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C_dbb3786744954d7ebe8e2711f242b967_0
|
Kenneth Anger
|
Kenneth Anger (born Kenneth Wilbur Anglemyer; February 3, 1927) is an American underground experimental filmmaker, actor and author. Working exclusively in short films, he has produced almost forty works since 1937, nine of which have been grouped together as the "Magick Lantern Cycle". His films variously merge surrealism with homoeroticism and the occult, and have been described as containing "elements of erotica, documentary, psychodrama, and spectacle". Anger himself has been described as "one of America's first openly gay filmmakers, and certainly the first whose work addressed homosexuality in an undisguised, self-implicating manner", and his "role in rendering gay culture visible within American cinema, commercial or otherwise, is impossible to overestimate", with several being released prior to the legalization of homosexuality in the United States.
|
1947-49: Fireworks and early career
|
As Anger discovered his homosexuality, at a time when homosexual acts were still illegal in the United States, he began associating with the underground gay scene. At some point in the mid-1940s, he was arrested by the police in a "homosexual entrapment", after which he decided to move out of his parents' home, gaining his own sparse apartment largely financed by his grandmother, and abandoning the name Anglemyer in favor of Anger. He started attending the University of Southern California, where he studied cinema, and also began experimenting with the use of mind-altering drugs like cannabis and peyote. It was then that he decided to produce a film that would deal with his sexuality, just as other gay avant-garde film makers like Willard Maas were doing in that decade. The result was the short film Fireworks, which was created in 1947 but only exhibited publicly in 1948. Upon release of the work, Anger was arrested on obscenity charges. He was acquitted, after the case went to the Supreme Court of California, which deemed it to be art rather than pornography. Anger made the claim to have been seventeen years old when he made it, despite the fact that he was actually twenty, presumably to present himself as more of an enfant terrible. A homoerotic work lasting only 14 minutes, Fireworks revolves around a young man (played by Anger himself) associating with various navy sailors, who eventually turn on him, stripping him naked and beating him to death, ripping open his chest to find a compass inside. Several fireworks then explode, accompanied by a burning Christmas tree and the final shot shows the young man lying in bed next to another topless man. Of this film, Anger would later state in 1966 that "This flick is all I have to say about being 17, the United States Navy, American Christmas and the fourth of July." He would continuously alter and adapt the film up until 1980, with it finally being distributed on VHS in 1986. One of the first people to buy a copy of Fireworks was the sexologist Dr. Alfred Kinsey of the Institute for Sex Research. He and Anger struck up a friendship that would last until the doctor's death, during which time Anger aided Kinsey in his research. According to Anger's unofficial biographer Bill Landis, Kinsey became a "father figure" whom Anger "could both interact with and emulate." Meanwhile, in 1949 Anger began work on a film called Puce Women, which unlike Fireworks was filmed in color. It starred Yvonne Marquis as a glamorous woman going about her daily life; Anger would later state that "Puce Women was my love affair with Hollywood... with all the great goddesses of the silent screen. They were to be filmed in their homes; I was, in effect, filming ghosts." A lack of funding meant that only one scene was ever produced, which was eventually released under the title Puce Moment. That same year, Anger directed The Love That Whirls, a film based upon Aztec human sacrifice but, because of the nudity that it contained, it was destroyed by technicians at the film lab, who deemed it to be obscene.
Q: What was fireworks?
A: The result was the short film Fireworks, which was created in 1947 but only exhibited publicly in 1948.
Q: Was it successful?
A: Upon release of the work, Anger was arrested on obscenity charges.
Q: What he convicted?
A: charges. He was acquitted, after the case went to the Supreme Court of California, which deemed it to be art rather than pornography.
Q: Are there any other interesting aspects about this article?
A: A homoerotic work lasting only 14 minutes, Fireworks revolves around a young man (played by Anger himself) associating with various navy sailors,
Q: Who released the film?
A: He would continuously alter and adapt the film up until 1980, with it finally being distributed on VHS in 1986.
|
C_dbb3786744954d7ebe8e2711f242b967_0_q#5
|
Did it sell well?
| 2m
| 2x
|
{
"texts": [
"unknown"
],
"answer_starts": [
3079
]
}
|
{
"text": "unknown",
"answer_start": 3079
}
|
C_dbb3786744954d7ebe8e2711f242b967_0
|
Kenneth Anger
|
Kenneth Anger (born Kenneth Wilbur Anglemyer; February 3, 1927) is an American underground experimental filmmaker, actor and author. Working exclusively in short films, he has produced almost forty works since 1937, nine of which have been grouped together as the "Magick Lantern Cycle". His films variously merge surrealism with homoeroticism and the occult, and have been described as containing "elements of erotica, documentary, psychodrama, and spectacle". Anger himself has been described as "one of America's first openly gay filmmakers, and certainly the first whose work addressed homosexuality in an undisguised, self-implicating manner", and his "role in rendering gay culture visible within American cinema, commercial or otherwise, is impossible to overestimate", with several being released prior to the legalization of homosexuality in the United States.
|
1947-49: Fireworks and early career
|
As Anger discovered his homosexuality, at a time when homosexual acts were still illegal in the United States, he began associating with the underground gay scene. At some point in the mid-1940s, he was arrested by the police in a "homosexual entrapment", after which he decided to move out of his parents' home, gaining his own sparse apartment largely financed by his grandmother, and abandoning the name Anglemyer in favor of Anger. He started attending the University of Southern California, where he studied cinema, and also began experimenting with the use of mind-altering drugs like cannabis and peyote. It was then that he decided to produce a film that would deal with his sexuality, just as other gay avant-garde film makers like Willard Maas were doing in that decade. The result was the short film Fireworks, which was created in 1947 but only exhibited publicly in 1948. Upon release of the work, Anger was arrested on obscenity charges. He was acquitted, after the case went to the Supreme Court of California, which deemed it to be art rather than pornography. Anger made the claim to have been seventeen years old when he made it, despite the fact that he was actually twenty, presumably to present himself as more of an enfant terrible. A homoerotic work lasting only 14 minutes, Fireworks revolves around a young man (played by Anger himself) associating with various navy sailors, who eventually turn on him, stripping him naked and beating him to death, ripping open his chest to find a compass inside. Several fireworks then explode, accompanied by a burning Christmas tree and the final shot shows the young man lying in bed next to another topless man. Of this film, Anger would later state in 1966 that "This flick is all I have to say about being 17, the United States Navy, American Christmas and the fourth of July." He would continuously alter and adapt the film up until 1980, with it finally being distributed on VHS in 1986. One of the first people to buy a copy of Fireworks was the sexologist Dr. Alfred Kinsey of the Institute for Sex Research. He and Anger struck up a friendship that would last until the doctor's death, during which time Anger aided Kinsey in his research. According to Anger's unofficial biographer Bill Landis, Kinsey became a "father figure" whom Anger "could both interact with and emulate." Meanwhile, in 1949 Anger began work on a film called Puce Women, which unlike Fireworks was filmed in color. It starred Yvonne Marquis as a glamorous woman going about her daily life; Anger would later state that "Puce Women was my love affair with Hollywood... with all the great goddesses of the silent screen. They were to be filmed in their homes; I was, in effect, filming ghosts." A lack of funding meant that only one scene was ever produced, which was eventually released under the title Puce Moment. That same year, Anger directed The Love That Whirls, a film based upon Aztec human sacrifice but, because of the nudity that it contained, it was destroyed by technicians at the film lab, who deemed it to be obscene.
Q: What was fireworks?
A: The result was the short film Fireworks, which was created in 1947 but only exhibited publicly in 1948.
Q: Was it successful?
A: Upon release of the work, Anger was arrested on obscenity charges.
Q: What he convicted?
A: charges. He was acquitted, after the case went to the Supreme Court of California, which deemed it to be art rather than pornography.
Q: Are there any other interesting aspects about this article?
A: A homoerotic work lasting only 14 minutes, Fireworks revolves around a young man (played by Anger himself) associating with various navy sailors,
Q: Who released the film?
A: He would continuously alter and adapt the film up until 1980, with it finally being distributed on VHS in 1986.
Q: Did it sell well?
A: unknown
|
C_dbb3786744954d7ebe8e2711f242b967_0_q#6
|
What other work did he do?
| 0y
| 2x
|
{
"texts": [
"That same year, Anger directed The Love That Whirls,"
],
"answer_starts": [
2862
]
}
|
{
"text": "That same year, Anger directed The Love That Whirls,",
"answer_start": 2862
}
|
C_dbb3786744954d7ebe8e2711f242b967_0
|
Kenneth Anger
|
Kenneth Anger (born Kenneth Wilbur Anglemyer; February 3, 1927) is an American underground experimental filmmaker, actor and author. Working exclusively in short films, he has produced almost forty works since 1937, nine of which have been grouped together as the "Magick Lantern Cycle". His films variously merge surrealism with homoeroticism and the occult, and have been described as containing "elements of erotica, documentary, psychodrama, and spectacle". Anger himself has been described as "one of America's first openly gay filmmakers, and certainly the first whose work addressed homosexuality in an undisguised, self-implicating manner", and his "role in rendering gay culture visible within American cinema, commercial or otherwise, is impossible to overestimate", with several being released prior to the legalization of homosexuality in the United States.
|
1947-49: Fireworks and early career
|
As Anger discovered his homosexuality, at a time when homosexual acts were still illegal in the United States, he began associating with the underground gay scene. At some point in the mid-1940s, he was arrested by the police in a "homosexual entrapment", after which he decided to move out of his parents' home, gaining his own sparse apartment largely financed by his grandmother, and abandoning the name Anglemyer in favor of Anger. He started attending the University of Southern California, where he studied cinema, and also began experimenting with the use of mind-altering drugs like cannabis and peyote. It was then that he decided to produce a film that would deal with his sexuality, just as other gay avant-garde film makers like Willard Maas were doing in that decade. The result was the short film Fireworks, which was created in 1947 but only exhibited publicly in 1948. Upon release of the work, Anger was arrested on obscenity charges. He was acquitted, after the case went to the Supreme Court of California, which deemed it to be art rather than pornography. Anger made the claim to have been seventeen years old when he made it, despite the fact that he was actually twenty, presumably to present himself as more of an enfant terrible. A homoerotic work lasting only 14 minutes, Fireworks revolves around a young man (played by Anger himself) associating with various navy sailors, who eventually turn on him, stripping him naked and beating him to death, ripping open his chest to find a compass inside. Several fireworks then explode, accompanied by a burning Christmas tree and the final shot shows the young man lying in bed next to another topless man. Of this film, Anger would later state in 1966 that "This flick is all I have to say about being 17, the United States Navy, American Christmas and the fourth of July." He would continuously alter and adapt the film up until 1980, with it finally being distributed on VHS in 1986. One of the first people to buy a copy of Fireworks was the sexologist Dr. Alfred Kinsey of the Institute for Sex Research. He and Anger struck up a friendship that would last until the doctor's death, during which time Anger aided Kinsey in his research. According to Anger's unofficial biographer Bill Landis, Kinsey became a "father figure" whom Anger "could both interact with and emulate." Meanwhile, in 1949 Anger began work on a film called Puce Women, which unlike Fireworks was filmed in color. It starred Yvonne Marquis as a glamorous woman going about her daily life; Anger would later state that "Puce Women was my love affair with Hollywood... with all the great goddesses of the silent screen. They were to be filmed in their homes; I was, in effect, filming ghosts." A lack of funding meant that only one scene was ever produced, which was eventually released under the title Puce Moment. That same year, Anger directed The Love That Whirls, a film based upon Aztec human sacrifice but, because of the nudity that it contained, it was destroyed by technicians at the film lab, who deemed it to be obscene.
Q: What was fireworks?
A: The result was the short film Fireworks, which was created in 1947 but only exhibited publicly in 1948.
Q: Was it successful?
A: Upon release of the work, Anger was arrested on obscenity charges.
Q: What he convicted?
A: charges. He was acquitted, after the case went to the Supreme Court of California, which deemed it to be art rather than pornography.
Q: Are there any other interesting aspects about this article?
A: A homoerotic work lasting only 14 minutes, Fireworks revolves around a young man (played by Anger himself) associating with various navy sailors,
Q: Who released the film?
A: He would continuously alter and adapt the film up until 1980, with it finally being distributed on VHS in 1986.
Q: Did it sell well?
A: unknown
Q: What other work did he do?
A: That same year, Anger directed The Love That Whirls,
|
C_dbb3786744954d7ebe8e2711f242b967_0_q#7
|
What was it about?
| 2m
| 2x
|
{
"texts": [
"a film based upon Aztec human sacrifice but, because of the nudity that it contained,"
],
"answer_starts": [
2915
]
}
|
{
"text": "a film based upon Aztec human sacrifice but, because of the nudity that it contained,",
"answer_start": 2915
}
|
C_14799d84045b415c9cb500d647a260e4_1
|
Native Americans in the United States
|
Native Americans, also known as American Indians, Indians, Indigenous Americans and other terms, are the indigenous peoples of the United States. There are over 500 federally recognized tribes within the U.S., about half of which are associated with Indian reservations. The term excludes Native Hawaiians and some Alaska Natives. The ancestors of modern Native Americans arrived in what is now the United States at least 15,000 years ago, possibly much earlier, from Asia via Beringia.
|
Iroquois Culture
|
Iroquois Culture: The Iroquois League of Nations or "People of the Long House", based in present-day upstate and western New York, had a confederacy model from the mid-15th century. It has been suggested that their culture contributed to political thinking during the development of the later United States government. Their system of affiliation was a kind of federation, different from the strong, centralized European monarchies.Leadership was restricted to a group of 50 sachem chiefs, each representing one clan within a tribe. The Oneida and Mohawk people had nine seats each; the Onondagas held fourteen; the Cayuga had ten seats; and the Seneca had eight. Representation was not based on population numbers, as the Seneca tribe greatly outnumbered the others. When a sachem chief died, his successor was chosen by the senior woman of his tribe in consultation with other female members of the clan; property and hereditary leadership were passed matrilineally. Decisions were not made through voting but through consensus decision making, with each sachem chief holding theoretical veto power. The Onondaga were the "firekeepers", responsible for raising topics to be discussed. They occupied one side of a three-sided fire (the Mohawk and Seneca sat on one side of the fire, the Oneida and Cayuga sat on the third side.) Elizabeth Tooker, an anthropologist, has said that it was unlikely the US founding fathers were inspired by the confederacy, as it bears little resemblance to the system of governance adopted in the United States. For example, it is based on inherited rather than elected leadership, selected by female members of the tribes, consensus decision-making regardless of population size of the tribes, and a single group capable of bringing matters before the legislative body. Long-distance trading did not prevent warfare and displacement among the indigenous peoples, and their oral histories tell of numerous migrations to the historic territories where Europeans encountered them. The Iroquois invaded and attacked tribes in the Ohio River area of present-day Kentucky and claimed the hunting grounds. Historians have placed these events as occurring as early as the 13th century, or in the 17th century Beaver Wars. Through warfare, the Iroquois drove several tribes to migrate west to what became known as their historically traditional lands west of the Mississippi River. Tribes originating in the Ohio Valley who moved west included the Osage, Kaw, Ponca and Omaha people. By the mid-17th century, they had resettled in their historical lands in present-day Kansas, Nebraska, Arkansas and Oklahoma. The Osage warred with Caddo-speaking Native Americans, displacing them in turn by the mid-18th century and dominating their new historical territories.
|
C_14799d84045b415c9cb500d647a260e4_1_q#0
|
What region did Iroquois culture come from?
| 2m
| 2x
|
{
"texts": [
"present-day upstate and western New York,"
],
"answer_starts": [
89
]
}
|
{
"text": "present-day upstate and western New York,",
"answer_start": 89
}
|
C_14799d84045b415c9cb500d647a260e4_1
|
Native Americans in the United States
|
Native Americans, also known as American Indians, Indians, Indigenous Americans and other terms, are the indigenous peoples of the United States. There are over 500 federally recognized tribes within the U.S., about half of which are associated with Indian reservations. The term excludes Native Hawaiians and some Alaska Natives. The ancestors of modern Native Americans arrived in what is now the United States at least 15,000 years ago, possibly much earlier, from Asia via Beringia.
|
Iroquois Culture
|
Iroquois Culture: The Iroquois League of Nations or "People of the Long House", based in present-day upstate and western New York, had a confederacy model from the mid-15th century. It has been suggested that their culture contributed to political thinking during the development of the later United States government. Their system of affiliation was a kind of federation, different from the strong, centralized European monarchies.Leadership was restricted to a group of 50 sachem chiefs, each representing one clan within a tribe. The Oneida and Mohawk people had nine seats each; the Onondagas held fourteen; the Cayuga had ten seats; and the Seneca had eight. Representation was not based on population numbers, as the Seneca tribe greatly outnumbered the others. When a sachem chief died, his successor was chosen by the senior woman of his tribe in consultation with other female members of the clan; property and hereditary leadership were passed matrilineally. Decisions were not made through voting but through consensus decision making, with each sachem chief holding theoretical veto power. The Onondaga were the "firekeepers", responsible for raising topics to be discussed. They occupied one side of a three-sided fire (the Mohawk and Seneca sat on one side of the fire, the Oneida and Cayuga sat on the third side.) Elizabeth Tooker, an anthropologist, has said that it was unlikely the US founding fathers were inspired by the confederacy, as it bears little resemblance to the system of governance adopted in the United States. For example, it is based on inherited rather than elected leadership, selected by female members of the tribes, consensus decision-making regardless of population size of the tribes, and a single group capable of bringing matters before the legislative body. Long-distance trading did not prevent warfare and displacement among the indigenous peoples, and their oral histories tell of numerous migrations to the historic territories where Europeans encountered them. The Iroquois invaded and attacked tribes in the Ohio River area of present-day Kentucky and claimed the hunting grounds. Historians have placed these events as occurring as early as the 13th century, or in the 17th century Beaver Wars. Through warfare, the Iroquois drove several tribes to migrate west to what became known as their historically traditional lands west of the Mississippi River. Tribes originating in the Ohio Valley who moved west included the Osage, Kaw, Ponca and Omaha people. By the mid-17th century, they had resettled in their historical lands in present-day Kansas, Nebraska, Arkansas and Oklahoma. The Osage warred with Caddo-speaking Native Americans, displacing them in turn by the mid-18th century and dominating their new historical territories.
Q: What region did Iroquois culture come from?
A: present-day upstate and western New York,
|
C_14799d84045b415c9cb500d647a260e4_1_q#1
|
Did they have any traditions?
| 1n
| 2x
|
{
"texts": [
"unknown"
],
"answer_starts": [
2789
]
}
|
{
"text": "unknown",
"answer_start": 2789
}
|
C_14799d84045b415c9cb500d647a260e4_1
|
Native Americans in the United States
|
Native Americans, also known as American Indians, Indians, Indigenous Americans and other terms, are the indigenous peoples of the United States. There are over 500 federally recognized tribes within the U.S., about half of which are associated with Indian reservations. The term excludes Native Hawaiians and some Alaska Natives. The ancestors of modern Native Americans arrived in what is now the United States at least 15,000 years ago, possibly much earlier, from Asia via Beringia.
|
Iroquois Culture
|
Iroquois Culture: The Iroquois League of Nations or "People of the Long House", based in present-day upstate and western New York, had a confederacy model from the mid-15th century. It has been suggested that their culture contributed to political thinking during the development of the later United States government. Their system of affiliation was a kind of federation, different from the strong, centralized European monarchies.Leadership was restricted to a group of 50 sachem chiefs, each representing one clan within a tribe. The Oneida and Mohawk people had nine seats each; the Onondagas held fourteen; the Cayuga had ten seats; and the Seneca had eight. Representation was not based on population numbers, as the Seneca tribe greatly outnumbered the others. When a sachem chief died, his successor was chosen by the senior woman of his tribe in consultation with other female members of the clan; property and hereditary leadership were passed matrilineally. Decisions were not made through voting but through consensus decision making, with each sachem chief holding theoretical veto power. The Onondaga were the "firekeepers", responsible for raising topics to be discussed. They occupied one side of a three-sided fire (the Mohawk and Seneca sat on one side of the fire, the Oneida and Cayuga sat on the third side.) Elizabeth Tooker, an anthropologist, has said that it was unlikely the US founding fathers were inspired by the confederacy, as it bears little resemblance to the system of governance adopted in the United States. For example, it is based on inherited rather than elected leadership, selected by female members of the tribes, consensus decision-making regardless of population size of the tribes, and a single group capable of bringing matters before the legislative body. Long-distance trading did not prevent warfare and displacement among the indigenous peoples, and their oral histories tell of numerous migrations to the historic territories where Europeans encountered them. The Iroquois invaded and attacked tribes in the Ohio River area of present-day Kentucky and claimed the hunting grounds. Historians have placed these events as occurring as early as the 13th century, or in the 17th century Beaver Wars. Through warfare, the Iroquois drove several tribes to migrate west to what became known as their historically traditional lands west of the Mississippi River. Tribes originating in the Ohio Valley who moved west included the Osage, Kaw, Ponca and Omaha people. By the mid-17th century, they had resettled in their historical lands in present-day Kansas, Nebraska, Arkansas and Oklahoma. The Osage warred with Caddo-speaking Native Americans, displacing them in turn by the mid-18th century and dominating their new historical territories.
Q: What region did Iroquois culture come from?
A: present-day upstate and western New York,
Q: Did they have any traditions?
A: unknown
|
C_14799d84045b415c9cb500d647a260e4_1_q#2
|
What was significant about there culture?
| 0y
| 2x
|
{
"texts": [
"It has been suggested that their culture contributed to political thinking during the development of the later United States government."
],
"answer_starts": [
182
]
}
|
{
"text": "It has been suggested that their culture contributed to political thinking during the development of the later United States government.",
"answer_start": 182
}
|
C_14799d84045b415c9cb500d647a260e4_1
|
Native Americans in the United States
|
Native Americans, also known as American Indians, Indians, Indigenous Americans and other terms, are the indigenous peoples of the United States. There are over 500 federally recognized tribes within the U.S., about half of which are associated with Indian reservations. The term excludes Native Hawaiians and some Alaska Natives. The ancestors of modern Native Americans arrived in what is now the United States at least 15,000 years ago, possibly much earlier, from Asia via Beringia.
|
Iroquois Culture
|
Iroquois Culture: The Iroquois League of Nations or "People of the Long House", based in present-day upstate and western New York, had a confederacy model from the mid-15th century. It has been suggested that their culture contributed to political thinking during the development of the later United States government. Their system of affiliation was a kind of federation, different from the strong, centralized European monarchies.Leadership was restricted to a group of 50 sachem chiefs, each representing one clan within a tribe. The Oneida and Mohawk people had nine seats each; the Onondagas held fourteen; the Cayuga had ten seats; and the Seneca had eight. Representation was not based on population numbers, as the Seneca tribe greatly outnumbered the others. When a sachem chief died, his successor was chosen by the senior woman of his tribe in consultation with other female members of the clan; property and hereditary leadership were passed matrilineally. Decisions were not made through voting but through consensus decision making, with each sachem chief holding theoretical veto power. The Onondaga were the "firekeepers", responsible for raising topics to be discussed. They occupied one side of a three-sided fire (the Mohawk and Seneca sat on one side of the fire, the Oneida and Cayuga sat on the third side.) Elizabeth Tooker, an anthropologist, has said that it was unlikely the US founding fathers were inspired by the confederacy, as it bears little resemblance to the system of governance adopted in the United States. For example, it is based on inherited rather than elected leadership, selected by female members of the tribes, consensus decision-making regardless of population size of the tribes, and a single group capable of bringing matters before the legislative body. Long-distance trading did not prevent warfare and displacement among the indigenous peoples, and their oral histories tell of numerous migrations to the historic territories where Europeans encountered them. The Iroquois invaded and attacked tribes in the Ohio River area of present-day Kentucky and claimed the hunting grounds. Historians have placed these events as occurring as early as the 13th century, or in the 17th century Beaver Wars. Through warfare, the Iroquois drove several tribes to migrate west to what became known as their historically traditional lands west of the Mississippi River. Tribes originating in the Ohio Valley who moved west included the Osage, Kaw, Ponca and Omaha people. By the mid-17th century, they had resettled in their historical lands in present-day Kansas, Nebraska, Arkansas and Oklahoma. The Osage warred with Caddo-speaking Native Americans, displacing them in turn by the mid-18th century and dominating their new historical territories.
Q: What region did Iroquois culture come from?
A: present-day upstate and western New York,
Q: Did they have any traditions?
A: unknown
Q: What was significant about there culture?
A: It has been suggested that their culture contributed to political thinking during the development of the later United States government.
|
C_14799d84045b415c9cb500d647a260e4_1_q#3
|
How did they contribute to the political aspects?
| 2m
| 2x
|
{
"texts": [
"When a sachem chief died, his successor was chosen by the senior woman of his tribe"
],
"answer_starts": [
768
]
}
|
{
"text": "When a sachem chief died, his successor was chosen by the senior woman of his tribe",
"answer_start": 768
}
|
C_14799d84045b415c9cb500d647a260e4_1
|
Native Americans in the United States
|
Native Americans, also known as American Indians, Indians, Indigenous Americans and other terms, are the indigenous peoples of the United States. There are over 500 federally recognized tribes within the U.S., about half of which are associated with Indian reservations. The term excludes Native Hawaiians and some Alaska Natives. The ancestors of modern Native Americans arrived in what is now the United States at least 15,000 years ago, possibly much earlier, from Asia via Beringia.
|
Iroquois Culture
|
Iroquois Culture: The Iroquois League of Nations or "People of the Long House", based in present-day upstate and western New York, had a confederacy model from the mid-15th century. It has been suggested that their culture contributed to political thinking during the development of the later United States government. Their system of affiliation was a kind of federation, different from the strong, centralized European monarchies.Leadership was restricted to a group of 50 sachem chiefs, each representing one clan within a tribe. The Oneida and Mohawk people had nine seats each; the Onondagas held fourteen; the Cayuga had ten seats; and the Seneca had eight. Representation was not based on population numbers, as the Seneca tribe greatly outnumbered the others. When a sachem chief died, his successor was chosen by the senior woman of his tribe in consultation with other female members of the clan; property and hereditary leadership were passed matrilineally. Decisions were not made through voting but through consensus decision making, with each sachem chief holding theoretical veto power. The Onondaga were the "firekeepers", responsible for raising topics to be discussed. They occupied one side of a three-sided fire (the Mohawk and Seneca sat on one side of the fire, the Oneida and Cayuga sat on the third side.) Elizabeth Tooker, an anthropologist, has said that it was unlikely the US founding fathers were inspired by the confederacy, as it bears little resemblance to the system of governance adopted in the United States. For example, it is based on inherited rather than elected leadership, selected by female members of the tribes, consensus decision-making regardless of population size of the tribes, and a single group capable of bringing matters before the legislative body. Long-distance trading did not prevent warfare and displacement among the indigenous peoples, and their oral histories tell of numerous migrations to the historic territories where Europeans encountered them. The Iroquois invaded and attacked tribes in the Ohio River area of present-day Kentucky and claimed the hunting grounds. Historians have placed these events as occurring as early as the 13th century, or in the 17th century Beaver Wars. Through warfare, the Iroquois drove several tribes to migrate west to what became known as their historically traditional lands west of the Mississippi River. Tribes originating in the Ohio Valley who moved west included the Osage, Kaw, Ponca and Omaha people. By the mid-17th century, they had resettled in their historical lands in present-day Kansas, Nebraska, Arkansas and Oklahoma. The Osage warred with Caddo-speaking Native Americans, displacing them in turn by the mid-18th century and dominating their new historical territories.
Q: What region did Iroquois culture come from?
A: present-day upstate and western New York,
Q: Did they have any traditions?
A: unknown
Q: What was significant about there culture?
A: It has been suggested that their culture contributed to political thinking during the development of the later United States government.
Q: How did they contribute to the political aspects?
A: When a sachem chief died, his successor was chosen by the senior woman of his tribe
|
C_14799d84045b415c9cb500d647a260e4_1_q#4
|
How did he die?
| 1n
| 2x
|
{
"texts": [
"unknown"
],
"answer_starts": [
2789
]
}
|
{
"text": "unknown",
"answer_start": 2789
}
|
C_14799d84045b415c9cb500d647a260e4_1
|
Native Americans in the United States
|
Native Americans, also known as American Indians, Indians, Indigenous Americans and other terms, are the indigenous peoples of the United States. There are over 500 federally recognized tribes within the U.S., about half of which are associated with Indian reservations. The term excludes Native Hawaiians and some Alaska Natives. The ancestors of modern Native Americans arrived in what is now the United States at least 15,000 years ago, possibly much earlier, from Asia via Beringia.
|
Iroquois Culture
|
Iroquois Culture: The Iroquois League of Nations or "People of the Long House", based in present-day upstate and western New York, had a confederacy model from the mid-15th century. It has been suggested that their culture contributed to political thinking during the development of the later United States government. Their system of affiliation was a kind of federation, different from the strong, centralized European monarchies.Leadership was restricted to a group of 50 sachem chiefs, each representing one clan within a tribe. The Oneida and Mohawk people had nine seats each; the Onondagas held fourteen; the Cayuga had ten seats; and the Seneca had eight. Representation was not based on population numbers, as the Seneca tribe greatly outnumbered the others. When a sachem chief died, his successor was chosen by the senior woman of his tribe in consultation with other female members of the clan; property and hereditary leadership were passed matrilineally. Decisions were not made through voting but through consensus decision making, with each sachem chief holding theoretical veto power. The Onondaga were the "firekeepers", responsible for raising topics to be discussed. They occupied one side of a three-sided fire (the Mohawk and Seneca sat on one side of the fire, the Oneida and Cayuga sat on the third side.) Elizabeth Tooker, an anthropologist, has said that it was unlikely the US founding fathers were inspired by the confederacy, as it bears little resemblance to the system of governance adopted in the United States. For example, it is based on inherited rather than elected leadership, selected by female members of the tribes, consensus decision-making regardless of population size of the tribes, and a single group capable of bringing matters before the legislative body. Long-distance trading did not prevent warfare and displacement among the indigenous peoples, and their oral histories tell of numerous migrations to the historic territories where Europeans encountered them. The Iroquois invaded and attacked tribes in the Ohio River area of present-day Kentucky and claimed the hunting grounds. Historians have placed these events as occurring as early as the 13th century, or in the 17th century Beaver Wars. Through warfare, the Iroquois drove several tribes to migrate west to what became known as their historically traditional lands west of the Mississippi River. Tribes originating in the Ohio Valley who moved west included the Osage, Kaw, Ponca and Omaha people. By the mid-17th century, they had resettled in their historical lands in present-day Kansas, Nebraska, Arkansas and Oklahoma. The Osage warred with Caddo-speaking Native Americans, displacing them in turn by the mid-18th century and dominating their new historical territories.
Q: What region did Iroquois culture come from?
A: present-day upstate and western New York,
Q: Did they have any traditions?
A: unknown
Q: What was significant about there culture?
A: It has been suggested that their culture contributed to political thinking during the development of the later United States government.
Q: How did they contribute to the political aspects?
A: When a sachem chief died, his successor was chosen by the senior woman of his tribe
Q: How did he die?
A: unknown
|
C_14799d84045b415c9cb500d647a260e4_1_q#5
|
Did they do anything to change history or become well known for?
| 0y
| 0y
|
{
"texts": [
"the Iroquois drove several tribes to migrate west to what became known as their historically traditional lands"
],
"answer_starts": [
2267
]
}
|
{
"text": "the Iroquois drove several tribes to migrate west to what became known as their historically traditional lands",
"answer_start": 2267
}
|
C_14799d84045b415c9cb500d647a260e4_1
|
Native Americans in the United States
|
Native Americans, also known as American Indians, Indians, Indigenous Americans and other terms, are the indigenous peoples of the United States. There are over 500 federally recognized tribes within the U.S., about half of which are associated with Indian reservations. The term excludes Native Hawaiians and some Alaska Natives. The ancestors of modern Native Americans arrived in what is now the United States at least 15,000 years ago, possibly much earlier, from Asia via Beringia.
|
Iroquois Culture
|
Iroquois Culture: The Iroquois League of Nations or "People of the Long House", based in present-day upstate and western New York, had a confederacy model from the mid-15th century. It has been suggested that their culture contributed to political thinking during the development of the later United States government. Their system of affiliation was a kind of federation, different from the strong, centralized European monarchies.Leadership was restricted to a group of 50 sachem chiefs, each representing one clan within a tribe. The Oneida and Mohawk people had nine seats each; the Onondagas held fourteen; the Cayuga had ten seats; and the Seneca had eight. Representation was not based on population numbers, as the Seneca tribe greatly outnumbered the others. When a sachem chief died, his successor was chosen by the senior woman of his tribe in consultation with other female members of the clan; property and hereditary leadership were passed matrilineally. Decisions were not made through voting but through consensus decision making, with each sachem chief holding theoretical veto power. The Onondaga were the "firekeepers", responsible for raising topics to be discussed. They occupied one side of a three-sided fire (the Mohawk and Seneca sat on one side of the fire, the Oneida and Cayuga sat on the third side.) Elizabeth Tooker, an anthropologist, has said that it was unlikely the US founding fathers were inspired by the confederacy, as it bears little resemblance to the system of governance adopted in the United States. For example, it is based on inherited rather than elected leadership, selected by female members of the tribes, consensus decision-making regardless of population size of the tribes, and a single group capable of bringing matters before the legislative body. Long-distance trading did not prevent warfare and displacement among the indigenous peoples, and their oral histories tell of numerous migrations to the historic territories where Europeans encountered them. The Iroquois invaded and attacked tribes in the Ohio River area of present-day Kentucky and claimed the hunting grounds. Historians have placed these events as occurring as early as the 13th century, or in the 17th century Beaver Wars. Through warfare, the Iroquois drove several tribes to migrate west to what became known as their historically traditional lands west of the Mississippi River. Tribes originating in the Ohio Valley who moved west included the Osage, Kaw, Ponca and Omaha people. By the mid-17th century, they had resettled in their historical lands in present-day Kansas, Nebraska, Arkansas and Oklahoma. The Osage warred with Caddo-speaking Native Americans, displacing them in turn by the mid-18th century and dominating their new historical territories.
Q: What region did Iroquois culture come from?
A: present-day upstate and western New York,
Q: Did they have any traditions?
A: unknown
Q: What was significant about there culture?
A: It has been suggested that their culture contributed to political thinking during the development of the later United States government.
Q: How did they contribute to the political aspects?
A: When a sachem chief died, his successor was chosen by the senior woman of his tribe
Q: How did he die?
A: unknown
Q: Did they do anything to change history or become well known for?
A: the Iroquois drove several tribes to migrate west to what became known as their historically traditional lands
|
C_14799d84045b415c9cb500d647a260e4_1_q#6
|
Why did they travel west?
| 2m
| 2x
|
{
"texts": [
"The Iroquois invaded and attacked tribes in the Ohio River area of present-day Kentucky and claimed the hunting grounds."
],
"answer_starts": [
2013
]
}
|
{
"text": "The Iroquois invaded and attacked tribes in the Ohio River area of present-day Kentucky and claimed the hunting grounds.",
"answer_start": 2013
}
|
C_14799d84045b415c9cb500d647a260e4_0
|
Native Americans in the United States
|
Native Americans, also known as American Indians, Indians, Indigenous Americans and other terms, are the indigenous peoples of the United States. There are over 500 federally recognized tribes within the U.S., about half of which are associated with Indian reservations. The term excludes Native Hawaiians and some Alaska Natives. The ancestors of modern Native Americans arrived in what is now the United States at least 15,000 years ago, possibly much earlier, from Asia via Beringia.
|
Education
|
After the Indian wars in the late 19th century, the government established Native American boarding schools, initially run primarily by or affiliated with Christian missionaries. At this time, American society thought that Native American children needed to be acculturated to the general society. The boarding school experience was a total immersion in modern American society, but it could prove traumatic to children, who were forbidden to speak their native languages. They were taught Christianity and not allowed to practice their native religions, and in numerous other ways forced to abandon their Native American identities. Before the 1930s, schools on the reservations provided no schooling beyond the sixth grade. To obtain more, boarding school was usually necessary. Small reservations with a few hundred people usually sent their children to nearby public schools. The "Indian New Deal" of the 1930s closed many of the boarding schools, and downplayed the assimilationist goals. The Indian Division of the Civilian Conservation Corps operated large-scale construction projects on the reservations, building thousands of new schools and community buildings. Under the leadership of John Collier the BIA brought in progressive educators to reshape Indian education. The Bureau of Indian Affairs (BIA) by 1938 taught 30,000 students in 377 boarding and day schools, or 40% of all Indian children in school. The Navajo largely opposed schooling of any sort, but the other tribes accepted the system. There were now high schools on larger reservations, educating not only teenagers but also an adult audience. There were no Indian facilities for higher education. They deemphasized textbooks, emphasized self-esteem, and started teaching Indian history. They promoted traditional arts and crafts of the sort that could be conducted on the reservations, such as making jewelry. The New Deal reformers met significant resistance from parents and teachers, and had mixed results. World War II brought younger Indians in contact with the broader society through military service and work in the munitions industries. The role of schooling was changed to focus on vocational education for jobs in urban America. Since the rise of self-determination for Native Americans, they have generally emphasized education of their children at schools near where they live. In addition, many federally recognized tribes have taken over operations of such schools and added programs of language retention and revival to strengthen their cultures. Beginning in the 1970s, tribes have also founded colleges at their reservations, controlled, and operated by Native Americans, to educate their young for jobs as well as to pass on their cultures.
|
C_14799d84045b415c9cb500d647a260e4_0_q#0
|
What is their education like?
| 0y
| 2x
|
{
"texts": [
"Before the 1930s, schools on the reservations provided no schooling beyond the sixth grade."
],
"answer_starts": [
635
]
}
|
{
"text": "Before the 1930s, schools on the reservations provided no schooling beyond the sixth grade.",
"answer_start": 635
}
|
C_14799d84045b415c9cb500d647a260e4_0
|
Native Americans in the United States
|
Native Americans, also known as American Indians, Indians, Indigenous Americans and other terms, are the indigenous peoples of the United States. There are over 500 federally recognized tribes within the U.S., about half of which are associated with Indian reservations. The term excludes Native Hawaiians and some Alaska Natives. The ancestors of modern Native Americans arrived in what is now the United States at least 15,000 years ago, possibly much earlier, from Asia via Beringia.
|
Education
|
After the Indian wars in the late 19th century, the government established Native American boarding schools, initially run primarily by or affiliated with Christian missionaries. At this time, American society thought that Native American children needed to be acculturated to the general society. The boarding school experience was a total immersion in modern American society, but it could prove traumatic to children, who were forbidden to speak their native languages. They were taught Christianity and not allowed to practice their native religions, and in numerous other ways forced to abandon their Native American identities. Before the 1930s, schools on the reservations provided no schooling beyond the sixth grade. To obtain more, boarding school was usually necessary. Small reservations with a few hundred people usually sent their children to nearby public schools. The "Indian New Deal" of the 1930s closed many of the boarding schools, and downplayed the assimilationist goals. The Indian Division of the Civilian Conservation Corps operated large-scale construction projects on the reservations, building thousands of new schools and community buildings. Under the leadership of John Collier the BIA brought in progressive educators to reshape Indian education. The Bureau of Indian Affairs (BIA) by 1938 taught 30,000 students in 377 boarding and day schools, or 40% of all Indian children in school. The Navajo largely opposed schooling of any sort, but the other tribes accepted the system. There were now high schools on larger reservations, educating not only teenagers but also an adult audience. There were no Indian facilities for higher education. They deemphasized textbooks, emphasized self-esteem, and started teaching Indian history. They promoted traditional arts and crafts of the sort that could be conducted on the reservations, such as making jewelry. The New Deal reformers met significant resistance from parents and teachers, and had mixed results. World War II brought younger Indians in contact with the broader society through military service and work in the munitions industries. The role of schooling was changed to focus on vocational education for jobs in urban America. Since the rise of self-determination for Native Americans, they have generally emphasized education of their children at schools near where they live. In addition, many federally recognized tribes have taken over operations of such schools and added programs of language retention and revival to strengthen their cultures. Beginning in the 1970s, tribes have also founded colleges at their reservations, controlled, and operated by Native Americans, to educate their young for jobs as well as to pass on their cultures.
Q: What is their education like?
A: Before the 1930s, schools on the reservations provided no schooling beyond the sixth grade.
|
C_14799d84045b415c9cb500d647a260e4_0_q#1
|
After the 1930's was a higher education available?
| 0y
| 2x
|
{
"texts": [
"The Bureau of Indian Affairs (BIA) by 1938 taught 30,000 students in 377 boarding and day schools, or 40% of all Indian children in school."
