Strings, Attached

When I said goodbye to California when I was seven, I didn’t realize that I was letting the only home I’d known slip through my fingers. At seven, packing up two large moving trucks with everything you own seems like an adventure. I got into that large yellow truck and didn’t look back for a long while.

Home, for me, is the place I’ve lived most of my days since: Spokane, Washington, a medium-sized city with a small town feel, far from the rain and gloom of Seattle, on the coast. All of the bedrooms I’ve had to myself are in this city. This is where my favorite swing hangs, in my favorite park, the place I go to contemplate life, or to wait for a phone call from a boy that may or may not come. We have history, Spokane and I.


I woke up in the wee hours to catch my flight to California. The temperature hovered somewhere right around freezing. This is the October I have come to know. Once we’d made it through security, there was little difference in temperature between airports and planes as we made our way south. But when I stepped out of the airport and into the Southern California afternoon, I intuitively peeled off my cardigan. My bare shoulders recognized the October sun.

There’s a part of me that has always protected myself against loving my birthplace. I’ve told myself that it’s expensive, and that it’s smoggy. I’ve told myself that there are more drive-by shootings there than there are in Spokane. All of this is true. But I tell myself something else: San Diego doesn’t belong to me. It takes more than being born into a place or a family to make it yours. That isn’t true.

Although my skin pinkens and burns easily, I notice that my joints are less creaky in the warmth. I don’t have to take several times the recommended daily dose of vitamin D by mouth, but allow my body to synthesize it while I walk along the beach, listening to the music of the seagulls and the way the waves come in, always persistent, never stopping.

In Spokane, people frequently look bemused when I tell them that I’m not an outdoorsy person. My Tinder matches tell me that their perfect date includes a hike, or a bike ride, or a snowshoeing excursion. Though I don’t love Spokane’s brand of outdoor activity, I could walk along the beach for hours, drinking in the smell of the sea. I could drift through the streets of my birthplace endlessly, following the scent of Mexican food.

On this last trip, I sat down with my family at a restaurant I’ve visited on every trip to San Diego, and many times before we moved. As we waited for a table, I watched the hypnotic motions of the women making homemade tortillas, tossing them onto an endless pile that never seemed to dwindle as waitstaff came to wrap a handful in paper to take to one of their tables.

I like to try new food and drink wherever I go, but not here. Here, there is only one possible order, a tostada suprema (which comes with shredded beef and pork). I order fresh flour tortillas on the side and heap the contents into extemporaneous soft tacos. I close my eyes and I am transported to any one of my previous visits. It’s undeniable: I have history with San Diego, too.


But there is more to it than that, of course, more than just the food and the sunshine. We pass the hospital where I was born, and my mom points it out. Sharp Hospital. Someone in the marketing department in the 80s decided to create tiny shirts that said “I’m a Sharp baby.” My mom still has mine.

I have family in this city, and a bit further up, in Costa Mesa and neighboring places that roll off my tongue easily, although it takes me a moment to connect them with the signs on the freeway inviting me to exit. I know the names because I’ve heard people say them. Sometimes, that’s how my faraway family feels. The names are familiar, natural, but I don’t quite know if I can claim that as mine. There is so much distance, so much life lived away from each other. 

But on this most recent trip, I began to try. I shimmied into the role of cousin, niece, granddaughter. I soaked in each person and the way they blurred together with every other memory we’ve had together, indistinct, layered.

I was sorry to leave. Perhaps that is what I’ve always been protecting myself against. There is an eternal, persistent ache to belonging in more than one place. There are Cara-shaped holes that cannot all be filled at once. There are strings that pull at me no matter where I am.

* * * * *

Cara Stickland is a writer from Spokane with some warmer roots reaching south. Spokane photo by Michelle Lee; Palm Tree photo by Jesse Collins.

More Than A List





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She was a freak.











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Lisa bio YAH















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Visiting With Ghosts













Leaving Home {part one}

I remember the emptiness of the moving truck after I backed it up to our garage in northern Virginia. I parked that behemoth, the largest truck they had, and walked quietly around to the back. I lifted the gate and pulled out the ramp. My two oldest kids ran up and down the clanging metal, jumping around in the back and leaping from the wheel wells, shouting their names and marveling at the echo.

I remember that echo.

The  emptiness was everywhere. The trees were shedding their leaves. The immaculate houses looked down on us disapprovingly, like a row of unhappy teachers,, their shapes dim against the slate gray sky. I felt like those beautiful houses (or perhaps their occupants) held us in contempt – we had not been able to make it there. We were not good enough.

Inside the house, rooms were either empty or had stacks of boxes huddled in their centers. I walked through the rooms to make sure we hadn’t forgotten anything. There, the third-floor room we brought Sam home to after he was born with that perfect knot in his umbilical cord. There, the room I painted pink for the girls. There, the kitchen with its marble countertops, the countertops we had leaned against with friends on late summer nights, the countertops that held me up when I told Maile the business wouldn’t take us through the winter. We were drowning in debt.

We didn’t breathe so much as sigh. I felt like a failure, unable to make enough money to keep my family in the place that we loved. I felt lost and fragile, as if one more tiny bit of bad news would be enough to send me over the edge, into the emptiness of midair.

