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TheMusicalWorld__1844-006.txt_405 | 1844 | Vienna, Jan. 10.—Donizetti has arrived in this city in perfect health. | [
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TheHarmonicon__1833-005.txt_1899 | 1833 | Mr. and Mrs. Wood, it seems, are preparing to depart for America. | [
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TheMusicalTimes__1876-402.txt_868 | 1876 | on application to H. Hagemeyer, Bandmaster, 12th Regiment, Cork Barracks, Ireland. | [
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TheMusicalTimes__1876-402.txt_868 | 1876 | on application to H. Hagemeyer, Bandmaster, 12th Regiment, Cork Barracks, Ireland. | [
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TheMusicalTimes__1876-402.txt_868 | 1876 | on application to H. Hagemeyer, Bandmaster, 12th Regiment, Cork Barracks, Ireland. | [
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TheQuarterlyMusicalMagazineAndReview__1824-022.txt_1692 | 1824 | Nevertheless, to be the rival of Carissimi he must have possessed considerable talent, both as a musician and a composer. | [
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TheHarmonicon__1824-016.txt_1268 | 1824 | himself, abridged and continued to his death, by Dr. Kitchiner ; from which we learn, that _ | [
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TheQuarterlyMusicalMagazineAndReview__1826-029.txt_1062 | 1826 | Since this note was written, a strong confirmation has been given to my opinion by a perusal of the History of the East Indies, from the French of L’Abbe Guyon. | [
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TheQuarterlyMusicalMagazineAndReview__1826-029.txt_1062 | 1826 | Since this note was written, a strong confirmation has been given to my opinion by a perusal of the History of the East Indies, from the French of L’Abbe Guyon. | [
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TheMusicalWorld__1844-006.txt_932 | 1844 | Her Majesty and Prince Albert took a part in “‘ Die Elfen Walzer. | [
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TheMusicalWorld__1844-006.txt_932 | 1844 | Her Majesty and Prince Albert took a part in “‘ Die Elfen Walzer. | [
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TheMusicalWorld__1843-036.txt_391 | 1843 | Nor let us omit the performance of Grisias the Lady Norina in Pasquale, which was one of the most admirable specimens of comic talent ever seen on any stage. | [
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TheMusicalWorld__1843-036.txt_391 | 1843 | Nor let us omit the performance of Grisias the Lady Norina in Pasquale, which was one of the most admirable specimens of comic talent ever seen on any stage. | [
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TheMusicalTimes__1876-397.txt_2296 | 1876 | : NgwcastLe-on-TyNE.—A most successful performance of the Antigone of Sophocles, with Mendelssohn's music, took place at the Theatre Royal, on the 21st ult. | [
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TheMusicalTimes__1876-397.txt_2296 | 1876 | : NgwcastLe-on-TyNE.—A most successful performance of the Antigone of Sophocles, with Mendelssohn's music, took place at the Theatre Royal, on the 21st ult. | [
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TheMusicalTimes__1876-397.txt_2296 | 1876 | : NgwcastLe-on-TyNE.—A most successful performance of the Antigone of Sophocles, with Mendelssohn's music, took place at the Theatre Royal, on the 21st ult. | [
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TheMusicalTimes__1876-397.txt_2296 | 1876 | : NgwcastLe-on-TyNE.—A most successful performance of the Antigone of Sophocles, with Mendelssohn's music, took place at the Theatre Royal, on the 21st ult. | [
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TheQuarterlyMusicalMagazineAndReview__1825-025.txt_1373 | 1825 | Sabadini also composed oratorios, the best of which was “ La Divina Sapienza. | [
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TheHarmonicon__1832-012.txt_34 | 1832 | The valuable scores of English church music, in several volumes, now in the British Museum, (No. | [
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TheHarmonicon__1832-012.txt_34 | 1832 | The valuable scores of English church music, in several volumes, now in the British Museum, (No. | [