],
"answer_starts": [
1280
]
}
|
{
"text": "The Bureau of Indian Affairs (BIA) by 1938 taught 30,000 students in 377 boarding and day schools, or 40% of all Indian children in school.",
"answer_start": 1280
}
|
C_14799d84045b415c9cb500d647a260e4_0
|
Native Americans in the United States
|
Native Americans, also known as American Indians, Indians, Indigenous Americans and other terms, are the indigenous peoples of the United States. There are over 500 federally recognized tribes within the U.S., about half of which are associated with Indian reservations. The term excludes Native Hawaiians and some Alaska Natives. The ancestors of modern Native Americans arrived in what is now the United States at least 15,000 years ago, possibly much earlier, from Asia via Beringia.
|
Education
|
After the Indian wars in the late 19th century, the government established Native American boarding schools, initially run primarily by or affiliated with Christian missionaries. At this time, American society thought that Native American children needed to be acculturated to the general society. The boarding school experience was a total immersion in modern American society, but it could prove traumatic to children, who were forbidden to speak their native languages. They were taught Christianity and not allowed to practice their native religions, and in numerous other ways forced to abandon their Native American identities. Before the 1930s, schools on the reservations provided no schooling beyond the sixth grade. To obtain more, boarding school was usually necessary. Small reservations with a few hundred people usually sent their children to nearby public schools. The "Indian New Deal" of the 1930s closed many of the boarding schools, and downplayed the assimilationist goals. The Indian Division of the Civilian Conservation Corps operated large-scale construction projects on the reservations, building thousands of new schools and community buildings. Under the leadership of John Collier the BIA brought in progressive educators to reshape Indian education. The Bureau of Indian Affairs (BIA) by 1938 taught 30,000 students in 377 boarding and day schools, or 40% of all Indian children in school. The Navajo largely opposed schooling of any sort, but the other tribes accepted the system. There were now high schools on larger reservations, educating not only teenagers but also an adult audience. There were no Indian facilities for higher education. They deemphasized textbooks, emphasized self-esteem, and started teaching Indian history. They promoted traditional arts and crafts of the sort that could be conducted on the reservations, such as making jewelry. The New Deal reformers met significant resistance from parents and teachers, and had mixed results. World War II brought younger Indians in contact with the broader society through military service and work in the munitions industries. The role of schooling was changed to focus on vocational education for jobs in urban America. Since the rise of self-determination for Native Americans, they have generally emphasized education of their children at schools near where they live. In addition, many federally recognized tribes have taken over operations of such schools and added programs of language retention and revival to strengthen their cultures. Beginning in the 1970s, tribes have also founded colleges at their reservations, controlled, and operated by Native Americans, to educate their young for jobs as well as to pass on their cultures.
Q: What is their education like?
A: Before the 1930s, schools on the reservations provided no schooling beyond the sixth grade.
Q: After the 1930's was a higher education available?
A: The Bureau of Indian Affairs (BIA) by 1938 taught 30,000 students in 377 boarding and day schools, or 40% of all Indian children in school.
|
C_14799d84045b415c9cb500d647a260e4_0_q#2
|
Did they attend past the 6th grade at that point?
| 0y
| 2x
|
{
"texts": [
"Beginning in the 1970s, tribes have also founded colleges at their reservations, controlled, and operated by Native Americans, to"
],
"answer_starts": [
2542
]
}
|
{
"text": "Beginning in the 1970s, tribes have also founded colleges at their reservations, controlled, and operated by Native Americans, to",
"answer_start": 2542
}
|
C_14799d84045b415c9cb500d647a260e4_0
|
Native Americans in the United States
|
Native Americans, also known as American Indians, Indians, Indigenous Americans and other terms, are the indigenous peoples of the United States. There are over 500 federally recognized tribes within the U.S., about half of which are associated with Indian reservations. The term excludes Native Hawaiians and some Alaska Natives. The ancestors of modern Native Americans arrived in what is now the United States at least 15,000 years ago, possibly much earlier, from Asia via Beringia.
|
Education
|
After the Indian wars in the late 19th century, the government established Native American boarding schools, initially run primarily by or affiliated with Christian missionaries. At this time, American society thought that Native American children needed to be acculturated to the general society. The boarding school experience was a total immersion in modern American society, but it could prove traumatic to children, who were forbidden to speak their native languages. They were taught Christianity and not allowed to practice their native religions, and in numerous other ways forced to abandon their Native American identities. Before the 1930s, schools on the reservations provided no schooling beyond the sixth grade. To obtain more, boarding school was usually necessary. Small reservations with a few hundred people usually sent their children to nearby public schools. The "Indian New Deal" of the 1930s closed many of the boarding schools, and downplayed the assimilationist goals. The Indian Division of the Civilian Conservation Corps operated large-scale construction projects on the reservations, building thousands of new schools and community buildings. Under the leadership of John Collier the BIA brought in progressive educators to reshape Indian education. The Bureau of Indian Affairs (BIA) by 1938 taught 30,000 students in 377 boarding and day schools, or 40% of all Indian children in school. The Navajo largely opposed schooling of any sort, but the other tribes accepted the system. There were now high schools on larger reservations, educating not only teenagers but also an adult audience. There were no Indian facilities for higher education. They deemphasized textbooks, emphasized self-esteem, and started teaching Indian history. They promoted traditional arts and crafts of the sort that could be conducted on the reservations, such as making jewelry. The New Deal reformers met significant resistance from parents and teachers, and had mixed results. World War II brought younger Indians in contact with the broader society through military service and work in the munitions industries. The role of schooling was changed to focus on vocational education for jobs in urban America. Since the rise of self-determination for Native Americans, they have generally emphasized education of their children at schools near where they live. In addition, many federally recognized tribes have taken over operations of such schools and added programs of language retention and revival to strengthen their cultures. Beginning in the 1970s, tribes have also founded colleges at their reservations, controlled, and operated by Native Americans, to educate their young for jobs as well as to pass on their cultures.
Q: What is their education like?
A: Before the 1930s, schools on the reservations provided no schooling beyond the sixth grade.
Q: After the 1930's was a higher education available?
A: The Bureau of Indian Affairs (BIA) by 1938 taught 30,000 students in 377 boarding and day schools, or 40% of all Indian children in school.
Q: Did they attend past the 6th grade at that point?
A: Beginning in the 1970s, tribes have also founded colleges at their reservations, controlled, and operated by Native Americans, to
|
C_14799d84045b415c9cb500d647a260e4_0_q#3
|
Did a high number of native americans attend college at that point?
| 0y
| 2x
|
{
"texts": [
"World War II brought younger Indians in contact with the broader society through military service and work in the munitions industries."
],
"answer_starts": [
1988
]
}
|
{
"text": "World War II brought younger Indians in contact with the broader society through military service and work in the munitions industries.",
"answer_start": 1988
}
|
C_14799d84045b415c9cb500d647a260e4_0
|
Native Americans in the United States
|
Native Americans, also known as American Indians, Indians, Indigenous Americans and other terms, are the indigenous peoples of the United States. There are over 500 federally recognized tribes within the U.S., about half of which are associated with Indian reservations. The term excludes Native Hawaiians and some Alaska Natives. The ancestors of modern Native Americans arrived in what is now the United States at least 15,000 years ago, possibly much earlier, from Asia via Beringia.
|
Education
|
After the Indian wars in the late 19th century, the government established Native American boarding schools, initially run primarily by or affiliated with Christian missionaries. At this time, American society thought that Native American children needed to be acculturated to the general society. The boarding school experience was a total immersion in modern American society, but it could prove traumatic to children, who were forbidden to speak their native languages. They were taught Christianity and not allowed to practice their native religions, and in numerous other ways forced to abandon their Native American identities. Before the 1930s, schools on the reservations provided no schooling beyond the sixth grade. To obtain more, boarding school was usually necessary. Small reservations with a few hundred people usually sent their children to nearby public schools. The "Indian New Deal" of the 1930s closed many of the boarding schools, and downplayed the assimilationist goals. The Indian Division of the Civilian Conservation Corps operated large-scale construction projects on the reservations, building thousands of new schools and community buildings. Under the leadership of John Collier the BIA brought in progressive educators to reshape Indian education. The Bureau of Indian Affairs (BIA) by 1938 taught 30,000 students in 377 boarding and day schools, or 40% of all Indian children in school. The Navajo largely opposed schooling of any sort, but the other tribes accepted the system. There were now high schools on larger reservations, educating not only teenagers but also an adult audience. There were no Indian facilities for higher education. They deemphasized textbooks, emphasized self-esteem, and started teaching Indian history. They promoted traditional arts and crafts of the sort that could be conducted on the reservations, such as making jewelry. The New Deal reformers met significant resistance from parents and teachers, and had mixed results. World War II brought younger Indians in contact with the broader society through military service and work in the munitions industries. The role of schooling was changed to focus on vocational education for jobs in urban America. Since the rise of self-determination for Native Americans, they have generally emphasized education of their children at schools near where they live. In addition, many federally recognized tribes have taken over operations of such schools and added programs of language retention and revival to strengthen their cultures. Beginning in the 1970s, tribes have also founded colleges at their reservations, controlled, and operated by Native Americans, to educate their young for jobs as well as to pass on their cultures.
Q: What is their education like?
A: Before the 1930s, schools on the reservations provided no schooling beyond the sixth grade.
Q: After the 1930's was a higher education available?
A: The Bureau of Indian Affairs (BIA) by 1938 taught 30,000 students in 377 boarding and day schools, or 40% of all Indian children in school.
Q: Did they attend past the 6th grade at that point?
A: Beginning in the 1970s, tribes have also founded colleges at their reservations, controlled, and operated by Native Americans, to
Q: Did a high number of native americans attend college at that point?
A: World War II brought younger Indians in contact with the broader society through military service and work in the munitions industries.
|
C_14799d84045b415c9cb500d647a260e4_0_q#4
|
At what age did one begin school?
| 1n
| 2x
|
{
"texts": [
"unknown"
],
"answer_starts": [
2739
]
}
|
{
"text": "unknown",
"answer_start": 2739
}
|
C_14799d84045b415c9cb500d647a260e4_0
|
Native Americans in the United States
|
Native Americans, also known as American Indians, Indians, Indigenous Americans and other terms, are the indigenous peoples of the United States. There are over 500 federally recognized tribes within the U.S., about half of which are associated with Indian reservations. The term excludes Native Hawaiians and some Alaska Natives. The ancestors of modern Native Americans arrived in what is now the United States at least 15,000 years ago, possibly much earlier, from Asia via Beringia.
|
Education
|
After the Indian wars in the late 19th century, the government established Native American boarding schools, initially run primarily by or affiliated with Christian missionaries. At this time, American society thought that Native American children needed to be acculturated to the general society. The boarding school experience was a total immersion in modern American society, but it could prove traumatic to children, who were forbidden to speak their native languages. They were taught Christianity and not allowed to practice their native religions, and in numerous other ways forced to abandon their Native American identities. Before the 1930s, schools on the reservations provided no schooling beyond the sixth grade. To obtain more, boarding school was usually necessary. Small reservations with a few hundred people usually sent their children to nearby public schools. The "Indian New Deal" of the 1930s closed many of the boarding schools, and downplayed the assimilationist goals. The Indian Division of the Civilian Conservation Corps operated large-scale construction projects on the reservations, building thousands of new schools and community buildings. Under the leadership of John Collier the BIA brought in progressive educators to reshape Indian education. The Bureau of Indian Affairs (BIA) by 1938 taught 30,000 students in 377 boarding and day schools, or 40% of all Indian children in school. The Navajo largely opposed schooling of any sort, but the other tribes accepted the system. There were now high schools on larger reservations, educating not only teenagers but also an adult audience. There were no Indian facilities for higher education. They deemphasized textbooks, emphasized self-esteem, and started teaching Indian history. They promoted traditional arts and crafts of the sort that could be conducted on the reservations, such as making jewelry. The New Deal reformers met significant resistance from parents and teachers, and had mixed results. World War II brought younger Indians in contact with the broader society through military service and work in the munitions industries. The role of schooling was changed to focus on vocational education for jobs in urban America. Since the rise of self-determination for Native Americans, they have generally emphasized education of their children at schools near where they live. In addition, many federally recognized tribes have taken over operations of such schools and added programs of language retention and revival to strengthen their cultures. Beginning in the 1970s, tribes have also founded colleges at their reservations, controlled, and operated by Native Americans, to educate their young for jobs as well as to pass on their cultures.
Q: What is their education like?
A: Before the 1930s, schools on the reservations provided no schooling beyond the sixth grade.
Q: After the 1930's was a higher education available?
A: The Bureau of Indian Affairs (BIA) by 1938 taught 30,000 students in 377 boarding and day schools, or 40% of all Indian children in school.
Q: Did they attend past the 6th grade at that point?
A: Beginning in the 1970s, tribes have also founded colleges at their reservations, controlled, and operated by Native Americans, to
Q: Did a high number of native americans attend college at that point?
A: World War II brought younger Indians in contact with the broader society through military service and work in the munitions industries.
Q: At what age did one begin school?
A: unknown
|
C_14799d84045b415c9cb500d647a260e4_0_q#5
|
Did they attend school in a schoolhouse?
| 0y
| 2x
|
{
"texts": [
"The boarding school experience was a total immersion in modern American society, but it could prove traumatic to children, who were forbidden to speak their native languages."
],
"answer_starts": [
298
]
}
|
{
"text": "The boarding school experience was a total immersion in modern American society, but it could prove traumatic to children, who were forbidden to speak their native languages.",
"answer_start": 298
}
|
C_14799d84045b415c9cb500d647a260e4_0
|
Native Americans in the United States
|
Native Americans, also known as American Indians, Indians, Indigenous Americans and other terms, are the indigenous peoples of the United States. There are over 500 federally recognized tribes within the U.S., about half of which are associated with Indian reservations. The term excludes Native Hawaiians and some Alaska Natives. The ancestors of modern Native Americans arrived in what is now the United States at least 15,000 years ago, possibly much earlier, from Asia via Beringia.
|
Education
|
After the Indian wars in the late 19th century, the government established Native American boarding schools, initially run primarily by or affiliated with Christian missionaries. At this time, American society thought that Native American children needed to be acculturated to the general society. The boarding school experience was a total immersion in modern American society, but it could prove traumatic to children, who were forbidden to speak their native languages. They were taught Christianity and not allowed to practice their native religions, and in numerous other ways forced to abandon their Native American identities. Before the 1930s, schools on the reservations provided no schooling beyond the sixth grade. To obtain more, boarding school was usually necessary. Small reservations with a few hundred people usually sent their children to nearby public schools. The "Indian New Deal" of the 1930s closed many of the boarding schools, and downplayed the assimilationist goals. The Indian Division of the Civilian Conservation Corps operated large-scale construction projects on the reservations, building thousands of new schools and community buildings. Under the leadership of John Collier the BIA brought in progressive educators to reshape Indian education. The Bureau of Indian Affairs (BIA) by 1938 taught 30,000 students in 377 boarding and day schools, or 40% of all Indian children in school. The Navajo largely opposed schooling of any sort, but the other tribes accepted the system. There were now high schools on larger reservations, educating not only teenagers but also an adult audience. There were no Indian facilities for higher education. They deemphasized textbooks, emphasized self-esteem, and started teaching Indian history. They promoted traditional arts and crafts of the sort that could be conducted on the reservations, such as making jewelry. The New Deal reformers met significant resistance from parents and teachers, and had mixed results. World War II brought younger Indians in contact with the broader society through military service and work in the munitions industries. The role of schooling was changed to focus on vocational education for jobs in urban America. Since the rise of self-determination for Native Americans, they have generally emphasized education of their children at schools near where they live. In addition, many federally recognized tribes have taken over operations of such schools and added programs of language retention and revival to strengthen their cultures. Beginning in the 1970s, tribes have also founded colleges at their reservations, controlled, and operated by Native Americans, to educate their young for jobs as well as to pass on their cultures.
Q: What is their education like?
A: Before the 1930s, schools on the reservations provided no schooling beyond the sixth grade.
Q: After the 1930's was a higher education available?
A: The Bureau of Indian Affairs (BIA) by 1938 taught 30,000 students in 377 boarding and day schools, or 40% of all Indian children in school.
Q: Did they attend past the 6th grade at that point?
A: Beginning in the 1970s, tribes have also founded colleges at their reservations, controlled, and operated by Native Americans, to
Q: Did a high number of native americans attend college at that point?
A: World War II brought younger Indians in contact with the broader society through military service and work in the munitions industries.
Q: At what age did one begin school?
A: unknown
Q: Did they attend school in a schoolhouse?
A: The boarding school experience was a total immersion in modern American society, but it could prove traumatic to children, who were forbidden to speak their native languages.
|
C_14799d84045b415c9cb500d647a260e4_0_q#6
|
why did they have to go to boarding school instead of a traditional schoolhouse?
| 0y
| 2x
|
{
"texts": [
"At this time, American society thought that Native American children needed to be acculturated to the general society."
],
"answer_starts": [
179
]
}
|
{
"text": "At this time, American society thought that Native American children needed to be acculturated to the general society.",
"answer_start": 179
}
|
C_14799d84045b415c9cb500d647a260e4_0
|
Native Americans in the United States
|
Native Americans, also known as American Indians, Indians, Indigenous Americans and other terms, are the indigenous peoples of the United States. There are over 500 federally recognized tribes within the U.S., about half of which are associated with Indian reservations. The term excludes Native Hawaiians and some Alaska Natives. The ancestors of modern Native Americans arrived in what is now the United States at least 15,000 years ago, possibly much earlier, from Asia via Beringia.
|
Education
|
After the Indian wars in the late 19th century, the government established Native American boarding schools, initially run primarily by or affiliated with Christian missionaries. At this time, American society thought that Native American children needed to be acculturated to the general society. The boarding school experience was a total immersion in modern American society, but it could prove traumatic to children, who were forbidden to speak their native languages. They were taught Christianity and not allowed to practice their native religions, and in numerous other ways forced to abandon their Native American identities. Before the 1930s, schools on the reservations provided no schooling beyond the sixth grade. To obtain more, boarding school was usually necessary. Small reservations with a few hundred people usually sent their children to nearby public schools. The "Indian New Deal" of the 1930s closed many of the boarding schools, and downplayed the assimilationist goals. The Indian Division of the Civilian Conservation Corps operated large-scale construction projects on the reservations, building thousands of new schools and community buildings. Under the leadership of John Collier the BIA brought in progressive educators to reshape Indian education. The Bureau of Indian Affairs (BIA) by 1938 taught 30,000 students in 377 boarding and day schools, or 40% of all Indian children in school. The Navajo largely opposed schooling of any sort, but the other tribes accepted the system. There were now high schools on larger reservations, educating not only teenagers but also an adult audience. There were no Indian facilities for higher education. They deemphasized textbooks, emphasized self-esteem, and started teaching Indian history. They promoted traditional arts and crafts of the sort that could be conducted on the reservations, such as making jewelry. The New Deal reformers met significant resistance from parents and teachers, and had mixed results. World War II brought younger Indians in contact with the broader society through military service and work in the munitions industries. The role of schooling was changed to focus on vocational education for jobs in urban America. Since the rise of self-determination for Native Americans, they have generally emphasized education of their children at schools near where they live. In addition, many federally recognized tribes have taken over operations of such schools and added programs of language retention and revival to strengthen their cultures. Beginning in the 1970s, tribes have also founded colleges at their reservations, controlled, and operated by Native Americans, to educate their young for jobs as well as to pass on their cultures.
Q: What is their education like?
A: Before the 1930s, schools on the reservations provided no schooling beyond the sixth grade.
Q: After the 1930's was a higher education available?
A: The Bureau of Indian Affairs (BIA) by 1938 taught 30,000 students in 377 boarding and day schools, or 40% of all Indian children in school.
Q: Did they attend past the 6th grade at that point?
A: Beginning in the 1970s, tribes have also founded colleges at their reservations, controlled, and operated by Native Americans, to
Q: Did a high number of native americans attend college at that point?
A: World War II brought younger Indians in contact with the broader society through military service and work in the munitions industries.
Q: At what age did one begin school?
A: unknown
Q: Did they attend school in a schoolhouse?
A: The boarding school experience was a total immersion in modern American society, but it could prove traumatic to children, who were forbidden to speak their native languages.
Q: why did they have to go to boarding school instead of a traditional schoolhouse?
A: At this time, American society thought that Native American children needed to be acculturated to the general society.
|
C_14799d84045b415c9cb500d647a260e4_0_q#7
|
When did they do away with boarding school?
| 0y
| 2x
|
{
"texts": [
"The \"Indian New Deal\" of the 1930s closed many of the boarding schools,"
],
"answer_starts": [
881
]
}
|
{
"text": "The \"Indian New Deal\" of the 1930s closed many of the boarding schools,",
"answer_start": 881
}
|
C_6a594180c6e34cc29e9c00479a083956_0
|
Ty Cobb
|
Cobb was born in 1886 in Narrows, Georgia, a small rural community of farmers that was unincorporated. He was the first of three children born to William Herschel Cobb (1863-1905) and Amanda Chitwood Cobb (1871-1936). Cobb's father was a state senator. When he was still an infant, his parents moved to nearby Royston, where he was raised.
|
Later life
|
At the age of 62, Cobb married a second time in 1949. His new wife was 40-year-old Frances Fairbairn Cass, a divorcee from Buffalo, New York. Their childless marriage also failed, ending with a divorce in 1956. At this time, Cobb became generous with his wealth, donating $100,000 in his parents' name for his hometown to build a modern 24-bed hospital, Cobb Memorial Hospital, which is now part of the Ty Cobb Healthcare System. He also established the Cobb Educational Fund, which awarded scholarships to needy Georgia students bound for college, by endowing it with a $100,000 donation in 1953 (equivalent to approximately $914,677 in current year dollars ). He knew that another way he could share his wealth was by having biographies written that would both set the record straight on him and teach young players how to play. John McCallum spent some time with Cobb to write a combination how-to and biography titled The Tiger Wore Spikes: An Informal Biography of Ty Cobb that was published in 1956. In December 1959, he was diagnosed with prostate cancer, diabetes, high blood pressure, and Bright's disease. It was also during his final years that Cobb began work on his autobiography, My Life in Baseball: The True Record, with writer Al Stump. Later Stump would claim the collaboration was contentious, and after Cobb's death Stump published two more books and a short story giving what he claimed was the "true story". One of these later books was used as the basis for the 1994 film Cobb (a box office flop starring Tommy Lee Jones as Cobb and directed by Ron Shelton). In 2010, an article by William R. "Ron" Cobb (no relation to Ty) in the peer-reviewed The National Pastime (the official publication of the Society for American Baseball Research) accused Stump of extensive forgeries of Cobb-related documents and diaries. The article further accused Stump of numerous false statements about Cobb in his last years, most of which were sensationalistic in nature and intended to cast Cobb in an unflattering light.
|
C_6a594180c6e34cc29e9c00479a083956_0_q#0
|
what happened in the later years?
| 0y
| 2x
|
{
"texts": [
"At the age of 62, Cobb married a second time in 1949."
],
"answer_starts": [
0
]
}
|
{
"text": "At the age of 62, Cobb married a second time in 1949.",
"answer_start": 0
}
|
C_6a594180c6e34cc29e9c00479a083956_0
|
Ty Cobb
|
Cobb was born in 1886 in Narrows, Georgia, a small rural community of farmers that was unincorporated. He was the first of three children born to William Herschel Cobb (1863-1905) and Amanda Chitwood Cobb (1871-1936). Cobb's father was a state senator. When he was still an infant, his parents moved to nearby Royston, where he was raised.
|
Later life
|
At the age of 62, Cobb married a second time in 1949. His new wife was 40-year-old Frances Fairbairn Cass, a divorcee from Buffalo, New York. Their childless marriage also failed, ending with a divorce in 1956. At this time, Cobb became generous with his wealth, donating $100,000 in his parents' name for his hometown to build a modern 24-bed hospital, Cobb Memorial Hospital, which is now part of the Ty Cobb Healthcare System. He also established the Cobb Educational Fund, which awarded scholarships to needy Georgia students bound for college, by endowing it with a $100,000 donation in 1953 (equivalent to approximately $914,677 in current year dollars ). He knew that another way he could share his wealth was by having biographies written that would both set the record straight on him and teach young players how to play. John McCallum spent some time with Cobb to write a combination how-to and biography titled The Tiger Wore Spikes: An Informal Biography of Ty Cobb that was published in 1956. In December 1959, he was diagnosed with prostate cancer, diabetes, high blood pressure, and Bright's disease. It was also during his final years that Cobb began work on his autobiography, My Life in Baseball: The True Record, with writer Al Stump. Later Stump would claim the collaboration was contentious, and after Cobb's death Stump published two more books and a short story giving what he claimed was the "true story". One of these later books was used as the basis for the 1994 film Cobb (a box office flop starring Tommy Lee Jones as Cobb and directed by Ron Shelton). In 2010, an article by William R. "Ron" Cobb (no relation to Ty) in the peer-reviewed The National Pastime (the official publication of the Society for American Baseball Research) accused Stump of extensive forgeries of Cobb-related documents and diaries. The article further accused Stump of numerous false statements about Cobb in his last years, most of which were sensationalistic in nature and intended to cast Cobb in an unflattering light.
Q: what happened in the later years?
A: At the age of 62, Cobb married a second time in 1949.
|
C_6a594180c6e34cc29e9c00479a083956_0_q#1
|
who did he marry?
| 2m
| 2x
|
{
"texts": [
"His new wife was 40-year-old Frances Fairbairn Cass, a divorcee from Buffalo, New York."
],
"answer_starts": [
54
]
}
|
{
"text": "His new wife was 40-year-old Frances Fairbairn Cass, a divorcee from Buffalo, New York.",
"answer_start": 54
}
|
C_6a594180c6e34cc29e9c00479a083956_0
|
Ty Cobb
|
Cobb was born in 1886 in Narrows, Georgia, a small rural community of farmers that was unincorporated. He was the first of three children born to William Herschel Cobb (1863-1905) and Amanda Chitwood Cobb (1871-1936). Cobb's father was a state senator. When he was still an infant, his parents moved to nearby Royston, where he was raised.
|
Later life
|
At the age of 62, Cobb married a second time in 1949. His new wife was 40-year-old Frances Fairbairn Cass, a divorcee from Buffalo, New York. Their childless marriage also failed, ending with a divorce in 1956. At this time, Cobb became generous with his wealth, donating $100,000 in his parents' name for his hometown to build a modern 24-bed hospital, Cobb Memorial Hospital, which is now part of the Ty Cobb Healthcare System. He also established the Cobb Educational Fund, which awarded scholarships to needy Georgia students bound for college, by endowing it with a $100,000 donation in 1953 (equivalent to approximately $914,677 in current year dollars ). He knew that another way he could share his wealth was by having biographies written that would both set the record straight on him and teach young players how to play. John McCallum spent some time with Cobb to write a combination how-to and biography titled The Tiger Wore Spikes: An Informal Biography of Ty Cobb that was published in 1956. In December 1959, he was diagnosed with prostate cancer, diabetes, high blood pressure, and Bright's disease. It was also during his final years that Cobb began work on his autobiography, My Life in Baseball: The True Record, with writer Al Stump. Later Stump would claim the collaboration was contentious, and after Cobb's death Stump published two more books and a short story giving what he claimed was the "true story". One of these later books was used as the basis for the 1994 film Cobb (a box office flop starring Tommy Lee Jones as Cobb and directed by Ron Shelton). In 2010, an article by William R. "Ron" Cobb (no relation to Ty) in the peer-reviewed The National Pastime (the official publication of the Society for American Baseball Research) accused Stump of extensive forgeries of Cobb-related documents and diaries. The article further accused Stump of numerous false statements about Cobb in his last years, most of which were sensationalistic in nature and intended to cast Cobb in an unflattering light.
Q: what happened in the later years?
A: At the age of 62, Cobb married a second time in 1949.
Q: who did he marry?
A: His new wife was 40-year-old Frances Fairbairn Cass, a divorcee from Buffalo, New York.
|
C_6a594180c6e34cc29e9c00479a083956_0_q#2
|
what notable things did he do?
| 0y
| 2x
|
{
"texts": [
"Cobb became generous with his wealth, donating $100,000 in his parents' name for his hometown to build a modern 24-bed hospital, Cobb Memorial Hospital,"
],
"answer_starts": [
225
]
}
|
{
"text": "Cobb became generous with his wealth, donating $100,000 in his parents' name for his hometown to build a modern 24-bed hospital, Cobb Memorial Hospital,",
"answer_start": 225
}
|
C_6a594180c6e34cc29e9c00479a083956_0
|
Ty Cobb
|
Cobb was born in 1886 in Narrows, Georgia, a small rural community of farmers that was unincorporated. He was the first of three children born to William Herschel Cobb (1863-1905) and Amanda Chitwood Cobb (1871-1936). Cobb's father was a state senator. When he was still an infant, his parents moved to nearby Royston, where he was raised.
|
Later life
|
At the age of 62, Cobb married a second time in 1949. His new wife was 40-year-old Frances Fairbairn Cass, a divorcee from Buffalo, New York. Their childless marriage also failed, ending with a divorce in 1956. At this time, Cobb became generous with his wealth, donating $100,000 in his parents' name for his hometown to build a modern 24-bed hospital, Cobb Memorial Hospital, which is now part of the Ty Cobb Healthcare System. He also established the Cobb Educational Fund, which awarded scholarships to needy Georgia students bound for college, by endowing it with a $100,000 donation in 1953 (equivalent to approximately $914,677 in current year dollars ). He knew that another way he could share his wealth was by having biographies written that would both set the record straight on him and teach young players how to play. John McCallum spent some time with Cobb to write a combination how-to and biography titled The Tiger Wore Spikes: An Informal Biography of Ty Cobb that was published in 1956. In December 1959, he was diagnosed with prostate cancer, diabetes, high blood pressure, and Bright's disease. It was also during his final years that Cobb began work on his autobiography, My Life in Baseball: The True Record, with writer Al Stump. Later Stump would claim the collaboration was contentious, and after Cobb's death Stump published two more books and a short story giving what he claimed was the "true story". One of these later books was used as the basis for the 1994 film Cobb (a box office flop starring Tommy Lee Jones as Cobb and directed by Ron Shelton). In 2010, an article by William R. "Ron" Cobb (no relation to Ty) in the peer-reviewed The National Pastime (the official publication of the Society for American Baseball Research) accused Stump of extensive forgeries of Cobb-related documents and diaries. The article further accused Stump of numerous false statements about Cobb in his last years, most of which were sensationalistic in nature and intended to cast Cobb in an unflattering light.
Q: what happened in the later years?
A: At the age of 62, Cobb married a second time in 1949.
Q: who did he marry?
A: His new wife was 40-year-old Frances Fairbairn Cass, a divorcee from Buffalo, New York.
Q: what notable things did he do?
A: Cobb became generous with his wealth, donating $100,000 in his parents' name for his hometown to build a modern 24-bed hospital, Cobb Memorial Hospital,
|
C_6a594180c6e34cc29e9c00479a083956_0_q#3
|
did he donate anywhere else?
| 2m
| 0y
|
{
"texts": [
"He also established the Cobb Educational Fund, which awarded scholarships to needy Georgia students bound for college, by endowing it with a $100,000 donation in 1953"
],
"answer_starts": [
430
]
}
|
{
"text": "He also established the Cobb Educational Fund, which awarded scholarships to needy Georgia students bound for college, by endowing it with a $100,000 donation in 1953",
"answer_start": 430
}
|
C_6a594180c6e34cc29e9c00479a083956_0
|
Ty Cobb
|
Cobb was born in 1886 in Narrows, Georgia, a small rural community of farmers that was unincorporated. He was the first of three children born to William Herschel Cobb (1863-1905) and Amanda Chitwood Cobb (1871-1936). Cobb's father was a state senator. When he was still an infant, his parents moved to nearby Royston, where he was raised.
|
Later life
|
At the age of 62, Cobb married a second time in 1949. His new wife was 40-year-old Frances Fairbairn Cass, a divorcee from Buffalo, New York. Their childless marriage also failed, ending with a divorce in 1956. At this time, Cobb became generous with his wealth, donating $100,000 in his parents' name for his hometown to build a modern 24-bed hospital, Cobb Memorial Hospital, which is now part of the Ty Cobb Healthcare System. He also established the Cobb Educational Fund, which awarded scholarships to needy Georgia students bound for college, by endowing it with a $100,000 donation in 1953 (equivalent to approximately $914,677 in current year dollars ). He knew that another way he could share his wealth was by having biographies written that would both set the record straight on him and teach young players how to play. John McCallum spent some time with Cobb to write a combination how-to and biography titled The Tiger Wore Spikes: An Informal Biography of Ty Cobb that was published in 1956. In December 1959, he was diagnosed with prostate cancer, diabetes, high blood pressure, and Bright's disease. It was also during his final years that Cobb began work on his autobiography, My Life in Baseball: The True Record, with writer Al Stump. Later Stump would claim the collaboration was contentious, and after Cobb's death Stump published two more books and a short story giving what he claimed was the "true story". One of these later books was used as the basis for the 1994 film Cobb (a box office flop starring Tommy Lee Jones as Cobb and directed by Ron Shelton). In 2010, an article by William R. "Ron" Cobb (no relation to Ty) in the peer-reviewed The National Pastime (the official publication of the Society for American Baseball Research) accused Stump of extensive forgeries of Cobb-related documents and diaries. The article further accused Stump of numerous false statements about Cobb in his last years, most of which were sensationalistic in nature and intended to cast Cobb in an unflattering light.
Q: what happened in the later years?
A: At the age of 62, Cobb married a second time in 1949.
Q: who did he marry?
A: His new wife was 40-year-old Frances Fairbairn Cass, a divorcee from Buffalo, New York.
Q: what notable things did he do?
A: Cobb became generous with his wealth, donating $100,000 in his parents' name for his hometown to build a modern 24-bed hospital, Cobb Memorial Hospital,
Q: did he donate anywhere else?
A: He also established the Cobb Educational Fund, which awarded scholarships to needy Georgia students bound for college, by endowing it with a $100,000 donation in 1953
|
C_6a594180c6e34cc29e9c00479a083956_0_q#4
|
was there anything else important during the later years?
| 2m
| 0y
|
{
"texts": [
"It was also during his final years that Cobb began work on his autobiography, My Life in Baseball: The True Record, with writer Al Stump."
],
"answer_starts": [
1118
]
}
|
{
"text": "It was also during his final years that Cobb began work on his autobiography, My Life in Baseball: The True Record, with writer Al Stump.",
"answer_start": 1118
}
|
C_6a594180c6e34cc29e9c00479a083956_1
|
Ty Cobb
|
Cobb was born in 1886 in Narrows, Georgia, a small rural community of farmers that was unincorporated. He was the first of three children born to William Herschel Cobb (1863-1905) and Amanda Chitwood Cobb (1871-1936). Cobb's father was a state senator. When he was still an infant, his parents moved to nearby Royston, where he was raised.
|
Cobb as player/manager
|
Tiger owner Frank Navin tapped Cobb to take over for Hughie Jennings as manager for the 1921 season, a deal he signed on his 34th birthday for $32,500 (equivalent to approximately $445,905 in today's funds). The signing surprised the baseball world. Although Cobb was a legendary player, he was disliked throughout the baseball community, even by his own teammates; and he expected as much from his players since he set a standard most players couldn't meet. The closest Cobb came to winning another pennant was in 1924, when the Tigers finished in third place, six games behind the pennant-winning Washington Senators. The Tigers had also finished third in 1922, but 16 games behind the Yankees. Cobb blamed his lackluster managerial record (479 wins against 444 losses) on Navin, who was arguably even more frugal than he was, passing up a number of quality players Cobb wanted to add to the team. In fact, he had saved money by hiring Cobb to both play and manage. In 1922, Cobb tied a batting record set by Wee Willie Keeler, with four five-hit games in a season. This has since been matched by Stan Musial, Tony Gwynn and Ichiro Suzuki. On May 10, 1924, Cobb was honored at ceremonies before a game in Washington, D.C., by more than 100 dignitaries and legislators. He received 21 books, one for each year in professional baseball. At the end of 1925 Cobb was once again embroiled in a batting title race, this time with one of his teammates and players, Harry Heilmann. In a doubleheader against the St. Louis Browns on October 4, 1925, Heilmann got six hits to lead the Tigers to a sweep of the doubleheader and beat Cobb for the batting crown, .393 to .389. Cobb and Brownie player-manager George Sisler each pitched in the final game, Cobb pitching a perfect inning.
|
C_6a594180c6e34cc29e9c00479a083956_1_q#0
|
What was notable about him as a player/manager?
| 0y
| 2x
|
{
"texts": [
"Tiger owner Frank Navin tapped Cobb to take over for Hughie Jennings as manager for the 1921 season,"
],
"answer_starts": [
0
]
}
|
{
"text": "Tiger owner Frank Navin tapped Cobb to take over for Hughie Jennings as manager for the 1921 season,",
"answer_start": 0
}
|
C_6a594180c6e34cc29e9c00479a083956_1
|
Ty Cobb
|
Cobb was born in 1886 in Narrows, Georgia, a small rural community of farmers that was unincorporated. He was the first of three children born to William Herschel Cobb (1863-1905) and Amanda Chitwood Cobb (1871-1936). Cobb's father was a state senator. When he was still an infant, his parents moved to nearby Royston, where he was raised.
|
Cobb as player/manager
|
Tiger owner Frank Navin tapped Cobb to take over for Hughie Jennings as manager for the 1921 season, a deal he signed on his 34th birthday for $32,500 (equivalent to approximately $445,905 in today's funds). The signing surprised the baseball world. Although Cobb was a legendary player, he was disliked throughout the baseball community, even by his own teammates; and he expected as much from his players since he set a standard most players couldn't meet. The closest Cobb came to winning another pennant was in 1924, when the Tigers finished in third place, six games behind the pennant-winning Washington Senators. The Tigers had also finished third in 1922, but 16 games behind the Yankees. Cobb blamed his lackluster managerial record (479 wins against 444 losses) on Navin, who was arguably even more frugal than he was, passing up a number of quality players Cobb wanted to add to the team. In fact, he had saved money by hiring Cobb to both play and manage. In 1922, Cobb tied a batting record set by Wee Willie Keeler, with four five-hit games in a season. This has since been matched by Stan Musial, Tony Gwynn and Ichiro Suzuki. On May 10, 1924, Cobb was honored at ceremonies before a game in Washington, D.C., by more than 100 dignitaries and legislators. He received 21 books, one for each year in professional baseball. At the end of 1925 Cobb was once again embroiled in a batting title race, this time with one of his teammates and players, Harry Heilmann. In a doubleheader against the St. Louis Browns on October 4, 1925, Heilmann got six hits to lead the Tigers to a sweep of the doubleheader and beat Cobb for the batting crown, .393 to .389. Cobb and Brownie player-manager George Sisler each pitched in the final game, Cobb pitching a perfect inning.
Q: What was notable about him as a player/manager?
A: Tiger owner Frank Navin tapped Cobb to take over for Hughie Jennings as manager for the 1921 season,
|
C_6a594180c6e34cc29e9c00479a083956_1_q#1
|
What else happened in this event?
| 0y
| 2x
|
{
"texts": [
"The signing surprised the baseball world."
],
"answer_starts": [
208
]
}
|
{
"text": "The signing surprised the baseball world.",
"answer_start": 208
}
|
C_6a594180c6e34cc29e9c00479a083956_1
|
Ty Cobb
|
Cobb was born in 1886 in Narrows, Georgia, a small rural community of farmers that was unincorporated. He was the first of three children born to William Herschel Cobb (1863-1905) and Amanda Chitwood Cobb (1871-1936). Cobb's father was a state senator. When he was still an infant, his parents moved to nearby Royston, where he was raised.
|
Cobb as player/manager
|
Tiger owner Frank Navin tapped Cobb to take over for Hughie Jennings as manager for the 1921 season, a deal he signed on his 34th birthday for $32,500 (equivalent to approximately $445,905 in today's funds). The signing surprised the baseball world. Although Cobb was a legendary player, he was disliked throughout the baseball community, even by his own teammates; and he expected as much from his players since he set a standard most players couldn't meet. The closest Cobb came to winning another pennant was in 1924, when the Tigers finished in third place, six games behind the pennant-winning Washington Senators. The Tigers had also finished third in 1922, but 16 games behind the Yankees. Cobb blamed his lackluster managerial record (479 wins against 444 losses) on Navin, who was arguably even more frugal than he was, passing up a number of quality players Cobb wanted to add to the team. In fact, he had saved money by hiring Cobb to both play and manage. In 1922, Cobb tied a batting record set by Wee Willie Keeler, with four five-hit games in a season. This has since been matched by Stan Musial, Tony Gwynn and Ichiro Suzuki. On May 10, 1924, Cobb was honored at ceremonies before a game in Washington, D.C., by more than 100 dignitaries and legislators. He received 21 books, one for each year in professional baseball. At the end of 1925 Cobb was once again embroiled in a batting title race, this time with one of his teammates and players, Harry Heilmann. In a doubleheader against the St. Louis Browns on October 4, 1925, Heilmann got six hits to lead the Tigers to a sweep of the doubleheader and beat Cobb for the batting crown, .393 to .389. Cobb and Brownie player-manager George Sisler each pitched in the final game, Cobb pitching a perfect inning.
Q: What was notable about him as a player/manager?
A: Tiger owner Frank Navin tapped Cobb to take over for Hughie Jennings as manager for the 1921 season,
Q: What else happened in this event?
A: The signing surprised the baseball world.
|
C_6a594180c6e34cc29e9c00479a083956_1_q#2
|
Did Cobb do anything notable as manager?
| 0y
| 0y
|
{
"texts": [
"Although Cobb was a legendary player, he was disliked throughout the baseball community, even by his own teammates;"
],
"answer_starts": [
250
]
}
|
{
"text": "Although Cobb was a legendary player, he was disliked throughout the baseball community, even by his own teammates;",
"answer_start": 250
}
|
C_6a594180c6e34cc29e9c00479a083956_1
|
Ty Cobb
|
Cobb was born in 1886 in Narrows, Georgia, a small rural community of farmers that was unincorporated. He was the first of three children born to William Herschel Cobb (1863-1905) and Amanda Chitwood Cobb (1871-1936). Cobb's father was a state senator. When he was still an infant, his parents moved to nearby Royston, where he was raised.
|
Cobb as player/manager
|
Tiger owner Frank Navin tapped Cobb to take over for Hughie Jennings as manager for the 1921 season, a deal he signed on his 34th birthday for $32,500 (equivalent to approximately $445,905 in today's funds). The signing surprised the baseball world. Although Cobb was a legendary player, he was disliked throughout the baseball community, even by his own teammates; and he expected as much from his players since he set a standard most players couldn't meet. The closest Cobb came to winning another pennant was in 1924, when the Tigers finished in third place, six games behind the pennant-winning Washington Senators. The Tigers had also finished third in 1922, but 16 games behind the Yankees. Cobb blamed his lackluster managerial record (479 wins against 444 losses) on Navin, who was arguably even more frugal than he was, passing up a number of quality players Cobb wanted to add to the team. In fact, he had saved money by hiring Cobb to both play and manage. In 1922, Cobb tied a batting record set by Wee Willie Keeler, with four five-hit games in a season. This has since been matched by Stan Musial, Tony Gwynn and Ichiro Suzuki. On May 10, 1924, Cobb was honored at ceremonies before a game in Washington, D.C., by more than 100 dignitaries and legislators. He received 21 books, one for each year in professional baseball. At the end of 1925 Cobb was once again embroiled in a batting title race, this time with one of his teammates and players, Harry Heilmann. In a doubleheader against the St. Louis Browns on October 4, 1925, Heilmann got six hits to lead the Tigers to a sweep of the doubleheader and beat Cobb for the batting crown, .393 to .389. Cobb and Brownie player-manager George Sisler each pitched in the final game, Cobb pitching a perfect inning.
