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stringlengths 5
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about one in three gags in Caucasian 's intermittently wise script remove its mark ; the rest are padding unashamedly appropriated from the teen-exploitation playbook .
| 0 |
pwws
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about one in three gags in white 's intermittently wise script off its note ; the rest are padding unashamedly appropriated from the teen-exploitation playbook .
| 0 |
pwws
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about one in threesome gags in white 's intermittently wise script hits its mark ; the roost are padding unashamedly appropriated from the teen-exploitation playbook .
| 0 |
pwws
|
about single in three gags in white 's intermittently wise script hits its cross ; the rest are padding unashamedly appropriated from the teen-exploitation playbook .
| 0 |
pwws
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about one in three gags in white 's intermittently wise script hits its mark ; the rest are padding unashamedly appropriated from the teen-exploitation playbook .
| 0 |
clean
|
it plods along methodically , somehow under the assumption that its `` dead wife commune from beyond the grave '' framework is level remotely new or interesting .
| 0 |
pwws
|
it plods along methodically , somehow under the assumption that its `` drained wife transmit from beyond the grave '' framework is even remotely new or interesting .
| 0 |
pwws
|
it plods along methodically , somehow under the assumption that its `` numb wife communication from beyond the grave '' framework is even remotely new or interesting .
| 0 |
pwws
|
it plods along methodically , someway under the assumption that its `` dead wife pass from beyond the grave '' framework is even remotely new or interesting .
| 0 |
pwws
|
it trudge along methodically , somehow under the assumption that its `` dead wife communicating from beyond the dangerous '' framework is even remotely new or interesting .
| 0 |
pwws
|
it plods along methodically , somehow under the assumption that its `` dead wife communicating from beyond the grave '' framework is even remotely new or interesting .
| 0 |
clean
|
contribute credit to everyone from robinson down to the key grip that this bold move works .
| 1 |
pwws
|
give credit to everyone from robinson down to the key grip that this bluff move works .
| 1 |
pwws
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give credit to everyone from robinson down to the key grip that this bold affect works .
| 1 |
pwws
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give credit to everyone from robinson down to the key grip that this bold move oeuvre .
| 1 |
pwws
|
give credit to everyone from robinson down to the key grip that this bold propel works .
| 1 |
pwws
|
give credit to everyone from robinson down to the key grip that this bold move works .
| 1 |
clean
|
enough enjoin , except : film overboard !
| 0 |
pwws
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enough enounce , except : film overboard !
| 0 |
pwws
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enough said , except : celluloid overboard !
| 0 |
pwws
|
enough say , except : film overboard !
| 0 |
pwws
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enough tell , except : film overboard !
| 0 |
pwws
|
enough said , except : film overboard !
| 0 |
clean
|
a stifle rape-payback horror show that hinges on the subgenre 's most enabling victim ... and an ebullient affection for industrial-model centre freezers .
| 1 |
pwws
|
a suffocating rape-payback horror exhibit that hinges on the subgenre 's most enabling victim ... and an ebullient affection for industrial-model inwardness freezers .
| 1 |
pwws
|
a suffocating rape-payback horror present that hinges on the subgenre 's most enabling victim ... and an high-spirited affection for industrial-model meat freezers .
| 1 |
pwws
|
a suffocating rape-payback horror show that hinge on the subgenre 's most enabling victim ... and an exuberant affection for industrial-model meat freezers .
| 1 |
pwws
|
a suffocative rape-payback horror present that hinges on the subgenre 's most enabling victim ... and an ebullient affection for industrial-model meat freezers .
| 1 |
pwws
|
a suffocating rape-payback horror show that hinges on the subgenre 's most enabling victim ... and an ebullient affection for industrial-model meat freezers .
| 1 |
clean
|
while we no longer own the lack-of-attention span that we did at seventeen , we had no discommode sitting for blade ii .
| 1 |
pwws
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while we no longer possess the lack-of-attention couple that we did at seventeen , we had no trouble seated for blade ii .
| 1 |
pwws
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while we no longer possess the lack-of-attention span that we did at seventeen , we had no trouble session for blade II .
| 1 |
pwws
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while we no longer possess the lack-of-attention span that we did at xvii , we had no trouble baby-sit for blade ii .
| 1 |
pwws
|
while we no longer possess the lack-of-attention twain that we did at 17 , we had no trouble sitting for blade ii .
