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THE THORNY ROAD OF HONOR
An old story yet lives of the "Thorny Road of Honor," of a
marksman, who indeed attained to rank and office, but only after a
lifelong and weary strife against difficulties. Who has not, in
reading this story, thought of his own strife, and of his own numerous
"difficulties?" The story is very closely akin to reality; but still
it has its harmonious explanation here on earth, while reality often
points beyond the confines of life to the regions of eternity. The
history of the world is like a magic lantern that displays to us, in
light pictures upon the dark ground of the present, how the
benefactors of mankind, the martyrs of genius, wandered along the
thorny road of honor.
From all periods, and from every country, these shining pictures
display themselves to us. Each only appears for a few moments, but
each represents a whole life, sometimes a whole age, with its
conflicts and victories. Let us contemplate here and there one of
the company of martyrs�the company which will receive new members
until the world itself shall pass away.
We look down upon a crowded amphitheatre. Out of the "Clouds" of
Aristophanes, satire and humor are pouring down in streams upon the
audience; on the stage Socrates, the most remarkable man in Athens, he
who had been the shield and defence of the people against the thirty
tyrants, is held up mentally and bodily to ridicule�Socrates, who
saved Alcibiades and Xenophon in the turmoil of battle, and whose
genius soared far above the gods of the ancients. He himself is
present; he has risen from the spectator's bench, and has stepped
forward, that the laughing Athenians may well appreciate the
likeness between himself and the caricature on the stage. There he
stands before them, towering high above them all.
Thou juicy, green, poisonous hemlock, throw thy shadow over
Athens�not thou, olive tree of fame!
Seven cities contended for the honor of giving birth to Homer�that
is to say, they contended after his death! Let us look at him
as he was in his lifetime. He wanders on foot through the cities,
and recites his verses for a livelihood; the thought for the morrow
turns his hair gray! He, the great seer, is blind, and painfully
pursues his way�the sharp thorn tears the mantle of the king of
poets. His song yet lives, and through that alone live all the
heroes and gods of antiquity.
One picture after another springs up from the east, from the west,
far removed from each other in time and place, and yet each one
forming a portion of the thorny road of honor, on which the thistle
indeed displays a flower, but only to adorn the grave.
The camels pass along under the palm trees; they are richly
laden with indigo and other treasures of value, sent by the ruler of
the land to him whose songs are the delight of the people, the fame of
the country. He whom envy and falsehood have driven into exile has
been found, and the caravan approaches the little town in which he has
taken refuge. A poor corpse is carried out of the town gate, and the
funeral procession causes the caravan to halt. The dead man is he whom
they have been sent to seek�Firdusi�who has wandered the Thorny road
of honor even to the end.
The African, with blunt features, thick lips, and woolly hair,
sits on the marble steps of the palace in the capital of Portugal, and
begs. He is the submissive slave of Camoens, and but for him, and
for the copper coins thrown to him by the passers-by, his master,
the poet of the "Lusiad," would die of hunger. Now, a costly
monument marks the grave of Camoens.
There is a new picture.
Behind the iron grating a man appears, pale as death, with long
unkempt beard.
"I have made a discovery," he says, "the greatest that has been
made for centuries; and they have kept me locked up here for more than
twenty years!"
Who is the man?
"A madman," replies the keeper of the madhouse. "What whimsical
ideas these lunatics have! He imagines that one can propel things by
means of steam."
It is Solomon de Cares, the discoverer of the power of steam,
whose theory, expressed in dark words, is not understood by Richelieu;
and he dies in the madhouse.
Here stands Columbus, whom the street boys used once to follow and
jeer, because he wanted to discover a new world; and he has discovered
it. Shouts of joy greet him from the breasts of all, and the clash
of bells sounds to celebrate his triumphant return; but the clash of
the bells of envy soon drowns the others. The discoverer of a world�he
who lifted the American gold land from the sea, and gave it to
his king�he is rewarded with iron chains. He wishes that these chains
may be placed in his coffin, for they witness to the world of the
way in which a man's contemporaries reward good service.
One picture after another comes crowding on; the thorny path of
honor and of fame is over-filled.
Here in dark night sits the man who measured the mountains in
the moon; he who forced his way out into the endless space, among
stars and planets; he, the mighty man who understood the spirit of
nature, and felt the earth moving beneath his feet�Galileo. Blind and
deaf he sits�an old man thrust through with the spear of suffering,
and amid the torments of neglect, scarcely able to lift his foot�that
foot with which, in the anguish of his soul, when men denied the
truth, he stamped upon the ground, with the exclamation, "Yet it
moves!"
Here stands a woman of childlike mind, yet full of faith and
inspiration. She carries the banner in front of the combating army,
and brings victory and salvation to her fatherland. The sound of
shouting arises, and the pile flames up. They are burning the witch,
Joan of Arc. Yes, and a future century jeers at the White Lily.
Voltaire, the satyr of human intellect, writes "La Pucelle."
At the Thing or Assembly at Viborg, the Danish nobles burn the
laws of the king. They flame up high, illuminating the period and
the lawgiver, and throw a glory into the dark prison tower, where an
old man is growing gray and bent. With his finger he marks out a
groove in the stone table. It is the popular king who sits there, once
the ruler of three kingdoms, the friend of the citizen and the
peasant. It is Christian the Second. Enemies wrote his history. Let us
remember his improvements of seven and twenty years, if we cannot
forget his crime.
A ship sails away, quitting the Danish shores. A man leans against
the mast, casting a last glance towards the Island Hueen. It is
Tycho Brahe. He raised the name of Denmark to the stars, and was
rewarded with injury, loss and sorrow. He is going to a strange
country.
"The vault of heaven is above me everywhere," he says, "and what
do I want more?"
And away sails the famous Dane, the astronomer, to live honored
and free in a strange land.
"Ay, free, if only from the unbearable sufferings of the body!"
comes in a sigh through time, and strikes upon our ear. What a
picture! Griffenfeldt, a Danish Prometheus, bound to the rocky
island of Munkholm.
We are in America, on the margin of one of the largest rivers;
an innumerable crowd has gathered, for it is said that a ship is to
sail against the wind and weather, bidding defiance to the elements.
The man who thinks he can solve the problem is named Robert Fulton.
The ship begins its passage, but suddenly it stops. The crowd begins
to laugh and whistle and hiss�the very father of the man whistles
with the rest.
"Conceit! Foolery!" is the cry. "It has happened just as he
deserved. Put the crack-brain under lock and key!"
Then suddenly a little nail breaks, which had stopped the
machine for a few moments; and now the wheels turn again, the floats
break the force of the waters, and the ship continues its course;
and the beam of the steam engine shortens the distance between far
lands from hours into minutes.
O human race, canst thou grasp the happiness of such a minute of
consciousness, this penetration of the soul by its mission, the moment
in which all dejection, and every wound�even those caused by one's
own fault�is changed into health and strength and clearness�when
discord is converted to harmony�the minute in which men seem to
recognize the manifestation of the heavenly grace in one man, and feel
how this one imparts it to all?
Thus the thorny path of honor shows itself as a glory, surrounding
the earth with its beams. Thrice happy he who is chosen to be a
wanderer there, and, without merit of his own, to be placed between
the builder of the bridge and the earth�between Providence and the
human race.
On mighty wings the spirit of history floats through the ages, and
shows�giving courage and comfort, and awakening gentle thoughts�on
the dark nightly background, but in gleaming pictures, the thorny path
of honor, which does not, like a fairy tale, end in brilliancy and joy
here on earth, but stretches out beyond all time, even into eternity! |
HOLGER DANSKE
In Denmark there stands an old castle named Kronenburg, close by
the Sound of Elsinore, where large ships, both English, Russian, and
Prussian, pass by hundreds every day. And they salute the old castle
with cannons, "Boom, boom," which is as if they said, "Good-day."
And the cannons of the old castle answer "Boom," which means "Many
thanks." In winter no ships sail by, for the whole Sound is covered
with ice as far as the Swedish coast, and has quite the appearance
of a high-road. The Danish and the Swedish flags wave, and Danes and
Swedes say, "Good-day," and "Thank you" to each other, not with
cannons, but with a friendly shake of the hand; and they exchange
white bread and biscuits with each other, because foreign articles
taste the best.
But the most beautiful sight of all is the old castle of
Kronenburg, where Holger Danske sits in the deep, dark cellar, into
which no one goes. He is clad in iron and steel, and rests his head on
his strong arm; his long beard hangs down upon the marble table,
into which it has become firmly rooted; he sleeps and dreams, but in
his dreams he sees everything that happens in Denmark. On each
Christmas-eve an angel comes to him and tells him that all he has
dreamed is true, and that he may go to sleep again in peace, as
Denmark is not yet in any real danger; but should danger ever come,
then Holger Danske will rouse himself, and the table will burst
asunder as he draws out his beard. Then he will come forth in his
strength, and strike a blow that shall sound in all the countries of
the world.
An old grandfather sat and told his little grandson all this about
Holger Danske, and the boy knew that what his grandfather told him
must be true. As the old man related this story, he was carving an
image in wood to represent Holger Danske, to be fastened to the prow
of a ship; for the old grandfather was a carver in wood, that is,
one who carved figures for the heads of ships, according to the
names given to them. And now he had carved Holger Danske, who stood
there erect and proud, with his long beard, holding in one hand his
broad battle-axe, while with the other he leaned on the Danish arms.
The old grandfather told the little boy a great deal about Danish
men and women who had distinguished themselves in olden times, so that
he fancied he knew as much even as Holger Danske himself, who, after
all, could only dream; and when the little fellow went to bed, he
thought so much about it that he actually pressed his chin against the
counterpane, and imagined that he had a long beard which had become
rooted to it. But the old grandfather remained sitting at his work and
carving away at the last part of it, which was the Danish arms. And
when he had finished he looked at the whole figure, and thought of all
he had heard and read, and what he had that evening related to his
little grandson. Then he nodded his head, wiped his spectacles and put
them on, and said, "Ah, yes; Holger Danske will not appear in my
lifetime, but the boy who is in bed there may very likely live to
see him when the event really comes to pass." And the old
grandfather nodded again; and the more he looked at Holger Danske, the
more satisfied he felt that he had carved a good image of him. It
seemed to glow with the color of life; the armor glittered like iron
and steel. The hearts in the Danish arms grew more and more red; while
the lions, with gold crowns on their heads, were leaping up. "That
is the most beautiful coat of arms in the world," said the old man.
"The lions represent strength; and the hearts, gentleness and love."
And as he gazed on the uppermost lion, he thought of King Canute,
who chained great England to Denmark's throne; and he looked at the
second lion, and thought of Waldemar, who untied Denmark and conquered
the Vandals. The third lion reminded him of Margaret, who united
Denmark, Sweden, and Norway. But when he gazed at the red hearts,
their colors glowed more deeply, even as flames, and his memory
followed each in turn. The first led him to a dark, narrow prison,
in which sat a prisoner, a beautiful woman, daughter of Christian
the Fourth, Eleanor Ulfeld, and the flame became a rose on her
bosom, and its blossoms were not more pure than the heart of this
noblest and best of all Danish women. "Ah, yes; that is indeed a noble
heart in the Danish arms," said the grandfather, and his spirit
followed the second flame, which carried him out to sea, where cannons
roared and the ships lay shrouded in smoke, and the flaming heart
attached itself to the breast of Hvitfeldt in the form of the ribbon
of an order, as he blew himself and his ship into the air in order
to save the fleet. And the third flame led him to Greenland's wretched
huts, where the preacher, Hans Egede, ruled with love in every word
and action. The flame was as a star on his breast, and added another
heart to the Danish arms. And as the old grandfather's spirit followed
the next hovering flame, he knew whither it would lead him. In a
peasant woman's humble room stood Frederick the Sixth, writing his
name with chalk on the beam. The flame trembled on his breast and in
his heart, and it was in the peasant's room that his heart became
one for the Danish arms. The old grandfather wiped his eyes, for he
had known King Frederick, with his silvery locks and his honest blue
eyes, and had lived for him, and he folded his hands and remained
for some time silent. Then his daughter came to him and said it was
getting late, that he ought to rest for a while, and that the supper
was on the table.
"What you have been carving is very beautiful, grandfather,"
said she. "Holger Danske and the old coat of arms; it seems to me as
if I have seen the face somewhere."
"No, that is impossible," replied the old grandfather; "but I have
seen it, and I have tried to carve it in wood, as I have retained it
in my memory. It was a long time ago, while the English fleet lay in
the roads, on the second of April, when we showed that we were true,
ancient Danes. I was on board the Denmark, in Steene Bille's squadron;
I had a man by my side whom even the cannon balls seemed to fear. He
sung old songs in a merry voice, and fired and fought as if he were
something more than a man. I still remember his face, but from
whence he came, or whither he went, I know not; no one knows. I have
often thought it might have been Holger Danske himself, who had swam
down to us from Kronenburg to help us in the hour of danger. That
was my idea, and there stands his likeness."
The wooden figure threw a gigantic shadow on the wall, and even on
part of the ceiling; it seemed as if the real Holger Danske stood
behind it, for the shadow moved; but this was no doubt caused by the
flame of the lamp not burning steadily. Then the daughter-in-law
kissed the old grandfather, and led him to a large arm-chair by the
table; and she, and her husband, who was the son of the old man and
the father of the little boy who lay in bed, sat down to supper with
him. And the old grandfather talked of the Danish lions and the Danish
hearts, emblems of strength and gentleness, and explained quite
clearly that there is another strength than that which lies in a
sword, and he pointed to a shelf where lay a number of old books,
and amongst them a collection of Holberg's plays, which are much
read and are so clever and amusing that it is easy to fancy we have
known the people of those days, who are described in them.
"He knew how to fight also," said the old man; "for he lashed
the follies and prejudices of people during his whole life."
Then the grandfather nodded to a place above the looking-glass,
where hung an almanac, with a representation of the Round Tower upon
it, and said "Tycho Brahe was another of those who used a sword, but
not one to cut into the flesh and bone, but to make the way of the
stars of heaven clear, and plain to be understood. And then he whose
father belonged to my calling,�yes, he, the son of the old
image-carver, he whom we ourselves have seen, with his silvery locks
and his broad shoulders, whose name is known in all lands;�yes, he
was a sculptor, while I am only a carver. Holger Danske can appear
in marble, so that people in all countries of the world may hear of
the strength of Denmark. Now let us drink the health of Bertel."
But the little boy in bed saw plainly the old castle of
Kronenburg, and the Sound of Elsinore, and Holger Danske, far down
in the cellar, with his beard rooted to the table, and dreaming of
everything that was passing above him.
And Holger Danske did dream of the little humble room in which the
image-carver sat; he heard all that had been said, and he nodded in
his dream, saying, "Ah, yes, remember me, you Danish people, keep me
in your memory, I will come to you in the hour of need."
The bright morning light shone over Kronenburg, and the wind
brought the sound of the hunting-horn across from the neighboring
shores. The ships sailed by and saluted the castle with the boom of
the cannon, and Kronenburg returned the salute, "Boom, boom." But
the roaring cannons did not awake Holger Danske, for they meant only
"Good morning," and "Thank you." They must fire in another fashion
before he awakes; but wake he will, for there is energy yet in
Holger Danske. |
THE DRYAD
We are travelling to Paris to the Exhibition.
Now we are there. That was a journey, a flight without magic. We
flew on the wings of steam over the sea and across the land.
Yes, our time is the time of fairy tales.
We are in the midst of Paris, in a great hotel. Blooming flowers
ornament the staircases, and soft carpets the floors.
Our room is a very cosy one, and through the open balcony door
we have a view of a great square. Spring lives down there; it has come
to Paris, and arrived at the same time with us. It has come in the
shape of a glorious young chestnut tree, with delicate leaves newly
opened. How the tree gleams, dressed in its spring garb, before all
the other trees in the place! One of these latter had been struck
out of the list of living trees. It lies on the ground with roots
exposed. On the place where it stood, the young chestnut tree is to be
planted, and to flourish.
It still stands towering aloft on the heavy wagon which has
brought it this morning a distance of several miles to Paris. For
years it had stood there, in the protection of a mighty oak tree,
under which the old venerable clergyman had often sat, with children
listening to his stories.
The young chestnut tree had also listened to the stories; for
the Dryad who lived in it was a child also. She remembered the time
when the tree was so little that it only projected a short way above
the grass and ferns around. These were as tall as they would ever
be; but the tree grew every year, and enjoyed the air and the
sunshine, and drank the dew and the rain. Several times it was also,
as it must be, well shaken by the wind and the rain; for that is a
part of education.
The Dryad rejoiced in her life, and rejoiced in the sunshine,
and the singing of the birds; but she was most rejoiced at human
voices; she understood the language of men as well as she understood
that of animals.
Butterflies, cockchafers, dragon-flies, everything that could
fly came to pay a visit. They could all talk. They told of the
village, of the vineyard, of the forest, of the old castle with its
parks and canals and ponds. Down in the water dwelt also living
beings, which, in their way, could fly under the water from one
place to another�beings with knowledge and delineation. They said
nothing at all; they were so clever!
And the swallow, who had dived, told about the pretty little
goldfish, of the thick turbot, the fat brill, and the old carp. The
swallow could describe all that very well, but, "Self is the man," she
said. "One ought to see these things one's self." But how was the
Dryad ever to see such beings? She was obliged to be satisfied with
being able to look over the beautiful country and see the busy
industry of men.
It was glorious; but most glorious of all when the old clergyman
sat under the oak tree and talked of France, and of the great deeds of
her sons and daughters, whose names will be mentioned with
admiration through all time.
Then the Dryad heard of the shepherd girl, Joan of Arc, and of
Charlotte Corday; she heard about Henry the Fourth, and Napoleon the
First; she heard names whose echo sounds in the hearts of the people.
The village children listened attentively, and the Dryad no less
attentively; she became a school-child with the rest. In the clouds
that went sailing by she saw, picture by picture, everything that
she heard talked about. The cloudy sky was her picture-book.
She felt so happy in beautiful France, the fruitful land of
genius, with the crater of freedom. But in her heart the sting
remained that the bird, that every animal that could fly, was much
better off than she. Even the fly could look about more in the
world, far beyond the Dryad's horizon.
France was so great and so glorious, but she could only look
across a little piece of it. The land stretched out, world-wide,
with vineyards, forests and great cities. Of all these Paris was the
most splendid and the mightiest. The birds could get there; but she,
never!
Among the village children was a little ragged, poor girl, but a
pretty one to look at. She was always laughing or singing and
twining red flowers in her black hair.
"Don't go to Paris!" the old clergyman warned her. "Poor child! if
you go there, it will be your ruin."
But she went for all that.
The Dryad often thought of her; for she had the same wish, and
felt the same longing for the great city.
The Dryad's tree was bearing its first chestnut blossoms; the
birds were twittering round them in the most beautiful sunshine.
Then a stately carriage came rolling along that way, and in it sat a
grand lady driving the spirited, light-footed horses. On the back seat
a little smart groom balanced himself. The Dryad knew the lady, and
the old clergyman knew her also. He shook his head gravely when he saw
her, and said:
"So you went there after all, and it was your ruin, poor Mary!"
"That one poor?" thought the Dryad. "No; she wears a dress fit for
a countess" (she had become one in the city of magic changes). "Oh, if
I were only there, amid all the splendor and pomp! They shine up
into the very clouds at night; when I look up, I can tell in what
direction the town lies."
Towards that direction the Dryad looked every evening. She saw
in the dark night the gleaming cloud on the horizon; in the clear
moonlight nights she missed the sailing clouds, which showed her
pictures of the city and pictures from history.
The child grasps at the picture-books, the Dryad grasped at the
cloud-world, her thought-book. A sudden, cloudless sky was for her a
blank leaf; and for several days she had only had such leaves before
her.
It was in the warm summer-time: not a breeze moved through the
glowing hot days. Every leaf, every flower, lay as if it were
torpid, and the people seemed torpid, too.
Then the clouds arose and covered the region round about where the
gleaming mist announced "Here lies Paris."
The clouds piled themselves up like a chain of mountains,
hurried on through the air, and spread themselves abroad over the
whole landscape, as far as the Dryad's eye could reach.
Like enormous blue-black blocks of rock, the clouds lay piled over
one another. Gleams of lightning shot forth from them.
"These also are the servants of the Lord God," the old clergyman
had said. And there came a bluish dazzling flash of lightning, a
lighting up as if of the sun itself, which could burst blocks of
rock asunder. The lightning struck and split to the roots the old
venerable oak. The crown fell asunder. It seemed as if the tree were
stretching forth its arms to clasp the messengers of the light.
No bronze cannon can sound over the land at the birth of a royal
child as the thunder sounded at the death of the old oak. The rain
streamed down; a refreshing wind was blowing; the storm had gone by,
and there was quite a holiday glow on all things. The old clergyman
spoke a few words for honorable remembrance, and a painter made a
drawing, as a lasting record of the tree.
"Everything passes away," said the Dryad, "passes away like a
cloud, and never comes back!"
The old clergyman, too, did not come back. The green roof of his
school was gone, and his teaching-chair had vanished. The children did
not come; but autumn came, and winter came, and then spring also. In
all this change of seasons the Dryad looked toward the region where,
at night, Paris gleamed with its bright mist far on the horizon.
Forth from the town rushed engine after engine, train after train,
whistling and screaming at all hours in the day. In the evening,
towards midnight, at daybreak, and all the day through, came the
trains. Out of each one, and into each one, streamed people from the
country of every king. A new wonder of the world had summoned them
to Paris.
In what form did this wonder exhibit itself?
"A splendid blossom of art and industry," said one, "has
unfolded itself in the Champ de Mars, a gigantic sunflower, from whose
petals one can learn geography and statistics, and can become as
wise as a lord mayor, and raise one's self to the level of art and
poetry, and study the greatness and power of the various lands."
"A fairy tale flower," said another, "a many-colored
lotus-plant, which spreads out its green leaves like a velvet carpet
over the sand. The opening spring has brought it forth, the summer
will see it in all its splendor, the autumn winds will sweep it
away, so that not a leaf, not a fragment of its root shall remain."
In front of the Military School extends in time of peace the arena
of war�a field without a blade of grass, a piece of sandy steppe,
as if cut out of the Desert of Africa, where Fata Morgana displays her
wondrous airy castles and hanging gardens. In the Champ de Mars,
however, these were to be seen more splendid, more wonderful than in
the East, for human art had converted the airy deceptive scenes into
reality.
"The Aladdin's Palace of the present has been built," it was said.
"Day by day, hour by hour, it unfolds more of its wonderful splendor."
The endless halls shine in marble and many colors. "Master
Bloodless" here moves his limbs of steel and iron in the great
circular hall of machinery. Works of art in metal, in stone, in
Gobelins tapestry, announce the vitality of mind that is stirring in
every land. Halls of paintings, splendor of flowers, everything that
mind and skill can create in the workshop of the artisan, has been
placed here for show. Even the memorials of ancient days, out of old
graves and turf-moors, have appeared at this general meeting.
The overpowering great variegated whole must be divided into small
portions, and pressed together like a plaything, if it is to be
understood and described.
Like a great table on Christmas Eve, the Champ de Mars carried a
wonder-castle of industry and art, and around this knickknacks from
all countries had been ranged, knickknacks on a grand scale, for every
nation found some remembrance of home.
Here stood the royal palace of Egypt, there the caravanserai of
the desert land. The Bedouin had quitted his sunny country, and
hastened by on his camel. Here stood the Russian stables, with the
fiery glorious horses of the steppe. Here stood the simple
straw-thatched dwelling of the Danish peasant, with the Dannebrog
flag, next to Gustavus Vasa's wooden house from Dalarne, with its
wonderful carvings. American huts, English cottages, French pavilions,
kiosks, theatres, churches, all strewn around, and between them the
fresh green turf, the clear springing water, blooming bushes, rare
trees, hothouses, in which one might fancy one's self transported into
the tropical forest; whole gardens brought from Damascus, and blooming
under one roof. What colors, what fragrance!
Artificial grottoes surrounded bodies of fresh or salt water,
and gave a glimpse into the empire of the fishes; the visitor seemed
to wander at the bottom of the sea, among fishes and polypi.
"All this," they said, "the Champ de Mars offers;" and around
the great richly-spread table the crowd of human beings moves like a
busy swarm of ants, on foot or in little carriages, for not all feet
are equal to such a fatiguing journey.
Hither they swarm from morning till late in the evening. Steamer
after steamer, crowded with people, glides down the Seine. The
number of carriages is continually on the increase. The swarm of
people on foot and on horseback grows more and more dense. Carriages
and omnibuses are crowded, stuffed and embroidered with people. All
these tributary streams flow in one direction�towards the Exhibition.
On every entrance the flag of France is displayed; around the
world's bazaar wave the flags of all nations. There is a humming and a
murmuring from the hall of the machines; from the towers the melody of
the chimes is heard; with the tones of the organs in the churches
mingle the hoarse nasal songs from the cafes of the East. It is a
kingdom of Babel, a wonder of the world!
In very truth it was. That's what all the reports said, and who
did not hear them? The Dryad knew everything that is told here of
the new wonder in the city of cities.
"Fly away, ye birds! fly away to see, and then come back and
tell me," said the Dryad.
The wish became an intense desire�became the one thought of a
life. Then, in the quiet silent night, while the full moon was
shining, the Dryad saw a spark fly out of the moon's disc, and fall
like a shooting star. And before the tree, whose leaves waved to and
fro as if they were stirred by a tempest, stood a noble, mighty, and
grand figure. In tones that were at once rich and strong, like the
trumpet of the Last Judgment bidding farewell to life and summoning to
the great account, it said:
"Thou shalt go to the city of magic; thou shalt take root there,
and enjoy the mighty rushing breezes, the air and the sunshine
there. But the time of thy life shall then be shortened; the line of
years that awaited thee here amid the free nature shall shrink to
but a small tale. Poor Dryad! It shall be thy destruction. Thy
yearning and longing will increase, thy desire will grow more
stormy, the tree itself will be as a prison to thee, thou wilt quit
thy cell and give up thy nature to fly out and mingle among men.
Then the years that would have belonged to thee will be contracted
to half the span of the ephemeral fly, that lives but a day: one
night, and thy life-taper shall be blown out�the leaves of the tree
will wither and be blown away, to become green never again!"
Thus the words sounded. And the light vanished away, but not the
longing of the Dryad. She trembled in the wild fever of expectation.
"I shall go there!" she cried, rejoicingly. "Life is beginning and
swells like a cloud; nobody knows whither it is hastening."
When the gray dawn arose and the moon turned pale and the clouds
were tinted red, the wished-for hour struck. The words of promise were
fulfilled.
People appeared with spades and poles; they dug round the roots of
the tree, deeper and deeper, and beneath it. A wagon was brought
out, drawn by many horses, and the tree was lifted up, with its
roots and the lumps of earth that adhered to them; matting was
placed around the roots, as though the tree had its feet in a warm
bag. And now the tree was lifted on the wagon and secured with chains.
The journey began�the journey to Paris. There the tree was to grow as
an ornament to the city of French glory.
The twigs and the leaves of the chestnut tree trembled in the
first moments of its being moved; and the Dryad trembled in the
pleasurable feeling of expectation.
"Away! away!" it sounded in every beat of her pulse. "Away!
away" sounded in words that flew trembling along. The Dryad forgot
to bid farewell to the regions of home; she thought not of the
waving grass and of the innocent daisies, which had looked up to her
as to a great lady, a young Princess playing at being a shepherdess
out in the open air.
The chestnut tree stood upon the wagon, and nodded his branches;
whether this meant "farewell" or "forward," the Dryad knew not; she
dreamed only of the marvellous new things, that seemed yet so
familiar, and that were to unfold themselves before her. No child's
heart rejoicing in innocence�no heart whose blood danced with
passion�had set out on the journey to Paris more full of
expectation than she.
Her "farewell" sounded in the words "Away! away!"
The wheels turned; the distant approached; the present vanished.
The region was changed, even as the clouds change. New vineyards,
forests, villages, villas appeared�came nearer�vanished!
The chestnut tree moved forward, and the Dryad went with it.
Steam-engine after steam-engine rushed past, sending up into the air
vapory clouds, that formed figures which told of Paris, whence they
came, and whither the Dryad was going.
Everything around knew it, and must know whither she was bound. It
seemed to her as if every tree she passed stretched out its leaves
towards her, with the prayer�"Take me with you! take me with you!"
for every tree enclosed a longing Dryad.
What changes during this flight! Houses seemed to be rising out of
the earth�more and more�thicker and thicker. The chimneys rose
like flower-pots ranged side by side, or in rows one above the
other, on the roofs. Great inscriptions in letters a yard long, and
figures in various colors, covering the walls from cornice to
basement, came brightly out.
"Where does Paris begin, and when shall I be there?" asked the
Dryad.
The crowd of people grew; the tumult and the bustle increased;
carriage followed upon carriage; people on foot and people on
horseback were mingled together; all around were shops on shops, music
and song, crying and talking.
The Dryad, in her tree, was now in the midst of Paris. The great
heavy wagon all at once stopped on a little square planted with trees.
The high houses around had all of them balconies to the windows,
from which the inhabitants looked down upon the young fresh chestnut
tree, which was coming to be planted here as a substitute for the dead
tree that lay stretched on the ground.
The passers-by stood still and smiled in admiration of its pure
vernal freshness. The older trees, whose buds were still closed,
whispered with their waving branches, "Welcome! welcome!" The
fountain, throwing its jet of water high up in the air, to let it fall
again in the wide stone basin, told the wind to sprinkle the new-comer
with pearly drops, as if it wished to give him a refreshing draught to
welcome him.
The Dryad felt how her tree was being lifted from the wagon to
be placed in the spot where it was to stand. The roots were covered
with earth, and fresh turf was laid on top. Blooming shrubs and
flowers in pots were ranged around; and thus a little garden arose
in the square.
The tree that had been killed by the fumes of gas, the steam of
kitchens, and the bad air of the city, was put upon the wagon and
driven away. The passers-by looked on. Children and old men sat upon
the bench, and looked at the green tree. And we who are telling this
story stood upon a balcony, and looked down upon the green spring
sight that had been brought in from the fresh country air, and said,
what the old clergyman would have said, "Poor Dryad!"
"I am happy! I am happy!" the Dryad cried, rejoicing; "and yet I
cannot realize, cannot describe what I feel. Everything is as I
fancied it, and yet as I did not fancy it."
The houses stood there, so lofty, so close! The sunlight shone
on only one of the walls, and that one was stuck over with bills and
placards, before which the people stood still; and this made a crowd.
Carriages rushed past, carriages rolled past; light ones and heavy
ones mingled together. Omnibuses, those over-crowded moving houses,
came rattling by; horsemen galloped among them; even carts and
wagons asserted their rights.
The Dryad asked herself if these high-grown houses, which stood so
close around her, would not remove and take other shapes, like the
clouds in the sky, and draw aside, so that she might cast a glance
into Paris, and over it. Notre Dame must show itself, the Vendome
Column, and the wondrous building which had called and was still
calling so many strangers to the city.
But the houses did not stir from their places. It was yet day when
the lamps were lit. The gas-jets gleamed from the shops, and shone
even into the branches of the trees, so that it was like sunlight in
summer. The stars above made their appearance, the same to which the
Dryad had looked up in her home. She thought she felt a clear pure
stream of air which went forth from them. She felt herself lifted up
and strengthened, and felt an increased power of seeing through
every leaf and through every fibre of the root. Amid all the noise and
the turmoil, the colors and the lights, she knew herself watched by
mild eyes.
From the side streets sounded the merry notes of fiddles and
wind instruments. Up! to the dance, to the dance! to jollity and
pleasure! that was their invitation. Such music it was, that horses,
carriages, trees, and houses would have danced, if they had known how.
The charm of intoxicating delight filled the bosom of the Dryad.
"How glorious, how splendid it is!" she cried, rejoicingly. "Now I
am in Paris!"
The next day that dawned, the next night that fell, offered the
same spectacle, similar bustle, similar life; changing, indeed, yet
always the same; and thus it went on through the sequence of days.
"Now I know every tree, every flower on the square here! I know
every house, every balcony, every shop in this narrow cut-off
corner, where I am denied the sight of this great mighty city. Where
are the arches of triumph, the Boulevards, the wondrous building of
the world? I see nothing of all this. As if shut up in a cage, I stand
among the high houses, which I now know by heart, with their
inscriptions, signs, and placards; all the painted confectionery, that
is no longer to my taste. Where are all the things of which I heard,
for which I longed, and for whose sake I wanted to come hither? what
have I seized, found, won? I feel the same longing I felt before; I
feel that there is a life I should wish to grasp and to experience.
I must go out into the ranks of living men, and mingle among them. I
must fly about like a bird. I must see and feel, and become human
altogether. I must enjoy the one half-day, instead of vegetating for
years in every-day sameness and weariness, in which I become ill,
and at last sink and disappear like the dew on the meadows. I will
gleam like the cloud, gleam in the sunshine of life, look out over the
whole like the cloud, and pass away like it, no one knoweth whither."
Thus sighed the Dryad; and she prayed:
"Take from me the years that were destined for me, and give me but
half of the life of the ephemeral fly! Deliver me from my prison! Give
me human life, human happiness, only a short span, only the one night,
if it cannot be otherwise; and then punish me for my wish to live,
my longing for life! Strike me out of thy list. Let my shell, the
fresh young tree, wither, or be hewn down, and burnt to ashes, and
scattered to all the winds!"
A rustling went through the leaves of the tree; there was a
trembling in each of the leaves; it seemed as if fire streamed through
it. A gust of wind shook its green crown, and from the midst of that
crown a female figure came forth. In the same moment she was sitting
beneath the brightly-illuminated leafy branches, young and beautiful
to behold, like poor Mary, to whom the clergyman had said, "The
great city will be thy destruction."
The Dryad sat at the foot of the tree�at her house door, which
she had locked, and whose key had thrown away. So young! so fair!
The stars saw her, and blinked at her. The gas-lamps saw her, and
gleamed and beckoned to her. How delicate she was, and yet how
blooming!�a child, and yet a grown maiden! Her dress was fine as
silk, green as the freshly-opened leaves on the crown of the tree;
in her nut-brown hair clung a half-opened chestnut blossom. She looked
like the Goddess of Spring.
For one short minute she sat motionless; then she sprang up,
and, light as a gazelle, she hurried away. She ran and sprang like the
reflection from the mirror that, carried by the sunshine, is cast, now
here, now there. Could any one have followed her with his eyes, he
would have seen how marvellously her dress and her form changed,
according to the nature of the house or the place whose light happened
to shine upon her.
She reached the Boulevards. Here a sea of light streamed forth
from the gas-flames of the lamps, the shops and the cafes. Here
stood in a row young and slender trees, each of which concealed its
Dryad, and gave shade from the artificial sunlight. The whole vast
pavement was one great festive hall, where covered tables stood
laden with refreshments of all kinds, from champagne and Chartreuse
down to coffee and beer. Here was an exhibition of flowers, statues,
books, and colored stuffs.
From the crowd close by the lofty houses she looked forth over the
terrific stream beyond the rows of trees. Yonder heaved a stream of
rolling carriages, cabriolets, coaches, omnibuses, cabs, and among
them riding gentlemen and marching troops. To cross to the opposite
shore was an undertaking fraught with danger to life and limb. Now
lanterns shed their radiance abroad; now the gas had the upper hand;
suddenly a rocket rises! Whence? Whither?
Here are sounds of soft Italian melodies; yonder, Spanish songs
are sung, accompanied by the rattle of the castanets; but strongest of
all, and predominating over the rest, the street-organ tunes of the
moment, the exciting "Can-Can" music, which Orpheus never knew, and
which was never heard by the "Belle Helene." Even the barrow was
tempted to hop upon one of its wheels.