Q: What was notable about him as a player/manager?
A: Tiger owner Frank Navin tapped Cobb to take over for Hughie Jennings as manager for the 1921 season,
Q: What else happened in this event?
A: The signing surprised the baseball world.
Q: Did Cobb do anything notable as manager?
A: Although Cobb was a legendary player, he was disliked throughout the baseball community, even by his own teammates;
|
C_6a594180c6e34cc29e9c00479a083956_1_q#3
|
What were reasons for him being disliked?
| 2m
| 2x
|
{
"texts": [
"he expected as much from his players since he set a standard most players couldn't meet."
],
"answer_starts": [
370
]
}
|
{
"text": "he expected as much from his players since he set a standard most players couldn't meet.",
"answer_start": 370
}
|
C_6a594180c6e34cc29e9c00479a083956_1
|
Ty Cobb
|
Cobb was born in 1886 in Narrows, Georgia, a small rural community of farmers that was unincorporated. He was the first of three children born to William Herschel Cobb (1863-1905) and Amanda Chitwood Cobb (1871-1936). Cobb's father was a state senator. When he was still an infant, his parents moved to nearby Royston, where he was raised.
|
Cobb as player/manager
|
Tiger owner Frank Navin tapped Cobb to take over for Hughie Jennings as manager for the 1921 season, a deal he signed on his 34th birthday for $32,500 (equivalent to approximately $445,905 in today's funds). The signing surprised the baseball world. Although Cobb was a legendary player, he was disliked throughout the baseball community, even by his own teammates; and he expected as much from his players since he set a standard most players couldn't meet. The closest Cobb came to winning another pennant was in 1924, when the Tigers finished in third place, six games behind the pennant-winning Washington Senators. The Tigers had also finished third in 1922, but 16 games behind the Yankees. Cobb blamed his lackluster managerial record (479 wins against 444 losses) on Navin, who was arguably even more frugal than he was, passing up a number of quality players Cobb wanted to add to the team. In fact, he had saved money by hiring Cobb to both play and manage. In 1922, Cobb tied a batting record set by Wee Willie Keeler, with four five-hit games in a season. This has since been matched by Stan Musial, Tony Gwynn and Ichiro Suzuki. On May 10, 1924, Cobb was honored at ceremonies before a game in Washington, D.C., by more than 100 dignitaries and legislators. He received 21 books, one for each year in professional baseball. At the end of 1925 Cobb was once again embroiled in a batting title race, this time with one of his teammates and players, Harry Heilmann. In a doubleheader against the St. Louis Browns on October 4, 1925, Heilmann got six hits to lead the Tigers to a sweep of the doubleheader and beat Cobb for the batting crown, .393 to .389. Cobb and Brownie player-manager George Sisler each pitched in the final game, Cobb pitching a perfect inning.
Q: What was notable about him as a player/manager?
A: Tiger owner Frank Navin tapped Cobb to take over for Hughie Jennings as manager for the 1921 season,
Q: What else happened in this event?
A: The signing surprised the baseball world.
Q: Did Cobb do anything notable as manager?
A: Although Cobb was a legendary player, he was disliked throughout the baseball community, even by his own teammates;
Q: What were reasons for him being disliked?
A: he expected as much from his players since he set a standard most players couldn't meet.
|
C_6a594180c6e34cc29e9c00479a083956_1_q#4
|
What was interesting about him as a player?
| 0y
| 2x
|
{
"texts": [
"In 1922, Cobb tied a batting record set by Wee Willie Keeler, with four five-hit games in a season."
],
"answer_starts": [
970
]
}
|
{
"text": "In 1922, Cobb tied a batting record set by Wee Willie Keeler, with four five-hit games in a season.",
"answer_start": 970
}
|
C_c583f69dfee641ab893b517127b42e26_1
|
Kenneth Anger
|
Kenneth Anger (born Kenneth Wilbur Anglemyer; February 3, 1927) is an American underground experimental filmmaker, actor and author. Working exclusively in short films, he has produced almost forty works since 1937, nine of which have been grouped together as the "Magick Lantern Cycle". His films variously merge surrealism with homoeroticism and the occult, and have been described as containing "elements of erotica, documentary, psychodrama, and spectacle". Anger himself has been described as "one of America's first openly gay filmmakers, and certainly the first whose work addressed homosexuality in an undisguised, self-implicating manner", and his "role in rendering gay culture visible within American cinema, commercial or otherwise, is impossible to overestimate", with several being released prior to the legalization of homosexuality in the United States.
|
1953-60: Inauguration of the Pleasure Dome and Hollywood Babylon
|
In 1953, soon after the production of Eaux d'Artifice, Anger's mother died and he temporarily returned to the United States in order to assist with the distribution of her estate. It was during this return that he began to once more immerse himself in the artistic scene of California, befriending the film maker Stan Brakhage, who had been inspired by Fireworks, and the two collaborated on producing a film, but it was confiscated at the film lab for obscenity and presumably destroyed. Around this time, two of Anger's friends, the couple Renate Druks and Paul Mathiesin held a party based upon the theme of "Come As Your Madness"; Anger himself attended dressed in drag as the ancient Greek goddess Hekate. The party and its many costumes inspired Anger, who produced a painting of it, and asked several of those who attended to appear in a new film that he was creating - Inauguration of the Pleasure Dome. Inauguration, which was created in 1954, was a 38-minute surrealist work featuring many Crowleyan and Thelemite themes, with many of the various characters personifying various pagan gods such as Isis, Osiris and Pan. One of the actresses in the film was Marjorie Cameron, the widow of Jack Parsons, the influential American Thelemite who had died a few years previously, while Anger himself played Hecate. He would subsequently exhibit the film at various European film festivals, winning the Prix du Cine-Club Belge and the Prix de l'Age d'Or, as well as screening it in the form of a projected triptych at Expo 58, the World Fair held in Brussels in 1958. In 1955, Anger and his friend Alfred Kinsey traveled to the derelict Abbey of Thelema in Cefalu, Sicily, to film a short documentary titled Thelema Abbey. The abbey itself had been used by Aleister Crowley for his commune during the 1920s, and Anger restored many of the erotic wall-paintings that were found there, as well as performing certain Crowleyan rituals at the site. The documentary was made for the British television series Omnibus, but was later lost. The following year Kinsey died and Anger decided to return to Paris, where he was described at the time as being "extremely remote and lonely". In desperate need of money, Anger wrote a book titled Hollywood Babylon in which he collected together gossip regarding celebrities, some of which he claims he had been told. This included claiming (with no corroboration or citing of sources) that Rudolph Valentino liked to play a sexually submissive role to dominant women, that Walt Disney was a drug user, addicted to opiates (reflected in the character of Goofy, who's perpetually stoned on cannabis), as well as describing the nature of the deaths of Peg Entwistle and Lupe Velez. The work was not published in the United States initially, and it was first released by the French publisher Jean-Jacques Pauvert. A pirated (and incomplete) version was first published in the U.S. in 1965, with the official American version not being published until 1974. Now with some financial backing from the publication of Hollywood Babylon, his next film project was The Story of O; essentially a piece of erotica featuring a heterosexual couple engaged in sadomasochistic sexual activities, although it refrained from showing any explicit sexual images.
|
C_c583f69dfee641ab893b517127b42e26_1_q#0
|
what is kenneth anger connection with the hollywood babylon
| 0y
| 2x
|
{
"texts": [
"In desperate need of money, Anger wrote a book titled Hollywood Babylon in which he collected together gossip regarding celebrities, some of which he claims he had been told."
],
"answer_starts": [
2182
]
}
|
{
"text": "In desperate need of money, Anger wrote a book titled Hollywood Babylon in which he collected together gossip regarding celebrities, some of which he claims he had been told.",
"answer_start": 2182
}
|
C_c583f69dfee641ab893b517127b42e26_1
|
Kenneth Anger
|
Kenneth Anger (born Kenneth Wilbur Anglemyer; February 3, 1927) is an American underground experimental filmmaker, actor and author. Working exclusively in short films, he has produced almost forty works since 1937, nine of which have been grouped together as the "Magick Lantern Cycle". His films variously merge surrealism with homoeroticism and the occult, and have been described as containing "elements of erotica, documentary, psychodrama, and spectacle". Anger himself has been described as "one of America's first openly gay filmmakers, and certainly the first whose work addressed homosexuality in an undisguised, self-implicating manner", and his "role in rendering gay culture visible within American cinema, commercial or otherwise, is impossible to overestimate", with several being released prior to the legalization of homosexuality in the United States.
|
1953-60: Inauguration of the Pleasure Dome and Hollywood Babylon
|
In 1953, soon after the production of Eaux d'Artifice, Anger's mother died and he temporarily returned to the United States in order to assist with the distribution of her estate. It was during this return that he began to once more immerse himself in the artistic scene of California, befriending the film maker Stan Brakhage, who had been inspired by Fireworks, and the two collaborated on producing a film, but it was confiscated at the film lab for obscenity and presumably destroyed. Around this time, two of Anger's friends, the couple Renate Druks and Paul Mathiesin held a party based upon the theme of "Come As Your Madness"; Anger himself attended dressed in drag as the ancient Greek goddess Hekate. The party and its many costumes inspired Anger, who produced a painting of it, and asked several of those who attended to appear in a new film that he was creating - Inauguration of the Pleasure Dome. Inauguration, which was created in 1954, was a 38-minute surrealist work featuring many Crowleyan and Thelemite themes, with many of the various characters personifying various pagan gods such as Isis, Osiris and Pan. One of the actresses in the film was Marjorie Cameron, the widow of Jack Parsons, the influential American Thelemite who had died a few years previously, while Anger himself played Hecate. He would subsequently exhibit the film at various European film festivals, winning the Prix du Cine-Club Belge and the Prix de l'Age d'Or, as well as screening it in the form of a projected triptych at Expo 58, the World Fair held in Brussels in 1958. In 1955, Anger and his friend Alfred Kinsey traveled to the derelict Abbey of Thelema in Cefalu, Sicily, to film a short documentary titled Thelema Abbey. The abbey itself had been used by Aleister Crowley for his commune during the 1920s, and Anger restored many of the erotic wall-paintings that were found there, as well as performing certain Crowleyan rituals at the site. The documentary was made for the British television series Omnibus, but was later lost. The following year Kinsey died and Anger decided to return to Paris, where he was described at the time as being "extremely remote and lonely". In desperate need of money, Anger wrote a book titled Hollywood Babylon in which he collected together gossip regarding celebrities, some of which he claims he had been told. This included claiming (with no corroboration or citing of sources) that Rudolph Valentino liked to play a sexually submissive role to dominant women, that Walt Disney was a drug user, addicted to opiates (reflected in the character of Goofy, who's perpetually stoned on cannabis), as well as describing the nature of the deaths of Peg Entwistle and Lupe Velez. The work was not published in the United States initially, and it was first released by the French publisher Jean-Jacques Pauvert. A pirated (and incomplete) version was first published in the U.S. in 1965, with the official American version not being published until 1974. Now with some financial backing from the publication of Hollywood Babylon, his next film project was The Story of O; essentially a piece of erotica featuring a heterosexual couple engaged in sadomasochistic sexual activities, although it refrained from showing any explicit sexual images.
Q: what is kenneth anger connection with the hollywood babylon
A: In desperate need of money, Anger wrote a book titled Hollywood Babylon in which he collected together gossip regarding celebrities, some of which he claims he had been told.
|
C_c583f69dfee641ab893b517127b42e26_1_q#1
|
when was pleasure dome wrote?
| 0y
| 2x
|
{
"texts": [
"- Inauguration of the Pleasure Dome. Inauguration, which was created in 1954,"
],
"answer_starts": [
875
]
}
|
{
"text": "- Inauguration of the Pleasure Dome. Inauguration, which was created in 1954,",
"answer_start": 875
}
|
C_c583f69dfee641ab893b517127b42e26_1
|
Kenneth Anger
|
Kenneth Anger (born Kenneth Wilbur Anglemyer; February 3, 1927) is an American underground experimental filmmaker, actor and author. Working exclusively in short films, he has produced almost forty works since 1937, nine of which have been grouped together as the "Magick Lantern Cycle". His films variously merge surrealism with homoeroticism and the occult, and have been described as containing "elements of erotica, documentary, psychodrama, and spectacle". Anger himself has been described as "one of America's first openly gay filmmakers, and certainly the first whose work addressed homosexuality in an undisguised, self-implicating manner", and his "role in rendering gay culture visible within American cinema, commercial or otherwise, is impossible to overestimate", with several being released prior to the legalization of homosexuality in the United States.
|
1953-60: Inauguration of the Pleasure Dome and Hollywood Babylon
|
In 1953, soon after the production of Eaux d'Artifice, Anger's mother died and he temporarily returned to the United States in order to assist with the distribution of her estate. It was during this return that he began to once more immerse himself in the artistic scene of California, befriending the film maker Stan Brakhage, who had been inspired by Fireworks, and the two collaborated on producing a film, but it was confiscated at the film lab for obscenity and presumably destroyed. Around this time, two of Anger's friends, the couple Renate Druks and Paul Mathiesin held a party based upon the theme of "Come As Your Madness"; Anger himself attended dressed in drag as the ancient Greek goddess Hekate. The party and its many costumes inspired Anger, who produced a painting of it, and asked several of those who attended to appear in a new film that he was creating - Inauguration of the Pleasure Dome. Inauguration, which was created in 1954, was a 38-minute surrealist work featuring many Crowleyan and Thelemite themes, with many of the various characters personifying various pagan gods such as Isis, Osiris and Pan. One of the actresses in the film was Marjorie Cameron, the widow of Jack Parsons, the influential American Thelemite who had died a few years previously, while Anger himself played Hecate. He would subsequently exhibit the film at various European film festivals, winning the Prix du Cine-Club Belge and the Prix de l'Age d'Or, as well as screening it in the form of a projected triptych at Expo 58, the World Fair held in Brussels in 1958. In 1955, Anger and his friend Alfred Kinsey traveled to the derelict Abbey of Thelema in Cefalu, Sicily, to film a short documentary titled Thelema Abbey. The abbey itself had been used by Aleister Crowley for his commune during the 1920s, and Anger restored many of the erotic wall-paintings that were found there, as well as performing certain Crowleyan rituals at the site. The documentary was made for the British television series Omnibus, but was later lost. The following year Kinsey died and Anger decided to return to Paris, where he was described at the time as being "extremely remote and lonely". In desperate need of money, Anger wrote a book titled Hollywood Babylon in which he collected together gossip regarding celebrities, some of which he claims he had been told. This included claiming (with no corroboration or citing of sources) that Rudolph Valentino liked to play a sexually submissive role to dominant women, that Walt Disney was a drug user, addicted to opiates (reflected in the character of Goofy, who's perpetually stoned on cannabis), as well as describing the nature of the deaths of Peg Entwistle and Lupe Velez. The work was not published in the United States initially, and it was first released by the French publisher Jean-Jacques Pauvert. A pirated (and incomplete) version was first published in the U.S. in 1965, with the official American version not being published until 1974. Now with some financial backing from the publication of Hollywood Babylon, his next film project was The Story of O; essentially a piece of erotica featuring a heterosexual couple engaged in sadomasochistic sexual activities, although it refrained from showing any explicit sexual images.
Q: what is kenneth anger connection with the hollywood babylon
A: In desperate need of money, Anger wrote a book titled Hollywood Babylon in which he collected together gossip regarding celebrities, some of which he claims he had been told.
Q: when was pleasure dome wrote?
A: - Inauguration of the Pleasure Dome. Inauguration, which was created in 1954,
|
C_c583f69dfee641ab893b517127b42e26_1_q#2
|
what year was hollywood babylon written?
| 0y
| 2x
|
{
"texts": [
"1965,"
],
"answer_starts": [
2920
]
}
|
{
"text": "1965,",
"answer_start": 2920
}
|
C_c583f69dfee641ab893b517127b42e26_1
|
Kenneth Anger
|
Kenneth Anger (born Kenneth Wilbur Anglemyer; February 3, 1927) is an American underground experimental filmmaker, actor and author. Working exclusively in short films, he has produced almost forty works since 1937, nine of which have been grouped together as the "Magick Lantern Cycle". His films variously merge surrealism with homoeroticism and the occult, and have been described as containing "elements of erotica, documentary, psychodrama, and spectacle". Anger himself has been described as "one of America's first openly gay filmmakers, and certainly the first whose work addressed homosexuality in an undisguised, self-implicating manner", and his "role in rendering gay culture visible within American cinema, commercial or otherwise, is impossible to overestimate", with several being released prior to the legalization of homosexuality in the United States.
|
1953-60: Inauguration of the Pleasure Dome and Hollywood Babylon
|
In 1953, soon after the production of Eaux d'Artifice, Anger's mother died and he temporarily returned to the United States in order to assist with the distribution of her estate. It was during this return that he began to once more immerse himself in the artistic scene of California, befriending the film maker Stan Brakhage, who had been inspired by Fireworks, and the two collaborated on producing a film, but it was confiscated at the film lab for obscenity and presumably destroyed. Around this time, two of Anger's friends, the couple Renate Druks and Paul Mathiesin held a party based upon the theme of "Come As Your Madness"; Anger himself attended dressed in drag as the ancient Greek goddess Hekate. The party and its many costumes inspired Anger, who produced a painting of it, and asked several of those who attended to appear in a new film that he was creating - Inauguration of the Pleasure Dome. Inauguration, which was created in 1954, was a 38-minute surrealist work featuring many Crowleyan and Thelemite themes, with many of the various characters personifying various pagan gods such as Isis, Osiris and Pan. One of the actresses in the film was Marjorie Cameron, the widow of Jack Parsons, the influential American Thelemite who had died a few years previously, while Anger himself played Hecate. He would subsequently exhibit the film at various European film festivals, winning the Prix du Cine-Club Belge and the Prix de l'Age d'Or, as well as screening it in the form of a projected triptych at Expo 58, the World Fair held in Brussels in 1958. In 1955, Anger and his friend Alfred Kinsey traveled to the derelict Abbey of Thelema in Cefalu, Sicily, to film a short documentary titled Thelema Abbey. The abbey itself had been used by Aleister Crowley for his commune during the 1920s, and Anger restored many of the erotic wall-paintings that were found there, as well as performing certain Crowleyan rituals at the site. The documentary was made for the British television series Omnibus, but was later lost. The following year Kinsey died and Anger decided to return to Paris, where he was described at the time as being "extremely remote and lonely". In desperate need of money, Anger wrote a book titled Hollywood Babylon in which he collected together gossip regarding celebrities, some of which he claims he had been told. This included claiming (with no corroboration or citing of sources) that Rudolph Valentino liked to play a sexually submissive role to dominant women, that Walt Disney was a drug user, addicted to opiates (reflected in the character of Goofy, who's perpetually stoned on cannabis), as well as describing the nature of the deaths of Peg Entwistle and Lupe Velez. The work was not published in the United States initially, and it was first released by the French publisher Jean-Jacques Pauvert. A pirated (and incomplete) version was first published in the U.S. in 1965, with the official American version not being published until 1974. Now with some financial backing from the publication of Hollywood Babylon, his next film project was The Story of O; essentially a piece of erotica featuring a heterosexual couple engaged in sadomasochistic sexual activities, although it refrained from showing any explicit sexual images.
Q: what is kenneth anger connection with the hollywood babylon
A: In desperate need of money, Anger wrote a book titled Hollywood Babylon in which he collected together gossip regarding celebrities, some of which he claims he had been told.
Q: when was pleasure dome wrote?
A: - Inauguration of the Pleasure Dome. Inauguration, which was created in 1954,
Q: what year was hollywood babylon written?
A: 1965,
|
C_c583f69dfee641ab893b517127b42e26_1_q#3
|
what other works did he write during this period?
| 0y
| 0y
|
{
"texts": [
"Now with some financial backing from the publication of Hollywood Babylon, his next film project was The Story of O;"
],
"answer_starts": [
2993
]
}
|
{
"text": "Now with some financial backing from the publication of Hollywood Babylon, his next film project was The Story of O;",
"answer_start": 2993
}
|
C_c583f69dfee641ab893b517127b42e26_1
|
Kenneth Anger
|
Kenneth Anger (born Kenneth Wilbur Anglemyer; February 3, 1927) is an American underground experimental filmmaker, actor and author. Working exclusively in short films, he has produced almost forty works since 1937, nine of which have been grouped together as the "Magick Lantern Cycle". His films variously merge surrealism with homoeroticism and the occult, and have been described as containing "elements of erotica, documentary, psychodrama, and spectacle". Anger himself has been described as "one of America's first openly gay filmmakers, and certainly the first whose work addressed homosexuality in an undisguised, self-implicating manner", and his "role in rendering gay culture visible within American cinema, commercial or otherwise, is impossible to overestimate", with several being released prior to the legalization of homosexuality in the United States.
|
1953-60: Inauguration of the Pleasure Dome and Hollywood Babylon
|
In 1953, soon after the production of Eaux d'Artifice, Anger's mother died and he temporarily returned to the United States in order to assist with the distribution of her estate. It was during this return that he began to once more immerse himself in the artistic scene of California, befriending the film maker Stan Brakhage, who had been inspired by Fireworks, and the two collaborated on producing a film, but it was confiscated at the film lab for obscenity and presumably destroyed. Around this time, two of Anger's friends, the couple Renate Druks and Paul Mathiesin held a party based upon the theme of "Come As Your Madness"; Anger himself attended dressed in drag as the ancient Greek goddess Hekate. The party and its many costumes inspired Anger, who produced a painting of it, and asked several of those who attended to appear in a new film that he was creating - Inauguration of the Pleasure Dome. Inauguration, which was created in 1954, was a 38-minute surrealist work featuring many Crowleyan and Thelemite themes, with many of the various characters personifying various pagan gods such as Isis, Osiris and Pan. One of the actresses in the film was Marjorie Cameron, the widow of Jack Parsons, the influential American Thelemite who had died a few years previously, while Anger himself played Hecate. He would subsequently exhibit the film at various European film festivals, winning the Prix du Cine-Club Belge and the Prix de l'Age d'Or, as well as screening it in the form of a projected triptych at Expo 58, the World Fair held in Brussels in 1958. In 1955, Anger and his friend Alfred Kinsey traveled to the derelict Abbey of Thelema in Cefalu, Sicily, to film a short documentary titled Thelema Abbey. The abbey itself had been used by Aleister Crowley for his commune during the 1920s, and Anger restored many of the erotic wall-paintings that were found there, as well as performing certain Crowleyan rituals at the site. The documentary was made for the British television series Omnibus, but was later lost. The following year Kinsey died and Anger decided to return to Paris, where he was described at the time as being "extremely remote and lonely". In desperate need of money, Anger wrote a book titled Hollywood Babylon in which he collected together gossip regarding celebrities, some of which he claims he had been told. This included claiming (with no corroboration or citing of sources) that Rudolph Valentino liked to play a sexually submissive role to dominant women, that Walt Disney was a drug user, addicted to opiates (reflected in the character of Goofy, who's perpetually stoned on cannabis), as well as describing the nature of the deaths of Peg Entwistle and Lupe Velez. The work was not published in the United States initially, and it was first released by the French publisher Jean-Jacques Pauvert. A pirated (and incomplete) version was first published in the U.S. in 1965, with the official American version not being published until 1974. Now with some financial backing from the publication of Hollywood Babylon, his next film project was The Story of O; essentially a piece of erotica featuring a heterosexual couple engaged in sadomasochistic sexual activities, although it refrained from showing any explicit sexual images.
Q: what is kenneth anger connection with the hollywood babylon
A: In desperate need of money, Anger wrote a book titled Hollywood Babylon in which he collected together gossip regarding celebrities, some of which he claims he had been told.
Q: when was pleasure dome wrote?
A: - Inauguration of the Pleasure Dome. Inauguration, which was created in 1954,
Q: what year was hollywood babylon written?
A: 1965,
Q: what other works did he write during this period?
A: Now with some financial backing from the publication of Hollywood Babylon, his next film project was The Story of O;
|
C_c583f69dfee641ab893b517127b42e26_1_q#4
|
was the story of o successful?
| 2m
| 2x
|
{
"texts": [
"essentially a piece of erotica featuring a heterosexual couple engaged in sadomasochistic sexual activities, although it refrained from showing any explicit sexual images."
],
"answer_starts": [
3110
]
}
|
{
"text": "essentially a piece of erotica featuring a heterosexual couple engaged in sadomasochistic sexual activities, although it refrained from showing any explicit sexual images.",
"answer_start": 3110
}
|
C_7086fd95cc76467ca5325bb6efc868d2_1
|
J. Michael Straczynski
|
Straczynski was born in Paterson, New Jersey, and is the son of Charles Straczynski, a manual laborer, and Evelyn Straczynski (nee Pate). He was raised in Newark, New Jersey; Kankakee, Illinois; Dallas, Texas; Chula Vista, California, where he graduated from high school; and San Diego, California. Straczynski's family religion was Catholic, and he has Polish ancestry. His grandparents lived in the area which today belongs to Belarus, and fled to America from the Russian Revolution; his father was born in the U.S., and has lived in Poland, Germany and Russia.
|
Work in animation
|
Straczynski was a fan of the cartoon He-Man and the Masters of the Universe. He wrote a spec script in 1984 and sent it directly to Filmation. They purchased his script, bought several others, and hired him on staff. During this time he became friends with Larry DiTillio, and when Filmation produced the He-Man spinoff She-Ra: Princess of Power, they both worked as story editors on the show. However, Filmation refused to give them credit on-screen and Straczynski and DiTillio both left and found work with DIC on Jayce and the Wheeled Warriors. Straczynski and DiTillio also worked to create an animated version of Elfquest but that project soon fell through when CBS attempted to retool the show to appeal to younger audiences. While working on Jayce, Straczynski was hired to come aboard the Len Janson and Chuck Menville project to adapt the movie Ghostbusters to an animated version called The Real Ghostbusters. When Janson and Menville learned that there was not only a 13-episode order but a 65-episode syndication order as well, they decided that the workload was too much and that they would only work on their own scripts. DIC head Jean Chalopin asked Straczynski to take on the task of story editing the entire 78-episode block as well as writing his own scripts. After the show's successful first season, consultants were brought in to make suggestions for the show, including changing Janine to a more maternal character, giving every character a particular "job" (Peter is the funny one, Egon is the smart one, and Winston, the only black character, was to be the driver), and to add kids into the show. Straczynski left at this point and Janson and Menville took on the story editing job for the second network season. Straczynski then developed a show called Spiral Zone but left after only one script when his concept for the show was drastically altered and took his name off the series, substituting the pseudonym "Fettes Grey" (derived from the names of the grave robbers in The Body Snatcher). Straczynski also wrote for CBS Storybreak, writing an adaptation of Evelyn Sibley Lampman's The Shy Stegosaurus of Cricket Creek.
|
C_7086fd95cc76467ca5325bb6efc868d2_1_q#0
|
what did he do in animation?
| 2m
| 2x
|
{
"texts": [
"Straczynski and DiTillio also worked to create an animated version of Elfquest but that project soon fell through when CBS attempted to retool the show to appeal to younger audiences."
],
"answer_starts": [
550
]
}
|
{
"text": "Straczynski and DiTillio also worked to create an animated version of Elfquest but that project soon fell through when CBS attempted to retool the show to appeal to younger audiences.",
"answer_start": 550
}
|
C_7086fd95cc76467ca5325bb6efc868d2_1
|
J. Michael Straczynski
|
Straczynski was born in Paterson, New Jersey, and is the son of Charles Straczynski, a manual laborer, and Evelyn Straczynski (nee Pate). He was raised in Newark, New Jersey; Kankakee, Illinois; Dallas, Texas; Chula Vista, California, where he graduated from high school; and San Diego, California. Straczynski's family religion was Catholic, and he has Polish ancestry. His grandparents lived in the area which today belongs to Belarus, and fled to America from the Russian Revolution; his father was born in the U.S., and has lived in Poland, Germany and Russia.
|
Work in animation
|
Straczynski was a fan of the cartoon He-Man and the Masters of the Universe. He wrote a spec script in 1984 and sent it directly to Filmation. They purchased his script, bought several others, and hired him on staff. During this time he became friends with Larry DiTillio, and when Filmation produced the He-Man spinoff She-Ra: Princess of Power, they both worked as story editors on the show. However, Filmation refused to give them credit on-screen and Straczynski and DiTillio both left and found work with DIC on Jayce and the Wheeled Warriors. Straczynski and DiTillio also worked to create an animated version of Elfquest but that project soon fell through when CBS attempted to retool the show to appeal to younger audiences. While working on Jayce, Straczynski was hired to come aboard the Len Janson and Chuck Menville project to adapt the movie Ghostbusters to an animated version called The Real Ghostbusters. When Janson and Menville learned that there was not only a 13-episode order but a 65-episode syndication order as well, they decided that the workload was too much and that they would only work on their own scripts. DIC head Jean Chalopin asked Straczynski to take on the task of story editing the entire 78-episode block as well as writing his own scripts. After the show's successful first season, consultants were brought in to make suggestions for the show, including changing Janine to a more maternal character, giving every character a particular "job" (Peter is the funny one, Egon is the smart one, and Winston, the only black character, was to be the driver), and to add kids into the show. Straczynski left at this point and Janson and Menville took on the story editing job for the second network season. Straczynski then developed a show called Spiral Zone but left after only one script when his concept for the show was drastically altered and took his name off the series, substituting the pseudonym "Fettes Grey" (derived from the names of the grave robbers in The Body Snatcher). Straczynski also wrote for CBS Storybreak, writing an adaptation of Evelyn Sibley Lampman's The Shy Stegosaurus of Cricket Creek.
Q: what did he do in animation?
A: Straczynski and DiTillio also worked to create an animated version of Elfquest but that project soon fell through when CBS attempted to retool the show to appeal to younger audiences.
|
C_7086fd95cc76467ca5325bb6efc868d2_1_q#1
|
what did they do next?
| 0y
| 2x
|
{
"texts": [
"Straczynski was hired to come aboard the Len Janson and Chuck Menville project to adapt the movie Ghostbusters to an animated version called The Real Ghostbusters."
],
"answer_starts": [
759
]
}
|
{
"text": "Straczynski was hired to come aboard the Len Janson and Chuck Menville project to adapt the movie Ghostbusters to an animated version called The Real Ghostbusters.",
"answer_start": 759
}
|
C_7086fd95cc76467ca5325bb6efc868d2_1
|
J. Michael Straczynski
|
Straczynski was born in Paterson, New Jersey, and is the son of Charles Straczynski, a manual laborer, and Evelyn Straczynski (nee Pate). He was raised in Newark, New Jersey; Kankakee, Illinois; Dallas, Texas; Chula Vista, California, where he graduated from high school; and San Diego, California. Straczynski's family religion was Catholic, and he has Polish ancestry. His grandparents lived in the area which today belongs to Belarus, and fled to America from the Russian Revolution; his father was born in the U.S., and has lived in Poland, Germany and Russia.
|
Work in animation
|
Straczynski was a fan of the cartoon He-Man and the Masters of the Universe. He wrote a spec script in 1984 and sent it directly to Filmation. They purchased his script, bought several others, and hired him on staff. During this time he became friends with Larry DiTillio, and when Filmation produced the He-Man spinoff She-Ra: Princess of Power, they both worked as story editors on the show. However, Filmation refused to give them credit on-screen and Straczynski and DiTillio both left and found work with DIC on Jayce and the Wheeled Warriors. Straczynski and DiTillio also worked to create an animated version of Elfquest but that project soon fell through when CBS attempted to retool the show to appeal to younger audiences. While working on Jayce, Straczynski was hired to come aboard the Len Janson and Chuck Menville project to adapt the movie Ghostbusters to an animated version called The Real Ghostbusters. When Janson and Menville learned that there was not only a 13-episode order but a 65-episode syndication order as well, they decided that the workload was too much and that they would only work on their own scripts. DIC head Jean Chalopin asked Straczynski to take on the task of story editing the entire 78-episode block as well as writing his own scripts. After the show's successful first season, consultants were brought in to make suggestions for the show, including changing Janine to a more maternal character, giving every character a particular "job" (Peter is the funny one, Egon is the smart one, and Winston, the only black character, was to be the driver), and to add kids into the show. Straczynski left at this point and Janson and Menville took on the story editing job for the second network season. Straczynski then developed a show called Spiral Zone but left after only one script when his concept for the show was drastically altered and took his name off the series, substituting the pseudonym "Fettes Grey" (derived from the names of the grave robbers in The Body Snatcher). Straczynski also wrote for CBS Storybreak, writing an adaptation of Evelyn Sibley Lampman's The Shy Stegosaurus of Cricket Creek.
Q: what did he do in animation?
A: Straczynski and DiTillio also worked to create an animated version of Elfquest but that project soon fell through when CBS attempted to retool the show to appeal to younger audiences.
Q: what did they do next?
A: Straczynski was hired to come aboard the Len Janson and Chuck Menville project to adapt the movie Ghostbusters to an animated version called The Real Ghostbusters.
|
C_7086fd95cc76467ca5325bb6efc868d2_1_q#2
|
was he successful in this?
| 2m
| 0y
|
{
"texts": [
"After the show's successful first season,"
],
"answer_starts": [
1281
]
}
|
{
"text": "After the show's successful first season,",
"answer_start": 1281
}
|
C_7086fd95cc76467ca5325bb6efc868d2_1
|
J. Michael Straczynski
|
Straczynski was born in Paterson, New Jersey, and is the son of Charles Straczynski, a manual laborer, and Evelyn Straczynski (nee Pate). He was raised in Newark, New Jersey; Kankakee, Illinois; Dallas, Texas; Chula Vista, California, where he graduated from high school; and San Diego, California. Straczynski's family religion was Catholic, and he has Polish ancestry. His grandparents lived in the area which today belongs to Belarus, and fled to America from the Russian Revolution; his father was born in the U.S., and has lived in Poland, Germany and Russia.
|
Work in animation
|
Straczynski was a fan of the cartoon He-Man and the Masters of the Universe. He wrote a spec script in 1984 and sent it directly to Filmation. They purchased his script, bought several others, and hired him on staff. During this time he became friends with Larry DiTillio, and when Filmation produced the He-Man spinoff She-Ra: Princess of Power, they both worked as story editors on the show. However, Filmation refused to give them credit on-screen and Straczynski and DiTillio both left and found work with DIC on Jayce and the Wheeled Warriors. Straczynski and DiTillio also worked to create an animated version of Elfquest but that project soon fell through when CBS attempted to retool the show to appeal to younger audiences. While working on Jayce, Straczynski was hired to come aboard the Len Janson and Chuck Menville project to adapt the movie Ghostbusters to an animated version called The Real Ghostbusters. When Janson and Menville learned that there was not only a 13-episode order but a 65-episode syndication order as well, they decided that the workload was too much and that they would only work on their own scripts. DIC head Jean Chalopin asked Straczynski to take on the task of story editing the entire 78-episode block as well as writing his own scripts. After the show's successful first season, consultants were brought in to make suggestions for the show, including changing Janine to a more maternal character, giving every character a particular "job" (Peter is the funny one, Egon is the smart one, and Winston, the only black character, was to be the driver), and to add kids into the show. Straczynski left at this point and Janson and Menville took on the story editing job for the second network season. Straczynski then developed a show called Spiral Zone but left after only one script when his concept for the show was drastically altered and took his name off the series, substituting the pseudonym "Fettes Grey" (derived from the names of the grave robbers in The Body Snatcher). Straczynski also wrote for CBS Storybreak, writing an adaptation of Evelyn Sibley Lampman's The Shy Stegosaurus of Cricket Creek.
Q: what did he do in animation?
A: Straczynski and DiTillio also worked to create an animated version of Elfquest but that project soon fell through when CBS attempted to retool the show to appeal to younger audiences.
Q: what did they do next?
A: Straczynski was hired to come aboard the Len Janson and Chuck Menville project to adapt the movie Ghostbusters to an animated version called The Real Ghostbusters.
Q: was he successful in this?
A: After the show's successful first season,
|
C_7086fd95cc76467ca5325bb6efc868d2_1_q#3
|
what happened after the first season?
| 2m
| 2x
|
{
"texts": [
"consultants were brought in to make suggestions for the show, including changing Janine to a more maternal character, giving every character a particular \"job\" ("
],
"answer_starts": [
1323
]
}
|
{
"text": "consultants were brought in to make suggestions for the show, including changing Janine to a more maternal character, giving every character a particular \"job\" (",
"answer_start": 1323
}
|
C_7086fd95cc76467ca5325bb6efc868d2_1
|
J. Michael Straczynski
|
Straczynski was born in Paterson, New Jersey, and is the son of Charles Straczynski, a manual laborer, and Evelyn Straczynski (nee Pate). He was raised in Newark, New Jersey; Kankakee, Illinois; Dallas, Texas; Chula Vista, California, where he graduated from high school; and San Diego, California. Straczynski's family religion was Catholic, and he has Polish ancestry. His grandparents lived in the area which today belongs to Belarus, and fled to America from the Russian Revolution; his father was born in the U.S., and has lived in Poland, Germany and Russia.
|
Work in animation
|
Straczynski was a fan of the cartoon He-Man and the Masters of the Universe. He wrote a spec script in 1984 and sent it directly to Filmation. They purchased his script, bought several others, and hired him on staff. During this time he became friends with Larry DiTillio, and when Filmation produced the He-Man spinoff She-Ra: Princess of Power, they both worked as story editors on the show. However, Filmation refused to give them credit on-screen and Straczynski and DiTillio both left and found work with DIC on Jayce and the Wheeled Warriors. Straczynski and DiTillio also worked to create an animated version of Elfquest but that project soon fell through when CBS attempted to retool the show to appeal to younger audiences. While working on Jayce, Straczynski was hired to come aboard the Len Janson and Chuck Menville project to adapt the movie Ghostbusters to an animated version called The Real Ghostbusters. When Janson and Menville learned that there was not only a 13-episode order but a 65-episode syndication order as well, they decided that the workload was too much and that they would only work on their own scripts. DIC head Jean Chalopin asked Straczynski to take on the task of story editing the entire 78-episode block as well as writing his own scripts. After the show's successful first season, consultants were brought in to make suggestions for the show, including changing Janine to a more maternal character, giving every character a particular "job" (Peter is the funny one, Egon is the smart one, and Winston, the only black character, was to be the driver), and to add kids into the show. Straczynski left at this point and Janson and Menville took on the story editing job for the second network season. Straczynski then developed a show called Spiral Zone but left after only one script when his concept for the show was drastically altered and took his name off the series, substituting the pseudonym "Fettes Grey" (derived from the names of the grave robbers in The Body Snatcher). Straczynski also wrote for CBS Storybreak, writing an adaptation of Evelyn Sibley Lampman's The Shy Stegosaurus of Cricket Creek.
Q: what did he do in animation?
A: Straczynski and DiTillio also worked to create an animated version of Elfquest but that project soon fell through when CBS attempted to retool the show to appeal to younger audiences.
Q: what did they do next?
A: Straczynski was hired to come aboard the Len Janson and Chuck Menville project to adapt the movie Ghostbusters to an animated version called The Real Ghostbusters.
Q: was he successful in this?
A: After the show's successful first season,
Q: what happened after the first season?
A: consultants were brought in to make suggestions for the show, including changing Janine to a more maternal character, giving every character a particular "job" (
|
C_7086fd95cc76467ca5325bb6efc868d2_1_q#4
|
did these changes happen?
| 2m
| 2x
|
{
"texts": [
"unknown"
],
"answer_starts": [
2152
]
}
|
{
"text": "unknown",
"answer_start": 2152
}
|
C_7086fd95cc76467ca5325bb6efc868d2_1
|
J. Michael Straczynski
|
Straczynski was born in Paterson, New Jersey, and is the son of Charles Straczynski, a manual laborer, and Evelyn Straczynski (nee Pate). He was raised in Newark, New Jersey; Kankakee, Illinois; Dallas, Texas; Chula Vista, California, where he graduated from high school; and San Diego, California. Straczynski's family religion was Catholic, and he has Polish ancestry. His grandparents lived in the area which today belongs to Belarus, and fled to America from the Russian Revolution; his father was born in the U.S., and has lived in Poland, Germany and Russia.
|
Work in animation
|
Straczynski was a fan of the cartoon He-Man and the Masters of the Universe. He wrote a spec script in 1984 and sent it directly to Filmation. They purchased his script, bought several others, and hired him on staff. During this time he became friends with Larry DiTillio, and when Filmation produced the He-Man spinoff She-Ra: Princess of Power, they both worked as story editors on the show. However, Filmation refused to give them credit on-screen and Straczynski and DiTillio both left and found work with DIC on Jayce and the Wheeled Warriors. Straczynski and DiTillio also worked to create an animated version of Elfquest but that project soon fell through when CBS attempted to retool the show to appeal to younger audiences. While working on Jayce, Straczynski was hired to come aboard the Len Janson and Chuck Menville project to adapt the movie Ghostbusters to an animated version called The Real Ghostbusters. When Janson and Menville learned that there was not only a 13-episode order but a 65-episode syndication order as well, they decided that the workload was too much and that they would only work on their own scripts. DIC head Jean Chalopin asked Straczynski to take on the task of story editing the entire 78-episode block as well as writing his own scripts. After the show's successful first season, consultants were brought in to make suggestions for the show, including changing Janine to a more maternal character, giving every character a particular "job" (Peter is the funny one, Egon is the smart one, and Winston, the only black character, was to be the driver), and to add kids into the show. Straczynski left at this point and Janson and Menville took on the story editing job for the second network season. Straczynski then developed a show called Spiral Zone but left after only one script when his concept for the show was drastically altered and took his name off the series, substituting the pseudonym "Fettes Grey" (derived from the names of the grave robbers in The Body Snatcher). Straczynski also wrote for CBS Storybreak, writing an adaptation of Evelyn Sibley Lampman's The Shy Stegosaurus of Cricket Creek.
