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Bus-CY7

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music_mmmu

like 0

0055ef64b82b72ca8192c08941be5e66

I

In the given <image 1>, which of the following best describes the technical challenge for the treble voices (V:1 and V:2) in measures 1-4?

['The treble voices require precise coordination with the bass voices to maintain harmonic clarity.', 'The treble voices must execute a series of rapid arpeggios that span a wide range, requiring good finger dexterity and control.', 'The treble voices are primarily responsible for maintaining the rhythmic pulse, as indicated by the repeated quarter notes.', 'The treble voices need to sustain long notes while the bass voices play more complex rhythms, demanding strong breath control and support.']

B

0074475962fb5b12fb15ffe19160b3c3

TRIO

In <image 1><image 2><image 3> which of the following best describes the technical challenge and performance insight for the passage starting at the measure with the dynamic marking "mf" in voice 1 (V:1)?

['The section requires a smooth legato technique, especially when transitioning between the chords marked with "_piu" and "f", to maintain a lyrical quality.', 'The performer should focus on the precise articulation of staccato notes, particularly in the sequence of chords leading up to the "dim." marking, to enhance the dramatic effect.', 'This part demands a strong emphasis on the rhythmic accuracy and dynamic contrast, especially in the measures where the melody transitions from "mf" to "p" and includes the use of grace notes.', 'The primary challenge is maintaining the tempo and clarity during the rapid scale passages, which are indicated by the use of "8va" and require a light touch to avoid blurring the notes.']

C

00adcb042c4f30869a2d27f4ba4be0b2

Salut d'amour

In <image 1><image 2>, which of the following sections requires the performer to pay special attention to a dynamic change that is marked with a specific articulation and tempo indication, indicating a shift in the musical expression?

['The section starting with `!p!"_dolce""_5" (F A,/F/) | (E/D/)"_2"C/"_1"!<(!(D/`, where the music transitions to a softer, more delicate expression.', 'The passage marked `!pp!!<(! D2- | D z/!<)!!mf!"_1" A/ | "^a tempo" (f A/f/) | (e/d/)c/"_3"!<(!(d/`, where there is a significant dynamic change from pianissimo to mezzo-forte, along with a return to the original tempo.', 'The part where `"_Ped.""_5"!ped! D,,2 | D,,2!ped-up!` is played, focusing on the use of the pedal for a sustained bass line.', 'The section with `"_dim.""_42" ([FB] [Ec]) | d2- |"_2" d2 | !pp!"_52" !fermata![Ad]2 :|`, which includes a diminuendo and a fermata, requiring careful control of dynamics and timing.']

B