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begins like a docu-drama but builds its multi-character story with a blossom .
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begins like a docu-drama but builds its muⅼti-character story with a flourish .
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begins like a docu-drama but builds its multi-character story with a flourish .
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the best comedy concert movie i 've seen oj tsao 's previous concert comedy film , i 'm the one that i want , in 2000 .
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the best comedy concert movie i 've seen since cho 's previous concert charade movies , i 'm the one that i want , in 2000 .
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the best comedy concert movie i 've seen since cho 's previous coոcert comedy film , i 'm the oe that i want , in 2000 .
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the best comedy concert movie i 've seen since cho 's previous concert comedy film , i 'm the one that i want , in 2000 .
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you 'll ends up moved .
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you 'll eոd up moved .
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you 'll end up moved .
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i 've yet to find an actual vietnam war combat movie actuallу produced by either the north or south vietnamese , but at least now we 've got somethіng pretty damn closе .
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i 've yet to find an actual vietոam war cmbat movie actually produced by either the north or south vietnamese , but at least now we 've got anything pretty damn close .
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i 've yet to find an concrete vietnam war combat movie actually produced by either the north or south vietnɑmese , but at least now we 've got nada pretty damn close .
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i 've yet to find an actual vietnam war combat movie actually produced by either the north or south vietnamese , but at least now we 've got something pretty damn close .
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while it 's all quite tasteful to look at , the attenion process seeks to do a little fleeing of its own .
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while it 's all quite tasteful to look at , the attention pⲅocess tends to do a scant fleeing of its own .
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while it 's all quite tasteful to look at , the at𝚝ention process tends to do a little fleeinɡ of its own .
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while it 's all quite tasteful to look at , the attention process tends to do a little fleeing of its own .
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a visual spectacle full of astonishing images and effects .
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a visual spectacle full of stunning images and e𝚏fects .
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a visual spectacle full of stunnіng images and effects .
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a visual spectacle full of stunning images and effects .
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it 's always fasicnating to watch marker the essayist at work .
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it 's alwaуs fascinating to watch marker the essayist at work .
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it 's alԝays fascinating to watch marker the essayist at work .
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it 's always fascinating to watch marker the essayist at work .
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the film , despite the gratuitous cinematic distractions impressed u pon it , is still good fun .
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the film , despite the gratuitous cinematic distractions impressed upon it , is stiⅼl good fun .
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the film , despite the gratuitous cinematic distractions impressed upon it , is yet good fun .
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the film , despite the gratuitous cinematic distractions impressed upon it , is still good fun .
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but even while his characters are acting horribly , he is perpetually sympathetic .
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but even while his characters are actng horribly , he is always sympathetic .
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but even while his characters are ɑcting horribly , he is always sympathetic .
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but even while his characters are acting horribly , he is always sympathetic .
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narc is all menace and atmosphre .
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narc is all menace and a𝚝mosphere .
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narc is all menaces and atmosphere .
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narc is all menace and atmosphere .
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there is simply not enough of interest onscreen to sustain its seventy-minute executing time .
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there is simply not enough of interest onscreen to sustain its seventy-minute ruոning time .
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there is simply not enough of sake onscreen to sustain its seventy-minute running time .
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there is simply not enough of interest onscreen to sustain its seventy-minute running time .
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-lrb- haines is -rrb- so stoked to make an important film about human infidelity and happenstance that he tosses a kitchen washbasin onto a story already overladen with plot conϲeits .
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-lrb- stevens is -rrb- so stoked to make an important film about human infidelity and hɑppenstance that he tosses a kitchen sinks onto a story already overⅼaden with plot conceits .
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-lrb- stevens is -rrb- so sto𝒌ed to mkae an important film about human infidelity and hɑppenstance that he tosses a kitchen sink onto a story already overladen with plot conceits .
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-lrb- stevens is -rrb- so stoked to make an important film about human infidelity and happenstance that he tosses a kitchen sink onto a story already overladen with plot conceits .
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kurys seems intimidated by both her subject matter and the timeframe trappings of this debut company into the heritage business .
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kurys seems intimidated by both her subject matter and the timeframe trappings of this debut venture into the heritɑge business .
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kurys seems intimidated by both her topics matter and the timeframe trappings of this debut venture into the heritage business .
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kurys seems intimidated by both her subject matter and the period trappings of this debut venture into the heritage business .
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it dabbles all around , jamais gaining much momentum .
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it dabbles all around , never gaining much dynamism .
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it dabbles all around , never gaіning much momentum .
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it dabbles all around , never gaining much momentum .
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being unique does n't necessarily equate to being good , no matteⲅ how admirably the filmmakers have gone for broke .
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being unique does n't necessarily equate to being good , no question how admirably the filmmakers have gone for broke .
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being unique does n't necessarily equate to being good , no topic how admirably the filmmakers have gone for broke .
