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stringlengths 5
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|---|---|---|
often lingers just as long on the irrelevant as on the mesh , which gradually turns what clock is it there ?
| 0 |
pwws
|
often lingers just as long on the irrelevant as on the engaging , which gradually turns what time is it there ?
| 0 |
clean
|
a sensitive , move , brilliantly constructed work .
| 1 |
pwws
|
a sensitive , prompt , brilliantly constructed work .
| 1 |
pwws
|
a sensitive , moving , brilliantly constructed work .
| 1 |
clean
|
not exaggerated enough to be a parody of gross-out pic , college flicks , or even flicks in general .
| 0 |
pwws
|
not overdo enough to be a parody of gross-out flicks , college flicks , or even flicks in general .
| 0 |
pwws
|
not exaggerated enough to be a parody of gross-out flicks , college flicks , or even flicks in general .
| 0 |
clean
|
a idealistic snoozer .
| 0 |
pwws
|
a rarified snoozer .
| 0 |
pwws
|
a high-minded snoozer .
| 0 |
clean
|
add on the sequel .
| 1 |
pwws
|
land on the sequel .
| 1 |
pwws
|
bring on the sequel .
| 1 |
clean
|
judging by those standards , ` scar ' is a pretty decent little documentary .
| 1 |
pwws
|
judging by those standards , ` scratch ' is a pretty decent lilliputian documentary .
| 1 |
pwws
|
judging by those standards , ` scratch ' is a pretty decent little documentary .
| 1 |
clean
|
a movie like the guys is why film criticism can be considered act .
| 0 |
pwws
|
a movie like the guys is why flick criticism can be considered work .
| 0 |
pwws
|
a movie like the guys is why film criticism can be considered work .
| 0 |
clean
|
pc constancy notwithstanding , the film suffers from a simplistic narrative and a pat , fairy-tale conclusion .
| 0 |
pwws
|
pc stability notwithstanding , the film stomach from a simplistic narrative and a pat , fairy-tale conclusion .
| 0 |
pwws
|
pc stability notwithstanding , the film suffers from a simplistic narrative and a pat , fairy-tale conclusion .
| 0 |
clean
|
an frequently watchable , though goofy and lurid , blast of a costume drama set in the late 15th century .
| 1 |
pwws
|
an often watchable , though goofy and lurid , blast of a costume drama rigid in the late 15th century .
| 1 |
pwws
|
an often watchable , though goofy and lurid , blast of a costume drama set in the late 15th century .
| 1 |
clean
|
check your wit and your secret agent decoder ring at the door because you do n't want to think too much about what 's sledding on .
| 0 |
pwws
|
hold your brain and your occult agent decoder ring at the door because you do n't want to think too much about what 's going on .
| 0 |
pwws
|
check your brain and your secret agent decoder ring at the door because you do n't want to think too much about what 's going on .
| 0 |
clean
|
a seriocomic debut of profligate promise by georgian-israeli director dover kosashvili .
| 1 |
pwws
|
a seriocomic debut of spendthrift promise by georgian-israeli director dover kosashvili .
| 1 |
pwws
|
a seriocomic debut of extravagant promise by georgian-israeli director dover kosashvili .
| 1 |
clean
|
as cloying as it is disposable .
| 0 |
pwws
|
as syrupy as it is disposable .
| 0 |
pwws
|
as saccharine as it is disposable .
| 0 |
clean
|
the film becomes an overwhelming pleasure , and you find yourself rooting for gai 's character to obviate the designate that has befallen every other carmen before her .
| 1 |
pwws
|
the film becomes an submerge pleasure , and you find yourself rooting for gai 's character to avoid the luck that has befallen every other carmen before her .
| 1 |
pwws
|
the film becomes an overwhelming pleasure , and you find yourself rooting for gai 's character to avoid the fate that has befallen every other carmen before her .
| 1 |
clean
|
matters play out realistically if not always evenhandedly .
| 1 |
pwws
|
matters play out realistically if not always somewhat .
| 1 |
pwws
|
matters play out realistically if not always fairly .
| 1 |
clean
|
as lively an report as seinfeld is deadpan .
| 0 |
pwws
|
as snappy an account as seinfeld is deadpan .
| 0 |
pwws
|
as lively an account as seinfeld is deadpan .
| 0 |
clean
|
it may not be a great piece of filmmaking , but its force comes from its soul 's - eye view of how well-meaning patronizing masked a societal iniquity , at least as represented by this case .
| 1 |
pwws
|
it may not be a outstanding piece of filmmaking , but its power fare from its soul 's - eye view of how well-meaning condescend masked a social injustice , at least as represented by this case .
| 1 |
pwws
|
it may not be a great piece of filmmaking , but its power comes from its soul 's - eye view of how well-meaning patronizing masked a social injustice , at least as represented by this case .
| 1 |
clean
|
the only thing that distinguishes a randall wallace celluloid from any other is the fact that there is nothing differentiate in a randall wallace film .
| 0 |
pwws
|
the only thing that key a randall wallace shoot from any other is the fact that there is nothing distinguishing in a randall wallace film .
| 0 |
pwws
|
the only thing that distinguishes a randall wallace film from any other is the fact that there is nothing distinguishing in a randall wallace film .
| 0 |
clean
|
contains all the kernel of a twinkie -- easy to swallow , but scarcely nourishing .
| 0 |
pwws
|
contains all the sum of a twinkie -- easy to swallow , but scarcely nourishing .
| 0 |
pwws
|
contains all the substance of a twinkie -- easy to swallow , but scarcely nourishing .
| 0 |
clean
|
cremaster 3 is at once a tough tablet to swallow and a minor miracle of self-expression .
