Audition [オーディション] (1999)


Directed by Takashi Miike

Expectations: High.

Wow. Y’know for a movie with this much hype built up around it, and the fact that I kinda knew the ending in a vague way, I did not expect to be as blown away as I was by Audition. Truly one of the greatest modern horror films, Audition slowly unfolds its tale and pulls you into its story with likable, compelling characters. You could say that the first half is too slow, but that would be missing the point. The slowness is part of the film’s character and absolutely why the third act hits as hard as it does.

The film opens with Aoyama at the bedside of his dying wife. His son arrives with a get well present for his mother, but he’s too late. Seven years later and Aoyama is lonely and still overcome with grief, so his son suggests that he get out and date again. He does, kinda, but to tell anymore would betray the greatness of the film. Seriously, just watch it. It’s definitely the type of movie where knowing much at all will detract from the experience, but know that if you like non-standard horror, you’ll probably enjoy this. So come back after you’ve seen the movie, as I’m not actively trying to spoil anything, but even my vague descriptions of things will be too much.

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