That emptiness was everywhere. Including inside me.

* * * * *

My wife later told me a story about those last days in Virginia. Last nights, actually. She woke up after midnight to the sound of nothing. Our children were all sleeping, the neighborhood outside was silent. There was a large window by the bed that looked out over our tiny back yard and into the tiny back yards of the houses behind ours. Street lights threw dim shadows on to the ceiling, drowned out the stars.

My wife woke to a ball of anxiety about what was happening, about our business going under and all the debt weighing us down, about us having to leave a place we loved and move our family of six into my parents’ basement 150 miles away. She slid out of bed, down onto the floor, and put her face in the plush carpet.

How can this be happening? God, how can you let this happen?

She heard the closest thing she’s ever heard to an audible voice from heaven, and it echoed in her mind, one phrase reverberating and growing.

This is a gift.

When the phrase faded off into the darkness, disappearing beneath the whirring of the ceiling fan, my wife shook her head.

Well, she muttered, it’s a pretty shitty gift.

She stood up off the floor, crawled back into bed, and went to sleep.

* * * * *

I can’t decide which is easier, packing up an entire house and moving truck on your own, or having your entire community come out and help you do it. The first is physically difficult, nearly impossible. The latter is emotionally difficult, nearly impossible.

We walked beside friends carrying our boxes, our furniture. We laughed and joked about how only the best of friends help you move because everyone hates losing friends and everyone hates moving. We let one of the guys take over the truck packing duties, and he wielded his engineering skills like a champion-Tetris player. The door to the behemoth barely shut, but everything was in. That slamming sound was it. The latch clicked. The lock connected. Our four years in Virginia were nothing more than a closed door.

We hugged them, perhaps the closest friends we had ever made, and we promised to stay in touch, though we knew it was unlikely. They walked off into the night, one family at a time, and we went back inside the empty shell.

I can’t remember if we spent that night in the house, slept on the floor, and left the following evening, or if we drove off after our friends left. It seems like something one should remember.

What I do remember is making the three hour drive to our new locale through the pouring rain. I led the way, alone in the truck, my wife and our four kids in the minivan behind me. I remember the way the headlights of oncoming cars streaked down the windshield.

That was one of those drives I’ll never forget, when my thoughts weren’t deep inside me, but out in the open, like residue on my skin. There was a tangible sense of loss, as though someone had died. One phrase kept circling back through my mind over and over again with the rhythm of the windshield wipers.rain

Now what?

Now what?

Now what?

I remember arriving at my parent’s house – it was quiet there. They were away. We left our stuff in the truck and carried the sleeping kids to their new beds in the basement. Our new home. Our new life.

Our “gift.”


Shawn Smucker (1)Shawn grew up in a ramshackle farmhouse with one of those enormous porches where he would sit and read far too much for a boy his age. Across the street was everything he could ever need to live an adventurous childhood: an empty church, a large cemetery, a winding creek. Every book he read during that time is set, in his mind, somewhere in that square mile.

Baby Season







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Learning from Ms. Norman

At my first school the kids called me “Freedom Writer.”

Who you got for English? Freedom Writer.

That is pretty much all you need to know. If you know they called me Freedom Writer you know that they were black and poor and I was white and young. You know that we both swallowed the lie that a young white woman can save a whole generation.

My students don’t call me Freedom Writer anymore. It isn’t just because I’m older. I now work at an upper-middle-class school and they just call me Ms. Norman.

Teaching is one of the only professions where no one uses a first name, at least at any school I’ve ever worked at. Generally, the adults in my building even refer to each other as Mr. or Ms., for continuity’s sake, which means most of the kids don’t even know our first names.

Very occasionally, a student will see me in public and call out my name. I know before I see who is shouting that they are my student. Just hearing someone shout “Hey, Ms. Norman” puts me immediately into teacher mode, even in the middle of the grocery store.

I like Ms. Norman. I like my classroom and I like who I am in it. I have carefully curated the furniture (spray painted funky colors) and the posters (MLK, Mother Theresa, Ghandi), just as I have carefully curated the persona that is Ms. Norman. In fact, sometimes I wish Abby could be a little more like her. Ms. Norman is always in charge. Abby, not so much. Ms. Norman may not always have the answers, but she knows where to find them. Abby doesn’t even know the right questions to ask half the time. Ms. Norman takes no crap, not from anyone. Ms. Norman handles her business so well that she only has to write an office referral for discipline once a year. Abby takes a lot more crap and does way more freaking-out-about than handling of the business.

I know exactly who I am in my classroom, and my students know what to expect. I will yell a little when you turn in a paper late, but I will let you turn it in. I will just give you a dirty look for saying a swear word, but I will not tolerate you saying unkind things to the other students. My classroom speaks to this. I have a giant hand-painted sign where you would expect the clock to hang that says BE KIND. My bean-bag chairs speak to my desire for kids to be comfortable in my room. My giant piles speak to my general disorganization. Even that flaw Ms. Norman is comfortable with.