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TheMusicalTimes__1873-366.txt_1521 | 1873 | The chair was occupied en the occasion by Sir Thomas Gladstone, Bart. | [
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TheMusicalTimes__1876-402.txt_2623 | 1876 | ’s 24th Psalm, adapted to the English version, by W. T. Freemantle (and revised by the late Dr. S.S. Wesley). | [
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TheMusicalTimes__1876-402.txt_2623 | 1876 | ’s 24th Psalm, adapted to the English version, by W. T. Freemantle (and revised by the late Dr. S.S. Wesley). | [
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TheHarmonicon__1824-016.txt_508 | 1824 | Published by authority of the Lords Commissioners of the Admiralty. | [
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TheHarmonicon__1824-016.txt_83 | 1824 | Though Mr. Viotti had long retired from his profession, he nevertheless retained ‘all his love for the art, and contributed every thing in his power towards its ATS | [
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TheQuarterlyMusicalMagazineAndReview__1824-022.txt_1442 | 1824 | Here we return to the forced leisure of poor Italy. | [
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DwightSJournalOfMusic__1868-012.txt_1064 | 1868 | all the friends of music and of generous culture in Baltimore. | [
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TheMusicalTimes__1873-366.txt_809 | 1873 | | tains a new two-manual Organ by Walker, of London. | [
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TheQuarterlyMusicalMagazineAndReview__1825-025.txt_1871 | 1825 | He left Moscow, ‘and returned to St. Petersburg, and there finding no means of paying his debts, he yielded to despair, and sliot himself. | [
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TheQuarterlyMusicalMagazineAndReview__1825-025.txt_1871 | 1825 | He left Moscow, ‘and returned to St. Petersburg, and there finding no means of paying his debts, he yielded to despair, and sliot himself. | [
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TheHarmonicon__1832-012.txt_487 | 1832 | The number of witnesses examined was forty-five, among whom were Mr. Mash of the Chamberlain’s Office, all the proprietors and managers of the various theatres, major and minor, many authors, and most of the principal actors. | [
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TheHarmonicon__1832-012.txt_487 | 1832 | The number of witnesses examined was forty-five, among whom were Mr. Mash of the Chamberlain’s Office, all the proprietors and managers of the various theatres, major and minor, many authors, and most of the principal actors. | [
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TheQuarterlyMusicalMagazineAndReview__1826-029.txt_3568 | 1826 | On Monday, June 5, 1826, died Carl Maria Freyherr Von Weber. | [
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TheMusicalTimes__1873-366.txt_2149 | 1873 | Cantate Domino and Deus Misereatur have been sung at each gathering in such a manner as to prove that the best music is that which most. | [
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TheMusicalTimes__1876-402.txt_1166 | 1876 | , Arthur Sullivan, Mus. D., Cantab., the Conductor, and the Principal—Eaton Faning. | [
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TheMusicalTimes__1875-388.txt_2263 | 1875 | ‘WissEAcH.—The second concert for the season of the District Musical Society took place in the Public Hall on the 13th ult. | [
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TheQuarterlyMusicalMagazineAndReview__1828-037.txt_2268 | 1828 | “‘ Carron side,” an opera by Signor Liverati, was produced with success. | [
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TheQuarterlyMusicalMagazineAndReview__1825-025.txt_1821 | 1825 | For ten years Jarnowick was in great favour with the public. | [
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TheHarmonicon__1833-005.txt_1679 | 1833 | A new symphony by M. Joachim Hoffman, a composition of great merit, was performed at that gentleman’s concert. | [