The Dryad danced, floated, flew, changing her color every
moment, like a humming-bird in the sunshine; each house, with the
world belonging to it, gave her its own reflections.
As the glowing lotus-flower, torn from its stem, is carried away
by the stream, so the Dryad drifted along. Whenever she paused, she
was another being, so that none was able to follow her, to recognize
her, or to look more closely at her.
Like cloud-pictures, all things flew by her. She looked into a
thousand faces, but not one was familiar to her; she saw not a
single form from home. Two bright eyes had remained in her memory. She
thought of Mary, poor Mary, the ragged merry child, who wore the red
flowers in her black hair. Mary was now here, in the world-city,
rich and magnificent as in that day when she drove past the house of
the old clergyman, and past the tree of the Dryad, the old oak.
Here she was certainly living, in the deafening tumult. Perhaps
she had just stepped out of one of the gorgeous carriages in
waiting. Handsome equipages, with coachmen in gold braid and footmen
in silken hose, drove up. The people who alighted from them were all
richly-dressed ladies. They went through the opened gate, and ascended
the broad staircase that led to a building resting on marble
pillars. Was this building, perhaps, the wonder of the world? There
Mary would certainly be found.
"Sancta Maria!" resounded from the interior. Incense floated
through the lofty painted and gilded aisles, where a solemn twilight
reigned.
It was the Church of the Madeleine.
Clad in black garments of the most costly stuffs, fashioned
according to the latest mode, the rich feminine world of Paris
glided across the shining pavement. The crests of the proprietors were
engraved on silver shields on the velvet-bound prayer-books, and
embroidered in the corners of perfumed handkerchiefs bordered with
Brussels lace. A few of the ladies were kneeling in silent prayer
before the altars; others resorted to the confessionals.
Anxiety and fear took possession of the Dryad; she felt as if
she had entered a place where she had no right to be. Here was the
abode of silence, the hall of secrets. Everything was said in
whispers, every word was a mystery.
The Dryad saw herself enveloped in lace and silk, like the women
of wealth and of high birth around her. Had, perhaps, every one of
them a longing in her breast, like the Dryad?
A deep, painful sigh was heard. Did it escape from some
confessional in a distant corner, or from the bosom of the Dryad?
She drew the veil closer around her; she breathed incense, and not the
fresh air. Here was not the abiding-place of her longing.
Away! away�a hastening without rest. The ephemeral fly knows
not repose, for her existence is flight.
She was out again among the gas candelabra, by a magnificent
fountain.
"All its streaming waters are not able to wash out the innocent
blood that was spilt here."
Such were the words spoken. Strangers stood around, carrying on
a lively conversation, such as no one would have dared to carry on
in the gorgeous hall of secrets whence the Dryad came.
A heavy stone slab was turned and then lifted. She did not
understand why. She saw an opening that led into the depths below. The
strangers stepped down, leaving the starlit air and the cheerful
life of the upper world behind them.
"I am afraid," said one of the women who stood around, to her
husband, "I cannot venture to go down, nor do I care for the wonders
down yonder. You had better stay here with me."
"Indeed, and travel home," said the man, "and quit Paris without
having seen the most wonderful thing of all�the real wonder of the
present period, created by the power and resolution of one man!"
"I will not go down for all that," was the reply.
"The wonder of the present time," it had been called. The Dryad
had heard and had understood it. The goal of her ardent longing had
thus been reached, and here was the entrance to it. Down into the
depths below Paris? She had not thought of such a thing; but now she
heard it said, and saw the strangers descending, and went after them.
The staircase was of cast iron, spiral, broad and easy. Below
there burned a lamp, and farther down, another. They stood in a
labyrinth of endless halls and arched passages, all communicating with
each other. All the streets and lanes of Paris were to be seen here
again, as in a dim reflection. The names were painted up; and every
house above had its number down here also, and struck its roots
under the macadamized quays of a broad canal, in which the muddy water
flowed onward. Over it the fresh streaming water was carried on
arches; and quite at the top hung the tangled net of gas-pipes and
telegraph-wires.
In the distance lamps gleamed, like a reflection from the
world-city above. Every now and then a dull rumbling was heard. This
came from the heavy wagons rolling over the entrance bridges.
Whither had the Dryad come?
You have, no doubt, heard of the CATACOMBS? Now they are vanishing
points in that new underground world�that wonder of the present
day�the sewers of Paris. The Dryad was there, and not in the
world's Exhibition in the Champ de Mars.
She heard exclamations of wonder and admiration.
"From here go forth health and life for thousands upon thousands
up yonder! Our time is the time of progress, with its manifold
blessings."
Such was the opinion and the speech of men; but not of those
creatures who had been born here, and who built and dwelt here�of the
rats, namely, who were squeaking to one another in the clefts of a
crumbling wall, quite plainly, and in a way the Dryad understood well.
A big old Father-Rat, with his tail bitten off, was relieving
his feelings in loud squeaks; and his family gave their tribute of
concurrence to every word he said:
"I am disgusted with this man-mewing," he cried�"with these
outbursts of ignorance. A fine magnificence, truly! all made up of gas
and petroleum! I can't eat such stuff as that. Everything here is so
fine and bright now, that one's ashamed of one's self, without exactly
knowing why. Ah, if we only lived in the days of tallow candles! and
it does not lie so very far behind us. That was a romantic time, as
one may say."
"What are you talking of there?" asked the Dryad. "I have never
seen you before. What is it you are talking about?"
"Of the glorious days that are gone," said the Rat�"of the
happy time of our great-grandfathers and great-grandmothers. Then it
was a great thing to get down here. That was a rat's nest quite
different from Paris. Mother Plague used to live here then; she killed
people, but never rats. Robbers and smugglers could breathe freely
here. Here was the meeting-place of the most interesting personages,
whom one now only gets to see in the theatres where they act
melodrama, up above. The time of romance is gone even in our rat's
nest; and here also fresh air and petroleum have broken in."
Thus squeaked the Rat; he squeaked in honor of the old time,
when Mother Plague was still alive.
A carriage stopped, a kind of open omnibus, drawn by swift horses.
The company mounted and drove away along the Boulevard de
Sebastopol, that is to say, the underground boulevard, over which
the well-known crowded street of that name extended.
The carriage disappeared in the twilight; the Dryad disappeared,
lifted to the cheerful freshness above. Here, and not below in the
vaulted passages, filled with heavy air, the wonder work must be found
which she was to seek in her short lifetime. It must gleam brighter
than all the gas-flames, stronger than the moon that was just
gliding past.
Yes, certainly, she saw it yonder in the distance, it gleamed
before her, and twinkled and glittered like the evening star in the
sky.
She saw a glittering portal open, that led to a little garden,
where all was brightness and dance music. Colored lamps surrounded
little lakes, in which were water-plants of colored metal, from
whose flowers jets of water spurted up. Beautiful weeping willows,
real products of spring, hung their fresh branches over these lakes
like a fresh, green, transparent, and yet screening veil. In the
bushes burnt an open fire, throwing a red twilight over the quiet huts
of branches, into which the sounds of music penetrated�an ear
tickling, intoxicating music, that sent the blood coursing through the
veins.
Beautiful girls in festive attire, with pleasant smiles on their
lips, and the light spirit of youth in their hearts�"Marys," with
roses in their hair, but without carriage and postilion�flitted to
and fro in the wild dance.
Where were the heads, where the feet? As if stung by tarantulas,
they sprang, laughed, rejoiced, as if in their ecstacies they were
going to embrace all the world.
The Dryad felt herself torn with them into the whirl of the dance.
Round her delicate foot clung the silken boot, chestnut brown in
color, like the ribbon that floated from her hair down upon her bare
shoulders. The green silk dress waved in large folds, but did not
entirely hide the pretty foot and ankle.
Had she come to the enchanted Garden of Armida? What was the
name of the place?
The name glittered in gas-jets over the entrance. It was
"Mabille."
The soaring upwards of rockets, the splashing of fountains, and
the popping of champagne corks accompanied the wild bacchantic
dance. Over the whole glided the moon through the air, clear, but with
a somewhat crooked face.
A wild joviality seemed to rush through the Dryad, as though she
were intoxicated with opium. Her eyes spoke, her lips spoke, but the
sound of violins and of flutes drowned the sound of her voice. Her
partner whispered words to her which she did not understand, nor do we
understand them. He stretched out his arms to draw her to him, but
he embraced only the empty air.
The Dryad had been carried away, like a rose-leaf on the wind.
Before her she saw a flame in the air, a flashing light high up on a
tower. The beacon light shone from the goal of her longing, shone from
the red lighthouse tower of the Fata Morgana of the Champ de Mars.
Thither she was carried by the wind. She circled round the tower;
the workmen thought it was a butterfly that had come too early, and
that now sank down dying.
The moon shone bright, gas-lamps spread light around, through
the halls, over the all-world's buildings scattered about, over the
rose-hills and the rocks produced by human ingenuity, from which
waterfalls, driven by the power of "Master Bloodless," fell down.
The caverns of the sea, the depths of the lakes, the kingdom of the
fishes were opened here. Men walked as in the depths of the deep pond,
and held converse with the sea, in the diving-bell of glass. The water
pressed against the strong glass walls above and on every side. The
polypi, eel-like living creatures, had fastened themselves to the
bottom, and stretched out arms, fathoms long, for prey. A big turbot
was making himself broad in front, quietly enough, but not without
casting some suspicious glances aside. A crab clambered over him,
looking like a gigantic spider, while the shrimps wandered about in
restless haste, like the butterflies and moths of the sea.
In the fresh water grew water-lilies, nymphaea, and reeds; the
gold-fishes stood up below in rank and file, all turning their heads
one way, that the streaming water might flow into their mouths. Fat
carps stared at the glass wall with stupid eyes. They knew that they
were here to be exhibited, and that they had made the somewhat
toilsome journey hither in tubs filled with water; and they thought
with dismay of the land-sickness from which they had suffered so
cruelly on the railway.
They had come to see the Exhibition, and now contemplated it
from their fresh or salt-water position. They looked attentively at
the crowds of people who passed by them early and late. All the
nations in the world, they thought, had made an exhibition of their
inhabitants, for the edification of the soles and haddocks, pike and
carp, that they might give their opinions upon the different kinds.
"Those are scaly animals" said a little slimy Whiting. "They put
on different scales two or three times a day, and they emit sounds
which they call speaking. We don't put on scales, and we make
ourselves understood in an easier way, simply by twitching the corners
of our mouths and staring with our eyes. We have a great many
advantages over mankind."
"But they have learned swimming of us," remarked a well-educated
Codling. "You must know I come from the great sea outside. In the
hot time of the year the people yonder go into the water; first they
take off their scales, and then they swim. They have learnt from the
frogs to kick out with their hind legs, and row with their fore
paws. But they cannot hold out long. They want to be like us, but they
cannot come up to us. Poor people!"
And the fishes stared. They thought that the whole swarm of people
whom they had seen in the bright daylight were still moving around
them; they were certain they still saw the same forms that had first
caught their attention.
A pretty Barbel, with spotted skin, and an enviably round back,
declared that the "human fry" were still there.
"I can see a well set-up human figure quite well," said the
Barbel. "She was called 'contumacious lady,' or something of that
kind. She had a mouth and staring eyes, like ours, and a great balloon
at the back of her head, and something like a shut-up umbrella in
front; there were a lot of dangling bits of seaweed hanging about her.
She ought to take all the rubbish off, and go as we do; then she would
look something like a respectable barbel, so far as it is possible for
a person to look like one!"
"What's become of that one whom they drew away with the hook? He
sat on a wheel-chair, and had paper, and pen, and ink, and wrote
down everything. They called him a 'writer.'"
"They're going about with him still," said a hoary old maid of a
Carp, who carried her misfortune about with her, so that she was quite
hoarse. In her youth she had once swallowed a hook, and still swam
patiently about with it in her gullet. "A writer? That means, as we
fishes describe it, a kind of cuttle or ink-fish among men."
Thus the fishes gossipped in their own way; but in the
artificial water-grotto the laborers were busy; who were obliged to
take advantage of the hours of night to get their work done by
daybreak. They accompanied with blows of their hammers and with
songs the parting words of the vanishing Dryad.
"So, at any rate, I have seen you, you pretty gold-fishes," she
said. "Yes, I know you;" and she waved her hand to them. "I have known
about you a long time in my home; the swallow told me about you. How
beautiful you are! how delicate and shining! I should like to kiss
every one of you. You others, also. I know you all; but you do not
know me."
The fishes stared out into the twilight. They did not understand a
word of it.
The Dryad was there no longer. She had been a long time in the
open air, where the different countries�the country of black bread,
the codfish coast, the kingdom of Russia leather, and the banks of
eau-de-Cologne, and the gardens of rose oil�exhaled their perfumes
from the world-wonder flower.
When, after a night at a ball, we drive home half asleep and
half awake, the melodies still sound plainly in our ears; we hear
them, and could sing them all from memory. When the eye of the
murdered man closes, the picture of what it saw last clings to it
for a time like a photographic picture.
So it was likewise here. The bustling life of day had not yet
disappeared in the quiet night. The Dryad had seen it; she knew,
thus it will be repeated tomorrow.
The Dryad stood among the fragrant roses, and thought she knew
them, and had seen them in her own home. She also saw red
pomegranate flowers, like those that little Mary had worn in her
dark hair.
Remembrances from the home of her childhood flashed through her
thoughts; her eyes eagerly drank in the prospect around, and
feverish restlessness chased her through the wonder-filled halls.
A weariness that increased continually, took possession of her.
She felt a longing to rest on the soft Oriental carpets within, or
to lean against the weeping willow without by the clear water. But for
the ephemeral fly there was no rest. In a few moments the day had
completed its circle.
Her thoughts trembled, her limbs trembled, she sank down on the
grass by the bubbling water.
"Thou wilt ever spring living from the earth," she said
mournfully. "Moisten my tongue�bring me a refreshing draught."
"I am no living water," was the answer. "I only spring upward when
the machine wills it."
"Give me something of thy freshness, thou green grass," implored
the Dryad; "give me one of thy fragrant flowers."
"We must die if we are torn from our stalks," replied the
Flowers and the Grass.
"Give me a kiss, thou fresh stream of air�only a single
life-kiss."
"Soon the sun will kiss the clouds red," answered the Wind;
"then thou wilt be among the dead�blown away, as all the splendor
here will be blown away before the year shall have ended. Then I can
play again with the light loose sand on the place here, and whirl
the dust over the land and through the air. All is dust!"
The Dryad felt a terror like a woman who has cut asunder her
pulse-artery in the bath, but is filled again with the love of life,
even while she is bleeding to death. She raised herself, tottered
forward a few steps, and sank down again at the entrance to a little
church. The gate stood open, lights were burning upon the altar, and
the organ sounded.
What music! Such notes the Dryad had never yet heard; and yet it
seemed to her as if she recognized a number of well-known voices among
them. They came deep from the heart of all creation. She thought she
heard the stories of the old clergyman, of great deeds, and of the
celebrated names, and of the gifts that the creatures of God must
bestow upon posterity, if they would live on in the world.
The tones of the organ swelled, and in their song there sounded
these words:
"Thy wishing and thy longing have torn thee, with thy roots,
from the place which God appointed for thee. That was thy destruction,
thou poor Dryad!"
The notes became soft and gentle, and seemed to die away in a
wail.
In the sky the clouds showed themselves with a ruddy gleam. The
Wind sighed:
"Pass away, ye dead! now the sun is going to rise!"
The first ray fell on the Dryad. Her form was irradiated in
changing colors, like the soap-bubble when it is bursting and
becomes a drop of water; like a tear that falls and passes away like a
vapor.
Poor Dryad! Only a dew-drop, only a tear, poured upon the earth,
and vanished away! |
THE DARNING-NEEDLE
There was once a darning-needle who thought herself so fine that
she fancied she must be fit for embroidery. "Hold me tight," she would
say to the fingers, when they took her up, "don't let me fall; if
you do I shall never be found again, I am so very fine."
"That is your opinion, is it?" said the fingers, as they seized
her round the body.
"See, I am coming with a train," said the darning-needle,
drawing a long thread after her; but there was no knot in the thread.
The fingers then placed the point of the needle against the cook's
slipper. There was a crack in the upper leather, which had to be
sewn together.
"What coarse work!" said the darning-needle, "I shall never get
through. I shall break!�I am breaking!" and sure enough she broke.
"Did I not say so?" said the darning-needle, "I know I am too fine for
such work as that."
"This needle is quite useless for sewing now," said the fingers;
but they still held it fast, and the cook dropped some sealing-wax
on the needle, and fastened her handkerchief with it in front.
"So now I am a breast-pin," said the darning-needle; "I knew
very well I should come to honor some day: merit is sure to rise;" and
she laughed, quietly to herself, for of course no one ever saw a
darning-needle laugh. And there she sat as proudly as if she were in a
state coach, and looked all around her. "May I be allowed to ask if
you are made of gold?" she inquired of her neighbor, a pin; "you
have a very pretty appearance, and a curious head, although you are
rather small. You must take pains to grow, for it is not every one who
has sealing-wax dropped upon him;" and as she spoke, the
darning-needle drew herself up so proudly that she fell out of the
handkerchief right into the sink, which the cook was cleaning. "Now
I am going on a journey," said the needle, as she floated away with
the dirty water, "I do hope I shall not be lost." But she really was
lost in a gutter. "I am too fine for this world," said the
darning-needle, as she lay in the gutter; "but I know who I am, and
that is always some comfort." So the darning-needle kept up her
proud behavior, and did not lose her good humor. Then there floated
over her all sorts of things,�chips and straws, and pieces of old
newspaper. "See how they sail," said the darning-needle; "they do
not know what is under them. I am here, and here I shall stick. See,
there goes a chip, thinking of nothing in the world but himself�only
a chip. There's a straw going by now; how he turns and twists
about! Don't be thinking too much of yourself, or you may chance to
run against a stone. There swims a piece of newspaper; what is written
upon it has been forgotten long ago, and yet it gives itself airs. I
sit here patiently and quietly. I know who I am, so I shall not move."
One day something lying close to the darning-needle glittered so
splendidly that she thought it was a diamond; yet it was only a
piece of broken bottle. The darning-needle spoke to it, because it
sparkled, and represented herself as a breast-pin. "I suppose you
are really a diamond?" she said.
"Why yes, something of the kind," he replied; and so each believed
the other to be very valuable, and then they began to talk about the
world, and the conceited people in it.
"I have been in a lady's work-box," said the darning-needle,
"and this lady was the cook. She had on each hand five fingers, and
anything so conceited as these five fingers I have never seen; and yet
they were only employed to take me out of the box and to put me back
again."
"Were they not high-born?"
"High-born!" said the darning-needle, "no indeed, but so
haughty. They were five brothers, all born fingers; they kept very
proudly together, though they were of different lengths. The one who
stood first in the rank was named the thumb, he was short and thick,
and had only one joint in his back, and could therefore make but one
bow; but he said that if he were cut off from a man's hand, that man
would be unfit for a soldier. Sweet-tooth, his neighbor, dipped
himself into sweet or sour, pointed to the sun and moon, and formed
the letters when the fingers wrote. Longman, the middle finger, looked
over the heads of all the others. Gold-band, the next finger, wore a
golden circle round his waist. And little Playman did nothing at
all, and seemed proud of it. They were boasters, and boasters they
will remain; and therefore I left them."
"And now we sit here and glitter," said the piece of broken
bottle.
At the same moment more water streamed into the gutter, so that it
overflowed, and the piece of bottle was carried away.
"So he is promoted," said the darning-needle, "while I remain
here; I am too fine, but that is my pride, and what do I care?" And so
she sat there in her pride, and had many such thoughts as these,�"I
could almost fancy that I came from a sunbeam, I am so fine. It
seems as if the sunbeams were always looking for me under the water.
Ah! I am so fine that even my mother cannot find me. Had I still my
old eye, which was broken off, I believe I should weep; but no, I
would not do that, it is not genteel to cry."
One day a couple of street boys were paddling in the gutter, for
they sometimes found old nails, farthings, and other treasures. It was
dirty work, but they took great pleasure in it. "Hallo!" cried one, as
he pricked himself with the darning-needle, "here's a fellow for you."
"I am not a fellow, I am a young lady," said the darning-needle;
but no one heard her.
The sealing-wax had come off, and she was quite black; but black
makes a person look slender, so she thought herself even finer than
before.
"Here comes an egg-shell sailing along," said one of the boys;
so they stuck the darning-needle into the egg-shell.
"White walls, and I am black myself," said the darning-needle,
"that looks well; now I can be seen, but I hope I shall not be
sea-sick, or I shall break again." She was not sea-sick, and she did
not break. "It is a good thing against sea-sickness to have a steel
stomach, and not to forget one's own importance. Now my sea-sickness
has past: delicate people can bear a great deal."
Crack went the egg-shell, as a waggon passed over it. "Good
heavens, how it crushes!" said the darning-needle. "I shall be sick
now. I am breaking!" but she did not break, though the waggon went
over her as she lay at full length; and there let her lie. |
THE GOLOSHES OF FORTUNE
A BEGINNING
In a house in Copenhagen, not far from the king's new market, a
very large party had assembled, the host and his family expecting,
no doubt, to receive invitations in return. One half of the company
were already seated at the card-tables, the other half seemed to be
waiting the result of their hostess's question, "Well, how shall we
amuse ourselves?"
Conversation followed, which, after a while, began to prove very
entertaining. Among other subjects, it turned upon the events of the
middle ages, which some persons maintained were more full of
interest than our own times. Counsellor Knapp defended this opinion so
warmly that the lady of the house immediately went over to his side,
and both exclaimed against Oersted's Essays on Ancient and Modern
Times, in which the preference is given to our own. The counsellor
considered the times of the Danish king, Hans, as the noblest and
happiest.
The conversation on this topic was only interrupted for a moment
by the arrival of a newspaper, which did not, however, contain much
worth reading, and while it is still going on we will pay a visit to
the ante-room, in which cloaks, sticks, and goloshes were carefully
placed. Here sat two maidens, one young, and the other old, as if they
had come and were waiting to accompany their mistresses home; but on
looking at them more closely, it could easily be seen that they were
no common servants. Their shapes were too graceful, their
complexions too delicate, and the cut of their dresses much too
elegant. They were two fairies. The younger was not Fortune herself,
but the chambermaid of one of Fortune's attendants, who carries
about her more trifling gifts. The elder one, who was named Care,
looked rather gloomy; she always goes about to perform her own
business in person; for then she knows it is properly done. They
were telling each other where they had been during the day. The
messenger of Fortune had only transacted a few unimportant matters;
for instance, she had preserved a new bonnet from a shower of rain,
and obtained for an honest man a bow from a titled nobody, and so
on; but she had something extraordinary to relate, after all.
"I must tell you," said she, "that to-day is my birthday; and in
honor of it I have been intrusted with a pair of goloshes, to
introduce amongst mankind. These goloshes have the property of
making every one who puts them on imagine himself in any place he
wishes, or that he exists at any period. Every wish is fulfilled at
the moment it is expressed, so that for once mankind have the chance
of being happy."
"No," replied Care; "you may depend upon it that whoever puts on
those goloshes will be very unhappy, and bless the moment in which
he can get rid of them."
"What are you thinking of?" replied the other. "Now see; I will
place them by the door; some one will take them instead of his own,
and he will be the happy man."
This was the end of their conversation.
WHAT HAPPENED TO THE COUNSELLOR
It was late when Counsellor Knapp, lost in thought about the times
of King Hans, desired to return home; and fate so ordered it that he
put on the goloshes of Fortune instead of his own, and walked out into
the East Street. Through the magic power of the goloshes, he was at
once carried back three hundred years, to the times of King Hans,
for which he had been longing when he put them on. Therefore he
immediately set his foot into the mud and mire of the street, which in
those days possessed no pavement.
"Why, this is horrible; how dreadfully dirty it is!" said the
counsellor; "and the whole pavement has vanished, and the lamps are all
out."
The moon had not yet risen high enough to penetrate the thick
foggy air, and all the objects around him were confused together in
the darkness. At the nearest corner, a lamp hung before a picture of
the Madonna; but the light it gave was almost useless, for he only
perceived it when he came quite close and his eyes fell on the painted
figures of the Mother and Child.
"That is most likely a museum of art," thought he, "and they
have forgotten to take down the sign."
Two men, in the dress of olden times, passed by him.
"What odd figures!" thought he; "they must be returning from
some masquerade."
Suddenly he heard the sound of a drum and fifes, and then a
blazing light from torches shone upon him. The counsellor stared
with astonishment as he beheld a most strange procession pass before
him. First came a whole troop of drummers, beating their drums very
cleverly; they were followed by life-guards, with longbows and
crossbows. The principal person in the procession was a
clerical-looking gentleman. The astonished counsellor asked what it
all meant, and who the gentleman might be.
"That is the bishop of Zealand."
"Good gracious!" he exclaimed; "what in the world has happened
to the bishop? what can he be thinking about?" Then he shook his
head and said, "It cannot possibly be the bishop himself."
While musing on this strange affair, and without looking to the
right or left, he walked on through East Street and over Highbridge
Place. The bridge, which he supposed led to Palace Square, was nowhere
to be found; but instead, he saw a bank and some shallow water, and
two people, who sat in a boat.
"Does the gentleman wish to be ferried over the Holm?" asked one.
"To the Holm!" exclaimed the counsellor, not knowing in what age
he was now existing; "I want to go to Christian's Haven, in Little
Turf Street." The men stared at him. "Pray tell me where the bridge
is!" said he. "It is shameful that the lamps are not lighted here, and
it is as muddy as if one were walking in a marsh." But the more he
talked with the boatmen the less they could understand each other.
"I don't understand your outlandish talk," he cried at last,
angrily turning his back upon them. He could not, however, find the
bridge nor any railings.
"What a scandalous condition this place is in," said he; never,
certainly, had he found his own times so miserable as on this evening.
"I think it will be better for me to take a coach; but where are
they?" There was not one to be seen! "I shall be obliged to go back to
the king's new market," said he, "where there are plenty of
carriages standing, or I shall never reach Christian's Haven." Then he
went towards East Street, and had nearly passed through it, when the
moon burst forth from a cloud.
"Dear me, what have they been erecting here?" he cried, as he
caught sight of the East gate, which in olden times used to stand at
the end of East Street. However, he found an opening through which
he passed, and came out upon where he expected to find the new market.
Nothing was to be seen but an open meadow, surrounded by a few bushes,
through which ran a broad canal or stream. A few miserable-looking
wooden booths, for the accommodation of Dutch watermen, stood on the
opposite shore.
"Either I behold a fata morgana, or I must be tipsy," groaned
the counsellor. "What can it be? What is the matter with me?" He
turned back in the full conviction that he must be ill. In walking
through the street this time, he examined the houses more closely;
he found that most of them were built of lath and plaster, and many
had only a thatched roof.
"I am certainly all wrong," said he, with a sigh; "and yet I only
drank one glass of punch. But I cannot bear even that, and it was very
foolish to give us punch and hot salmon; I shall speak about it to our
hostess, the agent's lady. Suppose I were to go back now and say how
ill I feel, I fear it would look so ridiculous, and it is not very
likely that I should find any one up." Then he looked for the house,
but it was not in existence.
"This is really frightful; I cannot even recognize East Street.
Not a shop to be seen; nothing but old, wretched, tumble-down
houses, just as if I were at Roeskilde or Ringstedt. Oh, I really must
be ill! It is no use to stand upon ceremony. But where in the world is
the agent's house. There is a house, but it is not his; and people
still up in it, I can hear. Oh dear! I certainly am very queer." As he
reached the half-open door, he saw a light and went in. It was a
tavern of the olden times, and seemed a kind of beershop. The room had
the appearance of a Dutch interior. A number of people, consisting
of seamen, Copenhagen citizens, and a few scholars, sat in deep
conversation over their mugs, and took very little notice of the new
comer.
"Pardon me," said the counsellor, addressing the landlady, "I do
not feel quite well, and I should be much obliged if you will send for
a fly to take me to Christian's Haven." The woman stared at him and
shook her head. Then she spoke to him in German. The counsellor
supposed from this that she did not understand Danish; he therefore
repeated his request in German. This, as well as his singular dress,
convinced the woman that he was a foreigner. She soon understood,
however, that he did not find himself quite well, and therefore
brought him a mug of water. It had something of the taste of seawater,
certainly, although it had been drawn from the well outside. Then
the counsellor leaned his head on his hand, drew a deep breath, and
pondered over all the strange things that had happened to him.
"Is that to-day's number of the Day?" he asked, quite
mechanically, as he saw the woman putting by a large piece of paper.
She did not understand what he meant, but she handed him the sheet; it
was a woodcut, representing a meteor, which had appeared in the town
of Cologne.
"That is very old," said the counsellor, becoming quite cheerful
at the sight of this antique drawing. "Where did you get this singular
sheet? It is very interesting, although the whole affair is a fable.
Meteors are easily explained in these days; they are northern
lights, which are often seen, and are no doubt caused by electricity."
Those who sat near him, and heard what he said, looked at him in
great astonishment, and one of them rose, took off his hat
respectfully, and said in a very serious manner, "You must certainly
be a very learned man, monsieur."
"Oh no," replied the counsellor; "I can only discourse on topics
which every one should understand."
"Modestia is a beautiful virtue," said the man. "Moreover, I
must add to your speech mihi secus videtur; yet in this case I would
suspend my judicium."
"May I ask to whom I have the pleasure of speaking?"
"I am a Bachelor of Divinity," said the man. This answer satisfied
the counsellor. The title agreed with the dress.
"This is surely," thought he, "an old village schoolmaster, a
perfect original, such as one meets with sometimes even in Jutland."
"This is not certainly a locus docendi," began the man; "still I
must beg you to continue the conversation. You must be well read in
ancient lore."
"Oh yes," replied the counsellor; "I am very fond of reading
useful old books, and modern ones as well, with the exception of
every-day stories, of which we really have more than enough.
"Every-day stories?" asked the bachelor.
"Yes, I mean the new novels that we have at the present day."
"Oh," replied the man, with a smile; "and yet they are very witty,
and are much read at Court. The king likes especially the romance of
Messeurs Iffven and Gaudian, which describes King Arthur and his
knights of the round table. He has joked about it with the gentlemen
of his Court."
"Well, I have certainly not read that," replied the counsellor. "I
suppose it is quite new, and published by Heiberg."
"No," answered the man, "it is not by Heiberg; Godfred von
Gehman brought it out."
"Oh, is he the publisher? That is a very old name," said the
counsellor; "was it not the name of the first publisher in Denmark?"
"Yes; and he is our first printer and publisher now," replied
the scholar.
So far all had passed off very well; but now one of the citizens
began to speak of a terrible pestilence which had been raging a few
years before, meaning the plague of 1484. The counsellor thought he
referred to the cholera, and they could discuss this without finding
out the mistake. The war in 1490 was spoken of as quite recent. The
English pirates had taken some ships in the Channel in 1801, and the
counsellor, supposing they referred to these, agreed with them in
finding fault with the English. The rest of the talk, however, was not
so agreeable; every moment one contradicted the other. The good
bachelor appeared very ignorant, for the simplest remark of the
counsellor seemed to him either too bold or too fantastic. They stared
at each other, and when it became worse the bachelor spoke in Latin,
in the hope of being better understood; but it was all useless.
"How are you now?" asked the landlady, pulling the counsellor's
sleeve.
Then his recollection returned to him. In the course of
conversation he had forgotten all that had happened previously.
"Goodness me! where am I?" said he. It bewildered him as he
thought of it.
"We will have some claret, or mead, or Bremen beer," said one of
the guests; "will you drink with us?"
Two maids came in. One of them had a cap on her head of two
colors. They poured out the wine, bowed their heads, and withdrew.
The counsellor felt a cold shiver run all over him. "What is this?
what does it mean?" said he; but he was obliged to drink with them,
for they overpowered the good man with their politeness. He became
at last desperate; and when one of them said he was tipsy, he did
not doubt the man's word in the least�only begged them to get a
droschky; and then they thought he was speaking the Muscovite
language. Never before had he been in such rough and vulgar company.
"One might believe that the country was going back to heathenism,"
he observed. "This is the most terrible moment of my life."
Just then it came into his mind that he would stoop under the
table, and so creep to the door. He tried it; but before he reached
the entry, the rest discovered what he was about, and seized him by
the feet, when, luckily for him, off came the goloshes, and with
them vanished the whole enchantment. The counsellor now saw quite
plainly a lamp, and a large building behind it; everything looked
familiar and beautiful. He was in East Street, as it now appears; he
lay with his legs turned towards a porch, and just by him sat the
watchman asleep.
"Is it possible that I have been lying here in the street
dreaming?" said he. "Yes, this is East Street; how beautifully
bright and gay it looks! It is quite shocking that one glass of
punch should have upset me like this."
Two minutes afterwards he sat in a droschky, which was to drive
him to Christian's Haven. He thought of all the terror and anxiety
which he had undergone, and felt thankful from his heart for the
reality and comfort of modern times, which, with all their errors,
were far better than those in which he so lately found himself.
THE WATCHMAN'S ADVENTURES
"Well, I declare, there lies a pair of goloshes," said the
watchman. "No doubt, they belong to the lieutenant who lives up
stairs. They are lying just by his door." Gladly would the honest
man have rung, and given them in, for a light was still burning, but
he did not wish to disturb the other people in the house; so he let
them lie. "These things must keep the feet very warm," said he;
"they are of such nice soft leather." Then he tried them on, and
they fitted his feet exactly. "Now," said he, "how droll things are in
this world! There's that man can lie down in his warm bed, but he does
not do so. There he goes pacing up and down the room. He ought to be a
happy man. He has neither wife nor children, and he goes out into
company every evening. Oh, I wish I were he; then I should be a
happy man."
As he uttered this wish, the goloshes which he had put on took
effect, and the watchman at once became the lieutenant. There he stood
in his room, holding a little piece of pink paper between his fingers,
on which was a poem,�a poem written by the lieutenant himself. Who
has not had, for once in his life, a moment of poetic inspiration? and
at such a moment, if the thoughts are written down, they flow in
poetry. The following verses were written on the pink paper:�
"OH WERE I RICH!
"Oh were I rich! How oft, in youth's bright hour,
When youthful pleasures banish every care,
I longed for riches but to gain a power,
The sword and plume and uniform to wear!
The riches and the honor came for me;
Yet still my greatest wealth was poverty:
Ah, help and pity me!
"Once in my youthful hours, when gay and free,
A maiden loved me; and her gentle kiss,
Rich in its tender love and purity,
Taught me, alas! too much of earthly bliss.
Dear child! She only thought of youthful glee;
She loved no wealth, but fairy tales and me.
Thou knowest: ah, pity me!
"Oh were I rich! again is all my prayer:
That child is now a woman, fair and free,
As good and beautiful as angels are.
Oh, were I rich in lovers' poetry,
To tell my fairy tale, love's richest lore!
But no; I must be silent�I am poor.
Ah, wilt thou pity me?
"Oh were I rich in truth and peace below,
I need not then my poverty bewail.
To thee I dedicate these lines of woe;
Wilt thou not understand the mournful tale?
A leaf on which my sorrows I relate�
Dark story of a darker night of fate.
Ah, bless and pity me!"
"Well, yes; people write poems when they are in love, but a wise
man will not print them. A lieutenant in love, and poor. This is a
triangle, or more properly speaking, the half of the broken die of
fortune." The lieutenant felt this very keenly, and therefore leaned
his head against the window-frame, and sighed deeply. "The poor
watchman in the street," said he, "is far happier than I am. He
knows not what I call poverty. He has a home, a wife and children, who
weep at his sorrow and rejoice at his joy. Oh, how much happier I
should be could I change my being and position with him, and pass
through life with his humble expectations and hopes! Yes, he is indeed
happier than I am."