After almost ten years in the classroom, I am considering trying my hand at something else. I am not sure quite yet if this is a phase, or if I really am ready to leave. As I contemplate the possibility of not being a teacher anymore I think about how there won’t be a place to hang the posters I have so carefully picked and laminated. What in the world will I do with eight bean-bag chairs?

Without a classroom, I also wonder what will happen to Ms. Norman. Will I ever need to be able to shout down 35 kids in 15 seconds or less? Will I maintain the ability to simultaneously read a passage aloud and confiscate a cell phone? Will I remember all the dirty jokes in Romeo and Juliet or be able to recite whole pieces of Of Mice and Men without looking? These are all things Ms. Norman does very well.

I have been surprised at how lost I feel even thinking about leaving the classroom, the loss that I feel, the uncertainty. Can the best parts of Ms. Norman, of myself, live on if there is no classroom for her to reside, no plaque with her name, telling the world she belongs here?

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The stories of things

One winter Monday, 15 or so years ago, I arrived at work to some devastating news: Over the weekend, a coworker had lost her home to a fire.

We all huddled around the coffee pot in the break room, trying to imagine—although we knew we couldn’t—what it would be like to lose almost all of your earthly possessions. A week later, when our colleague Chris returned to work, we began the slow process of bearing witness to her shock and grief. Then, months later, we were her empathic-yet-fascinated audience as she told stories of the new house rising from the ashes—not just being built, but also being populated with new things.

I was only in my late-20s and had accumulated relatively little, yet I couldn’t fathom what it would mean to start completely over. There would be the lack of pillowcases, cake pans, and familiar sweaters waiting for you as fall settles into winter, but also many harder-to-replace things: No rows of books with penciled notes and cardstock bookmarks identifying the shops where the books were bought. No wedding gifts that, each time you use them, bring to mind the great aunt or college friend who bestowed them. No outdated lamps from your childhood, handed down to you as you entered adulthood with so little.

Chris was in her late 50s, so the home she lost had contained decades of memories and treasures. While her new home was being built, Chris told us about the interior decorator, who specialized in “recreating meaning.” I was utterly fascinated by—and skeptical of—the process, which involved interviewing Chris and her husband to gather meaningful family stories and tales of travel adventures—references she would then bring into the new home through new objects.

I never would have dared to ask Chris, but I always wondered: Did it work? Can a home speak in retrospect of a life lived, or must the life be lived into the home?

*   *   *   *   *

I suppose the question needled me because it touched on an area I had dabbled in myself—but in reverse: I, as a newly married 22 year old, had attempted to use objects in my home to speak into my story. I didn’t know what my life would be like, but I knew what I wanted it to look like. If I built the stage, would the life follow?

Garage sales, thrift shops, and odd pieces of loaned and handed-down furniture created the kind of comfortable, quirky, space-with-a-history that I longed for. My husband was a painter, so the walls were filled with art (indicating that we were “creative” and “interesting,” of course!). A set of handmade pottery dishes, given to us as wedding gifts, conveyed that we were “down-to-earth” and “simple”—no fine china for us! And we rushed to buy books to fill the shelves—more books than we could possibly keep up with. It would take us years to actually read and absorb their stories and ideas, but that wasn’t the point. I wanted to be instantly surrounded by these visual symbols of intellect and depth.

In short, I wanted everything in my home to tell a story about us, but I was too impatient to let the stories emerge on their own.

*   *   *   *   *

Now I know the answer to the question I wanted to ask Chris so many years ago: A life must be lived into the things that fill a home—it can’t be put on, like a costume.

My home today (the eighth of my adulthood homes) is filled with evidence of a life that’s been both beautiful and complex. Yes, the books, art, furniture, and dishes each have stories to tell, but they are not all happy stories. They tell stories of a broken marriage as well as stories of wholeness and healing. They bring to mind the struggles and triumphs of single motherhood, as well as the ongoing tales of blending two families into a new one.

My eyes scan the rooms visible from where I sit at my desk. There’s the dining room table—the same table my ex-husband and I sat at four homes ago, a highchair pulled up so we could spoon food into our daughter’s mouth. Now, during dinners at that table, Jason and I navigate the tumble of tales and ideas shared by our three teenage daughters.

photo 1I can also see the vintage sofa I happily snatched up as a single mom about to move into a rented duplex. It’s the same sofa I sat on to read books to my young daughters, but it has since been reupholstered (following an unspeakable incident with the family dog). Behind the sofa is the piano I grew up hearing my grandmother play; she gave it to me when it was time for her to move into assisted living, and time for my daughters to learn to read music.

And beyond the sofa and piano, just inside the front door, is a gallery wall of small artwork and treasures. An olive-wood cross, carved and painted in Santorini where Jason and I honeymooned, hangs just to the left of a painting my ex-husband made of the house he and I lived in when our daughters were born.

photo (7)Suddenly, I can see my home for what it is: not a collection of aesthetic choices I hope will communicate something appealing about me, but vessels holding the real stories that have emerged in my life. And that gallery wall in particular? It also symbolizes my acceptance of those stories—the intentional, beautiful stories as well as the haphazard and heartbreaking ones. Together, they speak truth: Welcome to my home, welcome to my life.