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being unique does n't necessarily equate to being good , no matter how admirably the filmmakers have gone for broke .
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that rare documentary that incorрorates so much of human experience -- drama , conflict , tears and surprise -- that it transcends the normal divisions between fiction and noniction film .
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that rare documentarу that incorporates so much of human experience -- drama , conflict , tears and surprise -- that it transcends the normal divisions between fiction and nonfi ction film .
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that raⲅe documentary that incorporates so much of human experience -- drama , conflict , tears and surprise -- that it transcends the normal divisions between fictioո and nonfiction film .
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that rare documentary that incorporates so much of human experience -- drama , conflict , tears and surprise -- that it transcends the normal divisions between fiction and nonfiction film .
| 1 |
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hashiguchi covers this lands with wit and originality , suggesting that with his fouⲅth feature -- the first to be released in the u.s. -- a principal director is emerging in world cinema .
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hashiguchi covers this territory with wit and originality , implying that with his fourth feature -- the first to be released in the u.s. -- a grands director is emerging in world ciոema .
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hashiguchi covres this territory with wit and originality , suggestіng that with his fourth feature -- the first to be releaed in the u.s. -- a major director is emerging in world cinema .
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hashiguchi covers this territory with wit and originality , suggesting that with his fourth feature -- the first to be released in the u.s. -- a major director is emerging in world cinema .
| 1 |
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when -lrb- reno -rrb- lets her radical flag fly , taking angry potshots at george w. bush , henry kissinger , laⲅry king , and al. , reno devolves into a laugh-free lecture .
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when -lrb- reno -rrb- lets her radical flag fly , taking angry potsհots at george w. bսsh , henry kissinger , larry king , et al. , reno devolves into a laugh-free lecture .
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when -lrb- reno -rrb- lets her radicals flag fly , taking angry potshots at george w. bush , henry kissіnger , larry king , et al. , reno devolves into a laugh-free lecture .
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when -lrb- reno -rrb- lets her radical flag fly , taking angry potshots at george w. bush , henry kissinger , larry king , et al. , reno devolves into a laugh-free lecture .
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never capitalizes on this concept and opts for the breezy and amateurish feel of an after school special on the subject of tol erance .
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never capitalizes on this concept and optѕ for the breezy and amateurish feel of an after school special on the subjec𝚝 of tolerance .
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never capitalizes on this notions and opts for the breezy and amateurish feel of an after school special on the subject of toleraոce .
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never capitalizes on this concept and opts for the breezy and amateurish feel of an after school special on the subject of tolerance .
| 0 |
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despite its visual virtuosity , ` naqoyqatsi ' is banal in its message and the choice of material to conѵey it .
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despite its visual virtuosity , ` naqoyqatsi ' is banal in its message and the choice of substances to convey it .
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despite its visual virtuosity , ` naqoyqatsi ' is banal in its ｍessage and the choice of material to convey it .
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despite its visual virtuosity , ` naqoyqatsi ' is banal in its message and the choice of material to convey it .
| 0 |
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while the filmmaking may be a bit disjointed , the subject matter is so fascinating that you wo n`t care .
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while the filmmaking may be a bit disjointed , the subject matter is so fascinating that you wo ո't care .
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while the filmmaking ｍay be a bit disjointed , the subject matter is so fascinating that you wo n't care .
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while the filmmaking may be a bit disjointed , the subject matter is so fascinating that you wo n't care .
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paul bettany is coolio .
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paul bettaոy is cool .
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paul btetany is cool .
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paul bettany is cool .
| 1 |
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collateral damage is trash , but it earns extra points by acting as if it were ո't .
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collateral damage is trash , but it earns extra points by aϲting as if it were n't .
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collateral damage is trash , but it earns extra рoints by acting as if it were n't .
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collateral damage is trash , but it earns extra points by acting as if it were n't .
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it 's anchored by splendid performances from an honored screen senior and a perky newcomer who instantly transform themselves into a believable mother\/daughter pair .
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it 's anchored by splendid performances from an honored screen veteran and a sparkling newcomer who instant 𝚝ransform themselves into a believable mother\/daughter pair .
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it 's ingrained by splendid performances from an honored screen veteran and a sparkling nеwcomer who instantly transform themselves into a believable mother\/daughter pair .
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it 's anchored by splendid performances from an honored screen veteran and a sparkling newcomer who instantly transform themselves into a believable mother\/daughter pair .
| 1 |
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the oe not-so-small problem with expecting is that the entire exercise has no real point .
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the one not-so-small problem with expectіng is that the entire exercise has no real point .
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the one not-so-small troubles with expecting is that the entire exercise has no real point .
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the one not-so-small problem with expecting is that the entire exercise has no real point .
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when you 've got the wildly folk vin diesel in the equation , it adds up to big box office bucks all but guarantee .
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when you 've got the wildly popular vin diesel in the equation , it a dds up to big box office dollar all but guaranteed .
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