At this moment the watchman again became a watchman; for having,
through the goloshes of Fortune, passed into the existence of the
lieutenant, and found himself less contented than he expected, he
had preferred his former condition, and wished himself again a
watchman. "That was an ugly dream," said he, "but droll enough. It
seemed to me as if I were the lieutenant up yonder, but there was no
happiness for me. I missed my wife and the little ones, who are always
ready to smother me with kisses." He sat down again and nodded, but he
could not get the dream out of his thoughts, and he still had the
goloshes on his feet. A falling star gleamed across the sky. "There
goes one!" cried he. "However, there are quite enough left; I should
very much like to examine these a little nearer, especially the
moon, for that could not slip away under one's hands. The student, for
whom my wife washes, says that when we die we shall fly from one
star to another. If that were true, it would be very delightful, but I
don't believe it. I wish I could make a little spring up there now;
I would willingly let my body lie here on the steps."
There are certain things in the world which should be uttered very
cautiously; doubly so when the speaker has on his feet the goloshes of
Fortune. Now we shall hear what happened to the watchman.
Nearly every one is acquainted with the great power of steam; we
have proved it by the rapidity with which we can travel, both on a
railroad or in a steamship across the sea. But this speed is like
the movements of the sloth, or the crawling march of the snail, when
compared to the swiftness with which light travels; light flies
nineteen million times faster than the fleetest race-horse, and
electricity is more rapid still. Death is an electric shock which we
receive in our hearts, and on the wings of electricity the liberated
soul flies away swiftly, the light from the sun travels to our earth
ninety-five millions of miles in eight minutes and a few seconds;
but on the wings of electricity, the mind requires only a second to
accomplish the same distance. The space between the heavenly bodies
is, to thought, no farther than the distance which we may have to walk
from one friend's house to another in the same town; yet this electric
shock obliges us to use our bodies here below, unless, like the
watchman, we have on the goloshes of Fortune.
In a very few seconds the watchman had travelled more than two
hundred thousand miles to the moon, which is formed of a lighter
material than our earth, and may be said to be as soft as new fallen
snow. He found himself on one of the circular range of mountains which
we see represented in Dr. Madler's large map of the moon. The interior
had the appearance of a large hollow, bowl-shaped, with a depth
about half a mile from the brim. Within this hollow stood a large
town; we may form some idea of its appearance by pouring the white
of an egg into a glass of water. The materials of which it was built
seemed just as soft, and pictured forth cloudy turrets and sail-like
terraces, quite transparent, and floating in the thin air. Our earth
hung over his head like a great dark red ball. Presently he discovered
a number of beings, which might certainly be called men, but were very
different to ourselves. A more fantastical imagination than Herschel's
must have discovered these. Had they been placed in groups, and
painted, it might have been said, "What beautiful foliage!" They had
also a language of their own. No one could have expected the soul of
the watchman to understand it, and yet he did understand it, for our
souls have much greater capabilities then we are inclined to
believe. Do we not, in our dreams, show a wonderful dramatic talent?
each of our acquaintance appears to us then in his own character,
and with his own voice; no man could thus imitate them in his waking
hours. How clearly, too, we are reminded of persons whom we have not
seen for many years; they start up suddenly to the mind's eye with all
their peculiarities as living realities. In fact, this memory of the
soul is a fearful thing; every sin, every sinful thought it can
bring back, and we may well ask how we are to give account of "every
idle word" that may have been whispered in the heart or uttered with
the lips. The spirit of the watchman therefore understood very well
the language of the inhabitants of the moon. They were disputing about
our earth, and doubted whether it could be inhabited. The
atmosphere, they asserted, must be too dense for any inhabitants of
the moon to exist there. They maintained that the moon alone was
inhabited, and was really the heavenly body in which the old world
people lived. They likewise talked politics.
But now we will descend to East Street, and see what happened to
the watchman's body. He sat lifeless on the steps. His staff had
fallen out of his hand, and his eyes stared at the moon, about which
his honest soul was wandering.
"What is it o'clock, watchman?" inquired a passenger. But there
was no answer from the watchman.
The man then pulled his nose gently, which caused him to lose
his balance. The body fell forward, and lay at full length on the
ground as one dead.
All his comrades were very much frightened, for he seemed quite
dead; still they allowed him to remain after they had given notice
of what had happened; and at dawn the body was carried to the
hospital. We might imagine it to be no jesting matter if the soul of
the man should chance to return to him, for most probably it would
seek for the body in East Street without being able to find it. We
might fancy the soul inquiring of the police, or at the address
office, or among the missing parcels, and then at length finding it at
the hospital. But we may comfort ourselves by the certainty that the
soul, when acting upon its own impulses, is wiser than we are; it is
the body that makes it stupid.
As we have said, the watchman's body had been taken to the
hospital, and here it was placed in a room to be washed. Naturally,
the first thing done here was to take off the goloshes, upon which the
soul was instantly obliged to return, and it took the direct road to
the body at once, and in a few seconds the man's life returned to him.
He declared, when he quite recovered himself, that this had been the
most dreadful night he had ever passed; not for a hundred pounds would
he go through such feelings again. However, it was all over now.
The same day he was allowed to leave, but the goloshes remained at
the hospital.
THE EVENTFUL MOMENT�A MOST UNUSUAL JOURNEY
Every inhabitant of Copenhagen knows what the entrance to
Frederick's Hospital is like; but as most probably a few of those
who read this little tale may not reside in Copenhagen, we will give a
short description of it.
The hospital is separated from the street by an iron railing, in
which the bars stand so wide apart that, it is said, some very slim
patients have squeezed through, and gone to pay little visits in the
town. The most difficult part of the body to get through was the head;
and in this case, as it often happens in the world, the small heads
were the most fortunate. This will serve as sufficient introduction to
our tale. One of the young volunteers, of whom, physically speaking,
it might be said that he had a great head, was on guard that evening
at the hospital. The rain was pouring down, yet, in spite of these two
obstacles, he wanted to go out just for a quarter of an hour; it was
not worth while, he thought, to make a confidant of the porter, as
he could easily slip through the iron railings. There lay the
goloshes, which the watchman had forgotten. It never occurred to him
that these could be goloshes of Fortune. They would be very
serviceable to him in this rainy weather, so he drew them on. Now came
the question whether he could squeeze through the palings; he
certainly had never tried, so he stood looking at them. "I wish to
goodness my head was through," said he, and instantly, though it was
so thick and large, it slipped through quite easily. The goloshes
answered that purpose very well, but his body had to follow, and
this was impossible. "I am too fat," he said; "I thought my head would
be the worst, but I cannot get my body through, that is certain." Then
he tried to pull his head back again, but without success; he could
move his neck about easily enough, and that was all. His first feeling
was one of anger, and then his spirits sank below zero. The goloshes
of Fortune had placed him in this terrible position, and unfortunately
it never occurred to him to wish himself free. No, instead of
wishing he kept twisting about, yet did not stir from the spot. The
rain poured, and not a creature could be seen in the street. The
porter's bell he was unable to reach, and however was he to get loose!
He foresaw that he should have to stay there till morning, and then
they must send for a smith to file away the iron bars, and that
would be a work of time. All the charity children would just be
going to school: and all the sailors who inhabited that quarter of the
town would be there to see him standing in the pillory. What a crowd
there would be. "Ha," he cried, "the blood is rushing to my head,
and I shall go mad. I believe I am crazy already; oh, I wish I were
free, then all these sensations would pass off." This is just what
he ought to have said at first. The moment he had expressed the
thought his head was free. He started back, quite bewildered with
the fright which the goloshes of Fortune had caused him. But we must
not suppose it was all over; no, indeed, there was worse to come
yet. The night passed, and the whole of the following day; but no
one sent for the goloshes. In the evening a declamatory performance
was to take place at the amateur theatre in a distant street. The
house was crowded; among the audience was the young volunteer from the
hospital, who seemed to have quite forgotten his adventures of the
previous evening. He had on the goloshes; they had not been sent
for, and as the streets were still very dirty, they were of great
service to him. A new poem, entitled "My Aunt's Spectacles," was being
recited. It described these spectacles as possessing a wonderful
power; if any one put them on in a large assembly the people
appeared like cards, and the future events of ensuing years could be
easily foretold by them. The idea struck him that he should very
much like to have such a pair of spectacles; for, if used rightly,
they would perhaps enable him to see into the hearts of people,
which he thought would be more interesting than to know what was going
to happen next year; for future events would be sure to show
themselves, but the hearts of people never. "I can fancy what I should
see in the whole row of ladies and gentlemen on the first seat, if I
could only look into their hearts; that lady, I imagine, keeps a store
for things of all descriptions; how my eyes would wander about in that
collection; with many ladies I should no doubt find a large
millinery establishment. There is another that is perhaps empty, and
would be all the better for cleaning out. There may be some well
stored with good articles. Ah, yes," he sighed, "I know one, in
which everything is solid, but a servant is there already, and that is
the only thing against it. I dare say from many I should hear the
words, 'Please to walk in.' I only wish I could slip into the hearts
like a little tiny thought." This was the word of command for the
goloshes. The volunteer shrunk up together, and commenced a most
unusual journey through the hearts of the spectators in the first row.
The first heart he entered was that of a lady, but he thought he
must have got into one of the rooms of an orthopedic institution where
plaster casts of deformed limbs were hanging on the walls, with this
difference, that the casts in the institution are formed when the
patient enters, but here they were formed and preserved after the good
people had left. These were casts of the bodily and mental deformities
of the lady's female friends carefully preserved. Quickly he passed
into another heart, which had the appearance of a spacious, holy
church, with the white dove of innocence fluttering over the altar.
Gladly would he have fallen on his knees in such a sacred place; but
he was carried on to another heart, still, however, listening to the
tones of the organ, and feeling himself that he had become another and
a better man. The next heart was also a sanctuary, which he felt
almost unworthy to enter; it represented a mean garret, in which lay a
sick mother; but the warm sunshine streamed through the window, lovely
roses bloomed in a little flowerbox on the roof, two blue birds sang
of childlike joys, and the sick mother prayed for a blessing on her
daughter. Next he crept on his hands and knees through an overfilled
butcher's shop; there was meat, nothing but meat, wherever he stepped;
this was the heart of a rich, respectable man, whose name is doubtless
in the directory. Then he entered the heart of this man's wife; it was
an old, tumble-down pigeon-house; the husband's portrait served as a
weather-cock; it was connected with all the doors, which opened and
shut just as the husband's decision turned. The next heart was a
complete cabinet of mirrors, such as can be seen in the Castle of
Rosenberg. But these mirrors magnified in an astonishing degree; in
the middle of the floor sat, like the Grand Lama, the insignificant
I of the owner, astonished at the contemplation of his own features.
At his next visit he fancied he must have got into a narrow
needlecase, full of sharp needles: "Oh," thought he, "this must be the
heart of an old maid;" but such was not the fact; it belonged to a
young officer, who wore several orders, and was said to be a man of
intellect and heart.
The poor volunteer came out of the last heart in the row quite
bewildered. He could not collect his thoughts, and imagined his
foolish fancies had carried him away. "Good gracious!" he sighed, "I
must have a tendency to softening of the brain, and here it is so
exceedingly hot that the blood is rushing to my head." And then
suddenly recurred to him the strange event of the evening before, when
his head had been fixed between the iron railings in front of the
hospital. "That is the cause of it all!" he exclaimed, "I must do
something in time. A Russian bath would be a very good thing to
begin with. I wish I were lying on one of the highest shelves." Sure
enough, there he lay on an upper shelf of a vapor bath, still in his
evening costume, with his boots and goloshes on, and the hot drops
from the ceiling falling on his face. "Ho!" he cried, jumping down and
rushing towards the plunging bath. The attendant stopped him with a
loud cry, when he saw a man with all his clothes on. The volunteer
had, however, presence of mind enough to whisper, "It is for a wager;"
but the first thing he did, when he reached his own room, was to put a
large blister on his neck, and another on his back, that his crazy fit
might be cured. The next morning his back was very sore, which was all
he gained by the goloshes of Fortune.
THE CLERK'S TRANSFORMATION
The watchman, whom we of course have not forgotten, thought, after
a while, of the goloshes which he had found and taken to the hospital;
so he went and fetched them. But neither the lieutenant nor any one in
the street could recognize them as their own, so he gave them up to
the police. "They look exactly like my own goloshes," said one of
the clerks, examining the unknown articles, as they stood by the
side of his own. "It would require even more than the eye of a
shoemaker to know one pair from the other."
"Master clerk," said a servant who entered with some papers. The
clerk turned and spoke to the man; but when he had done with him, he
turned to look at the goloshes again, and now he was in greater
doubt than ever as to whether the pair on the right or on the left
belonged to him. "Those that are wet must be mine," thought he; but he
thought wrong, it was just the reverse. The goloshes of Fortune were
the wet pair; and, besides, why should not a clerk in a police
office be wrong sometimes? So he drew them on, thrust his papers
into his pocket, placed a few manuscripts under his arm, which he
had to take with him, and to make abstracts from at home. Then, as
it was Sunday morning and the weather very fine, he said to himself,
"A walk to Fredericksburg will do me good:" so away he went.
There could not be a quieter or more steady young man than this
clerk. We will not grudge him this little walk, it was just the
thing to do him good after sitting so much. He went on at first like a
mere automaton, without thought or wish; therefore the goloshes had no
opportunity to display their magic power. In the avenue he met with an
acquaintance, one of our young poets, who told him that he intended to
start on the following day on a summer excursion. "Are you really
going away so soon?" asked the clerk. "What a free, happy man you are.
You can roam about where you will, while such as we are tied by the
foot."
"But it is fastened to the bread-tree," replied the poet. "You
need have no anxiety for the morrow; and when you are old there is a
pension for you."
"Ah, yes; but you have the best of it," said the clerk; "it must
be so delightful to sit and write poetry. The whole world makes itself
agreeable to you, and then you are your own master. You should try how
you would like to listen to all the trivial things in a court of
justice." The poet shook his head, so also did the clerk; each
retained his own opinion, and so they parted. "They are strange
people, these poets," thought the clerk. "I should like to try what it
is to have a poetic taste, and to become a poet myself. I am sure I
should not write such mournful verses as they do. This is a splendid
spring day for a poet, the air is so remarkably clear, the clouds
are so beautiful, and the green grass has such a sweet smell. For many
years I have not felt as I do at this moment."
We perceive, by these remarks, that he had already become a
poet. By most poets what he had said would be considered common-place,
or as the Germans call it, "insipid." It is a foolish fancy to look
upon poets as different to other men. There are many who are more
the poets of nature than those who are professed poets. The difference
is this, the poet's intellectual memory is better; he seizes upon an
idea or a sentiment, until he can embody it, clearly and plainly in
words, which the others cannot do. But the transition from a character
of every-day life to one of a more gifted nature is a great
transition; and so the clerk became aware of the change after a
time. "What a delightful perfume," said he; "it reminds me of the
violets at Aunt Lora's. Ah, that was when I was a little boy. Dear me,
how long it seems since I thought of those days! She was a good old
maiden lady! she lived yonder, behind the Exchange. She always had a
sprig or a few blossoms in water, let the winter be ever so severe.
I could smell the violets, even while I was placing warm penny
pieces against the frozen panes to make peep-holes, and a pretty
view it was on which I peeped. Out in the river lay the ships,
icebound, and forsaken by their crews; a screaming crow represented
the only living creature on board. But when the breezes of spring
came, everything started into life. Amidst shouting and cheers the
ships were tarred and rigged, and then they sailed to foreign lands.
"I remain here, and always shall remain, sitting at my post at the
police office, and letting others take passports to distant lands.
Yes, this is my fate," and he sighed deeply. Suddenly he paused. "Good
gracious, what has come over me? I never felt before as I do now; it
must be the air of spring. It is overpowering, and yet it is
delightful."
He felt in his pockets for some of his papers. "These will give me
something else to think of," said he. Casting his eyes on the first
page of one, he read, "'Mistress Sigbirth; an original Tragedy, in
Five Acts.' What is this?�in my own handwriting, too! Have I
written this tragedy?" He read again, "'The Intrigue on the Promenade;
or, the Fast-Day. A Vaudeville.' However did I get all this? Some
one must have put them into my pocket. And here is a letter!" It was
from the manager of a theatre; the pieces were rejected, not at all in
polite terms.
"Hem, hem!" said he, sitting down on a bench; his thoughts were
very elastic, and his heart softened strangely. Involuntarily he
seized one of the nearest flowers; it was a little, simple daisy.
All that botanists can say in many lectures was explained in a
moment by this little flower. It spoke of the glory of its birth; it
told of the strength of the sunlight, which had caused its delicate
leaves to expand, and given to it such sweet perfume. The struggles of
life which arouse sensations in the bosom have their type in the
tiny flowers. Air and light are the lovers of the flowers, but light
is the favored one; towards light it turns, and only when light
vanishes does it fold its leaves together, and sleep in the embraces
of the air."
"It is light that adorns me," said the flower.
"But the air gives you the breath of life," whispered the poet.
Just by him stood a boy, splashing with his stick in a marshy
ditch. The water-drops spurted up among the green twigs, and the clerk
thought of the millions of animalculae which were thrown into the
air with every drop of water, at a height which must be the same to
them as it would be to us if we were hurled beyond the clouds. As
the clerk thought of all these things, and became conscious of the
great change in his own feelings, he smiled, and said to himself, "I
must be asleep and dreaming; and yet, if so, how wonderful for a dream
to be so natural and real, and to know at the same time too that it is
but a dream. I hope I shall be able to remember it all when I wake
tomorrow. My sensations seem most unaccountable. I have a clear
perception of everything as if I were wide awake. I am quite sure if I
recollect all this tomorrow, it will appear utterly ridiculous and
absurd. I have had this happen to me before. It is with the clever
or wonderful things we say or hear in dreams, as with the gold which
comes from under the earth, it is rich and beautiful when we possess
it, but when seen in a true light it is but as stones and withered
leaves."
"Ah!" he sighed mournfully, as he gazed at the birds singing
merrily, or hopping from branch to branch, "they are much better off
than I. Flying is a glorious power. Happy is he who is born with
wings. Yes, if I could change myself into anything I would be a little
lark." At the same moment his coat-tails and sleeves grew together and
formed wings, his clothes changed to feathers, and his goloshes to
claws. He felt what was taking place, and laughed to himself. "Well,
now it is evident I must be dreaming; but I never had such a wild
dream as this." And then he flew up into the green boughs and sang,
but there was no poetry in the song, for his poetic nature had left
him. The goloshes, like all persons who wish to do a thing thoroughly,
could only attend to one thing at a time. He wished to be a poet,
and he became one. Then he wanted to be a little bird, and in this
change he lost the characteristics of the former one. "Well,"
thought he, "this is charming; by day I sit in a police-office,
amongst the dryest law papers, and at night I can dream that I am a
lark, flying about in the gardens of Fredericksburg. Really a complete
comedy could be written about it." Then he flew down into the grass,
turned his head about in every direction, and tapped his beak on the
bending blades of grass, which, in proportion to his size, seemed to
him as long as the palm-leaves in northern Africa.
In another moment all was darkness around him. It seemed as if
something immense had been thrown over him. A sailor boy had flung his
large cap over the bird, and a hand came underneath and caught the
clerk by the back and wings so roughly, that he squeaked, and then
cried out in his alarm, "You impudent rascal, I am a clerk in the
police-office!" but it only sounded to the boy like "tweet, tweet;" so
he tapped the bird on the beak, and walked away with him. In the
avenue he met two school-boys, who appeared to belong to a better
class of society, but whose inferior abilities kept them in the lowest
class at school. These boys bought the bird for eightpence, and so the
clerk returned to Copenhagen. "It is well for me that I am
dreaming," he thought; "otherwise I should become really angry.
First I was a poet, and now I am a lark. It must have been the
poetic nature that changed me into this little creature. It is a
miserable story indeed, especially now I have fallen into the hands of
boys. I wonder what will be the end of it." The boys carried him
into a very elegant room, where a stout, pleasant-looking lady
received them, but she was not at all gratified to find that they
had brought a lark�a common field-bird as she called it. However, she
allowed them for one day to place the bird in an empty cage that
hung near the window. "It will please Polly perhaps," she said,
laughing at a large gray parrot, who was swinging himself proudly on a
ring in a handsome brass cage. "It is Polly's birthday," she added
in a simpering tone, "and the little field-bird has come to offer
his congratulations."
Polly did not answer a single word, he continued to swing
proudly to and fro; but a beautiful canary, who had been brought
from his own warm, fragrant fatherland, the summer previous, began
to sing as loud as he could.
"You screamer!" said the lady, throwing a white handkerchief
over the cage.
"Tweet, tweet," sighed he, "what a dreadful snowstorm!" and then
he became silent.
The clerk, or as the lady called him the field-bird, was placed in
a little cage close to the canary, and not far from the parrot. The
only human speech which Polly could utter, and which she sometimes
chattered forth most comically, was "Now let us be men." All besides
was a scream, quite as unintelligible as the warbling of the
canary-bird, excepting to the clerk, who being now a bird, could
understand his comrades very well.
"I flew beneath green palm-trees, and amidst the blooming
almond-trees," sang the canary. "I flew with my brothers and sisters
over beautiful flowers, and across the clear, bright sea, which
reflected the waving foliage in its glittering depths; and I have seen
many gay parrots, who could relate long and delightful stories.
"They were wild birds," answered the parrot, "and totally
uneducated. Now let us be men. Why do you not laugh? If the lady and
her visitors can laugh at this, surely you can. It is a great
failing not to be able to appreciate what is amusing. Now let us be
men."
"Do you remember," said the canary, "the pretty maidens who used
to dance in the tents that were spread out beneath the sweet blossoms?
Do you remember the delicious fruit and the cooling juice from the
wild herbs?"
"Oh, yes," said the parrot; "but here I am much better off. I am
well fed, and treated politely. I know that I have a clever head;
and what more do I want? Let us be men now. You have a soul for
poetry. I have deep knowledge and wit. You have genius, but no
discretion. You raise your naturally high notes so much, that you
get covered over. They never serve me so. Oh, no; I cost them
something more than you. I keep them in order with my beak, and
fling my wit about me. Now let us be men.
"O my warm, blooming fatherland," sang the canary bird, "I will
sing of thy dark-green trees and thy quiet streams, where the
bending branches kiss the clear, smooth water. I will sing of the
joy of my brothers and sisters, as their shining plumage flits among
the dark leaves of the plants which grow wild by the springs."
"Do leave off those dismal strains," said the parrot; "sing
something to make us laugh; laughter is the sign of the highest
order of intellect. Can a dog or a horse laugh? No, they can cry;
but to man alone is the power of laughter given. Ha! ha! ha!"
laughed Polly, and repeated his witty saying, "Now let us be men."
"You little gray Danish bird," said the canary, "you also have
become a prisoner. It is certainly cold in your forests, but still
there is liberty there. Fly out! they have forgotten to close the
cage, and the window is open at the top. Fly, fly!"
Instinctively, the clerk obeyed, and left the cage; at the same
moment the half-opened door leading into the next room creaked on
its hinges, and, stealthily, with green fiery eyes, the cat crept in
and chased the lark round the room. The canary-bird fluttered in his
cage, and the parrot flapped his wings and cried, "Let us be men;" the
poor clerk, in the most deadly terror, flew through the window, over
the houses, and through the streets, till at length he was obliged
to seek a resting-place. A house opposite to him had a look of home. A
window stood open; he flew in, and perched upon the table. It was
his own room. "Let us be men now," said he, involuntarily imitating
the parrot; and at the same moment he became a clerk again, only
that he was sitting on the table. "Heaven preserve us!" said he;
"How did I get up here and fall asleep in this way? It was an uneasy
dream too that I had. The whole affair appears most absurd."
THE BEST THING THE GOLOSHES DID
Early on the following morning, while the clerk was still in
bed, his neighbor, a young divinity student, who lodged on the same
storey, knocked at his door, and then walked in. "Lend me your
goloshes," said he; "it is so wet in the garden, but the sun is
shining brightly. I should like to go out there and smoke my pipe." He
put on the goloshes, and was soon in the garden, which contained
only one plum-tree and one apple-tree; yet, in a town, even a small
garden like this is a great advantage.
The student wandered up and down the path; it was just six
o'clock, and he could hear the sound of the post-horn in the street.
"Oh, to travel, to travel!" cried he; "there is no greater happiness
in the world: it is the height of my ambition. This restless feeling
would be stilled, if I could take a journey far away from this
country. I should like to see beautiful Switzerland, to travel through
Italy, and,"�It was well for him that the goloshes acted immediately,
otherwise he might have been carried too far for himself as well as
for us. In a moment he found himself in Switzerland, closely packed
with eight others in the diligence. His head ached, his back was
stiff, and the blood had ceased to circulate, so that his feet were
swelled and pinched by his boots. He wavered in a condition between
sleeping and waking. In his right-hand pocket he had a letter of
credit; in his left-hand pocket was his passport; and a few louis
d'ors were sewn into a little leather bag which he carried in his
breast-pocket. Whenever he dozed, he dreamed that he had lost one or
another of these possessions; then he would awake with a start, and
the first movements of his hand formed a triangle from his
right-hand pocket to his breast, and from his breast to his
left-hand pocket, to feel whether they were all safe. Umbrellas,
sticks, and hats swung in the net before him, and almost obstructed
the prospect, which was really very imposing; and as he glanced at it,
his memory recalled the words of one poet at least, who has sung of
Switzerland, and whose poems have not yet been printed:�
"How lovely to my wondering eyes
Mont Blanc's fair summits gently rise;
'Tis sweet to breathe the mountain air,�
If you have gold enough to spare."
Grand, dark, and gloomy appeared the landscape around him. The
pine-forests looked like little groups of moss on high rocks, whose
summits were lost in clouds of mist. Presently it began to snow, and
the wind blew keen and cold. "Ah," he sighed, "if I were only on the
other side of the Alps now, it would be summer, and I should be able
to get money on my letter of credit. The anxiety I feel on this matter
prevents me from enjoying myself in Switzerland. Oh, I wish I was on
the other side of the Alps."
And there, in a moment, he found himself, far away in the midst of
Italy, between Florence and Rome, where the lake Thrasymene
glittered in the evening sunlight like a sheet of molten gold
between the dark blue mountains. There, where Hannibal defeated
Flaminius, the grape vines clung to each other with the friendly grasp
of their green tendril fingers; while, by the wayside, lovely
half-naked children were watching a herd of coal-black swine under the
blossoms of fragrant laurel. Could we rightly describe this
picturesque scene, our readers would exclaim, "Delightful Italy!"
But neither the student nor either of his travelling companions
felt the least inclination to think of it in this way. Poisonous flies
and gnats flew into the coach by thousands. In vain they drove them
away with a myrtle branch, the flies stung them notwithstanding. There
was not a man in the coach whose face was not swollen and disfigured
with the stings. The poor horses looked wretched; the flies settled on
their backs in swarms, and they were only relieved when the coachmen
got down and drove the creatures off.
As the sun set, an icy coldness filled all nature, not however
of long duration. It produced the feeling which we experience when
we enter a vault at a funeral, on a summer's day; while the hills
and the clouds put on that singular green hue which we often notice in
old paintings, and look upon as unnatural until we have ourselves seen
nature's coloring in the south. It was a glorious spectacle; but the
stomachs of the travellers were empty, their bodies exhausted with
fatigue, and all the longings of their heart turned towards a
resting-place for the night; but where to find one they knew not.
All the eyes were too eagerly seeking for this resting-place, to
notice the beauties of nature.
The road passed through a grove of olive-trees; it reminded the
student of the willow-trees at home. Here stood a lonely inn, and
close by it a number of crippled beggars had placed themselves; the
brightest among them looked, to quote the words of Marryat, "like
the eldest son of Famine who had just come of age." The others were
either blind, or had withered legs, which obliged them to creep
about on their hands and knees, or they had shrivelled arms and
hands without fingers. It was indeed poverty arrayed in rags.
"Eccellenza, miserabili!" they exclaimed, stretching forth their
diseased limbs. The hostess received the travellers with bare feet,
untidy hair, and a dirty blouse. The doors were fastened together with
string; the floors of the rooms were of brick, broken in many
places; bats flew about under the roof; and as to the odor within�
"Let us have supper laid in the stable," said one of the
travellers; "then we shall know what we are breathing."
The windows were opened to let in a little fresh air, but
quicker than air came in the withered arms and the continual whining
sounds, "Miserabili, eccellenza." On the walls were inscriptions,
half of them against "la bella Italia."
The supper made its appearance at last. It consisted of watery
soup, seasoned with pepper and rancid oil. This last delicacy played a
principal part in the salad. Musty eggs and roasted cocks'-combs
were the best dishes on the table; even the wine had a strange
taste, it was certainly a mixture. At night, all the boxes were placed
against the doors, and one of the travellers watched while the
others slept. The student's turn came to watch. How close the air felt
in that room; the heat overpowered him. The gnats were buzzing about
and stinging, while the miserabili, outside, moaned in their dreams.
"Travelling would be all very well," said the student of
divinity to himself, "if we had no bodies, or if the body could rest
while the soul if flying. Wherever I go I feel a want which
oppresses my heart, for something better presents itself at the
moment; yes, something better, which shall be the best of all; but
where is that to be found? In fact, I know in my heart very well
what I want. I wish to attain the greatest of all happiness."
No sooner were the words spoken than he was at home. Long white
curtains shaded the windows of his room, and in the middle of the
floor stood a black coffin, in which he now lay in the still sleep
of death; his wish was fulfilled, his body was at rest, and his spirit
travelling.
"Esteem no man happy until he is in his grave," were the words
of Solon. Here was a strong fresh proof of their truth. Every corpse
is a sphinx of immortality. The sphinx in this sarcophagus might
unveil its own mystery in the words which the living had himself
written two days before�
"Stern death, thy chilling silence waketh dread;
Yet in thy darkest hour there may be light.
Earth's garden reaper! from the grave's cold bed
The soul on Jacob's ladder takes her flight.
Man's greatest sorrows often are a part
Of hidden griefs, concealed from human eyes,
Which press far heavier on the lonely heart
Than now the earth that on his coffin lies."
Two figures were moving about the room; we know them both. One was
the fairy named Care, the other the messenger of Fortune. They bent
over the dead.
"Look!" said Care; "what happiness have your goloshes brought to
mankind?"
"They have at least brought lasting happiness to him who
slumbers here," she said.
"Not so," said Care, "he went away of himself, he was not
summoned. His mental powers were not strong enough to discern the
treasures which he had been destined to discover. I will do him a
favor now." And she drew the goloshes from his feet.
The sleep of death was ended, and the recovered man raised
himself. Care vanished, and with her the goloshes; doubtless she
looked upon them as her own property. |
IN THE NURSERY
Father, and mother, and brothers, and sisters, were gone to the
play; only little Anna and her grandpapa were left at home.
"We'll have a play too," he said, "and it may begin immediately."
"But we have no theatre," cried little Anna, "and we have no one
to act for us; my old doll cannot, for she is a fright, and my new one
cannot, for she must not rumple her new clothes."
"One can always get actors if one makes use of what one has,"
observed grandpapa.
"Now we'll go into the theatre. Here we will put up a book,
there another, and there a third, in a sloping row. Now three on the
other side; so, now we have the side scenes. The old box that lies
yonder may be the back stairs; and we'll lay the flooring on top of
it. The stage represents a room, as every one may see. Now we want the
actors. Let us see what we can find in the plaything-box. First the
personages, and then we will get the play ready. One after the
other; that will be capital! Here's a pipe-head, and yonder an odd
glove; they will do very well for father and daughter."
"But those are only two characters," said little Anna. "Here's
my brother's old waistcoat�could not that play in our piece, too?"
"It's big enough, certainly," replied grandpapa. "It shall be
the lover. There's nothing in the pockets, and that's very
interesting, for that's half of an unfortunate attachment. And here we
have the nut-cracker's boots, with spurs to them. Row, dow, dow! how
they can stamp and strut! They shall represent the unwelcome wooer,
whom the lady does not like. What kind of a play will you have now?
Shall it be a tragedy, or a domestic drama?"
"A domestic drama, please," said little Anna, "for the others
are so fond of that. Do you know one?"
"I know a hundred," said grandpapa. "Those that are most in
favor are from the French, but they are not good for little girls.
In the meantime, we may take one of the prettiest, for inside
they're all very much alike. Now I shake the pen! Cock-a-lorum! So
now, here's the play, brin-bran-span new! Now listen to the
play-bill."
And grandpapa took a newspaper, and read as if he were reading
from it:
THE PIPE-HEAD AND THE GOOD HEAD
A Family Drama in One Act
CHARACTERS
MR. PIPE-HEAD, a father. MR. WAISTCOAT, a lover.
MISS GLOVE, a daughter. MR. DE BOOTS, a suitor.
"And now we're going to begin. The curtain rises. We have no
curtain, so it has risen already. All the characters are there, and so
we have them at hand. Now I speak as Papa Pipe-head! He's angry
to-day. One can see that he's a colored meerschaum.
"'Snik, snak, snurre, bassellurre! I'm master of this house! I'm
the father of my daughter! Will you hear what I have to say? Mr. de
Boots is a person in whom one may see one's face; his upper part is of
morocco, and he has spurs into the bargain. Snikke, snakke, snak! He
shall have my daughter!"
"Now listen to what the Waistcoat says, little Anna," said
grandpapa. "Now the Waistcoat's speaking. The Waistcoat has a
laydown collar, and is very modest; but he knows his own value, and
has quite a right to say what he says:
"'I haven't a spot on me! Goodness of material ought to be
appreciated. I am of real silk, and have strings to me.'
"'�On the wedding day, but no longer; you don't keep your color
in the wash.' This is Mr. Pipe-head who is speaking. 'Mr. de Boots
is water-tight, of strong leather, and yet very delicate; he can
creak, and clank with his spurs, and has an Italian physiognomy-'"
"But they ought to speak in verses," said Anna, "for I've heard
that's the most charming way of all."
"They can do that too," replied grandpapa; "and if the public
demands it, they will talk in that way. Just look at little Miss
Glove, how she's pointing her fingers!
"'Could I but have my love,
Who then so happy as Glove!
Ah!
If I from him must part,
I'm sure 'twill break my heart!'
'Bah!'
The last word was spoken by Mr. Pipe-head; and now it's Mr.
Waistcoat's turn:
"'O Glove, my own dear,
Though it cost thee a tear,
Thou must be mine,
For Holger Danske has sworn it!'
"Mr. de Boots, hearing this, kicks up, jingles his spurs, and
knocks down three of the side-scenes."
"That's exceedingly charming!" cried little Anna.
"Silence! silence!" said grandpapa. "Silent approbation will
show that you are the educated public in the stalls. Now Miss Glove
sings her great song with startling effects:
"'I can't see, heigho!
And therefore I'll crow!
Kikkeriki, in the lofty hall!'
"Now comes the exciting part, little Anna. This is the most
important in all the play. Mr. Waistcoat undoes himself, and addresses
his speech to you, that you may applaud; but leave it alone,�that's
considered more genteel.
"'I am driven to extremities! Take care of yourself! Now comes the
plot! You are the Pipe-head, and I am the good head�snap! there you
go!"
"Do you notice this, little Anna?" asked grandpapa. "That's a most
charming comedy. Mr. Waistcoat seized the old Pipe-head and put him in
his pocket; there he lies, and the Waistcoat says:
"'You are in my pocket; you can't come out till you promise to
unite me to your daughter Glove on the left. I hold out my right
hand.'"
"That's awfully pretty," said little Anna.
"And now the old Pipe-head replies:
"'Though I'm all ear,
Very stupid I appear:
Where's my humor? Gone, I fear,
And I feel my hollow stick's not here,
Ah! never, my dear,
Did I feel so queer.