Q: what did he do in animation?
A: Straczynski and DiTillio also worked to create an animated version of Elfquest but that project soon fell through when CBS attempted to retool the show to appeal to younger audiences.
Q: what did they do next?
A: Straczynski was hired to come aboard the Len Janson and Chuck Menville project to adapt the movie Ghostbusters to an animated version called The Real Ghostbusters.
Q: was he successful in this?
A: After the show's successful first season,
Q: what happened after the first season?
A: consultants were brought in to make suggestions for the show, including changing Janine to a more maternal character, giving every character a particular "job" (
Q: did these changes happen?
A: unknown
|
C_7086fd95cc76467ca5325bb6efc868d2_1_q#5
|
Are there any other interesting aspects about this article?
| 0y
| 0y
|
{
"texts": [
"Straczynski then developed a show called Spiral Zone"
],
"answer_starts": [
1740
]
}
|
{
"text": "Straczynski then developed a show called Spiral Zone",
"answer_start": 1740
}
|
C_7086fd95cc76467ca5325bb6efc868d2_1
|
J. Michael Straczynski
|
Straczynski was born in Paterson, New Jersey, and is the son of Charles Straczynski, a manual laborer, and Evelyn Straczynski (nee Pate). He was raised in Newark, New Jersey; Kankakee, Illinois; Dallas, Texas; Chula Vista, California, where he graduated from high school; and San Diego, California. Straczynski's family religion was Catholic, and he has Polish ancestry. His grandparents lived in the area which today belongs to Belarus, and fled to America from the Russian Revolution; his father was born in the U.S., and has lived in Poland, Germany and Russia.
|
Work in animation
|
Straczynski was a fan of the cartoon He-Man and the Masters of the Universe. He wrote a spec script in 1984 and sent it directly to Filmation. They purchased his script, bought several others, and hired him on staff. During this time he became friends with Larry DiTillio, and when Filmation produced the He-Man spinoff She-Ra: Princess of Power, they both worked as story editors on the show. However, Filmation refused to give them credit on-screen and Straczynski and DiTillio both left and found work with DIC on Jayce and the Wheeled Warriors. Straczynski and DiTillio also worked to create an animated version of Elfquest but that project soon fell through when CBS attempted to retool the show to appeal to younger audiences. While working on Jayce, Straczynski was hired to come aboard the Len Janson and Chuck Menville project to adapt the movie Ghostbusters to an animated version called The Real Ghostbusters. When Janson and Menville learned that there was not only a 13-episode order but a 65-episode syndication order as well, they decided that the workload was too much and that they would only work on their own scripts. DIC head Jean Chalopin asked Straczynski to take on the task of story editing the entire 78-episode block as well as writing his own scripts. After the show's successful first season, consultants were brought in to make suggestions for the show, including changing Janine to a more maternal character, giving every character a particular "job" (Peter is the funny one, Egon is the smart one, and Winston, the only black character, was to be the driver), and to add kids into the show. Straczynski left at this point and Janson and Menville took on the story editing job for the second network season. Straczynski then developed a show called Spiral Zone but left after only one script when his concept for the show was drastically altered and took his name off the series, substituting the pseudonym "Fettes Grey" (derived from the names of the grave robbers in The Body Snatcher). Straczynski also wrote for CBS Storybreak, writing an adaptation of Evelyn Sibley Lampman's The Shy Stegosaurus of Cricket Creek.
Q: what did he do in animation?
A: Straczynski and DiTillio also worked to create an animated version of Elfquest but that project soon fell through when CBS attempted to retool the show to appeal to younger audiences.
Q: what did they do next?
A: Straczynski was hired to come aboard the Len Janson and Chuck Menville project to adapt the movie Ghostbusters to an animated version called The Real Ghostbusters.
Q: was he successful in this?
A: After the show's successful first season,
Q: what happened after the first season?
A: consultants were brought in to make suggestions for the show, including changing Janine to a more maternal character, giving every character a particular "job" (
Q: did these changes happen?
A: unknown
Q: Are there any other interesting aspects about this article?
A: Straczynski then developed a show called Spiral Zone
|
C_7086fd95cc76467ca5325bb6efc868d2_1_q#6
|
what was that show about?
| 2m
| 2x
|
{
"texts": [
"unknown"
],
"answer_starts": [
2152
]
}
|
{
"text": "unknown",
"answer_start": 2152
}
|
C_7086fd95cc76467ca5325bb6efc868d2_1
|
J. Michael Straczynski
|
Straczynski was born in Paterson, New Jersey, and is the son of Charles Straczynski, a manual laborer, and Evelyn Straczynski (nee Pate). He was raised in Newark, New Jersey; Kankakee, Illinois; Dallas, Texas; Chula Vista, California, where he graduated from high school; and San Diego, California. Straczynski's family religion was Catholic, and he has Polish ancestry. His grandparents lived in the area which today belongs to Belarus, and fled to America from the Russian Revolution; his father was born in the U.S., and has lived in Poland, Germany and Russia.
|
Work in animation
|
Straczynski was a fan of the cartoon He-Man and the Masters of the Universe. He wrote a spec script in 1984 and sent it directly to Filmation. They purchased his script, bought several others, and hired him on staff. During this time he became friends with Larry DiTillio, and when Filmation produced the He-Man spinoff She-Ra: Princess of Power, they both worked as story editors on the show. However, Filmation refused to give them credit on-screen and Straczynski and DiTillio both left and found work with DIC on Jayce and the Wheeled Warriors. Straczynski and DiTillio also worked to create an animated version of Elfquest but that project soon fell through when CBS attempted to retool the show to appeal to younger audiences. While working on Jayce, Straczynski was hired to come aboard the Len Janson and Chuck Menville project to adapt the movie Ghostbusters to an animated version called The Real Ghostbusters. When Janson and Menville learned that there was not only a 13-episode order but a 65-episode syndication order as well, they decided that the workload was too much and that they would only work on their own scripts. DIC head Jean Chalopin asked Straczynski to take on the task of story editing the entire 78-episode block as well as writing his own scripts. After the show's successful first season, consultants were brought in to make suggestions for the show, including changing Janine to a more maternal character, giving every character a particular "job" (Peter is the funny one, Egon is the smart one, and Winston, the only black character, was to be the driver), and to add kids into the show. Straczynski left at this point and Janson and Menville took on the story editing job for the second network season. Straczynski then developed a show called Spiral Zone but left after only one script when his concept for the show was drastically altered and took his name off the series, substituting the pseudonym "Fettes Grey" (derived from the names of the grave robbers in The Body Snatcher). Straczynski also wrote for CBS Storybreak, writing an adaptation of Evelyn Sibley Lampman's The Shy Stegosaurus of Cricket Creek.
Q: what did he do in animation?
A: Straczynski and DiTillio also worked to create an animated version of Elfquest but that project soon fell through when CBS attempted to retool the show to appeal to younger audiences.
Q: what did they do next?
A: Straczynski was hired to come aboard the Len Janson and Chuck Menville project to adapt the movie Ghostbusters to an animated version called The Real Ghostbusters.
Q: was he successful in this?
A: After the show's successful first season,
Q: what happened after the first season?
A: consultants were brought in to make suggestions for the show, including changing Janine to a more maternal character, giving every character a particular "job" (
Q: did these changes happen?
A: unknown
Q: Are there any other interesting aspects about this article?
A: Straczynski then developed a show called Spiral Zone
Q: what was that show about?
A: unknown
|
C_7086fd95cc76467ca5325bb6efc868d2_1_q#7
|
did he animate anything else?
| 2m
| 0y
|
{
"texts": [
"Straczynski also wrote for CBS Storybreak, writing an adaptation of Evelyn Sibley Lampman's The Shy Stegosaurus of Cricket Creek."
],
"answer_starts": [
2022
]
}
|
{
"text": "Straczynski also wrote for CBS Storybreak, writing an adaptation of Evelyn Sibley Lampman's The Shy Stegosaurus of Cricket Creek.",
"answer_start": 2022
}
|
C_3b47f8b9b0ad485ca1406866977baf6d_1
|
Lin-Manuel Miranda
|
Miranda was born in New York City and raised in the neighborhood of Inwood, the son of Luz Towns, a clinical psychologist, and Luis A. Miranda, Jr., a Democratic Party consultant who advised New York City mayor Ed Koch. Miranda has one older sister, Luz, who is the Chief Financial Officer of the MirRam Group. During childhood and his teens, he spent at least one month each year with his grandparents in Vega Alta, Puerto Rico. He is of mostly Puerto Rican descent.
|
2002-10: In the Heights
|
In 2002, Miranda and John Buffalo Mailer worked with director Thomas Kail to revise In the Heights. Book writer Quiara Alegria Hudes joined the team in 2004. After success off-Broadway, the musical went to Broadway, opening in March 2008. It was nominated for 13 Tony Awards, winning four, including Best Musical and Best Original Score. It also won the 2009 Grammy Award for Best Musical Theater Album. Miranda's performance in the leading role of Usnavi earned him a nomination for the Tony Award for Best Actor in a Musical. Miranda left the cast of the Broadway production on February 15, 2009. Miranda reprised the role when the national tour of In the Heights played in Los Angeles from June 23 to July 25, 2010. He again joined the tour in San Juan, Puerto Rico. Miranda rejoined the Broadway cast as Usnavi from December 25, 2010 until the production closed on January 9, 2011, after 29 previews and 1,185 regular performances. Miranda created other work for the stage during this period. He wrote Spanish language dialogue and worked with Stephen Sondheim to translate into Spanish song lyrics for the 2009 Broadway revival of West Side Story. In 2008, he was invited by composer-lyricist Stephen Schwartz to contribute two new songs to a revised version of Schwartz and Nina Faso's 1978 musical Working, which opened in May 2008 at the Asolo Repertory Theatre in Sarasota, Florida. Miranda also did work for film and television. In 2007, he made a guest appearance on the television series The Sopranos in the episode "Remember When", and in 2009, he played Alvie, Gregory House's roommate in a psychiatric hospital, in the two-hour season six premiere episode of House; he returned to the role in May 2010. He also has done work for Sesame Street, playing occasional roles and singing the theme song to the recurring segment Murray Has a Little Lamb. He was a composer and actor on the 2009 revival of The Electric Company and appeared in the CollegeHumor sketch "Hardly Working: Rap Battle", playing himself working as an intern and rapper. During these years, Miranda also worked as an English teacher at his former high school, wrote for the Manhattan Times as a columnist and restaurant reviewer, and composed music for commercials.
|
C_3b47f8b9b0ad485ca1406866977baf6d_1_q#0
|
What is In the Heights?
| 0y
| 2x
|
{
"texts": [
"Book"
],
"answer_starts": [
100
]
}
|
{
"text": "Book",
"answer_start": 100
}
|
C_3b47f8b9b0ad485ca1406866977baf6d_1
|
Lin-Manuel Miranda
|
Miranda was born in New York City and raised in the neighborhood of Inwood, the son of Luz Towns, a clinical psychologist, and Luis A. Miranda, Jr., a Democratic Party consultant who advised New York City mayor Ed Koch. Miranda has one older sister, Luz, who is the Chief Financial Officer of the MirRam Group. During childhood and his teens, he spent at least one month each year with his grandparents in Vega Alta, Puerto Rico. He is of mostly Puerto Rican descent.
|
2002-10: In the Heights
|
In 2002, Miranda and John Buffalo Mailer worked with director Thomas Kail to revise In the Heights. Book writer Quiara Alegria Hudes joined the team in 2004. After success off-Broadway, the musical went to Broadway, opening in March 2008. It was nominated for 13 Tony Awards, winning four, including Best Musical and Best Original Score. It also won the 2009 Grammy Award for Best Musical Theater Album. Miranda's performance in the leading role of Usnavi earned him a nomination for the Tony Award for Best Actor in a Musical. Miranda left the cast of the Broadway production on February 15, 2009. Miranda reprised the role when the national tour of In the Heights played in Los Angeles from June 23 to July 25, 2010. He again joined the tour in San Juan, Puerto Rico. Miranda rejoined the Broadway cast as Usnavi from December 25, 2010 until the production closed on January 9, 2011, after 29 previews and 1,185 regular performances. Miranda created other work for the stage during this period. He wrote Spanish language dialogue and worked with Stephen Sondheim to translate into Spanish song lyrics for the 2009 Broadway revival of West Side Story. In 2008, he was invited by composer-lyricist Stephen Schwartz to contribute two new songs to a revised version of Schwartz and Nina Faso's 1978 musical Working, which opened in May 2008 at the Asolo Repertory Theatre in Sarasota, Florida. Miranda also did work for film and television. In 2007, he made a guest appearance on the television series The Sopranos in the episode "Remember When", and in 2009, he played Alvie, Gregory House's roommate in a psychiatric hospital, in the two-hour season six premiere episode of House; he returned to the role in May 2010. He also has done work for Sesame Street, playing occasional roles and singing the theme song to the recurring segment Murray Has a Little Lamb. He was a composer and actor on the 2009 revival of The Electric Company and appeared in the CollegeHumor sketch "Hardly Working: Rap Battle", playing himself working as an intern and rapper. During these years, Miranda also worked as an English teacher at his former high school, wrote for the Manhattan Times as a columnist and restaurant reviewer, and composed music for commercials.
Q: What is In the Heights?
A: Book
|
C_3b47f8b9b0ad485ca1406866977baf6d_1_q#1
|
What is Lin-Manuel's relationship to In the Heights?
| 1n
| 2x
|
{
"texts": [
"unknown"
],
"answer_starts": [
2252
]
}
|
{
"text": "unknown",
"answer_start": 2252
}
|
C_3b47f8b9b0ad485ca1406866977baf6d_1
|
Lin-Manuel Miranda
|
Miranda was born in New York City and raised in the neighborhood of Inwood, the son of Luz Towns, a clinical psychologist, and Luis A. Miranda, Jr., a Democratic Party consultant who advised New York City mayor Ed Koch. Miranda has one older sister, Luz, who is the Chief Financial Officer of the MirRam Group. During childhood and his teens, he spent at least one month each year with his grandparents in Vega Alta, Puerto Rico. He is of mostly Puerto Rican descent.
|
2002-10: In the Heights
|
In 2002, Miranda and John Buffalo Mailer worked with director Thomas Kail to revise In the Heights. Book writer Quiara Alegria Hudes joined the team in 2004. After success off-Broadway, the musical went to Broadway, opening in March 2008. It was nominated for 13 Tony Awards, winning four, including Best Musical and Best Original Score. It also won the 2009 Grammy Award for Best Musical Theater Album. Miranda's performance in the leading role of Usnavi earned him a nomination for the Tony Award for Best Actor in a Musical. Miranda left the cast of the Broadway production on February 15, 2009. Miranda reprised the role when the national tour of In the Heights played in Los Angeles from June 23 to July 25, 2010. He again joined the tour in San Juan, Puerto Rico. Miranda rejoined the Broadway cast as Usnavi from December 25, 2010 until the production closed on January 9, 2011, after 29 previews and 1,185 regular performances. Miranda created other work for the stage during this period. He wrote Spanish language dialogue and worked with Stephen Sondheim to translate into Spanish song lyrics for the 2009 Broadway revival of West Side Story. In 2008, he was invited by composer-lyricist Stephen Schwartz to contribute two new songs to a revised version of Schwartz and Nina Faso's 1978 musical Working, which opened in May 2008 at the Asolo Repertory Theatre in Sarasota, Florida. Miranda also did work for film and television. In 2007, he made a guest appearance on the television series The Sopranos in the episode "Remember When", and in 2009, he played Alvie, Gregory House's roommate in a psychiatric hospital, in the two-hour season six premiere episode of House; he returned to the role in May 2010. He also has done work for Sesame Street, playing occasional roles and singing the theme song to the recurring segment Murray Has a Little Lamb. He was a composer and actor on the 2009 revival of The Electric Company and appeared in the CollegeHumor sketch "Hardly Working: Rap Battle", playing himself working as an intern and rapper. During these years, Miranda also worked as an English teacher at his former high school, wrote for the Manhattan Times as a columnist and restaurant reviewer, and composed music for commercials.
Q: What is In the Heights?
A: Book
Q: What is Lin-Manuel's relationship to In the Heights?
A: unknown
|
C_3b47f8b9b0ad485ca1406866977baf6d_1_q#2
|
What happened after the book was written?
| 0y
| 2x
|
{
"texts": [
"After success off-Broadway, the musical went to Broadway, opening in March 2008."
],
"answer_starts": [
158
]
}
|
{
"text": "After success off-Broadway, the musical went to Broadway, opening in March 2008.",
"answer_start": 158
}
|
C_3b47f8b9b0ad485ca1406866977baf6d_1
|
Lin-Manuel Miranda
|
Miranda was born in New York City and raised in the neighborhood of Inwood, the son of Luz Towns, a clinical psychologist, and Luis A. Miranda, Jr., a Democratic Party consultant who advised New York City mayor Ed Koch. Miranda has one older sister, Luz, who is the Chief Financial Officer of the MirRam Group. During childhood and his teens, he spent at least one month each year with his grandparents in Vega Alta, Puerto Rico. He is of mostly Puerto Rican descent.
|
2002-10: In the Heights
|
In 2002, Miranda and John Buffalo Mailer worked with director Thomas Kail to revise In the Heights. Book writer Quiara Alegria Hudes joined the team in 2004. After success off-Broadway, the musical went to Broadway, opening in March 2008. It was nominated for 13 Tony Awards, winning four, including Best Musical and Best Original Score. It also won the 2009 Grammy Award for Best Musical Theater Album. Miranda's performance in the leading role of Usnavi earned him a nomination for the Tony Award for Best Actor in a Musical. Miranda left the cast of the Broadway production on February 15, 2009. Miranda reprised the role when the national tour of In the Heights played in Los Angeles from June 23 to July 25, 2010. He again joined the tour in San Juan, Puerto Rico. Miranda rejoined the Broadway cast as Usnavi from December 25, 2010 until the production closed on January 9, 2011, after 29 previews and 1,185 regular performances. Miranda created other work for the stage during this period. He wrote Spanish language dialogue and worked with Stephen Sondheim to translate into Spanish song lyrics for the 2009 Broadway revival of West Side Story. In 2008, he was invited by composer-lyricist Stephen Schwartz to contribute two new songs to a revised version of Schwartz and Nina Faso's 1978 musical Working, which opened in May 2008 at the Asolo Repertory Theatre in Sarasota, Florida. Miranda also did work for film and television. In 2007, he made a guest appearance on the television series The Sopranos in the episode "Remember When", and in 2009, he played Alvie, Gregory House's roommate in a psychiatric hospital, in the two-hour season six premiere episode of House; he returned to the role in May 2010. He also has done work for Sesame Street, playing occasional roles and singing the theme song to the recurring segment Murray Has a Little Lamb. He was a composer and actor on the 2009 revival of The Electric Company and appeared in the CollegeHumor sketch "Hardly Working: Rap Battle", playing himself working as an intern and rapper. During these years, Miranda also worked as an English teacher at his former high school, wrote for the Manhattan Times as a columnist and restaurant reviewer, and composed music for commercials.
Q: What is In the Heights?
A: Book
Q: What is Lin-Manuel's relationship to In the Heights?
A: unknown
Q: What happened after the book was written?
A: After success off-Broadway, the musical went to Broadway, opening in March 2008.
|
C_3b47f8b9b0ad485ca1406866977baf6d_1_q#3
|
How long was the musical on Broadway?
| 1n
| 2x
|
{
"texts": [
"Miranda left the cast of the Broadway production on February 15, 2009."
],
"answer_starts": [
528
]
}
|
{
"text": "Miranda left the cast of the Broadway production on February 15, 2009.",
"answer_start": 528
}
|
C_3b47f8b9b0ad485ca1406866977baf6d_1
|
Lin-Manuel Miranda
|
Miranda was born in New York City and raised in the neighborhood of Inwood, the son of Luz Towns, a clinical psychologist, and Luis A. Miranda, Jr., a Democratic Party consultant who advised New York City mayor Ed Koch. Miranda has one older sister, Luz, who is the Chief Financial Officer of the MirRam Group. During childhood and his teens, he spent at least one month each year with his grandparents in Vega Alta, Puerto Rico. He is of mostly Puerto Rican descent.
|
2002-10: In the Heights
|
In 2002, Miranda and John Buffalo Mailer worked with director Thomas Kail to revise In the Heights. Book writer Quiara Alegria Hudes joined the team in 2004. After success off-Broadway, the musical went to Broadway, opening in March 2008. It was nominated for 13 Tony Awards, winning four, including Best Musical and Best Original Score. It also won the 2009 Grammy Award for Best Musical Theater Album. Miranda's performance in the leading role of Usnavi earned him a nomination for the Tony Award for Best Actor in a Musical. Miranda left the cast of the Broadway production on February 15, 2009. Miranda reprised the role when the national tour of In the Heights played in Los Angeles from June 23 to July 25, 2010. He again joined the tour in San Juan, Puerto Rico. Miranda rejoined the Broadway cast as Usnavi from December 25, 2010 until the production closed on January 9, 2011, after 29 previews and 1,185 regular performances. Miranda created other work for the stage during this period. He wrote Spanish language dialogue and worked with Stephen Sondheim to translate into Spanish song lyrics for the 2009 Broadway revival of West Side Story. In 2008, he was invited by composer-lyricist Stephen Schwartz to contribute two new songs to a revised version of Schwartz and Nina Faso's 1978 musical Working, which opened in May 2008 at the Asolo Repertory Theatre in Sarasota, Florida. Miranda also did work for film and television. In 2007, he made a guest appearance on the television series The Sopranos in the episode "Remember When", and in 2009, he played Alvie, Gregory House's roommate in a psychiatric hospital, in the two-hour season six premiere episode of House; he returned to the role in May 2010. He also has done work for Sesame Street, playing occasional roles and singing the theme song to the recurring segment Murray Has a Little Lamb. He was a composer and actor on the 2009 revival of The Electric Company and appeared in the CollegeHumor sketch "Hardly Working: Rap Battle", playing himself working as an intern and rapper. During these years, Miranda also worked as an English teacher at his former high school, wrote for the Manhattan Times as a columnist and restaurant reviewer, and composed music for commercials.
Q: What is In the Heights?
A: Book
Q: What is Lin-Manuel's relationship to In the Heights?
A: unknown
Q: What happened after the book was written?
A: After success off-Broadway, the musical went to Broadway, opening in March 2008.
Q: How long was the musical on Broadway?
A: Miranda left the cast of the Broadway production on February 15, 2009.
|
C_3b47f8b9b0ad485ca1406866977baf6d_1_q#4
|
What did Miranda do after she left Broadway?
| 0y
| 2x
|
{
"texts": [
"reprised the role when the national tour of In the Heights played in Los Angeles from June 23 to July 25, 2010."
],
"answer_starts": [
608
]
}
|
{
"text": "reprised the role when the national tour of In the Heights played in Los Angeles from June 23 to July 25, 2010.",
"answer_start": 608
}
|
C_208ca52ae61d4c83bf2d7c20037aed66_0
|
Lucy Stone
|
Lucy Stone (August 13, 1818 - October 18, 1893) was a prominent U.S. orator, abolitionist, and suffragist, and a vocal advocate and organizer promoting rights for women. In 1847, Stone became the first woman from Massachusetts to earn a college degree. She spoke out for women's rights and against slavery at a time when women were discouraged and prevented from public speaking. Stone was known for using her birth name after marriage, the custom at the time being for women to take their husband's surname.
|
Public speaking
|
In February 1846 Stone intimated to Abby Kelley Foster that she was thinking of becoming a public speaker, but not until the following summer did a storm of controversy over Foster's speaking at Oberlin decide the matter for her. Faculty opposition to Foster ignited impassioned discussion of women's rights among the students, especially of woman's right to speak in public, which Stone vigorously defended in a joint meeting of the men's and women's literary societies. She followed that campus demonstration by making her first public speech at Oberlin's August 1 commemoration of Emancipation in the West Indies. In the fall of 1846 Stone informed her family of her intention to become a woman's rights lecturer. Her brothers were at once supportive, her father encouraged her to do what she considered her duty, but her mother and only remaining sister begged her to reconsider. To her mother's fears that she would be reviled, Stone said she knew she would be disesteemed and even hated, but she must "pursue that course of conduct which, to me, appears best calculated to promote the highest good of the world." Stone then tried to gain practical speaking experience. Although women students could debate each other in their literary society, it was considered inappropriate for them to participate in oral exercises with men; women members of the collegiate rhetoric class were expected to learn by observing their male classmates. So Stone and first-year student Antoinette Brown, who also wanted to develop skill in public speaking, organized an off-campus women's debating club. After gaining a measure of competence, they sought and received permission to debate each other before Stone's rhetoric class. The debate attracted a large student audience as well as attention from the Faculty Board, which thereupon formally banned women's oral exercises in coeducational classes. Shortly thereafter, Stone accepted a challenge from a former editor of a county newspaper to a public debate on women's rights, and she soundly defeated him. She then submitted a petition to the Faculty Board, signed by most members of her graduating class, asking that women chosen to write graduation essays be permitted to read them themselves, as men so honored did, instead of having them read by faculty members. When the Faculty Board refused and Stone was elected to write an essay, she declined, saying she could not support a principle that denied women "the privilege of being co-laborers with men in any sphere to which their ability makes them adequate." Stone received her baccalaureate degree from Oberlin College on August 25, 1847, becoming the first female college graduate from Massachusetts.
|
C_208ca52ae61d4c83bf2d7c20037aed66_0_q#0
|
Where did she speak?
| 0y
| 2x
|
{
"texts": [
"Stone accepted a challenge from a former editor of a county newspaper to a public debate on women's rights, and she soundly defeated him."
],
"answer_starts": [
1911
]
}
|
{
"text": "Stone accepted a challenge from a former editor of a county newspaper to a public debate on women's rights, and she soundly defeated him.",
"answer_start": 1911
}
|
C_208ca52ae61d4c83bf2d7c20037aed66_0
|
Lucy Stone
|
Lucy Stone (August 13, 1818 - October 18, 1893) was a prominent U.S. orator, abolitionist, and suffragist, and a vocal advocate and organizer promoting rights for women. In 1847, Stone became the first woman from Massachusetts to earn a college degree. She spoke out for women's rights and against slavery at a time when women were discouraged and prevented from public speaking. Stone was known for using her birth name after marriage, the custom at the time being for women to take their husband's surname.
|
Public speaking
|
In February 1846 Stone intimated to Abby Kelley Foster that she was thinking of becoming a public speaker, but not until the following summer did a storm of controversy over Foster's speaking at Oberlin decide the matter for her. Faculty opposition to Foster ignited impassioned discussion of women's rights among the students, especially of woman's right to speak in public, which Stone vigorously defended in a joint meeting of the men's and women's literary societies. She followed that campus demonstration by making her first public speech at Oberlin's August 1 commemoration of Emancipation in the West Indies. In the fall of 1846 Stone informed her family of her intention to become a woman's rights lecturer. Her brothers were at once supportive, her father encouraged her to do what she considered her duty, but her mother and only remaining sister begged her to reconsider. To her mother's fears that she would be reviled, Stone said she knew she would be disesteemed and even hated, but she must "pursue that course of conduct which, to me, appears best calculated to promote the highest good of the world." Stone then tried to gain practical speaking experience. Although women students could debate each other in their literary society, it was considered inappropriate for them to participate in oral exercises with men; women members of the collegiate rhetoric class were expected to learn by observing their male classmates. So Stone and first-year student Antoinette Brown, who also wanted to develop skill in public speaking, organized an off-campus women's debating club. After gaining a measure of competence, they sought and received permission to debate each other before Stone's rhetoric class. The debate attracted a large student audience as well as attention from the Faculty Board, which thereupon formally banned women's oral exercises in coeducational classes. Shortly thereafter, Stone accepted a challenge from a former editor of a county newspaper to a public debate on women's rights, and she soundly defeated him. She then submitted a petition to the Faculty Board, signed by most members of her graduating class, asking that women chosen to write graduation essays be permitted to read them themselves, as men so honored did, instead of having them read by faculty members. When the Faculty Board refused and Stone was elected to write an essay, she declined, saying she could not support a principle that denied women "the privilege of being co-laborers with men in any sphere to which their ability makes them adequate." Stone received her baccalaureate degree from Oberlin College on August 25, 1847, becoming the first female college graduate from Massachusetts.
Q: Where did she speak?
A: Stone accepted a challenge from a former editor of a county newspaper to a public debate on women's rights, and she soundly defeated him.
|
C_208ca52ae61d4c83bf2d7c20037aed66_0_q#1
|
Are there any other interesting aspects about this article?
| 0y
| 2x
|
{
"texts": [
"In the fall of 1846 Stone informed her family of her intention to become a woman's rights lecturer."
],
"answer_starts": [
618
]
}
|
{
"text": "In the fall of 1846 Stone informed her family of her intention to become a woman's rights lecturer.",
"answer_start": 618
}
|
C_208ca52ae61d4c83bf2d7c20037aed66_0
|
Lucy Stone
|
Lucy Stone (August 13, 1818 - October 18, 1893) was a prominent U.S. orator, abolitionist, and suffragist, and a vocal advocate and organizer promoting rights for women. In 1847, Stone became the first woman from Massachusetts to earn a college degree. She spoke out for women's rights and against slavery at a time when women were discouraged and prevented from public speaking. Stone was known for using her birth name after marriage, the custom at the time being for women to take their husband's surname.
|
Public speaking
|
In February 1846 Stone intimated to Abby Kelley Foster that she was thinking of becoming a public speaker, but not until the following summer did a storm of controversy over Foster's speaking at Oberlin decide the matter for her. Faculty opposition to Foster ignited impassioned discussion of women's rights among the students, especially of woman's right to speak in public, which Stone vigorously defended in a joint meeting of the men's and women's literary societies. She followed that campus demonstration by making her first public speech at Oberlin's August 1 commemoration of Emancipation in the West Indies. In the fall of 1846 Stone informed her family of her intention to become a woman's rights lecturer. Her brothers were at once supportive, her father encouraged her to do what she considered her duty, but her mother and only remaining sister begged her to reconsider. To her mother's fears that she would be reviled, Stone said she knew she would be disesteemed and even hated, but she must "pursue that course of conduct which, to me, appears best calculated to promote the highest good of the world." Stone then tried to gain practical speaking experience. Although women students could debate each other in their literary society, it was considered inappropriate for them to participate in oral exercises with men; women members of the collegiate rhetoric class were expected to learn by observing their male classmates. So Stone and first-year student Antoinette Brown, who also wanted to develop skill in public speaking, organized an off-campus women's debating club. After gaining a measure of competence, they sought and received permission to debate each other before Stone's rhetoric class. The debate attracted a large student audience as well as attention from the Faculty Board, which thereupon formally banned women's oral exercises in coeducational classes. Shortly thereafter, Stone accepted a challenge from a former editor of a county newspaper to a public debate on women's rights, and she soundly defeated him. She then submitted a petition to the Faculty Board, signed by most members of her graduating class, asking that women chosen to write graduation essays be permitted to read them themselves, as men so honored did, instead of having them read by faculty members. When the Faculty Board refused and Stone was elected to write an essay, she declined, saying she could not support a principle that denied women "the privilege of being co-laborers with men in any sphere to which their ability makes them adequate." Stone received her baccalaureate degree from Oberlin College on August 25, 1847, becoming the first female college graduate from Massachusetts.
Q: Where did she speak?
A: Stone accepted a challenge from a former editor of a county newspaper to a public debate on women's rights, and she soundly defeated him.
Q: Are there any other interesting aspects about this article?
A: In the fall of 1846 Stone informed her family of her intention to become a woman's rights lecturer.
|
C_208ca52ae61d4c83bf2d7c20037aed66_0_q#2
|
How did her family take it>
| 0y
| 2x
|
{
"texts": [
"Her brothers were at once supportive, her father encouraged her to do what she considered her duty,"
],
"answer_starts": [
718
]
}
|
{
"text": "Her brothers were at once supportive, her father encouraged her to do what she considered her duty,",
"answer_start": 718
}
|
C_208ca52ae61d4c83bf2d7c20037aed66_0
|
Lucy Stone
|
Lucy Stone (August 13, 1818 - October 18, 1893) was a prominent U.S. orator, abolitionist, and suffragist, and a vocal advocate and organizer promoting rights for women. In 1847, Stone became the first woman from Massachusetts to earn a college degree. She spoke out for women's rights and against slavery at a time when women were discouraged and prevented from public speaking. Stone was known for using her birth name after marriage, the custom at the time being for women to take their husband's surname.
|
Public speaking
|
In February 1846 Stone intimated to Abby Kelley Foster that she was thinking of becoming a public speaker, but not until the following summer did a storm of controversy over Foster's speaking at Oberlin decide the matter for her. Faculty opposition to Foster ignited impassioned discussion of women's rights among the students, especially of woman's right to speak in public, which Stone vigorously defended in a joint meeting of the men's and women's literary societies. She followed that campus demonstration by making her first public speech at Oberlin's August 1 commemoration of Emancipation in the West Indies. In the fall of 1846 Stone informed her family of her intention to become a woman's rights lecturer. Her brothers were at once supportive, her father encouraged her to do what she considered her duty, but her mother and only remaining sister begged her to reconsider. To her mother's fears that she would be reviled, Stone said she knew she would be disesteemed and even hated, but she must "pursue that course of conduct which, to me, appears best calculated to promote the highest good of the world." Stone then tried to gain practical speaking experience. Although women students could debate each other in their literary society, it was considered inappropriate for them to participate in oral exercises with men; women members of the collegiate rhetoric class were expected to learn by observing their male classmates. So Stone and first-year student Antoinette Brown, who also wanted to develop skill in public speaking, organized an off-campus women's debating club. After gaining a measure of competence, they sought and received permission to debate each other before Stone's rhetoric class. The debate attracted a large student audience as well as attention from the Faculty Board, which thereupon formally banned women's oral exercises in coeducational classes. Shortly thereafter, Stone accepted a challenge from a former editor of a county newspaper to a public debate on women's rights, and she soundly defeated him. She then submitted a petition to the Faculty Board, signed by most members of her graduating class, asking that women chosen to write graduation essays be permitted to read them themselves, as men so honored did, instead of having them read by faculty members. When the Faculty Board refused and Stone was elected to write an essay, she declined, saying she could not support a principle that denied women "the privilege of being co-laborers with men in any sphere to which their ability makes them adequate." Stone received her baccalaureate degree from Oberlin College on August 25, 1847, becoming the first female college graduate from Massachusetts.
Q: Where did she speak?
A: Stone accepted a challenge from a former editor of a county newspaper to a public debate on women's rights, and she soundly defeated him.
Q: Are there any other interesting aspects about this article?
A: In the fall of 1846 Stone informed her family of her intention to become a woman's rights lecturer.
Q: How did her family take it>
A: Her brothers were at once supportive, her father encouraged her to do what she considered her duty,
|
C_208ca52ae61d4c83bf2d7c20037aed66_0_q#3
|
Did anything influence her?
| 2m
| 2x
|
{
"texts": [
"Faculty opposition to Foster ignited impassioned discussion of women's rights among the students, especially of woman's right to speak in public, which Stone vigorously defended in a joint meeting"
],
"answer_starts": [
230
]
}
|
{
"text": "Faculty opposition to Foster ignited impassioned discussion of women's rights among the students, especially of woman's right to speak in public, which Stone vigorously defended in a joint meeting",
"answer_start": 230
}
|
C_208ca52ae61d4c83bf2d7c20037aed66_0
|
Lucy Stone
|
Lucy Stone (August 13, 1818 - October 18, 1893) was a prominent U.S. orator, abolitionist, and suffragist, and a vocal advocate and organizer promoting rights for women. In 1847, Stone became the first woman from Massachusetts to earn a college degree. She spoke out for women's rights and against slavery at a time when women were discouraged and prevented from public speaking. Stone was known for using her birth name after marriage, the custom at the time being for women to take their husband's surname.
|
Public speaking
|
In February 1846 Stone intimated to Abby Kelley Foster that she was thinking of becoming a public speaker, but not until the following summer did a storm of controversy over Foster's speaking at Oberlin decide the matter for her. Faculty opposition to Foster ignited impassioned discussion of women's rights among the students, especially of woman's right to speak in public, which Stone vigorously defended in a joint meeting of the men's and women's literary societies. She followed that campus demonstration by making her first public speech at Oberlin's August 1 commemoration of Emancipation in the West Indies. In the fall of 1846 Stone informed her family of her intention to become a woman's rights lecturer. Her brothers were at once supportive, her father encouraged her to do what she considered her duty, but her mother and only remaining sister begged her to reconsider. To her mother's fears that she would be reviled, Stone said she knew she would be disesteemed and even hated, but she must "pursue that course of conduct which, to me, appears best calculated to promote the highest good of the world." Stone then tried to gain practical speaking experience. Although women students could debate each other in their literary society, it was considered inappropriate for them to participate in oral exercises with men; women members of the collegiate rhetoric class were expected to learn by observing their male classmates. So Stone and first-year student Antoinette Brown, who also wanted to develop skill in public speaking, organized an off-campus women's debating club. After gaining a measure of competence, they sought and received permission to debate each other before Stone's rhetoric class. The debate attracted a large student audience as well as attention from the Faculty Board, which thereupon formally banned women's oral exercises in coeducational classes. Shortly thereafter, Stone accepted a challenge from a former editor of a county newspaper to a public debate on women's rights, and she soundly defeated him. She then submitted a petition to the Faculty Board, signed by most members of her graduating class, asking that women chosen to write graduation essays be permitted to read them themselves, as men so honored did, instead of having them read by faculty members. When the Faculty Board refused and Stone was elected to write an essay, she declined, saying she could not support a principle that denied women "the privilege of being co-laborers with men in any sphere to which their ability makes them adequate." Stone received her baccalaureate degree from Oberlin College on August 25, 1847, becoming the first female college graduate from Massachusetts.
Q: Where did she speak?
A: Stone accepted a challenge from a former editor of a county newspaper to a public debate on women's rights, and she soundly defeated him.
Q: Are there any other interesting aspects about this article?
A: In the fall of 1846 Stone informed her family of her intention to become a woman's rights lecturer.
Q: How did her family take it>
A: Her brothers were at once supportive, her father encouraged her to do what she considered her duty,
Q: Did anything influence her?
A: Faculty opposition to Foster ignited impassioned discussion of women's rights among the students, especially of woman's right to speak in public, which Stone vigorously defended in a joint meeting
|
C_208ca52ae61d4c83bf2d7c20037aed66_0_q#4
|
was it a success?
| 1n
| 2x
|
{
"texts": [
"She followed that campus demonstration by making her first public speech at Oberlin's August 1 commemoration of Emancipation in the West Indies."
],
"answer_starts": [
472
]
}
|
{
"text": "She followed that campus demonstration by making her first public speech at Oberlin's August 1 commemoration of Emancipation in the West Indies.",
"answer_start": 472
}
|
C_208ca52ae61d4c83bf2d7c20037aed66_0
|
Lucy Stone
|
Lucy Stone (August 13, 1818 - October 18, 1893) was a prominent U.S. orator, abolitionist, and suffragist, and a vocal advocate and organizer promoting rights for women. In 1847, Stone became the first woman from Massachusetts to earn a college degree. She spoke out for women's rights and against slavery at a time when women were discouraged and prevented from public speaking. Stone was known for using her birth name after marriage, the custom at the time being for women to take their husband's surname.
|
Public speaking
|
In February 1846 Stone intimated to Abby Kelley Foster that she was thinking of becoming a public speaker, but not until the following summer did a storm of controversy over Foster's speaking at Oberlin decide the matter for her. Faculty opposition to Foster ignited impassioned discussion of women's rights among the students, especially of woman's right to speak in public, which Stone vigorously defended in a joint meeting of the men's and women's literary societies. She followed that campus demonstration by making her first public speech at Oberlin's August 1 commemoration of Emancipation in the West Indies. In the fall of 1846 Stone informed her family of her intention to become a woman's rights lecturer. Her brothers were at once supportive, her father encouraged her to do what she considered her duty, but her mother and only remaining sister begged her to reconsider. To her mother's fears that she would be reviled, Stone said she knew she would be disesteemed and even hated, but she must "pursue that course of conduct which, to me, appears best calculated to promote the highest good of the world." Stone then tried to gain practical speaking experience. Although women students could debate each other in their literary society, it was considered inappropriate for them to participate in oral exercises with men; women members of the collegiate rhetoric class were expected to learn by observing their male classmates. So Stone and first-year student Antoinette Brown, who also wanted to develop skill in public speaking, organized an off-campus women's debating club. After gaining a measure of competence, they sought and received permission to debate each other before Stone's rhetoric class. The debate attracted a large student audience as well as attention from the Faculty Board, which thereupon formally banned women's oral exercises in coeducational classes. Shortly thereafter, Stone accepted a challenge from a former editor of a county newspaper to a public debate on women's rights, and she soundly defeated him. She then submitted a petition to the Faculty Board, signed by most members of her graduating class, asking that women chosen to write graduation essays be permitted to read them themselves, as men so honored did, instead of having them read by faculty members. When the Faculty Board refused and Stone was elected to write an essay, she declined, saying she could not support a principle that denied women "the privilege of being co-laborers with men in any sphere to which their ability makes them adequate." Stone received her baccalaureate degree from Oberlin College on August 25, 1847, becoming the first female college graduate from Massachusetts.
