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MSP_POD_NLP

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it's going to have lots of nudity. let's just say you had your own website.
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what would you do? i've been taken over to the guest microphone slot.
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and now you can't remember what you did the last valentine's day.
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indeed. so here we go. here's john lennon. i didn't work.
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so that was the trailer for the rolling stones, "gimme shelter",
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which came out well, it was a rock concert that took place in 1969. i don't know exactly what year the documentary came out, "gimme shelter". mark, do you know?
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right, it changed locations, a couple different times. it got pushed...
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you come away from it sort of... i came away... i feel it demystifies the rolling stones and i felt like watching the film made me
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realize, oh, he's just a... these are just some 20 year old guys that they're obviously extremely talented. their music is great, but at the same time, they're,
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you know... mick jagger does seem a little bit like an egomaniac
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and it's a little bit you do... maybe now that i'm older, i see it from the perspective of...
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there's a very specific mistake that takes place in this whole thing... their performances...
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there's about five of them. the performances of these... the two women in "grey gardens"
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are... they're doing a kind of performance that's also a form of death.
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after that, there seems to be...
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jagger's always surrounded by large groups of people, except in the editing booth later on when they're looking at the footage and...
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he's not a god, he's just a dude that, that you know, instead of drugs, he probably drinks like four protein shakes right when he wakes up in the morning and he knows that he's just got to, you know...
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oh yeah. yeah, no, there's a horrifying moment. i think the guys from time or something, like i tried to interview him. yeah, it's crass. it's in bad...
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would have been fresh right out of film school around that time, cause thx 1138 came on 71. so i think what you need to do [zav] is get onto the imdb and look up lucas's...
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i think he's... dude, after that 4 billion star wars sale, i think he got over that camera. yeah,
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because super eight is for silent. it's three minutes and 20 seconds for sound it's two and a half.
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so for something channel 12 and you know, it was one of those days where it's like your parent comes in and talks about what they do, how they... their career. and i remember
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being very intrigued, like, oh, that's a career i'd like to do.
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bless you. yeah. i wish we could go back to that classroom [zav] and you could be that camera man and defy all the odds. i'm serious, man. that would be beautiful.
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...that much. but at the time it felt devastating. well...
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i've seen the ones on capote and brando, man. they did those films on those guys and that would have been great.
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okay, so that's the original of course. and now... oopsie, sorry, i didn't mean to do that. oh yeah. okay. here we go. this is the...
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yep. and then they made this film with barry moore and the other woman. and then there was a third one, which i never remember what the third film is.
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we're constantly sitting on just masses of undigested culture. a great example is...
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this has never been fully digested, so there's this culture that's out there that just... anyway, i think i made my point.
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...stomach. and ultimately what we need to get back to is just eating some raw grass and not eating cud.
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we're going to do a lot of radiothon. we're doing eight days of radiothon, right? starting next wednesday.
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for the new music and the good stuff and become a member of krvx radio boise.
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it's like a music co-op. it is. a public information, grange hall.
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that's exactly what it is. a music co-op that's an actual co-op.
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yeah. i don't even know. and lots of great music.
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and lots of great music. yeah. yeah. so yeah, we held off on
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the alaska center down in the basement. yep. all right. let's play some more beats, but first...
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my dad was trying to order a coffee at starbucks, you know...
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which has got its own set of rules and it's all really inbuilt to the experience of buying a cup of coffee.
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so why should we have a dj?
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i mean, while i'm saying i'm a magician and he goes out into the corporate party. and if he does a crappy job and lots of them do,
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this is how we're going to roll this. and then you would...
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...as much of this and there are places on the dance floor. i was like, what the hell?
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i am a big believer in not drinking at the table, at all.
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for me, i lose all this emotion. right, so my sound guys, when they work for me, have to be...
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how's that any different for you guys, right? on. right? you got
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to be on like...