Oh! pray let me out,
And like a lamb led to slaughter
I'll betroth you, no doubt,
To my daughter.'"
"Is the play over already?" asked little Anna.
"By no means," replied grandpapa. "It's only all over with Mr.
de Boots. Now the lovers kneel down, and one of them sings:
"'Father!'
and the other,
'Come, do as you ought to do,�
Bless your son and daughter.'
And they receive his blessing, and celebrate their wedding, and all
the pieces of furniture sing in chorus,
"'Klink! clanks!
A thousand thanks;
And now the play is over!'
"And now we'll applaud," said grandpapa. "We'll call them all out,
and the pieces of furniture too, for they are of mahogany."
"And is not our play just as good as those which the others have
in the real theatre?"
"Our play is much better," said grandpapa. "It is shorter, the
performers are natural, and it has passed away the interval before
tea-time." |
THE LAST PEARL
We are in a rich, happy house, where the master, the servants, the
friends of the family are full of joy and felicity. For on this day
a son and heir has been born, and mother and child are doing well. The
lamp in the bed-chamber had been partly shaded, and the windows were
covered with heavy curtains of some costly silken material. The carpet
was thick and soft, like a covering of moss. Everything invited to
slumber, everything had a charming look of repose; and so the nurse
had discovered, for she slept; and well she might sleep, while
everything around her told of happiness and blessing. The guardian
angel of the house leaned against the head of the bed; while over
the child was spread, as it were, a net of shining stars, and each
star was a pearl of happiness. All the good stars of life had
brought their gifts to the newly born; here sparkled health, wealth,
fortune, and love; in short, there seemed to be everything for which
man could wish on earth.
"Everything has been bestowed here," said the guardian angel.
"No, not everything," said a voice near him�the voice of the good
angel of the child; "one fairy has not yet brought her gift, but she
will, even if years should elapse, she will bring her gift; it is
the last pearl that is wanting."
"Wanting!" cried the guardian angel; "nothing must be wanting
here; and if it is so, let us fetch it; let us seek the powerful
fairy; let us go to her."
"She will come, she will come some day unsought!"
"Her pearl must not be missing; it must be there, that the
crown, when worn, may be complete. Where is she to be found? Where
does she dwell?" said the guardian angel. "Tell me, and I will procure
the pearl."
"Will you do that?" replied the good angel of the child. "Then I
will lead you to her directly, wherever she may be. She has no abiding
place; she rules in the palace of the emperor, sometimes she enters
the peasant's humble cot; she passes no one without leaving a trace of
her presence. She brings her gift with her, whether it is a world or a
bauble. To this child she must come. You think that to wait for this
time would be long and useless. Well, then, let us go for this
pearl�the only one lacking amidst all this wealth."
Then hand-in-hand they floated away to the spot where the fairy
was now lingering. It was in a large house with dark windows and empty
rooms, in which a peculiar stillness reigned. A whole row of windows
stood open, so that the rude wind could enter at its pleasure, and the
long white curtains waved to and fro in the current of air. In the
centre of one of the rooms stood an open coffin, in which lay the body
of a woman, still in the bloom of youth and very beautiful. Fresh
roses were scattered over her. The delicate folded hands and the noble
face glorified in death by the solemn, earnest look, which spoke of an
entrance into a better world, were alone visible. Around the coffin
stood the husband and children, a whole troop, the youngest in the
father's arms. They were come to take a last farewell look of their
mother. The husband kissed her hand, which now lay like a withered
leaf, but which a short time before had been diligently employed in
deeds of love for them all. Tears of sorrow rolled down their
cheeks, and fell in heavy drops on the floor, but not a word was
spoken. The silence which reigned here expressed a world of grief.
With silent steps, still sobbing, they left the room. A burning
light remained in the room, and a long, red wick rose far above the
flame, which fluttered in the draught of air. Strange men came in
and placed the lid of the coffin over the dead, and drove the nails
firmly in; while the blows of the hammer resounded through the
house, and echoed in the hearts that were bleeding.
"Whither art thou leading me?" asked the guardian angel. "Here
dwells no fairy whose pearl could be counted amongst the best gifts of
life."
"Yes, she is here; here in this sacred hour," replied the angel,
pointing to a corner of the room; and there,�where in her
life-time, the mother had taken her seat amidst flowers and
pictures: in that spot, where she, like the blessed fairy of the
house, had welcomed husband, children, and friends, and, like a
sunbeam, had spread joy and cheerfulness around her, the centre and
heart of them all,�there, in that very spot, sat a strange woman,
clothed in long, flowing garments, and occupying the place of the dead
wife and mother. It was the fairy, and her name was "Sorrow." A hot
tear rolled into her lap, and formed itself into a pearl, glowing with
all the colors of the rainbow. The angel seized it: the pearl
glittered like a star with seven-fold radiance. The pearl of Sorrow,
the last, which must not be wanting, increases the lustre, and
explains the meaning of all the other pearls.
"Do you see the shimmer of the rainbow, which unites earth to
heaven?" So has there been a bridge built between this world and the
next. Through the night of the grave we gaze upwards beyond the
stars to the end of all things. Then we glance at the pearl of Sorrow,
in which are concealed the wings which shall carry us away to
eternal happiness. |
THE TOP AND BALL
A whipping top and a little ball lay together in a box, among
other toys, and the top said to the ball, "Shall we be married, as
we live in the same box?"
But the ball, which wore a dress of morocco leather, and thought
as much of herself as any other young lady, would not even
condescend to reply.
The next day came the little boy to whom the playthings
belonged, and he painted the top red and yellow, and drove a
brass-headed nail into the middle, so that while the top was
spinning round it looked splendid.
"Look at me," said the top to the ball. "What do you say now?
Shall we be engaged to each other? We should suit so well; you spring,
and I dance. No one could be happier than we should be."
"Indeed! do you think so? Perhaps you do not know that my father
and mother were morocco slippers, and that I have a Spanish cork in my
body."
"Yes; but I am made of mahogany," said the top. "The major himself
turned me. He has a turning lathe of his own, and it is a great
amusement to him."
"Can I believe it?" asked the ball.
"May I never be whipped again," said the top, "if I am not telling
you the truth."
"You certainly know how to speak for yourself very well," said the
ball; "but I cannot accept your proposal. I am almost engaged to a
swallow. Every time I fly up in the air, he puts his head out of the
nest, and says, 'Will you?' and I have said, 'Yes,' to myself
silently, and that is as good as being half engaged; but I will
promise never to forget you."
"Much good that will be to me," said the top; and they spoke to
each other no more.
Next day the ball was taken out by the boy. The top saw it
flying high in the air, like a bird, till it would go quite out of
sight. Each time it came back, as it touched the earth, it gave a
higher leap than before, either because it longed to fly upwards, or
from having a Spanish cork in its body. But the ninth time it rose
in the air, it remained away, and did not return. The boy searched
everywhere for it, but he searched in vain, for it could not be found;
it was gone.
"I know very well where she is," sighed the top; "she is in the
swallow's nest, and has married the swallow."
The more the top thought of this, the more he longed for the ball.
His love increased the more, just because he could not get her; and
that she should have been won by another, was the worst of all. The
top still twirled about and hummed, but he continued to think of the
ball; and the more he thought of her, the more beautiful she seemed to
his fancy.
Thus several years passed by, and his love became quite old. The
top, also, was no longer young; but there came a day when he looked
handsomer than ever; for he was gilded all over. He was now a golden
top, and whirled and danced about till he hummed quite loud, and was
something worth looking at; but one day he leaped too high, and then
he, also, was gone. They searched everywhere, even in the cellar,
but he was nowhere to be found. Where could he be? He had jumped
into the dust-bin, where all sorts of rubbish were lying:
cabbage-stalks, dust, and rain-droppings that had fallen down from the
gutter under the roof.
"Now I am in a nice place," said he; "my gilding will soon be
washed off here. Oh dear, what a set of rabble I have got amongst!"
And then he glanced at a curious round thing like an old apple,
which lay near a long, leafless cabbage-stalk. It was, however, not an
apple, but an old ball, which had lain for years in the gutter, and
was soaked through with water.
"Thank goodness, here comes one of my own class, with whom I can
talk," said the ball, examining the gilded top. "I am made of
morocco," she said. "I was sewn together by a young lady, and I have a
Spanish cork in my body; but no one would think it, to look at me now.
I was once engaged to a swallow; but I fell in here from the gutter
under the roof, and I have lain here more than five years, and have
been thoroughly drenched. Believe me, it is a long time for a young
maiden."
The top said nothing, but he thought of his old love; and the more
she said, the more clear it became to him that this was the same ball.
The servant then came to clean out the dust-bin.
"Ah," she exclaimed, "here is a gilt top." So the top was
brought again to notice and honor, but nothing more was heard of the
little ball. He spoke not a word about his old love; for that soon
died away. When the beloved object has lain for five years in a
gutter, and has been drenched through, no one cares to know her
again on meeting her in a dust-bin. |
IN A THOUSAND YEARS
Yes, in a thousand years people will fly on the wings of steam
through the air, over the ocean! The young inhabitants of America will
become visitors of old Europe. They will come over to see the
monuments and the great cities, which will then be in ruins, just as
we in our time make pilgrimages to the tottering splendors of Southern
Asia. In a thousand years they will come!
The Thames, the Danube, and the Rhine still roll their course,
Mont Blanc stands firm with its snow-capped summit, and the Northern
Lights gleam over the land of the North; but generation after
generation has become dust, whole rows of the mighty of the moment are
forgotten, like those who already slumber under the hill on which
the rich trader, whose ground it is, has built a bench, on which he
can sit and look out across his waving corn fields.
"To Europe!" cry the young sons of America; "to the land of our
ancestors, the glorious land of monuments and fancy�to Europe!"
The ship of the air comes. It is crowded with passengers, for
the transit is quicker than by sea. The electro-magnetic wire under
the ocean has already telegraphed the number of the aerial caravan.
Europe is in sight. It is the coast of Ireland that they see, but
the passengers are still asleep; they will not be called till they are
exactly over England. There they will first step on European shore, in
the land of Shakespeare, as the educated call it; in the land of
politics, the land of machines, as it is called by others.
Here they stay a whole day. That is all the time the busy race can
devote to the whole of England and Scotland. Then the journey is
continued through the tunnel under the English Channel, to France, the
land of Charlemagne and Napoleon. Moliere is named, the learned men
talk of the classic school of remote antiquity. There is rejoicing and
shouting for the names of heroes, poets, and men of science, whom
our time does not know, but who will be born after our time in
Paris, the centre of Europe, and elsewhere.
The air steamboat flies over the country whence Columbus went
forth, where Cortez was born, and where Calderon sang dramas in
sounding verse. Beautiful black-eyed women live still in the
blooming valleys, and the oldest songs speak of the Cid and the
Alhambra.
Then through the air, over the sea, to Italy, where once lay
old, everlasting Rome. It has vanished! The Campagna lies desert. A
single ruined wall is shown as the remains of St. Peter's, but there
is a doubt if this ruin be genuine.
Next to Greece, to sleep a night in the grand hotel at the top
of Mount Olympus, to say that they have been there; and the journey is
continued to the Bosphorus, to rest there a few hours, and see the
place where Byzantium lay; and where the legend tells that the harem
stood in the time of the Turks, poor fishermen are now spreading their
nets.
Over the remains of mighty cities on the broad Danube, cities
which we in our time know not, the travellers pass; but here and
there, on the rich sites of those that time shall bring forth, the
caravan sometimes descends, and departs thence again.
Down below lies Germany, that was once covered with a close net of
railway and canals, the region where Luther spoke, where Goethe
sang, and Mozart once held the sceptre of harmony. Great names shine
there, in science and in art, names that are unknown to us. One day
devoted to seeing Germany, and one for the North, the country of
Oersted and Linnaeus, and for Norway, the land of the old heroes and
the young Normans. Iceland is visited on the journey home. The geysers
burn no more, Hecla is an extinct volcano, but the rocky island is
still fixed in the midst of the foaming sea, a continual monument of
legend and poetry.
"There is really a great deal to be seen in Europe," says the
young American, "and we have seen it in a week, according to the
directions of the great traveller" (and here he mentions the name of
one of his contemporaries) "in his celebrated work, 'How to See All
Europe in a Week.'" |
THE BUCKWHEAT
Very often, after a violent thunder-storm, a field of buckwheat
appears blackened and singed, as if a flame of fire had passed over
it. The country people say that this appearance is caused by
lightning; but I will tell you what the sparrow says, and the
sparrow heard it from an old willow-tree which grew near a field of
buckwheat, and is there still. It is a large venerable tree, though
a little crippled by age. The trunk has been split, and out of the
crevice grass and brambles grow. The tree bends for-ward slightly, and
the branches hang quite down to the ground just like green hair.
Corn grows in the surrounding fields, not only rye and barley, but
oats,-pretty oats that, when ripe, look like a number of little golden
canary-birds sitting on a bough. The corn has a smiling look and the
heaviest and richest ears bend their heads low as if in pious
humility. Once there was also a field of buckwheat, and this field was
exactly opposite to old willow-tree. The buckwheat did not bend like
the other grain, but erected its head proudly and stiffly on the stem.
"I am as valuable as any other corn," said he, "and I am much
handsomer; my flowers are as beautiful as the bloom of the apple
blossom, and it is a pleasure to look at us. Do you know of anything
prettier than we are, you old willow-tree?"
And the willow-tree nodded his head, as if he would say, "Indeed I
do."
But the buckwheat spread itself out with pride, and said,
"Stupid tree; he is so old that grass grows out of his body."
There arose a very terrible storm. All the field-flowers folded
their leaves together, or bowed their little heads, while the storm
passed over them, but the buckwheat stood erect in its pride. "Bend
your head as we do," said the flowers.
"I have no occasion to do so," replied the buckwheat.
"Bend your head as we do," cried the ears of corn; "the angel of
the storm is coming; his wings spread from the sky above to the
earth beneath. He will strike you down before you can cry for mercy."
"But I will not bend my head," said the buckwheat.
"Close your flowers and bend your leaves," said the old
willow-tree. "Do not look at the lightning when the cloud bursts; even
men cannot do that. In a flash of lightning heaven opens, and we can
look in; but the sight will strike even human beings blind. What
then must happen to us, who only grow out of the earth, and are so
inferior to them, if we venture to do so?"
"Inferior, indeed!" said the buckwheat. "Now I intend to have a
peep into heaven." Proudly and boldly he looked up, while the
lightning flashed across the sky as if the whole world were in flames.
When the dreadful storm had passed, the flowers and the corn
raised their drooping heads in the pure still air, refreshed by the
rain, but the buckwheat lay like a weed in the field, burnt to
blackness by the lightning. The branches of the old willow-tree
rustled in the wind, and large water-drops fell from his green leaves
as if the old willow were weeping. Then the sparrows asked why he was
weeping, when all around him seemed so cheerful. "See," they said,
"how the sun shines, and the clouds float in the blue sky. Do you not
smell the sweet perfume from flower and bush? Wherefore do you weep,
old willow-tree?" Then the willow told them of the haughty pride of
the buckwheat, and of the punishment which followed in consequence.
This is the story told me by the sparrows one evening when I
begged them to relate some tale to me. |
LITTLE TINY OR THUMBELINA
There was once a woman who wished very much to have a little
child, but she could not obtain her wish. At last she went to a fairy,
and said, "I should so very much like to have a little child; can
you tell me where I can find one?"
"Oh, that can be easily managed," said the fairy. "Here is a
barleycorn of a different kind to those which grow in the farmer's
fields, and which the chickens eat; put it into a flower-pot, and
see what will happen."
"Thank you," said the woman, and she gave the fairy twelve
shillings, which was the price of the barleycorn. Then she went home
and planted it, and immediately there grew up a large handsome flower,
something like a tulip in appearance, but with its leaves tightly
closed as if it were still a bud. "It is a beautiful flower," said the
woman, and she kissed the red and golden-colored leaves, and while she
did so the flower opened, and she could see that it was a real
tulip. Within the flower, upon the green velvet stamens, sat a very
delicate and graceful little maiden. She was scarcely half as long
as a thumb, and they gave her the name of "Thumbelina," or Tiny,
because she was so small. A walnut-shell, elegantly polished, served
her for a cradle; her bed was formed of blue violet-leaves, with a
rose-leaf for a counterpane. Here she slept at night, but during the
day she amused herself on a table, where the woman had placed a
plateful of water. Round this plate were wreaths of flowers with their
stems in the water, and upon it floated a large tulip-leaf, which
served Tiny for a boat. Here the little maiden sat and rowed herself
from side to side, with two oars made of white horse-hair. It really
was a very pretty sight. Tiny could, also, sing so softly and
sweetly that nothing like her singing had ever before been heard.
One night, while she lay in her pretty bed, a large, ugly, wet toad
crept through a broken pane of glass in the window, and leaped right
upon the table where Tiny lay sleeping under her rose-leaf quilt.
"What a pretty little wife this would make for my son," said the
toad, and she took up the walnut-shell in which little Tiny lay
asleep, and jumped through the window with it into the garden.
In the swampy margin of a broad stream in the garden lived the
toad, with her son. He was uglier even than his mother, and when he
saw the pretty little maiden in her elegant bed, he could only cry,
"Croak, croak, croak."
"Don't speak so loud, or she will wake," said the toad, "and
then she might run away, for she is as light as swan's down. We will
place her on one of the water-lily leaves out in the stream; it will
be like an island to her, she is so light and small, and then she
cannot escape; and, while she is away, we will make haste and
prepare the state-room under the marsh, in which you are to live
when you are married."
Far out in the stream grew a number of water-lilies, with broad
green leaves, which seemed to float on the top of the water. The
largest of these leaves appeared farther off than the rest, and the
old toad swam out to it with the walnut-shell, in which little Tiny
lay still asleep. The tiny little creature woke very early in the
morning, and began to cry bitterly when she found where she was, for
she could see nothing but water on every side of the large green leaf,
and no way of reaching the land. Meanwhile the old toad was very
busy under the marsh, decking her room with rushes and wild yellow
flowers, to make it look pretty for her new daughter-in-law. Then
she swam out with her ugly son to the leaf on which she had placed
poor little Tiny. She wanted to fetch the pretty bed, that she might
put it in the bridal chamber to be ready for her. The old toad bowed
low to her in the water, and said, "Here is my son, he will be your
husband, and you will live happily in the marsh by the stream."
"Croak, croak, croak," was all her son could say for himself; so
the toad took up the elegant little bed, and swam away with it,
leaving Tiny all alone on the green leaf, where she sat and wept.
She could not bear to think of living with the old toad, and having
her ugly son for a husband. The little fishes, who swam about in the
water beneath, had seen the toad, and heard what she said, so they
lifted their heads above the water to look at the little maiden. As
soon as they caught sight of her, they saw she was very pretty, and it
made them very sorry to think that she must go and live with the
ugly toads. "No, it must never be!" so they assembled together in
the water, round the green stalk which held the leaf on which the
little maiden stood, and gnawed it away at the root with their
teeth. Then the leaf floated down the stream, carrying Tiny far away
out of reach of land.
Tiny sailed past many towns, and the little birds in the bushes
saw her, and sang, "What a lovely little creature;" so the leaf swam
away with her farther and farther, till it brought her to other lands.
A graceful little white butterfly constantly fluttered round her,
and at last alighted on the leaf. Tiny pleased him, and she was glad
of it, for now the toad could not possibly reach her, and the
country through which she sailed was beautiful, and the sun shone upon
the water, till it glittered like liquid gold. She took off her girdle
and tied one end of it round the butterfly, and the other end of the
ribbon she fastened to the leaf, which now glided on much faster
than ever, taking little Tiny with it as she stood. Presently a
large cockchafer flew by; the moment he caught sight of her, he seized
her round her delicate waist with his claws, and flew with her into
a tree. The green leaf floated away on the brook, and the butterfly
flew with it, for he was fastened to it, and could not get away.
Oh, how frightened little Tiny felt when the cockchafer flew
with her to the tree! But especially was she sorry for the beautiful
white butterfly which she had fastened to the leaf, for if he could
not free himself he would die of hunger. But the cockchafer did not
trouble himself at all about the matter. He seated himself by her side
on a large green leaf, gave her some honey from the flowers to eat,
and told her she was very pretty, though not in the least like a
cockchafer. After a time, all the cockchafers turned up their feelers,
and said, "She has only two legs! how ugly that looks." "She has no
feelers," said another. "Her waist is quite slim. Pooh! she is like
a human being."
"Oh! she is ugly," said all the lady cockchafers, although Tiny
was very pretty. Then the cockchafer who had run away with her,
believed all the others when they said she was ugly, and would have
nothing more to say to her, and told her she might go where she liked.
Then he flew down with her from the tree, and placed her on a daisy,
and she wept at the thought that she was so ugly that even the
cockchafers would have nothing to say to her. And all the while she
was really the loveliest creature that one could imagine, and as
tender and delicate as a beautiful rose-leaf. During the whole
summer poor little Tiny lived quite alone in the wide forest. She wove
herself a bed with blades of grass, and hung it up under a broad leaf,
to protect herself from the rain. She sucked the honey from the
flowers for food, and drank the dew from their leaves every morning.
So passed away the summer and the autumn, and then came the winter,�the
long, cold winter. All the birds who had sung to her so sweetly
were flown away, and the trees and the flowers had withered. The large
clover leaf under the shelter of which she had lived, was now rolled
together and shrivelled up, nothing remained but a yellow withered
stalk. She felt dreadfully cold, for her clothes were torn, and she
was herself so frail and delicate, that poor little Tiny was nearly
frozen to death. It began to snow too; and the snow-flakes, as they
fell upon her, were like a whole shovelful falling upon one of us, for
we are tall, but she was only an inch high. Then she wrapped herself
up in a dry leaf, but it cracked in the middle and could not keep
her warm, and she shivered with cold. Near the wood in which she had
been living lay a corn-field, but the corn had been cut a long time;
nothing remained but the bare dry stubble standing up out of the
frozen ground. It was to her like struggling through a large wood. Oh!
how she shivered with the cold. She came at last to the door of a
field-mouse, who had a little den under the corn-stubble. There
dwelt the field-mouse in warmth and comfort, with a whole roomful of
corn, a kitchen, and a beautiful dining room. Poor little Tiny stood
before the door just like a little beggar-girl, and begged for a small
piece of barley-corn, for she had been without a morsel to eat for two
days.
"You poor little creature," said the field-mouse, who was really a
good old field-mouse, "come into my warm room and dine with me." She
was very pleased with Tiny, so she said, "You are quite welcome to
stay with me all the winter, if you like; but you must keep my rooms
clean and neat, and tell me stories, for I shall like to hear them
very much." And Tiny did all the field-mouse asked her, and found
herself very comfortable.
"We shall have a visitor soon," said the field-mouse one day;
"my neighbor pays me a visit once a week. He is better off than I
am; he has large rooms, and wears a beautiful black velvet coat. If
you could only have him for a husband, you would be well provided
for indeed. But he is blind, so you must tell him some of your
prettiest stories."
But Tiny did not feel at all interested about this neighbor, for
he was a mole. However, he came and paid his visit dressed in his
black velvet coat.
"He is very rich and learned, and his house is twenty times larger
than mine," said the field-mouse.
He was rich and learned, no doubt, but he always spoke slightingly
of the sun and the pretty flowers, because he had never seen them.
Tiny was obliged to sing to him, "Lady-bird, lady-bird, fly away
home," and many other pretty songs. And the mole fell in love with her
because she had such a sweet voice; but he said nothing yet, for he
was very cautious. A short time before, the mole had dug a long
passage under the earth, which led from the dwelling of the
field-mouse to his own, and here she had permission to walk with
Tiny whenever she liked. But he warned them not to be alarmed at the
sight of a dead bird which lay in the passage. It was a perfect
bird, with a beak and feathers, and could not have been dead long, and
was lying just where the mole had made his passage. The mole took a
piece of phosphorescent wood in his mouth, and it glittered like
fire in the dark; then he went before them to light them through the
long, dark passage. When they came to the spot where lay the dead
bird, the mole pushed his broad nose through the ceiling, the earth
gave way, so that there was a large hole, and the daylight shone
into the passage. In the middle of the floor lay a dead swallow, his
beautiful wings pulled close to his sides, his feet and his head drawn
up under his feathers; the poor bird had evidently died of the cold.
It made little Tiny very sad to see it, she did so love the little
birds; all the summer they had sung and twittered for her so
beautifully. But the mole pushed it aside with his crooked legs, and
said, "He will sing no more now. How miserable it must be to be born a
little bird! I am thankful that none of my children will ever be
birds, for they can do nothing but cry, 'Tweet, tweet,' and always die
of hunger in the winter."
"Yes, you may well say that, as a clever man!" exclaimed the
field-mouse, "What is the use of his twittering, for when winter comes
he must either starve or be frozen to death. Still birds are very high
bred."
Tiny said nothing; but when the two others had turned their
backs on the bird, she stooped down and stroked aside the soft
feathers which covered the head, and kissed the closed eyelids.
"Perhaps this was the one who sang to me so sweetly in the summer,"
she said; "and how much pleasure it gave me, you dear, pretty bird."
The mole now stopped up the hole through which the daylight shone,
and then accompanied the lady home. But during the night Tiny could
not sleep; so she got out of bed and wove a large, beautiful carpet of
hay; then she carried it to the dead bird, and spread it over him;
with some down from the flowers which she had found in the
field-mouse's room. It was as soft as wool, and she spread some of
it on each side of the bird, so that he might lie warmly in the cold
earth. "Farewell, you pretty little bird," said she, "farewell;
thank you for your delightful singing during the summer, when all
the trees were green, and the warm sun shone upon us." Then she laid
her head on the bird's breast, but she was alarmed immediately, for it
seemed as if something inside the bird went "thump, thump." It was the
bird's heart; he was not really dead, only benumbed with the cold, and
the warmth had restored him to life. In autumn, all the swallows fly
away into warm countries, but if one happens to linger, the cold
seizes it, it becomes frozen, and falls down as if dead; it remains
where it fell, and the cold snow covers it. Tiny trembled very much;
she was quite frightened, for the bird was large, a great deal
larger than herself,�she was only an inch high. But she took courage,
laid the wool more thickly over the poor swallow, and then took a leaf
which she had used for her own counterpane, and laid it over the
head of the poor bird. The next morning she again stole out to see
him. He was alive but very weak; he could only open his eyes for a
moment to look at Tiny, who stood by holding a piece of decayed wood
in her hand, for she had no other lantern. "Thank you, pretty little
maiden," said the sick swallow; "I have been so nicely warmed, that
I shall soon regain my strength, and be able to fly about again in the
warm sunshine."
"Oh," said she, "it is cold out of doors now; it snows and
freezes. Stay in your warm bed; I will take care of you."
Then she brought the swallow some water in a flower-leaf, and
after he had drank, he told her that he had wounded one of his wings
in a thorn-bush, and could not fly as fast as the others, who were
soon far away on their journey to warm countries. Then at last he
had fallen to the earth, and could remember no more, nor how he came
to be where she had found him. The whole winter the swallow remained
underground, and Tiny nursed him with care and love. Neither the
mole nor the field-mouse knew anything about it, for they did not like
swallows. Very soon the spring time came, and the sun warmed the
earth. Then the swallow bade farewell to Tiny, and she opened the hole
in the ceiling which the mole had made. The sun shone in upon them
so beautifully, that the swallow asked her if she would go with him;
she could sit on his back, he said, and he would fly away with her
into the green woods. But Tiny knew it would make the field-mouse very
grieved if she left her in that manner, so she said, "No, I cannot."
"Farewell, then, farewell, you good, pretty little maiden," said
the swallow; and he flew out into the sunshine.
Tiny looked after him, and the tears rose in her eyes. She was
very fond of the poor swallow.
"Tweet, tweet," sang the bird, as he flew out into the green
woods, and Tiny felt very sad. She was not allowed to go out into
the warm sunshine. The corn which had been sown in the field over
the house of the field-mouse had grown up high into the air, and
formed a thick wood to Tiny, who was only an inch in height.
"You are going to be married, Tiny," said the field-mouse. "My
neighbor has asked for you. What good fortune for a poor child like
you. Now we will prepare your wedding clothes. They must be both
woollen and linen. Nothing must be wanting when you are the mole's
wife."
Tiny had to turn the spindle, and the field-mouse hired four
spiders, who were to weave day and night. Every evening the mole
visited her, and was continually speaking of the time when the
summer would be over. Then he would keep his wedding-day with Tiny;
but now the heat of the sun was so great that it burned the earth, and
made it quite hard, like a stone. As soon, as the summer was over, the
wedding should take place. But Tiny was not at all pleased; for she
did not like the tiresome mole. Every morning when the sun rose, and
every evening when it went down, she would creep out at the door,
and as the wind blew aside the ears of corn, so that she could see the
blue sky, she thought how beautiful and bright it seemed out there,
and wished so much to see her dear swallow again. But he never
returned; for by this time he had flown far away into the lovely green
forest.
When autumn arrived, Tiny had her outfit quite ready; and the
field-mouse said to her, "In four weeks the wedding must take place."
Then Tiny wept, and said she would not marry the disagreeable
mole.
"Nonsense," replied the field-mouse. "Now don't be obstinate, or I
shall bite you with my white teeth. He is a very handsome mole; the
queen herself does not wear more beautiful velvets and furs. His
kitchen and cellars are quite full. You ought to be very thankful
for such good fortune."
So the wedding-day was fixed, on which the mole was to fetch
Tiny away to live with him, deep under the earth, and never again to
see the warm sun, because he did not like it. The poor child was
very unhappy at the thought of saying farewell to the beautiful sun,
and as the field-mouse had given her permission to stand at the
door, she went to look at it once more.
"Farewell bright sun," she cried, stretching out her arm towards
it; and then she walked a short distance from the house; for the
corn had been cut, and only the dry stubble remained in the fields.
"Farewell, farewell," she repeated, twining her arm round a little red
flower that grew just by her side. "Greet the little swallow from
me, if you should see him again."
"Tweet, tweet," sounded over her head suddenly. She looked up, and
there was the swallow himself flying close by. As soon as he spied
Tiny, he was delighted; and then she told him how unwilling she felt
to marry the ugly mole, and to live always beneath the earth, and
never to see the bright sun any more. And as she told him she wept.
"Cold winter is coming," said the swallow, "and I am going to
fly away into warmer countries. Will you go with me? You can sit on my
back, and fasten yourself on with your sash. Then we can fly away from
the ugly mole and his gloomy rooms,�far away, over the mountains,
into warmer countries, where the sun shines more brightly�than
here; where it is always summer, and the flowers bloom in greater
beauty. Fly now with me, dear little Tiny; you saved my life when I
lay frozen in that dark passage."
"Yes, I will go with you," said Tiny; and she seated herself on
the bird's back, with her feet on his outstretched wings, and tied her
girdle to one of his strongest feathers.
Then the swallow rose in the air, and flew over forest and over
sea, high above the highest mountains, covered with eternal snow. Tiny
would have been frozen in the cold air, but she crept under the bird's
warm feathers, keeping her little head uncovered, so that she might
admire the beautiful lands over which they passed. At length they
reached the warm countries, where the sun shines brightly, and the sky
seems so much higher above the earth. Here, on the hedges, and by
the wayside, grew purple, green, and white grapes; lemons and
oranges hung from trees in the woods; and the air was fragrant with
myrtles and orange blossoms. Beautiful children ran along the
country lanes, playing with large gay butterflies; and as the
swallow flew farther and farther, every place appeared still more
lovely.
At last they came to a blue lake, and by the side of it, shaded by
trees of the deepest green, stood a palace of dazzling white marble,
built in the olden times. Vines clustered round its lofty pillars, and
at the top were many swallows' nests, and one of these was the home of
the swallow who carried Tiny.
"This is my house," said the swallow; "but it would not do for you
to live there�you would not be comfortable. You must choose for
yourself one of those lovely flowers, and I will put you down upon it,
and then you shall have everything that you can wish to make you
happy."
"That will be delightful," she said, and clapped her little
hands for joy.
A large marble pillar lay on the ground, which, in falling, had
been broken into three pieces. Between these pieces grew the most
beautiful large white flowers; so the swallow flew down with Tiny, and
placed her on one of the broad leaves. But how surprised she was to
see in the middle of the flower, a tiny little man, as white and
transparent as if he had been made of crystal! He had a gold crown
on his head, and delicate wings at his shoulders, and was not much
larger than Tiny herself. He was the angel of the flower; for a tiny
man and a tiny woman dwell in every flower; and this was the king of
them all.
"Oh, how beautiful he is!" whispered Tiny to the swallow.
The little prince was at first quite frightened at the bird, who
was like a giant, compared to such a delicate little creature as
himself; but when he saw Tiny, he was delighted, and thought her the
prettiest little maiden he had ever seen. He took the gold crown
from his head, and placed it on hers, and asked her name, and if she
would be his wife, and queen over all the flowers.
This certainly was a very different sort of husband to the son
of a toad, or the mole, with my black velvet and fur; so she said,
"Yes," to the handsome prince. Then all the flowers opened, and out of
each came a little lady or a tiny lord, all so pretty it was quite a
pleasure to look at them. Each of them brought Tiny a present; but the
best gift was a pair of beautiful wings, which had belonged to a large
white fly and they fastened them to Tiny's shoulders, so that she
might fly from flower to flower. Then there was much rejoicing, and
the little swallow who sat above them, in his nest, was asked to
sing a wedding song, which he did as well as he could; but in his
heart he felt sad for he was very fond of Tiny, and would have liked
never to part from her again.
"You must not be called Tiny any more," said the spirit of the
flowers to her. "It is an ugly name, and you are so very pretty. We
will call you Maia."
"Farewell, farewell," said the swallow, with a heavy heart as he
left the warm countries to fly back into Denmark. There he had a
nest over the window of a house in which dwelt the writer of fairy
tales. The swallow sang, "Tweet, tweet," and from his song came the
whole story. |
THE THISTLE'S EXPERIENCES
Belonging to the lordly manor-house was beautiful, well-kept
garden, with rare trees and flowers; the guests of the proprietor
declared their admiration of it; the people of the neighborhood,
from town and country, came on Sundays and holidays, and asked
permission to see the garden; indeed, whole schools used to pay visits
to it.
Outside the garden, by the palings at the road-side, stood a great
mighty Thistle, which spread out in many directions from the root,
so that it might have been called a thistle bush. Nobody looked at it,
except the old Ass which drew the milk-maid's cart. This Ass used to
stretch out his neck towards the Thistle, and say, "You are beautiful;
I should like to eat you!" But his halter was not long enough to let
him reach it and eat it.
There was great company at the manor-house�some very noble people
from the capital; young pretty girls, and among them a young lady
who came from a long distance. She had come from Scotland, and was
of high birth, and was rich in land and in gold�a bride worth
winning, said more than one of the young gentlemen; and their lady
mothers said the same thing.
The young people amused themselves on the lawn, and played at
ball; they wandered among the flowers, and each of the young girls
broke off a flower, and fastened it in a young gentleman's buttonhole.
But the young Scotch lady looked round, for a long time, in an
undecided way. None of the flowers seemed to suit her taste. Then
her eye glanced across the paling�outside stood the great thistle
bush, with the reddish-blue, sturdy flowers; she saw them, she smiled,
and asked the son of the house to pluck one for her.
"It is the flower of Scotland," she said. "It blooms in the
scutcheon of my country. Give me yonder flower."
And he brought the fairest blossom, and pricked his fingers as
completely as if it had grown on the sharpest rose bush.
She placed the thistle-flower in the buttonhole of the young
man, and he felt himself highly honored. Each of the other young
gentlemen would willingly have given his own beautiful flower to
have worn this one, presented by the fair hand of the Scottish maiden.