Q: Where did she speak?
A: Stone accepted a challenge from a former editor of a county newspaper to a public debate on women's rights, and she soundly defeated him.
Q: Are there any other interesting aspects about this article?
A: In the fall of 1846 Stone informed her family of her intention to become a woman's rights lecturer.
Q: How did her family take it>
A: Her brothers were at once supportive, her father encouraged her to do what she considered her duty,
Q: Did anything influence her?
A: Faculty opposition to Foster ignited impassioned discussion of women's rights among the students, especially of woman's right to speak in public, which Stone vigorously defended in a joint meeting
Q: was it a success?
A: She followed that campus demonstration by making her first public speech at Oberlin's August 1 commemoration of Emancipation in the West Indies.
|
C_208ca52ae61d4c83bf2d7c20037aed66_0_q#5
|
Did she have any other demonstrations?
| 0y
| 2x
|
{
"texts": [
"Stone accepted a challenge from a former editor of a county newspaper to a public debate on women's rights, and she soundly defeated him."
],
"answer_starts": [
1911
]
}
|
{
"text": "Stone accepted a challenge from a former editor of a county newspaper to a public debate on women's rights, and she soundly defeated him.",
"answer_start": 1911
}
|
C_208ca52ae61d4c83bf2d7c20037aed66_0
|
Lucy Stone
|
Lucy Stone (August 13, 1818 - October 18, 1893) was a prominent U.S. orator, abolitionist, and suffragist, and a vocal advocate and organizer promoting rights for women. In 1847, Stone became the first woman from Massachusetts to earn a college degree. She spoke out for women's rights and against slavery at a time when women were discouraged and prevented from public speaking. Stone was known for using her birth name after marriage, the custom at the time being for women to take their husband's surname.
|
Public speaking
|
In February 1846 Stone intimated to Abby Kelley Foster that she was thinking of becoming a public speaker, but not until the following summer did a storm of controversy over Foster's speaking at Oberlin decide the matter for her. Faculty opposition to Foster ignited impassioned discussion of women's rights among the students, especially of woman's right to speak in public, which Stone vigorously defended in a joint meeting of the men's and women's literary societies. She followed that campus demonstration by making her first public speech at Oberlin's August 1 commemoration of Emancipation in the West Indies. In the fall of 1846 Stone informed her family of her intention to become a woman's rights lecturer. Her brothers were at once supportive, her father encouraged her to do what she considered her duty, but her mother and only remaining sister begged her to reconsider. To her mother's fears that she would be reviled, Stone said she knew she would be disesteemed and even hated, but she must "pursue that course of conduct which, to me, appears best calculated to promote the highest good of the world." Stone then tried to gain practical speaking experience. Although women students could debate each other in their literary society, it was considered inappropriate for them to participate in oral exercises with men; women members of the collegiate rhetoric class were expected to learn by observing their male classmates. So Stone and first-year student Antoinette Brown, who also wanted to develop skill in public speaking, organized an off-campus women's debating club. After gaining a measure of competence, they sought and received permission to debate each other before Stone's rhetoric class. The debate attracted a large student audience as well as attention from the Faculty Board, which thereupon formally banned women's oral exercises in coeducational classes. Shortly thereafter, Stone accepted a challenge from a former editor of a county newspaper to a public debate on women's rights, and she soundly defeated him. She then submitted a petition to the Faculty Board, signed by most members of her graduating class, asking that women chosen to write graduation essays be permitted to read them themselves, as men so honored did, instead of having them read by faculty members. When the Faculty Board refused and Stone was elected to write an essay, she declined, saying she could not support a principle that denied women "the privilege of being co-laborers with men in any sphere to which their ability makes them adequate." Stone received her baccalaureate degree from Oberlin College on August 25, 1847, becoming the first female college graduate from Massachusetts.
Q: Where did she speak?
A: Stone accepted a challenge from a former editor of a county newspaper to a public debate on women's rights, and she soundly defeated him.
Q: Are there any other interesting aspects about this article?
A: In the fall of 1846 Stone informed her family of her intention to become a woman's rights lecturer.
Q: How did her family take it>
A: Her brothers were at once supportive, her father encouraged her to do what she considered her duty,
Q: Did anything influence her?
A: Faculty opposition to Foster ignited impassioned discussion of women's rights among the students, especially of woman's right to speak in public, which Stone vigorously defended in a joint meeting
Q: was it a success?
A: She followed that campus demonstration by making her first public speech at Oberlin's August 1 commemoration of Emancipation in the West Indies.
Q: Did she have any other demonstrations?
A: Stone accepted a challenge from a former editor of a county newspaper to a public debate on women's rights, and she soundly defeated him.
|
C_208ca52ae61d4c83bf2d7c20037aed66_0_q#6
|
Did she have any other speaking events?
| 1n
| 2x
|
{
"texts": [
"her first public speech at Oberlin's August 1 commemoration of Emancipation in the West Indies."
],
"answer_starts": [
521
]
}
|
{
"text": "her first public speech at Oberlin's August 1 commemoration of Emancipation in the West Indies.",
"answer_start": 521
}
|
C_208ca52ae61d4c83bf2d7c20037aed66_0
|
Lucy Stone
|
Lucy Stone (August 13, 1818 - October 18, 1893) was a prominent U.S. orator, abolitionist, and suffragist, and a vocal advocate and organizer promoting rights for women. In 1847, Stone became the first woman from Massachusetts to earn a college degree. She spoke out for women's rights and against slavery at a time when women were discouraged and prevented from public speaking. Stone was known for using her birth name after marriage, the custom at the time being for women to take their husband's surname.
|
Public speaking
|
In February 1846 Stone intimated to Abby Kelley Foster that she was thinking of becoming a public speaker, but not until the following summer did a storm of controversy over Foster's speaking at Oberlin decide the matter for her. Faculty opposition to Foster ignited impassioned discussion of women's rights among the students, especially of woman's right to speak in public, which Stone vigorously defended in a joint meeting of the men's and women's literary societies. She followed that campus demonstration by making her first public speech at Oberlin's August 1 commemoration of Emancipation in the West Indies. In the fall of 1846 Stone informed her family of her intention to become a woman's rights lecturer. Her brothers were at once supportive, her father encouraged her to do what she considered her duty, but her mother and only remaining sister begged her to reconsider. To her mother's fears that she would be reviled, Stone said she knew she would be disesteemed and even hated, but she must "pursue that course of conduct which, to me, appears best calculated to promote the highest good of the world." Stone then tried to gain practical speaking experience. Although women students could debate each other in their literary society, it was considered inappropriate for them to participate in oral exercises with men; women members of the collegiate rhetoric class were expected to learn by observing their male classmates. So Stone and first-year student Antoinette Brown, who also wanted to develop skill in public speaking, organized an off-campus women's debating club. After gaining a measure of competence, they sought and received permission to debate each other before Stone's rhetoric class. The debate attracted a large student audience as well as attention from the Faculty Board, which thereupon formally banned women's oral exercises in coeducational classes. Shortly thereafter, Stone accepted a challenge from a former editor of a county newspaper to a public debate on women's rights, and she soundly defeated him. She then submitted a petition to the Faculty Board, signed by most members of her graduating class, asking that women chosen to write graduation essays be permitted to read them themselves, as men so honored did, instead of having them read by faculty members. When the Faculty Board refused and Stone was elected to write an essay, she declined, saying she could not support a principle that denied women "the privilege of being co-laborers with men in any sphere to which their ability makes them adequate." Stone received her baccalaureate degree from Oberlin College on August 25, 1847, becoming the first female college graduate from Massachusetts.
Q: Where did she speak?
A: Stone accepted a challenge from a former editor of a county newspaper to a public debate on women's rights, and she soundly defeated him.
Q: Are there any other interesting aspects about this article?
A: In the fall of 1846 Stone informed her family of her intention to become a woman's rights lecturer.
Q: How did her family take it>
A: Her brothers were at once supportive, her father encouraged her to do what she considered her duty,
Q: Did anything influence her?
A: Faculty opposition to Foster ignited impassioned discussion of women's rights among the students, especially of woman's right to speak in public, which Stone vigorously defended in a joint meeting
Q: was it a success?
A: She followed that campus demonstration by making her first public speech at Oberlin's August 1 commemoration of Emancipation in the West Indies.
Q: Did she have any other demonstrations?
A: Stone accepted a challenge from a former editor of a county newspaper to a public debate on women's rights, and she soundly defeated him.
Q: Did she have any other speaking events?
A: her first public speech at Oberlin's August 1 commemoration of Emancipation in the West Indies.
|
C_208ca52ae61d4c83bf2d7c20037aed66_0_q#7
|
Did she win any award for her speaking?
| 1n
| 1n
|
{
"texts": [
"Stone received her baccalaureate degree from Oberlin College on August 25, 1847, becoming the first female college graduate from Massachusetts."
],
"answer_starts": [
2560
]
}
|
{
"text": "Stone received her baccalaureate degree from Oberlin College on August 25, 1847, becoming the first female college graduate from Massachusetts.",
"answer_start": 2560
}
|
C_208ca52ae61d4c83bf2d7c20037aed66_0
|
Lucy Stone
|
Lucy Stone (August 13, 1818 - October 18, 1893) was a prominent U.S. orator, abolitionist, and suffragist, and a vocal advocate and organizer promoting rights for women. In 1847, Stone became the first woman from Massachusetts to earn a college degree. She spoke out for women's rights and against slavery at a time when women were discouraged and prevented from public speaking. Stone was known for using her birth name after marriage, the custom at the time being for women to take their husband's surname.
|
Public speaking
|
In February 1846 Stone intimated to Abby Kelley Foster that she was thinking of becoming a public speaker, but not until the following summer did a storm of controversy over Foster's speaking at Oberlin decide the matter for her. Faculty opposition to Foster ignited impassioned discussion of women's rights among the students, especially of woman's right to speak in public, which Stone vigorously defended in a joint meeting of the men's and women's literary societies. She followed that campus demonstration by making her first public speech at Oberlin's August 1 commemoration of Emancipation in the West Indies. In the fall of 1846 Stone informed her family of her intention to become a woman's rights lecturer. Her brothers were at once supportive, her father encouraged her to do what she considered her duty, but her mother and only remaining sister begged her to reconsider. To her mother's fears that she would be reviled, Stone said she knew she would be disesteemed and even hated, but she must "pursue that course of conduct which, to me, appears best calculated to promote the highest good of the world." Stone then tried to gain practical speaking experience. Although women students could debate each other in their literary society, it was considered inappropriate for them to participate in oral exercises with men; women members of the collegiate rhetoric class were expected to learn by observing their male classmates. So Stone and first-year student Antoinette Brown, who also wanted to develop skill in public speaking, organized an off-campus women's debating club. After gaining a measure of competence, they sought and received permission to debate each other before Stone's rhetoric class. The debate attracted a large student audience as well as attention from the Faculty Board, which thereupon formally banned women's oral exercises in coeducational classes. Shortly thereafter, Stone accepted a challenge from a former editor of a county newspaper to a public debate on women's rights, and she soundly defeated him. She then submitted a petition to the Faculty Board, signed by most members of her graduating class, asking that women chosen to write graduation essays be permitted to read them themselves, as men so honored did, instead of having them read by faculty members. When the Faculty Board refused and Stone was elected to write an essay, she declined, saying she could not support a principle that denied women "the privilege of being co-laborers with men in any sphere to which their ability makes them adequate." Stone received her baccalaureate degree from Oberlin College on August 25, 1847, becoming the first female college graduate from Massachusetts.
Q: Where did she speak?
A: Stone accepted a challenge from a former editor of a county newspaper to a public debate on women's rights, and she soundly defeated him.
Q: Are there any other interesting aspects about this article?
A: In the fall of 1846 Stone informed her family of her intention to become a woman's rights lecturer.
Q: How did her family take it>
A: Her brothers were at once supportive, her father encouraged her to do what she considered her duty,
Q: Did anything influence her?
A: Faculty opposition to Foster ignited impassioned discussion of women's rights among the students, especially of woman's right to speak in public, which Stone vigorously defended in a joint meeting
Q: was it a success?
A: She followed that campus demonstration by making her first public speech at Oberlin's August 1 commemoration of Emancipation in the West Indies.
Q: Did she have any other demonstrations?
A: Stone accepted a challenge from a former editor of a county newspaper to a public debate on women's rights, and she soundly defeated him.
Q: Did she have any other speaking events?
A: her first public speech at Oberlin's August 1 commemoration of Emancipation in the West Indies.
Q: Did she win any award for her speaking?
A: Stone received her baccalaureate degree from Oberlin College on August 25, 1847, becoming the first female college graduate from Massachusetts.
|
C_208ca52ae61d4c83bf2d7c20037aed66_0_q#8
|
did she do anyd ebates?
| 1n
| 0y
|
{
"texts": [
"Stone accepted a challenge from a former editor of a county newspaper to a public debate on women's rights,"
],
"answer_starts": [
1911
]
}
|
{
"text": "Stone accepted a challenge from a former editor of a county newspaper to a public debate on women's rights,",
"answer_start": 1911
}
|
C_7086fd95cc76467ca5325bb6efc868d2_0
|
J. Michael Straczynski
|
Straczynski was born in Paterson, New Jersey, and is the son of Charles Straczynski, a manual laborer, and Evelyn Straczynski (nee Pate). He was raised in Newark, New Jersey; Kankakee, Illinois; Dallas, Texas; Chula Vista, California, where he graduated from high school; and San Diego, California. Straczynski's family religion was Catholic, and he has Polish ancestry. His grandparents lived in the area which today belongs to Belarus, and fled to America from the Russian Revolution; his father was born in the U.S., and has lived in Poland, Germany and Russia.
|
Babylon 5 and Crusade
|
In late 1991, Warner Bros. contracted with Straczynski and Doug Netter as partners to produce Babylon 5 as the flagship program for the new Prime Time Entertainment Network. Straczynski and Netter hired many of the people from Captain Power, as well as hiring Ellison as a consultant and DiTillio as a story editor. Babylon 5 won two Emmy Awards, back-to-back Hugo Awards, and dozens of other awards. Straczynski wrote 92 of the 110 episodes, as well as the pilot and five television movies. The show is a character-driven space opera and features an intentional emphasis on realism in its portrayal of space operations. It also pioneered extensive use of CGI for its special effects. Babylon 5 was produced and broadcast for 5 seasons completing Stracynski's planned story arc. Its sequel, Crusade, was produced for the TNT Network, however it ended with only 13 episodes. Production was halted before the first episode aired. He wrote the outlines for nine of the canonical Babylon 5 novels, supervised the three produced B5 telefilm novelizations (In the Beginning, Thirdspace, and A Call to Arms), and is the author of four Babylon 5 short stories published in magazines, not yet reprinted (as of 2008). In 2005, Straczynski began publishing his Babylon 5 scripts. This process ended in June 2008, with the scripts no longer being available from the end of July of that year. His scripts for the television movies were published for a limited time in January 2009. Straczynski also wrote and produced the pilot Babylon 5: The Legend of the Rangers, a pilot for the SciFi Network, and wrote, directed and produced Babylon 5: The Lost Tales as a two-hour direct-to-DVD movie.
|
C_7086fd95cc76467ca5325bb6efc868d2_0_q#0
|
How did he participate in Babylon 5?
| 0y
| 2x
|
{
"texts": [
"Warner Bros. contracted with Straczynski and Doug Netter as partners to produce Babylon 5 as the flagship program for the new Prime Time Entertainment Network."
],
"answer_starts": [
14
]
}
|
{
"text": "Warner Bros. contracted with Straczynski and Doug Netter as partners to produce Babylon 5 as the flagship program for the new Prime Time Entertainment Network.",
"answer_start": 14
}
|
C_7086fd95cc76467ca5325bb6efc868d2_0
|
J. Michael Straczynski
|
Straczynski was born in Paterson, New Jersey, and is the son of Charles Straczynski, a manual laborer, and Evelyn Straczynski (nee Pate). He was raised in Newark, New Jersey; Kankakee, Illinois; Dallas, Texas; Chula Vista, California, where he graduated from high school; and San Diego, California. Straczynski's family religion was Catholic, and he has Polish ancestry. His grandparents lived in the area which today belongs to Belarus, and fled to America from the Russian Revolution; his father was born in the U.S., and has lived in Poland, Germany and Russia.
|
Babylon 5 and Crusade
|
In late 1991, Warner Bros. contracted with Straczynski and Doug Netter as partners to produce Babylon 5 as the flagship program for the new Prime Time Entertainment Network. Straczynski and Netter hired many of the people from Captain Power, as well as hiring Ellison as a consultant and DiTillio as a story editor. Babylon 5 won two Emmy Awards, back-to-back Hugo Awards, and dozens of other awards. Straczynski wrote 92 of the 110 episodes, as well as the pilot and five television movies. The show is a character-driven space opera and features an intentional emphasis on realism in its portrayal of space operations. It also pioneered extensive use of CGI for its special effects. Babylon 5 was produced and broadcast for 5 seasons completing Stracynski's planned story arc. Its sequel, Crusade, was produced for the TNT Network, however it ended with only 13 episodes. Production was halted before the first episode aired. He wrote the outlines for nine of the canonical Babylon 5 novels, supervised the three produced B5 telefilm novelizations (In the Beginning, Thirdspace, and A Call to Arms), and is the author of four Babylon 5 short stories published in magazines, not yet reprinted (as of 2008). In 2005, Straczynski began publishing his Babylon 5 scripts. This process ended in June 2008, with the scripts no longer being available from the end of July of that year. His scripts for the television movies were published for a limited time in January 2009. Straczynski also wrote and produced the pilot Babylon 5: The Legend of the Rangers, a pilot for the SciFi Network, and wrote, directed and produced Babylon 5: The Lost Tales as a two-hour direct-to-DVD movie.
Q: How did he participate in Babylon 5?
A: Warner Bros. contracted with Straczynski and Doug Netter as partners to produce Babylon 5 as the flagship program for the new Prime Time Entertainment Network.
|
C_7086fd95cc76467ca5325bb6efc868d2_0_q#1
|
Who did he get to star in it?
| 0y
| 2x
|
{
"texts": [
"Straczynski and Netter hired many of the people from Captain Power, as well as hiring Ellison as a consultant and DiTillio as a story editor."
],
"answer_starts": [
175
]
}
|
{
"text": "Straczynski and Netter hired many of the people from Captain Power, as well as hiring Ellison as a consultant and DiTillio as a story editor.",
"answer_start": 175
}
|
C_7086fd95cc76467ca5325bb6efc868d2_0
|
J. Michael Straczynski
|
Straczynski was born in Paterson, New Jersey, and is the son of Charles Straczynski, a manual laborer, and Evelyn Straczynski (nee Pate). He was raised in Newark, New Jersey; Kankakee, Illinois; Dallas, Texas; Chula Vista, California, where he graduated from high school; and San Diego, California. Straczynski's family religion was Catholic, and he has Polish ancestry. His grandparents lived in the area which today belongs to Belarus, and fled to America from the Russian Revolution; his father was born in the U.S., and has lived in Poland, Germany and Russia.
|
Babylon 5 and Crusade
|
In late 1991, Warner Bros. contracted with Straczynski and Doug Netter as partners to produce Babylon 5 as the flagship program for the new Prime Time Entertainment Network. Straczynski and Netter hired many of the people from Captain Power, as well as hiring Ellison as a consultant and DiTillio as a story editor. Babylon 5 won two Emmy Awards, back-to-back Hugo Awards, and dozens of other awards. Straczynski wrote 92 of the 110 episodes, as well as the pilot and five television movies. The show is a character-driven space opera and features an intentional emphasis on realism in its portrayal of space operations. It also pioneered extensive use of CGI for its special effects. Babylon 5 was produced and broadcast for 5 seasons completing Stracynski's planned story arc. Its sequel, Crusade, was produced for the TNT Network, however it ended with only 13 episodes. Production was halted before the first episode aired. He wrote the outlines for nine of the canonical Babylon 5 novels, supervised the three produced B5 telefilm novelizations (In the Beginning, Thirdspace, and A Call to Arms), and is the author of four Babylon 5 short stories published in magazines, not yet reprinted (as of 2008). In 2005, Straczynski began publishing his Babylon 5 scripts. This process ended in June 2008, with the scripts no longer being available from the end of July of that year. His scripts for the television movies were published for a limited time in January 2009. Straczynski also wrote and produced the pilot Babylon 5: The Legend of the Rangers, a pilot for the SciFi Network, and wrote, directed and produced Babylon 5: The Lost Tales as a two-hour direct-to-DVD movie.
Q: How did he participate in Babylon 5?
A: Warner Bros. contracted with Straczynski and Doug Netter as partners to produce Babylon 5 as the flagship program for the new Prime Time Entertainment Network.
Q: Who did he get to star in it?
A: Straczynski and Netter hired many of the people from Captain Power, as well as hiring Ellison as a consultant and DiTillio as a story editor.
|
C_7086fd95cc76467ca5325bb6efc868d2_0_q#2
|
Who were the people from Captain Power?
| 1n
| 2x
|
{
"texts": [
"unknown"
],
"answer_starts": [
1682
]
}
|
{
"text": "unknown",
"answer_start": 1682
}
|
C_7086fd95cc76467ca5325bb6efc868d2_0
|
J. Michael Straczynski
|
Straczynski was born in Paterson, New Jersey, and is the son of Charles Straczynski, a manual laborer, and Evelyn Straczynski (nee Pate). He was raised in Newark, New Jersey; Kankakee, Illinois; Dallas, Texas; Chula Vista, California, where he graduated from high school; and San Diego, California. Straczynski's family religion was Catholic, and he has Polish ancestry. His grandparents lived in the area which today belongs to Belarus, and fled to America from the Russian Revolution; his father was born in the U.S., and has lived in Poland, Germany and Russia.
|
Babylon 5 and Crusade
|
In late 1991, Warner Bros. contracted with Straczynski and Doug Netter as partners to produce Babylon 5 as the flagship program for the new Prime Time Entertainment Network. Straczynski and Netter hired many of the people from Captain Power, as well as hiring Ellison as a consultant and DiTillio as a story editor. Babylon 5 won two Emmy Awards, back-to-back Hugo Awards, and dozens of other awards. Straczynski wrote 92 of the 110 episodes, as well as the pilot and five television movies. The show is a character-driven space opera and features an intentional emphasis on realism in its portrayal of space operations. It also pioneered extensive use of CGI for its special effects. Babylon 5 was produced and broadcast for 5 seasons completing Stracynski's planned story arc. Its sequel, Crusade, was produced for the TNT Network, however it ended with only 13 episodes. Production was halted before the first episode aired. He wrote the outlines for nine of the canonical Babylon 5 novels, supervised the three produced B5 telefilm novelizations (In the Beginning, Thirdspace, and A Call to Arms), and is the author of four Babylon 5 short stories published in magazines, not yet reprinted (as of 2008). In 2005, Straczynski began publishing his Babylon 5 scripts. This process ended in June 2008, with the scripts no longer being available from the end of July of that year. His scripts for the television movies were published for a limited time in January 2009. Straczynski also wrote and produced the pilot Babylon 5: The Legend of the Rangers, a pilot for the SciFi Network, and wrote, directed and produced Babylon 5: The Lost Tales as a two-hour direct-to-DVD movie.
Q: How did he participate in Babylon 5?
A: Warner Bros. contracted with Straczynski and Doug Netter as partners to produce Babylon 5 as the flagship program for the new Prime Time Entertainment Network.
Q: Who did he get to star in it?
A: Straczynski and Netter hired many of the people from Captain Power, as well as hiring Ellison as a consultant and DiTillio as a story editor.
Q: Who were the people from Captain Power?
A: unknown
|
C_7086fd95cc76467ca5325bb6efc868d2_0_q#3
|
What was his role with Crusade?
| 0y
| 2x
|
{
"texts": [
"Its sequel, Crusade, was produced for the TNT Network, however it ended with only 13 episodes. Production was halted before the first episode aired."
],
"answer_starts": [
780
]
}
|
{
"text": "Its sequel, Crusade, was produced for the TNT Network, however it ended with only 13 episodes. Production was halted before the first episode aired.",
"answer_start": 780
}
|
C_7086fd95cc76467ca5325bb6efc868d2_0
|
J. Michael Straczynski
|
Straczynski was born in Paterson, New Jersey, and is the son of Charles Straczynski, a manual laborer, and Evelyn Straczynski (nee Pate). He was raised in Newark, New Jersey; Kankakee, Illinois; Dallas, Texas; Chula Vista, California, where he graduated from high school; and San Diego, California. Straczynski's family religion was Catholic, and he has Polish ancestry. His grandparents lived in the area which today belongs to Belarus, and fled to America from the Russian Revolution; his father was born in the U.S., and has lived in Poland, Germany and Russia.
|
Babylon 5 and Crusade
|
In late 1991, Warner Bros. contracted with Straczynski and Doug Netter as partners to produce Babylon 5 as the flagship program for the new Prime Time Entertainment Network. Straczynski and Netter hired many of the people from Captain Power, as well as hiring Ellison as a consultant and DiTillio as a story editor. Babylon 5 won two Emmy Awards, back-to-back Hugo Awards, and dozens of other awards. Straczynski wrote 92 of the 110 episodes, as well as the pilot and five television movies. The show is a character-driven space opera and features an intentional emphasis on realism in its portrayal of space operations. It also pioneered extensive use of CGI for its special effects. Babylon 5 was produced and broadcast for 5 seasons completing Stracynski's planned story arc. Its sequel, Crusade, was produced for the TNT Network, however it ended with only 13 episodes. Production was halted before the first episode aired. He wrote the outlines for nine of the canonical Babylon 5 novels, supervised the three produced B5 telefilm novelizations (In the Beginning, Thirdspace, and A Call to Arms), and is the author of four Babylon 5 short stories published in magazines, not yet reprinted (as of 2008). In 2005, Straczynski began publishing his Babylon 5 scripts. This process ended in June 2008, with the scripts no longer being available from the end of July of that year. His scripts for the television movies were published for a limited time in January 2009. Straczynski also wrote and produced the pilot Babylon 5: The Legend of the Rangers, a pilot for the SciFi Network, and wrote, directed and produced Babylon 5: The Lost Tales as a two-hour direct-to-DVD movie.
Q: How did he participate in Babylon 5?
A: Warner Bros. contracted with Straczynski and Doug Netter as partners to produce Babylon 5 as the flagship program for the new Prime Time Entertainment Network.
Q: Who did he get to star in it?
A: Straczynski and Netter hired many of the people from Captain Power, as well as hiring Ellison as a consultant and DiTillio as a story editor.
Q: Who were the people from Captain Power?
A: unknown
Q: What was his role with Crusade?
A: Its sequel, Crusade, was produced for the TNT Network, however it ended with only 13 episodes. Production was halted before the first episode aired.
|
C_7086fd95cc76467ca5325bb6efc868d2_0_q#4
|
Why was production halted?
| 1n
| 2x
|
{
"texts": [
"unknown"
],
"answer_starts": [
1682
]
}
|
{
"text": "unknown",
"answer_start": 1682
}
|
C_7086fd95cc76467ca5325bb6efc868d2_0
|
J. Michael Straczynski
|
Straczynski was born in Paterson, New Jersey, and is the son of Charles Straczynski, a manual laborer, and Evelyn Straczynski (nee Pate). He was raised in Newark, New Jersey; Kankakee, Illinois; Dallas, Texas; Chula Vista, California, where he graduated from high school; and San Diego, California. Straczynski's family religion was Catholic, and he has Polish ancestry. His grandparents lived in the area which today belongs to Belarus, and fled to America from the Russian Revolution; his father was born in the U.S., and has lived in Poland, Germany and Russia.
|
Babylon 5 and Crusade
|
In late 1991, Warner Bros. contracted with Straczynski and Doug Netter as partners to produce Babylon 5 as the flagship program for the new Prime Time Entertainment Network. Straczynski and Netter hired many of the people from Captain Power, as well as hiring Ellison as a consultant and DiTillio as a story editor. Babylon 5 won two Emmy Awards, back-to-back Hugo Awards, and dozens of other awards. Straczynski wrote 92 of the 110 episodes, as well as the pilot and five television movies. The show is a character-driven space opera and features an intentional emphasis on realism in its portrayal of space operations. It also pioneered extensive use of CGI for its special effects. Babylon 5 was produced and broadcast for 5 seasons completing Stracynski's planned story arc. Its sequel, Crusade, was produced for the TNT Network, however it ended with only 13 episodes. Production was halted before the first episode aired. He wrote the outlines for nine of the canonical Babylon 5 novels, supervised the three produced B5 telefilm novelizations (In the Beginning, Thirdspace, and A Call to Arms), and is the author of four Babylon 5 short stories published in magazines, not yet reprinted (as of 2008). In 2005, Straczynski began publishing his Babylon 5 scripts. This process ended in June 2008, with the scripts no longer being available from the end of July of that year. His scripts for the television movies were published for a limited time in January 2009. Straczynski also wrote and produced the pilot Babylon 5: The Legend of the Rangers, a pilot for the SciFi Network, and wrote, directed and produced Babylon 5: The Lost Tales as a two-hour direct-to-DVD movie.
Q: How did he participate in Babylon 5?
A: Warner Bros. contracted with Straczynski and Doug Netter as partners to produce Babylon 5 as the flagship program for the new Prime Time Entertainment Network.
Q: Who did he get to star in it?
A: Straczynski and Netter hired many of the people from Captain Power, as well as hiring Ellison as a consultant and DiTillio as a story editor.
Q: Who were the people from Captain Power?
A: unknown
Q: What was his role with Crusade?
A: Its sequel, Crusade, was produced for the TNT Network, however it ended with only 13 episodes. Production was halted before the first episode aired.
Q: Why was production halted?
A: unknown
|
C_7086fd95cc76467ca5325bb6efc868d2_0_q#5
|
What other interesting things can you tell me from the article?
| 0y
| 2x
|
{
"texts": [
"2005, Straczynski began publishing his Babylon 5 scripts."
],
"answer_starts": [
1214
]
}
|
{
"text": "2005, Straczynski began publishing his Babylon 5 scripts.",
"answer_start": 1214
}
|
C_7086fd95cc76467ca5325bb6efc868d2_0
|
J. Michael Straczynski
|
Straczynski was born in Paterson, New Jersey, and is the son of Charles Straczynski, a manual laborer, and Evelyn Straczynski (nee Pate). He was raised in Newark, New Jersey; Kankakee, Illinois; Dallas, Texas; Chula Vista, California, where he graduated from high school; and San Diego, California. Straczynski's family religion was Catholic, and he has Polish ancestry. His grandparents lived in the area which today belongs to Belarus, and fled to America from the Russian Revolution; his father was born in the U.S., and has lived in Poland, Germany and Russia.
|
Babylon 5 and Crusade
|
In late 1991, Warner Bros. contracted with Straczynski and Doug Netter as partners to produce Babylon 5 as the flagship program for the new Prime Time Entertainment Network. Straczynski and Netter hired many of the people from Captain Power, as well as hiring Ellison as a consultant and DiTillio as a story editor. Babylon 5 won two Emmy Awards, back-to-back Hugo Awards, and dozens of other awards. Straczynski wrote 92 of the 110 episodes, as well as the pilot and five television movies. The show is a character-driven space opera and features an intentional emphasis on realism in its portrayal of space operations. It also pioneered extensive use of CGI for its special effects. Babylon 5 was produced and broadcast for 5 seasons completing Stracynski's planned story arc. Its sequel, Crusade, was produced for the TNT Network, however it ended with only 13 episodes. Production was halted before the first episode aired. He wrote the outlines for nine of the canonical Babylon 5 novels, supervised the three produced B5 telefilm novelizations (In the Beginning, Thirdspace, and A Call to Arms), and is the author of four Babylon 5 short stories published in magazines, not yet reprinted (as of 2008). In 2005, Straczynski began publishing his Babylon 5 scripts. This process ended in June 2008, with the scripts no longer being available from the end of July of that year. His scripts for the television movies were published for a limited time in January 2009. Straczynski also wrote and produced the pilot Babylon 5: The Legend of the Rangers, a pilot for the SciFi Network, and wrote, directed and produced Babylon 5: The Lost Tales as a two-hour direct-to-DVD movie.
Q: How did he participate in Babylon 5?
A: Warner Bros. contracted with Straczynski and Doug Netter as partners to produce Babylon 5 as the flagship program for the new Prime Time Entertainment Network.
Q: Who did he get to star in it?
A: Straczynski and Netter hired many of the people from Captain Power, as well as hiring Ellison as a consultant and DiTillio as a story editor.
Q: Who were the people from Captain Power?
A: unknown
Q: What was his role with Crusade?
A: Its sequel, Crusade, was produced for the TNT Network, however it ended with only 13 episodes. Production was halted before the first episode aired.
Q: Why was production halted?
A: unknown
Q: What other interesting things can you tell me from the article?
A: 2005, Straczynski began publishing his Babylon 5 scripts.
|
C_7086fd95cc76467ca5325bb6efc868d2_0_q#6
|
How long did he publish babylon 5?
| 0y
| 2x
|
{
"texts": [
"This process ended in June 2008, with the scripts no longer being available from the end of July of that year."
],
"answer_starts": [
1272
]
}
|
{
"text": "This process ended in June 2008, with the scripts no longer being available from the end of July of that year.",
"answer_start": 1272
}
|
C_3e5eab2d245248059c00c307259bb769_1
|
Henry Molaison
|
Henry Gustav Molaison (February 26, 1926 - December 2, 2008), known widely as H.M., was an American memory disorder patient who had a bilateral medial temporal lobectomy to surgically resect the anterior two thirds of his hippocampi, parahippocampal cortices, entorhinal cortices, piriform cortices, and amygdalae in an attempt to cure his epilepsy. Although the surgery was partially successful in controlling his epilepsy, a severe side effect was that he became unable to form new memories. H.M. was widely studied from late 1957 until his death in 2008. His case played an important role in the development of theories that explain the link between brain function and memory, and in the development of cognitive neuropsychology, a branch of psychology that aims to understand how the structure and function of the brain relates to specific psychological processes.
|
Biography
|
Henry Molaison was born on February 26, 1926, and experienced intractable epilepsy that has sometimes been attributed to a bicycle accident at the age of seven. (This accident was initially reported to have occurred at age nine, but was corrected by the patient's mother at a later stage.) He had partial seizures for many years, and then several tonic-clonic seizures following his 16th birthday. In 1953, he was referred to William Beecher Scoville, a neurosurgeon at Hartford Hospital, for treatment. Scoville localized Molaison's epilepsy to his left and right medial temporal lobes (MTLs) and suggested surgical resection of the MTLs as a treatment. On September 1, 1953, at the age of 27, Molaison's bilateral medial temporal lobe resection included the removal of the hippocampal formation and adjacent structures, including most of the amygdaloid complex and entorhinal cortex. His hippocampi appeared entirely nonfunctional because the remaining 2 cm of hippocampal tissue appeared to have atrophied and because the entire entorhinal cortex, which forms the major sensory input to the hippocampus, was destroyed. Some of his anterolateral temporal cortex was also destroyed. After the surgery, which was partially successful in its primary goal of controlling his epilepsy, Molaison developed severe anterograde amnesia: although his working memory and procedural memory were intact, he could not commit new events to his explicit memory. According to some scientists, he was impaired in his ability to form new semantic knowledge, but researchers argue over the extent of this impairment. He also had moderate retrograde amnesia, and could not remember most events in the one- to two-year period before surgery, nor some events up to 11 years before, meaning that his amnesia was temporally graded. However, his ability to form long-term procedural memories was intact; thus he could, for example, learn new motor skills, despite not being able to remember learning them. The case was first reported in a paper by Scoville and Brenda Milner in 1957. Near the end of his life, Molaison regularly filled in crossword puzzles. He was able to fill in answers to clues that referred to pre-1953 knowledge. For post-1953 information he was able to modify old memories with new information. For instance, he could add a memory about Jonas Salk by modifying his memory of polio. He died on December 2, 2008.
|
C_3e5eab2d245248059c00c307259bb769_1_q#0
|
Where was Molaison born?
| 1n
| 2x
|
{
"texts": [
"unknown"
],
"answer_starts": [
2414
]
}
|
{
"text": "unknown",
"answer_start": 2414
}
|
C_3e5eab2d245248059c00c307259bb769_1
|
Henry Molaison
|
Henry Gustav Molaison (February 26, 1926 - December 2, 2008), known widely as H.M., was an American memory disorder patient who had a bilateral medial temporal lobectomy to surgically resect the anterior two thirds of his hippocampi, parahippocampal cortices, entorhinal cortices, piriform cortices, and amygdalae in an attempt to cure his epilepsy. Although the surgery was partially successful in controlling his epilepsy, a severe side effect was that he became unable to form new memories. H.M. was widely studied from late 1957 until his death in 2008. His case played an important role in the development of theories that explain the link between brain function and memory, and in the development of cognitive neuropsychology, a branch of psychology that aims to understand how the structure and function of the brain relates to specific psychological processes.
|
Biography
|
Henry Molaison was born on February 26, 1926, and experienced intractable epilepsy that has sometimes been attributed to a bicycle accident at the age of seven. (This accident was initially reported to have occurred at age nine, but was corrected by the patient's mother at a later stage.) He had partial seizures for many years, and then several tonic-clonic seizures following his 16th birthday. In 1953, he was referred to William Beecher Scoville, a neurosurgeon at Hartford Hospital, for treatment. Scoville localized Molaison's epilepsy to his left and right medial temporal lobes (MTLs) and suggested surgical resection of the MTLs as a treatment. On September 1, 1953, at the age of 27, Molaison's bilateral medial temporal lobe resection included the removal of the hippocampal formation and adjacent structures, including most of the amygdaloid complex and entorhinal cortex. His hippocampi appeared entirely nonfunctional because the remaining 2 cm of hippocampal tissue appeared to have atrophied and because the entire entorhinal cortex, which forms the major sensory input to the hippocampus, was destroyed. Some of his anterolateral temporal cortex was also destroyed. After the surgery, which was partially successful in its primary goal of controlling his epilepsy, Molaison developed severe anterograde amnesia: although his working memory and procedural memory were intact, he could not commit new events to his explicit memory. According to some scientists, he was impaired in his ability to form new semantic knowledge, but researchers argue over the extent of this impairment. He also had moderate retrograde amnesia, and could not remember most events in the one- to two-year period before surgery, nor some events up to 11 years before, meaning that his amnesia was temporally graded. However, his ability to form long-term procedural memories was intact; thus he could, for example, learn new motor skills, despite not being able to remember learning them. The case was first reported in a paper by Scoville and Brenda Milner in 1957. Near the end of his life, Molaison regularly filled in crossword puzzles. He was able to fill in answers to clues that referred to pre-1953 knowledge. For post-1953 information he was able to modify old memories with new information. For instance, he could add a memory about Jonas Salk by modifying his memory of polio. He died on December 2, 2008.
Q: Where was Molaison born?
A: unknown
|
C_3e5eab2d245248059c00c307259bb769_1_q#1
|
When did he first learn he had epilepsy?
| 1n
| 2x
|
{
"texts": [
"He had partial seizures for many years, and then several tonic-clonic seizures following his 16th birthday."
],
"answer_starts": [
290
]
}
|
{
"text": "He had partial seizures for many years, and then several tonic-clonic seizures following his 16th birthday.",
"answer_start": 290
}
|
C_3e5eab2d245248059c00c307259bb769_1
|
Henry Molaison
|
Henry Gustav Molaison (February 26, 1926 - December 2, 2008), known widely as H.M., was an American memory disorder patient who had a bilateral medial temporal lobectomy to surgically resect the anterior two thirds of his hippocampi, parahippocampal cortices, entorhinal cortices, piriform cortices, and amygdalae in an attempt to cure his epilepsy. Although the surgery was partially successful in controlling his epilepsy, a severe side effect was that he became unable to form new memories. H.M. was widely studied from late 1957 until his death in 2008. His case played an important role in the development of theories that explain the link between brain function and memory, and in the development of cognitive neuropsychology, a branch of psychology that aims to understand how the structure and function of the brain relates to specific psychological processes.
|
Biography
|
Henry Molaison was born on February 26, 1926, and experienced intractable epilepsy that has sometimes been attributed to a bicycle accident at the age of seven. (This accident was initially reported to have occurred at age nine, but was corrected by the patient's mother at a later stage.) He had partial seizures for many years, and then several tonic-clonic seizures following his 16th birthday. In 1953, he was referred to William Beecher Scoville, a neurosurgeon at Hartford Hospital, for treatment. Scoville localized Molaison's epilepsy to his left and right medial temporal lobes (MTLs) and suggested surgical resection of the MTLs as a treatment. On September 1, 1953, at the age of 27, Molaison's bilateral medial temporal lobe resection included the removal of the hippocampal formation and adjacent structures, including most of the amygdaloid complex and entorhinal cortex. His hippocampi appeared entirely nonfunctional because the remaining 2 cm of hippocampal tissue appeared to have atrophied and because the entire entorhinal cortex, which forms the major sensory input to the hippocampus, was destroyed. Some of his anterolateral temporal cortex was also destroyed. After the surgery, which was partially successful in its primary goal of controlling his epilepsy, Molaison developed severe anterograde amnesia: although his working memory and procedural memory were intact, he could not commit new events to his explicit memory. According to some scientists, he was impaired in his ability to form new semantic knowledge, but researchers argue over the extent of this impairment. He also had moderate retrograde amnesia, and could not remember most events in the one- to two-year period before surgery, nor some events up to 11 years before, meaning that his amnesia was temporally graded. However, his ability to form long-term procedural memories was intact; thus he could, for example, learn new motor skills, despite not being able to remember learning them. The case was first reported in a paper by Scoville and Brenda Milner in 1957. Near the end of his life, Molaison regularly filled in crossword puzzles. He was able to fill in answers to clues that referred to pre-1953 knowledge. For post-1953 information he was able to modify old memories with new information. For instance, he could add a memory about Jonas Salk by modifying his memory of polio. He died on December 2, 2008.