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TheQuarterlyMusicalMagazineAndReview__1826-029.txt_3161 | 1826 | There are few persons in this country, we apprehend, who are not now aware of the splendid donation made by the late Viscount Fitzwilliam to the University of Cambridge. | [
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TheQuarterlyMusicalMagazineAndReview__1826-029.txt_3161 | 1826 | There are few persons in this country, we apprehend, who are not now aware of the splendid donation made by the late Viscount Fitzwilliam to the University of Cambridge. | [
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TheMusicalTimes__1876-397.txt_1978 | 1876 | We, therefore, heartily welcome Mr. Hall’s book, as a useful addition to the scanty literature on the subject. | [
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TheMusicalTimes__1876-397.txt_2317 | 1876 | Norwicu.—The first Concert this season of the Norfolk and Norwich Musical Union was given in St. Andrew's Hall,on Thursday evening, the 17th ult. | [
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TheMusicalTimes__1876-397.txt_2317 | 1876 | Norwicu.—The first Concert this season of the Norfolk and Norwich Musical Union was given in St. Andrew's Hall,on Thursday evening, the 17th ult. | [
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TheQuarterlyMusicalMagazineAndReview__1828-037.txt_948 | 1828 | The search: after these persons is redoubled, and a school for them has been established in the institution degli Orfanelli, which includes many. | [
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TheQuarterlyMusicalMagazineAndReview__1825-025.txt_1869 | 1825 | than those at St. Petersburg, not even affording him enough profit to pay the expences. | [
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TheMusicalWorld__1844-006.txt_464 | 1844 | The vocal music was scarcely so good as usual—with the exception of the scena of Miss Rainforth. | [
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TheQuarterlyMusicalMagazineAndReview__1825-025.txt_1453 | 1825 | “ La Cascina and Statira,” 1756 ; “ La Conversazione, Artaserse, and Alessandro nell’ | [
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TheQuarterlyMusicalMagazineAndReview__1825-025.txt_1453 | 1825 | “ La Cascina and Statira,” 1756 ; “ La Conversazione, Artaserse, and Alessandro nell’ | [
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TheQuarterlyMusicalMagazineAndReview__1825-025.txt_1453 | 1825 | “ La Cascina and Statira,” 1756 ; “ La Conversazione, Artaserse, and Alessandro nell’ | [
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TheMusicalWorld__1844-006.txt_48 | 1844 | We cannot speak too highly of the manner in which this magnificent burst of grandeur was rendered, by Mr. Sterndale Bennett and his able assistants, | [
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TheMusicalTimes__1876-402.txt_1201 | 1876 | G. Benson, Ettore Fiori, Manuel Garcia, P. Goldberg, A. Randegger, T. A. Wallworth, and the Principal. | [
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TheMusicalTimes__1876-402.txt_1201 | 1876 | G. Benson, Ettore Fiori, Manuel Garcia, P. Goldberg, A. Randegger, T. A. Wallworth, and the Principal. | [
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TheMusicalTimes__1876-402.txt_1201 | 1876 | G. Benson, Ettore Fiori, Manuel Garcia, P. Goldberg, A. Randegger, T. A. Wallworth, and the Principal. | [
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TheMusicalTimes__1876-402.txt_1201 | 1876 | G. Benson, Ettore Fiori, Manuel Garcia, P. Goldberg, A. Randegger, T. A. Wallworth, and the Principal. | [
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TheMusicalTimes__1876-402.txt_1201 | 1876 | G. Benson, Ettore Fiori, Manuel Garcia, P. Goldberg, A. Randegger, T. A. Wallworth, and the Principal. | [
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TheMusicalTimes__1876-402.txt_1201 | 1876 | G. Benson, Ettore Fiori, Manuel Garcia, P. Goldberg, A. Randegger, T. A. Wallworth, and the Principal. | [
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TheQuarterlyMusicalMagazineAndReview__1825-025.txt_2404 | 1825 | Italy also derived great benefit from the numerous families, and the wealth imported by this means. | [
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{
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"token": "."