And if the son of the house felt himself honored, what were the
feelings of the Thistle bush? It seemed to him as if dew and
sunshine were streaming through him.
"I am something more than I knew of," said the Thistle to
itself. "I suppose my right place is really inside the palings, and
not outside. One is often strangely placed in this world; but now I
have at least managed to get one of my people within the pale, and
indeed into a buttonhole!"
The Thistle told this event to every blossom that unfolded itself,
and not many days had gone by before the Thistle heard, not from
men, not from the twittering of the birds, but from the air itself,
which stores up the sounds, and carries them far around�out of the
most retired walks of the garden, and out of the rooms of the house,
in which doors and windows stood open, that the young gentleman who
had received the thistle-flower from the hand of the fair Scottish
maiden had also now received the heart and hand of the lady in
question. They were a handsome pair�it was a good match.
"That match I made up!" said the Thistle; and he thought of the
flower he had given for the buttonhole. Every flower that opened heard
of this occurrence.
"I shall certainly be transplanted into the garden," thought the
Thistle, "and perhaps put into a pot, which crowds one in. That is said
to be the greatest of all honors."
And the Thistle pictured this to himself in such a lively
manner, that at last he said, with full conviction, "I am to be
transplanted into a pot."
Then he promised every little thistle flower which unfolded itself
that it also should be put into a pot, and perhaps into a
buttonhole, the highest honor that could be attained. But not one of
them was put into a pot, much less into a buttonhole. They drank in
the sunlight and the air; lived on the sunlight by day, and on the dew
by night; bloomed�were visited by bees and hornets, who looked
after the honey, the dowry of the flower, and they took the honey, and
left the flower where it was.
"The thievish rabble!" said the Thistle. "If I could only stab
every one of them! But I cannot."
The flowers hung their heads and faded; but after a time new
ones came.
"You come in good time," said the Thistle. "I am expecting every
moment to get across the fence."
A few innocent daisies, and a long thin dandelion, stood and
listened in deep admiration, and believed everything they heard.
The old Ass of the milk-cart stood at the edge of the
field-road, and glanced across at the blooming thistle bush; but his
halter was too short, and he could not reach it.
And the Thistle thought so long of the thistle of Scotland, to
whose family he said he belonged, that he fancied at last that he
had come from Scotland, and that his parents had been put into the
national escutcheon. That was a great thought; but, you see, a great
thistle has a right to a great thought.
"One is often of so grand a family, that one may not know it,"
said the Nettle, who grew close by. He had a kind of idea that he
might be made into cambric if he were rightly treated.
And the summer went by, and the autumn went by. The leaves fell
from the trees, and the few flowers left had deeper colors and less
scent. The gardener's boy sang in the garden, across the palings:
"Up the hill, down the dale we wend,
That is life, from beginning to end."
The young fir trees in the forest began to long for Christmas, but
it was a long time to Christmas yet.
"Here I am standing yet!" said the Thistle. "It is as if nobody
thought of me, and yet I managed the match. They were betrothed, and
they have had their wedding; it is now a week ago. I won't take a
single step-because I can't."
A few more weeks went by. The Thistle stood there with his last
single flower large and full. This flower had shot up from near the
roots; the wind blew cold over it, and the colors vanished, and the
flower grew in size, and looked like a silvered sunflower.
One day the young pair, now man and wife, came into the garden.
They went along by the paling, and the young wife looked across it.
"There's the great thistle still growing," she said. "It has no
flowers now."
"Oh, yes, the ghost of the last one is there still," said he.
And he pointed to the silvery remains of the flower, which looked like
a flower themselves.
"It is pretty, certainly," she said. "Such an one must be carved
on the frame of our picture."
And the young man had to climb across the palings again, and to
break off the calyx of the thistle. It pricked his fingers, but then
he had called it a ghost. And this thistle-calyx came into the garden,
and into the house, and into the drawing-room. There stood a
picture�"Young Couple." A thistle-flower was painted in the
buttonhole of the bridegroom. They spoke about this, and also about
the thistle-flower they brought, the last thistle-flower, now gleaming
like silver, whose picture was carved on the frame.
And the breeze carried what was spoken away, far away.
"What one can experience!" said the Thistle Bush. "My first born
was put into a buttonhole, and my youngest has been put in a frame.
Where shall I go?"
And the Ass stood by the road-side, and looked across at the
Thistle.
"Come to me, my nibble darling!" said he. "I can't get across to
you."
But the Thistle did not answer. He became more and more
thoughtful�kept on thinking and thinking till near Christmas, and
then a flower of thought came forth.
"If the children are only good, the parents do not mind standing
outside the garden pale."
"That's an honorable thought," said the Sunbeam. "You shall also
have a good place."
"In a pot or in a frame?" asked the Thistle.
"In a story," replied the Sunbeam. |
A CHEERFUL TEMPER
From my father I received the best inheritance, namely a "good
temper." "And who was my father?" That has nothing to do with the good
temper; but I will say he was lively, good-looking round, and fat;
he was both in appearance and character a complete contradiction to
his profession. "And pray what was his profession and his standing
in respectable society?" Well, perhaps, if in the beginning of a
book these were written and printed, many, when they read it, would
lay the book down and say, "It seems to me a very miserable title, I
don't like things of this sort." And yet my father was not a
skin-dresser nor an executioner; on the contrary, his employment
placed him at the head of the grandest people of the town, and it
was his place by right. He had to precede the bishop, and even the
princes of the blood; he always went first,�he was a hearse driver!
There, now, the truth is out. And I will own, that when people saw
my father perched up in front of the omnibus of death, dressed in
his long, wide, black cloak, and his black-edged, three-cornered hat
on his head, and then glanced at his round, jocund face, round as
the sun, they could not think much of sorrow or the grave. That face
said, "It is nothing, it will all end better than people think." So
I have inherited from him, not only my good temper, but a habit of
going often to the churchyard, which is good, when done in a proper
humor; and then also I take in the Intelligencer, just as he used to
do.
I am not very young, I have neither wife nor children, nor a
library, but, as I said, I read the Intelligencer, which is enough for
me; it is to me a delightful paper, and so it was to my father. It
is of great use, for it contains all that a man requires to know;
the names of the preachers at the church, and the new books which
are published; where houses, servants, clothes, and provisions may
be obtained. And then what a number of subscriptions to charities, and
what innocent verses! Persons seeking interviews and engagements,
all so plainly and naturally stated. Certainly, a man who takes in the
Intelligencer may live merrily and be buried contentedly, and by the
end of his life will have such a capital stock of paper that he can
lie on a soft bed of it, unless he prefers wood shavings for his
resting-place. The newspaper and the churchyard were always exciting
objects to me. My walks to the latter were like bathing-places to my
good humor. Every one can read the newspaper for himself, but come
with me to the churchyard while the sun shines and the trees are
green, and let us wander among the graves. Each of them is like a
closed book, with the back uppermost, on which we can read the title
of what the book contains, but nothing more. I had a great deal of
information from my father, and I have noticed a great deal myself.
I keep it in my diary, in which I write for my own use and pleasure
a history of all who lie here, and a few more beside.
Now we are in the churchyard. Here, behind the white iron
railings, once a rose-tree grew; it is gone now, but a little bit of
evergreen, from a neighboring grave, stretches out its green tendrils,
and makes some appearance; there rests a very unhappy man, and yet
while he lived he might be said to occupy a very good position. He had
enough to live upon, and something to spare; but owing to his
refined tastes the least thing in the world annoyed him. If he went to
a theatre of an evening, instead of enjoying himself he would be quite
annoyed if the machinist had put too strong a light into one side of
the moon, or if the representations of the sky hung over the scenes
when they ought to have hung behind them; or if a palm-tree was
introduced into a scene representing the Zoological Gardens of Berlin,
or a cactus in a view of Tyrol, or a beech-tree in the north of
Norway. As if these things were of any consequence! Why did he not
leave them alone? Who would trouble themselves about such trifles?
especially at a comedy, where every one is expected to be amused. Then
sometimes the public applauded too much, or too little, to please him.
"They are like wet wood," he would say, looking round to see what sort
of people were present, "this evening; nothing fires them." Then he
would vex and fret himself because they did not laugh at the right
time, or because they laughed in the wrong places; and so he fretted
and worried himself till at last the unhappy man fretted himself
into the grave.
Here rests a happy man, that is to say, a man of high birth and
position, which was very lucky for him, otherwise he would have been
scarcely worth notice. It is beautiful to observe how wisely nature
orders these things. He walked about in a coat embroidered all over,
and in the drawing-rooms of society looked just like one of those rich
pearl-embroidered bell-pulls, which are only made for show; and behind
them always hangs a good thick cord for use. This man also had a
stout, useful substitute behind him, who did duty for him, and
performed all his dirty work. And there are still, even now, these
serviceable cords behind other embroidered bell-ropes. It is all so
wisely arranged, that a man may well be in a good humor.
Here rests,�ah, it makes one feel mournful to think of him!�but
here rests a man who, during sixty-seven years, was never
remembered to have said a good thing; he lived only in the hope of
having a good idea. At last he felt convinced, in his own mind, that
he really had one, and was so delighted that he positively died of joy
at the thought of having at last caught an idea. Nobody got anything
by it; indeed, no one even heard what the good thing was. Now I can
imagine that this same idea may prevent him from resting quietly in
his grave; for suppose that to produce a good effect, it is
necessary to bring out his new idea at breakfast, and that he can only
make his appearance on earth at midnight, as ghosts are believed
generally to do; why then this good idea would not suit the hour,
and the man would have to carry it down again with him into the
grave�that must be a troubled grave.
The woman who lies here was so remarkably stingy, that during
her life she would get up in the night and mew, that her neighbors
might think she kept a cat. What a miser she was!
Here rests a young lady, of a good family, who would always make
her voice heard in society, and when she sang "Mi manca la voce,"[1]
it was the only true thing she ever said in her life.
Here lies a maiden of another description. She was engaged to be
married,�but, her story is one of every-day life; we will leave her
to rest in the grave.
Here rests a widow, who, with music in her tongue, carried gall in
her heart. She used to go round among the families near, and search
out their faults, upon which she preyed with all the envy and malice
of her nature. This is a family grave. The members of this family held
so firmly together in their opinions, that they would believe in no
other. If the newspapers, or even the whole world, said of a certain
subject, "It is so-and-so;" and a little schoolboy declared he had
learned quite differently, they would take his assertion as the only
true one, because he belonged to the family. And it is well known that
if the yard-cock belonging to this family happened to crow at
midnight, they would declare it was morning, although the watchman and
all the clocks in the town were proclaiming the hour of twelve at
night.
The great poet Goethe concludes his Faust with the words, "may
be continued;" so might our wanderings in the churchyard be continued.
I come here often, and if any of my friends, or those who are not my
friends, are too much for me, I go out and choose a plot of ground
in which to bury him or her. Then I bury them, as it were; there
they lie, dead and powerless, till they come back new and better
characters. Their lives and their deeds, looked at after my own
fashion, I write down in my diary, as every one ought to do. Then,
if any of our friends act absurdly, no one need to be vexed about
it. Let them bury the offenders out of sight, and keep their good
temper. They can also read the Intelligencer, which is a paper written
by the people, with their hands guided. When the time comes for the
history of my life, to be bound by the grave, then they will write
upon it as my epitaph�
"The man with a cheerful temper."
And this is my story.
[1] "I want a voice," or, "I have no voice." |
THE BUTTERFLY
There was once a butterfly who wished for a bride, and, as may
be supposed, he wanted to choose a very pretty one from among the
flowers. He glanced, with a very critical eye, at all the flower-beds,
and found that the flowers were seated quietly and demurely on their
stalks, just as maidens should sit before they are engaged; but
there was a great number of them, and it appeared as if his search
would become very wearisome. The butterfly did not like to take too
much trouble, so he flew off on a visit to the daisies. The French
call this flower "Marguerite," and they say that the little daisy
can prophesy. Lovers pluck off the leaves, and as they pluck each
leaf, they ask a question about their lovers; thus: "Does he or she
love me?�Ardently? Distractedly? Very much? A little? Not at all?"
and so on. Every one speaks these words in his own language. The
butterfly came also to Marguerite to inquire, but he did not pluck off
her leaves; he pressed a kiss on each of them, for he thought there
was always more to be done by kindness.
"Darling Marguerite daisy," he said to her, "you are the wisest
woman of all the flowers. Pray tell me which of the flowers I shall
choose for my wife. Which will be my bride? When I know, I will fly
directly to her, and propose."
But Marguerite did not answer him; she was offended that he should
call her a woman when she was only a girl; and there is a great
difference. He asked her a second time, and then a third; but she
remained dumb, and answered not a word. Then he would wait no
longer, but flew away, to commence his wooing at once. It was in the
early spring, when the crocus and the snowdrop were in full bloom.
"They are very pretty," thought the butterfly; "charming little
lasses; but they are rather formal."
Then, as the young lads often do, he looked out for the elder
girls. He next flew to the anemones; these were rather sour to his
taste. The violet, a little too sentimental. The lime-blossoms, too
small, and besides, there was such a large family of them. The
apple-blossoms, though they looked like roses, bloomed to-day, but
might fall off to-morrow, with the first wind that blew; and he
thought that a marriage with one of them might last too short a
time. The pea-blossom pleased him most of all; she was white and
red, graceful and slender, and belonged to those domestic maidens
who have a pretty appearance, and can yet be useful in the kitchen. He
was just about to make her an offer, when, close by the maiden, he saw
a pod, with a withered flower hanging at the end.
"Who is that?" he asked.
"That is my sister," replied the pea-blossom.
"Oh, indeed; and you will be like her some day," said he; and he
flew away directly, for he felt quite shocked.
A honeysuckle hung forth from the hedge, in full bloom; but
there were so many girls like her, with long faces and sallow
complexions. No; he did not like her. But which one did he like?
Spring went by, and summer drew towards its close; autumn came;
but he had not decided. The flowers now appeared in their most
gorgeous robes, but all in vain; they had not the fresh, fragrant
air of youth. For the heart asks for fragrance, even when it is no
longer young; and there is very little of that to be found in the
dahlias or the dry chrysanthemums; therefore the butterfly turned to
the mint on the ground. You know, this plant has no blossom; but it is
sweetness all over,�full of fragrance from head to foot, with the
scent of a flower in every leaf.
"I will take her," said the butterfly; and he made her an offer.
But the mint stood silent and stiff, as she listened to him. At last
she said,�
"Friendship, if you please; nothing more. I am old, and you are
old, but we may live for each other just the same; as to marrying�no;
don't let us appear ridiculous at our age."
And so it happened that the butterfly got no wife at all. He had
been too long choosing, which is always a bad plan. And the
butterfly became what is called an old bachelor.
It was late in the autumn, with rainy and cloudy weather. The cold
wind blew over the bowed backs of the willows, so that they creaked
again. It was not the weather for flying about in summer clothes;
but fortunately the butterfly was not out in it. He had got a
shelter by chance. It was in a room heated by a stove, and as warm
as summer. He could exist here, he said, well enough.
"But it is not enough merely to exist," said he, "I need
freedom, sunshine, and a little flower for a companion."
Then he flew against the window-pane, and was seen and admired
by those in the room, who caught him, and stuck him on a pin, in a box
of curiosities. They could not do more for him.
"Now I am perched on a stalk, like the flowers," said the
butterfly. "It is not very pleasant, certainly; I should imagine it is
something like being married; for here I am stuck fast." And with this
thought he consoled himself a little.
"That seems very poor consolation," said one of the plants in
the room, that grew in a pot.
"Ah," thought the butterfly, "one can't very well trust these
plants in pots; they have too much to do with mankind." |
THE OLD CHURCH BELL
(WRITTEN FOR THE SCHILLER ALBUM)
In the country of Wurtemburg, in Germany, where the acacias grow
by the public road, where the apple-trees and the pear-trees in autumn
bend to the earth with the weight of the precious fruit, lies the
little town of Marbach. As is often the case with many of these towns,
it is charmingly situated on the banks of the river Neckar, which
rushes rapidly by, passing villages, old knights' castles, and green
vineyards, till its waters mingle with those of the stately Rhine.
It was late in the autumn; the vine-leaves still hung upon the
branches of the vines, but they were already tinted with red and gold;
heavy showers fell on the surrounding country, and the cold autumn
wind blew sharp and strong. It was not at all pleasant weather for the
poor. The days grew shorter and more gloomy, and, dark as it was out
of doors in the open air, it was still darker within the small,
old-fashioned houses of the village. The gable end of one of these
houses faced the street, and with its small, narrow windows, presented
a very mean appearance. The family who dwelt in it were also very poor
and humble, but they treasured the fear of God in their innermost
hearts. And now He was about to send them a child. It was the hour
of the mother's sorrow, when there pealed forth from the church
tower the sound of festive bells. In that solemn hour the sweet and
joyous chiming filled the hearts of those in the humble dwelling
with thankfulness and trust; and when, amidst these joyous sounds, a
little son was born to them, the words of prayer and praise arose from
their overflowing hearts, and their happiness seemed to ring out
over town and country in the liquid tones of the church bells'
chime. The little one, with its bright eyes and golden hair, had
been welcomed joyously on that dark November day. Its parents kissed
it lovingly, and the father wrote these words in the Bible, "On the
tenth of November, 1759, God sent us a son." And a short time after,
when the child had been baptized, the names he had received were
added, "John Christopher Frederick."
And what became of the little lad?�the poor boy of the humble
town of Marbach? Ah, indeed, there was no one who thought or supposed,
not even the old church bell which had been the first to sound and
chime for him, that he would be the first to sing the beautiful song
of "The Bell." The boy grew apace, and the world advanced with him.
While he was yet a child, his parents removed from Marbach, and
went to reside in another town; but their dearest friends remained
behind at Marbach, and therefore sometimes the mother and her son
would start on a fine day to pay a visit to the little town. The boy
was at this time about six years old, and already knew a great many
stories out of the Bible, and several religious psalms. While seated
in the evening on his little cane-chair, he had often heard his father
read from Gellert's fables, and sometimes from Klopstock's grand poem,
"The Messiah." He and his sister, two years older than himself, had
often wept scalding tears over the story of Him who suffered death
on the cross for us all.
On his first visit to Marbach, the town appeared to have changed
but very little, and it was not far enough away to be forgotten. The
house, with its pointed gable, narrow windows, overhanging walls and
stories, projecting one beyond another, looked just the same as in
former times. But in the churchyard there were several new graves; and
there also, in the grass, close by the wall, stood the old church
bell! It had been taken down from its high position, in consequence of
a crack in the metal which prevented it from ever chiming again, and a
new bell now occupied its place. The mother and son were walking in
the churchyard when they discovered the old bell, and they stood still
to look at it. Then the mother reminded her little boy of what a
useful bell this had been for many hundred years. It had chimed for
weddings and for christenings; it had tolled for funerals, and to give
the alarm in case of fire. With every event in the life of man the
bell had made its voice heard. His mother also told him how the
chiming of that old bell had once filled her heart with joy and
confidence, and that in the midst of the sweet tones her child had
been given to her. And the boy gazed on the large, old bell with the
deepest interest. He bowed his head over it and kissed it, old, thrown
away, and cracked as it was, and standing there amidst the grass and
nettles. The boy never forgot what his mother told him, and the
tones of the old bell reverberated in his heart till he reached
manhood. In such sweet remembrance was the old bell cherished by the
boy, who grew up in poverty to be tall and slender, with a freckled
complexion and hair almost red; but his eyes were clear and blue as
the deep sea, and what was his career to be? His career was to be
good, and his future life enviable. We find him taking high honors
at the military school in the division commanded by the member of a
family high in position, and this was an honor, that is to say, good
luck. He wore gaiters, stiff collars, and powdered hair, and by this
he was recognized; and, indeed, he might be known by the word of
command�"March! halt! front!"
The old church bell had long been quite forgotten, and no one
imagined it would ever again be sent to the melting furnace to make it
as it was before. No one could possibly have foretold this. Equally
impossible would it have been to believe that the tones of the old
bell still echoed in the heart of the boy from Marbach; or that one
day they would ring out loud enough and strong enough to be heard
all over the world. They had already been heard in the narrow space
behind the school-wall, even above the deafening sounds of "March!
halt! front!" They had chimed so loudly in the heart of the youngster,
that he had sung them to his companions, and their tones resounded
to the very borders of the country. He was not a free scholar in the
military school, neither was he provided with clothes or food. But
he had his number, and his own peg; for everything here was ordered
like clockwork, which we all know is of the greatest utility�people
get on so much better together when their position and duties are
understood. It is by pressure that a jewel is stamped. The pressure of
regularity and discipline here stamped the jewel, which in the
future the world so well knew.
In the chief town of the province a great festival was being
celebrated. The light streamed forth from thousands of lamps, and
the rockets shot upwards towards the sky, filling the air with showers
of colored fiery sparks. A record of this bright display will live
in the memory of man, for through it the pupil in the military
school was in tears and sorrow. He had dared to attempt to reach
foreign territories unnoticed, and must therefore give up
fatherland, mother, his dearest friends, all, or sink down into the
stream of common life. The old church bell had still some comfort;
it stood in the shelter of the church wall in Marbach, once so
elevated, now quite forgotten. The wind roared around it, and could
have readily related the story of its origin and of its sweet
chimes, and the wind could also tell of him to whom he had brought
fresh air when, in the woods of a neighboring country, he had sunk
down exhausted with fatigue, with no other worldly possessions than
hope for the future, and a written leaf from "Fiesco." The wind
could have told that his only protector was an artist, who, by reading
each leaf to him, made it plain; and that they amused themselves by
playing at nine-pins together. The wind could also describe the pale
fugitive, who, for weeks and months, lay in a wretched little
road-side inn, where the landlord got drunk and raved, and where the
merry-makers had it all their own way. And he, the pale fugitive, sang
of the ideal.
For many heavy days and dark nights the heart must suffer to
enable it to endure trial and temptation; yet, amidst it all, would
the minstrel sing. Dark days and cold nights also passed over the
old bell, and it noticed them not; but the bell in the man's heart
felt it to be a gloomy time. What would become of this young man,
and what would become of the old bell?
The old bell was, after a time, carried away to a greater distance
than any one, even the warder in the bell tower, ever imagined; and
the bell in the breast of the young man was heard in countries where
his feet had never wandered. The tones went forth over the wide
ocean to every part of the round world.
We will now follow the career of the old bell. It was, as we
have said, carried far away from Marbach and sold as old copper;
then sent to Bavaria to be melted down in a furnace. And then what
happened?
In the royal city of Bavaria, many years after the bell had been
removed from the tower and melted down, some metal was required for
a monument in honor of one of the most celebrated characters which a
German people or a German land could produce. And now we see how
wonderfully things are ordered. Strange things sometimes happen in
this world.
In Denmark, in one of those green islands where the foliage of the
beech-woods rustles in the wind, and where many Huns' graves may be
seen, was another poor boy born. He wore wooden shoes, and when his
father worked in a ship-yard, the boy, wrapped up in an old worn-out
shawl, carried his dinner to him every day. This poor child was now
the pride of his country; for the sculptured marble, the work of his
hands, had astonished the world.[1] To him was offered the honor of
forming from the clay, a model of the figure of him whose name,
"John Christopher Frederick," had been written by his father in the
Bible. The bust was cast in bronze, and part of the metal used for
this purpose was the old church bell, whose tones had died away from
the memory of those at home and elsewhere. The metal, glowing with
heat, flowed into the mould, and formed the head and bust of the
statue which was unveiled in the square in front of the old castle.
The statue represented in living, breathing reality, the form of him
who was born in poverty, the boy from Marbach, the pupil of the
military school, the fugitive who struggled against poverty and
oppression, from the outer world; Germany's great and immortal poet,
who sung of Switzerland's deliverer, William Tell, and of the
heaven-inspired Maid of Orleans.
It was a beautiful sunny day; flags were waving from tower and
roof in royal Stuttgart, and the church bells were ringing a joyous
peal. One bell was silent; but it was illuminated by the bright
sunshine which streamed from the head and bust of the renowned figure,
of which it formed a part. On this day, just one hundred years had
passed since the day on which the chiming of the old church bell at
Marbach had filled the mother's heart with trust and joy�the day on
which her child was born in poverty, and in a humble home; the same
who, in after-years, became rich, became the noble woman-hearted poet,
a blessing to the world�the glorious, the sublime, the immortal bard,
John Christoper Frederick Schiller!
[1] The Danish sculptor Thorwaldsen. |
SHE WAS GOOD FOR NOTHING
The mayor stood at the open window. He looked smart, for his
shirt-frill, in which he had stuck a breast-pin, and his ruffles, were
very fine. He had shaved his chin uncommonly smooth, although he had
cut himself slightly, and had stuck a piece of newspaper over the
place. "Hark 'ee, youngster!" cried he.
The boy to whom he spoke was no other than the son of a poor
washer-woman, who was just going past the house. He stopped, and
respectfully took off his cap. The peak of this cap was broken in
the middle, so that he could easily roll it up and put it in his
pocket. He stood before the mayor in his poor but clean and
well-mended clothes, with heavy wooden shoes on his feet, looking as
humble as if it had been the king himself.
"You are a good and civil boy," said the mayor. "I suppose your
mother is busy washing the clothes down by the river, and you are
going to carry that thing to her that you have in your pocket. It is
very bad for your mother. How much have you got in it?"
"Only half a quartern," stammered the boy in a frightened voice.
"And she has had just as much this morning already?"
"No, it was yesterday," replied the boy.
"Two halves make a whole," said the mayor. "She's good for
nothing. What a sad thing it is with these people. Tell your mother
she ought to be ashamed of herself. Don't you become a drunkard, but I
expect you will though. Poor child! there, go now."
The boy went on his way with his cap in his hand, while the wind
fluttered his golden hair till the locks stood up straight. He
turned round the corner of the street into the little lane that led to
the river, where his mother stood in the water by her washing bench,
beating the linen with a heavy wooden bar. The floodgates at the
mill had been drawn up, and as the water rolled rapidly on, the sheets
were dragged along by the stream, and nearly overturned the bench,
so that the washer-woman was obliged to lean against it to keep it
steady. "I have been very nearly carried away," she said; "it is a
good thing that you are come, for I want something to strengthen me.
It is cold in the water, and I have stood here six hours. Have you
brought anything for me?"
The boy drew the bottle from his pocket, and the mother put it
to her lips, and drank a little.
"Ah, how much good that does, and how it warms me," she said;
"it is as good as a hot meal, and not so dear. Drink a little, my boy;
you look quite pale; you are shivering in your thin clothes, and
autumn has really come. Oh, how cold the water is! I hope I shall
not be ill. But no, I must not be afraid of that. Give me a little
more, and you may have a sip too, but only a sip; you must not get
used to it, my poor, dear child." She stepped up to the bridge on
which the boy stood as she spoke, and came on shore. The water dripped
from the straw mat which she had bound round her body, and from her
gown. "I work hard and suffer pain with my poor hands," said she, "but
I do it willingly, that I may be able to bring you up honestly and
truthfully, my dear boy."
At the same moment, a woman, rather older than herself, came
towards them. She was a miserable-looking object, lame of one leg, and
with a large false curl hanging down over one of her eyes, which was
blind. This curl was intended to conceal the blind eye, but it made
the defect only more visible. She was a friend of the laundress, and
was called, among the neighbors, "Lame Martha, with the curl." "Oh,
you poor thing; how you do work, standing there in the water!" she
exclaimed. "You really do need something to give you a little
warmth, and yet spiteful people cry out about the few drops you take."
And then Martha repeated to the laundress, in a very few minutes,
all that the mayor had said to her boy, which she had overheard; and
she felt very angry that any man could speak, as he had done, of a
mother to her own child, about the few drops she had taken; and she
was still more angry because, on that very day, the mayor was going to
have a dinner-party, at which there would be wine, strong, rich
wine, drunk by the bottle. "Many will take more than they ought, but
they don't call that drinking! They are all right, you are good for
nothing indeed!" cried Martha indignantly.
"And so he spoke to you in that way, did he, my child?" said the
washer-woman, and her lips trembled as she spoke. "He says you have
a mother who is good for nothing. Well, perhaps he is right, but he
should not have said it to my child. How much has happened to me
from that house!"
"Yes," said Martha; "I remember you were in service there, and
lived in the house when the mayor's parents were alive; how many years
ago that is. Bushels of salt have been eaten since then, and people
may well be thirsty," and Martha smiled. "The mayor's great
dinner-party to-day ought to have been put off, but the news came
too late. The footman told me the dinner was already cooked, when a
letter came to say that the mayor's younger brother in Copenhagen is
dead."
"Dead!" cried the laundress, turning pale as death.
"Yes, certainly," replied Martha; "but why do you take it so
much to heart? I suppose you knew him years ago, when you were in
service there?"
"Is he dead?" she exclaimed. "Oh, he was such a kind, good-hearted
man, there are not many like him," and the tears rolled down her
cheeks as she spoke. Then she cried, "Oh, dear me; I feel quite ill:
everything is going round me, I cannot bear it. Is the bottle
empty?" and she leaned against the plank.
"Dear me, you are ill indeed," said the other woman. "Come,
cheer up; perhaps it will pass off. No, indeed, I see you are really
ill; the best thing for me to do is to lead you home."
"But my washing yonder?"
"I will take care of that. Come, give me your arm. The boy can
stay here and take care of the linen, and I'll come back and finish
the washing; it is but a trifle."
The limbs of the laundress shook under her, and she said, "I
have stood too long in the cold water, and I have had nothing to eat
the whole day since the morning. O kind Heaven, help me to get home; I
am in a burning fever. Oh, my poor child," and she burst into tears.
And he, poor boy, wept also, as he sat alone by the river, near to and
watching the damp linen.
The two women walked very slowly. The laundress slipped and
tottered through the lane, and round the corner, into the street where
the mayor lived; and just as she reached the front of his house, she
sank down upon the pavement. Many persons came round her, and Lame
Martha ran into the house for help. The mayor and his guests came to
the window.
"Oh, it is the laundress," said he; "she has had a little drop too
much. She is good for nothing. It is a sad thing for her pretty little
son. I like the boy very well; but the mother is good for nothing."
After a while the laundress recovered herself, and they led her to
her poor dwelling, and put her to bed. Kind Martha warmed a mug of
beer for her, with butter and sugar�she considered this the best
medicine�and then hastened to the river, washed and rinsed, badly
enough, to be sure, but she did her best. Then she drew the linen
ashore, wet as it was, and laid it in a basket. Before evening, she
was sitting in the poor little room with the laundress. The mayor's
cook had given her some roasted potatoes and a beautiful piece of
fat for the sick woman. Martha and the boy enjoyed these good things
very much; but the sick woman could only say that the smell was very
nourishing, she thought. By-and-by the boy was put to bed, in the same
bed as the one in which his mother lay; but he slept at her feet,
covered with an old quilt made of blue and white patchwork. The
laundress felt a little better by this time. The warm beer had
strengthened her, and the smell of the good food had been pleasant
to her.
"Many thanks, you good soul," she said to Martha. "Now the boy
is asleep, I will tell you all. He is soon asleep. How gentle and
sweet he looks as he lies there with his eyes closed! He does not know
how his mother has suffered; and Heaven grant he never may know it.
I was in service at the counsellor's, the father of the mayor, and
it happened that the youngest of his sons, the student, came home. I
was a young wild girl then, but honest; that I can declare in the
sight of Heaven. The student was merry and gay, brave and
affectionate; every drop of blood in him was good and honorable; a
better man never lived on earth. He was the son of the house, and I
was only a maid; but he loved me truly and honorably, and he told
his mother of it. She was to him as an angel upon earth; she was so
wise and loving. He went to travel, and before he started he placed
a gold ring on my finger; and as soon as he was out of the house, my
mistress sent for me. Gently and earnestly she drew me to her, and
spake as if an angel were speaking. She showed me clearly, in spirit
and in truth, the difference there was between him and me. 'He is
pleased now,' she said, 'with your pretty face; but good looks do
not last long. You have not been educated like he has. You are not
equals in mind and rank, and therein lies the misfortune. I esteem the
poor,' she added. 'In the sight of God, they may occupy a higher place
than many of the rich; but here upon earth we must beware of
entering upon a false track, lest we are overturned in our plans, like
a carriage that travels by a dangerous road. I know a worthy man, an
artisan, who wishes to marry you. I mean Eric, the glovemaker. He is a
widower, without children, and in a good position. Will you think it
over?' Every word she said pierced my heart like a knife; but I knew
she was right, and the thought pressed heavily upon me. I kissed her
hand, and wept bitter tears, and I wept still more when I went to my
room, and threw myself on the bed. I passed through a dreadful
night; God knows what I suffered, and how I struggled. The following
Sunday I went to the house of God to pray for light to direct my path.
It seemed like a providence that as I stepped out of church Eric
came towards me; and then there remained not a doubt in my mind. We
were suited to each other in rank and circumstances. He was, even
then, a man of good means. I went up to him, and took his hand, and
said, 'Do you still feel the same for me?' 'Yes; ever and always,'
said he. 'Will you, then, marry a maiden who honors and esteems you,
although she cannot offer you her love? but that may come.' 'Yes, it
will come,' said he; and we joined our hands together, and I went home
to my mistress. The gold ring which her son had given me I wore next
to my heart. I could not place it on my finger during the daytime, but
only in the evening, when I went to bed. I kissed the ring till my
lips almost bled, and then I gave it to my mistress, and told her that
the banns were to be put up for me and the glovemaker the following
week. Then my mistress threw her arms round me, and kissed me. She did
not say that I was 'good for nothing;' very likely I was better then
than I am now; but the misfortunes of this world, were unknown to me
then. At Michaelmas we were married, and for the first year everything
went well with us. We had a journeyman and an apprentice, and you were
our servant, Martha."
"Ah, yes, and you were a dear, good mistress," said Martha, "I
shall never forget how kind you and your husband were to me."
"Yes, those were happy years when you were with us, although we
had no children at first. The student I never met again. Yet I saw him
once, although he did not see me. He came to his mother's funeral. I
saw him, looking pale as death, and deeply troubled, standing at her
grave; for she was his mother. Sometime after, when his father died,
he was in foreign lands, and did not come home. I know that he never
married, I believe he became a lawyer. He had forgotten me, and even
had we met he would not have known me, for I have lost all my good
looks, and perhaps that is all for the best." And then she spoke of
the dark days of trial, when misfortune had fallen upon them.
"We had five hundred dollars," she said, "and there was a house in
the street to be sold for two hundred, so we thought it would be worth
our while to pull it down and build a new one in its place; so it
was bought. The builder and carpenter made an estimate that the new
house would cost ten hundred and twenty dollars to build. Eric had
credit, so he borrowed the money in the chief town. But the captain,
who was bringing it to him, was shipwrecked, and the money lost.
Just about this time, my dear sweet boy, who lies sleeping there,
was born, and my husband was attacked with a severe lingering illness.
For three quarters of a year I was obliged to dress and undress him.
We were backward in our payments, we borrowed more money, and all that
we had was lost and sold, and then my husband died. Since then I
have worked, toiled, and striven for the sake of the child. I have
scrubbed and washed both coarse and fine linen, but I have not been
able to make myself better off; and it was God's will. In His own time
He will take me to Himself, but I know He will never forsake my
boy." Then she fell asleep. In the morning she felt much refreshed,
and strong enough, as she thought, to go on with her work. But as soon
as she stepped into the cold water, a sudden faintness seized her; she
clutched at the air convulsively with her hand, took one step forward,
and fell. Her head rested on dry land, but her feet were in the water;
her wooden shoes, which were only tied on by a wisp of straw, were
carried away by the stream, and thus she was found by Martha when
she came to bring her some coffee.