Q: Where was Molaison born?
A: unknown
Q: When did he first learn he had epilepsy?
A: He had partial seizures for many years, and then several tonic-clonic seizures following his 16th birthday.
|
C_3e5eab2d245248059c00c307259bb769_1_q#2
|
Did he go to University?
| 1n
| 2x
|
{
"texts": [
"unknown"
],
"answer_starts": [
2414
]
}
|
{
"text": "unknown",
"answer_start": 2414
}
|
C_3e5eab2d245248059c00c307259bb769_1
|
Henry Molaison
|
Henry Gustav Molaison (February 26, 1926 - December 2, 2008), known widely as H.M., was an American memory disorder patient who had a bilateral medial temporal lobectomy to surgically resect the anterior two thirds of his hippocampi, parahippocampal cortices, entorhinal cortices, piriform cortices, and amygdalae in an attempt to cure his epilepsy. Although the surgery was partially successful in controlling his epilepsy, a severe side effect was that he became unable to form new memories. H.M. was widely studied from late 1957 until his death in 2008. His case played an important role in the development of theories that explain the link between brain function and memory, and in the development of cognitive neuropsychology, a branch of psychology that aims to understand how the structure and function of the brain relates to specific psychological processes.
|
Biography
|
Henry Molaison was born on February 26, 1926, and experienced intractable epilepsy that has sometimes been attributed to a bicycle accident at the age of seven. (This accident was initially reported to have occurred at age nine, but was corrected by the patient's mother at a later stage.) He had partial seizures for many years, and then several tonic-clonic seizures following his 16th birthday. In 1953, he was referred to William Beecher Scoville, a neurosurgeon at Hartford Hospital, for treatment. Scoville localized Molaison's epilepsy to his left and right medial temporal lobes (MTLs) and suggested surgical resection of the MTLs as a treatment. On September 1, 1953, at the age of 27, Molaison's bilateral medial temporal lobe resection included the removal of the hippocampal formation and adjacent structures, including most of the amygdaloid complex and entorhinal cortex. His hippocampi appeared entirely nonfunctional because the remaining 2 cm of hippocampal tissue appeared to have atrophied and because the entire entorhinal cortex, which forms the major sensory input to the hippocampus, was destroyed. Some of his anterolateral temporal cortex was also destroyed. After the surgery, which was partially successful in its primary goal of controlling his epilepsy, Molaison developed severe anterograde amnesia: although his working memory and procedural memory were intact, he could not commit new events to his explicit memory. According to some scientists, he was impaired in his ability to form new semantic knowledge, but researchers argue over the extent of this impairment. He also had moderate retrograde amnesia, and could not remember most events in the one- to two-year period before surgery, nor some events up to 11 years before, meaning that his amnesia was temporally graded. However, his ability to form long-term procedural memories was intact; thus he could, for example, learn new motor skills, despite not being able to remember learning them. The case was first reported in a paper by Scoville and Brenda Milner in 1957. Near the end of his life, Molaison regularly filled in crossword puzzles. He was able to fill in answers to clues that referred to pre-1953 knowledge. For post-1953 information he was able to modify old memories with new information. For instance, he could add a memory about Jonas Salk by modifying his memory of polio. He died on December 2, 2008.
Q: Where was Molaison born?
A: unknown
Q: When did he first learn he had epilepsy?
A: He had partial seizures for many years, and then several tonic-clonic seizures following his 16th birthday.
Q: Did he go to University?
A: unknown
|
C_3e5eab2d245248059c00c307259bb769_1_q#3
|
What was something interesting from the article?
| 0y
| 0y
|
{
"texts": [
"After the surgery, which was partially successful in its primary goal of controlling his epilepsy,"
],
"answer_starts": [
1186
]
}
|
{
"text": "After the surgery, which was partially successful in its primary goal of controlling his epilepsy,",
"answer_start": 1186
}
|
C_3e5eab2d245248059c00c307259bb769_1
|
Henry Molaison
|
Henry Gustav Molaison (February 26, 1926 - December 2, 2008), known widely as H.M., was an American memory disorder patient who had a bilateral medial temporal lobectomy to surgically resect the anterior two thirds of his hippocampi, parahippocampal cortices, entorhinal cortices, piriform cortices, and amygdalae in an attempt to cure his epilepsy. Although the surgery was partially successful in controlling his epilepsy, a severe side effect was that he became unable to form new memories. H.M. was widely studied from late 1957 until his death in 2008. His case played an important role in the development of theories that explain the link between brain function and memory, and in the development of cognitive neuropsychology, a branch of psychology that aims to understand how the structure and function of the brain relates to specific psychological processes.
|
Biography
|
Henry Molaison was born on February 26, 1926, and experienced intractable epilepsy that has sometimes been attributed to a bicycle accident at the age of seven. (This accident was initially reported to have occurred at age nine, but was corrected by the patient's mother at a later stage.) He had partial seizures for many years, and then several tonic-clonic seizures following his 16th birthday. In 1953, he was referred to William Beecher Scoville, a neurosurgeon at Hartford Hospital, for treatment. Scoville localized Molaison's epilepsy to his left and right medial temporal lobes (MTLs) and suggested surgical resection of the MTLs as a treatment. On September 1, 1953, at the age of 27, Molaison's bilateral medial temporal lobe resection included the removal of the hippocampal formation and adjacent structures, including most of the amygdaloid complex and entorhinal cortex. His hippocampi appeared entirely nonfunctional because the remaining 2 cm of hippocampal tissue appeared to have atrophied and because the entire entorhinal cortex, which forms the major sensory input to the hippocampus, was destroyed. Some of his anterolateral temporal cortex was also destroyed. After the surgery, which was partially successful in its primary goal of controlling his epilepsy, Molaison developed severe anterograde amnesia: although his working memory and procedural memory were intact, he could not commit new events to his explicit memory. According to some scientists, he was impaired in his ability to form new semantic knowledge, but researchers argue over the extent of this impairment. He also had moderate retrograde amnesia, and could not remember most events in the one- to two-year period before surgery, nor some events up to 11 years before, meaning that his amnesia was temporally graded. However, his ability to form long-term procedural memories was intact; thus he could, for example, learn new motor skills, despite not being able to remember learning them. The case was first reported in a paper by Scoville and Brenda Milner in 1957. Near the end of his life, Molaison regularly filled in crossword puzzles. He was able to fill in answers to clues that referred to pre-1953 knowledge. For post-1953 information he was able to modify old memories with new information. For instance, he could add a memory about Jonas Salk by modifying his memory of polio. He died on December 2, 2008.
Q: Where was Molaison born?
A: unknown
Q: When did he first learn he had epilepsy?
A: He had partial seizures for many years, and then several tonic-clonic seizures following his 16th birthday.
Q: Did he go to University?
A: unknown
Q: What was something interesting from the article?
A: After the surgery, which was partially successful in its primary goal of controlling his epilepsy,
|
C_3e5eab2d245248059c00c307259bb769_1_q#4
|
What happened after the surgery?
| 0y
| 2x
|
{
"texts": [
"Molaison developed severe anterograde amnesia:"
],
"answer_starts": [
1285
]
}
|
{
"text": "Molaison developed severe anterograde amnesia:",
"answer_start": 1285
}
|
C_3e5eab2d245248059c00c307259bb769_1
|
Henry Molaison
|
Henry Gustav Molaison (February 26, 1926 - December 2, 2008), known widely as H.M., was an American memory disorder patient who had a bilateral medial temporal lobectomy to surgically resect the anterior two thirds of his hippocampi, parahippocampal cortices, entorhinal cortices, piriform cortices, and amygdalae in an attempt to cure his epilepsy. Although the surgery was partially successful in controlling his epilepsy, a severe side effect was that he became unable to form new memories. H.M. was widely studied from late 1957 until his death in 2008. His case played an important role in the development of theories that explain the link between brain function and memory, and in the development of cognitive neuropsychology, a branch of psychology that aims to understand how the structure and function of the brain relates to specific psychological processes.
|
Biography
|
Henry Molaison was born on February 26, 1926, and experienced intractable epilepsy that has sometimes been attributed to a bicycle accident at the age of seven. (This accident was initially reported to have occurred at age nine, but was corrected by the patient's mother at a later stage.) He had partial seizures for many years, and then several tonic-clonic seizures following his 16th birthday. In 1953, he was referred to William Beecher Scoville, a neurosurgeon at Hartford Hospital, for treatment. Scoville localized Molaison's epilepsy to his left and right medial temporal lobes (MTLs) and suggested surgical resection of the MTLs as a treatment. On September 1, 1953, at the age of 27, Molaison's bilateral medial temporal lobe resection included the removal of the hippocampal formation and adjacent structures, including most of the amygdaloid complex and entorhinal cortex. His hippocampi appeared entirely nonfunctional because the remaining 2 cm of hippocampal tissue appeared to have atrophied and because the entire entorhinal cortex, which forms the major sensory input to the hippocampus, was destroyed. Some of his anterolateral temporal cortex was also destroyed. After the surgery, which was partially successful in its primary goal of controlling his epilepsy, Molaison developed severe anterograde amnesia: although his working memory and procedural memory were intact, he could not commit new events to his explicit memory. According to some scientists, he was impaired in his ability to form new semantic knowledge, but researchers argue over the extent of this impairment. He also had moderate retrograde amnesia, and could not remember most events in the one- to two-year period before surgery, nor some events up to 11 years before, meaning that his amnesia was temporally graded. However, his ability to form long-term procedural memories was intact; thus he could, for example, learn new motor skills, despite not being able to remember learning them. The case was first reported in a paper by Scoville and Brenda Milner in 1957. Near the end of his life, Molaison regularly filled in crossword puzzles. He was able to fill in answers to clues that referred to pre-1953 knowledge. For post-1953 information he was able to modify old memories with new information. For instance, he could add a memory about Jonas Salk by modifying his memory of polio. He died on December 2, 2008.
Q: Where was Molaison born?
A: unknown
Q: When did he first learn he had epilepsy?
A: He had partial seizures for many years, and then several tonic-clonic seizures following his 16th birthday.
Q: Did he go to University?
A: unknown
Q: What was something interesting from the article?
A: After the surgery, which was partially successful in its primary goal of controlling his epilepsy,
Q: What happened after the surgery?
A: Molaison developed severe anterograde amnesia:
|
C_3e5eab2d245248059c00c307259bb769_1_q#5
|
What are the symptoms of that?
| 0y
| 2x
|
{
"texts": [
"although his working memory and procedural memory were intact, he could not commit new events to his explicit memory."
],
"answer_starts": [
1332
]
}
|
{
"text": "although his working memory and procedural memory were intact, he could not commit new events to his explicit memory.",
"answer_start": 1332
}
|
C_3e5eab2d245248059c00c307259bb769_1
|
Henry Molaison
|
Henry Gustav Molaison (February 26, 1926 - December 2, 2008), known widely as H.M., was an American memory disorder patient who had a bilateral medial temporal lobectomy to surgically resect the anterior two thirds of his hippocampi, parahippocampal cortices, entorhinal cortices, piriform cortices, and amygdalae in an attempt to cure his epilepsy. Although the surgery was partially successful in controlling his epilepsy, a severe side effect was that he became unable to form new memories. H.M. was widely studied from late 1957 until his death in 2008. His case played an important role in the development of theories that explain the link between brain function and memory, and in the development of cognitive neuropsychology, a branch of psychology that aims to understand how the structure and function of the brain relates to specific psychological processes.
|
Biography
|
Henry Molaison was born on February 26, 1926, and experienced intractable epilepsy that has sometimes been attributed to a bicycle accident at the age of seven. (This accident was initially reported to have occurred at age nine, but was corrected by the patient's mother at a later stage.) He had partial seizures for many years, and then several tonic-clonic seizures following his 16th birthday. In 1953, he was referred to William Beecher Scoville, a neurosurgeon at Hartford Hospital, for treatment. Scoville localized Molaison's epilepsy to his left and right medial temporal lobes (MTLs) and suggested surgical resection of the MTLs as a treatment. On September 1, 1953, at the age of 27, Molaison's bilateral medial temporal lobe resection included the removal of the hippocampal formation and adjacent structures, including most of the amygdaloid complex and entorhinal cortex. His hippocampi appeared entirely nonfunctional because the remaining 2 cm of hippocampal tissue appeared to have atrophied and because the entire entorhinal cortex, which forms the major sensory input to the hippocampus, was destroyed. Some of his anterolateral temporal cortex was also destroyed. After the surgery, which was partially successful in its primary goal of controlling his epilepsy, Molaison developed severe anterograde amnesia: although his working memory and procedural memory were intact, he could not commit new events to his explicit memory. According to some scientists, he was impaired in his ability to form new semantic knowledge, but researchers argue over the extent of this impairment. He also had moderate retrograde amnesia, and could not remember most events in the one- to two-year period before surgery, nor some events up to 11 years before, meaning that his amnesia was temporally graded. However, his ability to form long-term procedural memories was intact; thus he could, for example, learn new motor skills, despite not being able to remember learning them. The case was first reported in a paper by Scoville and Brenda Milner in 1957. Near the end of his life, Molaison regularly filled in crossword puzzles. He was able to fill in answers to clues that referred to pre-1953 knowledge. For post-1953 information he was able to modify old memories with new information. For instance, he could add a memory about Jonas Salk by modifying his memory of polio. He died on December 2, 2008.
Q: Where was Molaison born?
A: unknown
Q: When did he first learn he had epilepsy?
A: He had partial seizures for many years, and then several tonic-clonic seizures following his 16th birthday.
Q: Did he go to University?
A: unknown
Q: What was something interesting from the article?
A: After the surgery, which was partially successful in its primary goal of controlling his epilepsy,
Q: What happened after the surgery?
A: Molaison developed severe anterograde amnesia:
Q: What are the symptoms of that?
A: although his working memory and procedural memory were intact, he could not commit new events to his explicit memory.
|
C_3e5eab2d245248059c00c307259bb769_1_q#6
|
How did he cope with that?
| 0y
| 2x
|
{
"texts": [
"However, his ability to form long-term procedural memories was intact; thus he could, for example, learn new motor skills, despite not being able to remember learning them."
],
"answer_starts": [
1811
]
}
|
{
"text": "However, his ability to form long-term procedural memories was intact; thus he could, for example, learn new motor skills, despite not being able to remember learning them.",
"answer_start": 1811
}
|
C_3e5eab2d245248059c00c307259bb769_1
|
Henry Molaison
|
Henry Gustav Molaison (February 26, 1926 - December 2, 2008), known widely as H.M., was an American memory disorder patient who had a bilateral medial temporal lobectomy to surgically resect the anterior two thirds of his hippocampi, parahippocampal cortices, entorhinal cortices, piriform cortices, and amygdalae in an attempt to cure his epilepsy. Although the surgery was partially successful in controlling his epilepsy, a severe side effect was that he became unable to form new memories. H.M. was widely studied from late 1957 until his death in 2008. His case played an important role in the development of theories that explain the link between brain function and memory, and in the development of cognitive neuropsychology, a branch of psychology that aims to understand how the structure and function of the brain relates to specific psychological processes.
|
Biography
|
Henry Molaison was born on February 26, 1926, and experienced intractable epilepsy that has sometimes been attributed to a bicycle accident at the age of seven. (This accident was initially reported to have occurred at age nine, but was corrected by the patient's mother at a later stage.) He had partial seizures for many years, and then several tonic-clonic seizures following his 16th birthday. In 1953, he was referred to William Beecher Scoville, a neurosurgeon at Hartford Hospital, for treatment. Scoville localized Molaison's epilepsy to his left and right medial temporal lobes (MTLs) and suggested surgical resection of the MTLs as a treatment. On September 1, 1953, at the age of 27, Molaison's bilateral medial temporal lobe resection included the removal of the hippocampal formation and adjacent structures, including most of the amygdaloid complex and entorhinal cortex. His hippocampi appeared entirely nonfunctional because the remaining 2 cm of hippocampal tissue appeared to have atrophied and because the entire entorhinal cortex, which forms the major sensory input to the hippocampus, was destroyed. Some of his anterolateral temporal cortex was also destroyed. After the surgery, which was partially successful in its primary goal of controlling his epilepsy, Molaison developed severe anterograde amnesia: although his working memory and procedural memory were intact, he could not commit new events to his explicit memory. According to some scientists, he was impaired in his ability to form new semantic knowledge, but researchers argue over the extent of this impairment. He also had moderate retrograde amnesia, and could not remember most events in the one- to two-year period before surgery, nor some events up to 11 years before, meaning that his amnesia was temporally graded. However, his ability to form long-term procedural memories was intact; thus he could, for example, learn new motor skills, despite not being able to remember learning them. The case was first reported in a paper by Scoville and Brenda Milner in 1957. Near the end of his life, Molaison regularly filled in crossword puzzles. He was able to fill in answers to clues that referred to pre-1953 knowledge. For post-1953 information he was able to modify old memories with new information. For instance, he could add a memory about Jonas Salk by modifying his memory of polio. He died on December 2, 2008.
Q: Where was Molaison born?
A: unknown
Q: When did he first learn he had epilepsy?
A: He had partial seizures for many years, and then several tonic-clonic seizures following his 16th birthday.
Q: Did he go to University?
A: unknown
Q: What was something interesting from the article?
A: After the surgery, which was partially successful in its primary goal of controlling his epilepsy,
Q: What happened after the surgery?
A: Molaison developed severe anterograde amnesia:
Q: What are the symptoms of that?
A: although his working memory and procedural memory were intact, he could not commit new events to his explicit memory.
Q: How did he cope with that?
A: However, his ability to form long-term procedural memories was intact; thus he could, for example, learn new motor skills, despite not being able to remember learning them.
|
C_3e5eab2d245248059c00c307259bb769_1_q#7
|
Did it cause him many problems?
| 0y
| 0y
|
{
"texts": [
"could not remember most events in the one- to two-year period before surgery, nor some events up to 11 years before,"
],
"answer_starts": [
1646
]
}
|
{
"text": "could not remember most events in the one- to two-year period before surgery, nor some events up to 11 years before,",
"answer_start": 1646
}
|
C_3e5eab2d245248059c00c307259bb769_1
|
Henry Molaison
|
Henry Gustav Molaison (February 26, 1926 - December 2, 2008), known widely as H.M., was an American memory disorder patient who had a bilateral medial temporal lobectomy to surgically resect the anterior two thirds of his hippocampi, parahippocampal cortices, entorhinal cortices, piriform cortices, and amygdalae in an attempt to cure his epilepsy. Although the surgery was partially successful in controlling his epilepsy, a severe side effect was that he became unable to form new memories. H.M. was widely studied from late 1957 until his death in 2008. His case played an important role in the development of theories that explain the link between brain function and memory, and in the development of cognitive neuropsychology, a branch of psychology that aims to understand how the structure and function of the brain relates to specific psychological processes.
|
Biography
|
Henry Molaison was born on February 26, 1926, and experienced intractable epilepsy that has sometimes been attributed to a bicycle accident at the age of seven. (This accident was initially reported to have occurred at age nine, but was corrected by the patient's mother at a later stage.) He had partial seizures for many years, and then several tonic-clonic seizures following his 16th birthday. In 1953, he was referred to William Beecher Scoville, a neurosurgeon at Hartford Hospital, for treatment. Scoville localized Molaison's epilepsy to his left and right medial temporal lobes (MTLs) and suggested surgical resection of the MTLs as a treatment. On September 1, 1953, at the age of 27, Molaison's bilateral medial temporal lobe resection included the removal of the hippocampal formation and adjacent structures, including most of the amygdaloid complex and entorhinal cortex. His hippocampi appeared entirely nonfunctional because the remaining 2 cm of hippocampal tissue appeared to have atrophied and because the entire entorhinal cortex, which forms the major sensory input to the hippocampus, was destroyed. Some of his anterolateral temporal cortex was also destroyed. After the surgery, which was partially successful in its primary goal of controlling his epilepsy, Molaison developed severe anterograde amnesia: although his working memory and procedural memory were intact, he could not commit new events to his explicit memory. According to some scientists, he was impaired in his ability to form new semantic knowledge, but researchers argue over the extent of this impairment. He also had moderate retrograde amnesia, and could not remember most events in the one- to two-year period before surgery, nor some events up to 11 years before, meaning that his amnesia was temporally graded. However, his ability to form long-term procedural memories was intact; thus he could, for example, learn new motor skills, despite not being able to remember learning them. The case was first reported in a paper by Scoville and Brenda Milner in 1957. Near the end of his life, Molaison regularly filled in crossword puzzles. He was able to fill in answers to clues that referred to pre-1953 knowledge. For post-1953 information he was able to modify old memories with new information. For instance, he could add a memory about Jonas Salk by modifying his memory of polio. He died on December 2, 2008.
Q: Where was Molaison born?
A: unknown
Q: When did he first learn he had epilepsy?
A: He had partial seizures for many years, and then several tonic-clonic seizures following his 16th birthday.
Q: Did he go to University?
A: unknown
Q: What was something interesting from the article?
A: After the surgery, which was partially successful in its primary goal of controlling his epilepsy,
Q: What happened after the surgery?
A: Molaison developed severe anterograde amnesia:
Q: What are the symptoms of that?
A: although his working memory and procedural memory were intact, he could not commit new events to his explicit memory.
Q: How did he cope with that?
A: However, his ability to form long-term procedural memories was intact; thus he could, for example, learn new motor skills, despite not being able to remember learning them.
Q: Did it cause him many problems?
A: could not remember most events in the one- to two-year period before surgery, nor some events up to 11 years before,
|
C_3e5eab2d245248059c00c307259bb769_1_q#8
|
Did he learn any tricks to deal with this?
| 0y
| 0y
|
{
"texts": [
"Molaison regularly filled in crossword puzzles. He was able to fill in answers to clues that referred to pre-1953 knowledge."
],
"answer_starts": [
2089
]
}
|
{
"text": "Molaison regularly filled in crossword puzzles. He was able to fill in answers to clues that referred to pre-1953 knowledge.",
"answer_start": 2089
}
|
C_3e5eab2d245248059c00c307259bb769_0
|
Henry Molaison
|
Henry Gustav Molaison (February 26, 1926 - December 2, 2008), known widely as H.M., was an American memory disorder patient who had a bilateral medial temporal lobectomy to surgically resect the anterior two thirds of his hippocampi, parahippocampal cortices, entorhinal cortices, piriform cortices, and amygdalae in an attempt to cure his epilepsy. Although the surgery was partially successful in controlling his epilepsy, a severe side effect was that he became unable to form new memories. H.M. was widely studied from late 1957 until his death in 2008. His case played an important role in the development of theories that explain the link between brain function and memory, and in the development of cognitive neuropsychology, a branch of psychology that aims to understand how the structure and function of the brain relates to specific psychological processes.
|
Contribution to science
|
The study of Molaison revolutionized the understanding of the organization of human memory. It has provided broad evidence for the rejection of old theories and the formation of new theories on human memory, in particular about its processes and the underlying neural structures (cf. Kolb & Whishaw, 1996). In the following, some of the major insights are outlined. Molaison's brain was the subject of an anatomical study funded by the Dana Foundation and the National Science Foundation. The aim of the project, headed by Jacopo Annese, of The Brain Observatory at UC San Diego, was to provide a complete microscopic survey of the entire brain to reveal the neurological basis of Molaison's historical memory impairment at cellular resolution. On December 4, 2009, Annese's group acquired 2401 brain slices, with only two damaged slices and 16 potentially problematic slices. The digital 3D reconstruction of his brain was finished at the beginning of 2014. The results of the study were published in Nature Communications for January 2014. The researchers found, to their surprise, that half of H.M.'s hippocampus had survived the 1953 surgery, which has deep implications on past and future interpretations of H.M.'s neurobehavioral profile and of the previous literature describing H.M. as a 'pure' hippocampus lesion patient. Additionally, a previously unexpected discrete lesion was discovered in the prefrontal cortex. These findings suggest revisiting raw data from behavioral testing. A three-dimensional virtual model of the brain allowed the dynamics of the surgery to be reconstructed; it was found that the brain damage above the left orbit could have been created by Dr. Scoville when he lifted the frontal lobe to reach into the medial temporal lobes. The article also describes the general neuropathological state of the brain via multiple imaging modalities. As H.M. was 82 when he died, his brain had aged considerably. Several pathological features were discovered, some severe, which had contributed to his cognitive decline. The digital atlas of HM's brain was made publicly available on the Internet free of charge; its "permanence on the web relies on contributions from users".
|
C_3e5eab2d245248059c00c307259bb769_0_q#0
|
Did Henry have a passion for science?
| 1n
| 1n
|
{
"texts": [
"The study of Molaison revolutionized the understanding of the organization of human memory."
],
"answer_starts": [
0
]
}
|
{
"text": "The study of Molaison revolutionized the understanding of the organization of human memory.",
"answer_start": 0
}
|
C_3e5eab2d245248059c00c307259bb769_0
|
Henry Molaison
|
Henry Gustav Molaison (February 26, 1926 - December 2, 2008), known widely as H.M., was an American memory disorder patient who had a bilateral medial temporal lobectomy to surgically resect the anterior two thirds of his hippocampi, parahippocampal cortices, entorhinal cortices, piriform cortices, and amygdalae in an attempt to cure his epilepsy. Although the surgery was partially successful in controlling his epilepsy, a severe side effect was that he became unable to form new memories. H.M. was widely studied from late 1957 until his death in 2008. His case played an important role in the development of theories that explain the link between brain function and memory, and in the development of cognitive neuropsychology, a branch of psychology that aims to understand how the structure and function of the brain relates to specific psychological processes.
|
Contribution to science
|
The study of Molaison revolutionized the understanding of the organization of human memory. It has provided broad evidence for the rejection of old theories and the formation of new theories on human memory, in particular about its processes and the underlying neural structures (cf. Kolb & Whishaw, 1996). In the following, some of the major insights are outlined. Molaison's brain was the subject of an anatomical study funded by the Dana Foundation and the National Science Foundation. The aim of the project, headed by Jacopo Annese, of The Brain Observatory at UC San Diego, was to provide a complete microscopic survey of the entire brain to reveal the neurological basis of Molaison's historical memory impairment at cellular resolution. On December 4, 2009, Annese's group acquired 2401 brain slices, with only two damaged slices and 16 potentially problematic slices. The digital 3D reconstruction of his brain was finished at the beginning of 2014. The results of the study were published in Nature Communications for January 2014. The researchers found, to their surprise, that half of H.M.'s hippocampus had survived the 1953 surgery, which has deep implications on past and future interpretations of H.M.'s neurobehavioral profile and of the previous literature describing H.M. as a 'pure' hippocampus lesion patient. Additionally, a previously unexpected discrete lesion was discovered in the prefrontal cortex. These findings suggest revisiting raw data from behavioral testing. A three-dimensional virtual model of the brain allowed the dynamics of the surgery to be reconstructed; it was found that the brain damage above the left orbit could have been created by Dr. Scoville when he lifted the frontal lobe to reach into the medial temporal lobes. The article also describes the general neuropathological state of the brain via multiple imaging modalities. As H.M. was 82 when he died, his brain had aged considerably. Several pathological features were discovered, some severe, which had contributed to his cognitive decline. The digital atlas of HM's brain was made publicly available on the Internet free of charge; its "permanence on the web relies on contributions from users".
Q: Did Henry have a passion for science?
A: The study of Molaison revolutionized the understanding of the organization of human memory.
|
C_3e5eab2d245248059c00c307259bb769_0_q#1
|
Did he have a contribution to science?
| 0y
| 0y
|
{
"texts": [
"Molaison's brain was the subject of an anatomical study funded by the Dana Foundation and the National Science Foundation."
],
"answer_starts": [
367
]
}
|
{
"text": "Molaison's brain was the subject of an anatomical study funded by the Dana Foundation and the National Science Foundation.",
"answer_start": 367
}
|
C_3e5eab2d245248059c00c307259bb769_0
|
Henry Molaison
|
Henry Gustav Molaison (February 26, 1926 - December 2, 2008), known widely as H.M., was an American memory disorder patient who had a bilateral medial temporal lobectomy to surgically resect the anterior two thirds of his hippocampi, parahippocampal cortices, entorhinal cortices, piriform cortices, and amygdalae in an attempt to cure his epilepsy. Although the surgery was partially successful in controlling his epilepsy, a severe side effect was that he became unable to form new memories. H.M. was widely studied from late 1957 until his death in 2008. His case played an important role in the development of theories that explain the link between brain function and memory, and in the development of cognitive neuropsychology, a branch of psychology that aims to understand how the structure and function of the brain relates to specific psychological processes.
|
Contribution to science
|
The study of Molaison revolutionized the understanding of the organization of human memory. It has provided broad evidence for the rejection of old theories and the formation of new theories on human memory, in particular about its processes and the underlying neural structures (cf. Kolb & Whishaw, 1996). In the following, some of the major insights are outlined. Molaison's brain was the subject of an anatomical study funded by the Dana Foundation and the National Science Foundation. The aim of the project, headed by Jacopo Annese, of The Brain Observatory at UC San Diego, was to provide a complete microscopic survey of the entire brain to reveal the neurological basis of Molaison's historical memory impairment at cellular resolution. On December 4, 2009, Annese's group acquired 2401 brain slices, with only two damaged slices and 16 potentially problematic slices. The digital 3D reconstruction of his brain was finished at the beginning of 2014. The results of the study were published in Nature Communications for January 2014. The researchers found, to their surprise, that half of H.M.'s hippocampus had survived the 1953 surgery, which has deep implications on past and future interpretations of H.M.'s neurobehavioral profile and of the previous literature describing H.M. as a 'pure' hippocampus lesion patient. Additionally, a previously unexpected discrete lesion was discovered in the prefrontal cortex. These findings suggest revisiting raw data from behavioral testing. A three-dimensional virtual model of the brain allowed the dynamics of the surgery to be reconstructed; it was found that the brain damage above the left orbit could have been created by Dr. Scoville when he lifted the frontal lobe to reach into the medial temporal lobes. The article also describes the general neuropathological state of the brain via multiple imaging modalities. As H.M. was 82 when he died, his brain had aged considerably. Several pathological features were discovered, some severe, which had contributed to his cognitive decline. The digital atlas of HM's brain was made publicly available on the Internet free of charge; its "permanence on the web relies on contributions from users".
Q: Did Henry have a passion for science?
A: The study of Molaison revolutionized the understanding of the organization of human memory.
Q: Did he have a contribution to science?
A: Molaison's brain was the subject of an anatomical study funded by the Dana Foundation and the National Science Foundation.
|
C_3e5eab2d245248059c00c307259bb769_0_q#2
|
Did the study have an outcome?
| 0y
| 0y
|
{
"texts": [
"The researchers found, to their surprise, that half of H.M.'s hippocampus had survived the 1953 surgery,"
],
"answer_starts": [
1044
]
}
|
{
"text": "The researchers found, to their surprise, that half of H.M.'s hippocampus had survived the 1953 surgery,",
"answer_start": 1044
}
|
C_3e5eab2d245248059c00c307259bb769_0
|
Henry Molaison
|
Henry Gustav Molaison (February 26, 1926 - December 2, 2008), known widely as H.M., was an American memory disorder patient who had a bilateral medial temporal lobectomy to surgically resect the anterior two thirds of his hippocampi, parahippocampal cortices, entorhinal cortices, piriform cortices, and amygdalae in an attempt to cure his epilepsy. Although the surgery was partially successful in controlling his epilepsy, a severe side effect was that he became unable to form new memories. H.M. was widely studied from late 1957 until his death in 2008. His case played an important role in the development of theories that explain the link between brain function and memory, and in the development of cognitive neuropsychology, a branch of psychology that aims to understand how the structure and function of the brain relates to specific psychological processes.
|
Contribution to science
|
The study of Molaison revolutionized the understanding of the organization of human memory. It has provided broad evidence for the rejection of old theories and the formation of new theories on human memory, in particular about its processes and the underlying neural structures (cf. Kolb & Whishaw, 1996). In the following, some of the major insights are outlined. Molaison's brain was the subject of an anatomical study funded by the Dana Foundation and the National Science Foundation. The aim of the project, headed by Jacopo Annese, of The Brain Observatory at UC San Diego, was to provide a complete microscopic survey of the entire brain to reveal the neurological basis of Molaison's historical memory impairment at cellular resolution. On December 4, 2009, Annese's group acquired 2401 brain slices, with only two damaged slices and 16 potentially problematic slices. The digital 3D reconstruction of his brain was finished at the beginning of 2014. The results of the study were published in Nature Communications for January 2014. The researchers found, to their surprise, that half of H.M.'s hippocampus had survived the 1953 surgery, which has deep implications on past and future interpretations of H.M.'s neurobehavioral profile and of the previous literature describing H.M. as a 'pure' hippocampus lesion patient. Additionally, a previously unexpected discrete lesion was discovered in the prefrontal cortex. These findings suggest revisiting raw data from behavioral testing. A three-dimensional virtual model of the brain allowed the dynamics of the surgery to be reconstructed; it was found that the brain damage above the left orbit could have been created by Dr. Scoville when he lifted the frontal lobe to reach into the medial temporal lobes. The article also describes the general neuropathological state of the brain via multiple imaging modalities. As H.M. was 82 when he died, his brain had aged considerably. Several pathological features were discovered, some severe, which had contributed to his cognitive decline. The digital atlas of HM's brain was made publicly available on the Internet free of charge; its "permanence on the web relies on contributions from users".
Q: Did Henry have a passion for science?
A: The study of Molaison revolutionized the understanding of the organization of human memory.
Q: Did he have a contribution to science?
A: Molaison's brain was the subject of an anatomical study funded by the Dana Foundation and the National Science Foundation.
Q: Did the study have an outcome?
A: The researchers found, to their surprise, that half of H.M.'s hippocampus had survived the 1953 surgery,
|
C_3e5eab2d245248059c00c307259bb769_0_q#3
|
Did this effect him in anyway?
| 1n
| 2x
|
{
"texts": [
"reveal the neurological basis of Molaison's historical memory impairment"
],
"answer_starts": [
649
]
}
|
{
"text": "reveal the neurological basis of Molaison's historical memory impairment",
"answer_start": 649
}
|
C_3e5eab2d245248059c00c307259bb769_0
|
Henry Molaison
|
Henry Gustav Molaison (February 26, 1926 - December 2, 2008), known widely as H.M., was an American memory disorder patient who had a bilateral medial temporal lobectomy to surgically resect the anterior two thirds of his hippocampi, parahippocampal cortices, entorhinal cortices, piriform cortices, and amygdalae in an attempt to cure his epilepsy. Although the surgery was partially successful in controlling his epilepsy, a severe side effect was that he became unable to form new memories. H.M. was widely studied from late 1957 until his death in 2008. His case played an important role in the development of theories that explain the link between brain function and memory, and in the development of cognitive neuropsychology, a branch of psychology that aims to understand how the structure and function of the brain relates to specific psychological processes.
|
Contribution to science
|
The study of Molaison revolutionized the understanding of the organization of human memory. It has provided broad evidence for the rejection of old theories and the formation of new theories on human memory, in particular about its processes and the underlying neural structures (cf. Kolb & Whishaw, 1996). In the following, some of the major insights are outlined. Molaison's brain was the subject of an anatomical study funded by the Dana Foundation and the National Science Foundation. The aim of the project, headed by Jacopo Annese, of The Brain Observatory at UC San Diego, was to provide a complete microscopic survey of the entire brain to reveal the neurological basis of Molaison's historical memory impairment at cellular resolution. On December 4, 2009, Annese's group acquired 2401 brain slices, with only two damaged slices and 16 potentially problematic slices. The digital 3D reconstruction of his brain was finished at the beginning of 2014. The results of the study were published in Nature Communications for January 2014. The researchers found, to their surprise, that half of H.M.'s hippocampus had survived the 1953 surgery, which has deep implications on past and future interpretations of H.M.'s neurobehavioral profile and of the previous literature describing H.M. as a 'pure' hippocampus lesion patient. Additionally, a previously unexpected discrete lesion was discovered in the prefrontal cortex. These findings suggest revisiting raw data from behavioral testing. A three-dimensional virtual model of the brain allowed the dynamics of the surgery to be reconstructed; it was found that the brain damage above the left orbit could have been created by Dr. Scoville when he lifted the frontal lobe to reach into the medial temporal lobes. The article also describes the general neuropathological state of the brain via multiple imaging modalities. As H.M. was 82 when he died, his brain had aged considerably. Several pathological features were discovered, some severe, which had contributed to his cognitive decline. The digital atlas of HM's brain was made publicly available on the Internet free of charge; its "permanence on the web relies on contributions from users".
Q: Did Henry have a passion for science?
A: The study of Molaison revolutionized the understanding of the organization of human memory.
Q: Did he have a contribution to science?
A: Molaison's brain was the subject of an anatomical study funded by the Dana Foundation and the National Science Foundation.
Q: Did the study have an outcome?
A: The researchers found, to their surprise, that half of H.M.'s hippocampus had survived the 1953 surgery,
Q: Did this effect him in anyway?
A: reveal the neurological basis of Molaison's historical memory impairment
|
C_3e5eab2d245248059c00c307259bb769_0_q#4
|
Are there any other interesting aspects about this article?
| 0y
| 0y
|
{
"texts": [
"Additionally, a previously unexpected discrete lesion was discovered in the prefrontal cortex."
],
"answer_starts": [
1333
]
}
|
{
"text": "Additionally, a previously unexpected discrete lesion was discovered in the prefrontal cortex.",
"answer_start": 1333
}
|
C_3e5eab2d245248059c00c307259bb769_0
|
Henry Molaison
|
Henry Gustav Molaison (February 26, 1926 - December 2, 2008), known widely as H.M., was an American memory disorder patient who had a bilateral medial temporal lobectomy to surgically resect the anterior two thirds of his hippocampi, parahippocampal cortices, entorhinal cortices, piriform cortices, and amygdalae in an attempt to cure his epilepsy. Although the surgery was partially successful in controlling his epilepsy, a severe side effect was that he became unable to form new memories. H.M. was widely studied from late 1957 until his death in 2008. His case played an important role in the development of theories that explain the link between brain function and memory, and in the development of cognitive neuropsychology, a branch of psychology that aims to understand how the structure and function of the brain relates to specific psychological processes.
|
Contribution to science
|
The study of Molaison revolutionized the understanding of the organization of human memory. It has provided broad evidence for the rejection of old theories and the formation of new theories on human memory, in particular about its processes and the underlying neural structures (cf. Kolb & Whishaw, 1996). In the following, some of the major insights are outlined. Molaison's brain was the subject of an anatomical study funded by the Dana Foundation and the National Science Foundation. The aim of the project, headed by Jacopo Annese, of The Brain Observatory at UC San Diego, was to provide a complete microscopic survey of the entire brain to reveal the neurological basis of Molaison's historical memory impairment at cellular resolution. On December 4, 2009, Annese's group acquired 2401 brain slices, with only two damaged slices and 16 potentially problematic slices. The digital 3D reconstruction of his brain was finished at the beginning of 2014. The results of the study were published in Nature Communications for January 2014. The researchers found, to their surprise, that half of H.M.'s hippocampus had survived the 1953 surgery, which has deep implications on past and future interpretations of H.M.'s neurobehavioral profile and of the previous literature describing H.M. as a 'pure' hippocampus lesion patient. Additionally, a previously unexpected discrete lesion was discovered in the prefrontal cortex. These findings suggest revisiting raw data from behavioral testing. A three-dimensional virtual model of the brain allowed the dynamics of the surgery to be reconstructed; it was found that the brain damage above the left orbit could have been created by Dr. Scoville when he lifted the frontal lobe to reach into the medial temporal lobes. The article also describes the general neuropathological state of the brain via multiple imaging modalities. As H.M. was 82 when he died, his brain had aged considerably. Several pathological features were discovered, some severe, which had contributed to his cognitive decline. The digital atlas of HM's brain was made publicly available on the Internet free of charge; its "permanence on the web relies on contributions from users".
Q: Did Henry have a passion for science?
A: The study of Molaison revolutionized the understanding of the organization of human memory.
Q: Did he have a contribution to science?
A: Molaison's brain was the subject of an anatomical study funded by the Dana Foundation and the National Science Foundation.
Q: Did the study have an outcome?
A: The researchers found, to their surprise, that half of H.M.'s hippocampus had survived the 1953 surgery,
Q: Did this effect him in anyway?
A: reveal the neurological basis of Molaison's historical memory impairment
Q: Are there any other interesting aspects about this article?
A: Additionally, a previously unexpected discrete lesion was discovered in the prefrontal cortex.
|
C_3e5eab2d245248059c00c307259bb769_0_q#5
|
Did he ever get better?
| 1n
| 0y
|
{
"texts": [
"As H.M. was 82 when he died, his brain had aged considerably."
