In The Mode - Roni Size/Reprazent
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Generally favorable reviews - based on 16 Critics What's this?

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Score distribution:
  1. Positive: 12 out of 16
  2. Negative: 0 out of 16
  1. The album moves the way you always hope jungle will, like a cross between a tiger and a snake, yet it's also a kind of mix record, with five showcases for Reprazent's serviceable MC Dynamite, who's as useful as the inevitable Method Man in the crucial matter of providing rap sounds. Size has his own Chaka, too. Her name is Onallee, and she takes the record out.
  2. 90
    Still walking that tightrope between seductive soul and fearsome BPM counts, Size and crew grab you by the earlobe and drag you along, whether you like it or not. This time, though, they've polished their sound to a liquid smoothness and brought some friends along, namely Method Man and Rage Against the Machine's Zack de la Rocha.... At a time when drum-and-bass has lost its momentum and focus, In the Mode glimmers with brilliance simply because it's everything that drum-and-bass isn't.
  3. His latest returns a sense of urgency to a musical revolution-turned-boutique genre. The vibe's faster and gnarlier... [10/27/2000, p.120]
  4. 80
    Size earns his crown as he breaks through the jungle unscathed on In the Mode. He rises above mainstream neighbors Tricky and Massive Attack to take credit for an eclectic mix of what would have been one painfully long trip if left to any old Limelight DJ.
  5. 70
    In The Mode is far from an innovative lyrical masterpiece. But then, it's not supposed to be. The rapping, singing, and general noisemaking of vocalists Dynamite MC, Onallee, and guests Method Man and Rahzel serve a far more critical purpose than merely adding hollow words. Unspectacular in their own right, the vocals here are what bind together the bursts of musical thought into a fluid whole.
  6. The change is clear from the outset with 'In The Mode' sounding like an album made by an act that no longer feels the need to pamper its audience. Gone are the gently loping double bass grooves and feathery vocals, replaced by a feverishly paced percussive assault that challenges both vocalists and live instruments alike to keep up.
  7. 60
    Roni Size has abandoned his grooves for a tougher hip-hop-oriented approach. The results are hit and miss... [Nov. 2000, p.122]

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