In the meantime a messenger had been sent to her house by the
mayor, to say that she must come to him immediately, as he had
something to tell her. It was too late; a surgeon had been sent for to
open a vein in her arm, but the poor woman was dead.
"She has drunk herself to death," said the cruel mayor. In the
letter, containing the news of his brother's death, it was stated that
he had left in his will a legacy of six hundred dollars to the
glovemaker's widow, who had been his mother's maid, to be paid with
discretion, in large or small sums to the widow or her child.
"There was something between my brother and her, I remember," said
the mayor; "it is a good thing that she is out of the way, for now the
boy will have the whole. I will place him with honest people to
bring him up, that he may become a respectable working man." And the
blessing of God rested upon these words. The mayor sent for the boy to
come to him, and promised to take care of him, but most cruelly
added that it was a good thing that his mother was dead, for "she
was good for nothing." They carried her to the churchyard, the
churchyard in which the poor were buried. Martha strewed sand on the
grave and planted a rose-tree upon it, and the boy stood by her side.
"Oh, my poor mother!" he cried, while the tears rolled down his
cheeks. "Is it true what they say, that she was good for nothing?"
"No, indeed, it is not true," replied the old servant, raising her
eyes to heaven; "she was worth a great deal; I knew it years ago,
and since the last night of her life I am more certain of it than
ever. I say she was a good and worthy woman, and God, who is in
heaven, knows I am speaking the truth, though the world may say,
even now she was good for nothing." |
THE SNOW QUEEN
IN SEVEN STORIES
STORY THE FIRST
Which describes a looking-glass and the broken fragments.
You must attend to the commencement of this story, for when we get
to the end we shall know more than we do now about a very wicked
hobgoblin; he was one of the very worst, for he was a real demon.
One day, when he was in a merry mood, he made a looking-glass which
had the power of making everything good or beautiful that was
reflected in it almost shrink to nothing, while everything that was
worthless and bad looked increased in size and worse than ever. The
most lovely landscapes appeared like boiled spinach, and the people
became hideous, and looked as if they stood on their heads and had
no bodies. Their countenances were so distorted that no one could
recognize them, and even one freckle on the face appeared to spread
over the whole of the nose and mouth. The demon said this was very
amusing. When a good or pious thought passed through the mind of any
one it was misrepresented in the glass; and then how the demon laughed
at his cunning invention. All who went to the demon's school�for he
kept a school�talked everywhere of the wonders they had seen, and
declared that people could now, for the first time, see what the world
and mankind were really like. They carried the glass about everywhere,
till at last there was not a land nor a people who had not been looked
at through this distorted mirror. They wanted even to fly with it up
to heaven to see the angels, but the higher they flew the more
slippery the glass became, and they could scarcely hold it, till at
last it slipped from their hands, fell to the earth, and was broken
into millions of pieces. But now the looking-glass caused more
unhappiness than ever, for some of the fragments were not so large
as a grain of sand, and they flew about the world into every
country. When one of these tiny atoms flew into a person's eye, it
stuck there unknown to him, and from that moment he saw everything
through a distorted medium, or could see only the worst side of what
he looked at, for even the smallest fragment retained the same power
which had belonged to the whole mirror. Some few persons even got a
fragment of the looking-glass in their hearts, and this was very
terrible, for their hearts became cold like a lump of ice. A few of
the pieces were so large that they could be used as window-panes; it
would have been a sad thing to look at our friends through them. Other
pieces were made into spectacles; this was dreadful for those who wore
them, for they could see nothing either rightly or justly. At all this
the wicked demon laughed till his sides shook�it tickled him so to
see the mischief he had done. There were still a number of these
little fragments of glass floating about in the air, and now you shall
hear what happened with one of them.
SECOND STORY
A LITTLE BOY AND A LITTLE GIRL
In a large town, full of houses and people, there is not room
for everybody to have even a little garden, therefore they are obliged
to be satisfied with a few flowers in flower-pots. In one of these
large towns lived two poor children who had a garden something
larger and better than a few flower-pots. They were not brother and
sister, but they loved each other almost as much as if they had
been. Their parents lived opposite to each other in two garrets, where
the roofs of neighboring houses projected out towards each other and
the water-pipe ran between them. In each house was a little window, so
that any one could step across the gutter from one window to the
other. The parents of these children had each a large wooden box in
which they cultivated kitchen herbs for their own use, and a little
rose-bush in each box, which grew splendidly. Now after a while the
parents decided to place these two boxes across the water-pipe, so
that they reached from one window to the other and looked like two
banks of flowers. Sweet-peas drooped over the boxes, and the
rose-bushes shot forth long branches, which were trained round the
windows and clustered together almost like a triumphal arch of
leaves and flowers. The boxes were very high, and the children knew
they must not climb upon them, without permission, but they were
often, however, allowed to step out together and sit upon their little
stools under the rose-bushes, or play quietly. In winter all this
pleasure came to an end, for the windows were sometimes quite frozen
over. But then they would warm copper pennies on the stove, and hold
the warm pennies against the frozen pane; there would be very soon a
little round hole through which they could peep, and the soft bright
eyes of the little boy and girl would beam through the hole at each
window as they looked at each other. Their names were Kay and Gerda.
In summer they could be together with one jump from the window, but in
winter they had to go up and down the long staircase, and out
through the snow before they could meet.
"See there are the white bees swarming," said Kay's old
grandmother one day when it was snowing.
"Have they a queen bee?" asked the little boy, for he knew that
the real bees had a queen.
"To be sure they have," said the grandmother. "She is flying there
where the swarm is thickest. She is the largest of them all, and never
remains on the earth, but flies up to the dark clouds. Often at
midnight she flies through the streets of the town, and looks in at
the windows, then the ice freezes on the panes into wonderful
shapes, that look like flowers and castles."
"Yes, I have seen them," said both the children, and they knew
it must be true.
"Can the Snow Queen come in here?" asked the little girl.
"Only let her come," said the boy, "I'll set her on the stove
and then she'll melt."
Then the grandmother smoothed his hair and told him some more
tales. One evening, when little Kay was at home, half undressed, he
climbed on a chair by the window and peeped out through the little
hole. A few flakes of snow were falling, and one of them, rather
larger than the rest, alighted on the edge of one of the flower boxes.
This snow-flake grew larger and larger, till at last it became the
figure of a woman, dressed in garments of white gauze, which looked
like millions of starry snow-flakes linked together. She was fair
and beautiful, but made of ice�shining and glittering ice. Still
she was alive and her eyes sparkled like bright stars, but there was
neither peace nor rest in their glance. She nodded towards the
window and waved her hand. The little boy was frightened and sprang
from the chair; at the same moment it seemed as if a large bird flew
by the window. On the following day there was a clear frost, and
very soon came the spring. The sun shone; the young green leaves burst
forth; the swallows built their nests; windows were opened, and the
children sat once more in the garden on the roof, high above all the
other rooms. How beautiful the roses blossomed this summer. The little
girl had learnt a hymn in which roses were spoken of, and then she
thought of their own roses, and she sang the hymn to the little boy,
and he sang too:�
"Roses bloom and cease to be,
But we shall the Christ-child see."
Then the little ones held each other by the hand, and kissed the
roses, and looked at the bright sunshine, and spoke to it as if the
Christ-child were there. Those were splendid summer days. How
beautiful and fresh it was out among the rose-bushes, which seemed
as if they would never leave off blooming. One day Kay and Gerda sat
looking at a book full of pictures of animals and birds, and then just
as the clock in the church tower struck twelve, Kay said, "Oh,
something has struck my heart!" and soon after, "There is something in
my eye."
The little girl put her arm round his neck, and looked into his
eye, but she could see nothing.
"I think it is gone," he said. But it was not gone; it was one
of those bits of the looking-glass�that magic mirror, of which we
have spoken�the ugly glass which made everything great and good
appear small and ugly, while all that was wicked and bad became more
visible, and every little fault could be plainly seen. Poor little Kay
had also received a small grain in his heart, which very quickly
turned to a lump of ice. He felt no more pain, but the glass was there
still. "Why do you cry?" said he at last; "it makes you look ugly.
There is nothing the matter with me now. Oh, see!" he cried
suddenly, "that rose is worm-eaten, and this one is quite crooked.
After all they are ugly roses, just like the box in which they stand,"
and then he kicked the boxes with his foot, and pulled off the two
roses.
"Kay, what are you doing?" cried the little girl; and then, when
he saw how frightened she was, he tore off another rose, and jumped
through his own window away from little Gerda.
When she afterwards brought out the picture book, he said, "It was
only fit for babies in long clothes," and when grandmother told any
stories, he would interrupt her with "but;" or, when he could manage
it, he would get behind her chair, put on a pair of spectacles, and
imitate her very cleverly, to make people laugh. By-and-by he began to
mimic the speech and gait of persons in the street. All that was
peculiar or disagreeable in a person he would imitate directly, and
people said, "That boy will be very clever; he has a remarkable
genius." But it was the piece of glass in his eye, and the coldness in
his heart, that made him act like this. He would even tease little
Gerda, who loved him with all her heart. His games, too, were quite
different; they were not so childish. One winter's day, when it
snowed, he brought out a burning-glass, then he held out the tail of
his blue coat, and let the snow-flakes fall upon it. "Look in this
glass, Gerda," said he; and she saw how every flake of snow was
magnified, and looked like a beautiful flower or a glittering star.
"Is it not clever?" said Kay, "and much more interesting than
looking at real flowers. There is not a single fault in it, and the
snow-flakes are quite perfect till they begin to melt."
Soon after Kay made his appearance in large thick gloves, and with
his sledge at his back. He called up stairs to Gerda, "I've got to
leave to go into the great square, where the other boys play and
ride." And away he went.
In the great square, the boldest among the boys would often tie
their sledges to the country people's carts, and go with them a good
way. This was capital. But while they were all amusing themselves, and
Kay with them, a great sledge came by; it was painted white, and in it
sat some one wrapped in a rough white fur, and wearing a white cap.
The sledge drove twice round the square, and Kay fastened his own
little sledge to it, so that when it went away, he followed with it.
It went faster and faster right through the next street, and then
the person who drove turned round and nodded pleasantly to Kay, just
as if they were acquainted with each other, but whenever Kay wished to
loosen his little sledge the driver nodded again, so Kay sat still,
and they drove out through the town gate. Then the snow began to
fall so heavily that the little boy could not see a hand's breadth
before him, but still they drove on; then he suddenly loosened the
cord so that the large sled might go on without him, but it was of
no use, his little carriage held fast, and away they went like the
wind. Then he called out loudly, but nobody heard him, while the
snow beat upon him, and the sledge flew onwards. Every now and then it
gave a jump as if it were going over hedges and ditches. The boy was
frightened, and tried to say a prayer, but he could remember nothing
but the multiplication table.
The snow-flakes became larger and larger, till they appeared
like great white chickens. All at once they sprang on one side, the
great sledge stopped, and the person who had driven it rose up. The
fur and the cap, which were made entirely of snow, fell off, and he
saw a lady, tall and white, it was the Snow Queen.
"We have driven well," said she, "but why do you tremble? here,
creep into my warm fur." Then she seated him beside her in the sledge,
and as she wrapped the fur round him he felt as if he were sinking
into a snow drift.
"Are you still cold," she asked, as she kissed him on the
forehead. The kiss was colder than ice; it went quite through to his
heart, which was already almost a lump of ice; he felt as if he were
going to die, but only for a moment; he soon seemed quite well
again, and did not notice the cold around him.
"My sledge! don't forget my sledge," was his first thought, and
then he looked and saw that it was bound fast to one of the white
chickens, which flew behind him with the sledge at its back. The
Snow Queen kissed little Kay again, and by this time he had
forgotten little Gerda, his grandmother, and all at home.
"Now you must have no more kisses," she said, "or I should kiss
you to death."
Kay looked at her, and saw that she was so beautiful, he could not
imagine a more lovely and intelligent face; she did not now seem to be
made of ice, as when he had seen her through his window, and she had
nodded to him. In his eyes she was perfect, and she did not feel at
all afraid. He told her he could do mental arithmetic, as far as
fractions, and that he knew the number of square miles and the
number of inhabitants in the country. And she always smiled so that he
thought he did not know enough yet, and she looked round the vast
expanse as she flew higher and higher with him upon a black cloud,
while the storm blew and howled as if it were singing old songs.
They flew over woods and lakes, over sea and land; below them roared
the wild wind; the wolves howled and the snow crackled; over them flew
the black screaming crows, and above all shone the moon, clear and
bright,�and so Kay passed through the long winter's night, and by day
he slept at the feet of the Snow Queen.
THIRD STORY
THE FLOWER GARDEN OF THE WOMAN WHO COULD CONJURE
But how fared little Gerda during Kay's absence? What had become
of him, no one knew, nor could any one give the slightest information,
excepting the boys, who said that he had tied his sledge to another
very large one, which had driven through the street, and out at the
town gate. Nobody knew where it went; many tears were shed for him,
and little Gerda wept bitterly for a long time. She said she knew he
must be dead; that he was drowned in the river which flowed close by
the school. Oh, indeed those long winter days were very dreary. But at
last spring came, with warm sunshine. "Kay is dead and gone," said
little Gerda.
"I don't believe it," said the sunshine.
"He is dead and gone," she said to the sparrows.
"We don't believe it," they replied; and at last little Gerda
began to doubt it herself. "I will put on my new red shoes," she
said one morning, "those that Kay has never seen, and then I will go
down to the river, and ask for him." It was quite early when she
kissed her old grandmother, who was still asleep; then she put on
her red shoes, and went quite alone out of the town gates toward the
river. "Is it true that you have taken my little playmate away from
me?" said she to the river. "I will give you my red shoes if you
will give him back to me." And it seemed as if the waves nodded to her
in a strange manner. Then she took off her red shoes, which she
liked better than anything else, and threw them both into the river,
but they fell near the bank, and the little waves carried them back to
the land, just as if the river would not take from her what she
loved best, because they could not give her back little Kay. But she
thought the shoes had not been thrown out far enough. Then she crept
into a boat that lay among the reeds, and threw the shoes again from
the farther end of the boat into the water, but it was not fastened.
And her movement sent it gliding away from the land. When she saw this
she hastened to reach the end of the boat, but before she could so
it was more than a yard from the bank, and drifting away faster than
ever. Then little Gerda was very much frightened, and began to cry,
but no one heard her except the sparrows, and they could not carry her
to land, but they flew along by the shore, and sang, as if to
comfort her, "Here we are! Here we are!" The boat floated with the
stream; little Gerda sat quite still with only her stockings on her
feet; the red shoes floated after her, but she could not reach them
because the boat kept so much in advance. The banks on each side of
the river were very pretty. There were beautiful flowers, old trees,
sloping fields, in which cows and sheep were grazing, but not a man to
be seen. Perhaps the river will carry me to little Kay, thought Gerda,
and then she became more cheerful, and raised her head, and looked
at the beautiful green banks; and so the boat sailed on for hours.
At length she came to a large cherry orchard, in which stood a small
red house with strange red and blue windows. It had also a thatched
roof, and outside were two wooden soldiers, that presented arms to her
as she sailed past. Gerda called out to them, for she thought they
were alive, but of course they did not answer; and as the boat drifted
nearer to the shore, she saw what they really were. Then Gerda
called still louder, and there came a very old woman out of the house,
leaning on a crutch. She wore a large hat to shade her from the sun,
and on it were painted all sorts of pretty flowers. "You poor little
child," said the old woman, "how did you manage to come all this
distance into the wide world on such a rapid rolling stream?" And then
the old woman walked in the water, seized the boat with her crutch,
drew it to land, and lifted Gerda out. And Gerda was glad to feel
herself on dry ground, although she was rather afraid of the strange
old woman. "Come and tell me who you are," said she, "and how came you
here."
Then Gerda told her everything, while the old woman shook her
head, and said, "Hem-hem;" and when she had finished, Gerda asked if
she had not seen little Kay, and the old woman told her he had not
passed by that way, but he very likely would come. So she told Gerda
not to be sorrowful, but to taste the cherries and look at the
flowers; they were better than any picture-book, for each of them
could tell a story. Then she took Gerda by the hand and led her into
the little house, and the old woman closed the door. The windows
were very high, and as the panes were red, blue, and yellow, the
daylight shone through them in all sorts of singular colors. On the
table stood beautiful cherries, and Gerda had permission to eat as
many as she would. While she was eating them the old woman combed
out her long flaxen ringlets with a golden comb, and the glossy
curls hung down on each side of the little round pleasant face,
which looked fresh and blooming as a rose. "I have long been wishing
for a dear little maiden like you," said the old woman, "and now you
must stay with me, and see how happily we shall live together." And
while she went on combing little Gerda's hair, she thought less and
less about her adopted brother Kay, for the old woman could conjure,
although she was not a wicked witch; she conjured only a little for
her own amusement, and now, because she wanted to keep Gerda.
Therefore she went into the garden, and stretched out her crutch
towards all the rose-trees, beautiful though they were; and they
immediately sunk into the dark earth, so that no one could tell
where they had once stood. The old woman was afraid that if little
Gerda saw roses she would think of those at home, and then remember
little Kay, and run away. Then she took Gerda into the
flower-garden. How fragrant and beautiful it was! Every flower that
could be thought of for every season of the year was here in full
bloom; no picture-book could have more beautiful colors. Gerda
jumped for joy, and played till the sun went down behind the tall
cherry-trees; then she slept in an elegant bed with red silk
pillows, embroidered with colored violets; and then she dreamed as
pleasantly as a queen on her wedding day. The next day, and for many
days after, Gerda played with the flowers in the warm sunshine. She
knew every flower, and yet, although there were so many of them, it
seemed as if one were missing, but which it was she could not tell.
One day, however, as she sat looking at the old woman's hat with the
painted flowers on it, she saw that the prettiest of them all was a
rose. The old woman had forgotten to take it from her hat when she
made all the roses sink into the earth. But it is difficult to keep
the thoughts together in everything; one little mistake upsets all our
arrangements.
"What, are there no roses here?" cried Gerda; and she ran out into
the garden, and examined all the beds, and searched and searched.
There was not one to be found. Then she sat down and wept, and her
tears fell just on the place where one of the rose-trees had sunk
down. The warm tears moistened the earth, and the rose-tree sprouted
up at once, as blooming as when it had sunk; and Gerda embraced it and
kissed the roses, and thought of the beautiful roses at home, and,
with them, of little Kay.
"Oh, how I have been detained!" said the little maiden, "I
wanted to seek for little Kay. Do you know where he is?" she asked the
roses; "do you think he is dead?"
And the roses answered, "No, he is not dead. We have been in the
ground where all the dead lie; but Kay is not there."
"Thank you," said little Gerda, and then she went to the other
flowers, and looked into their little cups, and asked, "Do you know
where little Kay is?" But each flower, as it stood in the sunshine,
dreamed only of its own little fairy tale of history. Not one knew
anything of Kay. Gerda heard many stories from the flowers, as she
asked them one after another about him.
And what, said the tiger-lily? "Hark, do you hear the drum?�'turn,
turn,'�there are only two notes, always, 'turn, turn.' Listen
to the women's song of mourning! Hear the cry of the priest! In
her long red robe stands the Hindoo widow by the funeral pile. The
flames rise around her as she places herself on the dead body of her
husband; but the Hindoo woman is thinking of the living one in that
circle; of him, her son, who lighted those flames. Those shining
eyes trouble her heart more painfully than the flames which will
soon consume her body to ashes. Can the fire of the heart be
extinguished in the flames of the funeral pile?"
"I don't understand that at all," said little Gerda.
"That is my story," said the tiger-lily.
What, says the convolvulus? "Near yonder narrow road stands an old
knight's castle; thick ivy creeps over the old ruined walls, leaf over
leaf, even to the balcony, in which stands a beautiful maiden. She
bends over the balustrades, and looks up the road. No rose on its stem
is fresher than she; no apple-blossom, wafted by the wind, floats more
lightly than she moves. Her rich silk rustles as she bends over and
exclaims, 'Will he not come?'
"Is it Kay you mean?" asked Gerda.
"I am only speaking of a story of my dream," replied the flower.
What, said the little snow-drop? "Between two trees a rope is
hanging; there is a piece of board upon it; it is a swing. Two
pretty little girls, in dresses white as snow, and with long green
ribbons fluttering from their hats, are sitting upon it swinging.
Their brother who is taller than they are, stands in the swing; he has
one arm round the rope, to steady himself; in one hand he holds a
little bowl, and in the other a clay pipe; he is blowing bubbles. As
the swing goes on, the bubbles fly upward, reflecting the most
beautiful varying colors. The last still hangs from the bowl of the
pipe, and sways in the wind. On goes the swing; and then a little
black dog comes running up. He is almost as light as the bubble, and
he raises himself on his hind legs, and wants to be taken into the
swing; but it does not stop, and the dog falls; then he barks and gets
angry. The children stoop towards him, and the bubble bursts. A
swinging plank, a light sparkling foam picture,�that is my story."
"It may be all very pretty what you are telling me," said little
Gerda, "but you speak so mournfully, and you do not mention little Kay
at all."
What do the hyacinths say? "There were three beautiful sisters,
fair and delicate. The dress of one was red, of the second blue, and
of the third pure white. Hand in hand they danced in the bright
moonlight, by the calm lake; but they were human beings, not fairy
elves. The sweet fragrance attracted them, and they disappeared in the
wood; here the fragrance became stronger. Three coffins, in which
lay the three beautiful maidens, glided from the thickest part of
the forest across the lake. The fire-flies flew lightly over them,
like little floating torches. Do the dancing maidens sleep, or are
they dead? The scent of the flower says that they are corpses. The
evening bell tolls their knell."
"You make me quite sorrowful," said little Gerda; "your perfume is
so strong, you make me think of the dead maidens. Ah! is little Kay
really dead then? The roses have been in the earth, and they say no."
"Cling, clang," tolled the hyacinth bells. "We are not tolling for
little Kay; we do not know him. We sing our song, the only one we
know."
Then Gerda went to the buttercups that were glittering amongst the
bright green leaves.
"You are little bright suns," said Gerda; "tell me if you know
where I can find my play-fellow."
And the buttercups sparkled gayly, and looked again at Gerda. What
song could the buttercups sing? It was not about Kay.
"The bright warm sun shone on a little court, on the first warm
day of spring. His bright beams rested on the white walls of the
neighboring house; and close by bloomed the first yellow flower of the
season, glittering like gold in the sun's warm ray. An old woman sat
in her arm chair at the house door, and her granddaughter, a poor
and pretty servant-maid came to see her for a short visit. When she
kissed her grandmother there was gold everywhere: the gold of the
heart in that holy kiss; it was a golden morning; there was gold in
the beaming sunlight, gold in the leaves of the lowly flower, and on
the lips of the maiden. There, that is my story," said the buttercup.
"My poor old grandmother!" sighed Gerda; "she is longing to see
me, and grieving for me as she did for little Kay; but I shall soon go
home now, and take little Kay with me. It is no use asking the
flowers; they know only their own songs, and can give me no
information."
And then she tucked up her little dress, that she might run
faster, but the narcissus caught her by the leg as she was jumping
over it; so she stopped and looked at the tall yellow flower, and
said, "Perhaps you may know something."
Then she stooped down quite close to the flower, and listened; and
what did he say?
"I can see myself, I can see myself," said the narcissus. "Oh, how
sweet is my perfume! Up in a little room with a bow window, stands a
little dancing girl, half undressed; she stands sometimes on one
leg, and sometimes on both, and looks as if she would tread the
whole world under her feet. She is nothing but a delusion. She is
pouring water out of a tea-pot on a piece of stuff which she holds
in her hand; it is her bodice. 'Cleanliness is a good thing,' she
says. Her white dress hangs on a peg; it has also been washed in the
tea-pot, and dried on the roof. She puts it on, and ties a
saffron-colored handkerchief round her neck, which makes the dress
look whiter. See how she stretches out her legs, as if she were
showing off on a stem. I can see myself, I can see myself."
"What do I care for all that," said Gerda, "you need not tell me
such stuff." And then she ran to the other end of the garden. The door
was fastened, but she pressed against the rusty latch, and it gave
way. The door sprang open, and little Gerda ran out with bare feet
into the wide world. She looked back three times, but no one seemed to
be following her. At last she could run no longer, so she sat down
to rest on a great stone, and when she looked round she saw that the
summer was over, and autumn very far advanced. She had known nothing
of this in the beautiful garden, where the sun shone and the flowers
grew all the year round.
"Oh, how I have wasted my time?" said little Gerda; "it is autumn.
I must not rest any longer," and she rose up to go on. But her
little feet were wounded and sore, and everything around her looked so
cold and bleak. The long willow-leaves were quite yellow. The
dew-drops fell like water, leaf after leaf dropped from the trees, the
sloe-thorn alone still bore fruit, but the sloes were sour, and set
the teeth on edge. Oh, how dark and weary the whole world appeared!
FOURTH STORY
THE PRINCE AND PRINCESS
Gerda was obliged to rest again, and just opposite the place where
she sat, she saw a great crow come hopping across the snow toward her.
He stood looking at her for some time, and then he wagged his head and
said, "Caw, caw; good-day, good-day." He pronounced the words as
plainly as he could, because he meant to be kind to the little girl;
and then he asked her where she was going all alone in the wide world.
The word alone Gerda understood very well, and knew how much it
expressed. So then she told the crow the whole story of her life and
adventures, and asked him if he had seen little Kay.
The crow nodded his head very gravely, and said, "Perhaps I
have�it may be."
"No! Do you think you have?" cried little Gerda, and she kissed
the crow, and hugged him almost to death with joy.
"Gently, gently," said the crow. "I believe I know. I think it may
be little Kay; but he has certainly forgotten you by this time for the
princess."
"Does he live with a princess?" asked Gerda.
"Yes, listen," replied the crow, "but it is so difficult to
speak your language. If you understand the crows' language then I
can explain it better. Do you?"
"No, I have never learnt it," said Gerda, "but my grandmother
understands it, and used to speak it to me. I wish I had learnt it."
"It does not matter," answered the crow; "I will explain as well
as I can, although it will be very badly done;" and he told her what
he had heard. "In this kingdom where we now are," said he, "there
lives a princess, who is so wonderfully clever that she has read all
the newspapers in the world, and forgotten them too, although she is
so clever. A short time ago, as she was sitting on her throne, which
people say is not such an agreeable seat as is often supposed, she
began to sing a song which commences in these words:
'Why should I not be married?'
'Why not indeed?' said she, and so she determined to marry if she
could find a husband who knew what to say when he was spoken to, and
not one who could only look grand, for that was so tiresome. Then
she assembled all her court ladies together at the beat of the drum,
and when they heard of her intentions they were very much pleased. 'We
are so glad to hear it,' said they, we were talking about it ourselves
the other day.' You may believe that every word I tell you is true,"
said the crow, "for I have a tame sweetheart who goes freely about the
palace, and she told me all this."
Of course his sweetheart was a crow, for "birds of a feather flock
together," and one crow always chooses another crow.
"Newspapers were published immediately, with a border of hearts,
and the initials of the princess among them. They gave notice that
every young man who was handsome was free to visit the castle and
speak with the princess; and those who could reply loud enough to be
heard when spoken to, were to make themselves quite at home at the
palace; but the one who spoke best would be chosen as a husband for
the princess. Yes, yes, you may believe me, it is all as true as I sit
here," said the crow. "The people came in crowds. There was a great
deal of crushing and running about, but no one succeeded either on the
first or second day. They could all speak very well while they were
outside in the streets, but when they entered the palace gates, and
saw the guards in silver uniforms, and the footmen in their golden
livery on the staircase, and the great halls lighted up, they became
quite confused. And when they stood before the throne on which the
princess sat, they could do nothing but repeat the last words she
had said; and she had no particular wish to hear her own words over
again. It was just as if they had all taken something to make them
sleepy while they were in the palace, for they did not recover
themselves nor speak till they got back again into the street. There
was quite a long line of them reaching from the town-gate to the
palace. I went myself to see them," said the crow. "They were hungry
and thirsty, for at the palace they did not get even a glass of water.
Some of the wisest had taken a few slices of bread and butter with
them, but they did not share it with their neighbors; they thought
if they went in to the princess looking hungry, there would be a
better chance for themselves."
"But Kay! tell me about little Kay!" said Gerda, "was he amongst
the crowd?"
"Stop a bit, we are just coming to him. It was on the third day,
there came marching cheerfully along to the palace a little personage,
without horses or carriage, his eyes sparkling like yours; he had
beautiful long hair, but his clothes were very poor."
"That was Kay!" said Gerda joyfully. "Oh, then I have found
him;" and she clapped her hands.
"He had a little knapsack on his back," added the crow.
"No, it must have been his sledge," said Gerda; "for he went
away with it."
"It may have been so," said the crow; "I did not look at it very
closely. But I know from my tame sweetheart that he passed through the
palace gates, saw the guards in their silver uniform, and the servants
in their liveries of gold on the stairs, but he was not in the least
embarrassed. 'It must be very tiresome to stand on the stairs,' he
said. 'I prefer to go in.' The rooms were blazing with light.
Councillors and ambassadors walked about with bare feet, carrying
golden vessels; it was enough to make any one feel serious. His
boots creaked loudly as he walked, and yet he was not at all uneasy."
"It must be Kay," said Gerda, "I know he had new boots on, I
have heard them creak in grandmother's room."
"They really did creak," said the crow, "yet he went boldly up
to the princess herself, who was sitting on a pearl as large as a
spinning wheel, and all the ladies of the court were present with
their maids, and all the cavaliers with their servants; and each of
the maids had another maid to wait upon her, and the cavaliers'
servants had their own servants, as well as a page each. They all
stood in circles round the princess, and the nearer they stood to
the door, the prouder they looked. The servants' pages, who always
wore slippers, could hardly be looked at, they held themselves up so
proudly by the door."
"It must be quite awful," said little Gerda, "but did Kay win
the princess?"
"If I had not been a crow," said he, "I would have married her
myself, although I am engaged. He spoke just as well as I do, when I
speak the crows' language, so I heard from my tame sweetheart. He
was quite free and agreeable and said he had not come to woo the
princess, but to hear her wisdom; and he was as pleased with her as
she was with him."
"Oh, certainly that was Kay," said Gerda, "he was so clever; he
could work mental arithmetic and fractions. Oh, will you take me to
the palace?"
"It is very easy to ask that," replied the crow, "but how are we
to manage it? However, I will speak about it to my tame sweetheart,
and ask her advice; for I must tell you it will be very difficult to
gain permission for a little girl like you to enter the palace."
"Oh, yes; but I shall gain permission easily," said Gerda, "for
when Kay hears that I am here, he will come out and fetch me in
immediately."
"Wait for me here by the palings," said the crow, wagging his head
as he flew away.
It was late in the evening before the crow returned. "Caw, caw,"
he said, "she sends you greeting, and here is a little roll which she
took from the kitchen for you; there is plenty of bread there, and she
thinks you must be hungry. It is not possible for you to enter the
palace by the front entrance. The guards in silver uniform and the
servants in gold livery would not allow it. But do not cry, we will
manage to get you in; my sweetheart knows a little back-staircase that
leads to the sleeping apartments, and she knows where to find the
key."
Then they went into the garden through the great avenue, where the
leaves were falling one after another, and they could see the light in
the palace being put out in the same manner. And the crow led little
Gerda to the back door, which stood ajar. Oh! how little Gerda's heart
beat with anxiety and longing; it was just as if she were going to
do something wrong, and yet she only wanted to know where little Kay
was. "It must be he," she thought, "with those clear eyes, and that
long hair." She could fancy she saw him smiling at her, as he used
to at home, when they sat among the roses. He would certainly be
glad to see her, and to hear what a long distance she had come for his
sake, and to know how sorry they had been at home because he did not
come back. Oh what joy and yet fear she felt! They were now on the
stairs, and in a small closet at the top a lamp was burning. In the
middle of the floor stood the tame crow, turning her head from side to
side, and gazing at Gerda, who curtseyed as her grandmother had taught
her to do.
"My betrothed has spoken so very highly of you, my little lady,"
said the tame crow, "your life-history, Vita, as it may be called,
is very touching. If you will take the lamp I will walk before you. We
will go straight along this way, then we shall meet no one."
"It seems to me as if somebody were behind us," said Gerda, as
something rushed by her like a shadow on the wall, and then horses
with flying manes and thin legs, hunters, ladies and gentlemen on
horseback, glided by her, like shadows on the wall.
"They are only dreams," said the crow, "they are coming to fetch
the thoughts of the great people out hunting."
"All the better, for we shall be able to look at them in their
beds more safely. I hope that when you rise to honor and favor, you
will show a grateful heart."
"You may be quite sure of that," said the crow from the forest.
They now came into the first hall, the walls of which were hung
with rose-colored satin, embroidered with artificial flowers. Here the
dreams again flitted by them but so quickly that Gerda could not
distinguish the royal persons. Each hall appeared more splendid than
the last, it was enought to bewilder any one. At length they reached a
bedroom. The ceiling was like a great palm-tree, with glass leaves
of the most costly crystal, and over the centre of the floor two beds,
each resembling a lily, hung from a stem of gold. One, in which the
princess lay, was white, the other was red; and in this Gerda had to
seek for little Kay. She pushed one of the red leaves aside, and saw a
little brown neck. Oh, that must be Kay! She called his name out quite
loud, and held the lamp over him. The dreams rushed back into the room
on horseback. He woke, and turned his head round, it was not little
Kay! The prince was only like him in the neck, still he was young
and pretty. Then the princess peeped out of her white-lily bed, and
asked what was the matter. Then little Gerda wept and told her
story, and all that the crows had done to help her.
"You poor child," said the prince and princess; then they
praised the crows, and said they were not angry for what they had
done, but that it must not happen again, and this time they should
be rewarded.
"Would you like to have your freedom?" asked the princess, "or
would you prefer to be raised to the position of court crows, with all
that is left in the kitchen for yourselves?"
Then both the crows bowed, and begged to have a fixed appointment,
for they thought of their old age, and said it would be so comfortable
to feel that they had provision for their old days, as they called it.
And then the prince got out of his bed, and gave it up to Gerda,�he
could do no more; and she lay down. She folded her little hands, and
thought, "How good everyone is to me, men and animals too;" then she
closed her eyes and fell into a sweet sleep. All the dreams came
flying back again to her, and they looked like angels, and one of them
drew a little sledge, on which sat Kay, and nodded to her. But all
this was only a dream, and vanished as soon as she awoke.
The following day she was dressed from head to foot in silk and
velvet, and they invited her to stay at the palace for a few days, and
enjoy herself, but she only begged for a pair of boots, and a little
carriage, and a horse to draw it, so that she might go into the wide
world to seek for Kay. And she obtained, not only boots, but also a
muff, and she was neatly dressed; and when she was ready to go, there,
at the door, she found a coach made of pure gold, with the
coat-of-arms of the prince and princess shining upon it like a star,
and the coachman, footman, and outriders all wearing golden crowns
on their heads. The prince and princess themselves helped her into the
coach, and wished her success. The forest crow, who was now married,
accompanied her for the first three miles; he sat by Gerda's side,
as he could not bear riding backwards. The tame crow stood in the
door-way flapping her wings. She could not go with them, because she
had been suffering from headache ever since the new appointment, no
doubt from eating too much. The coach was well stored with sweet
cakes, and under the seat were fruit and gingerbread nuts.
"Farewell, farewell," cried the prince and princess, and little
Gerda wept, and the crow wept; and then, after a few miles, the crow
also said "Farewell," and this was the saddest parting. However, he
flew to a tree, and stood flapping his black wings as long as he could
see the coach, which glittered in the bright sunshine.
FIFTH STORY
LITTLE ROBBER-GIRL
The coach drove on through a thick forest, where it lighted up the
way like a torch, and dazzled the eyes of some robbers, who could
not bear to let it pass them unmolested.