| 1 |
pwws
|
cremaster terzetto is at once a tough pill to swallow and a minor miracle of self-expression .
| 1 |
pwws
|
cremaster 3 is at once a tough pill to swallow and a minor miracle of self-expression .
| 1 |
clean
|
v wiel 's desperate attempt at wit is lost , leaving the character of critical jim two-dimensional and pointless .
| 0 |
pwws
|
ver wiel 's desperate attempt at wit is mazed , leaving the character of critical jim two-dimensional and pointless .
| 0 |
pwws
|
ver wiel 's desperate attempt at wit is lost , leaving the character of critical jim two-dimensional and pointless .
| 0 |
clean
|
instead of hitting the audience over the header with a moral , schrader relies on subtle ironies and visual twist to convey point of view .
| 1 |
pwws
|
instead of hitting the audience over the psyche with a moral , schrader relies on subtle ironies and visual devices to convey point of catch .
| 1 |
pwws
|
instead of hitting the audience over the head with a moral , schrader relies on subtle ironies and visual devices to convey point of view .
| 1 |
clean
|
a sustained fest of self-congratulation between actor and director that leaves scant plaza for the viewer .
| 0 |
pwws
|
a sustained fest of self-congratulation between actor and director that leaves scant target for the viewer .
| 0 |
pwws
|
a sustained fest of self-congratulation between actor and director that leaves scant place for the viewer .
| 0 |
clean
|
a lame romantic comedy about an disagreeable character and someone who would not likely be so stupid as to catch involved with her .
| 0 |
pwws
|
a lame romantic comedy about an unlikeable character and someone who would not likely be so stupid as to induce involved with her .
| 0 |
pwws
|
a lame romantic comedy about an unsympathetic character and someone who would not likely be so stupid as to get involved with her .
| 0 |
clean
|
a much more successful rendering than its most famous former film adaptation , writer-director anthony friedman 's similarly updated 1970 british production .
| 1 |
pwws
|
a much more successful translation than its most famed previous take adaptation , writer-director anthony friedman 's similarly updated 1970 british production .
| 1 |
pwws
|
a much more successful translation than its most famous previous film adaptation , writer-director anthony friedman 's similarly updated 1970 british production .
| 1 |
clean
|
hugh concede 's act is so consuming that sometimes it 's difficult to recite who the other actors in the movie are .
| 1 |
pwws
|
hugh grant 's act is so down that sometimes it 's difficult to tell who the other player in the movie are .
| 1 |
pwws
|
hugh grant 's act is so consuming that sometimes it 's difficult to tell who the other actors in the movie are .
| 1 |
clean
|
mendes even does n't quite know how to fill a frame .
| 0 |
pwws
|
mendes still does n't quite know how to fill a ensnare .
| 0 |
pwws
|
mendes still does n't quite know how to fill a frame .
| 0 |
clean
|
but darned if it does n't also keep u riveted to our seats .
| 1 |
pwws
|
but darned if it does n't also keep us concentrate to our seats .
| 1 |
pwws
|
but darned if it does n't also keep us riveted to our seats .
| 1 |
clean
|
such an incomprehensible mess that it feels less like bad cinema than like being adhere in a coloured pit having a nightmare about bad cinema .
| 0 |
pwws
|
such an incomprehensible spate that it feels less like bad cinema than like being stuck in a dark cavity having a nightmare about bad cinema .
| 0 |
pwws
|
such an incomprehensible mess that it feels less like bad cinema than like being stuck in a dark pit having a nightmare about bad cinema .
| 0 |
clean
|
there 's too much coerce drama in this wildly uneven movie , about a young man 's battle with his inescapable past and uncertain future in a very shapable but mostly unfulfilling submit .
| 0 |
pwws
|
there 's too much forced drama in this wildly odd flick , about a young man 's battle with his inescapable past and uncertain future in a very shapable but largely unfulfilling salute .
| 0 |
pwws
|
there 's too much forced drama in this wildly uneven movie , about a young man 's battle with his inescapable past and uncertain future in a very shapable but largely unfulfilling present .
| 0 |
clean
|
to call this film a clod of coal would only be to flatter it .
| 0 |
pwws
|
to call this film a lummox of coal would only be to flatter it .
| 0 |
pwws
|
to call this film a lump of coal would only be to flatter it .
| 0 |
clean
|
all of the filmmakers ' calculations ca n't rescue brown shekels from the curse of blandness .
| 0 |
pwws
|
all of the filmmakers ' calculations ca n't rescue brown sugar from the swearing of blandness .
| 0 |
pwws
|
all of the filmmakers ' calculations ca n't rescue brown sugar from the curse of blandness .
| 0 |
clean
|
intrigue and stylish .
| 1 |
pwws
|
intriguing and fashionable .
| 1 |
pwws
|
intriguing and stylish .
| 1 |
clean
|
a few nonbelievers may rethink their attitudes when they discover the joy the characters take in this creed , but skeptics are n't likely to insert the theater .
| 1 |
pwws
|
a few nonbelievers may rethink their posture when they regard the joy the characters take in this creed , but skeptics are n't likely to enter the theater .
| 1 |
pwws
|
a few nonbelievers may rethink their attitudes when they see the joy the characters take in this creed , but skeptics are n't likely to enter the theater .
| 1 |
clean
|
mostly , shafer and co-writer Gregory hinton lack a strong-minded viewpoint , or a sense of humor .
| 0 |
pwws
|
mostly , shafer and co-writer gregory hinton lack a strong-minded viewpoint , or a sense of witticism .
| 0 |
pwws
|
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