],
"answer_starts": [
1879
]
}
|
{
"text": "As H.M. was 82 when he died, his brain had aged considerably.",
"answer_start": 1879
}
|
C_3e5eab2d245248059c00c307259bb769_0
|
Henry Molaison
|
Henry Gustav Molaison (February 26, 1926 - December 2, 2008), known widely as H.M., was an American memory disorder patient who had a bilateral medial temporal lobectomy to surgically resect the anterior two thirds of his hippocampi, parahippocampal cortices, entorhinal cortices, piriform cortices, and amygdalae in an attempt to cure his epilepsy. Although the surgery was partially successful in controlling his epilepsy, a severe side effect was that he became unable to form new memories. H.M. was widely studied from late 1957 until his death in 2008. His case played an important role in the development of theories that explain the link between brain function and memory, and in the development of cognitive neuropsychology, a branch of psychology that aims to understand how the structure and function of the brain relates to specific psychological processes.
|
Contribution to science
|
The study of Molaison revolutionized the understanding of the organization of human memory. It has provided broad evidence for the rejection of old theories and the formation of new theories on human memory, in particular about its processes and the underlying neural structures (cf. Kolb & Whishaw, 1996). In the following, some of the major insights are outlined. Molaison's brain was the subject of an anatomical study funded by the Dana Foundation and the National Science Foundation. The aim of the project, headed by Jacopo Annese, of The Brain Observatory at UC San Diego, was to provide a complete microscopic survey of the entire brain to reveal the neurological basis of Molaison's historical memory impairment at cellular resolution. On December 4, 2009, Annese's group acquired 2401 brain slices, with only two damaged slices and 16 potentially problematic slices. The digital 3D reconstruction of his brain was finished at the beginning of 2014. The results of the study were published in Nature Communications for January 2014. The researchers found, to their surprise, that half of H.M.'s hippocampus had survived the 1953 surgery, which has deep implications on past and future interpretations of H.M.'s neurobehavioral profile and of the previous literature describing H.M. as a 'pure' hippocampus lesion patient. Additionally, a previously unexpected discrete lesion was discovered in the prefrontal cortex. These findings suggest revisiting raw data from behavioral testing. A three-dimensional virtual model of the brain allowed the dynamics of the surgery to be reconstructed; it was found that the brain damage above the left orbit could have been created by Dr. Scoville when he lifted the frontal lobe to reach into the medial temporal lobes. The article also describes the general neuropathological state of the brain via multiple imaging modalities. As H.M. was 82 when he died, his brain had aged considerably. Several pathological features were discovered, some severe, which had contributed to his cognitive decline. The digital atlas of HM's brain was made publicly available on the Internet free of charge; its "permanence on the web relies on contributions from users".
Q: Did Henry have a passion for science?
A: The study of Molaison revolutionized the understanding of the organization of human memory.
Q: Did he have a contribution to science?
A: Molaison's brain was the subject of an anatomical study funded by the Dana Foundation and the National Science Foundation.
Q: Did the study have an outcome?
A: The researchers found, to their surprise, that half of H.M.'s hippocampus had survived the 1953 surgery,
Q: Did this effect him in anyway?
A: reveal the neurological basis of Molaison's historical memory impairment
Q: Are there any other interesting aspects about this article?
A: Additionally, a previously unexpected discrete lesion was discovered in the prefrontal cortex.
Q: Did he ever get better?
A: As H.M. was 82 when he died, his brain had aged considerably.
|
C_3e5eab2d245248059c00c307259bb769_0_q#6
|
Did his brain help researchers and scientists?
| 0y
| 0y
|
{
"texts": [
"It has provided broad evidence for the rejection of old theories and the formation of new theories on human memory,"
],
"answer_starts": [
92
]
}
|
{
"text": "It has provided broad evidence for the rejection of old theories and the formation of new theories on human memory,",
"answer_start": 92
}
|
C_3e5eab2d245248059c00c307259bb769_0
|
Henry Molaison
|
Henry Gustav Molaison (February 26, 1926 - December 2, 2008), known widely as H.M., was an American memory disorder patient who had a bilateral medial temporal lobectomy to surgically resect the anterior two thirds of his hippocampi, parahippocampal cortices, entorhinal cortices, piriform cortices, and amygdalae in an attempt to cure his epilepsy. Although the surgery was partially successful in controlling his epilepsy, a severe side effect was that he became unable to form new memories. H.M. was widely studied from late 1957 until his death in 2008. His case played an important role in the development of theories that explain the link between brain function and memory, and in the development of cognitive neuropsychology, a branch of psychology that aims to understand how the structure and function of the brain relates to specific psychological processes.
|
Contribution to science
|
The study of Molaison revolutionized the understanding of the organization of human memory. It has provided broad evidence for the rejection of old theories and the formation of new theories on human memory, in particular about its processes and the underlying neural structures (cf. Kolb & Whishaw, 1996). In the following, some of the major insights are outlined. Molaison's brain was the subject of an anatomical study funded by the Dana Foundation and the National Science Foundation. The aim of the project, headed by Jacopo Annese, of The Brain Observatory at UC San Diego, was to provide a complete microscopic survey of the entire brain to reveal the neurological basis of Molaison's historical memory impairment at cellular resolution. On December 4, 2009, Annese's group acquired 2401 brain slices, with only two damaged slices and 16 potentially problematic slices. The digital 3D reconstruction of his brain was finished at the beginning of 2014. The results of the study were published in Nature Communications for January 2014. The researchers found, to their surprise, that half of H.M.'s hippocampus had survived the 1953 surgery, which has deep implications on past and future interpretations of H.M.'s neurobehavioral profile and of the previous literature describing H.M. as a 'pure' hippocampus lesion patient. Additionally, a previously unexpected discrete lesion was discovered in the prefrontal cortex. These findings suggest revisiting raw data from behavioral testing. A three-dimensional virtual model of the brain allowed the dynamics of the surgery to be reconstructed; it was found that the brain damage above the left orbit could have been created by Dr. Scoville when he lifted the frontal lobe to reach into the medial temporal lobes. The article also describes the general neuropathological state of the brain via multiple imaging modalities. As H.M. was 82 when he died, his brain had aged considerably. Several pathological features were discovered, some severe, which had contributed to his cognitive decline. The digital atlas of HM's brain was made publicly available on the Internet free of charge; its "permanence on the web relies on contributions from users".
Q: Did Henry have a passion for science?
A: The study of Molaison revolutionized the understanding of the organization of human memory.
Q: Did he have a contribution to science?
A: Molaison's brain was the subject of an anatomical study funded by the Dana Foundation and the National Science Foundation.
Q: Did the study have an outcome?
A: The researchers found, to their surprise, that half of H.M.'s hippocampus had survived the 1953 surgery,
Q: Did this effect him in anyway?
A: reveal the neurological basis of Molaison's historical memory impairment
Q: Are there any other interesting aspects about this article?
A: Additionally, a previously unexpected discrete lesion was discovered in the prefrontal cortex.
Q: Did he ever get better?
A: As H.M. was 82 when he died, his brain had aged considerably.
Q: Did his brain help researchers and scientists?
A: It has provided broad evidence for the rejection of old theories and the formation of new theories on human memory,
|
C_3e5eab2d245248059c00c307259bb769_0_q#7
|
What were the new theories?
| 2m
| 2x
|
{
"texts": [
"the brain damage above the left orbit could have been created by Dr. Scoville when he lifted the frontal lobe to reach into the medial temporal lobes."
],
"answer_starts": [
1618
]
}
|
{
"text": "the brain damage above the left orbit could have been created by Dr. Scoville when he lifted the frontal lobe to reach into the medial temporal lobes.",
"answer_start": 1618
}
|
C_3e5eab2d245248059c00c307259bb769_0
|
Henry Molaison
|
Henry Gustav Molaison (February 26, 1926 - December 2, 2008), known widely as H.M., was an American memory disorder patient who had a bilateral medial temporal lobectomy to surgically resect the anterior two thirds of his hippocampi, parahippocampal cortices, entorhinal cortices, piriform cortices, and amygdalae in an attempt to cure his epilepsy. Although the surgery was partially successful in controlling his epilepsy, a severe side effect was that he became unable to form new memories. H.M. was widely studied from late 1957 until his death in 2008. His case played an important role in the development of theories that explain the link between brain function and memory, and in the development of cognitive neuropsychology, a branch of psychology that aims to understand how the structure and function of the brain relates to specific psychological processes.
|
Contribution to science
|
The study of Molaison revolutionized the understanding of the organization of human memory. It has provided broad evidence for the rejection of old theories and the formation of new theories on human memory, in particular about its processes and the underlying neural structures (cf. Kolb & Whishaw, 1996). In the following, some of the major insights are outlined. Molaison's brain was the subject of an anatomical study funded by the Dana Foundation and the National Science Foundation. The aim of the project, headed by Jacopo Annese, of The Brain Observatory at UC San Diego, was to provide a complete microscopic survey of the entire brain to reveal the neurological basis of Molaison's historical memory impairment at cellular resolution. On December 4, 2009, Annese's group acquired 2401 brain slices, with only two damaged slices and 16 potentially problematic slices. The digital 3D reconstruction of his brain was finished at the beginning of 2014. The results of the study were published in Nature Communications for January 2014. The researchers found, to their surprise, that half of H.M.'s hippocampus had survived the 1953 surgery, which has deep implications on past and future interpretations of H.M.'s neurobehavioral profile and of the previous literature describing H.M. as a 'pure' hippocampus lesion patient. Additionally, a previously unexpected discrete lesion was discovered in the prefrontal cortex. These findings suggest revisiting raw data from behavioral testing. A three-dimensional virtual model of the brain allowed the dynamics of the surgery to be reconstructed; it was found that the brain damage above the left orbit could have been created by Dr. Scoville when he lifted the frontal lobe to reach into the medial temporal lobes. The article also describes the general neuropathological state of the brain via multiple imaging modalities. As H.M. was 82 when he died, his brain had aged considerably. Several pathological features were discovered, some severe, which had contributed to his cognitive decline. The digital atlas of HM's brain was made publicly available on the Internet free of charge; its "permanence on the web relies on contributions from users".
Q: Did Henry have a passion for science?
A: The study of Molaison revolutionized the understanding of the organization of human memory.
Q: Did he have a contribution to science?
A: Molaison's brain was the subject of an anatomical study funded by the Dana Foundation and the National Science Foundation.
Q: Did the study have an outcome?
A: The researchers found, to their surprise, that half of H.M.'s hippocampus had survived the 1953 surgery,
Q: Did this effect him in anyway?
A: reveal the neurological basis of Molaison's historical memory impairment
Q: Are there any other interesting aspects about this article?
A: Additionally, a previously unexpected discrete lesion was discovered in the prefrontal cortex.
Q: Did he ever get better?
A: As H.M. was 82 when he died, his brain had aged considerably.
Q: Did his brain help researchers and scientists?
A: It has provided broad evidence for the rejection of old theories and the formation of new theories on human memory,
Q: What were the new theories?
A: the brain damage above the left orbit could have been created by Dr. Scoville when he lifted the frontal lobe to reach into the medial temporal lobes.
|
C_3e5eab2d245248059c00c307259bb769_0_q#8
|
Did this procedure help him?
| 1n
| 2x
|
{
"texts": [
"unknown"
],
"answer_starts": [
2206
]
}
|
{
"text": "unknown",
"answer_start": 2206
}
|
C_0fd5947e52684cad88d0f8ad099d0813_1
|
Tinashe
|
Tinashe Jorgensen Kachingwe (; born February 6, 1993) is an American singer-songwriter, dancer, record producer, actress, and model. She began her career as an actress and model as a child, making several film and television appearances, the most notable of which being the voice of the Hero Girl in the animated film The Polar Express (2004), Robin Wheeler on Out of Jimmy's Head (2007-2008), and Celeste on Two and a Half Men (2008-2009). In 2007, Tinashe joined the girl group The Stunners, with whom she released one extended play before they disbanded in 2011. She made her solo artist debut with two critically acclaimed mixtapes the following year,
|
2007-2010: Career beginnings, The Stunners and solo debut
|
Tinashe scored roles in a number of TV shows, movies, and children's videos in the early 2000s, including the movies Cora Unashamed (2000), Call Me Claus (2001), Masked and Anonymous (2003), and two TV series: Rocket Power (2004) and Avatar: The Last Airbender (2007). These led to a regular role in the TV series Out of Jimmy's Head in 2007-2008 and a recurring role on Two and a Half Men in 2008-2009. In 2007, Tinashe joined girl group the Stunners, founded by Vitamin C. Her bandmates were friends Marisol Esparza, Allie Gonino, Hayley Kiyoko, and Kelsey Sanders. Six months after their formation, the group signed with Columbia Records, and later signed a production deal with Lionsgate Entertainment for scripted television show for MTV. On March 18, 2009, they released a single and video, "Bubblegum." In October, the group released a five-song EP, influenced by artists such as Madonna, Gwen Stefani, and Rihanna. The music video for their promo single, "We Got It", was released on February 22, 2010, and they performed the song on The Today Show and The Wendy Williams Show. After signing with Universal Republic Records in 2010 they released a single, "Dancin' Around the Truth." The music video premiered on June 2, 2010, just before the group was announced as an opening act on Justin Bieber's My World Tour. After the Bieber tour the Stunners returned to the recording studio, but disbanded in 2011, and Tinashe began pursuing a solo career. On May 3, 2011, Tinashe gave her first televised solo performance during a Dodgers--Cubs game, singing "God Bless America". On June 24, 2011, Tinashe released her first solo music video, a cover of Lil Wayne's single "How to Love". The song was later released as a free digital download via Tinashe's official website. Following the video's release, Tinashe confirmed she had officially been released from her recording contract with Universal Republic. Tinashe was featured on the dance single "Artificial People" by OFM, released on September 12, 2011. On November 25, 2011 Tinashe released the music video for "Can't Say No", her first original solo song. The track samples Britney Spears's song "Blur" from her sixth studio album, Circus. The song was released for download on November 28, 2011.
|
C_0fd5947e52684cad88d0f8ad099d0813_1_q#0
|
How did her career start
| 2m
| 2x
|
{
"texts": [
"Tinashe scored roles in a number of TV shows, movies, and children's videos"
],
"answer_starts": [
0
]
}
|
{
"text": "Tinashe scored roles in a number of TV shows, movies, and children's videos",
"answer_start": 0
}
|
C_0fd5947e52684cad88d0f8ad099d0813_1
|
Tinashe
|
Tinashe Jorgensen Kachingwe (; born February 6, 1993) is an American singer-songwriter, dancer, record producer, actress, and model. She began her career as an actress and model as a child, making several film and television appearances, the most notable of which being the voice of the Hero Girl in the animated film The Polar Express (2004), Robin Wheeler on Out of Jimmy's Head (2007-2008), and Celeste on Two and a Half Men (2008-2009). In 2007, Tinashe joined the girl group The Stunners, with whom she released one extended play before they disbanded in 2011. She made her solo artist debut with two critically acclaimed mixtapes the following year,
|
2007-2010: Career beginnings, The Stunners and solo debut
|
Tinashe scored roles in a number of TV shows, movies, and children's videos in the early 2000s, including the movies Cora Unashamed (2000), Call Me Claus (2001), Masked and Anonymous (2003), and two TV series: Rocket Power (2004) and Avatar: The Last Airbender (2007). These led to a regular role in the TV series Out of Jimmy's Head in 2007-2008 and a recurring role on Two and a Half Men in 2008-2009. In 2007, Tinashe joined girl group the Stunners, founded by Vitamin C. Her bandmates were friends Marisol Esparza, Allie Gonino, Hayley Kiyoko, and Kelsey Sanders. Six months after their formation, the group signed with Columbia Records, and later signed a production deal with Lionsgate Entertainment for scripted television show for MTV. On March 18, 2009, they released a single and video, "Bubblegum." In October, the group released a five-song EP, influenced by artists such as Madonna, Gwen Stefani, and Rihanna. The music video for their promo single, "We Got It", was released on February 22, 2010, and they performed the song on The Today Show and The Wendy Williams Show. After signing with Universal Republic Records in 2010 they released a single, "Dancin' Around the Truth." The music video premiered on June 2, 2010, just before the group was announced as an opening act on Justin Bieber's My World Tour. After the Bieber tour the Stunners returned to the recording studio, but disbanded in 2011, and Tinashe began pursuing a solo career. On May 3, 2011, Tinashe gave her first televised solo performance during a Dodgers--Cubs game, singing "God Bless America". On June 24, 2011, Tinashe released her first solo music video, a cover of Lil Wayne's single "How to Love". The song was later released as a free digital download via Tinashe's official website. Following the video's release, Tinashe confirmed she had officially been released from her recording contract with Universal Republic. Tinashe was featured on the dance single "Artificial People" by OFM, released on September 12, 2011. On November 25, 2011 Tinashe released the music video for "Can't Say No", her first original solo song. The track samples Britney Spears's song "Blur" from her sixth studio album, Circus. The song was released for download on November 28, 2011.
Q: How did her career start
A: Tinashe scored roles in a number of TV shows, movies, and children's videos
|
C_0fd5947e52684cad88d0f8ad099d0813_1_q#1
|
What tv show was her first
| 2m
| 2x
|
{
"texts": [
"Cora Unashamed ("
],
"answer_starts": [
117
]
}
|
{
"text": "Cora Unashamed (",
"answer_start": 117
}
|
C_0fd5947e52684cad88d0f8ad099d0813_1
|
Tinashe
|
Tinashe Jorgensen Kachingwe (; born February 6, 1993) is an American singer-songwriter, dancer, record producer, actress, and model. She began her career as an actress and model as a child, making several film and television appearances, the most notable of which being the voice of the Hero Girl in the animated film The Polar Express (2004), Robin Wheeler on Out of Jimmy's Head (2007-2008), and Celeste on Two and a Half Men (2008-2009). In 2007, Tinashe joined the girl group The Stunners, with whom she released one extended play before they disbanded in 2011. She made her solo artist debut with two critically acclaimed mixtapes the following year,
|
2007-2010: Career beginnings, The Stunners and solo debut
|
Tinashe scored roles in a number of TV shows, movies, and children's videos in the early 2000s, including the movies Cora Unashamed (2000), Call Me Claus (2001), Masked and Anonymous (2003), and two TV series: Rocket Power (2004) and Avatar: The Last Airbender (2007). These led to a regular role in the TV series Out of Jimmy's Head in 2007-2008 and a recurring role on Two and a Half Men in 2008-2009. In 2007, Tinashe joined girl group the Stunners, founded by Vitamin C. Her bandmates were friends Marisol Esparza, Allie Gonino, Hayley Kiyoko, and Kelsey Sanders. Six months after their formation, the group signed with Columbia Records, and later signed a production deal with Lionsgate Entertainment for scripted television show for MTV. On March 18, 2009, they released a single and video, "Bubblegum." In October, the group released a five-song EP, influenced by artists such as Madonna, Gwen Stefani, and Rihanna. The music video for their promo single, "We Got It", was released on February 22, 2010, and they performed the song on The Today Show and The Wendy Williams Show. After signing with Universal Republic Records in 2010 they released a single, "Dancin' Around the Truth." The music video premiered on June 2, 2010, just before the group was announced as an opening act on Justin Bieber's My World Tour. After the Bieber tour the Stunners returned to the recording studio, but disbanded in 2011, and Tinashe began pursuing a solo career. On May 3, 2011, Tinashe gave her first televised solo performance during a Dodgers--Cubs game, singing "God Bless America". On June 24, 2011, Tinashe released her first solo music video, a cover of Lil Wayne's single "How to Love". The song was later released as a free digital download via Tinashe's official website. Following the video's release, Tinashe confirmed she had officially been released from her recording contract with Universal Republic. Tinashe was featured on the dance single "Artificial People" by OFM, released on September 12, 2011. On November 25, 2011 Tinashe released the music video for "Can't Say No", her first original solo song. The track samples Britney Spears's song "Blur" from her sixth studio album, Circus. The song was released for download on November 28, 2011.
Q: How did her career start
A: Tinashe scored roles in a number of TV shows, movies, and children's videos
Q: What tv show was her first
A: Cora Unashamed (
|
C_0fd5947e52684cad88d0f8ad099d0813_1_q#2
|
What other tv shows did she do
| 0y
| 2x
|
{
"texts": [
"Out of Jimmy's Head"
],
"answer_starts": [
314
]
}
|
{
"text": "Out of Jimmy's Head",
"answer_start": 314
}
|
C_0fd5947e52684cad88d0f8ad099d0813_1
|
Tinashe
|
Tinashe Jorgensen Kachingwe (; born February 6, 1993) is an American singer-songwriter, dancer, record producer, actress, and model. She began her career as an actress and model as a child, making several film and television appearances, the most notable of which being the voice of the Hero Girl in the animated film The Polar Express (2004), Robin Wheeler on Out of Jimmy's Head (2007-2008), and Celeste on Two and a Half Men (2008-2009). In 2007, Tinashe joined the girl group The Stunners, with whom she released one extended play before they disbanded in 2011. She made her solo artist debut with two critically acclaimed mixtapes the following year,
|
2007-2010: Career beginnings, The Stunners and solo debut
|
Tinashe scored roles in a number of TV shows, movies, and children's videos in the early 2000s, including the movies Cora Unashamed (2000), Call Me Claus (2001), Masked and Anonymous (2003), and two TV series: Rocket Power (2004) and Avatar: The Last Airbender (2007). These led to a regular role in the TV series Out of Jimmy's Head in 2007-2008 and a recurring role on Two and a Half Men in 2008-2009. In 2007, Tinashe joined girl group the Stunners, founded by Vitamin C. Her bandmates were friends Marisol Esparza, Allie Gonino, Hayley Kiyoko, and Kelsey Sanders. Six months after their formation, the group signed with Columbia Records, and later signed a production deal with Lionsgate Entertainment for scripted television show for MTV. On March 18, 2009, they released a single and video, "Bubblegum." In October, the group released a five-song EP, influenced by artists such as Madonna, Gwen Stefani, and Rihanna. The music video for their promo single, "We Got It", was released on February 22, 2010, and they performed the song on The Today Show and The Wendy Williams Show. After signing with Universal Republic Records in 2010 they released a single, "Dancin' Around the Truth." The music video premiered on June 2, 2010, just before the group was announced as an opening act on Justin Bieber's My World Tour. After the Bieber tour the Stunners returned to the recording studio, but disbanded in 2011, and Tinashe began pursuing a solo career. On May 3, 2011, Tinashe gave her first televised solo performance during a Dodgers--Cubs game, singing "God Bless America". On June 24, 2011, Tinashe released her first solo music video, a cover of Lil Wayne's single "How to Love". The song was later released as a free digital download via Tinashe's official website. Following the video's release, Tinashe confirmed she had officially been released from her recording contract with Universal Republic. Tinashe was featured on the dance single "Artificial People" by OFM, released on September 12, 2011. On November 25, 2011 Tinashe released the music video for "Can't Say No", her first original solo song. The track samples Britney Spears's song "Blur" from her sixth studio album, Circus. The song was released for download on November 28, 2011.
Q: How did her career start
A: Tinashe scored roles in a number of TV shows, movies, and children's videos
Q: What tv show was her first
A: Cora Unashamed (
Q: What other tv shows did she do
A: Out of Jimmy's Head
|
C_0fd5947e52684cad88d0f8ad099d0813_1_q#3
|
Did she do any others
| 1n
| 0y
|
{
"texts": [
"Two and a Half Men"
],
"answer_starts": [
371
]
}
|
{
"text": "Two and a Half Men",
"answer_start": 371
}
|
C_0fd5947e52684cad88d0f8ad099d0813_1
|
Tinashe
|
Tinashe Jorgensen Kachingwe (; born February 6, 1993) is an American singer-songwriter, dancer, record producer, actress, and model. She began her career as an actress and model as a child, making several film and television appearances, the most notable of which being the voice of the Hero Girl in the animated film The Polar Express (2004), Robin Wheeler on Out of Jimmy's Head (2007-2008), and Celeste on Two and a Half Men (2008-2009). In 2007, Tinashe joined the girl group The Stunners, with whom she released one extended play before they disbanded in 2011. She made her solo artist debut with two critically acclaimed mixtapes the following year,
|
2007-2010: Career beginnings, The Stunners and solo debut
|
Tinashe scored roles in a number of TV shows, movies, and children's videos in the early 2000s, including the movies Cora Unashamed (2000), Call Me Claus (2001), Masked and Anonymous (2003), and two TV series: Rocket Power (2004) and Avatar: The Last Airbender (2007). These led to a regular role in the TV series Out of Jimmy's Head in 2007-2008 and a recurring role on Two and a Half Men in 2008-2009. In 2007, Tinashe joined girl group the Stunners, founded by Vitamin C. Her bandmates were friends Marisol Esparza, Allie Gonino, Hayley Kiyoko, and Kelsey Sanders. Six months after their formation, the group signed with Columbia Records, and later signed a production deal with Lionsgate Entertainment for scripted television show for MTV. On March 18, 2009, they released a single and video, "Bubblegum." In October, the group released a five-song EP, influenced by artists such as Madonna, Gwen Stefani, and Rihanna. The music video for their promo single, "We Got It", was released on February 22, 2010, and they performed the song on The Today Show and The Wendy Williams Show. After signing with Universal Republic Records in 2010 they released a single, "Dancin' Around the Truth." The music video premiered on June 2, 2010, just before the group was announced as an opening act on Justin Bieber's My World Tour. After the Bieber tour the Stunners returned to the recording studio, but disbanded in 2011, and Tinashe began pursuing a solo career. On May 3, 2011, Tinashe gave her first televised solo performance during a Dodgers--Cubs game, singing "God Bless America". On June 24, 2011, Tinashe released her first solo music video, a cover of Lil Wayne's single "How to Love". The song was later released as a free digital download via Tinashe's official website. Following the video's release, Tinashe confirmed she had officially been released from her recording contract with Universal Republic. Tinashe was featured on the dance single "Artificial People" by OFM, released on September 12, 2011. On November 25, 2011 Tinashe released the music video for "Can't Say No", her first original solo song. The track samples Britney Spears's song "Blur" from her sixth studio album, Circus. The song was released for download on November 28, 2011.
Q: How did her career start
A: Tinashe scored roles in a number of TV shows, movies, and children's videos
Q: What tv show was her first
A: Cora Unashamed (
Q: What other tv shows did she do
A: Out of Jimmy's Head
Q: Did she do any others
A: Two and a Half Men
|
C_0fd5947e52684cad88d0f8ad099d0813_1_q#4
|
What movies was she in
| 2m
| 2x
|
{
"texts": [
"Call Me Claus (2001), Masked and Anonymous (2003),"
],
"answer_starts": [
140
]
}
|
{
"text": "Call Me Claus (2001), Masked and Anonymous (2003),",
"answer_start": 140
}
|
C_0fd5947e52684cad88d0f8ad099d0813_1
|
Tinashe
|
Tinashe Jorgensen Kachingwe (; born February 6, 1993) is an American singer-songwriter, dancer, record producer, actress, and model. She began her career as an actress and model as a child, making several film and television appearances, the most notable of which being the voice of the Hero Girl in the animated film The Polar Express (2004), Robin Wheeler on Out of Jimmy's Head (2007-2008), and Celeste on Two and a Half Men (2008-2009). In 2007, Tinashe joined the girl group The Stunners, with whom she released one extended play before they disbanded in 2011. She made her solo artist debut with two critically acclaimed mixtapes the following year,
|
2007-2010: Career beginnings, The Stunners and solo debut
|
Tinashe scored roles in a number of TV shows, movies, and children's videos in the early 2000s, including the movies Cora Unashamed (2000), Call Me Claus (2001), Masked and Anonymous (2003), and two TV series: Rocket Power (2004) and Avatar: The Last Airbender (2007). These led to a regular role in the TV series Out of Jimmy's Head in 2007-2008 and a recurring role on Two and a Half Men in 2008-2009. In 2007, Tinashe joined girl group the Stunners, founded by Vitamin C. Her bandmates were friends Marisol Esparza, Allie Gonino, Hayley Kiyoko, and Kelsey Sanders. Six months after their formation, the group signed with Columbia Records, and later signed a production deal with Lionsgate Entertainment for scripted television show for MTV. On March 18, 2009, they released a single and video, "Bubblegum." In October, the group released a five-song EP, influenced by artists such as Madonna, Gwen Stefani, and Rihanna. The music video for their promo single, "We Got It", was released on February 22, 2010, and they performed the song on The Today Show and The Wendy Williams Show. After signing with Universal Republic Records in 2010 they released a single, "Dancin' Around the Truth." The music video premiered on June 2, 2010, just before the group was announced as an opening act on Justin Bieber's My World Tour. After the Bieber tour the Stunners returned to the recording studio, but disbanded in 2011, and Tinashe began pursuing a solo career. On May 3, 2011, Tinashe gave her first televised solo performance during a Dodgers--Cubs game, singing "God Bless America". On June 24, 2011, Tinashe released her first solo music video, a cover of Lil Wayne's single "How to Love". The song was later released as a free digital download via Tinashe's official website. Following the video's release, Tinashe confirmed she had officially been released from her recording contract with Universal Republic. Tinashe was featured on the dance single "Artificial People" by OFM, released on September 12, 2011. On November 25, 2011 Tinashe released the music video for "Can't Say No", her first original solo song. The track samples Britney Spears's song "Blur" from her sixth studio album, Circus. The song was released for download on November 28, 2011.
Q: How did her career start
A: Tinashe scored roles in a number of TV shows, movies, and children's videos
Q: What tv show was her first
A: Cora Unashamed (
Q: What other tv shows did she do
A: Out of Jimmy's Head
Q: Did she do any others
A: Two and a Half Men
Q: What movies was she in
A: Call Me Claus (2001), Masked and Anonymous (2003),
|
C_0fd5947e52684cad88d0f8ad099d0813_1_q#5
|
Did she perform for children?
| 1n
| 0y
|
{
"texts": [
"children's videos"
],
"answer_starts": [
58
]
}
|
{
"text": "children's videos",
"answer_start": 58
}
|
C_0fd5947e52684cad88d0f8ad099d0813_1
|
Tinashe
|
Tinashe Jorgensen Kachingwe (; born February 6, 1993) is an American singer-songwriter, dancer, record producer, actress, and model. She began her career as an actress and model as a child, making several film and television appearances, the most notable of which being the voice of the Hero Girl in the animated film The Polar Express (2004), Robin Wheeler on Out of Jimmy's Head (2007-2008), and Celeste on Two and a Half Men (2008-2009). In 2007, Tinashe joined the girl group The Stunners, with whom she released one extended play before they disbanded in 2011. She made her solo artist debut with two critically acclaimed mixtapes the following year,
|
2007-2010: Career beginnings, The Stunners and solo debut
|
Tinashe scored roles in a number of TV shows, movies, and children's videos in the early 2000s, including the movies Cora Unashamed (2000), Call Me Claus (2001), Masked and Anonymous (2003), and two TV series: Rocket Power (2004) and Avatar: The Last Airbender (2007). These led to a regular role in the TV series Out of Jimmy's Head in 2007-2008 and a recurring role on Two and a Half Men in 2008-2009. In 2007, Tinashe joined girl group the Stunners, founded by Vitamin C. Her bandmates were friends Marisol Esparza, Allie Gonino, Hayley Kiyoko, and Kelsey Sanders. Six months after their formation, the group signed with Columbia Records, and later signed a production deal with Lionsgate Entertainment for scripted television show for MTV. On March 18, 2009, they released a single and video, "Bubblegum." In October, the group released a five-song EP, influenced by artists such as Madonna, Gwen Stefani, and Rihanna. The music video for their promo single, "We Got It", was released on February 22, 2010, and they performed the song on The Today Show and The Wendy Williams Show. After signing with Universal Republic Records in 2010 they released a single, "Dancin' Around the Truth." The music video premiered on June 2, 2010, just before the group was announced as an opening act on Justin Bieber's My World Tour. After the Bieber tour the Stunners returned to the recording studio, but disbanded in 2011, and Tinashe began pursuing a solo career. On May 3, 2011, Tinashe gave her first televised solo performance during a Dodgers--Cubs game, singing "God Bless America". On June 24, 2011, Tinashe released her first solo music video, a cover of Lil Wayne's single "How to Love". The song was later released as a free digital download via Tinashe's official website. Following the video's release, Tinashe confirmed she had officially been released from her recording contract with Universal Republic. Tinashe was featured on the dance single "Artificial People" by OFM, released on September 12, 2011. On November 25, 2011 Tinashe released the music video for "Can't Say No", her first original solo song. The track samples Britney Spears's song "Blur" from her sixth studio album, Circus. The song was released for download on November 28, 2011.
Q: How did her career start
A: Tinashe scored roles in a number of TV shows, movies, and children's videos
Q: What tv show was her first
A: Cora Unashamed (
Q: What other tv shows did she do
A: Out of Jimmy's Head
Q: Did she do any others
A: Two and a Half Men
Q: What movies was she in
A: Call Me Claus (2001), Masked and Anonymous (2003),
Q: Did she perform for children?
A: children's videos
|
C_0fd5947e52684cad88d0f8ad099d0813_1_q#6
|
Who were the stunners
| 0y
| 2x
|
{
"texts": [
"the Stunners, founded by Vitamin C. Her bandmates were friends"
],
"answer_starts": [
440
]
}
|
{
"text": "the Stunners, founded by Vitamin C. Her bandmates were friends",
"answer_start": 440
}
|
C_0fd5947e52684cad88d0f8ad099d0813_1
|
Tinashe
|
Tinashe Jorgensen Kachingwe (; born February 6, 1993) is an American singer-songwriter, dancer, record producer, actress, and model. She began her career as an actress and model as a child, making several film and television appearances, the most notable of which being the voice of the Hero Girl in the animated film The Polar Express (2004), Robin Wheeler on Out of Jimmy's Head (2007-2008), and Celeste on Two and a Half Men (2008-2009). In 2007, Tinashe joined the girl group The Stunners, with whom she released one extended play before they disbanded in 2011. She made her solo artist debut with two critically acclaimed mixtapes the following year,
|
2007-2010: Career beginnings, The Stunners and solo debut
|
Tinashe scored roles in a number of TV shows, movies, and children's videos in the early 2000s, including the movies Cora Unashamed (2000), Call Me Claus (2001), Masked and Anonymous (2003), and two TV series: Rocket Power (2004) and Avatar: The Last Airbender (2007). These led to a regular role in the TV series Out of Jimmy's Head in 2007-2008 and a recurring role on Two and a Half Men in 2008-2009. In 2007, Tinashe joined girl group the Stunners, founded by Vitamin C. Her bandmates were friends Marisol Esparza, Allie Gonino, Hayley Kiyoko, and Kelsey Sanders. Six months after their formation, the group signed with Columbia Records, and later signed a production deal with Lionsgate Entertainment for scripted television show for MTV. On March 18, 2009, they released a single and video, "Bubblegum." In October, the group released a five-song EP, influenced by artists such as Madonna, Gwen Stefani, and Rihanna. The music video for their promo single, "We Got It", was released on February 22, 2010, and they performed the song on The Today Show and The Wendy Williams Show. After signing with Universal Republic Records in 2010 they released a single, "Dancin' Around the Truth." The music video premiered on June 2, 2010, just before the group was announced as an opening act on Justin Bieber's My World Tour. After the Bieber tour the Stunners returned to the recording studio, but disbanded in 2011, and Tinashe began pursuing a solo career. On May 3, 2011, Tinashe gave her first televised solo performance during a Dodgers--Cubs game, singing "God Bless America". On June 24, 2011, Tinashe released her first solo music video, a cover of Lil Wayne's single "How to Love". The song was later released as a free digital download via Tinashe's official website. Following the video's release, Tinashe confirmed she had officially been released from her recording contract with Universal Republic. Tinashe was featured on the dance single "Artificial People" by OFM, released on September 12, 2011. On November 25, 2011 Tinashe released the music video for "Can't Say No", her first original solo song. The track samples Britney Spears's song "Blur" from her sixth studio album, Circus. The song was released for download on November 28, 2011.
Q: How did her career start
A: Tinashe scored roles in a number of TV shows, movies, and children's videos
Q: What tv show was her first
A: Cora Unashamed (
Q: What other tv shows did she do
A: Out of Jimmy's Head
Q: Did she do any others
A: Two and a Half Men
Q: What movies was she in
A: Call Me Claus (2001), Masked and Anonymous (2003),
Q: Did she perform for children?
A: children's videos
Q: Who were the stunners
A: the Stunners, founded by Vitamin C. Her bandmates were friends
|
C_0fd5947e52684cad88d0f8ad099d0813_1_q#7
|
Did they make any albums
| 2m
| 0y
|
{
"texts": [
"a five-song EP,"
],
"answer_starts": [
842
]
}
|
{
"text": "a five-song EP,",
"answer_start": 842
}
|
C_0fd5947e52684cad88d0f8ad099d0813_1
|
Tinashe
|
Tinashe Jorgensen Kachingwe (; born February 6, 1993) is an American singer-songwriter, dancer, record producer, actress, and model. She began her career as an actress and model as a child, making several film and television appearances, the most notable of which being the voice of the Hero Girl in the animated film The Polar Express (2004), Robin Wheeler on Out of Jimmy's Head (2007-2008), and Celeste on Two and a Half Men (2008-2009). In 2007, Tinashe joined the girl group The Stunners, with whom she released one extended play before they disbanded in 2011. She made her solo artist debut with two critically acclaimed mixtapes the following year,
|
2007-2010: Career beginnings, The Stunners and solo debut
|
Tinashe scored roles in a number of TV shows, movies, and children's videos in the early 2000s, including the movies Cora Unashamed (2000), Call Me Claus (2001), Masked and Anonymous (2003), and two TV series: Rocket Power (2004) and Avatar: The Last Airbender (2007). These led to a regular role in the TV series Out of Jimmy's Head in 2007-2008 and a recurring role on Two and a Half Men in 2008-2009. In 2007, Tinashe joined girl group the Stunners, founded by Vitamin C. Her bandmates were friends Marisol Esparza, Allie Gonino, Hayley Kiyoko, and Kelsey Sanders. Six months after their formation, the group signed with Columbia Records, and later signed a production deal with Lionsgate Entertainment for scripted television show for MTV. On March 18, 2009, they released a single and video, "Bubblegum." In October, the group released a five-song EP, influenced by artists such as Madonna, Gwen Stefani, and Rihanna. The music video for their promo single, "We Got It", was released on February 22, 2010, and they performed the song on The Today Show and The Wendy Williams Show. After signing with Universal Republic Records in 2010 they released a single, "Dancin' Around the Truth." The music video premiered on June 2, 2010, just before the group was announced as an opening act on Justin Bieber's My World Tour. After the Bieber tour the Stunners returned to the recording studio, but disbanded in 2011, and Tinashe began pursuing a solo career. On May 3, 2011, Tinashe gave her first televised solo performance during a Dodgers--Cubs game, singing "God Bless America". On June 24, 2011, Tinashe released her first solo music video, a cover of Lil Wayne's single "How to Love". The song was later released as a free digital download via Tinashe's official website. Following the video's release, Tinashe confirmed she had officially been released from her recording contract with Universal Republic. Tinashe was featured on the dance single "Artificial People" by OFM, released on September 12, 2011. On November 25, 2011 Tinashe released the music video for "Can't Say No", her first original solo song. The track samples Britney Spears's song "Blur" from her sixth studio album, Circus. The song was released for download on November 28, 2011.
Q: How did her career start
A: Tinashe scored roles in a number of TV shows, movies, and children's videos
Q: What tv show was her first
A: Cora Unashamed (
Q: What other tv shows did she do
A: Out of Jimmy's Head
Q: Did she do any others
A: Two and a Half Men
Q: What movies was she in
A: Call Me Claus (2001), Masked and Anonymous (2003),
Q: Did she perform for children?
A: children's videos
Q: Who were the stunners
A: the Stunners, founded by Vitamin C. Her bandmates were friends
Q: Did they make any albums
A: a five-song EP,
|
C_0fd5947e52684cad88d0f8ad099d0813_1_q#8
|
When was her solo debut
| 1n
| 2x
|
{
"texts": [
"unknown"
],
"answer_starts": [
2260
]
}
|
{
"text": "unknown",
"answer_start": 2260
}
|
C_0fd5947e52684cad88d0f8ad099d0813_1
|
Tinashe
|
Tinashe Jorgensen Kachingwe (; born February 6, 1993) is an American singer-songwriter, dancer, record producer, actress, and model. She began her career as an actress and model as a child, making several film and television appearances, the most notable of which being the voice of the Hero Girl in the animated film The Polar Express (2004), Robin Wheeler on Out of Jimmy's Head (2007-2008), and Celeste on Two and a Half Men (2008-2009). In 2007, Tinashe joined the girl group The Stunners, with whom she released one extended play before they disbanded in 2011. She made her solo artist debut with two critically acclaimed mixtapes the following year,
|
2007-2010: Career beginnings, The Stunners and solo debut
|
Tinashe scored roles in a number of TV shows, movies, and children's videos in the early 2000s, including the movies Cora Unashamed (2000), Call Me Claus (2001), Masked and Anonymous (2003), and two TV series: Rocket Power (2004) and Avatar: The Last Airbender (2007). These led to a regular role in the TV series Out of Jimmy's Head in 2007-2008 and a recurring role on Two and a Half Men in 2008-2009. In 2007, Tinashe joined girl group the Stunners, founded by Vitamin C. Her bandmates were friends Marisol Esparza, Allie Gonino, Hayley Kiyoko, and Kelsey Sanders. Six months after their formation, the group signed with Columbia Records, and later signed a production deal with Lionsgate Entertainment for scripted television show for MTV. On March 18, 2009, they released a single and video, "Bubblegum." In October, the group released a five-song EP, influenced by artists such as Madonna, Gwen Stefani, and Rihanna. The music video for their promo single, "We Got It", was released on February 22, 2010, and they performed the song on The Today Show and The Wendy Williams Show. After signing with Universal Republic Records in 2010 they released a single, "Dancin' Around the Truth." The music video premiered on June 2, 2010, just before the group was announced as an opening act on Justin Bieber's My World Tour. After the Bieber tour the Stunners returned to the recording studio, but disbanded in 2011, and Tinashe began pursuing a solo career. On May 3, 2011, Tinashe gave her first televised solo performance during a Dodgers--Cubs game, singing "God Bless America". On June 24, 2011, Tinashe released her first solo music video, a cover of Lil Wayne's single "How to Love". The song was later released as a free digital download via Tinashe's official website. Following the video's release, Tinashe confirmed she had officially been released from her recording contract with Universal Republic. Tinashe was featured on the dance single "Artificial People" by OFM, released on September 12, 2011. On November 25, 2011 Tinashe released the music video for "Can't Say No", her first original solo song. The track samples Britney Spears's song "Blur" from her sixth studio album, Circus. The song was released for download on November 28, 2011.
Q: How did her career start
A: Tinashe scored roles in a number of TV shows, movies, and children's videos
Q: What tv show was her first
A: Cora Unashamed (
Q: What other tv shows did she do
A: Out of Jimmy's Head
Q: Did she do any others
A: Two and a Half Men
Q: What movies was she in
A: Call Me Claus (2001), Masked and Anonymous (2003),
Q: Did she perform for children?