"It is gold! it is gold!" cried they, rushing forward, and seizing
the horses. Then they struck the little jockeys, the coachman, and the
footman dead, and pulled little Gerda out of the carriage.
"She is fat and pretty, and she has been fed with the kernels of
nuts," said the old robber-woman, who had a long beard and eyebrows
that hung over her eyes. "She is as good as a little lamb; how nice
she will taste!" and as she said this, she drew forth a shining knife,
that glittered horribly. "Oh!" screamed the old woman the same moment;
for her own daughter, who held her back, had bitten her in the ear.
She was a wild and naughty girl, and the mother called her an ugly
thing, and had not time to kill Gerda.
"She shall play with me," said the little robber-girl; "she
shall give me her muff and her pretty dress, and sleep with me in my
bed." And then she bit her mother again, and made her spring in the
air, and jump about; and all the robbers laughed, and said, "See how
she is dancing with her young cub."
"I will have a ride in the coach," said the little robber-girl;
and she would have her own way; for she was so self-willed and
obstinate.
She and Gerda seated themselves in the coach, and drove away, over
stumps and stones, into the depths of the forest. The little
robber-girl was about the same size as Gerda, but stronger; she had
broader shoulders and a darker skin; her eyes were quite black, and
she had a mournful look. She clasped little Gerda round the waist, and
said,�
"They shall not kill you as long as you don't make us vexed with
you. I suppose you are a princess."
"No," said Gerda; and then she told her all her history, and how
fond she was of little Kay.
The robber-girl looked earnestly at her, nodded her head slightly,
and said, "They sha'nt kill you, even if I do get angry with you;
for I will do it myself." And then she wiped Gerda's eyes, and stuck
her own hands in the beautiful muff which was so soft and warm.
The coach stopped in the courtyard of a robber's castle, the walls
of which were cracked from top to bottom. Ravens and crows flew in and
out of the holes and crevices, while great bulldogs, either of which
looked as if it could swallow a man, were jumping about; but they were
not allowed to bark. In the large and smoky hall a bright fire was
burning on the stone floor. There was no chimney; so the smoke went up
to the ceiling, and found a way out for itself. Soup was boiling in
a large cauldron, and hares and rabbits were roasting on the spit.
"You shall sleep with me and all my little animals to-night," said
the robber-girl, after they had had something to eat and drink. So she
took Gerda to a corner of the hall, where some straw and carpets
were laid down. Above them, on laths and perches, were more than a
hundred pigeons, who all seemed to be asleep, although they moved
slightly when the two little girls came near them. "These all belong
to me," said the robber-girl; and she seized the nearest to her,
held it by the feet, and shook it till it flapped its wings. "Kiss
it," cried she, flapping it in Gerda's face. "There sit the
wood-pigeons," continued she, pointing to a number of laths and a cage
which had been fixed into the walls, near one of the openings. "Both
rascals would fly away directly, if they were not closely locked up.
And here is my old sweetheart 'Ba;'" and she dragged out a reindeer
by the horn; he wore a bright copper ring round his neck, and was tied
up. "We are obliged to hold him tight too, or else he would run away
from us also. I tickle his neck every evening with my sharp knife,
which frightens him very much." And then the robber-girl drew a long
knife from a chink in the wall, and let it slide gently over the
reindeer's neck. The poor animal began to kick, and the little
robber-girl laughed, and pulled down Gerda into bed with her.
"Will you have that knife with you while you are asleep?" asked
Gerda, looking at it in great fright.
"I always sleep with the knife by me," said the robber-girl. "No
one knows what may happen. But now tell me again all about little Kay,
and why you went out into the world."
Then Gerda repeated her story over again, while the wood-pigeons
in the cage over her cooed, and the other pigeons slept. The little
robber-girl put one arm across Gerda's neck, and held the knife in the
other, and was soon fast asleep and snoring. But Gerda could not close
her eyes at all; she knew not whether she was to live or die. The
robbers sat round the fire, singing and drinking, and the old woman
stumbled about. It was a terrible sight for a little girl to witness.
Then the wood-pigeons said, "Coo, coo; we have seen little Kay.
A white fowl carried his sledge, and he sat in the carriage of the
Snow Queen, which drove through the wood while we were lying in our
nest. She blew upon us, and all the young ones died excepting us
two. Coo, coo."
"What are you saying up there?" cried Gerda. "Where was the Snow
Queen going? Do you know anything about it?"
"She was most likely travelling to Lapland, where there is
always snow and ice. Ask the reindeer that is fastened up there with a
rope."
"Yes, there is always snow and ice," said the reindeer; "and it is
a glorious place; you can leap and run about freely on the sparkling
ice plains. The Snow Queen has her summer tent there, but her strong
castle is at the North Pole, on an island called Spitzbergen."
"Oh, Kay, little Kay!" sighed Gerda.
"Lie still," said the robber-girl, "or I shall run my knife into
your body."
In the morning Gerda told her all that the wood-pigeons had
said; and the little robber-girl looked quite serious, and nodded
her head, and said, "That is all talk, that is all talk. Do you know
where Lapland is?" she asked the reindeer.
"Who should know better than I do?" said the animal, while his
eyes sparkled. "I was born and brought up there, and used to run about
the snow-covered plains."
"Now listen," said the robber-girl; "all our men are gone away,�only
mother is here, and here she will stay; but at noon she always
drinks out of a great bottle, and afterwards sleeps for a little
while; and then, I'll do something for you." Then she jumped out of
bed, clasped her mother round the neck, and pulled her by the beard,
crying, "My own little nanny goat, good morning." Then her mother
filliped her nose till it was quite red; yet she did it all for love.
When the mother had drunk out of the bottle, and was gone to
sleep, the little robber-maiden went to the reindeer, and said, "I
should like very much to tickle your neck a few times more with my
knife, for it makes you look so funny; but never mind,�I will untie
your cord, and set you free, so that you may run away to Lapland;
but you must make good use of your legs, and carry this little
maiden to the castle of the Snow Queen, where her play-fellow is.
You have heard what she told me, for she spoke loud enough, and you
were listening."
Then the reindeer jumped for joy; and the little robber-girl
lifted Gerda on his back, and had the forethought to tie her on, and
even to give her her own little cushion to sit on.
"Here are your fur boots for you," said she; "for it will be
very cold; but I must keep the muff; it is so pretty. However, you
shall not be frozen for the want of it; here are my mother's large
warm mittens; they will reach up to your elbows. Let me put them on.
There, now your hands look just like my mother's."
But Gerda wept for joy.
"I don't like to see you fret," said the little robber-girl;
"you ought to look quite happy now; and here are two loaves and a ham,
so that you need not starve." These were fastened on the reindeer, and
then the little robber-maiden opened the door, coaxed in all the great
dogs, and then cut the string with which the reindeer was fastened,
with her sharp knife, and said, "Now run, but mind you take good
care of the little girl." And then Gerda stretched out her hand,
with the great mitten on it, towards the little robber-girl, and said,
"Farewell," and away flew the reindeer, over stumps and stones,
through the great forest, over marshes and plains, as quickly as he
could. The wolves howled, and the ravens screamed; while up in the sky
quivered red lights like flames of fire. "There are my old northern
lights," said the reindeer; "see how they flash." And he ran on day
and night still faster and faster, but the loaves and the ham were all
eaten by the time they reached Lapland.
SIXTH STORY
THE LAPLAND WOMAN AND THE FINLAND WOMAN
They stopped at a little hut; it was very mean looking; the roof
sloped nearly down to the ground, and the door was so low that the
family had to creep in on their hands and knees, when they went in and
out. There was no one at home but an old Lapland woman, who was
cooking fish by the light of a train-oil lamp. The reindeer told her
all about Gerda's story, after having first told his own, which seemed
to him the most important, but Gerda was so pinched with the cold that
she could not speak. "Oh, you poor things," said the Lapland woman,
"you have a long way to go yet. You must travel more than a hundred
miles farther, to Finland. The Snow Queen lives there now, and she
burns Bengal lights every evening. I will write a few words on a dried
stock-fish, for I have no paper, and you can take it from me to the
Finland woman who lives there; she can give you better information
than I can." So when Gerda was warmed, and had taken something to
eat and drink, the woman wrote a few words on the dried fish, and told
Gerda to take great care of it. Then she tied her again on the
reindeer, and he set off at full speed. Flash, flash, went the
beautiful blue northern lights in the air the whole night long. And at
length they reached Finland, and knocked at the chimney of the Finland
woman's hut, for it had no door above the ground. They crept in, but
it was so terribly hot inside that that woman wore scarcely any
clothes; she was small and very dirty looking. She loosened little
Gerda's dress, and took off the fur boots and the mittens, or Gerda
would have been unable to bear the heat; and then she placed a piece
of ice on the reindeer's head, and read what was written on the
dried fish. After she had read it three times, she knew it by heart,
so she popped the fish into the soup saucepan, as she knew it was good
to eat, and she never wasted anything. The reindeer told his own story
first, and then little Gerda's, and the Finlander twinkled with her
clever eyes, but she said nothing. "You are so clever," said the
reindeer; "I know you can tie all the winds of the world with a
piece of twine. If a sailor unties one knot, he has a fair wind;
when he unties the second, it blows hard; but if the third and
fourth are loosened, then comes a storm, which will root up whole
forests. Cannot you give this little maiden something which will
make her as strong as twelve men, to overcome the Snow Queen?"
"The Power of twelve men!" said the Finland woman; "that would
be of very little use." But she went to a shelf and took down and
unrolled a large skin, on which were inscribed wonderful characters,
and she read till the perspiration ran down from her forehead. But the
reindeer begged so hard for little Gerda, and Gerda looked at the
Finland woman with such beseeching tearful eyes, that her own eyes
began to twinkle again; so she drew the reindeer into a corner, and
whispered to him while she laid a fresh piece of ice on his head,
"Little Kay is really with the Snow Queen, but he finds everything
there so much to his taste and his liking, that he believes it is
the finest place in the world; but this is because he has a piece of
broken glass in his heart, and a little piece of glass in his eye.
These must be taken out, or he will never be a human being again,
and the Snow Queen will retain her power over him."
"But can you not give little Gerda something to help her to
conquer this power?"
"I can give her no greater power than she has already," said the
woman; "don't you see how strong that is? How men and animals are
obliged to serve her, and how well she has got through the world,
barefooted as she is. She cannot receive any power from me greater
than she now has, which consists in her own purity and innocence of
heart. If she cannot herself obtain access to the Snow Queen, and
remove the glass fragments from little Kay, we can do nothing to
help her. Two miles from here the Snow Queen's garden begins; you
can carry the little girl so far, and set her down by the large bush
which stands in the snow, covered with red berries. Do not stay
gossiping, but come back here as quickly as you can." Then the Finland
woman lifted little Gerda upon the reindeer, and he ran away with
her as quickly as he could.
"Oh, I have forgotten my boots and my mittens," cried little
Gerda, as soon as she felt the cutting cold, but the reindeer dared
not stop, so he ran on till he reached the bush with the red
berries; here he set Gerda down, and he kissed her, and the great
bright tears trickled over the animal's cheeks; then he left her and
ran back as fast as he could.
There stood poor Gerda, without shoes, without gloves, in the
midst of cold, dreary, ice-bound Finland. She ran forwards as
quickly as she could, when a whole regiment of snow-flakes came
round her; they did not, however, fall from the sky, which was quite
clear and glittering with the northern lights. The snow-flakes ran
along the ground, and the nearer they came to her, the larger they
appeared. Gerda remembered how large and beautiful they looked through
the burning-glass. But these were really larger, and much more
terrible, for they were alive, and were the guards of the Snow
Queen, and had the strangest shapes. Some were like great
porcupines, others like twisted serpents with their heads stretching
out, and some few were like little fat bears with their hair bristled;
but all were dazzlingly white, and all were living snow-flakes. Then
little Gerda repeated the Lord's Prayer, and the cold was so great
that she could see her own breath come out of her mouth like steam
as she uttered the words. The steam appeared to increase, as she
continued her prayer, till it took the shape of little angels who grew
larger the moment they touched the earth. They all wore helmets on
their heads, and carried spears and shields. Their number continued to
increase more and more; and by the time Gerda had finished her
prayers, a whole legion stood round her. They thrust their spears into
the terrible snow-flakes, so that they shivered into a hundred pieces,
and little Gerda could go forward with courage and safety. The
angels stroked her hands and feet, so that she felt the cold less, and
she hastened on to the Snow Queen's castle.
But now we must see what Kay is doing. In truth he thought not
of little Gerda, and never supposed she could be standing in the front
of the palace.
SEVENTH STORY
OF THE PALACE OF THE SNOW QUEEN AND WHAT HAPPENED THERE AT LAST
The walls of the palace were formed of drifted snow, and the
windows and doors of the cutting winds. There were more than a hundred
rooms in it, all as if they had been formed with snow blown
together. The largest of them extended for several miles; they were
all lighted up by the vivid light of the aurora, and they were so
large and empty, so icy cold and glittering! There were no
amusements here, not even a little bear's ball, when the storm might
have been the music, and the bears could have danced on their hind
legs, and shown their good manners. There were no pleasant games of
snap-dragon, or touch, or even a gossip over the tea-table, for the
young-lady foxes. Empty, vast, and cold were the halls of the Snow
Queen. The flickering flame of the northern lights could be plainly
seen, whether they rose high or low in the heavens, from every part of
the castle. In the midst of its empty, endless hall of snow was a
frozen lake, broken on its surface into a thousand forms; each piece
resembled another, from being in itself perfect as a work of art,
and in the centre of this lake sat the Snow Queen, when she was at
home. She called the lake "The Mirror of Reason," and said that it was
the best, and indeed the only one in the world.
Little Kay was quite blue with cold, indeed almost black, but he
did not feel it; for the Snow Queen had kissed away the icy
shiverings, and his heart was already a lump of ice. He dragged some
sharp, flat pieces of ice to and fro, and placed them together in
all kinds of positions, as if he wished to make something out of them;
just as we try to form various figures with little tablets of wood
which we call "a Chinese puzzle." Kay's fingers were very artistic; it
was the icy game of reason at which he played, and in his eyes the
figures were very remarkable, and of the highest importance; this
opinion was owing to the piece of glass still sticking in his eye.
He composed many complete figures, forming different words, but
there was one word he never could manage to form, although he wished
it very much. It was the word "Eternity." The Snow Queen had said to
him, "When you can find out this, you shall be your own master, and
I will give you the whole world and a new pair of skates." But he
could not accomplish it.
"Now I must hasten away to warmer countries," said the Snow Queen.
"I will go and look into the black craters of the tops of the
burning mountains, Etna and Vesuvius, as they are called,�I shall
make them look white, which will be good for them, and for the
lemons and the grapes." And away flew the Snow Queen, leaving little
Kay quite alone in the great hall which was so many miles in length;
so he sat and looked at his pieces of ice, and was thinking so deeply,
and sat so still, that any one might have supposed he was frozen.
Just at this moment it happened that little Gerda came through the
great door of the castle. Cutting winds were raging around her, but
she offered up a prayer and the winds sank down as if they were
going to sleep; and she went on till she came to the large empty hall,
and caught sight of Kay; she knew him directly; she flew to him and
threw her arms round his neck, and held him fast, while she exclaimed,
"Kay, dear little Kay, I have found you at last."
But he sat quite still, stiff and cold.
Then little Gerda wept hot tears, which fell on his breast, and
penetrated into his heart, and thawed the lump of ice, and washed away
the little piece of glass which had stuck there. Then he looked at
her, and she sang�
"Roses bloom and cease to be,
But we shall the Christ-child see."
Then Kay burst into tears, and he wept so that the splinter of
glass swam out of his eye. Then he recognized Gerda, and said,
joyfully, "Gerda, dear little Gerda, where have you been all this
time, and where have I been?" And he looked all around him, and
said, "How cold it is, and how large and empty it all looks," and he
clung to Gerda, and she laughed and wept for joy. It was so pleasing
to see them that the pieces of ice even danced about; and when they
were tired and went to lie down, they formed themselves into the
letters of the word which the Snow Queen had said he must find out
before he could be his own master, and have the whole world and a pair
of new skates. Then Gerda kissed his cheeks, and they became blooming;
and she kissed his eyes, and they shone like her own; she kissed his
hands and his feet, and then he became quite healthy and cheerful. The
Snow Queen might come home now when she pleased, for there stood his
certainty of freedom, in the word she wanted, written in shining
letters of ice.
Then they took each other by the hand, and went forth from the
great palace of ice. They spoke of the grandmother, and of the roses
on the roof, and as they went on the winds were at rest, and the sun
burst forth. When they arrived at the bush with red berries, there
stood the reindeer waiting for them, and he had brought another
young reindeer with him, whose udders were full, and the children
drank her warm milk and kissed her on the mouth. Then they carried Kay
and Gerda first to the Finland woman, where they warmed themselves
thoroughly in the hot room, and she gave them directions about their
journey home. Next they went to the Lapland woman, who had made some
new clothes for them, and put their sleighs in order. Both the
reindeer ran by their side, and followed them as far as the boundaries
of the country, where the first green leaves were budding. And here
they took leave of the two reindeer and the Lapland woman, and all
said�Farewell. Then the birds began to twitter, and the forest too
was full of green young leaves; and out of it came a beautiful
horse, which Gerda remembered, for it was one which had drawn the
golden coach. A young girl was riding upon it, with a shining red
cap on her head, and pistols in her belt. It was the little
robber-maiden, who had got tired of staying at home; she was going
first to the north, and if that did not suit her, she meant to try
some other part of the world. She knew Gerda directly, and Gerda
remembered her: it was a joyful meeting.
"You are a fine fellow to go gadding about in this way," said
she to little Kay, "I should like to know whether you deserve that any
one should go to the end of the world to find you."
But Gerda patted her cheeks, and asked after the prince and
princess.
"They are gone to foreign countries," said the robber-girl.
"And the crow?" asked Gerda.
"Oh, the crow is dead," she replied; "his tame sweetheart is now a
widow, and wears a bit of black worsted round her leg. She mourns very
pitifully, but it is all stuff. But now tell me how you managed to get
him back."
Then Gerda and Kay told her all about it.
"Snip, snap, snare! it's all right at last," said the robber-girl.
Then she took both their hands, and promised that if ever she
should pass through the town, she would call and pay them a visit. And
then she rode away into the wide world. But Gerda and Kay went
hand-in-hand towards home; and as they advanced, spring appeared
more lovely with its green verdure and its beautiful flowers. Very
soon they recognized the large town where they lived, and the tall
steeples of the churches, in which the sweet bells were ringing a
merry peal as they entered it, and found their way to their
grandmother's door. They went upstairs into the little room, where all
looked just as it used to do. The old clock was going "tick, tick,"
and the hands pointed to the time of day, but as they passed through
the door into the room they perceived that they were both grown up,
and become a man and woman. The roses out on the roof were in full
bloom, and peeped in at the window; and there stood the little chairs,
on which they had sat when children; and Kay and Gerda seated
themselves each on their own chair, and held each other by the hand,
while the cold empty grandeur of the Snow Queen's palace vanished from
their memories like a painful dream. The grandmother sat in God's
bright sunshine, and she read aloud from the Bible, "Except ye
become as little children, ye shall in no wise enter into the
kingdom of God." And Kay and Gerda looked into each other's eyes,
and all at once understood the words of the old song,
"Roses bloom and cease to be,
But we shall the Christ-child see."
And they both sat there, grown up, yet children at heart; and it was
summer,�warm, beautiful summer. |
THE OLD BACHELOR'S NIGHTCAP
There is a street in Copenhagen with a very strange name. It is
called "Hysken" street. Where the name came from, and what it means is
very uncertain. It is said to be German, but that is unjust to the
Germans, for it would then be called "Hauschen," not "Hysken."
"Hauschen," means a little house; and for many years it consisted only
of a few small houses, which were scarcely larger than the wooden
booths we see in the market-places at fair time. They were perhaps a
little higher, and had windows; but the panes consisted of horn or
bladder-skins, for glass was then too dear to have glazed windows in
every house. This was a long time ago, so long indeed that our
grandfathers, and even great-grandfathers, would speak of those days
as "olden times;" indeed, many centuries have passed since then.
The rich merchants in Bremen and Lubeck, who carried on trade in
Copenhagen, did not reside in the town themselves, but sent their
clerks, who dwelt in the wooden booths in the Hauschen street, and
sold beer and spices. The German beer was very good, and there were
many sorts�from Bremen, Prussia, and Brunswick�and quantities of all
sorts of spices, saffron, aniseed, ginger, and especially pepper;
indeed, pepper was almost the chief article sold here; so it
happened at last that the German clerks in Denmark got their
nickname of "pepper gentry." It had been made a condition with these
clerks that they should not marry; so that those who lived to be old
had to take care of themselves, to attend to their own comforts, and
even to light their own fires, when they had any to light. Many of
them were very aged; lonely old boys, with strange thoughts and
eccentric habits. From this, all unmarried men, who have attained a
certain age, are called, in Denmark, "pepper gentry;" and this must be
remembered by all those who wish to understand the story. These
"pepper gentlemen," or, as they are called in England, "old
bachelors," are often made a butt of ridicule; they are told to put on
their nightcaps, draw them over their eyes, and go to sleep. The
boys in Denmark make a song of it, thus:�
"Poor old bachelor, cut your wood,
Such a nightcap was never seen;
Who would think it was ever clean?
Go to sleep, it will do you good."
So they sing about the "pepper gentleman;" so do they make sport
of the poor old bachelor and his nightcap, and all because they really
know nothing of either. It is a cap that no one need wish for, or
laugh at. And why not? Well, we shall hear in the story.
In olden times, Hauschen Street was not paved, and passengers
would stumble out of one hole into another, as they generally do in
unfrequented highways; and the street was so narrow, and the booths
leaning against each other were so close together, that in the
summer time a sail would be stretched across the street from one booth
to another opposite. At these times the odor of the pepper, saffron,
and ginger became more powerful than ever. Behind the counter, as a
rule, there were no young men. The clerks were almost all old boys;
but they did not dress as we are accustomed to see old men
represented, wearing wigs, nightcaps, and knee-breeches, and with coat
and waistcoat buttoned up to the chin. We have seen the portraits of
our great-grandfathers dressed in this way; but the "pepper gentlemen"
had no money to spare to have their portraits taken, though one of
them would have made a very interesting picture for us now, if taken
as he appeared standing behind his counter, or going to church, or
on holidays. On these occasions, they wore high-crowned, broad-brimmed
hats, and sometimes a younger clerk would stick a feather in his.
The woollen shirt was concealed by a broad, linen collar; the close
jacket was buttoned up to the chin, and the cloak hung loosely over
it; the trousers were tucked into the broad, tipped shoes, for the
clerks wore no stockings. They generally stuck a table-knife and spoon
in their girdles, as well as a larger knife, as a protection to
themselves; and such a weapon was often very necessary.
After this fashion was Anthony dressed on holidays and
festivals, excepting that, instead of a high-crowned hat, he wore a
kind of bonnet, and under it a knitted cap, a regular nightcap, to
which he was so accustomed that it was always on his head; he had two,
nightcaps I mean, not heads. Anthony was one of the oldest of the
clerks, and just the subject for a painter. He was as thin as a
lath, wrinkled round the mouth and eyes, had long, bony fingers,
bushy, gray eyebrows, and over his left eye hung a thick tuft of hair,
which did not look handsome, but made his appearance very
remarkable. People knew that he came from Bremen; it was not exactly
his home, although his master resided there. His ancestors were from
Thuringia, and had lived in the town of Eisenach, close by Wartburg.
Old Anthony seldom spoke of this place, but he thought of it all the
more.
The old clerks of Hauschen Street very seldom met together; each
one remained in his own booth, which was closed early enough in the
evening, and then it looked dark and dismal out in the street. Only
a faint glimmer of light struggled through the horn panes in the
little window on the roof, while within sat the old clerk, generally
on his bed, singing his evening hymn in a low voice; or he would be
moving about in his booth till late in the night, busily employed in
many things. It certainly was not a very lively existence. To be a
stranger in a strange land is a bitter lot; no one notices you
unless you happen to stand in their way. Often, when it was dark night
outside, with rain or snow falling, the place looked quite deserted
and gloomy. There were no lamps in the street, excepting a very
small one, which hung at one end of the street, before a picture of
the Virgin, which had been painted on the wall. The dashing of the
water against the bulwarks of a neighboring castle could plainly be
heard. Such evenings are long and dreary, unless people can find
something to do; and so Anthony found it. There were not always things
to be packed or unpacked, nor paper bags to be made, nor the scales to
be polished. So Anthony invented employment; he mended his clothes and
patched his boots, and when he at last went to bed,�his nightcap,
which he had worn from habit, still remained on his head; he had
only to pull it down a little farther over his forehead. Very soon,
however, it would be pushed up again to see if the light was
properly put out; he would touch it, press the wick together, and at
last pull his nightcap over his eyes and lie down again on the other
side. But often there would arise in his mind a doubt as to whether
every coal had been quite put out in the little fire-pan in the shop
below. If even a tiny spark had remained it might set fire to
something, and cause great damage. Then he would rise from his bed,
creep down the ladder�for it could scarcely be called a flight of
stairs�and when he reached the fire-pan not a spark could be seen; so
he had just to go back again to bed. But often, when he had got half
way back, he would fancy the iron shutters of the door were not
properly fastened, and his thin legs would carry him down again. And
when at last he crept into bed, he would be so cold that his teeth
chattered in his head. He would draw the coverlet closer round him,
pull his nightcap over his eyes, and try to turn his thoughts from
trade, and from the labors of the day, to olden times. But this was
scarcely an agreeable entertainment; for thoughts of olden memories
raise the curtains from the past, and sometimes pierce the heart
with painful recollections till the agony brings tears to the waking
eyes. And so it was with Anthony; often the scalding tears, like
pearly drops, would fall from his eyes to the coverlet and roll on the
floor with a sound as if one of his heartstrings had broken.
Sometimes, with a lurid flame, memory would light up a picture of life
which had never faded from his heart. If he dried his eyes with his
nightcap, then the tear and the picture would be crushed; but the
source of the tears remained and welled up again in his heart. The
pictures did not follow one another in order, as the circumstances
they represented had occurred; very often the most painful would
come together, and when those came which were most full of joy, they
had always the deepest shadow thrown upon them.
The beech woods of Denmark are acknowledged by every one to be
very beautiful, but more beautiful still in the eyes of old Anthony
were the beech woods in the neighborhood of Wartburg. More grand and
venerable to him seemed the old oaks around the proud baronial castle,
where the creeping plants hung over the stony summits of the rocks;
sweeter was the perfume there of the apple-blossom than in all the
land of Denmark. How vividly were represented to him, in a
glittering tear that rolled down his cheek, two children at play�a
boy and a girl. The boy had rosy cheeks, golden ringlets, and clear,
blue eyes; he was the son of Anthony, a rich merchant; it was himself.
The little girl had brown eyes and black hair, and was clever and
courageous; she was the mayor's daughter, Molly. The children were
playing with an apple; they shook the apple, and heard the pips
rattling in it. Then they cut it in two, and each of them took half.
They also divided the pips and ate all but one, which the little
girl proposed should be placed in the ground.
"You will see what will come out," she said; "something you
don't expect. A whole apple-tree will come out, but not directly."
Then they got a flower-pot, filled it with earth, and were soon both
very busy and eager about it. The boy made a hole in the earth with
his finger, and the little girl placed the pip in the hole, and then
they both covered it over with earth.
"Now you must not take it out to-morrow to see if it has taken
root," said Molly; "no one ever should do that. I did so with my
flowers, but only twice; I wanted to see if they were growing. I
didn't know any better then, and the flowers all died."
Little Anthony kept the flower-pot, and every morning during the
whole winter he looked at it, but there was nothing to be seen but
black earth. At last, however, the spring came, and the sun shone warm
again, and then two little green leaves sprouted forth in the pot.
"They are Molly and me," said the boy. "How wonderful they are,
and so beautiful!"
Very soon a third leaf made its appearance.
"Who does that stand for?" thought he, and then came another and
another. Day after day, and week after week, till the plant became
quite a tree. And all this about the two children was mirrored to
old Anthony in a single tear, which could soon be wiped away and
disappear, but might come again from its source in the heart of the
old man.
In the neighborhood of Eisenach stretches a ridge of stony
mountains, one of which has a rounded outline, and shows itself
above the rest without tree, bush, or grass on its barren summits.
It is called the "Venus Mountain," and the story goes that the "Lady
Venus," one of the heathen goddesses, keeps house there. She is also
called "Lady Halle," as every child round Eisenach well knows. She
it was who enticed the noble knight, Tannhauser, the minstrel, from
the circle of singers at Wartburg into her mountain.
Little Molly and Anthony often stood by this mountain, and one day
Molly said, "Do you dare to knock and say, 'Lady Halle, Lady Halle,
open the door: Tannhauser is here!'" But Anthony did not dare.
Molly, however, did, though she only said the words, "Lady Halle, Lady
Halle," loudly and distinctly; the rest she muttered so much under her
breath that Anthony felt certain she had really said nothing; and
yet she looked quite bold and saucy, just as she did sometimes when
she was in the garden with a number of other little girls; they
would all stand round him together, and want to kiss him, because he
did not like to be kissed, and pushed them away. Then Molly was the
only one who dared to resist him. "I may kiss him," she would say
proudly, as she threw her arms round his neck; she was vain of her
power over Anthony, for he would submit quietly and think nothing of
it. Molly was very charming, but rather bold; and how she did tease!
They said Lady Halle was beautiful, but her beauty was that of a
tempting fiend. Saint Elizabeth, the tutelar saint of the land, the
pious princess of Thuringia, whose good deeds have been immortalized
in so many places through stories and legends, had greater beauty
and more real grace. Her picture hung in the chapel, surrounded by
silver lamps; but it did not in the least resemble Molly.
The apple-tree, which the two children had planted, grew year
after year, till it became so large that it had to be transplanted
into the garden, where the dew fell and the sun shone warmly. And
there it increased in strength so much as to be able to withstand
the cold of winter; and after passing through the severe weather, it
seemed to put forth its blossoms in spring for very joy that the
cold season had gone. In autumn it produced two apples, one for
Molly and one for Anthony; it could not well do less. The tree after
this grew very rapidly, and Molly grew with the tree. She was as fresh
as an apple-blossom, but Anthony was not to behold this flower for
long. All things change; Molly's father left his old home, and Molly
went with him far away. In our time, it would be only a journey of a
few hours, but then it took more than a day and a night to travel so
far eastward from Eisenbach to a town still called Weimar, on the
borders of Thuringia. And Molly and Anthony both wept, but these tears
all flowed together into one tear which had the rosy shimmer of joy.
Molly had told him that she loved him�loved him more than all the
splendors of Weimar.
One, two, three years went by, and during the whole time he
received only two letters. One came by the carrier, and the other a
traveller brought. The way was very long and difficult, with many
turnings and windings through towns and villages. How often had
Anthony and Molly heard the story of Tristan and Isolda, and Anthony
had thought the story applied to him, although Tristan means born in
sorrow, which Anthony certainly was not; nor was it likely he would
ever say of Molly as Tristan said of Isolda, "She has forgotten me."
But in truth, Isolda had not forgotten him, her faithful friend; and
when both were laid in their graves, one, on each side of the
church, the linden-trees that grew by each grave spread over the roof,
and, bending towards each other, mingled their blossoms together.
Anthony thought it a very beautiful but mournful story; yet he never
feared anything so sad would happen to him and Molly, as he passed the
spot, whistling the air of a song, composed by the minstrel Walter,
called the "Willow bird," beginning�
"Under the linden-trees,
Out on the heath."
One stanza pleased him exceedingly�
"Through the forest, and in the vale,
Sweetly warbles the nightingale.
This song was often in his mouth, and he sung or whistled it on
a moonlight night, when he rode on horseback along the deep, hollow
way, on his road to Weimar, to visit Molly. He wished to arrive
unexpectedly, and so indeed he did. He was received with a hearty
welcome, and introduced to plenty of grand and pleasant company, where
overflowing winecups were passed about. A pretty room and a good bed
were provided for him, and yet his reception was not what he had
expected and dreamed it would be. He could not comprehend his own
feelings nor the feelings of others; but it is easily understood how a
person can be admitted into a house or a family without becoming one
of them. We converse in company with those we meet, as we converse
with our fellow-travellers in a stage-coach, on a journey; we know
nothing of them, and perhaps all the while we are incommoding one
another, and each is wishing himself or his neighbor away. Something
of this kind Anthony felt when Molly talked to him of old times.
"I am a straightforward girl," she said, "and I will tell you
myself how it is. There have been great changes since we were children
together; everything is different, both inwardly and outwardly. We
cannot control our wills, nor the feelings of our hearts, by the force
of custom. Anthony, I would not, for the world, make an enemy of you
when I am far away. Believe me, I entertain for you the kindest wishes
in my heart; but to feel for you what I now know can be felt for
another man, can never be. You must try and reconcile yourself to
this. Farewell, Anthony."
Anthony also said, "Farewell." Not a tear came into his eye; he
felt he was no longer Molly's friend. Hot iron and cold iron alike
take the skin from our lips, and we feel the same sensation if we kiss
either; and Anthony's kiss was now the kiss of hatred, as it had
once been the kiss of love. Within four-and-twenty hours Anthony was
back again to Eisenach, though the horse that he rode was entirely
ruined.
"What matters it?" said he; "I am ruined also. I will destroy
everything that can remind me of her, or of Lady Halle, or Lady Venus,
the heathen woman. I will break down the apple-tree, and tear it up by
the roots; never more shall it blossom or bear fruit."
The apple-tree was not broken down; for Anthony himself was struck
with a fever, which caused him to break down, and confined him to
his bed. But something occurred to raise him up again. What was it?
A medicine was offered to him, which he was obliged to take: a
bitter remedy, at which the sick body and the oppressed spirit alike
shuddered. Anthony's father lost all his property, and, from being
known as one of the richest merchants, he became very poor. Dark days,
heavy trials, with poverty at the door, came rolling into the house
upon them like the waves of the sea. Sorrow and suffering deprived
Anthony's father of his strength, so that he had something else to
think of besides nursing his love-sorrows and his anger against Molly.
He had to take his father's place, to give orders, to act with energy,
to help, and, at last, to go out into the world and earn his bread.
Anthony went to Bremen, and there he learnt what poverty and hard
living really were. These things often harden the character, but
sometimes soften the heart, even too much.
How different the world, and the people in it, appeared to Anthony
now, to what he had thought in his childhood! What to him were the
minstrel's songs? An echo of the past, sounds long vanished. At
times he would think in this way; yet again and again the songs
would sound in his soul, and his heart become gentle and pious.
"God's will is the best," he would then say. "It was well that I
was not allowed to keep my power over Molly's heart, and that she
did not remain true to me. How I should have felt it now, when fortune
has deserted me! She left me before she knew of the change in my
circumstances, or had a thought of what was before me. That is a
merciful providence for me. All has happened for the best. She could
not help it, and yet I have been so bitter, and in such enmity against
her."