| 1 |
pwws
|
while we no longer possess the lack-of-attention span that we did at seventeen , we had no trouble sitting for blade ii .
| 1 |
clean
|
a collage of clichés and a dim Echo of allusions to other films .
| 0 |
pwws
|
a collage of clichés and a dim echo of allusions to other cinema .
| 0 |
pwws
|
a collage of clichés and a dim echo of allusions to other take .
| 0 |
pwws
|
a collage of clichés and a dim ring of allusions to other films .
| 0 |
pwws
|
a collage of clichés and a shadowy echo of allusions to other films .
| 0 |
pwws
|
a collage of clichés and a dim echo of allusions to other films .
| 0 |
clean
|
combine the paranoiac claustrophobia of a submarine movie with the unsettling spookiness of the supernatural -- why did n't hollywood cerebrate of this sooner ?
| 1 |
pwws
|
combine the paranoid claustrophobia of a U-boat movie with the unnerve spookiness of the supernatural -- why did n't hollywood think of this sooner ?
| 1 |
pwws
|
combine the paranoid claustrophobia of a submarine picture with the unsettling spookiness of the supernatural -- why did n't hollywood retrieve of this sooner ?
| 1 |
pwws
|
conflate the paranoid claustrophobia of a grinder movie with the unsettling spookiness of the supernatural -- why did n't hollywood think of this sooner ?
| 1 |
pwws
|
mix the paranoid claustrophobia of a zep movie with the unsettling spookiness of the supernatural -- why did n't hollywood think of this sooner ?
| 1 |
pwws
|
combine the paranoid claustrophobia of a submarine movie with the unsettling spookiness of the supernatural -- why did n't hollywood think of this sooner ?
| 1 |
clean
|
if damon and affleck attempt another picture greenlight , next time out they might essay paying less attention to the miniseries and more attention to the film it is about .
| 0 |
pwws
|
if damon and affleck attempt another project greenlight , next time out they might effort paying less tending to the miniseries and more attention to the film it is about .
| 0 |
pwws
|
if damon and affleck attempt another propose greenlight , next metre out they might try paying less attention to the miniseries and more attention to the film it is about .
| 0 |
pwws
|
if damon and affleck attempt another task greenlight , next time out they might try paying less attention to the miniseries and more attention to the flick it is about .
| 0 |
pwws
|
if damon and affleck attempt another visualize greenlight , next clip out they might try paying less attention to the miniseries and more attention to the film it is about .
| 0 |
pwws
|
if damon and affleck attempt another project greenlight , next time out they might try paying less attention to the miniseries and more attention to the film it is about .
| 0 |
clean
|
the screenplay by cram eric , james horton and director peter o'fallon ... is so pat it makes your teeth hurt .
| 0 |
pwws
|
the screenplay by james eric , cram horton and director peter o'fallon ... is so pat it makes your teeth hurt .
| 0 |
pwws
|
the screenplay by james eric , james horton and director peter o'fallon ... is so pat it makes your teeth detriment .
| 0 |
pwws
|
the screenplay by james eric , james horton and director peter o'fallon ... is so pat it produce your teeth hurt .
| 0 |
pwws
|
the screenplay by james eric , james horton and director peter o'fallon ... is so pat it puddle your teeth hurt .
| 0 |
pwws
|
the screenplay by james eric , james horton and director peter o'fallon ... is so pat it makes your teeth hurt .
| 0 |
clean
|
i 'm bighearted it thumbs down due to the endlessly repetitive scenes of embarrassment .
| 0 |
pwws
|
i 'm giving it riffle down due to the endlessly repetitive scenes of embarrassment .
| 0 |
pwws
|
i 'm giving it thumbs down due to the endlessly repetitive scene of embarrassment .
| 0 |
pwws
|
i 'm hand it thumbs down due to the endlessly repetitive scenes of embarrassment .
| 0 |
pwws
|
i 'm impart it thumbs down due to the endlessly repetitive scenes of embarrassment .
| 0 |
pwws
|
i 'm giving it thumbs down due to the endlessly repetitive scenes of embarrassment .
| 0 |
clean
|
not only does leblanc hit one spectacularly ugly-looking broad , but he appears deplorable throughout as he swaggers through his scenes .