A: children's videos
Q: Who were the stunners
A: the Stunners, founded by Vitamin C. Her bandmates were friends
Q: Did they make any albums
A: a five-song EP,
Q: When was her solo debut
A: unknown
|
C_0fd5947e52684cad88d0f8ad099d0813_1_q#9
|
Is there anything else interesting from this time
| 2m
| 0y
|
{
"texts": [
"they performed the song on The Today Show"
],
"answer_starts": [
1016
]
}
|
{
"text": "they performed the song on The Today Show",
"answer_start": 1016
}
|
C_0fd5947e52684cad88d0f8ad099d0813_1
|
Tinashe
|
Tinashe Jorgensen Kachingwe (; born February 6, 1993) is an American singer-songwriter, dancer, record producer, actress, and model. She began her career as an actress and model as a child, making several film and television appearances, the most notable of which being the voice of the Hero Girl in the animated film The Polar Express (2004), Robin Wheeler on Out of Jimmy's Head (2007-2008), and Celeste on Two and a Half Men (2008-2009). In 2007, Tinashe joined the girl group The Stunners, with whom she released one extended play before they disbanded in 2011. She made her solo artist debut with two critically acclaimed mixtapes the following year,
|
2007-2010: Career beginnings, The Stunners and solo debut
|
Tinashe scored roles in a number of TV shows, movies, and children's videos in the early 2000s, including the movies Cora Unashamed (2000), Call Me Claus (2001), Masked and Anonymous (2003), and two TV series: Rocket Power (2004) and Avatar: The Last Airbender (2007). These led to a regular role in the TV series Out of Jimmy's Head in 2007-2008 and a recurring role on Two and a Half Men in 2008-2009. In 2007, Tinashe joined girl group the Stunners, founded by Vitamin C. Her bandmates were friends Marisol Esparza, Allie Gonino, Hayley Kiyoko, and Kelsey Sanders. Six months after their formation, the group signed with Columbia Records, and later signed a production deal with Lionsgate Entertainment for scripted television show for MTV. On March 18, 2009, they released a single and video, "Bubblegum." In October, the group released a five-song EP, influenced by artists such as Madonna, Gwen Stefani, and Rihanna. The music video for their promo single, "We Got It", was released on February 22, 2010, and they performed the song on The Today Show and The Wendy Williams Show. After signing with Universal Republic Records in 2010 they released a single, "Dancin' Around the Truth." The music video premiered on June 2, 2010, just before the group was announced as an opening act on Justin Bieber's My World Tour. After the Bieber tour the Stunners returned to the recording studio, but disbanded in 2011, and Tinashe began pursuing a solo career. On May 3, 2011, Tinashe gave her first televised solo performance during a Dodgers--Cubs game, singing "God Bless America". On June 24, 2011, Tinashe released her first solo music video, a cover of Lil Wayne's single "How to Love". The song was later released as a free digital download via Tinashe's official website. Following the video's release, Tinashe confirmed she had officially been released from her recording contract with Universal Republic. Tinashe was featured on the dance single "Artificial People" by OFM, released on September 12, 2011. On November 25, 2011 Tinashe released the music video for "Can't Say No", her first original solo song. The track samples Britney Spears's song "Blur" from her sixth studio album, Circus. The song was released for download on November 28, 2011.
Q: How did her career start
A: Tinashe scored roles in a number of TV shows, movies, and children's videos
Q: What tv show was her first
A: Cora Unashamed (
Q: What other tv shows did she do
A: Out of Jimmy's Head
Q: Did she do any others
A: Two and a Half Men
Q: What movies was she in
A: Call Me Claus (2001), Masked and Anonymous (2003),
Q: Did she perform for children?
A: children's videos
Q: Who were the stunners
A: the Stunners, founded by Vitamin C. Her bandmates were friends
Q: Did they make any albums
A: a five-song EP,
Q: When was her solo debut
A: unknown
Q: Is there anything else interesting from this time
A: they performed the song on The Today Show
|
C_0fd5947e52684cad88d0f8ad099d0813_1_q#10
|
Did she perform music on any other shows
| 2m
| 0y
|
{
"texts": [
"The Wendy Williams Show."
],
"answer_starts": [
1062
]
}
|
{
"text": "The Wendy Williams Show.",
"answer_start": 1062
}
|
C_0fd5947e52684cad88d0f8ad099d0813_0
|
Tinashe
|
Tinashe Jorgensen Kachingwe (; born February 6, 1993) is an American singer-songwriter, dancer, record producer, actress, and model. She began her career as an actress and model as a child, making several film and television appearances, the most notable of which being the voice of the Hero Girl in the animated film The Polar Express (2004), Robin Wheeler on Out of Jimmy's Head (2007-2008), and Celeste on Two and a Half Men (2008-2009). In 2007, Tinashe joined the girl group The Stunners, with whom she released one extended play before they disbanded in 2011. She made her solo artist debut with two critically acclaimed mixtapes the following year,
|
2011-2014: Independent releases and Aquarius
|
In Case We Die, Tinashe's debut solo mixtape, was released in February 2012, recorded in her home studio. The mixtape spawned four singles, the first being promotional song, "Chainless", released to iTunes on December 19, 2011. "My High" was released for streaming on her official website. The music video for single "This Feeling" directed by Cole Walliser was released on May 1, 2012 to Global Grind. The mixtape's final single, Boss, was released August 20, 2012, after the song was featured in an episode of the VH1 series Single Ladies. The music video for the song was self-directed. The mixtape was received positively by the blogosphere. On July 13, 2012, Tinashe announced that she had signed with RCA Records. Following the signing, her second mixtape, Reverie, was released on September 6, 2012 through her official website. The mixtape released three singles: the first "Stargazing", released on August 21, 2012; the second, "Ecstasy", released on December 18, 2012; and the final, "Who Am I Working For?", released on March 12, 2013. Upon its release, reviews for Reverie were generally positive. From August to November 2012, a series of remixes of songs from Tinashe's two mixtapes leaked online to critical acclaim. On November 26, 2013, Tinashe released her third mixtape, Black Water. The mixtape was composed of thirteen tracks produced by Dev Hynes, Boi-1da, Ryan Hemsworth, and Tinashe herself. The single "Vulnerable", which features rapper Travis Scott, was declared a "Must-Hear Pop Song of the Week" by MTV's Buzzworthy on November 26, 2013. Tinashe worked on her debut studio album in 2014. Recording took place in Los Angeles, London, Atlanta, New York, and Toronto. Tinashe worked with several producers, including Clams Casino, Ryan Hemsworth, Stuart Matthewman, DJ Mustard, T-Minus, Mike Will Made It, Boi-1da, Fisticuffs, Best Kept Secret, Ritz Reynolds and London on the track. On January 13, 2014, Tinashe released her first single from her debut album, "2 On". The song features American rapper Schoolboy Q, and was produced by DJ Mustard. The song entered the US Billboard Hot 100 chart at number 89, and has since peaked at number 24. On June 29, 2014, Tinashe made her national television debut, performing her single "2 On" at the BET Awards pre-show. That same day, she also announced that her anticipated debut album, Aquarius, would be officially released on October 7, 2014. Speaking about the theme of the album, Tinashe said: "It combines the essence of all my previous work. I've stayed true to who I am. Obviously, there's some progression as I've grown as an artist, and I'm influenced by new things and what not. I think my fans will be really happy with it. I think it really embodies who I am and where I am creatively right now". The second single, "Pretend" featuring ASAP Rocky, was released on August 22, 2014. "Aquarius" debuted at number 17 on Billboard 200 with 18,000 copies sold in its first week. Tinashe also featured on Nick Jonas' "Jealous" remix.
|
C_0fd5947e52684cad88d0f8ad099d0813_0_q#0
|
what was one of her independent releases?
| 0y
| 2x
|
{
"texts": [
"In Case We Die, Tinashe's debut solo mixtape, was released in February 2012, recorded"
],
"answer_starts": [
0
]
}
|
{
"text": "In Case We Die, Tinashe's debut solo mixtape, was released in February 2012, recorded",
"answer_start": 0
}
|
C_0fd5947e52684cad88d0f8ad099d0813_0
|
Tinashe
|
Tinashe Jorgensen Kachingwe (; born February 6, 1993) is an American singer-songwriter, dancer, record producer, actress, and model. She began her career as an actress and model as a child, making several film and television appearances, the most notable of which being the voice of the Hero Girl in the animated film The Polar Express (2004), Robin Wheeler on Out of Jimmy's Head (2007-2008), and Celeste on Two and a Half Men (2008-2009). In 2007, Tinashe joined the girl group The Stunners, with whom she released one extended play before they disbanded in 2011. She made her solo artist debut with two critically acclaimed mixtapes the following year,
|
2011-2014: Independent releases and Aquarius
|
In Case We Die, Tinashe's debut solo mixtape, was released in February 2012, recorded in her home studio. The mixtape spawned four singles, the first being promotional song, "Chainless", released to iTunes on December 19, 2011. "My High" was released for streaming on her official website. The music video for single "This Feeling" directed by Cole Walliser was released on May 1, 2012 to Global Grind. The mixtape's final single, Boss, was released August 20, 2012, after the song was featured in an episode of the VH1 series Single Ladies. The music video for the song was self-directed. The mixtape was received positively by the blogosphere. On July 13, 2012, Tinashe announced that she had signed with RCA Records. Following the signing, her second mixtape, Reverie, was released on September 6, 2012 through her official website. The mixtape released three singles: the first "Stargazing", released on August 21, 2012; the second, "Ecstasy", released on December 18, 2012; and the final, "Who Am I Working For?", released on March 12, 2013. Upon its release, reviews for Reverie were generally positive. From August to November 2012, a series of remixes of songs from Tinashe's two mixtapes leaked online to critical acclaim. On November 26, 2013, Tinashe released her third mixtape, Black Water. The mixtape was composed of thirteen tracks produced by Dev Hynes, Boi-1da, Ryan Hemsworth, and Tinashe herself. The single "Vulnerable", which features rapper Travis Scott, was declared a "Must-Hear Pop Song of the Week" by MTV's Buzzworthy on November 26, 2013. Tinashe worked on her debut studio album in 2014. Recording took place in Los Angeles, London, Atlanta, New York, and Toronto. Tinashe worked with several producers, including Clams Casino, Ryan Hemsworth, Stuart Matthewman, DJ Mustard, T-Minus, Mike Will Made It, Boi-1da, Fisticuffs, Best Kept Secret, Ritz Reynolds and London on the track. On January 13, 2014, Tinashe released her first single from her debut album, "2 On". The song features American rapper Schoolboy Q, and was produced by DJ Mustard. The song entered the US Billboard Hot 100 chart at number 89, and has since peaked at number 24. On June 29, 2014, Tinashe made her national television debut, performing her single "2 On" at the BET Awards pre-show. That same day, she also announced that her anticipated debut album, Aquarius, would be officially released on October 7, 2014. Speaking about the theme of the album, Tinashe said: "It combines the essence of all my previous work. I've stayed true to who I am. Obviously, there's some progression as I've grown as an artist, and I'm influenced by new things and what not. I think my fans will be really happy with it. I think it really embodies who I am and where I am creatively right now". The second single, "Pretend" featuring ASAP Rocky, was released on August 22, 2014. "Aquarius" debuted at number 17 on Billboard 200 with 18,000 copies sold in its first week. Tinashe also featured on Nick Jonas' "Jealous" remix.
Q: what was one of her independent releases?
A: In Case We Die, Tinashe's debut solo mixtape, was released in February 2012, recorded
|
C_0fd5947e52684cad88d0f8ad099d0813_0_q#1
|
what was another independent release?
| 0y
| 2x
|
{
"texts": [
"studio. The mixtape spawned four singles, the first being promotional song, \"Chainless\", released to iTunes on December 19, 2011."
],
"answer_starts": [
98
]
}
|
{
"text": "studio. The mixtape spawned four singles, the first being promotional song, \"Chainless\", released to iTunes on December 19, 2011.",
"answer_start": 98
}
|
C_0fd5947e52684cad88d0f8ad099d0813_0
|
Tinashe
|
Tinashe Jorgensen Kachingwe (; born February 6, 1993) is an American singer-songwriter, dancer, record producer, actress, and model. She began her career as an actress and model as a child, making several film and television appearances, the most notable of which being the voice of the Hero Girl in the animated film The Polar Express (2004), Robin Wheeler on Out of Jimmy's Head (2007-2008), and Celeste on Two and a Half Men (2008-2009). In 2007, Tinashe joined the girl group The Stunners, with whom she released one extended play before they disbanded in 2011. She made her solo artist debut with two critically acclaimed mixtapes the following year,
|
2011-2014: Independent releases and Aquarius
|
In Case We Die, Tinashe's debut solo mixtape, was released in February 2012, recorded in her home studio. The mixtape spawned four singles, the first being promotional song, "Chainless", released to iTunes on December 19, 2011. "My High" was released for streaming on her official website. The music video for single "This Feeling" directed by Cole Walliser was released on May 1, 2012 to Global Grind. The mixtape's final single, Boss, was released August 20, 2012, after the song was featured in an episode of the VH1 series Single Ladies. The music video for the song was self-directed. The mixtape was received positively by the blogosphere. On July 13, 2012, Tinashe announced that she had signed with RCA Records. Following the signing, her second mixtape, Reverie, was released on September 6, 2012 through her official website. The mixtape released three singles: the first "Stargazing", released on August 21, 2012; the second, "Ecstasy", released on December 18, 2012; and the final, "Who Am I Working For?", released on March 12, 2013. Upon its release, reviews for Reverie were generally positive. From August to November 2012, a series of remixes of songs from Tinashe's two mixtapes leaked online to critical acclaim. On November 26, 2013, Tinashe released her third mixtape, Black Water. The mixtape was composed of thirteen tracks produced by Dev Hynes, Boi-1da, Ryan Hemsworth, and Tinashe herself. The single "Vulnerable", which features rapper Travis Scott, was declared a "Must-Hear Pop Song of the Week" by MTV's Buzzworthy on November 26, 2013. Tinashe worked on her debut studio album in 2014. Recording took place in Los Angeles, London, Atlanta, New York, and Toronto. Tinashe worked with several producers, including Clams Casino, Ryan Hemsworth, Stuart Matthewman, DJ Mustard, T-Minus, Mike Will Made It, Boi-1da, Fisticuffs, Best Kept Secret, Ritz Reynolds and London on the track. On January 13, 2014, Tinashe released her first single from her debut album, "2 On". The song features American rapper Schoolboy Q, and was produced by DJ Mustard. The song entered the US Billboard Hot 100 chart at number 89, and has since peaked at number 24. On June 29, 2014, Tinashe made her national television debut, performing her single "2 On" at the BET Awards pre-show. That same day, she also announced that her anticipated debut album, Aquarius, would be officially released on October 7, 2014. Speaking about the theme of the album, Tinashe said: "It combines the essence of all my previous work. I've stayed true to who I am. Obviously, there's some progression as I've grown as an artist, and I'm influenced by new things and what not. I think my fans will be really happy with it. I think it really embodies who I am and where I am creatively right now". The second single, "Pretend" featuring ASAP Rocky, was released on August 22, 2014. "Aquarius" debuted at number 17 on Billboard 200 with 18,000 copies sold in its first week. Tinashe also featured on Nick Jonas' "Jealous" remix.
Q: what was one of her independent releases?
A: In Case We Die, Tinashe's debut solo mixtape, was released in February 2012, recorded
Q: what was another independent release?
A: studio. The mixtape spawned four singles, the first being promotional song, "Chainless", released to iTunes on December 19, 2011.
|
C_0fd5947e52684cad88d0f8ad099d0813_0_q#2
|
what record label did she use?
| 0y
| 2x
|
{
"texts": [
"On July 13, 2012, Tinashe announced that she had signed with RCA Records."
],
"answer_starts": [
647
]
}
|
{
"text": "On July 13, 2012, Tinashe announced that she had signed with RCA Records.",
"answer_start": 647
}
|
C_0fd5947e52684cad88d0f8ad099d0813_0
|
Tinashe
|
Tinashe Jorgensen Kachingwe (; born February 6, 1993) is an American singer-songwriter, dancer, record producer, actress, and model. She began her career as an actress and model as a child, making several film and television appearances, the most notable of which being the voice of the Hero Girl in the animated film The Polar Express (2004), Robin Wheeler on Out of Jimmy's Head (2007-2008), and Celeste on Two and a Half Men (2008-2009). In 2007, Tinashe joined the girl group The Stunners, with whom she released one extended play before they disbanded in 2011. She made her solo artist debut with two critically acclaimed mixtapes the following year,
|
2011-2014: Independent releases and Aquarius
|
In Case We Die, Tinashe's debut solo mixtape, was released in February 2012, recorded in her home studio. The mixtape spawned four singles, the first being promotional song, "Chainless", released to iTunes on December 19, 2011. "My High" was released for streaming on her official website. The music video for single "This Feeling" directed by Cole Walliser was released on May 1, 2012 to Global Grind. The mixtape's final single, Boss, was released August 20, 2012, after the song was featured in an episode of the VH1 series Single Ladies. The music video for the song was self-directed. The mixtape was received positively by the blogosphere. On July 13, 2012, Tinashe announced that she had signed with RCA Records. Following the signing, her second mixtape, Reverie, was released on September 6, 2012 through her official website. The mixtape released three singles: the first "Stargazing", released on August 21, 2012; the second, "Ecstasy", released on December 18, 2012; and the final, "Who Am I Working For?", released on March 12, 2013. Upon its release, reviews for Reverie were generally positive. From August to November 2012, a series of remixes of songs from Tinashe's two mixtapes leaked online to critical acclaim. On November 26, 2013, Tinashe released her third mixtape, Black Water. The mixtape was composed of thirteen tracks produced by Dev Hynes, Boi-1da, Ryan Hemsworth, and Tinashe herself. The single "Vulnerable", which features rapper Travis Scott, was declared a "Must-Hear Pop Song of the Week" by MTV's Buzzworthy on November 26, 2013. Tinashe worked on her debut studio album in 2014. Recording took place in Los Angeles, London, Atlanta, New York, and Toronto. Tinashe worked with several producers, including Clams Casino, Ryan Hemsworth, Stuart Matthewman, DJ Mustard, T-Minus, Mike Will Made It, Boi-1da, Fisticuffs, Best Kept Secret, Ritz Reynolds and London on the track. On January 13, 2014, Tinashe released her first single from her debut album, "2 On". The song features American rapper Schoolboy Q, and was produced by DJ Mustard. The song entered the US Billboard Hot 100 chart at number 89, and has since peaked at number 24. On June 29, 2014, Tinashe made her national television debut, performing her single "2 On" at the BET Awards pre-show. That same day, she also announced that her anticipated debut album, Aquarius, would be officially released on October 7, 2014. Speaking about the theme of the album, Tinashe said: "It combines the essence of all my previous work. I've stayed true to who I am. Obviously, there's some progression as I've grown as an artist, and I'm influenced by new things and what not. I think my fans will be really happy with it. I think it really embodies who I am and where I am creatively right now". The second single, "Pretend" featuring ASAP Rocky, was released on August 22, 2014. "Aquarius" debuted at number 17 on Billboard 200 with 18,000 copies sold in its first week. Tinashe also featured on Nick Jonas' "Jealous" remix.
Q: what was one of her independent releases?
A: In Case We Die, Tinashe's debut solo mixtape, was released in February 2012, recorded
Q: what was another independent release?
A: studio. The mixtape spawned four singles, the first being promotional song, "Chainless", released to iTunes on December 19, 2011.
Q: what record label did she use?
A: On July 13, 2012, Tinashe announced that she had signed with RCA Records.
|
C_0fd5947e52684cad88d0f8ad099d0813_0_q#3
|
how long was she with RCA Records?
| 2m
| 2x
|
{
"texts": [
"unknown"
],
"answer_starts": [
3015
]
}
|
{
"text": "unknown",
"answer_start": 3015
}
|
C_0fd5947e52684cad88d0f8ad099d0813_0
|
Tinashe
|
Tinashe Jorgensen Kachingwe (; born February 6, 1993) is an American singer-songwriter, dancer, record producer, actress, and model. She began her career as an actress and model as a child, making several film and television appearances, the most notable of which being the voice of the Hero Girl in the animated film The Polar Express (2004), Robin Wheeler on Out of Jimmy's Head (2007-2008), and Celeste on Two and a Half Men (2008-2009). In 2007, Tinashe joined the girl group The Stunners, with whom she released one extended play before they disbanded in 2011. She made her solo artist debut with two critically acclaimed mixtapes the following year,
|
2011-2014: Independent releases and Aquarius
|
In Case We Die, Tinashe's debut solo mixtape, was released in February 2012, recorded in her home studio. The mixtape spawned four singles, the first being promotional song, "Chainless", released to iTunes on December 19, 2011. "My High" was released for streaming on her official website. The music video for single "This Feeling" directed by Cole Walliser was released on May 1, 2012 to Global Grind. The mixtape's final single, Boss, was released August 20, 2012, after the song was featured in an episode of the VH1 series Single Ladies. The music video for the song was self-directed. The mixtape was received positively by the blogosphere. On July 13, 2012, Tinashe announced that she had signed with RCA Records. Following the signing, her second mixtape, Reverie, was released on September 6, 2012 through her official website. The mixtape released three singles: the first "Stargazing", released on August 21, 2012; the second, "Ecstasy", released on December 18, 2012; and the final, "Who Am I Working For?", released on March 12, 2013. Upon its release, reviews for Reverie were generally positive. From August to November 2012, a series of remixes of songs from Tinashe's two mixtapes leaked online to critical acclaim. On November 26, 2013, Tinashe released her third mixtape, Black Water. The mixtape was composed of thirteen tracks produced by Dev Hynes, Boi-1da, Ryan Hemsworth, and Tinashe herself. The single "Vulnerable", which features rapper Travis Scott, was declared a "Must-Hear Pop Song of the Week" by MTV's Buzzworthy on November 26, 2013. Tinashe worked on her debut studio album in 2014. Recording took place in Los Angeles, London, Atlanta, New York, and Toronto. Tinashe worked with several producers, including Clams Casino, Ryan Hemsworth, Stuart Matthewman, DJ Mustard, T-Minus, Mike Will Made It, Boi-1da, Fisticuffs, Best Kept Secret, Ritz Reynolds and London on the track. On January 13, 2014, Tinashe released her first single from her debut album, "2 On". The song features American rapper Schoolboy Q, and was produced by DJ Mustard. The song entered the US Billboard Hot 100 chart at number 89, and has since peaked at number 24. On June 29, 2014, Tinashe made her national television debut, performing her single "2 On" at the BET Awards pre-show. That same day, she also announced that her anticipated debut album, Aquarius, would be officially released on October 7, 2014. Speaking about the theme of the album, Tinashe said: "It combines the essence of all my previous work. I've stayed true to who I am. Obviously, there's some progression as I've grown as an artist, and I'm influenced by new things and what not. I think my fans will be really happy with it. I think it really embodies who I am and where I am creatively right now". The second single, "Pretend" featuring ASAP Rocky, was released on August 22, 2014. "Aquarius" debuted at number 17 on Billboard 200 with 18,000 copies sold in its first week. Tinashe also featured on Nick Jonas' "Jealous" remix.
Q: what was one of her independent releases?
A: In Case We Die, Tinashe's debut solo mixtape, was released in February 2012, recorded
Q: what was another independent release?
A: studio. The mixtape spawned four singles, the first being promotional song, "Chainless", released to iTunes on December 19, 2011.
Q: what record label did she use?
A: On July 13, 2012, Tinashe announced that she had signed with RCA Records.
Q: how long was she with RCA Records?
A: unknown
|
C_0fd5947e52684cad88d0f8ad099d0813_0_q#4
|
what was Aquarius?
| 0y
| 2x
|
{
"texts": [
"That same day, she also announced that her anticipated debut album, Aquarius, would be officially released on October 7, 2014."
],
"answer_starts": [
2294
]
}
|
{
"text": "That same day, she also announced that her anticipated debut album, Aquarius, would be officially released on October 7, 2014.",
"answer_start": 2294
}
|
C_0fd5947e52684cad88d0f8ad099d0813_0
|
Tinashe
|
Tinashe Jorgensen Kachingwe (; born February 6, 1993) is an American singer-songwriter, dancer, record producer, actress, and model. She began her career as an actress and model as a child, making several film and television appearances, the most notable of which being the voice of the Hero Girl in the animated film The Polar Express (2004), Robin Wheeler on Out of Jimmy's Head (2007-2008), and Celeste on Two and a Half Men (2008-2009). In 2007, Tinashe joined the girl group The Stunners, with whom she released one extended play before they disbanded in 2011. She made her solo artist debut with two critically acclaimed mixtapes the following year,
|
2011-2014: Independent releases and Aquarius
|
In Case We Die, Tinashe's debut solo mixtape, was released in February 2012, recorded in her home studio. The mixtape spawned four singles, the first being promotional song, "Chainless", released to iTunes on December 19, 2011. "My High" was released for streaming on her official website. The music video for single "This Feeling" directed by Cole Walliser was released on May 1, 2012 to Global Grind. The mixtape's final single, Boss, was released August 20, 2012, after the song was featured in an episode of the VH1 series Single Ladies. The music video for the song was self-directed. The mixtape was received positively by the blogosphere. On July 13, 2012, Tinashe announced that she had signed with RCA Records. Following the signing, her second mixtape, Reverie, was released on September 6, 2012 through her official website. The mixtape released three singles: the first "Stargazing", released on August 21, 2012; the second, "Ecstasy", released on December 18, 2012; and the final, "Who Am I Working For?", released on March 12, 2013. Upon its release, reviews for Reverie were generally positive. From August to November 2012, a series of remixes of songs from Tinashe's two mixtapes leaked online to critical acclaim. On November 26, 2013, Tinashe released her third mixtape, Black Water. The mixtape was composed of thirteen tracks produced by Dev Hynes, Boi-1da, Ryan Hemsworth, and Tinashe herself. The single "Vulnerable", which features rapper Travis Scott, was declared a "Must-Hear Pop Song of the Week" by MTV's Buzzworthy on November 26, 2013. Tinashe worked on her debut studio album in 2014. Recording took place in Los Angeles, London, Atlanta, New York, and Toronto. Tinashe worked with several producers, including Clams Casino, Ryan Hemsworth, Stuart Matthewman, DJ Mustard, T-Minus, Mike Will Made It, Boi-1da, Fisticuffs, Best Kept Secret, Ritz Reynolds and London on the track. On January 13, 2014, Tinashe released her first single from her debut album, "2 On". The song features American rapper Schoolboy Q, and was produced by DJ Mustard. The song entered the US Billboard Hot 100 chart at number 89, and has since peaked at number 24. On June 29, 2014, Tinashe made her national television debut, performing her single "2 On" at the BET Awards pre-show. That same day, she also announced that her anticipated debut album, Aquarius, would be officially released on October 7, 2014. Speaking about the theme of the album, Tinashe said: "It combines the essence of all my previous work. I've stayed true to who I am. Obviously, there's some progression as I've grown as an artist, and I'm influenced by new things and what not. I think my fans will be really happy with it. I think it really embodies who I am and where I am creatively right now". The second single, "Pretend" featuring ASAP Rocky, was released on August 22, 2014. "Aquarius" debuted at number 17 on Billboard 200 with 18,000 copies sold in its first week. Tinashe also featured on Nick Jonas' "Jealous" remix.
Q: what was one of her independent releases?
A: In Case We Die, Tinashe's debut solo mixtape, was released in February 2012, recorded
Q: what was another independent release?
A: studio. The mixtape spawned four singles, the first being promotional song, "Chainless", released to iTunes on December 19, 2011.
Q: what record label did she use?
A: On July 13, 2012, Tinashe announced that she had signed with RCA Records.
Q: how long was she with RCA Records?
A: unknown
Q: what was Aquarius?
A: That same day, she also announced that her anticipated debut album, Aquarius, would be officially released on October 7, 2014.
|
C_0fd5947e52684cad88d0f8ad099d0813_0_q#5
|
did it sell well?
| 2m
| 0y
|
{
"texts": [
"\"Aquarius\" debuted at number 17 on Billboard 200 with 18,000 copies sold in its first week."
],
"answer_starts": [
2869
]
}
|
{
"text": "\"Aquarius\" debuted at number 17 on Billboard 200 with 18,000 copies sold in its first week.",
"answer_start": 2869
}
|
C_0fd5947e52684cad88d0f8ad099d0813_0
|
Tinashe
|
Tinashe Jorgensen Kachingwe (; born February 6, 1993) is an American singer-songwriter, dancer, record producer, actress, and model. She began her career as an actress and model as a child, making several film and television appearances, the most notable of which being the voice of the Hero Girl in the animated film The Polar Express (2004), Robin Wheeler on Out of Jimmy's Head (2007-2008), and Celeste on Two and a Half Men (2008-2009). In 2007, Tinashe joined the girl group The Stunners, with whom she released one extended play before they disbanded in 2011. She made her solo artist debut with two critically acclaimed mixtapes the following year,
|
2011-2014: Independent releases and Aquarius
|
In Case We Die, Tinashe's debut solo mixtape, was released in February 2012, recorded in her home studio. The mixtape spawned four singles, the first being promotional song, "Chainless", released to iTunes on December 19, 2011. "My High" was released for streaming on her official website. The music video for single "This Feeling" directed by Cole Walliser was released on May 1, 2012 to Global Grind. The mixtape's final single, Boss, was released August 20, 2012, after the song was featured in an episode of the VH1 series Single Ladies. The music video for the song was self-directed. The mixtape was received positively by the blogosphere. On July 13, 2012, Tinashe announced that she had signed with RCA Records. Following the signing, her second mixtape, Reverie, was released on September 6, 2012 through her official website. The mixtape released three singles: the first "Stargazing", released on August 21, 2012; the second, "Ecstasy", released on December 18, 2012; and the final, "Who Am I Working For?", released on March 12, 2013. Upon its release, reviews for Reverie were generally positive. From August to November 2012, a series of remixes of songs from Tinashe's two mixtapes leaked online to critical acclaim. On November 26, 2013, Tinashe released her third mixtape, Black Water. The mixtape was composed of thirteen tracks produced by Dev Hynes, Boi-1da, Ryan Hemsworth, and Tinashe herself. The single "Vulnerable", which features rapper Travis Scott, was declared a "Must-Hear Pop Song of the Week" by MTV's Buzzworthy on November 26, 2013. Tinashe worked on her debut studio album in 2014. Recording took place in Los Angeles, London, Atlanta, New York, and Toronto. Tinashe worked with several producers, including Clams Casino, Ryan Hemsworth, Stuart Matthewman, DJ Mustard, T-Minus, Mike Will Made It, Boi-1da, Fisticuffs, Best Kept Secret, Ritz Reynolds and London on the track. On January 13, 2014, Tinashe released her first single from her debut album, "2 On". The song features American rapper Schoolboy Q, and was produced by DJ Mustard. The song entered the US Billboard Hot 100 chart at number 89, and has since peaked at number 24. On June 29, 2014, Tinashe made her national television debut, performing her single "2 On" at the BET Awards pre-show. That same day, she also announced that her anticipated debut album, Aquarius, would be officially released on October 7, 2014. Speaking about the theme of the album, Tinashe said: "It combines the essence of all my previous work. I've stayed true to who I am. Obviously, there's some progression as I've grown as an artist, and I'm influenced by new things and what not. I think my fans will be really happy with it. I think it really embodies who I am and where I am creatively right now". The second single, "Pretend" featuring ASAP Rocky, was released on August 22, 2014. "Aquarius" debuted at number 17 on Billboard 200 with 18,000 copies sold in its first week. Tinashe also featured on Nick Jonas' "Jealous" remix.
Q: what was one of her independent releases?
A: In Case We Die, Tinashe's debut solo mixtape, was released in February 2012, recorded
Q: what was another independent release?
A: studio. The mixtape spawned four singles, the first being promotional song, "Chainless", released to iTunes on December 19, 2011.
Q: what record label did she use?
A: On July 13, 2012, Tinashe announced that she had signed with RCA Records.
Q: how long was she with RCA Records?
A: unknown
Q: what was Aquarius?
A: That same day, she also announced that her anticipated debut album, Aquarius, would be officially released on October 7, 2014.
Q: did it sell well?
A: "Aquarius" debuted at number 17 on Billboard 200 with 18,000 copies sold in its first week.
|
C_0fd5947e52684cad88d0f8ad099d0813_0_q#6
|
did she write any of her solo songs?
| 2m
| 2x
|
{
"texts": [
"unknown"
],
"answer_starts": [
3015
]
}
|
{
"text": "unknown",
"answer_start": 3015
}
|
C_0fd5947e52684cad88d0f8ad099d0813_0
|
Tinashe
|
Tinashe Jorgensen Kachingwe (; born February 6, 1993) is an American singer-songwriter, dancer, record producer, actress, and model. She began her career as an actress and model as a child, making several film and television appearances, the most notable of which being the voice of the Hero Girl in the animated film The Polar Express (2004), Robin Wheeler on Out of Jimmy's Head (2007-2008), and Celeste on Two and a Half Men (2008-2009). In 2007, Tinashe joined the girl group The Stunners, with whom she released one extended play before they disbanded in 2011. She made her solo artist debut with two critically acclaimed mixtapes the following year,
|
2011-2014: Independent releases and Aquarius
|
In Case We Die, Tinashe's debut solo mixtape, was released in February 2012, recorded in her home studio. The mixtape spawned four singles, the first being promotional song, "Chainless", released to iTunes on December 19, 2011. "My High" was released for streaming on her official website. The music video for single "This Feeling" directed by Cole Walliser was released on May 1, 2012 to Global Grind. The mixtape's final single, Boss, was released August 20, 2012, after the song was featured in an episode of the VH1 series Single Ladies. The music video for the song was self-directed. The mixtape was received positively by the blogosphere. On July 13, 2012, Tinashe announced that she had signed with RCA Records. Following the signing, her second mixtape, Reverie, was released on September 6, 2012 through her official website. The mixtape released three singles: the first "Stargazing", released on August 21, 2012; the second, "Ecstasy", released on December 18, 2012; and the final, "Who Am I Working For?", released on March 12, 2013. Upon its release, reviews for Reverie were generally positive. From August to November 2012, a series of remixes of songs from Tinashe's two mixtapes leaked online to critical acclaim. On November 26, 2013, Tinashe released her third mixtape, Black Water. The mixtape was composed of thirteen tracks produced by Dev Hynes, Boi-1da, Ryan Hemsworth, and Tinashe herself. The single "Vulnerable", which features rapper Travis Scott, was declared a "Must-Hear Pop Song of the Week" by MTV's Buzzworthy on November 26, 2013. Tinashe worked on her debut studio album in 2014. Recording took place in Los Angeles, London, Atlanta, New York, and Toronto. Tinashe worked with several producers, including Clams Casino, Ryan Hemsworth, Stuart Matthewman, DJ Mustard, T-Minus, Mike Will Made It, Boi-1da, Fisticuffs, Best Kept Secret, Ritz Reynolds and London on the track. On January 13, 2014, Tinashe released her first single from her debut album, "2 On". The song features American rapper Schoolboy Q, and was produced by DJ Mustard. The song entered the US Billboard Hot 100 chart at number 89, and has since peaked at number 24. On June 29, 2014, Tinashe made her national television debut, performing her single "2 On" at the BET Awards pre-show. That same day, she also announced that her anticipated debut album, Aquarius, would be officially released on October 7, 2014. Speaking about the theme of the album, Tinashe said: "It combines the essence of all my previous work. I've stayed true to who I am. Obviously, there's some progression as I've grown as an artist, and I'm influenced by new things and what not. I think my fans will be really happy with it. I think it really embodies who I am and where I am creatively right now". The second single, "Pretend" featuring ASAP Rocky, was released on August 22, 2014. "Aquarius" debuted at number 17 on Billboard 200 with 18,000 copies sold in its first week. Tinashe also featured on Nick Jonas' "Jealous" remix.
Q: what was one of her independent releases?
A: In Case We Die, Tinashe's debut solo mixtape, was released in February 2012, recorded
Q: what was another independent release?
A: studio. The mixtape spawned four singles, the first being promotional song, "Chainless", released to iTunes on December 19, 2011.
Q: what record label did she use?
A: On July 13, 2012, Tinashe announced that she had signed with RCA Records.
Q: how long was she with RCA Records?
A: unknown
Q: what was Aquarius?
A: That same day, she also announced that her anticipated debut album, Aquarius, would be officially released on October 7, 2014.
Q: did it sell well?
A: "Aquarius" debuted at number 17 on Billboard 200 with 18,000 copies sold in its first week.
Q: did she write any of her solo songs?
A: unknown
|
C_0fd5947e52684cad88d0f8ad099d0813_0_q#7
|
did she do any music videos?
| 2m
| 0y
|
{
"texts": [
"The music video for single \"This Feeling\" directed by Cole Walliser was released on May 1, 2012 to Global Grind."
],
"answer_starts": [
290
]
}
|
{
"text": "The music video for single \"This Feeling\" directed by Cole Walliser was released on May 1, 2012 to Global Grind.",
"answer_start": 290
}
|
C_0fd5947e52684cad88d0f8ad099d0813_0
|
Tinashe
|
Tinashe Jorgensen Kachingwe (; born February 6, 1993) is an American singer-songwriter, dancer, record producer, actress, and model. She began her career as an actress and model as a child, making several film and television appearances, the most notable of which being the voice of the Hero Girl in the animated film The Polar Express (2004), Robin Wheeler on Out of Jimmy's Head (2007-2008), and Celeste on Two and a Half Men (2008-2009). In 2007, Tinashe joined the girl group The Stunners, with whom she released one extended play before they disbanded in 2011. She made her solo artist debut with two critically acclaimed mixtapes the following year,
|
2011-2014: Independent releases and Aquarius
|
In Case We Die, Tinashe's debut solo mixtape, was released in February 2012, recorded in her home studio. The mixtape spawned four singles, the first being promotional song, "Chainless", released to iTunes on December 19, 2011. "My High" was released for streaming on her official website. The music video for single "This Feeling" directed by Cole Walliser was released on May 1, 2012 to Global Grind. The mixtape's final single, Boss, was released August 20, 2012, after the song was featured in an episode of the VH1 series Single Ladies. The music video for the song was self-directed. The mixtape was received positively by the blogosphere. On July 13, 2012, Tinashe announced that she had signed with RCA Records. Following the signing, her second mixtape, Reverie, was released on September 6, 2012 through her official website. The mixtape released three singles: the first "Stargazing", released on August 21, 2012; the second, "Ecstasy", released on December 18, 2012; and the final, "Who Am I Working For?", released on March 12, 2013. Upon its release, reviews for Reverie were generally positive. From August to November 2012, a series of remixes of songs from Tinashe's two mixtapes leaked online to critical acclaim. On November 26, 2013, Tinashe released her third mixtape, Black Water. The mixtape was composed of thirteen tracks produced by Dev Hynes, Boi-1da, Ryan Hemsworth, and Tinashe herself. The single "Vulnerable", which features rapper Travis Scott, was declared a "Must-Hear Pop Song of the Week" by MTV's Buzzworthy on November 26, 2013. Tinashe worked on her debut studio album in 2014. Recording took place in Los Angeles, London, Atlanta, New York, and Toronto. Tinashe worked with several producers, including Clams Casino, Ryan Hemsworth, Stuart Matthewman, DJ Mustard, T-Minus, Mike Will Made It, Boi-1da, Fisticuffs, Best Kept Secret, Ritz Reynolds and London on the track. On January 13, 2014, Tinashe released her first single from her debut album, "2 On". The song features American rapper Schoolboy Q, and was produced by DJ Mustard. The song entered the US Billboard Hot 100 chart at number 89, and has since peaked at number 24. On June 29, 2014, Tinashe made her national television debut, performing her single "2 On" at the BET Awards pre-show. That same day, she also announced that her anticipated debut album, Aquarius, would be officially released on October 7, 2014. Speaking about the theme of the album, Tinashe said: "It combines the essence of all my previous work. I've stayed true to who I am. Obviously, there's some progression as I've grown as an artist, and I'm influenced by new things and what not. I think my fans will be really happy with it. I think it really embodies who I am and where I am creatively right now". The second single, "Pretend" featuring ASAP Rocky, was released on August 22, 2014. "Aquarius" debuted at number 17 on Billboard 200 with 18,000 copies sold in its first week. Tinashe also featured on Nick Jonas' "Jealous" remix.
Q: what was one of her independent releases?
A: In Case We Die, Tinashe's debut solo mixtape, was released in February 2012, recorded
Q: what was another independent release?
A: studio. The mixtape spawned four singles, the first being promotional song, "Chainless", released to iTunes on December 19, 2011.
Q: what record label did she use?
A: On July 13, 2012, Tinashe announced that she had signed with RCA Records.
Q: how long was she with RCA Records?
A: unknown
Q: what was Aquarius?
A: That same day, she also announced that her anticipated debut album, Aquarius, would be officially released on October 7, 2014.
Q: did it sell well?
A: "Aquarius" debuted at number 17 on Billboard 200 with 18,000 copies sold in its first week.
Q: did she write any of her solo songs?
A: unknown
Q: did she do any music videos?
A: The music video for single "This Feeling" directed by Cole Walliser was released on May 1, 2012 to Global Grind.
|
C_0fd5947e52684cad88d0f8ad099d0813_0_q#8
|
did she ever perform with any other artists?
| 0y
| 0y
|
{
"texts": [
"Tinashe released her first single from her debut album, \"2 On\". The song features American rapper Schoolboy Q, and was produced by DJ Mustard."
],
"answer_starts": [
1934
]
}
|
{
"text": "Tinashe released her first single from her debut album, \"2 On\". The song features American rapper Schoolboy Q, and was produced by DJ Mustard.",
"answer_start": 1934
}
|
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