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all of a sudden you see something happen, you punch into it and you just raise the whole energy of the room
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from that sphere influence goes down exponentially and that's no good. so
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i don't play country, right? for example, i would then...
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personally over about five years ago, i start getting to speaking, and so i've been able to create two stream
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and it's cheaper for them instead of hiring two different guys and it's good for me because i'm already there. i flow in there.
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great. you know, and i've found ways to leverage those things, but there's also the danger of...
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[inaudible] that he would go and sit and sip cocktails every night for the last 40 years of his life, and people would go up to him and seek his advice. he was known as the professor
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to magicians. he said, learn or develop one piece of magic that is unique to you.
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basket. i would imagine most of you are not celebrity djs, right? you're not deadmau5 you're not up there,
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but you know, i mean most djs aren't the celebrity, like i am the chief focal point.
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i imagine that,... as you do that more in club where...
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your show around that, about creating this experience that builds them up. even if you're performing,
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that's what your focal point, but celebrity dj's, as we know, deadmau5 and alike, their
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income scale is like... because they're the experiences... how do we increase our pool
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of what we can make...
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you're going be like, okay, the market can bear this
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and that's about where i'm at. you know, i provide the..
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talk to you guys is it's strategic alliances, right? it's fun...
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i don't want any of your money.
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i don't want a dime of your money. ...that i make what i need to make off of my shows. what a guy like me is looking for in high end photographers.
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exactly. i'm getting paid big bucks [inaudible 00:00:09:17].
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...i'm going to throw eric a show, because i know he talks well of me, which i do, i'm going to give you, you cut of my pie, right?
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anybody to sell me, because i sell myself,
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i know how to talk to my product. but if, for example, eric said...
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you know, if you filled your entertainment, you've got to talk to this guy.
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if you do that, a few shows, all of a sudden, now you've greatly increased.
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and i think that should work equally.
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i'm saying to you, if you recommend me, i'm going to give you 10%. and my word is my bond, you know? and that's the truth. and if you have a discussion with a photographer... [inaudible]
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encourage you to have a conversation. listen, bike puts you in front of some people and you get a shpw, could we develop an arrangement? i mean, that's...
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i don't have to manage that. if i know that there's a good dj with good gear in there
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in advance when i roll into a gig, in fact i ask this all the time. "do you have a dj coming? who is it?" and if i know them,
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i'll- there's a performance immediately after dinner.
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then he dumps in this floor? and i...
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don't touch my gear. oh, no, i had it once. and they,
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the whole show. so she was in charge of logistics before...
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justin gets in the planning process when we're doing events, what are your suggestions?
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and assign jack which performers. so the way we actually go to collaborate, we can
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show up the event. no, one's told us the exact lab last year that this is going to be a salsa dance instructor. he shows up and all of a he's like "oh yeah, my microphone."
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[crosstalk 00:00:43] or "here's my microphone." but he does
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are not like full time party planners. they don't even come
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in. it's 90 minutes. people get bored. right. but they don't know that because, they're just going with this idea that it needs to be a value, instead of an experience. and so what i
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do, they do their own thing, that's life.
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versus just kind of milling and to somehow take that dead time.
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that period of time when the dance isn't really going to kick into gear until after 10 or 'til all the boys have had lots to drink,' whatever the issues are or the cases be [crosstalk]
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they were music fans and they had their favorite tunes and they brought them up. and so there's that sort of old stereotype. and so some ways i think we almost have to, depending on who you are and what your reputation is,
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how, when some confidence, other than just playing some tunes, just something to change things up. how can we go about engaging?
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the guy. so sad what happened, but that convinced me never taggers.
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it's a great question. and i think you think about a lot, i mean, a lot of djs,
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run a lot of different games and stuff like that. i don't really have any particular opinion about that. i think they're appropriate. sometimes
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value changes are, are what i mean by that,
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anytime you could change the think that you wake up the mind of your audience, right? so when i construct my show,
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