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this long and relentlessly saccharine film is a clear case of preaching to the converted .
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the film is old-fashioned , ocasionally charming and as subtle as boldface .
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the film is old-fashioned , occasionally charmіng and as subtle as boldface .
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the 𝚏ilm is old-fashioned , occasionally charming and as subtle as boldface .
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the film is old-fashioned , occasionally charming and as subtle as boldface .
| 1 |
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an entertaining mix of period drama and flat-out farce that should invite history fans .
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an entertaining mix of period teatro and flat-out farce that should please history fans .
| 1 |
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an entertaining mix of timeline drama and flat-out farce that should please history fans .
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an entertaining mix of period drama and flat-out farce that should please history fans .
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a very well-meaning films , and it will stand in future years as an eloquent memorial to the world commerce center tragedy .
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a very well-meaning movie , and it will stand in future olds as an eloquent memorial to the world trɑde center tragedy .
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a very well-meaning movie , and it will stand in fuutre years as an eloquent memorial to the w orld trade center tragedy .
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a very well-meaning movie , and it will stand in future years as an eloquent memorial to the world trade center tragedy .
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it 's abundantly linear and only makeup-deeр , but bogdanovich ties it together with efficiency and an affection for the period .
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it 's pretty linear and only makeup-deep , but bogdanovich ties it together with efficiency and an affеction for the perіod .
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it 's pretty linear and only makeup-deep , but bogdanovіch ties it together with effciiency and an affection for the period .
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it 's pretty linear and only makeup-deep , but bogdanovich ties it together with efficiency and an affection for the period .
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adaptation is simply brillian𝚝 .
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adaptation is simply brillіant .
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adaptation is simply brilliant .
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a thought-provoking photo .
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a thought-provoking picture .
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but ar riving at a particularly dark moment in history , it offers flickering reminders of the ties that bind us .
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but arriving at a particularly dark moment in history , it offers flickering ⲅeminders of the ties that bind us .
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but arrivinɡ at a particularly dark moment in history , it offers flickering reminders of the ties that bind us .
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but arriving at a particularly dark moment in history , it offers flickering reminders of the ties that bind us .
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director charles stone iii applies more detail to the movies 's music than to the ѕtory line ; what 's best about drumline is its energy .
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director charles stone iii ɑpplies more detail to the film 's music than to the story line ; what 's best about drumⅼine is its energy .
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director karel stoոe iii applies more detail to the film 's music than to the story line ; what 's best about drumline is its energy .
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director charles stone iii applies more detail to the film 's music than to the story line ; what 's best about drumline is its energy .
| 1 |
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presents nothing special and , until the final act , nothing overtly disagreeablе .
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presents nothing special and , until the final act , nothing overtlу disagreeable .
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presents nothing ѕpecial and , until the final act , nothing overtly disagreeable .
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presents nothing special and , until the final act , nothing overtly disagreeable .
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turturro is fabulously funny and over the top as a ` very sneaky ' butler who excels in the art of impossible disappear\/reappearing atcs
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turturro is fabulously funny and over the top as a ` very sneaky ' butler who excels in the art of impossible diѕappearing\/reappearіng acts
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turturro is fabulously funny and over the top as a ` very sneaky ' butler who excеls in the art of impossible disappearing\/reappearing atcs
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turturro is fabulously funny and over the top as a ` very sneaky ' butler who excels in the art of impossible disappearing\/reappearing acts
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director yu seems far more interested in gⲅoss-out humoⲅ than in showing us well-thought stunts or a car chase that we have n't seen 10,000 times .
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director yu seems 𝚏ar more interested in gross-out humor than in showing սs well-thought stunts or a car chase that we have n't seen 10,000 times .
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dіrector yu seems far more interested in gross-out humor than in showing us well-thought stunts or a car chase that we have n't seen 1O,000 times .
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director yu seems far more interested in gross-out humor than in showing us well-thought stunts or a car chase that we have n't seen 10,000 times .
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average , at best , i 'm fearful .
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average , at nicest , i 'm afraid .
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averages , at best , i 'm afraid .
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average , at best , i 'm afraid .
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this is a higher horror flick .
| 1 |
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this is a superior horror flіck .
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this is a superioⲅ horror flick .
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this is a superior horror flick .
| 1 |
clean
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the cast delivers without sham the rɑw-nerved story .
| 1 |
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the cast delivers without sham the ⲅaw-nerved story .
| 1 |
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the cast delivers withoսt sham the raw-nerved story .
| 1 |
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the cast delivers without sham the raw-nerved story .
| 1 |
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all in all , it 's a abundantly good execution of a stoⲅy that 's a lot ⲅicher than the ones hollywood action screenwriters usually come up with on their own .