Years passed by: Anthony's father died, and strangers lived in the
old house. He had seen it once again since then. His rich master
sent him journeys on business, and on one occasion his way led him
to his native town of Eisenach. The old Wartburg castle stood
unchanged on the rock where the monk and the nun were hewn out of
the stone. The great oaks formed an outline to the scene which he so
well remembered in his childhood. The Venus mountain stood out gray
and bare, overshadowing the valley beneath. He would have been glad to
call out "Lady Halle, Lady Halle, unlock the mountain. I would fain
remain here always in my native soil." That was a sinful thought,
and he offered a prayer to drive it away. Then a little bird in the
thicket sang out clearly, and old Anthony thought of the minstrel's
song. How much came back to his remembrance as he looked through the
tears once more on his native town! The old house was still standing
as in olden times, but the garden had been greatly altered; a
pathway led through a portion of the ground, and outside the garden,
and beyond the path, stood the old apple-tree, which he had not broken
down, although he talked of doing so in his trouble. The sun still
threw its rays upon the tree, and the refreshing dew fell upon it as
of old; and it was so overloaded with fruit that the branches bent
towards the earth with the weight. "That flourishes still," said he,
as he gazed. One of the branches of the tree had, however, been
broken: mischievous hands must have done this in passing, for the tree
now stood in a public thoroughfare. "The blossoms are often
plucked," said Anthony; "the fruit is stolen and the branches broken
without a thankful thought of their profusion and beauty. It might
be said of a tree, as it has been said of some men�it was not
predicted at his cradle that he should come to this. How brightly
began the history of this tree, and what is it now? Forsaken and
forgotten, in a garden by a hedge in a field, and close to a public
road. There it stands, unsheltered, plundered, and broken. It
certainly has not yet withered; but in the course of years the
number of blossoms from time to time will grow less, and at last it
was cease altogether to bear fruit; and then its history will be
over."
Such were Anthony's thoughts as he stood under the tree, and
during many a long night as he lay in his lonely chamber in the wooden
house in Hauschen Street, Copenhagen, in the foreign land to which the
rich merchant of Bremen, his employer, had sent him on condition
that he should never marry. "Marry! ha, ha!" and he laughed bitterly
to himself at the thought.
Winter one year set in early, and it was freezing hard. Without, a
snowstorm made every one remain at home who could do so. Thus it
happened that Anthony's neighbors, who lived opposite to him, did
not notice that his house remained unopened for two days, and that
he had not showed himself during that time, for who would go out in
such weather unless he were obliged to do so. They were gray, gloomy
days, and in the house whose windows were not glass, twilight and dark
nights reigned in turns. During these two days old Anthony had not
left his bed, he had not the strength to do so. The bitter weather had
for some time affected his limbs. There lay the old bachelor, forsaken
by all, and unable to help himself. He could scarcely reach the
water jug that he had placed by his bed, and the last drop was gone.
It was not fever, nor sickness, but old age, that had laid him low. In
the little corner, where his bed lay, he was over-shadowed as it
were by perpetual night. A little spider, which he could however not
see, busily and cheerfully spun its web above him, so that there
should be a kind of little banner waving over the old man, when his
eyes closed. The time passed slowly and painfully. He had no tears
to shed, and he felt no pain; no thought of Molly came into his
mind. He felt as if the world was now nothing to him, as if he were
lying beyond it, with no one to think of him. Now and then he felt
slight sensations of hunger and thirst; but no one came to him, no one
tended him. He thought of all those who had once suffered from
starvation, of Saint Elizabeth, who once wandered on the earth, the
saint of his home and his childhood, the noble Duchess of Thuringia,
that highly esteemed lady who visited the poorest villages, bringing
hope and relief to the sick inmates. The recollection of her pious
deeds was as light to the soul of poor Anthony. He thought of her as
she went about speaking words of comfort, binding up the wounds of the
afflicted and feeding the hungry, although often blamed for it by
her stern husband. He remembered a story told of her, that on one
occasion, when she was carrying a basket full of wine and
provisions, her husband, who had watched her footsteps, stepped
forward and asked her angrily what she carried in her basket,
whereupon, with fear and trembling, she answered, "Roses, which I have
plucked from the garden." Then he tore away the cloth which covered
the basket, and what could equal the surprise of the pious woman, to
find that by a miracle, everything in her basket�the wine, the
bread�had all been changed into roses.
In this way the memory of the kind lady dwelt in the calm mind
of Anthony. She was as a living reality in his little dwelling in
the Danish land. He uncovered his face that he might look into her
gentle eyes, while everything around him changed from its look of
poverty and want, to a bright rose tint. The fragrance of roses spread
through the room, mingled with the sweet smell of apples. He saw the
branches of an apple-tree spreading above him. It was the tree which
he and Molly had planted together. The fragrant leaves of the tree
fell upon him and cooled his burning brow; upon his parched lips
they seemed like refreshing bread and wine; and as they rested on
his breast, a peaceful calm stole over him, and he felt inclined to
sleep. "I shall sleep now," he whispered to himself. "Sleep will do me
good. In the morning I shall be upon my feet again, strong and well.
Glorious! wonderful! That apple-tree, planted in love, now appears
before me in heavenly beauty." And he slept.
The following day, the third day during which his house had been
closed, the snow-storm ceased. Then his opposite neighbor stepped over
to the house in which old Anthony lived, for he had not yet showed
himself. There he lay stretched on his bed, dead, with his old
nightcap tightly clasped in his two hands. The nightcap, however,
was not placed on his head in his coffin; he had a clean white one
on then. Where now were the tears he had shed? What had become of
those wonderful pearls? They were in the nightcap still. Such tears as
these cannot be washed out, even when the nightcap is forgotten. The
old thoughts and dreams of a bachelor's nightcap still remain. Never
wish for such a nightcap. It would make your forehead hot, cause
your pulse to beat with agitation, and conjure up dreams which would
appear realities.
The first who wore old Anthony's cap felt the truth of this,
though it was half a century afterwards. That man was the mayor
himself, who had already made a comfortable home for his wife and
eleven children, by his industry. The moment he put the cap on he
dreamed of unfortunate love, of bankruptcy, and of dark days.
"Hallo! how the nightcap burns!" he exclaimed, as he tore it from
his bead. Then a pearl rolled out, and then another, and another,
and they glittered and sounded as they fell. "What can this be? Is
it paralysis, or something dazzling my eyes?" They were the tears
which old Anthony had shed half a century before.
To every one who afterwards put this cap on his head, came visions
and dreams which agitated him not a little. His own history was
changed into that of Anthony till it became quite a story, and many
stories might be made by others, so we will leave them to relate their
own. We have told the first; and our last word is, don't wish for a
"bachelor's nightcap." |
THE PHILOSOPHER'S STONE
Far away towards the east, in India, which seemed in those days
the world's end, stood the Tree of the Sun; a noble tree, such as we
have never seen, and perhaps never may see.
The summit of this tree spread itself for miles like an entire
forest, each of its smaller branches forming a complete tree. Palms,
beech-trees, pines, plane-trees, and various other kinds, which are
found in all parts of the world, were here like small branches,
shooting forth from the great tree; while the larger boughs, with
their knots and curves, formed valleys and hills, clothed with velvety
green and covered with flowers. Everywhere it was like a blooming
meadow or a lovely garden. Here were birds from all quarters of the
world assembled together; birds from the primeval forests of
America, from the rose gardens of Damascus, and from the deserts of
Africa, in which the elephant and the lion may boast of being the only
rulers. Birds from the Polar regions came flying here, and of course
the stork and the swallow were not absent. But the birds were not
the only living creatures. There were stags, squirrels, antelopes, and
hundreds of other beautiful and light-footed animals here found a
home.
The summit of the tree was a wide-spreading garden, and in the
midst of it, where the green boughs formed a kind of hill, stood a
castle of crystal, with a view from it towards every quarter of
heaven. Each tower was erected in the form of a lily, and within the
stern was a winding staircase, through which one could ascend to the
top and step out upon the leaves as upon balconies. The calyx of the
flower itself formed a most beautiful, glittering, circular hall,
above which no other roof arose than the blue firmament and the sun
and stars.
Just as much splendor, but of another kind, appeared below, in the
wide halls of the castle. Here, on the walls, were reflected
pictures of the world, which represented numerous and varied scenes of
everything that took place daily, so that it was useless to read the
newspapers, and indeed there were none to be obtained in this spot.
All was to be seen in living pictures by those who wished it, but
all would have been too much for even the wisest man, and this man
dwelt here. His name is very difficult; you would not be able to
pronounce it, so it may be omitted. He knew everything that a man on
earth can know or imagine. Every invention already in existence or yet
to be, was known to him, and much more; still everything on earth
has a limit. The wise king Solomon was not half so wise as this man.
He could govern the powers of nature and held sway over potent
spirits; even Death itself was obliged to give him every morning a
list of those who were to die during the day. And King Solomon himself
had to die at last, and this fact it was which so often occupied the
thoughts of this great man in the castle on the Tree of the Sun. He
knew that he also, however high he might tower above other men in
wisdom, must one day die. He knew that his children would fade away
like the leaves of the forest and become dust. He saw the human race
wither and fall like leaves from the tree; he saw new men come to fill
their places, but the leaves that fell off never sprouted forth again;
they crumbled to dust or were absorbed into other plants.
"What happens to man," asked the wise man of himself, "when
touched by the angel of death? What can death be? The body decays, and
the soul. Yes; what is the soul, and whither does it go?"
"To eternal life," says the comforting voice of religion.
"But what is this change? Where and how shall we exist?"
"Above; in heaven," answers the pious man; "it is there we hope to
go."
"Above!" repeated the wise man, fixing his eyes upon the moon
and stars above him. He saw that to this earthly sphere above and
below were constantly changing places, and that the position varied
according to the spot on which a man found himself. He knew, also,
that even if he ascended to the top of the highest mountain which
rears its lofty summit on this earth, the air, which to us seems clear
and transparent, would there be dark and cloudy; the sun would have
a coppery glow and send forth no rays, and our earth would lie beneath
him wrapped in an orange-colored mist. How narrow are the limits which
confine the bodily sight, and how little can be seen by the eye of the
soul. How little do the wisest among us know of that which is so
important to us all.
In the most secret chamber of the castle lay the greatest treasure
on earth�the Book of Truth. The wise man had read it through page
after page. Every man may read in this book, but only in fragments. To
many eyes the characters seem so mixed in confusion that the words
cannot be distinguished. On certain pages the writing often appears so
pale or so blurred that the page becomes a blank. The wiser a man
becomes, the more he will read, and those who are wisest read most.
The wise man knew how to unite the sunlight and the moonlight with
the light of reason and the hidden powers of nature; and through
this stronger light, many things in the pages were made clear to
him. But in the portion of the book entitled "Life after Death" not
a single point could he see distinctly. This pained him. Should he
never be able here on earth to obtain a light by which everything
written in the Book of Truth should become clear to him? Like the wise
King Solomon, he understood the language of animals, and could
interpret their talk into song; but that made him none the wiser. He
found out the nature of plants and metals, and their power in curing
diseases and arresting death, but none to destroy death itself. In all
created things within his reach he sought the light that should
shine upon the certainty of an eternal life, but he found it not.
The Book of Truth lay open before him, but, its pages were to him as
blank paper. Christianity placed before him in the Bible a promise
of eternal life, but he wanted to read it in his book, in which
nothing on the subject appeared to be written.
He had five children; four sons, educated as the children of
such a wise father should be, and a daughter, fair, gentle, and
intelligent, but she was blind; yet this deprivation appeared as
nothing to her; her father and brothers were outward eyes to her,
and a vivid imagination made everything clear to her mental sight. The
sons had never gone farther from the castle than the branches of the
trees extended, and the sister had scarcely ever left home. They
were happy children in that home of their childhood, the beautiful and
fragrant Tree of the Sun. Like all children, they loved to hear
stories related to them, and their father told them many things
which other children would not have understood; but these were as
clever as most grownup people are among us. He explained to them
what they saw in the pictures of life on the castle walls�the
doings of man, and the progress of events in all the lands of the
earth; and the sons often expressed a wish that they could be present,
and take a part in these great deeds. Then their father told them that
in the world there was nothing but toil and difficulty: that it was
not quite what it appeared to them, as they looked upon it in their
beautiful home. He spoke to them of the true, the beautiful, and the
good, and told them that these three held together in the world, and
by that union they became crystallized into a precious jewel,
clearer than a diamond of the first water�a jewel, whose splendor had
a value even in the sight of God, in whose brightness all things are
dim. This jewel was called the philosopher's stone. He told them that,
by searching, man could attain to a knowledge of the existence of God,
and that it was in the power of every man to discover the certainty
that such a jewel as the philosopher's stone really existed. This
information would have been beyond the perception of other children;
but these children understood, and others will learn to comprehend its
meaning after a time. They questioned their father about the true, the
beautiful, and the good, and he explained it to them in many ways.
He told them that God, when He made man out of the dust of the
earth, touched His work five times, leaving five intense feelings,
which we call the five senses. Through these, the true, the beautiful,
and the good are seen, understood, and perceived, and through these
they are valued, protected, and encouraged. Five senses have been
given mentally and corporeally, inwardly and outwardly, to body and
soul.
The children thought deeply on all these things, and meditated
upon them day and night. Then the eldest of the brothers dreamt a
splendid dream. Strange to say, not only the second brother but also
the third and fourth brothers all dreamt exactly the same thing;
namely, that each went out into the world to find the philosopher's
stone. Each dreamt that he found it, and that, as he rode back on
his swift horse, in the morning dawn, over the velvety green
meadows, to his home in the castle of his father, that the stone
gleamed from his forehead like a beaming light; and threw such a
bright radiance upon the pages of the Book of Truth that every word
was illuminated which spoke of the life beyond the grave. But the
sister had no dream of going out into the wide world; it never entered
her mind. Her world was her father's house.
"I shall ride forth into the wide world," said the eldest brother.
"I must try what life is like there, as I mix with men. I will
practise only the good and true; with these I will protect the
beautiful. Much shall be changed for the better while I am there."
Now these thoughts were great and daring, as our thoughts
generally are at home, before we have gone out into the world, and
encountered its storms and tempests, its thorns and its thistles. In
him, and in all his brothers, the five senses were highly
cultivated, inwardly and outwardly; but each of them had one sense
which in keenness and development surpassed the other four. In the
case of the eldest, this pre-eminent sense was sight, which he hoped
would be of special service. He had eyes for all times and all people;
eyes that could discover in the depths of the earth hidden
treasures, and look into the hearts of men, as through a pane of
glass; he could read more than is often seen on the cheek that blushes
or grows pale, in the eye that droops or smiles. Stags and antelopes
accompanied him to the western boundary of his home, and there he
found the wild swans. These he followed, and found himself far away in
the north, far from the land of his father, which extended eastward to
the ends of the earth. How he opened his eyes with astonishment! How
many things were to be seen here! and so different to the mere
representation of pictures such as those in his father's house. At
first he nearly lost his eyes in astonishment at the rubbish and
mockery brought forward to represent the beautiful; but he kept his
eyes, and soon found full employment for them. He wished to go
thoroughly and honestly to work in his endeavor to understand the
true, the beautiful, and the good. But how were they represented in
the world? He observed that the wreath which rightly belonged to the
beautiful was often given the hideous; that the good was often
passed by unnoticed, while mediocrity was applauded, when it should
have been hissed. People look at the dress, not at the wearer; thought
more of a name than of doing their duty; and trusted more to
reputation than to real service. It was everywhere the same.
"I see I must make a regular attack on these things," said he; and
he accordingly did not spare them. But while looking for the truth,
came the evil one, the father of lies, to intercept him. Gladly
would the fiend have plucked out the eyes of this Seer, but that would
have been a too straightforward path for him; he works more cunningly.
He allowed the young man to seek for, and discover, the beautiful
and the good; but while he was contemplating them, the evil spirit
blew one mote after another into each of his eyes; and such a
proceeding would injure the strongest sight. Then he blew upon the
motes, and they became beams, so that the clearness of his sight was
gone, and the Seer was like a blind man in the world, and had no
longer any faith in it. He had lost his good opinion of the world,
as well as of himself; and when a man gives up the world, and
himself too, it is all over with him.
"All over," said the wild swan, who flew across the sea to the
east.
"All over," twittered the swallows, who were also flying
eastward towards the Tree of the Sun. It was no good news which they
carried home.
"I think the Seer has been badly served," said the second brother,
"but the Hearer may be more successful."
This one possessed the sense of hearing to a very high degree:
so acute was this sense, that it was said he could hear the grass
grow. He took a fond leave of all at home, and rode away, provided
with good abilities and good intentions. The swallows escorted him,
and he followed the swans till he found himself out in the world,
and far away from home. But he soon discovered that one may have too
much of a good thing. His hearing was too fine. He not only heard
the grass grow, but could hear every man's heart beat, whether in
sorrow or in joy. The whole world was to him like a clockmaker's great
workshop, in which all the clocks were going "tick, tick," and all the
turret clocks striking "ding, dong." It was unbearable. For a long
time his ears endured it, but at last all the noise and tumult
became too much for one man to bear.
There were rascally boys of sixty years old�for years do not
alone make a man�who raised a tumult, which might have made the
Hearer laugh, but for the applause which followed, echoing through
every street and house, and was even heard in country roads. Falsehood
thrust itself forward and played the hypocrite; the bells on the
fool's cap jingled, and declared they were church-bells, and the noise
became so bad for the Hearer that he thrust his fingers into his ears.
Still, he could hear false notes and bad singing, gossip and idle
words, scandal and slander, groaning and moaning, without and
within. "Heaven help us!" He thrust his fingers farther and farther
into his ears, till at last the drums burst. And now he could hear
nothing more of the true, the beautiful, and the good; for his hearing
was to have been the means by which he hoped to acquire his knowledge.
He became silent and suspicious, and at last trusted no one, not
even himself, and no longer hoping to find and bring home the costly
jewel, he gave it up, and gave himself up too, which was worse than
all.
The birds in their flight towards the east, carried the tidings,
and the news reached the castle in the Tree of the Sun.
"I will try now," said the third brother; "I have a keen nose."
Now that was not a very elegant expression, but it was his way, and we
must take him as he was. He had a cheerful temper, and was, besides, a
real poet; he could make many things appear poetical, by the way in
which he spoke of them, and ideas struck him long before they occurred
to the minds of others. "I can smell," he would say; and he attributed
to the sense of smelling, which he possessed in a high degree, a great
power in the region of the beautiful. "I can smell," he would say,
"and many places are fragrant or beautiful according to the taste of
the frequenters. One man feels at home in the atmosphere of the
tavern, among the flaring tallow candles, and when the smell of
spirits mingles with the fumes of bad tobacco. Another prefers sitting
amidst the overpowering scent of jasmine, or perfuming himself with
scented olive oil. This man seeks the fresh sea breeze, while that one
climbs the lofty mountain-top, to look down upon the busy life in
miniature beneath him."
As he spoke in this way, it seemed as if he had already been out
in the world, as if he had already known and associated with man.
But this experience was intuitive�it was the poetry within him, a
gift from Heaven bestowed on him in his cradle. He bade farewell to
his parental roof in the Tree of the Sun, and departed on foot, from
the pleasant scenes that surrounded his home. Arrived at its confines,
he mounted on the back of an ostrich, which runs faster than a
horse, and afterwards, when he fell in with the wild swans, he swung
himself on the strongest of them, for he loved change, and away he
flew over the sea to distant lands, where there were great forests,
deep lakes, lofty mountains, and proud cities. Wherever he came it
seemed as if sunshine travelled with him across the fields, for
every flower, every bush, exhaled a renewed fragrance, as if conscious
that a friend and protector was near; one who understood them, and
knew their value. The stunted rose-bush shot forth twigs, unfolded its
leaves, and bore the most beautiful roses; every one could see it, and
even the black, slimy wood-snail noticed its beauty. "I will give my
seal to the flower," said the snail, "I have trailed my slime upon it,
I can do no more.
"Thus it always fares with the beautiful in this world," said
the poet. And he made a song upon it, and sung it after his own
fashion, but nobody listened. Then he gave a drummer twopence and a
peacock's feather, and composed a song for the drum, and the drummer
beat it through the streets of the town, and when the people heard
it they said, "That is a capital tune." The poet wrote many songs
about the true, the beautiful, and the good. His songs were listened
to in the tavern, where the tallow candles flared, in the fresh clover
field, in the forest, and on the high-seas; and it appeared as if this
brother was to be more fortunate than the other two.
But the evil spirit was angry at this, so he set to work with soot
and incense, which he can mix so artfully as to confuse an angel,
and how much more easily a poor poet. The evil one knew how to
manage such people. He so completely surrounded the poet with
incense that the man lost his head, forgot his mission and his home,
and at last lost himself and vanished in smoke.
But when the little birds heard of it, they mourned, and for three
days they sang not one song. The black wood-snail became blacker
still; not for grief, but for envy. "They should have offered me
incense," he said, "for it was I who gave him the idea of the most
famous of his songs�the drum song of 'The Way of the World;' and it
was I who spat at the rose; I can bring a witness to that fact."
But no tidings of all this reached the poet's home in India. The
birds had all been silent for three days, and when the time of
mourning was over, so deep had been their grief, that they had
forgotten for whom they wept. Such is the way of the world.
"Now I must go out into the world, and disappear like the rest,"
said the fourth brother. He was as good-tempered as the third, but
no poet, though he could be witty.
The two eldest had filled the castle with joyfulness, and now
the last brightness was going away. Sight and hearing have always been
considered two of the chief senses among men, and those which they
wish to keep bright; the other senses are looked upon as of less
importance.
But the younger son had a different opinion; he had cultivated his
taste in every way, and taste is very powerful. It rules over what
goes into the mouth, as well as over all which is presented to the
mind; and, consequently, this brother took upon himself to taste
everything stored up in bottles or jars; this he called the rough part
of his work. Every man's mind was to him as a vessel in which
something was concocting; every land a kind of mental kitchen.
"There are no delicacies here," he said; so he wished to go out into
the world to find something delicate to suit his taste. "Perhaps
fortune may be more favorable to me than it was to my brothers. I
shall start on my travels, but what conveyance shall I choose? Are air
balloons invented yet?" he asked of his father, who knew of all
inventions that had been made, or would be made.
Air balloons had not then been invented, nor steam-ships, nor
railways.
"Good," said he; "then I shall choose an air balloon; my father
knows how they are to be made and guided. Nobody has invented one yet,
and the people will believe that it is an aerial phantom. When I
have done with the balloon I shall burn it, and for this purpose,
you must give me a few pieces of another invention, which will come
next; I mean a few chemical matches."
He obtained what he wanted, and flew away. The birds accompanied
him farther than they had the other brothers. They were curious to
know how this flight would end. Many more of them came swooping
down; they thought it must be some new bird, and he soon had a
goodly company of followers. They came in clouds till the air became
darkened with birds as it was with the cloud of locusts over the
land of Egypt.
And now he was out in the wide world. The balloon descended over
one of the greatest cities, and the aeronaut took up his station at
the highest point, on the church steeple. The balloon rose again
into the air, which it ought not to have done; what became of it is
not known, neither is it of any consequence, for balloons had not then
been invented.
There he sat on the church steeple. The birds no longer hovered
over him; they had got tired of him, and he was tired of them. All the
chimneys in the town were smoking.
"There are altars erected to my honor," said the wind, who
wished to say something agreeable to him as he sat there boldly
looking down upon the people in the street. There was one stepping
along, proud of his purse; another, of the key he carried behind
him, though he had nothing to lock up; another took a pride in his
moth-eaten coat; and another, in his mortified body. "Vanity, all
vanity!" he exclaimed. "I must go down there by-and-by, and touch
and taste; but I shall sit here a little while longer, for the wind
blows pleasantly at my back. I shall remain here as long as the wind
blows, and enjoy a little rest. It is comfortable to sleep late in the
morning when one had a great deal to do," said the sluggard; "so I
shall stop here as long as the wind blows, for it pleases me."
And there he stayed. But as he was sitting on the weather-cock
of the steeple, which kept turning round and round with him, he was
under the false impression that the same wind still blew, and that
he could stay where he was without expense.
But in India, in the castle on the Tree of the Sun, all was
solitary and still, since the brothers had gone away one after the
other.
"Nothing goes well with them," said the father; "they will never
bring the glittering jewel home, it is not made for me; they are all
dead and gone." Then he bent down over the Book of Truth, and gazed on
the page on which he should have read of the life after death, but for
him there was nothing to be read or learned upon it.
His blind daughter was his consolation and joy; she clung to him
with sincere affection, and for the sake of his happiness and peace
she wished the costly jewel could be found and brought home.
With longing tenderness she thought of her brothers. Where were
they? Where did they live? How she wished she might dream of them; but
it was strange that not even in dreams could she be brought near to
them. But at last one night she dreamt that she heard the voices of
her brothers calling to her from the distant world, and she could
not refrain herself, but went out to them, and yet it seemed in her
dream that she still remained in her father's house. She did not see
her brothers, but she felt as it were a fire burning in her hand,
which, however, did not hurt her, for it was the jewel she was
bringing to her father. When she awoke she thought for a moment that
she still held the stone, but she only grasped the knob of her
distaff.
During the long evenings she had spun constantly, and round the
distaff were woven threads finer than the web of a spider; human
eyes could never have distinguished these threads when separated
from each other. But she had wetted them with her tears, and the twist
was as strong as a cable. She rose with the impression that her
dream must be a reality, and her resolution was taken.
It was still night, and her father slept; she pressed a kiss
upon his hand, and then took her distaff and fastened the end of the
thread to her father's house. But for this, blind as she was, she
would never have found her way home again; to this thread she must
hold fast, and trust not to others or even to herself. From the Tree
of the Sun she broke four leaves; which she gave up to the wind and
the weather, that they might be carried to her brothers as letters and
a greeting, in case she did not meet them in the wide world. Poor
blind child, what would become of her in those distant regions? But
she had the invisible thread, to which she could hold fast; and she
possessed a gift which all the others lacked. This was a determination
to throw herself entirely into whatever she undertook, and it made her
feel as if she had eyes even at the tips of her fingers, and could
hear down into her very heart. Quietly she went forth into the
noisy, bustling, wonderful world, and wherever she went the skies grew
bright, and she felt the warm sunbeam, and a rainbow above in the blue
heavens seemed to span the dark world. She heard the song of the
birds, and smelt the scent of the orange groves and apple orchards
so strongly that she seemed to taste it. Soft tones and charming songs
reached her ear, as well as harsh sounds and rough words�thoughts and
opinions in strange contradiction to each other. Into the deepest
recesses of her heart penetrated the echoes of human thoughts and
feelings. Now she heard the following words sadly sung,�
"Life is a shadow that flits away
In a night of darkness and woe."
But then would follow brighter thoughts:
"Life has the rose's sweet perfume
With sunshine, light, and joy."
And if one stanza sounded painfully�
"Each mortal thinks of himself alone,
Is a truth, alas, too clearly known;"
Then, on the other hand, came the answer�
"Love, like a mighty flowing stream,
Fills every heart with its radiant gleam."
She heard, indeed, such words as these�
"In the pretty turmoil here below,
All is a vain and paltry show.
Then came also words of comfort�
"Great and good are the actions done
By many whose worth is never known."
And if sometimes the mocking strain reached her�
"Why not join in the jesting cry
That contemns all gifts from the throne on high?"
In the blind girl's heart a stronger voice repeated�
"To trust in thyself and God is best,
In His holy will forever to rest."
But the evil spirit could not see this and remain contented. He
has more cleverness than ten thousand men, and he found means to
compass his end. He betook himself to the marsh, and collected a few
little bubbles of stagnant water. Then he uttered over them the echoes
of lying words that they might become strong. He mixed up together
songs of praise with lying epitaphs, as many as he could find,
boiled them in tears shed by envy; put upon them rouge, which he had
scraped from faded cheeks, and from these he produced a maiden, in
form and appearance like the blind girl, the angel of completeness, as
men called her. The evil one's plot was successful. The world knew not
which was the true, and indeed how should the world know?
"To trust in thyself and God is best,
In his Holy will forever to rest."
So sung the blind girl in full faith. She had entrusted the four green
leaves from the Tree of the Sun to the winds, as letters of greeting
to her brothers, and she had full confidence that the leaves would
reach them. She fully believed that the jewel which outshines all
the glories of the world would yet be found, and that upon the
forehead of humanity it would glitter even in the castle of her
father. "Even in my father's house," she repeated. "Yes, the place
in which this jewel is to be found is earth, and I shall bring more
than the promise of it with me. I feel it glow and swell more and more
in my closed hand. Every grain of truth which the keen wind carried up
and whirled towards me I caught and treasured. I allowed it to be
penetrated with the fragrance of the beautiful, of which there is so
much in the world, even for the blind. I took the beatings of a
heart engaged in a good action, and added them to my treasure. All
that I can bring is but dust; still, it is a part of the jewel we
seek, and there is plenty, my hand is quite full of it."
She soon found herself again at home; carried thither in a
flight of thought, never having loosened her hold of the invisible
thread fastened to her father's house. As she stretched out her hand
to her father, the powers of evil dashed with the fury of a
hurricane over the Tree of the Sun; a blast of wind rushed through the
open doors, and into the sanctuary, where lay the Book of Truth.
"It will be blown to dust by the wind," said the father, as he
seized the open hand she held towards him.
"No," she replied, with quiet confidence, "it is indestructible. I
feel its beam warming my very soul."
Then her father observed that a dazzling flame gleamed from the
white page on which the shining dust had passed from her hand. It
was there to prove the certainty of eternal life, and on the book
glowed one shining word, and only one, the word BELIEVE. And soon
the four brothers were again with the father and daughter. When the
green leaf from home fell on the bosom of each, a longing had seized
them to return. They had arrived, accompanied by the birds of passage,
the stag, the antelope, and all the creatures of the forest who wished
to take part in their joy.
We have often seen, when a sunbeam burst through a crack in the
door into a dusty room, how a whirling column of dust seems to
circle round. But this was not poor, insignificant, common dust, which
the blind girl had brought; even the rainbow's colors are dim when
compared with the beauty which shone from the page on which it had
fallen. The beaming word BELIEVE, from every grain of truth, had the
brightness of the beautiful and the good, more bright than the
mighty pillar of flame that led Moses and the children of Israel to
the land of Canaan, and from the word BELIEVE arose the bridge of
hope, reaching even to the unmeasurable Love in the realms of the
infinite. |
THE BELL-DEEP
"Ding-dong! ding-dong!" It sounds up from the "bell-deep" in the
Odense-Au. Every child in the old town of Odense, on the island of
Funen, knows the Au, which washes the gardens round about the town,
and flows on under the wooden bridges from the dam to the
water-mill. In the Au grow the yellow water-lilies and brown
feathery reeds; the dark velvety flag grows there, high and thick; old
and decayed willows, slanting and tottering, hang far out over the
stream beside the monk's meadow and by the bleaching ground; but
opposite there are gardens upon gardens, each different from the rest,
some with pretty flowers and bowers like little dolls' pleasure
grounds, often displaying cabbage and other kitchen plants; and here
and there the gardens cannot be seen at all, for the great elder trees
that spread themselves out by the bank, and hang far out over the
streaming waters, which are deeper here and there than an oar can
fathom. Opposite the old nunnery is the deepest place, which is called
the "bell-deep," and there dwells the old water spirit, the "Au-mann."
This spirit sleeps through the day while the sun shines down upon
the water; but in starry and moonlit nights he shows himself. He is
very old. Grandmother says that she has heard her own grandmother tell
of him; he is said to lead a solitary life, and to have nobody with
whom he can converse save the great old church Bell. Once the Bell
hung in the church tower; but now there is no trace left of the
tower or of the church, which was called St. Alban's.
"Ding-dong! ding-dong!" sounded the Bell, when the tower still
stood there; and one evening, while the sun was setting, and the
Bell was swinging away bravely, it broke loose and came flying down
through the air, the brilliant metal shining in the ruddy beam.
"Ding-dong! ding-dong! Now I'll retire to rest!" sang the Bell,
and flew down into the Odense-Au, where it is deepest; and that is why
the place is called the "bell-deep."
But the Bell got neither rest nor sleep. Down in the Au-mann's
haunt it sounds and rings, so that the tones sometimes pierce upward
through the waters; and many people maintain that its strains forebode
the death of some one; but that is not true, for the Bell is only
talking with the Au-mann, who is now no longer alone.
And what is the Bell telling? It is old, very old, as we have
already observed; it was there long before grandmother's grandmother
was born; and yet it is but a child in comparison with the Au-mann,
who is quite an old quiet personage, an oddity, with his hose of
eel-skin, and his scaly Jacket with the yellow lilies for buttons, and
a wreath of reed in his hair and seaweed in his beard; but he looks
very pretty for all that.
What the Bell tells? To repeat it all would require years and
days; for year by year it is telling the old stories, sometimes
short ones, sometimes long ones, according to its whim; it tells of
old times, of the dark hard times, thus:
"In the church of St. Alban, the monk had mounted up into the
tower. He was young and handsome, but thoughtful exceedingly. He
looked through the loophole out upon the Odense-Au, when the bed of
the water was yet broad, and the monks' meadow was still a lake. He
looked out over it, and over the rampart, and over the nuns' hill
opposite, where the convent lay, and the light gleamed forth from
the nun's cell. He had known the nun right well, and he thought of
her, and his heart beat quicker as he thought. Ding-dong! ding-dong!"
Yes, this was the story the Bell told.
"Into the tower came also the dapper man-servant of the bishop;
and when I, the Bell, who am made of metal, rang hard and loud, and
swung to and fro, I might have beaten out his brains. He sat down
close under me, and played with two little sticks as if they had
been a stringed instrument; and he sang to it. 'Now I may sing it
out aloud, though at other times I may not whisper it. I may sing of
everything that is kept concealed behind lock and bars. Yonder it is
cold and wet. The rats are eating her up alive! Nobody knows of it!
Nobody hears of it! Not even now, for the bell is ringing and
singing its loud Ding-dong, ding-dong!'
"There was a King in those days. They called him Canute. He
bowed himself before bishop and monk; but when he offended the free
peasants with heavy taxes and hard words, they seized their weapons
and put him to flight like a wild beast. He sought shelter in the
church, and shut gate and door behind him. The violent band surrounded
the church; I heard tell of it. The crows, ravens and magpies
started up in terror at the yelling and shouting that sounded
around. They flew into the tower and out again, they looked down
upon the throng below, and they also looked into the windows of the
church, and screamed out aloud what they saw there. King Canute
knelt before the altar in prayer; his brothers Eric and Benedict stood
by him as a guard with drawn swords; but the King's servant, the
treacherous Blake, betrayed his master. The throng in front of the
church knew where they could hit the King, and one of them flung a
stone through a pane of glass, and the King lay there dead! The
cries and screams of the savage horde and of the birds sounded through
the air, and I joined in it also; for I sang 'Ding-dong! ding-dong!'
"The church bell hangs high, and looks far around, and sees the
birds around it, and understands their language. The wind roars in
upon it through windows and loopholes; and the wind knows
everything, for he gets it from the air, which encircles all things,
and the church bell understands his tongue, and rings it out into
the world, 'Ding-dong! ding-dong!'
"But it was too much for me to hear and to know; I was not able
any longer to ring it out. I became so tired, so heavy, that the
beam broke, and I flew out into the gleaming Au, where the water is
deepest, and where the Au-mann lives, solitary and alone; and year
by year I tell him what I have heard and what I know. Ding-dong!
ding-dong!"
Thus it sounds complainingly out of the bell-deep in the
Odense-Au. That is what grandmother told us.
But the schoolmaster says that there was not any bell that rung
down there, for that it could not do so; and that no Au-mann dwelt
yonder, for there was no Au-mann at all! And when all the other church
bells are sounding sweetly, he says that it is not really the bells
that are sounding, but that it is the air itself which sends forth the
notes; and grandmother said to us that the Bell itself said it was the
air who told it to him, consequently they are agreed on that point,
and this much is sure.
"Be cautious, cautious, and take good heed to thyself," they
both say.
The air knows everything. It is around us, it is in us, it talks
of our thoughts and of our deeds, and it speaks longer of them than
does the Bell down in the depths of the Odense-Au where the Au-mann
dwells. It rings it out in the vault of heaven, far, far out,
forever and ever, till the heaven bells sound "Ding-dong! ding-dong!" |
Subsets and Splits