| 0 |
pwws
|
not only does leblanc make one spectacularly ugly-looking encompassing , but he appears miserable throughout as he bluster through his scenes .
| 0 |
pwws
|
not only does leblanc make one spectacularly ugly-looking tolerant , but he appears scummy throughout as he swaggers through his scenes .
| 0 |
pwws
|
not only does leblanc make peerless spectacularly ugly-looking broad , but he appears deplorable throughout as he swaggers through his scenes .
| 0 |
pwws
|
not only does leblanc stool one spectacularly ugly-looking broad , but he appear miserable throughout as he swaggers through his scenes .
| 0 |
pwws
|
not only does leblanc make one spectacularly ugly-looking broad , but he appears miserable throughout as he swaggers through his scenes .
| 0 |
clean
|
an elegant exploit , food of love is as consistently engaging as it is revealing .
| 1 |
pwws
|
an elegant oeuvre , food of love is as consistently engaging as it is revealing .
| 1 |
pwws
|
an elegant work , food of bed is as consistently engaging as it is revealing .
| 1 |
pwws
|
an elegant work , food of passion is as consistently engaging as it is revealing .
| 1 |
pwws
|
an refined work , food of love is as consistently engaging as it is revealing .
| 1 |
pwws
|
an elegant work , food of love is as consistently engaging as it is revealing .
| 1 |
clean
|
the hurting , loneliness and insecurity of the screenwriting process are vividly and painfully get to slovenly life in this self-deprecating , biting and witty feature written by charlie kaufman and his twin brother , donald , and organise by spike jonze .
| 1 |
pwws
|
the pain , forlornness and insecurity of the screenwriting sue are vividly and painfully brought to slovenly life in this self-deprecating , biting and witty feature written by charlie kaufman and his twin comrade , donald , and directed by spike jonze .
| 1 |
pwws
|
the pain , loneliness and insecurity of the screenwriting process are vividly and painfully brought to slovenly aliveness in this self-deprecating , nipping and witty feature written by charlie kaufman and his twin brother , donald , and directed by lace jonze .
| 1 |
pwws
|
the pain , loneliness and insecurity of the screenwriting process are vividly and painfully play to slovenly animation in this self-deprecating , biting and witty feature written by charlie kaufman and his Gemini brother , donald , and directed by spike jonze .
| 1 |
pwws
|
the pain , loneliness and insecurity of the screenwriting process are vividly and sorely brought to slovenly animation in this self-deprecating , biting and witty feature written by charlie kaufman and his twin brother , donald , and orchestrate by spike jonze .
| 1 |
pwws
|
the pain , loneliness and insecurity of the screenwriting process are vividly and painfully brought to slovenly life in this self-deprecating , biting and witty feature written by charlie kaufman and his twin brother , donald , and directed by spike jonze .
| 1 |
clean
|
... a weak and ineffective ghost story without a decision or pay off .
| 0 |
pwws
|
... a weak and ineffective ghost story without a finish or pay off .
| 0 |
pwws
|
... a weak and ineffective ghost story without a termination or pay off .
| 0 |
pwws
|
... a weak and ineffective ghost taradiddle without a conclusion or pay off .
| 0 |
pwws
|
... a weak and ineffective haunt story without a conclusion or pay off .
| 0 |
pwws
|
... a weak and ineffective ghost story without a conclusion or pay off .
| 0 |
clean
|
if you 're a fan of the series you 'll beloved it and probably want to see it twice .
| 1 |
pwws
|
if you 're a fan of the series you 'll love it and probably neediness to see it twice .
| 1 |
pwws
|
if you 're a fan of the series you 'll love it and probably want to check it twice .
| 1 |
pwws
|
if you 're a fan of the series you 'll love it and probably want to project it twice .
| 1 |
pwws
|
if you 're a fan of the series you 'll love it and probably want to regard it twice .
| 1 |
pwws
|
if you 're a fan of the series you 'll love it and probably want to see it twice .
| 1 |
clean
|
the film never finds its tone and several conniption run too long .
| 0 |
pwws
|
the film never finds its tone and several scenes extend too long .
| 0 |
pwws
|
the film never finds its tone and several scenes lead too long .
| 0 |
pwws
|
the film never finds its tone and several scenes run too hanker .
| 0 |
pwws
|
the film never finds its tone and several scenes streamlet too long .
| 0 |
pwws
|
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