}
] | Italy | Q38 |
TheHarmonicon__1828-001.txt_133 | 1828 | Trieste 67, 171, 212 Turin 236, 277 Venice 67, 213, 236 .Verceil | [
{
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}
] | Trieste | Q546 |
TheHarmonicon__1828-001.txt_133 | 1828 | Trieste 67, 171, 212 Turin 236, 277 Venice 67, 213, 236 .Verceil | [
{
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] | Turin | Q495 |
TheHarmonicon__1828-001.txt_133 | 1828 | Trieste 67, 171, 212 Turin 236, 277 Venice 67, 213, 236 .Verceil | [
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"qid": "Q5990",
"token": "Verceil"
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] | Venice | Q641 |
TheHarmonicon__1828-001.txt_133 | 1828 | Trieste 67, 171, 212 Turin 236, 277 Venice 67, 213, 236 .Verceil | [
{
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] | Verceil | Q5990 |
TheHarmonicon__1832-012.txt_37 | 1832 | Thornhill drew ail their portraits in pencil, and Prior wrote humorous verses under each. | [
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] | Thornhill | Q1681192 |
TheHarmonicon__1832-012.txt_37 | 1832 | Thornhill drew ail their portraits in pencil, and Prior wrote humorous verses under each. | [
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] | Prior | NIL |
TheMusicalTimes__1876-402.txt_1307 | 1876 | THE fifty-third monthly Concert of the Grosvenor Choral Society took place on Friday the 21st ult. at the Grosvenor Hall, Buckingham Palace Road. | [
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TheMusicalTimes__1876-402.txt_1307 | 1876 | THE fifty-third monthly Concert of the Grosvenor Choral Society took place on Friday the 21st ult. at the Grosvenor Hall, Buckingham Palace Road. | [
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TheMusicalTimes__1876-402.txt_1307 | 1876 | THE fifty-third monthly Concert of the Grosvenor Choral Society took place on Friday the 21st ult. at the Grosvenor Hall, Buckingham Palace Road. | [
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TheHarmonicon__1828-001.txt_1831 | 1828 | Théatre de L’Odeon.—A new opera has been produced here, entitled, Charles V. et Dugueselin, | [
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TheHarmonicon__1828-001.txt_1831 | 1828 | Théatre de L’Odeon.—A new opera has been produced here, entitled, Charles V. et Dugueselin, | [
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] | Charles V. et Dugueselin | NIL |
TheMusicalTimes__1875-388.txt_1160 | 1875 | the programme consisted entirely of a selection from*the works of the late Sir Sterndale Bennett. | [
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TheMusicalTimes__1875-388.txt_1671 | 1875 | The artists engaged were the Misses Agnes Drummond, Josephine Pulham, Marian Haigh, Florence Wydford, and Messrs. Henry Guy, Theodore Distin, E. Stone, and Thurley Beale. | [
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TheMusicalTimes__1875-388.txt_1671 | 1875 | The artists engaged were the Misses Agnes Drummond, Josephine Pulham, Marian Haigh, Florence Wydford, and Messrs. Henry Guy, Theodore Distin, E. Stone, and Thurley Beale. | [
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TheMusicalTimes__1875-388.txt_1671 | 1875 | The artists engaged were the Misses Agnes Drummond, Josephine Pulham, Marian Haigh, Florence Wydford, and Messrs. Henry Guy, Theodore Distin, E. Stone, and Thurley Beale. | [
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"bio": "I-person",
"disambiguated_token": "E. Stone",
"pos": "PROPN",
"qid": "NIL",
"token": "E. Stone"
},
{
"bio": "O",
"disambiguated_token": ",",
"pos": "PUNCT",
"qid": "_",
"token": ","
},
{
"bio": "O",
"disambiguated_token": "and",
"pos": "CCONJ",
"qid": "_",
"token": "and"
},
{
"bio": "I-person",
"disambiguated_token": "Thurley Beale",
"pos": "PROPN",
"qid": "NIL",
"token": "Thurley Beale"
},
{
"bio": "O",
"disambiguated_token": ".",
"pos": "PUNCT",
"qid": "_",
"token": "."
}
] | Marian Haigh | NIL |
Subsets and Splits