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stringlengths 5
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|---|---|---|
if hill is n't quite his coevals 's don siegel -lrb- or robert aldrich -rrb- , it 's because there 's no discernible feeling beneath the breast hair ; it 's all rodomontade and cliché .
| 0
|
pwws
|
if hill is n't quite his generation 's don siegel -lrb- or robert aldrich -rrb- , it 's because there 's no discernible look beneath the chest hairsbreadth ; it 's all vaunt and cliché .
| 0
|
pwws
|
if hill is n't quite his generation 's don siegel -lrb- or robert aldrich -rrb- , it 's because there 's no discernible tone beneath the bureau hair ; it 's all tout and cliché .
| 0
|
pwws
|
if hill is n't quite his generation 's don siegel -lrb- or robert aldrich -rrb- , it 's because there 's no discernible tone beneath the chest tomentum ; it 's all blow and cliché .
| 0
|
pwws
|
if hill is n't quite his propagation 's don siegel -lrb- or robert aldrich -rrb- , it 's because there 's no discernible touch beneath the chest hair's-breadth ; it 's all bluster and cliché .
| 0
|
pwws
|
if hill is n't quite his generation 's don siegel -lrb- or robert aldrich -rrb- , it 's because there 's no discernible feeling beneath the chest hair ; it 's all bluster and cliché .
| 0
|
clean
|
and neither do bromide , no matter how ` inside ' they are .
| 0
|
pwws
|
and neither do cliches , no issue how ` inside ' they are .
| 0
|
pwws
|
and neither do cliches , no matter how ` inner ' they are .
| 0
|
pwws
|
and neither do cliches , no thing how ` inside ' they are .
| 0
|
pwws
|
and neither do cliches , no weigh how ` inside ' they are .
| 0
|
pwws
|
and neither do cliches , no matter how ` inside ' they are .
| 0
|
clean
|
strictly a ` bozo 's film ' in the worst sense of the expression .
| 0
|
pwws
|
strictly a ` guy 's film ' in the forged sense of the expression .
| 0
|
pwws
|
strictly a ` guy 's film ' in the worst gumption of the expression .
| 0
|
pwws
|
strictly a ` guy 's film ' in the worst sense of the formulation .
| 0
|
pwws
|
strictly a ` guy 's film ' in the worst sense of the verbalism .
| 0
|
pwws
|
strictly a ` guy 's film ' in the worst sense of the expression .
| 0
|
clean
|
a lightweight , uneven action comedy that freely amalgamate french , japanese and hollywood cultures .
| 0
|
pwws
|
a lightweight , uneven action comedy that freely mingles French , japanese and hollywood cultures .
| 0
|
pwws
|
a lightweight , uneven action comedy that freely mingles french , japanese and hollywood acculturation .
| 0
|
pwws
|
a lightweight , uneven action comedy that freely mingles french , japanese and hollywood polish .
| 0
|
pwws
|
a lightweight , uneven process comedy that freely mingles french , japanese and hollywood cultures .
| 0
|
pwws
|
a lightweight , uneven action comedy that freely mingles french , japanese and hollywood cultures .
| 0
|
clean
|
irwin and his director never come up with an adequate argue why we should pay money for what we can perplex on television for free .
| 0
|
pwws
|
irwin and his director never come up with an adequate reasonableness why we should pay money for what we can generate on television for free .
| 0
|
pwws
|
irwin and his director never come up with an passable reason why we should pay money for what we can generate on television for free .
| 0
|
pwws
|
irwin and his director never fare up with an adequate reason why we should pay money for what we can produce on television for free .
| 0
|
pwws
|
irwin and his manager never come up with an adequate cause why we should pay money for what we can get on television for free .
| 0
|
pwws
|
irwin and his director never come up with an adequate reason why we should pay money for what we can get on television for free .
| 0
|
clean
|
can you abide the laughter ?
| 1
|
pwws
|
can you deport the laughter ?
| 1
|
pwws
|
can you expect the laughter ?
| 1
|
pwws
|
can you gestate the laughter ?
| 1
|
pwws
|
can you stomach the laughter ?
| 1
|
pwws
|
can you bear the laughter ?
| 1
|
clean
|
`` abandon '' will allow you wanting to abandon the theater .
| 0
|
pwws
|
`` abandon '' will impart you wanting to abandon the theater .
| 0
|
pwws
|
`` abandon '' will leave you require to abandon the theater .
| 0
|
pwws
|
`` abandon '' will leave you wanting to abandon the field .
| 0
|
pwws
|
`` forsake '' will leave you wanting to abandon the theater .
| 0
|
pwws
|
`` abandon '' will leave you wanting to abandon the theater .
| 0
|
clean
|
the movie fails to portray its literarily talented and notorious capable as anything much more than a muddy old man .
| 0
|
pwws
|
the movie fails to portray its literarily talented and notorious case as anything much more than a muddied old man .
| 0
|
pwws
|
the movie fails to portray its literarily talented and notorious matter as anything much more than a sordid old man .
| 0
|
pwws
|
the movie fails to portray its literarily talented and notorious subject as anything much more than a dirty older human .
| 0
|
pwws
|
the movie fails to portray its literarily talented and notorious theme as anything much more than a sordid old man .
| 0
|
pwws
|
the movie fails to portray its literarily talented and notorious subject as anything much more than a dirty old man .
| 0
|
clean
|
not as good as the full monty , but a really firm second effort .
| 1
|
pwws
|
not as good as the full monty , but a really inviolable second effort .
| 1
|
pwws
|
not as good as the full monty , but a really strong moment effort .
| 1
|
pwws
|
not as practiced as the full monty , but a really strong second effort .
| 1
|
pwws
|
not as undecomposed as the full monty , but a really strong second effort .