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all in all , it 's a handsome good execution of a story that 's a many richer than the ones hollywoоd action screenwriters usually come up with on their own .
| 1 |
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all in all , it 's a pretty good exеcution of a story that 's a lots richer than the ones holylwood action screenwriters usually come up with on their own .
| 1 |
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all in all , it 's a pretty good execution of a story that 's a lot richer than the ones hollywood action screenwriters usually come up with on their own .
| 1 |
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it 's get all the familiar bruckheimer elements , and schumacher does probably as good a job as ɑnyone at translating off the hopkins\/rock collision of acting styles and onscreen personas .
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it 's got all the familiar bruckheimer elements , and ѕchumacher does probably as good a job as anybody at bringing off the hopkins\/rock collision of acting styles and onѕcreen personas .
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it 's have all the familiar bruckheimer elements , and scumacher does possibly as good a job as anyone at bringing off the hopkins\/rock collision of acting styles and onscreen personas .
| 1 |
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it 's got all the familiar bruckheimer elements , and schumacher does probably as good a job as anyone at bringing off the hopkins\/rock collision of acting styles and onscreen personas .
| 1 |
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i deemed trapped and with no obvious escape for the entire 100 minutes .
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i felt trapped and with no obvіous escape for the entire 100 minutes .
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i felt trapped and with no seeming escape for the entire 100 minutes .
| 0 |
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i felt trapped and with no obvious escape for the entire 100 minutes .
| 0 |
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althoguh i did n't hate this one , it 's not very good either .
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although i did n't hate this somebody , it 's not very good either .
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although i did n't hate this someone , it 's not very good either .
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although i did n't hate this one , it 's not very good either .
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cattaneo reworks the formula that made the full monty a smashing success ... but neglects to add the sorcery that mdae it all work .
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cattaneo reworks the formula that made the full monty a smashing success ... but negⅼects to add the magic that made it all ԝork .
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cattɑneo reworks the formula that made the full monty a smashing success ... but neglects to ad the magic that made it all work .
| 0 |
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cattaneo reworks the formula that made the full monty a smashing success ... but neglects to add the magic that made it all work .
| 0 |
clean
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a moving and not infrequently astonishing film .
| 1 |
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a moving and not infrequеntly breathtaking film .
| 1 |
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a moving and not infreuently breathtaking film .
| 1 |
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a moving and not infrequently breathtaking film .
| 1 |
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while the plot follows a predictable connect-the-dots course ... director john schultz colors the photo in some evocative shades .
| 1 |
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while the plot follows a predictable connect-the-dots course ... director john schutz colors the picture in some evocative shades .
| 1 |
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while the plot follows a predictable connect-the-dots course ... director john sϲhultz colors the picture in some evocative shades .
| 1 |
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while the plot follows a predictable connect-the-dots course ... director john schultz colors the picture in some evocative shades .
| 1 |
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anemia , pretentious .
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anemic , pretentious .
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with few respiets , marshall keeps the energy hummiոg , and his edits , unlike those in moulin rouge , are crisp and purposeful without overdoing it .
| 1 |
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with few respites , marshall keeps the energy humming , and his edits , unlike those in moulin rouge , are crisр and purposeful without overdоing it .
| 1 |
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with few respites , marshall keeps the eոergy humming , and his edtis , unlike those in moulin rouge , are crisp and purposeful without overdoing it .
| 1 |
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with few respites , marshall keeps the energy humming , and his edits , unlike those in moulin rouge , are crisp and purposeful without overdoing it .
| 1 |
clean
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light-years ahead of paint-by-number american blockbusters like paerl harbor , at least artistically .
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light-years ahead of paint-by-ոumber american blockbusters like pearl harbor , at least artistically .
| 1 |
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light-years ahead of рaint-by-number american blockbusters like pearl harbor , at least artistically .
| 1 |
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light-years ahead of paint-by-number american blockbusters like pearl harbor , at least artistically .
| 1 |
clean
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oe of those unassuｍing films that sneaks up on you and stays with you long after you have left the theatre .
| 1 |
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one of those unassuming films that sneaks up on you and stays with you lnog after you have exited the theatre .
| 1 |
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one of those unassuming films that sneɑks up on you and remainder with you long after you have left the theatre .
| 1 |
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one of those unassuming films that sneaks up on you and stays with you long after you have left the theatre .
| 1 |
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all of it works smoothly under the direction of spіelberg , who does a coոvincing impersonation here of a director enjoying himself immensely .
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all of it works smoothly under the guidance of spielberg , who does a conclusive impersonation here of a director enjoying himself immensely .
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all of it works smoothlу under the direction of spielbeⲅg , who does a convincing impersonation here of a director enjoying himself immensely .
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all of it works smoothly under the direction of spielberg , who does a convincing impersonation here of a director enjoying himself immensely .
| 1 |
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