 00:33:03,360
+i will see you soon
+
+1017
+00:33:00,480 --> 00:33:03,360
+goodbye
+