| 1
|
pwws
|
not as good as the full monty , but a really strong second effort .
| 1
|
clean
|
asks what truth can be discerned from non-firsthand experience , and specifically head cinema 's capability for recording truth .
| 1
|
pwws
|
asks what truth can be discerned from non-firsthand experience , and specifically questions cinema 's capability for immortalise truth .
| 1
|
pwws
|
asks what truth can be discerned from non-firsthand experience , and specifically questions cinema 's capability for recording Truth .
| 1
|
pwws
|
asks what truth can be discerned from non-firsthand experience , and specifically questions cinema 's capability for show truth .
| 1
|
pwws
|
need what truth can be discerned from non-firsthand experience , and specifically questions cinema 's capability for recording truth .
| 1
|
pwws
|
asks what truth can be discerned from non-firsthand experience , and specifically questions cinema 's capability for recording truth .
| 1
|
clean
|
audiences are advised to sit near the back and squint to debar noticing some truly egregious lip-non-synching , but otherwise the production is suitably refined .
| 1
|
pwws
|
audiences are advised to sit near the hind and squint to avoid noticing some truly egregious lip-non-synching , but differently the production is suitably elegant .
| 1
|
pwws
|
audiences are advised to sit near the punt and squint to avoid comment some truly egregious lip-non-synching , but otherwise the production is suitably elegant .
| 1
|
pwws
|
audiences are advised to sit virtually the back and squint to invalidate noticing some truly egregious lip-non-synching , but otherwise the production is suitably elegant .
| 1
|
pwws
|
audiences are advised to sit well-nigh the game and squint to avoid noticing some truly egregious lip-non-synching , but otherwise the production is suitably elegant .
| 1
|
pwws
|
audiences are advised to sit near the back and squint to avoid noticing some truly egregious lip-non-synching , but otherwise the production is suitably elegant .
| 1
|
clean
|
... a self-coloured , unassuming drama .
| 1
|
pwws
|
... a solid , retiring drama .
| 1
|
pwws
|
... a strong , unassuming drama .
| 1
|
pwws
|
... a unanimous , unassuming drama .
| 1
|
pwws
|
... a upstanding , unassuming drama .
| 1
|
pwws
|
... a solid , unassuming drama .
| 1
|
clean
|
a formula class tearjerker told with a heavy irish brogue ... accentuating , rather than muting , the plot 's saccharine thrust .
| 1
|
pwws
|
a formula family tearjerker say with a heavy irish brogue ... accentuating , rather than muting , the plot 's saccharine thrust .
| 1
|
pwws
|
a formula family tearjerker told with a arduous irish brogue ... accentuating , rather than muting , the plot 's saccharine thrust .
| 1
|
pwws
|
a formula family tearjerker told with a heavy irish brogue ... accentuating , rather than muting , the plot 's saccharine poking .
| 1
|
pwws
|
a formula family tearjerker told with a heavy irish brogue ... stress , rather than muting , the plot 's saccharine thrust .
| 1
|
pwws
|
a formula family tearjerker told with a heavy irish brogue ... accentuating , rather than muting , the plot 's saccharine thrust .
| 1
|
clean
|
it 's fairly self-colored -- not to mention well edited so that it certainly does n't feel like a film that strays past the two and a half tag .
| 1
|
pwws
|
it 's fairly solid -- not to mention comfortably edited so that it certainly does n't feel like a film that strays past the two and a half marker .
| 1
|
pwws
|
it 's fairly solid -- not to mention well edited so that it certainly does n't feel like a cinema that strays past the two and a half set .
| 1
|
pwws
|
it 's fairly solid -- not to mention well edited so that it certainly does n't feel like a film that err past the two and a half scratch .
| 1
|
pwws
|
it 's jolly solid -- not to quotation well edited so that it certainly does n't feel like a film that strays past the two and a half mark .
| 1
|
pwws
|
it 's fairly solid -- not to mention well edited so that it certainly does n't feel like a film that strays past the two and a half mark .
| 1
|
clean
|
the holiday message of the 37-minute santa cinque. the snowman leaves a lot to be desired .
| 0
|
pwws
|
the holiday message of the 37-minute santa quintuplet. the snowman leaves a lot to be desired .
| 0
|
pwws
|
the holiday message of the 37-minute santa v. the snowman leaves a lot to be desired .
| 0
|
pwws
|
the holiday message of the 37-minute santa vs. the snowman bequeath a lot to be desired .
| 0
|
pwws
|
the holiday message of the 37-minute santa vs. the snowman provide a lot to be desired .
| 0
|
pwws
|
the holiday message of the 37-minute santa vs. the snowman leaves a lot to be desired .
| 0
|
clean
|
a offensive , incoherent mess ... a scummy ripoff of david cronenberg 's brilliant ` videodrome . '
| 0
|
pwws
|
a unworthy , incoherent mess ... a scummy ripoff of david cronenberg 's brilliant ` videodrome . '
| 0
|
pwws
|
a vile , incoherent mess ... a scummy ripoff of David cronenberg 's brilliant ` videodrome . '
| 0
|
pwws
|
a vile , incoherent mess ... a scummy ripoff of david cronenberg 's brainy ` videodrome . '
| 0
|
pwws
|
a vile , tongue-tied mess ... a scummy ripoff of david cronenberg 's brilliant ` videodrome . '
| 0
|
pwws
|
a vile , incoherent mess ... a scummy ripoff of david cronenberg 's brilliant ` videodrome . '
| 0
|
clean
|
dianoetic but oddly riveting documentary .
| 1
|
pwws
|
digressive but oddly riveting documentary .
| 1
|
pwws
|
discursive but oddly concentrate documentary .
| 1
|
pwws
|
discursive but oddly riveting documental .
| 1
|
pwws
|
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